- 16 hours ago
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00:00:23What happened?
00:00:30Oh, my God.
00:01:00Horrible murder is in some special.
00:01:24Yes, more news about that shocking business last night.
00:01:27What's they're caught, sir?
00:01:27No, but the commission is offering a reward of a thousand pounds with capture.
00:01:31Only the child could spot him.
00:01:33Has the telephone man called him?
00:01:34Yes.
00:01:34He said they'll cut it off, but we don't pay within three days.
00:01:37That let him go at all.
00:01:39Anyway, we can't afford it.
00:01:40Has nobody been about the rooms, has there?
00:01:42Yes.
00:01:43I don't know what things are coming to.
00:01:44What with these new luxury hotels and service brett, they seem to be ruining us.
00:01:48Oh, quite, sir.
00:01:57Have you finished?
00:01:58Have you finished?
00:01:59I'm trying to get them.
00:02:00If you will be pleased to know that I will change the lines.
00:02:03Not through.
00:02:04Please, Miss Patne.
00:02:10The time is up.
00:02:11Will you have them at all?
00:02:13Not through.
00:02:14Please, Miss Patne.
00:02:20Not through.
00:02:21Will you please, Miss Patne?
00:02:25Are you there?
00:02:25Are you there?
00:02:26You're through.
00:02:28Hello, supervisor.
00:02:30You're through before what you said and I know.
00:02:31I can't understand what's present.
00:02:35Now, gentlemen, the Bosnian government are sending Mr. Silvano, the state criminologist,
00:02:40with a full description of a maniac who is responsible for the Bosnian murders
00:02:43and who escapes from the state asylum there sometime day.
00:02:48Mr. Silvano is convinced that this man and the avenger are one of the same persons.
00:02:51This is the application, sir.
00:02:53On no account.
00:02:54I give you this information so that if any rumors of his arrival meet your ears, you'll
00:02:58understand that not to be commented on.
00:03:00That'll do.
00:03:00Is that all clear, gentlemen?
00:03:01Yes, sir.
00:03:04Joe Martin.
00:03:05Yes, sir?
00:03:06Mitchell tells me you're smart enough to come in out of the rain, if you're called.
00:03:09Oh, that's very good of you, Mitchell.
00:03:11Now, Martin.
00:03:11Sorry, sir.
00:03:11I want you to concentrate on this case with the exclusion of everything else.
00:03:15Anything you may pick up anywhere, send it straight through the Mitchell himself.
00:03:18You understand?
00:03:18Yes, sir.
00:03:19Get on with it.
00:03:20Right.
00:03:21Mitchell.
00:03:29Oh.
00:03:30Hello.
00:03:31Hello, Dad.
00:03:33What?
00:03:34What?
00:03:34He's in specials.
00:03:36He's in specials.
00:03:39He's in specials.
00:03:40He's in specials.
00:03:41He's in specials.
00:03:42What's this?
00:03:44Another of them avenge a murder, surely?
00:03:46Sounds like it.
00:03:47What the hell are the police doing?
00:03:49Especially after a pair last week.
00:03:52You know, Daisy, it doesn't like you all being out alone at night.
00:03:56Especially as the evenings are drawing in and the fog about.
00:03:59Oh, rubbish.
00:04:01Pain rubbish.
00:04:02If Joe can't manage to meet you, I shall have to turn out myself.
00:04:08Rising sun to you.
00:04:10Aye.
00:04:10Oh, no, you don't.
00:04:12I'm not going to have you hanging about outside the exchange.
00:04:14You'll only go down with your old asthma again, then we shall know about it.
00:04:17Well, there's gratitude.
00:04:19If anybody suffered in the silence with asthma, it's me.
00:04:23You wait till I'm gone.
00:04:24Then you'll realize what a good father you've had.
00:04:26John?
00:04:27John?
00:04:28John, in the middle.
00:04:30John, in the middle.
00:04:32John, in the middle.
00:04:34John, in the middle.
00:04:35John, in the middle.
00:04:36John, in the middle.
00:04:36Now, Joe.
00:04:37Now.
00:04:38What a gentleman.
00:04:41All right, I'll go.
00:04:52Good evening.
00:04:54Good evening.
00:04:55I saw your friends on the desk.
00:04:58You have a room to let?
00:05:00Yes, yes.
00:05:02Ma'am!
00:05:02There's a gentleman, sir.
00:05:04Just a minute, sir.
00:05:06Won't you come in?
00:05:10I think there's something to fit you, sir.
00:05:12Would you step up and help me?
00:05:15What's that?
00:05:17Only my husband, sir.
00:05:19Oh, your husband.
00:05:22Oh, the door.
00:05:23Is it safe to leave the door open in London?
00:05:26Oh, we'll shut it down.
00:05:27Is it safe to leave the door open?
00:05:29Come up.
00:05:30Must have seen some big people in this day.
00:05:33It's a little bit of an invitation.
00:05:38This is Harvey's room, sir.
00:05:41It's in the front.
00:05:43But you'll find it very quiet.
00:05:46Why it?
00:05:48Yes.
00:05:51That is very important.
00:05:57Well, I have found just what I want.
00:06:02There.
00:06:03That's right.
00:06:04Thank you, sir.
00:06:05And the name?
00:06:06The name is...
00:06:08Angelo.
00:06:09Michel Angelo.
00:06:11Angelo.
00:06:11Oh, well, let me need to remember.
00:06:13You know, I'm a musician, and I've painfully neglected my music lately.
00:06:18I'm a star to tell you.
00:06:21Oh, you have a piano?
00:06:22Yes, sir.
00:06:23Yes, sir.
00:06:23Yes, sir.
00:06:23Oh, it's good.
00:06:24I'm lucky.
00:06:26Everyone says it's a very good one, sir.
00:06:28We've been lucky to keep it.
00:06:38Take that, sir.
00:06:44Yes, it's good.
00:06:51Oh!
00:06:52That door.
00:06:53That has a key that you locked a door.
00:06:55Yes, yes.
00:06:57He's in the lock.
00:06:58Oh, yes.
00:07:01Oh, yes.
00:07:01Really luck?
00:07:04You've taken them.
00:07:05You'll keep me in the real basement, please.
00:07:07I'll be two weeks left now.
00:07:10Oh, dear, oh, dear.
00:07:11Oh, dear.
00:07:11I thought we were never going to have any luck anymore.
00:07:16Oh dear, you mustn't see me like this.
00:07:19Oh, David, you take it up.
00:07:20Yes.
00:07:21Don't take on some, ma'am.
00:07:25Yes, darling.
00:07:26Now you take it up.
00:07:27Oh dear.
00:07:32Feeling better, ma'am?
00:07:34Yes, yes.
00:07:35I'm all right, Judy.
00:07:36Shall I pop out and get you one?
00:07:38Oh no, no good.
00:07:39I'm all right.
00:07:40I'm lucky.
00:07:41What?
00:07:42Oh, sir, that's lucky.
00:08:26Oh, don't stop.
00:08:27It's luck.
00:08:29Yes, it's not bad, this fellow.
00:08:32Never found it so nice before.
00:08:36I brought you tea.
00:08:37Oh, thank you.
00:08:42You are the daughter?
00:08:43Yes.
00:08:44I'm David.
00:08:46Why should you wake on me?
00:08:48Well, you are different.
00:08:49We don't go into service, you know.
00:08:52But do you do this all day?
00:08:53Oh, no.
00:08:55I've got a job.
00:08:56I'm a telephone operator.
00:08:58A telephone?
00:08:59Oh, horrible invention.
00:09:01I don't think it's horrible.
00:09:04Very useful.
00:09:06Very useful.
00:09:06Useful.
00:09:08A bit too useful.
00:09:10Sometimes.
00:09:25Hello, Giles.
00:09:26Where have you been?
00:09:27I'm sorry.
00:09:28I found a conference with a big chief.
00:09:29Oh, I know.
00:09:30You took care of me.
00:09:30Oh, I'm sorry.
00:09:31I couldn't get away.
00:09:32Oh, no.
00:09:32Oh, no.
00:09:33This is a big thing, eh?
00:09:35No, no.
00:09:36Listen, Mr. Bundy.
00:09:36You wouldn't like your daughter to marry a man who wasn't going to tend to visit.
00:09:39You know what Daisy is, don't you?
00:09:43You won't get the tea get killed, will you?
00:09:45I have already.
00:09:46It's frozen, but delicious.
00:09:50And she will ring if you want anything, won't you?
00:09:52I mean, were anything pleased?
00:09:54You're pleased to have me here?
00:09:56Oh, but of course.
00:09:58Oh, that is so kind.
00:10:06No, you don't mean to tell me there was a copper there within a few yards.
00:10:10That's exactly what I do mean, Mr. Martin.
00:10:12Oh.
00:10:13Oh, he's Daisy.
00:10:18Ah.
00:10:19You're a nice one, Joe Martin.
00:10:21I waited for you.
00:10:22Sorry, Daisy.
00:10:22I was just telling you, Dad.
00:10:24You didn't put me here no screen.
00:10:25No.
00:10:27I'm going to meet you.
00:10:28I'm fed up with you, Joe.
00:10:29We're here, Daisy.
00:10:31Steady, steady.
00:10:32You've got a chance.
00:10:33Big thing for him.
00:10:34I should say so.
00:10:35It'll interest you.
00:10:37A woman had her throat slit in a public call box.
00:10:40Ha, ha.
00:10:42Call box?
00:10:43Yes, in your district.
00:10:46What?
00:10:46What's that, Joe?
00:10:47Oh, it must have been just before you went all tooted.
00:10:51Oh.
00:10:53What's up, Daisy?
00:10:55Nothing on you.
00:10:56I think I must have heard it.
00:10:58Heard it?
00:10:58Heard what?
00:10:59A woman.
00:11:00Green.
00:11:02Oh.
00:11:05Yes.
00:11:05Baby.
00:11:06Yes.
00:11:07Baby.
00:11:08You tell me what you know.
00:11:12Are you going to tell me what you know?
00:11:14I can't now.
00:11:16Oh, don't be silly.
00:11:17What did you hear?
00:11:17Come on.
00:11:18Come on out a minute.
00:11:19Let me go, Joe.
00:11:20What did you hear?
00:11:22Nothing only.
00:11:23What?
00:11:24I heard a spree from a public call box.
00:11:26I thought it might be some children playing.
00:11:28They do sometimes.
00:11:29What did you do?
00:11:30Report it to the supervisor.
00:11:35Hello.
00:11:38Hello.
00:11:39Number, please, so I should think.
00:11:40Luggett, 4,000.
00:11:43Luggett, 4,000.
00:11:45Have you got cloth ears?
00:11:46You do love your time on the switch.
00:11:48Oh, I...
00:11:49Hello.
00:11:50Hello.
00:11:50Hello.
00:11:50Who am I?
00:11:51I mean, who are you?
00:11:52Well, why couldn't you say so?
00:11:54Mr. Mitchell, please.
00:11:58Hello.
00:11:59Hello.
00:11:59Is that you, Bob?
00:12:00I bet it's not your own.
00:12:02Take this down, Snappy.
00:12:04Red Hot Avenger story.
00:12:06I've just seen girl who heard victims scream from public call box.
00:12:09Joe!
00:12:10Shut up!
00:12:11From public call...
00:12:12Public...
00:12:13From public call box.
00:12:15Yes.
00:12:16Yes.
00:12:17Here she wants.
00:12:20She...
00:12:20You...
00:12:21Bunty.
00:12:23Oh, Bunty.
00:12:25Where does she live?
00:12:26At 12A Listen Road.
00:12:29With her parents, Mr. and Mrs. George Bunty.
00:12:32Yes.
00:12:32Got it?
00:12:33Yes.
00:12:35Yes.
00:12:36Yes.
00:12:36Oh, yes.
00:12:37Yes.
00:12:39Yes.
00:12:40Coming back now.
00:12:48Right.
00:12:49Thanks very much.
00:12:54Oh, that pig's a biscuit.
00:13:07No.
00:13:12Yes.
00:13:13Yes, sir.
00:13:13The ajuding devices still have to do some marvin, no?
00:13:16No?
00:13:16It's taking between her and the fabric go about by one of the girls on each day.
00:13:21Good morning, Mr. Moriard, and she will follow up with English, Mr. Ford.
00:13:24Sure of it, sir?
00:13:25Yes.
00:13:26Martin, would you sit back upstairs?
00:13:28I put it short, but...
00:13:28By the way, can you get a 30 hours of the silverware?
00:13:31Thanks, sir.
00:13:32Really?
00:13:33You haven't sat with the...
00:13:37No, Mrs. Burling.
00:13:38I don't feel very hungry this morning.
00:13:42These murders.
00:13:43Is there a great feeling about them?
00:13:47Feeling?
00:13:47I should think there is a filthy beast.
00:13:51Or the victor of pieces, whoever he is.
00:13:53Beast, you call him?
00:13:54I should say so, sir.
00:13:56Think of all those innocent girls.
00:13:57But how do you know that he, too, is not innocent?
00:14:00That all these crimes that are for madness,
00:14:03the beast that is in all of us coming to the surface.
00:14:06How do you know that he knows what he does?
00:14:09Of course we know he must be out of his mind, sir.
00:14:11All the more reason why he should be shut up
00:14:13and put out of his misery.
00:14:17Put out of his misery.
00:14:20Yes.
00:14:23That is what should be done.
00:14:27What's that?
00:14:29Thank you, sir.
00:14:37Who is it, George?
00:14:38Oh, that's a lovely.
00:14:39Yes, very lovely.
00:14:43Yes, very lovely.
00:14:44Oh, my dear.
00:14:45Thank you, George.
00:14:46Thank you, George.
00:14:47Thank you, young man.
00:14:48Me and Mr. Bunting are very annoyed with him at the moment.
00:14:50He's responsible for that.
00:14:52Dragging baby is with.
00:14:54He's got to be led with him.
00:14:55Evidence?
00:14:56Yes.
00:14:57Oh, Mrs. Bunting, could you tell me something?
00:14:59Yes, sir.
00:15:00When foreigners arrive in London,
00:15:03is there any special district that they would choose to live in?
00:15:08Well, no, as there is, sir.
00:15:09And all depends on where he arrived.
00:15:12If it was Euston, there'd be the Euston Road.
00:15:14If it was Paddington, it might be round about here somewhere.
00:15:18Round about here?
00:15:20Oh, Mrs. Bunting.
00:15:22Would you mind removing these ladies?
00:15:31I'm used to bare walls, you know.
00:15:35Their eyes seem to follow me about.
00:15:37Don't they like them, sir?
00:15:38Not much.
00:15:40Oh, sorry.
00:15:41I thought they lied in the plane another bit.
00:15:44Oh, well, if you wish, sir,
00:15:45why can't they live in the plane a little bit?
00:15:47Well, I haven't been away.
00:16:07Will you see this?
00:16:08Nothing.
00:16:09Now, tell me.
00:16:10When did you first realize that what you overheard
00:16:12might have some connection with the crime we are investigating?
00:16:15I reported it to the supervisor.
00:16:17And although I shouldn't have done it,
00:16:19I tell my friend who's employed him in the newspaper.
00:16:22Well, he telephoned his office.
00:16:24And that made my father very angry.
00:16:26Of course your father to be angry.
00:16:28What cause?
00:16:29Well, it's always been showing what cause.
00:16:31How would he like to be dragged into a mix-up like this?
00:16:34Silence, sir.
00:16:35You cannot be heard.
00:16:37Can't be heard?
00:16:37What do you mean?
00:16:38I was saying, sir...
00:16:40You are out of order.
00:16:41Out of order?
00:16:42I'm just as healthy as...
00:16:44Sit down.
00:16:45Sit down.
00:16:46Sit down.
00:16:46Pardon me, sir.
00:16:47I understood.
00:16:48I was to speak what was in my mind.
00:16:50Well, what is in your mind?
00:16:52Nothing at the moment.
00:16:55At least to continue your ending.
00:16:58Well, you see, we let a part.
00:17:00So you let a part.
00:17:02And what's wrong with that?
00:17:03You might come down with yourself one day, you know.
00:17:05One more word out of you, sir.
00:17:07And I'll have you turned out of form.
00:17:09Sit down.
00:17:10Sit down.
00:17:12Sit down.
00:17:12Sit down.
00:17:13Sit down.
00:17:13Well, you see, we live at farms.
00:17:16And my father and mother will always get the house steady, respectable.
00:17:19And they're all afraid if we don't come up in a case like this.
00:17:21Well, in the lodge you might have guessed.
00:17:26Silence in thought.
00:17:28Right.
00:17:29Can I...
00:17:30I don't think we need to cover you any further...
00:17:33At the moment.
00:17:36Is it?
00:17:37Is it cold?
00:17:39Is it cold?
00:17:40Is it cold?
00:17:42Is it cold?
00:17:48Certainly.
00:17:49Certainly.
00:17:51Let him be sworn.
00:17:59Now this is the most important business, gentlemen.
00:18:02Mr. Silvano, the state criminologist of the government of Bosnia.
00:18:07Mr. Silvano believes that he has established the identity of the criminal as that of a notorious homicidal maniac who
00:18:15escaped from the state asylum at Nagreb some months ago.
00:18:19I state the case with you?
00:18:21Well, slightly.
00:18:22If my deductions are correct, the avenger is none other than Stefan Obelich, who was responsible for a series of
00:18:29similar crimes in my own country.
00:18:31Perhaps you will be good enough to tell the jury what you know of this man.
00:18:35Yes, indeed.
00:18:37Stefan Obelich comes of respectable bourgeois, or what you call middle-class families.
00:18:45His father is the conductor of the state orchestra.
00:18:48And Stefan himself is a very talented musician.
00:18:53He married.
00:18:55But he caused great unhappiness to himself.
00:18:59His wife deserted him in a very disgraceful manner.
00:19:03And this, apparently, unhins the poor young man's brain.
00:19:07Therefore, his indecorous animosity against all women.
00:19:44He used to be a great senator Yeah.
00:19:55And he did not know what to say about the virus right.
00:19:56So, we have some projLawed, who changed the fact that he loved.
00:19:56He was one of the leaders in his father's family.
00:19:56He was a good teacher.
00:19:57He was a good teacher.
00:19:58He was a good teacher.
00:20:22She's out there.
00:20:23How's Pat?
00:20:23I've had him up there, Mum.
00:20:24I don't know why he doesn't like him.
00:20:26Something to do with his disliking women, I suppose.
00:20:29He'd mixed him so with a bit of extensive life.
00:20:31Have you done that? Yes? Don't you hear it?
00:20:38No, there's...
00:20:39No, I don't think so.
00:20:41Any of them are going to come to that.
00:20:44I've got curiosity, as I might call it.
00:20:45It's sensational as that.
00:21:03. . .
00:21:05, , . .
00:21:11. .
00:21:11. .
00:21:55Oh, it's you.
00:21:57It's me.
00:22:02I was listening.
00:22:03Why do you stay outside and listen?
00:22:05Well, I don't like to bother you.
00:22:07Oh, it's no bother, I assure you.
00:22:09Very nice to have someone to talk to.
00:22:12London is a very lonely place to be.
00:22:18You were home early?
00:22:19Yes.
00:22:20I came straight home from that horrid interest.
00:22:23I saw you there.
00:22:26Whatever made you go?
00:22:31Oh, interesting enough.
00:22:33The beginning of the chain.
00:22:35All the bloodhounds raining to leave.
00:22:39Very amusing.
00:22:42Not quite so amusing for the wretched, hunted creatures, skulking and hiding somewhere.
00:22:50But where?
00:22:51Where?
00:22:53I think you're feeling I better about you.
00:22:56Yes.
00:22:57Foolish, isn't he?
00:22:58But you know, I cannot help placing myself in the same position that he is.
00:23:02Whoever he is.
00:23:05Oh, but that...
00:23:06Don't let's talk about things like that and think about them at all.
00:23:09You come here to listen to music and we talk of murder.
00:23:13What a silly word.
00:23:16The next time we will talk about less gloom, it is.
00:23:20You know, sunshine, flowers, music perhaps.
00:23:25Sweet, innocent things.
00:23:28It would be a bit more careful, wouldn't it?
00:23:30Now, don't forget, the next time you come to listen, don't stay outside.
00:23:35All right.
00:23:37I won't.
00:24:04I've seen Daisy talking to the judge again.
00:24:06Where?
00:24:07On the landing, outside his room.
00:24:08He claimed this morning the shaving water took him up wasn't off.
00:24:11Shaving water?
00:24:11It's an early morning cup of tea.
00:24:32Oh, I'm talking too much to Mr. Angeloff.
00:24:35Who says so?
00:24:36I say so.
00:24:37You spoke me first, never mind.
00:24:40A gentleman's a gentleman.
00:24:42He was probably only part of the time of day.
00:24:44Oh, a very interesting man.
00:24:47Oh, is he?
00:24:48Oh, well, on second thought, I think you'd better sleep with your mother downstairs and I'll have your room.
00:24:52Oh, ridiculous, can't I?
00:24:53Ridiculous nothing.
00:24:55I've been a lodger myself.
00:25:29I've been a lodger myself.
00:25:59I've been a lodger myself.
00:26:07I've been a lodger myself.
00:26:09He sounds right.
00:26:10Oh, he is.
00:26:12Mother likes him, too.
00:26:13Can he speak English, Will?
00:26:15How do you do?
00:26:17Hello.
00:26:20You're very brave to be sitting in the park at this time of year.
00:26:23We're just having our lunch.
00:26:25This is Mr. Evans, my friend.
00:26:26How do you do?
00:26:27I think it's the last bit of somewhere we'll get this year.
00:26:30Better not sitting in the stuff is happy.
00:26:31Well, I suppose I'd better be pushing off.
00:26:35Don't be late on the switch, you.
00:26:37Oh, don't go, Brad.
00:26:38Now, I've got to see a girl about a cat.
00:26:42Goodbye.
00:26:46Honey, we were talking about you when you came along.
00:26:49About me?
00:26:50What were you saying?
00:26:51All the easy things.
00:26:51Why to describe you.
00:26:53And how did you describe me?
00:26:54Well, different somehow.
00:26:56Different what?
00:26:57Do you think in what way?
00:26:59Oh, you know.
00:27:00You can see us.
00:27:01Ordinary things.
00:27:02Doing ordinary things all year round.
00:27:05Nothing much to look forward to.
00:27:06Well, what have I to look forward to?
00:27:07Oh, everything.
00:27:09Could have seen the world.
00:27:10You can go where you want to.
00:27:11I believe he's a kind of attractive fellow whom girls like.
00:27:15He leads them on a bit and when he gets them alone,
00:27:17lifts them up while the police are looking for a state lunacy.
00:27:20I interest you as a man.
00:27:22Of course it is.
00:27:24I told you you were different.
00:27:27No, no, it's you who are different.
00:27:29You are young and kind.
00:27:31You know, those two things do not always go together.
00:27:34Would it bore you very much?
00:27:36In my room sometimes.
00:27:38You know, it would help to take my mind off things.
00:27:40What sort of things?
00:27:42Oh, I cannot tell you that.
00:27:44Ever.
00:27:46I hate to see you sad.
00:27:49Oh, but I'm not sad when I'm with you.
00:27:51Oh, so bad.
00:27:54I can't think why you came to England.
00:27:56Well, you see, I was very unhappy in my own country.
00:27:59And then my parents suffered a very great grief.
00:28:03And while I thought they were certainly going away tomorrow,
00:28:05I thought they didn't.
00:28:09Do you know anything about these things, George?
00:28:11No.
00:28:12Of course I do not.
00:28:14It was good to me.
00:28:20I knew you didn't know anything about it.
00:28:22Just now you said I did.
00:28:24I didn't.
00:28:24I asked him to do.
00:28:26No.
00:28:26Then I thought it was a silly question right off.
00:28:28Oh, who was it trying to get the coupons to buy it from you?
00:29:08Oh, it's so beautiful, that slow power.
00:29:12You know, I think he must have been very sad when you wrote that book.
00:29:19Oh, what it is.
00:29:21I think someone else is very sad.
00:29:24Who is it trying to get the coupons to buy it?
00:29:26The view that makes you perfect.
00:29:29It's not Grifling.
00:29:33Oh, everything.
00:29:36Get fond of people and things.
00:29:38And something to go away.
00:29:41Definitely.
00:29:43Isn't it?
00:29:45What do you mean?
00:29:47Don't you know what I mean?
00:29:50Of course I mean.
00:29:54Listen.
00:29:58If things have been beautiful,
00:30:02there might have been something very beautiful,
00:30:06very happy for you and me, but...
00:30:10Why?
00:30:15Oh, don't, don't, please, don't look at me.
00:30:21Don't, don't look at me.
00:30:24Don't look at me.
00:30:24Don't look at me.
00:30:25Don't you know that I'm longing to take you in my arms?
00:30:27Don't you know that in all this silly world
00:30:30there is only one within such useless, and that is you?
00:30:34Then you do.
00:30:35Oh, no, forget what I said. I've no right.
00:30:37Well, no, I don't like having that spirit again.
00:30:40Get him off, then you'll get a shot.
00:30:42Well, if you know so much about it,
00:30:43come and do it yourself.
00:30:44No.
00:30:44All right, all right.
00:30:45Mind your head.
00:30:46You're a bit late, aren't you?
00:30:51Please, go away from me.
00:30:54Stay away from me.
00:30:55Don't ever be alone, you mean.
00:30:59Don't say things like that.
00:31:02You've been so kind of sweet.
00:31:05No.
00:31:07No.
00:31:08Oh, don't be unhappy, please.
00:31:12Oh, please, don't be unhappy.
00:31:14I can't bear it.
00:31:15Except that it's better for me.
00:31:19There's something frightening me, isn't it?
00:31:22Yes.
00:31:23Something that you can't tell me.
00:31:25So I'm going to tell you something.
00:31:30I don't care what it is.
00:31:32Why?
00:31:33You can tell me.
00:31:34I don't want to know.
00:31:35I only want you to feel it.
00:31:37I just don't care what it is.
00:31:41Whatever you are.
00:31:42Whatever you've done.
00:31:44I don't care.
00:31:46It makes no difference.
00:31:48I trust you.
00:31:50Really, I do.
00:31:52You trust me.
00:31:54And whatever I've done,
00:31:55whatever you may find out,
00:31:57you won't change.
00:31:59Never.
00:32:01Oh, why should I try something
00:32:04that is too strong for me?
00:32:19Hello, Mr. Bundy.
00:32:20Davey Ann?
00:32:21Yes.
00:32:22Oh, what's up with the lights?
00:32:24Oh, the missus has gone and fused them.
00:32:26Where's your fuse box?
00:32:27I'll get down the kitchen.
00:32:33Hello, Mar.
00:32:33What have you been doing with the lights?
00:32:36That darkness, sadly.
00:32:38It frightened you, didn't it?
00:32:39Not really.
00:32:41Oh, I'm so happy.
00:32:44It's changed everything for me so much.
00:32:48I know there's a mark in the park tomorrow.
00:32:50We might go through that
00:32:51and then we could walk that through the farm.
00:32:54Oh, I love you.
00:33:00Quite right.
00:33:01Yes.
00:33:04There you are.
00:33:05Wonderful, isn't he, Mar.
00:33:06I only wish I'd been brought up for a trade.
00:33:08Would you like your job?
00:33:09Oh, no.
00:33:10What with this expectation,
00:33:12nobody wants a butler nowadays.
00:33:14Well, you're quite anti-man Jones.
00:33:15No, I wish my boss not as much of me as you two do.
00:33:18Oh, sorry.
00:33:23You know, I believe the police are on the wrong tack
00:33:25about these murders.
00:33:27They're working on the theory that it's a foreign.
00:33:29They've issued a description of the wanted man.
00:33:32What's it supposed to be like, no?
00:33:34What's her supposed to be like?
00:33:35Hello.
00:33:36You here again?
00:33:37Yes, Daisy.
00:33:37I thought perhaps you'd like to come round to the...
00:33:39Sorry.
00:33:39Can't stop.
00:33:40I've got to meet Gladwell either.
00:33:41What?
00:33:44Well, what's up with Daisy lately?
00:33:46Oh, she seems too much of a little friend, you know.
00:33:48Who's he?
00:33:48A very nice gentleman from the front of you.
00:33:51Aye, foreigners.
00:33:52Yes, Daisy.
00:33:57Daisy.
00:33:58Daisy.
00:33:58Let's go.
00:34:04What's the way?
00:34:14You're going to get me on the front of you, Miss?
00:34:15Well, Mrs. Dunford.
00:34:16I was just coming up to clear where you're stopping, sir.
00:34:19Yes, yes, I've been here.
00:34:21You're never going out there.
00:34:22You're not going out there.
00:34:22I don't look at you, sir.
00:34:24But the fog is something awful.
00:34:26It can't see you out here, don't you?
00:34:28The world does not affect me at all, Mrs. Dunford.
00:34:31It's very nice if you could be so concerned about my mood.
00:34:35But I like to be left alone.
00:34:38And I cannot stand this heart that I can't stand.
00:34:39How do I watch them? They'll spy it on me.
00:34:43Nobody's spying on you, sir.
00:34:45I'm the best you can find, sir.
00:34:48Yes, I'm sure you have to.
00:34:51I'm sorry. Please forget what I said.
00:34:55Good night.
00:35:24Good night.
00:35:29Good night in there, Dylan.
00:35:41George, he's gone out.
00:35:43He's mad to go out on a night like this.
00:35:48Well, it's no business of ours.
00:35:50Oh, well, nobody'd go out and say something special to go out for.
00:35:53Same as I am.
00:35:54Where are you going to?
00:35:55Just round the corner.
00:35:56What for?
00:35:57Oh, get an evening paper.
00:35:59Now look sharp there.
00:36:00I know.
00:36:02Don't be long, George.
00:36:04We'll run your muffler and coat.
00:36:05I know.
00:36:11Look.
00:36:30Yeah.
00:36:31We miss you.
00:36:31Hey, I heard that.
00:36:32Hey.
00:36:33Hey, I can't be a wherp.
00:36:34Hey.
00:36:34Hey.
00:36:35Hey.
00:36:35Hey, hey.
00:36:35Hey, hey.
00:36:36Hey, hey.
00:36:49I don't know if someone's done in, I should try.
00:36:51Oh, what do we think, sir?
00:36:52Hey, there's no problems, don't mind.
00:36:54We all the care down there, sir.
00:36:55We'll get bigger every minute.
00:36:57Come on down in.
00:36:58Don't have a look.
00:36:58Come on in?
00:36:59Yes.
00:36:59Come on in.
00:37:00Come on in.
00:37:00Come on in.
00:37:00Come on in.
00:37:00Yes.
00:37:01Come on in.
00:37:06I want to use a telephone file.
00:37:11Hello.
00:37:11Hello.
00:37:12Lugget, 4,000.
00:37:12You're narrowing, aren't you?
00:37:14Is that you all right?
00:37:15Oh, yes.
00:37:15I saw going to the lead, I was glad.
00:37:16And on the way back, I ran into this thing.
00:37:18Uh, miss, Mr. Mitchell.
00:37:19Joe Martin here.
00:37:20Hey, what's that?
00:37:20Oh.
00:37:23Is that you, Bob?
00:37:24Joe here.
00:37:24Got a pencil?
00:37:25Ha-ha, but it's not your own.
00:37:27Listen.
00:37:27Just left scene of new Avenger murder.
00:37:29Just inside Park Gate.
00:37:31Oh.
00:37:31Well dressed woman, wearing white fur.
00:37:33Gash across throat, head almost severed.
00:37:35Sir, I was the first dressed man on the spot.
00:37:37And when I got there, I found a wound still losing blood.
00:37:40Woman not yet identified.
00:37:43Got all that?
00:37:44Snap it in, Bob, before the others get it.
00:37:46What's all the fuss about?
00:37:47Can you make it a special lunch edition?
00:37:49Good.
00:37:51Yes.
00:37:52Come on.
00:37:54You must have been the most horrible sight I've ever seen.
00:37:58Just around the corner this time.
00:38:00I don't see you all being upset.
00:38:01You're a poor journalist.
00:38:02You're great.
00:38:03Oh, this wasn't like anything I've ever seen before.
00:38:05You see, this time I was one of the first there.
00:38:08Oh, it certainly made me sick.
00:38:10It was awful.
00:38:11What you really did?
00:38:13Oh, don't talk about it.
00:38:15What's it look like, Joe?
00:38:16Oh, Captain.
00:38:18Your throat was slit from here to here.
00:38:28What's up, boss?
00:38:30Again the police could find no clue.
00:38:33Nine million people in London are at the mercy of some phantom thief.
00:38:38Phantom thief.
00:38:39Look at that girl.
00:38:41He's like the vampires of southern Europe who used to suck the blood of their victims in the graveyard by
00:38:45night and never could be seen by day.
00:38:47Police have brought a bit of it to England, sir.
00:38:48So I hear.
00:38:50Chief of police from Zagreb.
00:38:52If I dare it, it's me.
00:38:54Well, I must get down to the house.
00:38:57See that Joe Martin is on the scene of the crime first thing tomorrow morning.
00:39:02Move along, please.
00:39:03I wish we had here our cream in all of these.
00:39:06I'll arrange for you to see the body at the mortuary.
00:39:08I should like that very much.
00:39:12Excuse me, Mr. Rabinowitz.
00:39:13What do you want?
00:39:14I'm the special representative of the Evening Sun.
00:39:16Now, I wonder if you will give me your lady's opinion now that you...
00:39:18No, I have nothing to say.
00:39:20But the English public will be very interested in anything that you might be able to...
00:39:23I cannot speak.
00:39:24But your English is very good.
00:39:26Uh, Constable.
00:39:27Constable.
00:39:27Will you move away, please?
00:39:29No, I shan't tell you again.
00:39:31I don't think I shall let you go to work today.
00:39:34Oh, you wouldn't get into the sack, would you?
00:39:36It's such a silly thing to be doing, all day talking to hundreds of people you don't know.
00:39:42Yes, it is, isn't it?
00:39:43I never thought about it like that.
00:39:45Oh, by the way.
00:39:48What will your young man say if you're going to this concert tonight?
00:39:51Won't he have guessed?
00:39:53I don't care if he does.
00:39:54Anyway, he's much seen on his job and he's on me.
00:39:57He is, and he is very, very stupid.
00:39:59Morning, Mr. B. Can I use your phone again?
00:40:01Oh, we're not a telephone exchange, you know.
00:40:03Oh, I'd allow you a time.
00:40:04See the latest edition?
00:40:05The latest edition?
00:40:06No.
00:40:09Luggage, $4,000.
00:40:11Can't get a word out of him anyway.
00:40:13Oh.
00:40:13The Chief of Police is out there.
00:40:15What? Well, they've brought him over, haven't they?
00:40:17Hello, Mr. Mitchell, please.
00:40:19Hello, is that you, Bob?
00:40:21Got a pencil?
00:40:23When interviewed this morning, Mr. Rabinovich told our representative with the utmost courtesy
00:40:27that in his opinion it would merely be a matter of hours before the murderer was arrested.
00:40:32You know, I feel very guilty about persuading you to come without your mother's wishes.
00:40:36But you'll enjoy it.
00:40:38I know I shall.
00:40:39I don't know how it's no need for mother to marry, isn't it?
00:40:42Of course.
00:40:42He never gets worried if I go out with the advocate.
00:40:45Your wife should be bothered about a harmless conflict.
00:40:48What's that?
00:40:49Oh, yes, yes.
00:40:50Yeah, right.
00:40:51I don't know how it is.
00:40:52He's wondering why I'm sore.
00:40:55I think, you know, he's given absolutely an opportunity.
00:40:59I feel like killing him the mind of only, isn't he?
00:41:01So thank you, Joe, he's been to Bateman.
00:41:04I can hear, please, sir.
00:41:10What are you doing up here?
00:41:11Oh, it's talking about the stand-alone.
00:41:13The man is in front of the office.
00:41:14Now look here, Daisy.
00:41:15Do stop talking about the stand-alone.
00:41:17Have you all done?
00:41:19I'm...
00:41:20Oh.
00:41:22Go on to interview with me.
00:41:24Pardon?
00:41:25Yes, sir.
00:41:27How do you do?
00:41:30Well, perhaps you don't.
00:41:32How do you do?
00:41:34I want to talk to you downstairs.
00:41:39You're asleep, Joe.
00:41:41Have you arranged to go out with him?
00:41:42You mind your own business.
00:41:43Well, you're not getting, see?
00:41:45Come here, Daisy.
00:41:56Come here, Daisy.
00:41:58And the woman was wearing a white box purse.
00:42:00That girl's crazy.
00:42:01The body was found within 50 yards of the park gate.
00:42:04I can't do anything with her lately.
00:42:05It's estimated that the crime was committed
00:42:07within three minutes of the finding of the body.
00:42:09I don't see any info.
00:42:10...by the police for a man who may want to question
00:42:12in connection with these approaches.
00:42:14She's not going on that chap upstairs by any chance.
00:42:15Age is approximately 30.
00:42:17Slight build-eye.
00:42:18Five foot ten.
00:42:20Confection.
00:42:20Dark, clean shade and a foreign appearance.
00:42:23Sometimes carries black bands such as youth
00:42:25for holding musical instruments.
00:42:26Real name, Stephen Obelich,
00:42:28but probably using an alias.
00:42:29Read that again, Sir Bunting.
00:42:31What, sir?
00:42:31Read it again.
00:42:37You know, I heard the strubbing skin
00:42:40in the center of the park
00:42:42literally the foundation.
00:42:49And then you lean over the edge of a boat
00:42:51and you can pick the stars out of the water.
00:42:58That's been a lot of use tonight.
00:43:00For this?
00:43:01You haven't made merchandise.
00:43:02No.
00:43:03But, you know, sometimes I like to follow these
00:43:05music with a sword.
00:43:07And sometimes I like to...
00:43:08But for me there still is no comparison
00:43:12in the fifties.
00:43:13Oh, but much the best.
00:43:15Oh, this makes me feel a very rich man.
00:43:19Why?
00:43:20Well, being allowed to wander
00:43:22in all these beautiful parts
00:43:23that were built by kings for their ladies.
00:43:30Yes, but now they belong to the people.
00:43:32To lovers who have no place,
00:43:36no palaces where they may sit and talk.
00:43:39I'm sorry we can't give you a palace.
00:43:42We try to make you comfortable, then.
00:43:44Oh, comfortable?
00:43:45Oh, that might be...
00:43:46Your mother seems to hate me to talk to you now.
00:43:50Oh, it's what happened to David, isn't it?
00:43:53No, it's just clear, isn't it?
00:43:58George, you've had enough.
00:43:59Oh, my.
00:44:00It's only the bottom of the bottle.
00:44:02It's not enough in Mr. Angelo's room, I suppose.
00:44:05No, we should have heard her come in.
00:44:07I don't see.
00:44:43Well?
00:44:44Well, is she there?
00:44:45No.
00:44:46Me, I'm not.
00:44:48Well, dear, not but still, you don't.
00:44:50Good.
00:44:50You don't.
00:44:51Oh, I don't like the looks of it.
00:44:54Look here.
00:44:54I'll cut down the road and see if she's coming.
00:44:57Oh, I should.
00:44:59Don't touch it.
00:45:00What do you mean?
00:45:02Oh, nothing, George.
00:45:06Why, sir?
00:45:09Still we did not, in chiefly does man.
00:45:15What did you say?
00:45:17That's an old German song.
00:45:18It means, still as the night and deep as the sea,
00:45:23with rolling streng, leave the sky.
00:45:26What does that mean?
00:45:28That means,
00:45:32so shall my love be for you.
00:45:36You like that song?
00:45:38They're pretty old words.
00:45:44When did you get your ticket in the back?
00:45:46Oh, no.
00:45:47I like the fog.
00:45:50You like the fog?
00:45:52Yes, it's strange.
00:45:54One can feel alone.
00:45:57You can almost hear the stillness.
00:46:02Oh, I love the night.
00:46:05One can escape from oneself.
00:46:13I thought you'd come home this way.
00:46:14What do you think you're doing?
00:46:16Oh, it's you.
00:46:18Life is full of certain surprises.
00:46:20I wasn't talking to you.
00:46:21No?
00:46:22I couldn't believe that you were talking to an English lady like that.
00:46:25Oh, shut up.
00:46:27Lousy foreigner.
00:46:28Joe.
00:46:29What do you think you are, talking like that?
00:46:31You're coming home with me.
00:46:33Oh, no, I'm not.
00:46:34Mr. Angelo's taking me home.
00:46:36Oh, no, he's not.
00:46:37Oh, yes, he is.
00:46:38What's he got to do with you, I like to know?
00:46:40Joe, I think you'd better go with him.
00:46:42After all, he'll treat you just like a brother.
00:46:45Oh, well.
00:46:47You put it like that.
00:46:50Good night.
00:46:51Good night.
00:46:52And try to dream of the fifth symphony.
00:46:58Get back to your own country.
00:47:02Not yet.
00:47:43Good night.
00:47:46Oh, wherever have you been?
00:47:49Oh, we've been that worried to know what has happened to you.
00:47:51Joe, you ought to know better than to keep out of this time of night.
00:47:55You're lucky to have back a toll.
00:47:58Good night, Mrs. Dutty.
00:48:00Good night.
00:48:26Hello.
00:48:26What's wrong in here?
00:48:27Oh, the police.
00:48:29Oh.
00:48:32Oh.
00:48:38Come on, gentlemen, please.
00:48:41Come on, gentlemen.
00:48:43Come along.
00:48:43Good night.
00:48:45Come along, please, gentlemen.
00:48:48Come along.
00:48:49Come along.
00:48:54Good night, gentlemen, please.
00:48:55Good night.
00:48:56Good night.
00:48:58Good night.
00:49:03Good night.
00:49:03Good night, Mr. Bundy.
00:49:08Good evening, sir.
00:49:09Oh, what?
00:49:10Oh, it's you, Mr. Bundy.
00:49:13You know, there are so many suspicious characters about having to get ready tonight.
00:49:16Quite so, sir.
00:49:18Dirty night, sir.
00:49:20Yes.
00:49:20I've been wondering about your part, and I nearly got lost.
00:49:27Thank you, sir.
00:49:29What's your anchor, sir?
00:49:31Mine?
00:49:32Mine.
00:49:32Oh, yes, yes.
00:49:33Thank you, sir.
00:49:34Thank you, sir.
00:49:36Thank you, sir.
00:49:36Thank you, sir.
00:49:37Yes, sir.
00:49:38Is that the log that came in with you?
00:49:39Yes.
00:49:41Is it that again?
00:49:42Yes.
00:49:43He's here.
00:49:44Your brother.
00:49:46Good night, gentlemen.
00:49:47Good night, George.
00:49:56No.
00:49:57Yes.
00:49:57Yes.
00:50:02Thank you, sir.
00:50:03Good night.
00:50:06Yes.
00:50:08Yes.
00:50:28Helen.
00:50:33George.
00:50:38Lucket, $4,000.
00:50:41Are you certain, Mr. Bundling?
00:50:44Hiding his face, was he?
00:50:47He dropped his handkerchief and you picked it up.
00:50:50Yes.
00:50:51My hand was soaked in blood.
00:50:54Your hand was soaked in blood.
00:50:58What?
00:50:59His hand was soaked in blood?
00:51:02They're officers from Scotland Yard. What's your name?
00:51:04George Bundling.
00:51:05You have a lodger here known as Stefan Obelich, called Angela.
00:51:08Yes.
00:51:09Upstairs?
00:51:09Yes.
00:51:10Right. Back door. Front door.
00:51:12You stay here.
00:51:13Sure is his room.
00:51:14Come along.
00:51:31They're officers from Scotland Yard.
00:51:33I have a warrant for your arrest on a charge of willful murder.
00:51:36Murder?
00:51:36I warn you that anything you say will be taken down in writing and may be used in evidence.
00:51:41But who have I murdered?
00:51:43You'll find out about that at the station.
00:51:45Good.
00:51:45Come along.
00:51:46Be quick.
00:51:47Good.
00:52:01Good.
00:52:03Good.
00:52:05Good.
00:52:06Good.
00:52:09Good.
00:52:10Good.
00:52:11Good.
00:52:12Good.
00:52:13Good.
00:52:15Good.
00:52:16Good.
00:52:17Good.
00:52:17Good.
00:52:20Wendell, Wendell, Wendell!
00:52:23Wendell, Wendell!
00:52:23Wendell, Wendell, Wendell!
00:52:24Right, let's get out the back.
00:52:31It's escaped?
00:52:33Well, if the authorities think we're going to suppress that, they're mistaken.
00:52:35Mr. Mitchell, please. Goodbye.
00:52:37Hello. Hello?
00:52:39Yes, sir? Yes.
00:52:41Right. What?
00:52:44It's escaped. Get it out, quick, before the evening sun.
00:52:46Good.
00:52:47Okay. Special edition.
00:52:49Very good, sir.
00:52:50Hello there.
00:52:56Yes, is that a good barber, he would?
00:53:03Yes, I feel it is escaped again.
00:53:07He's gone.
00:53:09He's got away.
00:53:10Yes, he's got away.
00:53:11Yes, he's got away.
00:53:12He's got away.
00:53:17Yes, sir.
00:53:18Yes, sir.
00:53:23Yes, sir.
00:53:25Yes, sir.
00:53:26Yes, sir.
00:53:27Yes, sir.
00:53:28Oh, my God.
00:54:00Oh, my God.
00:54:30Oh, my God.
00:54:31I can't imagine how you have to wait.
00:54:32Don't get along in the last stand.
00:54:34No, no, no.
00:54:35Here's the wing all right.
00:54:36Now when you get to do the handcuffs.
00:54:38How?
00:54:40You have got no strength.
00:54:44Come on.
00:54:46Come on.
00:54:49Come on.
00:54:59Come on.
00:55:01Come on.
00:55:02Come on.
00:55:05Come on.
00:55:21Come on.
00:55:23Come on.
00:55:25Come on.
00:55:46Come on.
00:55:50Come on.
00:55:51Come on.
00:55:59Come on.
00:56:00No, no.
00:56:01Come on.
00:56:07Come on.
00:56:13Come on.
00:56:15Come on.
00:56:16Come on.
00:56:17Come on.
00:56:18Come on.
00:56:19Look out.
00:56:22Come on.
00:56:34Come on.
00:56:37Hey, hey, hey!
00:56:38Hey, hey!
00:56:40Well, I don't want you to be gone, let's go!
00:56:58Number, please.
00:56:59Number, please.
00:57:00What?
00:57:02I'm the gate.
00:57:03Oh, I don't know if I can.
00:57:04Here, somebody wants to speak to you.
00:57:07What?
00:57:08Put them through.
00:57:14Yes.
00:57:15Hello.
00:57:16Yes, it's me.
00:57:17Yes.
00:57:19Of course.
00:57:21Yes.
00:57:22There's a call for you.
00:57:24Yes.
00:57:25Anything?
00:57:27Yes.
00:57:27Where?
00:57:28Yes.
00:57:29All right.
00:57:31Yes.
00:57:32Come on.
00:57:35Good.
00:57:36Are you being puffled?
00:57:39Oh, it is.
00:57:40Good.
00:57:40Good day, Dan.
00:57:41Good day, Dan.
00:57:42Okay.
00:57:43I wish you'd come you trip to your big head.
00:57:45Yeah, yeah.
00:57:46You've only got your coat and skirt.
00:57:48Good night, Dan.
00:57:49Good night, Dan.
00:57:50Don't be late in the morning.
00:57:51Good night, Dan.
00:57:53Good night.
00:57:54Come on, my dear.
00:57:55Right, please, take them a minute.
00:58:45Shự, sh Majors, shự.
00:58:51He's here.
00:58:52He's here.
00:58:52He's here.
00:58:53He's here.
00:58:59Oh. I'm sorry. I thought you were... You look like...
00:59:10I'm sorry.
00:59:34I'm sorry.
01:00:20I'm sorry.
01:00:30I'm sorry.
01:00:32I'm sorry.
01:00:43Stefan!
01:00:46Stefan!
01:00:50Michel!
01:00:52Michel!
01:00:54Michel!
01:00:56Michel!
01:01:22Michel!
01:01:22I had to do it. I had to do it.
01:01:27I had to do it.
01:01:34Look at that poor face.
01:01:36Now look at mine.
01:01:39Don't you see?
01:01:41It was my poor, unparalleled father.
01:01:48Oh, my dear.
01:01:51Oh, my dear.
01:01:52You see, I...
01:01:53He was mad.
01:01:55He would have killed you.
01:01:57He's been mad for years.
01:01:59That's why...
01:02:01That's why I had to...
01:02:03I had to come here.
01:02:05To try to find him.
01:02:09Before they hurt him.
01:02:14They can't hurt him now.
01:02:17They can't hurt you now.
01:02:18They can't hurt you now.
01:02:28They can't hurt you now.