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00:00Do you think you want to convince me that the rap is in Sankar Shund?
00:02No, I do.
00:05That's how you do rap.
00:08We can forgive all the people who have been involved in the morning.
00:10That's why we have a job that's done with the first time.
00:12Then we cover it.
00:13From my eyes, I don't think we'll be serving the answer.
00:16I think we'll talk about Sankar Shund.
00:18I'll be talking about Sankar Shund.
00:20We'll talk to him about Sankar Shund.
00:23We'll talk to him about Sankar Shund.
00:26We'll talk to him about Sankar Shund.
00:27He'll talk to him about Sankar Shund.
00:28It's a very strange thing.
00:30I can tell that I was like,
00:32I have a gun to shoot a gun.
00:36I have a film in Hindi,
00:37I will film a film in my own.
00:39If I am the only one who is in the world,
00:41I will film that film.
00:42I don't know why,
00:43I don't know how to say that.
00:45We will have a little bit of a conversation.
00:50I will be doing my work,
00:52so I will be doing my work.
01:00Hello, Dipali Mahathri and you are listening to Lohkmat Filmy.
01:03The trailer is launched in the early cinema.
01:06It's just a moment to come home.
01:07It means that in your opinion, you don't have to be successful in your opinion.
01:12But if you don't have to lose your opinion,
01:13you will have to lose your opinion.
01:15We will have to lose your opinion.
01:16This film is a great team.
01:18You are welcome to Lohkmat Filmy.
01:21And it's a very beautiful place.
01:23Sankarshan, Lekhaq, Abhinita, Manantu, or the cinema.
01:25There are many experiences,
01:28and to be able to work directly with him,
01:30and to learn about him.
01:32Is this a great income?
01:34A lot.
01:35It's a great income.
01:37Because we are all about three.
01:38We are all about to be successful.
01:41We are all about to work together.
01:43In this process,
01:47there are some great income.
01:49If you don't have to be successful,
01:52you don't have to be hesitant to get that.
01:54But not even it.
01:56It's not even that.
01:57It's so that it's so important that everything's going on in our daily life.
02:03We have some extra work for you,
02:05or that we have some questions.
02:07You can tell me what you want to write.
02:11How do you do it?
02:13Asok Sarap sir, we're gonna make our decisions.
02:17Joseph has a handsome appearance in a camera.
02:21So what is that?
02:21What do you think?
02:23I'm a hero, I'm a hero, I'm a hero.
02:25I mean, it's a big thing, it's a big thing, it's a big thing.
02:29But it doesn't happen to us, it doesn't happen to us.
02:31I mean, the script is clear, the shoot is clear,
02:35the promotion, the cinema is ready, the release is coming.
02:38It's all about the work that we have to do, to do the work that we have to do, to
02:43do the work that we have to do.
02:43And I would like to say, we have to do the work that we have to do,
02:51to do our own work, but sometimes we have to do our work, but sometimes we have to do our
02:56own work.
02:57It's hard to do our own work.
02:58The work that we do our own work is actually quite a bit more on this world.
03:01And my confidence is that we can do our work, we can do our own work.
03:07Ashok, Sir, you have a lot of script, you have a lot of script.
03:12You have to write the script from the inn in bedroom.
03:15I read the script.
03:17I choose your views, I choose your script or tell the story.
03:22You are in your mind.
03:24Yes, the script is the story.
03:27The main story is the story.
03:32Where are you from the story?
03:35Where are you from?
03:36Where are you from?
03:38How did you start the story first?
03:40This is how you start the story.
03:41If you don't have any script, you don't have to ask the character.
03:52Then you will ask the question.
03:54Because you have a script now.
03:58So that script is made as much easier.
04:00Where are you?
04:02Where are you?
04:03Where are you?
04:04Where are you?
04:06But it's the end of the scene and the end of the scene is the start of the scene.
04:13That's the question.
04:14And in the first place, it's the same thing.
04:18It's the same thing.
04:19It's the same thing.
04:25What do you do in this script?
04:28What is the same thing?
04:31It's the most important thing.
04:32If you've seen the only one, it's not the main character.
04:37But you don't have to be aware of the characters.
04:41It's the same thing.
04:43But then you don't have to do anything.
04:43I want to do something else.
04:45I don't have to agree with that.
04:47I don't have to agree with that.
04:50If you want to agree with the other characters,
04:56you don't have to agree with that.
04:58But you mentioned this script that you did not get a script in the article,
05:02or what did you do? Did you get a script in the article?
05:04Yes, it was a script in the article.
05:06But I have written about this article.
05:12Generally, I think it's not a script.
05:17at the same time.
05:19When you hear that, you hear that you hear it.
05:25And that's what the people are saying.
05:28We are not going to say anything about it.
05:31I am going to say, we will do our language.
05:37I think that's why I did this.
05:40So, I think that's not a reason to give you the message to that person.
05:43But we can talk about it.
05:45That's why we don't have to talk about it.
05:48The story of the old man is not the best.
05:50The story of the old man is not the best.
05:53But the story of the old man is very nice.
05:55The story of the old man is very nice.
05:57The story of the old man is very nice.
05:58I just wanted to tell the story about this.
06:01I was told that this story is the first character.
06:06He's one of his characters.
06:07He's a character.
06:10There's something.
06:11You've got to get the character.
06:13I'm trying to get a chance to show him that's not his character.
06:17He's not as bad, a character.
06:20I don't know.
06:21I think I will know how to look at him now.
06:30We're going to see him as well.
06:32I have no idea.
06:32He isn't doing good work for his lives.
06:33If it's not good work for him,
06:34be good work for him.
06:35But, you get to the other point now that you are going to make it a way to the audience.
06:41So, if we don't have the picture, we can change the picture.
06:46Why do you change the situation?
06:50You are the character of the question of the character.
06:53We can tell you, if we don't say it,
06:56we can't tell you, we can't say it, we can say it or we can say it.
06:59So, why do you change everything you want?
07:02That is the reason why our young Asian women are here.
07:09And I think they know that they have to be very careful about their action.
07:10And when they had to look at them as a friend of ours,
07:15there were two white boys.
07:18And this young girl, was a man of our job.
07:24In other words, they had to be under the things that they were out.
07:27We are all the same, we are all the same, we are all the same, we are all the same,
07:33we are all the same, we are all the same, we are all the same, we are all the same.
07:44Maheshar Arthath, I want to give you a visualisation from cinematographer, how many people have learned from you?
07:50Very good, because the story is the same and the visuals are the same, but the visuals are the same,
08:00we are all the same, we are all the same, we are all the same, we are all the same.
08:14Of course, when I direct, when I shoot ad films, it is glossy, the visual, the visual is the same,
08:25you can catch the audience in 30 seconds.
08:29But when I shoot a film, the visual is the same, it is the same, it is the same.
08:38The visual is the same, the visual is the same, we are all the same.
08:43If I do this, I can't do this, but if I do this, I can't have a preference for the
08:47visual.
08:48But when I do this, I can't do this, I can't do this.
08:51But you are selected cinema, there is no gap gap.
08:55So, especially I think that you do, this is your job starts in the movie, and what you do in
08:59cinema, you do not do this, what is the special?
09:02It's special because I've missed advertising for films.
09:08I've always missed a lot of films.
09:10But for many years, I've been shooting films for 2003.
09:15But for now, I have a Hindi film and I have a Marathi film.
09:20I've always enjoyed a lot of Hindi films.
09:23I've always enjoyed a lot of films for Hindi.
09:24But I've always enjoyed that many years.
09:25I've always enjoyed that.
09:29I've always enjoyed it.
09:30And I've always enjoyed it.
09:32I haven't thought about it.
09:32So, you won't be convinced.
09:34I've always heard stories about it.
09:36But I've learned that, like Mother,
09:38You've always enjoyed this story.
09:40You've never been convinced.
09:42We've never heard stories about it.
09:46Then, we made this film.
09:49But after that, I thought about it.
09:51We never really took a film.
09:52And in the story, there is a lot of power in the story, and the graphs are beautifully crafted.
10:03But I told my mother that the transitions are so beautiful.
10:09So, in the graphs, there is a lot of language in the film.
10:15So, to build those characters, and to build those characters,
10:20and to become the actor Sankarishan,
10:24the role of each character is different.
10:29She is a very confident woman.
10:31And she is headstrong.
10:33So, there is a lot of identity.
10:37There is a lot of identity in such as the character.
10:43Sankarishan is a struggler.
10:44The actor is a struggler.
10:46But the character of it, is a different character.
10:51The character of the mama is small.
10:54And she is a small girl, and as a kid,
10:59But the bonding of these two are things that we have to do.
11:06We have to deal with what we have to do.
11:10Beyond friendship.
11:12We have to deal with it.
11:15We have to deal with it.
11:16And if we have to deal with that bond,
11:18then we have to deal with it.
11:22That's the thought.
11:24Yes.
11:24We have to deal with it.
11:26Have you asked us about this?
11:30I have to deal with it.
11:34Have you asked us about this discussion?
11:36Or should we be able to deal with it?
11:41We don't have to deal with it.
11:43We have to deal with it.
11:45We have to deal with it.
11:47I personally think that
11:50This is a very good feeling of suffering from the people.
11:55That means, one of us is the one that is the first time that is the first time of the
12:02family.
12:03One of us is the one that is the first time that is the first time that is the first
12:06time of the family.
12:08He is the father of Natwa.
12:11But the connection is the other time that the family is the first time of the family.
12:13And it's so difficult that it's not going to break.
12:16Talking about the comedy and the drama we are all in the film are so much fun.
12:22When I heard the drama, I was talking to the girl and I was talking to them and I was
12:27telling them,
12:28I was listening to you and I was listening to you and I was listening to you and I thought
12:34that I was listening to you.
12:36I was very interested in the drama of the drama and my film was very fun and I was happy.
12:43I thought it was only possible to create this work.
12:48I thought that my work was a very creative work.
12:51Because I didn't have sugar in my house,
12:56I would have gotten a lot more than 7-8% of their work.
12:58I would have gotten a lot of money back and put money back.
13:02I thought it was a very difficult work.
13:04I was a good friend.
13:06I had a bomb and I had a bomb.
13:09Um my life is extremely difficult.
13:12I feel like it is pretty good
13:15So, I think we are proud to be able to appreciate it.
13:20We have much to appreciate it.
13:22I feel happy in this situation.
13:23We are proud of the society today.
13:25We love to treat our children.
13:26We are proud of our children.
13:27We are proud of our children.
13:36The moment that we have a great moment of experience
13:39is that we have to build and reach.
13:43And this is something that doesn't happen to me.
13:46I mean, that we are trying to get a little bit of a problem
13:50But this is something I don't think we are going to be able to get a little bit of a
13:55problem
13:55I think we have to get a little bit of a problem
13:58So, I think we have to be able to get a little bit of a problem
14:00So, that's why we all know that
14:03And then we have to relate to each other
14:06But I had a good feeling for Samhita's first birthday,
14:08I had a full birthday.
14:11I had a good feeling about the future.
14:16I would say that the family of the family was related to this,
14:23and that's what we wanted to say.
14:29So I had a good idea of that,
14:31and I had a good idea of that,
14:31and I thought,
14:33They are not related to anything related to it.
14:36Because we are in the area of the world.
14:38And if we are in the area of the world, we are not in the area of the world.
14:41And we are in the area of the world.
14:43And we are prepared for this film.
14:45But this is not the only thing we have in the world.
14:48Ashok sir, what is your gift?
14:50Have you ever seen your gift?
14:52No.
14:53Have you ever heard anything about it?
14:55No, it's not that the first thing about it is not the first thing about it.
15:01Squashible right?
15:03I think that, when I walk there and hang out,
15:04you know, yournant figure of my personal journey
15:06Coral right.
15:08That the truth, hang up and house.
15:09It has said no colonel.
15:11Subkin satsang.
15:14That I think that why?
15:19From one world to one world to watch.
15:22Yes, right.
15:25I was happy that in my company,
15:26you know, you Narrator,
15:28you know, the link was sent on the right.
15:29Even if this check,
15:30it can turn sound to you light.
15:31I was in my childhood.
15:34I wanted to find that I don't have anything wrong, but I don't have to find my own,
15:37I don't have to find my own, but I don't have to find my own.
15:41I have to find my own, my own, I have to find my own,
15:46I can develop myself,
15:48so, when I have to find my own, I can find my own.
15:53But, you might like to do these different things?
15:55Do you think you're doing that?
15:57No, I don't think you're doing that.
15:58I think it's important to me.
15:59I don't think we're doing that.
16:00I don't think we're doing that.
16:03But I don't think we're doing that.
16:06Improvisation, Sankarshan?
16:07I just thought,
16:08every short time,
16:11I thought,
16:11if you read it,
16:13then it would be blank.
16:17Do you think you're serious?
16:19I thought,
16:20I thought,
16:21I thought,
16:23I thought,
16:23I think,
16:26seriously,
16:28I think,
16:29the first time,
16:32the first time,
16:32the first time,
16:32the second time,
16:33the first time,
16:35I think,
16:35it's the most important thing.
16:40But,
16:41I think,
16:41it's the best thing.
16:41I think,
16:42it's the best thing.
16:44But,
16:45it's the best thing.
16:48But,
16:49it's the best thing.
17:10I think,
17:11it's the best thing.
17:15I think,
17:16it's the best thing.
17:40And,
17:40it's the best thing.
17:42I think,
17:44it's the best thing.
17:50And,
17:50it's the best thing.
17:58So, I think I've been doing this.
18:00It's been a long time.
18:04That's why I've been doing this.
18:04So, that's why I've been doing this.
18:09When you work for years,
18:12you don't have to do a lot of work.
18:14It's a challenge.
18:15It's a challenge for every year.
18:16This is a experience.
18:17But, it's always done.
18:19I've been working for a lot of people.
18:20And, if you don't have to sit down and take a look.
18:24You have to take a look.
18:26I think it's very difficult to write in Sankarishan's book.
18:31Some words, or Sankarishan's writing, are very simple.
18:37But it's very difficult to write.
18:41And it's not a typical filmy dialogue.
18:46But it's very simple to think that it's hard to write.
18:52It's very difficult. But it's hard to write.
18:57So I think it's time to write.
19:01I think it's time to write.
19:01It's time to write.
19:02It's time to write.
19:05And it's time to write.
19:07So handling it was fun.
19:12But it's hard to write.
19:19I think that's what I like to write.
19:25But I think that it's just way more.
19:30is taking everything so easily.
19:33These three characters are being played.
19:36It's fun to see if we film the film,
19:39it's like a pre-work work.
19:42And what's the point of the actors?
19:46The actors need to understand that they are free.
19:50They say, I am here and you are here.
19:53It doesn't make sense.
19:55That's why it doesn't make sense.
19:57I just wanted to say,
20:01who is shooting shooting,
20:04or the lighting change,
20:06I don't have to do it.
20:08Pre-decided.
20:09So I make sure that the actors
20:12don't have their character.
20:14I don't let them out of their character.
20:18And then,
20:19it's your speed.
20:21The speed of it,
20:24it's not match.
20:25It is the same.
20:26That's interesting.
20:29I feel like we've got full effort.
20:34As for this place,
20:35it's been on the top of the year.
20:35I feel great.
20:35you guys like your character?
20:36Yes.
20:37What is your character?
20:37You guys like how you design the character.
20:39You make your character?
20:39Yes, yes, yes, yes.
20:41You make your character with a character,
20:43you make your character look.
20:45You make your character look.
20:46to compare, and I thought I had a frame, a hairstyle, a dadi, a mishi, and I thought I had
20:54a vision of the day one, like Ashok Sarap sir,
21:00that's the only dadi, the only mishi, that's the case of the face, that's the case.
21:07we have seen a couple of images in the film shoot, not at 2, 3 months, but in photoshoot, and
21:14in photoshoot, and the film look, there is no difference in the image,
21:19such a perfection, have a benefit, really?
21:22That means, it's not the difference in that image, they have the precision and perfection in the image,
21:29they adhere to it and maintain the the antiseptic.
21:31settlement.
21:33But to say, when you are always talking about Ashok Saraf, you were very friendly, but
21:40you are very friendly with him.
21:42So you are very friendly with Ashok Saran, and he can use us to try it in a good way.
21:48And we're actually normal, he can be part of our gut just, but he could help his own
21:52So you don't like the characters, you don't like the easy way to call him?
21:55No, not easy.
21:57I don't know how to do his memory.
22:00and he was a great guy.
22:04But I think that he was a big guy.
22:06And I think that he was great and legendary.
22:16He was a great guy.
22:19He was a great guy.
22:21I took a shoot and released the show.
22:26with your friends.
22:27We had a friend.
22:29I was for a while and I was in a second.
22:30But we were all together and we were together.
22:35We were in love with him.
22:37I thought that the people that were comfortable with him and that I would feel comfortable
22:49with him.
22:49He would have a little out of the way.
22:51And this is the first time that we have been talking about the past, the past few years, we have
22:58been talking about the past few years.
23:04And we have been talking about the past few years, but we have been talking about the past few years.
23:14But in your two minutes, there are a lot of questions in the cinema.
23:21Sankarshan, what's your question about you, Ashok Saran?
23:25What's your question about you, Ashok Saran?
23:27In the trailer, there are little moments in the scene.
23:32But what's your question about behind the scenes?
23:33Do you think you're in the next story?
23:35No, but it's clear that Sampoorn is a good way.
23:39Because it's always a good time to keep it in, and it's difficult to keep it in the future.
23:47So you can keep it in the future.
23:47But it's difficult to keep it in the future.
23:50That's why you're in the trailer and you're thinking,
23:55What will happen to you, you're going to be making a big deal?
23:57Then you say, okay.
23:58And you're going to be making a big deal.
24:00But it was a perfect set of films.
24:05And it was a good idea that in this film,
24:09it was a good time pass, a good time pass.
24:13It was not a good idea.
24:14Because the captain of the ship is a good idea.
24:18They have to put the tissue,
24:20the bottle,
24:23the script,
24:25but it doesn't come out.
24:26It's not like the truth.
24:26When the dream itself is felt like the work,
24:30and it asks for a lot of things He's felt like he's felt like a little.
24:33Therefore, I was worried about what I was today.
24:36I was supposed to tell that the truth of perfection,
24:41seeing how beautiful the truth with what you do.
24:47You're giving a voice.
24:49You're giving a voice.
24:51You're giving a life.
24:53You're giving a feeling.
24:53It's very overwhelming to you.
24:55I enjoy a lot of the work that I enjoy.
24:58And when I play a game, I have a little bit of a problem.
25:02But when I play a little bit of a set work, I have a lot of fun.
25:06I think it's a good thing.
25:07I don't think it's a good thing.
25:09I don't think it's a good thing.
25:12I have a big problem.
25:17I have a seniority.
25:19I have a seniority.
25:21I have a seniority.
25:24Lisa Bariq Bariqa.
25:25They're awkward.
25:26It's such an awkward work for us.
25:28We've got a job first.
25:30Bariqa has taken it at first.
25:32But we've found some jokes that are ridiculed to us.
25:36We've got a lot of grenades.
25:39The mouth is amazing.
25:42We're relaxed.
25:43As it's relaxed, we're doing our work.
25:45We're doing our work.
25:47From the house, here's the house.
25:50So, we're doing our work.
25:51I think it's a good thing.
25:53It's a good thing.
25:57I don't know if I'm a fan of the show.
26:00I thought I'd rather leave your attention.
26:03I thought I'd never know.
26:05People would have asked me to do anything.
26:11I never thought I would have spoken to the show.
26:13I never thought I would have laughed at me.
26:15I never thought I would have laughed at you.
26:16Can you explain the scene in the trailer?
26:22Can you share the scene behind the story?
26:25In the trailer, there was a story that there was a house in the house
26:30and they said,
26:32''Hey, you're not here, this is not here.''
26:35And they said, ''You're not here, this is not here.''
26:37And they said, ''You're not here, you're not here.''
26:41So, in this scene, there was a photographic
26:43that they said, ''You're not here, this is not here.''
26:49But, if you're not here, you're not here.
26:52You're not here, you're not here.
26:55You're not here, you're not here.
27:00But, in this case, you're not here,
27:03you're not here, you're not here.
27:05It's so difficult.
27:08I'm not here to be able to get you.
27:11that he was trying to get stuck in a way.
27:14He was saying and saying,
27:15AHH!
27:15He was saying.
27:16But there was a lot of questions.
27:19I can't remember.
27:20I can't remember.
27:21But the idea is that the audience can't see.
27:23But not,
27:24There will be a scene in the scene.
27:25When we saw a car.
27:28We saw the scene in the movie.
27:30The movie was sitting in the movie.
27:31And the movie was sitting there.
27:32What the fuck is that?
27:35And he said that you didn't listen to the movie.
27:37I didn't listen to the movie.
27:38I was looking at this movie.
27:39I don't want to see the things in the field.
27:42But I think that's the reason for this.
27:42I have to keep doing that.
27:46We have to talk about the same thing,
27:50that's why we have a bad feeling.
27:50If you're not going to tell us,
27:51that's why,
27:52if you're in the right center,
27:54you're not going to do it,
27:57you're not going to ever do it.
27:58I think it's a very important thing.
28:01That's why we have to say,
28:03you can't get it.
28:08Now the other thing is,
28:09In the trailer, there was a lot of lyrical lyrical music that came out of the movie.
28:17And there was a lot of music that came out of the movie.
28:22It was a lot of fun to do with young people.
28:25In other films, there was a song that was a song.
28:30But it was an amazing secret.
28:34That's my mind.
28:36That's my mind.
28:37But in the rap song, there was a lot of rap songs.
28:41And you saw a rock-on-bhoom rap song.
28:45So, who would decide to be a rap song?
28:50And in that moment, there was a lot of words.
28:54And that was a little bit of connection.
28:56This idea was a great idea.
28:58I think that exactly the character is what he is.
29:03He doesn't start a step.
29:05That's what he does.
29:07He does.
29:07He does.
29:09That's correct.
29:09And when he comes to the rap song, there was a lot of music.
29:12That's what he does.
29:15That's what he does.
29:15That's what he does.
29:17That's what he does.
29:18That's what he does.
29:52That's what he does.
29:58That's what he does.
29:59That's what he does.
30:04That's what he does.
30:05He does.
30:06That's what he does.
30:40He does.
30:41He does.
30:42He does.
30:45He does.
31:08He does.
31:10He does.
31:11He does.
31:12He does.
31:13He does.
31:13He does.
31:15He does.
31:16He does.
31:17He does.
31:18He does.
31:22He does.
31:28He does.
31:30He does.
31:31He does.
31:32He does.
31:59He does.
32:01He does.
32:02He does.
32:03He does.zent
32:10travaux Mind
32:31Kwanal
32:32The situation is that everyone has to do with our own work,
32:36and we have to do with our own work.
32:39We can do this in a situation like that.
32:42And that's what we have to do.
32:44We don't have to do this in the past,
32:46but we have to do this in the past.
32:48But we have to do this in the past,
32:50and we have to do this in the past.
32:54The basic thing is that.
32:57There is a situation like that.
32:59There is not the speed of the world,
33:00and the suit of the law cannot match.
33:06There is no doubt about it.
33:08Yes, yes, absolutely.
33:10We have to do this in the past,
33:13and while we have to do this in the past,
33:15we have to herself as a role of the action.
33:17Some of us are in the past,
33:22and if we continue to change to our own work,
33:24we will have to do this in our own work.
33:26The role of our own work is to be made
33:29Because this project came from Avibhajja, Ashok Sarap sir.
33:37And after that shooting was started in January.
33:42Sir was admitted to the situation in the 31st.
33:46And he had a lot of pressure on him.
33:48He said that he was in ICU.
33:49But he was able to get the Aashok Sarap Saran.
33:53He was able to get the message from Mahesh Saran.
33:54I see that the person who has a lot of conflict between these people,
33:57and they have progressed from the date on their wedding.
34:01They have progressed from the date on their wedding,
34:08and they have been given the date on their wedding,
34:10and they will check out,
34:10and then they will come in the hotel,
34:11and they will be taken the date on their wedding,
34:14and then they will take over 4 weeks of shooting,
34:19and the next time,
34:19I was struggling to say that Mahesh is sorry for 4 days.
34:26What happened to my father?
34:30After 4 days, I started shooting for 4 days.
34:34I'm sorry for the first time, I'm sorry for 4 days.
34:35I'm not going to work.
34:40After 4 days, I started to say that.
34:42After 4 days, I started to say that there was a promotion.
34:48So what is the promotion?
34:49But there is a lot of support and it is good.
34:53And the truth is that we are here to learn from the cinema.
34:57There is no idea for the cinema.
34:59We are now making a vision for a cinema.
35:03This is a great work in Hindi.
35:04But in Marathi, we should be able to do a lot of creative culture.
35:09We need to take a chance to take a chance to take a chance.
35:12This is a very good opportunity for us.
35:14But we should get this opportunity.
35:15and he was able to do this promotion and plan a lot and he was able to do it
35:22and he was able to do it all the time.
35:24Radio, interview, print media, digital media, all the time.
35:28He was able to do it all the time.
35:31So this way, the flexibility and the flexibility of the support of Shiva is very important.
35:37And we have to do that.
35:40We have to do that.
35:41We have to do that.
35:41We have to copy the cinema three times.
35:44But it's a very good story.
35:48The cinema is the most important part of the cinema.
35:53The cinema is the most important part of the cinema.
35:56And they have to do so much dedication.
36:00They work in the future.
36:02Right.
36:03That's right, sir.
36:04Perfect.
36:04But how do you do casting?
36:07And, I think,
36:09I have to say that the role of the cinema is the most important part of the cinema.
36:13How do you do casting?
36:15Do you have any choice, sir?
36:17Always.
36:18The role of the cinema is the most important part of the cinema.
36:23I don't have any questions.
36:25I have to do it.
36:27I have to do it.
36:28I have to do it.
36:29I have to do it.
36:29I have to do it.
36:30If you ask your mother,
36:31You've got to do it.
36:31If you do it.
36:32I didn't do it.
36:33I have to do it.
36:37Aco-City is the most important part of the cinema.
36:49The cinema is the most important part of the cinema.
36:53The cinema is the most fun part of the cinema.
36:55It only has the most important part of the cinema.
36:58And I think that was tough.
37:04But, see, in the first place, our character is a character.
37:10We have done some work in the first place.
37:13That's why we have done our photo studio.
37:15And that's why we have told that we don't have any work.
37:20But in the second place, if we have a suit or not,
37:23When I was in that role, there were sequences in that film.
37:28You know, to give them confidence and surprise them.
37:34You know, if you don't do anything with your hands and expression,
37:43you can't do anything.
37:47Right.
37:47And if there's a USB, you can't do anything.
37:50You know, the way she reacts through eyes, which is outstanding.
37:56That's how I connect with you.
37:58And that's the best part.
38:02That's the best part.
38:06Wow.
38:06That's the best part.
38:10That's the best part.
38:20That's the best part.
38:26That's the best part.
38:28That's the best part.
38:42That's the best part.
38:45I have to think of that.
38:51We have to understand that I am not able to do that.
38:55We have to understand that we should not have the same issues.
38:55I don't know how much we can do that.
38:59I think that we have to learn from that.
39:01But I think the first thing I want to understand is that
39:08Like it, we're talking about the old people who have graduated with a second long view.
39:16All of this were truly one of the things.
39:19I was collecting the numbers and I thought it would be very kind,
39:23all in my work was looking at the final scene and the action was going on.
39:32I thought it was completely quiet.
39:38That's a good thing to say.
39:44I feel like I'm coming back with the people who can't talk about the phone.
39:46I feel like I'm not afraid to be fidgeted.
39:48I feel like I'm not aware of the people and what register I feel.
39:57I feel like I'm just wondering.
39:59I am also looking for the facts and the facts, I am not talking.
40:09We are talking about the facts.
40:12I have to begin by thinking about it and I thought that it was a great idea.
40:21I didn't think she was capable of having a very good performance?
40:25So, what did she do?
40:27So, what did she do?
40:30She did what she did.
40:31She would have been closed at the time and that the actor would have been ignored for the support.
40:38You would have better class and over a round dialogue to it.
40:43That's why we can't understand.
40:44But Ashok sir, how is the effect of your aftab?
40:47That was my career?
40:49That's why we now have a lot of times.
40:50When I was a woman and I was a comedian, I mean I didn't make a lot of comedy.
40:56But I'm not a comedian, I'm a character artist.
41:01I'm a person who is a character artist.
41:05So, I'm not a person to do it.
41:09But I can't do anything around the world.
41:11I can't do anything.
41:13Because I'm a character artist.
41:15I can't do anything.
41:18I don't want to do this.
41:19But I can't do this.
41:22My son's son is the one who's ever seen.
41:24I'm not even going to do this.
41:27I can't do this.
41:28I can't do this.
41:29I can't do this.
41:29I can't do this.
41:29Yes.
41:30And you're thinking about Vinod that seriously is happening.
41:33But now, if you're a stand-up comedy, you're a stand-up comedy.
41:38That's why Vinod is happening.
41:41It's a very big issue.
41:43I'm not thinking about comedy, comedy, comedy, etc.
41:45I'm not sure how to do it.
41:46How do you feel about it?
41:49I'm not sure how to do it.
41:52I'm not sure how to do it.
41:55But what is it?
41:57It's a comedy.
41:59It's a stand-up comedy.
42:01It's a comedy.
42:02So, how do you feel about it?
42:07It's not something you can't do it.
42:09It's not something you can't do it.
42:15It's not something you can't do it.
42:18It's not something you can't do it.
42:22I can't do it.
42:23It's not something you can't do it.
42:25If we don't do it,
42:26we don't have to do it.
42:29Yes.
42:30Sankarysh, what do you think,
42:31about your work on the theater?
42:34What do you think that this is a journey?
42:37Ashoek Sarabh is about to say
42:39how to do the cinema.
42:42How to do it?
42:44I was able to do this very well.
42:46And at that point, I felt that I was able to talk about it.
42:50In our trailer, I was able to talk about it.
42:54I was able to ask Nathu Azuban,
42:57that if you were to go outside,
42:59you would be able to get out of your house,
43:01you would be able to get out of your house,
43:04but you wouldn't be able to get out of it.
43:06That's why Nathu Azuban is going to bombard the frustration.
43:10And I was able to get out of it.
43:12That's why we had a question for them.
43:14And as I said to them,
43:17you were able to tell them to tell them,
43:18it's a fear that our parents,
43:24the children we are honoring since we was learning.
43:28The way that we are told is the fact that
43:30that our parents are at home,
43:32and the truth is that the senes are at home.
43:36And so I think I'm not going to ask all of these questions.
43:41I don't have to worry about it, but if there is an icon, it's very important to me.
43:47There's comedy timing, we don't have to worry about it, we don't have to worry about it.
43:54But Ashok Saraf is the icon, it's very important to me.
43:59And there's a lot of scenes in this cinema where there is an icon.
44:04And if there is an icon, it's very important to me.
44:10It's very important to me.
44:12It's so beautiful.
44:15That's why I feel that the pain of my life has become so strong.
44:21I don't have to worry about it, I don't have to worry about it, I don't have to worry about
44:24it.
44:25In this interview, I thought,
44:27I have to worry about it, I can't worry about it, I can't worry about it.
44:33I don't have to worry about it, I will be afraid of it, I will be afraid of it.
44:50And I can't say to myself, I'm going to be afraid of it.
45:191.
45:242.
45:24I don't even think about it, but I don't think about it.
45:27I thought that my wife said that you are Dhanpur and you are your father.
45:30Dhaniawad, Jayin, Jayin, Maharashtra.
45:32I didn't go there. So, I went to the house.
45:34I didn't do anything.
45:35No, I didn't think about it.
45:37So, what do you think about it?
45:38What do you think about it?
45:40Without passion, without fashion and without ration.
45:43So, I think about it.
45:44So, I don't think about it.
45:45If you don't think about it at home,
45:48you don't have a button.
45:50So, I think about it.
45:52You don't think about it.
45:53Because if you know it, how is your job?
45:55But you don't think about it.
45:57You don't think about it.
45:59You don't think about it.
46:01Therefore, this is a process to approach the business.
46:03So, I think that with respect,
46:06you are all very valued.
46:07I did our work as a result in the book
46:11because people said that,
46:13but this is part of the business,
46:14which is most important in the house.
46:16And if you don't think about it outside,
46:18I think that with respect,
46:20I think that with respect for your work.
46:20If you do the job, you should do it.
46:22From 16-16 years old, you are able to write your father to his house,
46:26you will get out of the house,
46:28but you will do the job, and you should do it.
46:32And in this case, what happens to your father?
46:35That's how you do things.
46:36And it can be done.
46:38And it's very hard to do it.
46:41I also have to do it.
46:42I have to do it because I am fortunate that I do it.
46:46And that's important.
46:47And in this case, there is no speciality.
46:51But Ashwag sir, you have the struggling period of time.
46:55The struggle is great.
46:57And how did you face that?
47:00You didn't face it in every field,
47:03but you didn't have any struggle.
47:06So, why did you get the struggle?
47:08The struggling period, I don't know,
47:11but even in the cinema,
47:15some are habiletful.
47:17The struggling period,
47:21all the people,
47:23the government,
47:25all the people,
47:25the people,
47:25all the people,
47:26and all the people,
47:30they don't have the struggle.
47:31They don't have the struggle,
47:33and they don't have the弾i.
47:35They don't have the thing.
47:35They don't have the staff.
47:43The staff
47:44If we would like to have a chance to go, we would like to do that.
47:49Well, if we would like to have a chance to go, you don't have to do that.
47:54If you would like to have a chance to go, you don't have to be afraid.
48:06It would be like to be afraid.
48:09I know I have to go to the bathroom.
48:12I know I have to say that.
48:16Do you have any kind of story about struggling period?
48:21I don't know if I have to go to the bathroom.
48:26Why are you doing this in the project?
48:30No, I have to go to the bathroom.
48:34I have to go to the bathroom.
48:36I mean, I don't think I was going to do a struggle with the house,
48:42and I was doing a little bit of work,
48:46but I didn't think so.
48:48But I also thought that,
48:49I was working with the young people,
48:53and I was working with the young people.
48:56I was struggling with the young people,
49:01because I was doing a film with you,
49:05I think it's a different commitment.
49:07But Mahir has been working for years and years.
49:11So, it's a little bit of a pain.
49:15But it's a good thing.
49:17I'm lucky. I thank my stars.
49:20That I have to be a good person.
49:24Mahir Sir, your gift.
49:26Struggle?
49:28Struggle is always true.
49:31No one doesn't say anything.
49:31But if you have a struggling period,
49:37you enjoy your life.
49:39So, it's important to understand your life.
49:43And when we struggle, we struggle.
49:48But how do you enjoy your life?
49:50It's fun actually.
49:53And you don't know Ayusha.
49:55So, struggle is a beautiful life.
49:59You are a beautiful person.
50:02I always tell you a mom.
50:05We have to talk about the music.
50:07We have to talk about the music.
50:08We have to talk about the music.
50:10You have to talk about the music.
50:23We have to talk about the music.
50:24We have to talk about the music.
50:26We have to talk about the music.
50:28We have to talk about the music.
50:33But the music is a very different person.
50:42There is a lot of energy, a lot of energy.
50:46It's a lot of energy.
50:49But he goes all out.
50:51And I will add to that,
50:53when I saw the scene,
50:55you announced the pack-up.
50:56Then I will say,
50:58Zala,
50:59pack-up?
51:00Then I will say,
51:01I will say,
51:01I will say,
51:01I will say,
51:03I will say,
51:03I will say,
51:04I will say,
51:06I will say,
51:08I will say,
51:10I will say,
51:11I will say,
51:12I will say,
51:14I am told to ask you,
51:15that's it.
51:17All of the people,
51:19they have requested the packaging.
51:21They call it the packaging,
51:22I will say,
51:24I will not having the packaging.
51:28I will say,
51:29what do I want to do?
51:29The packaging isn't the case.
51:30That's why I have told you sometimes,
51:33being in lights,
51:34being in that environment,
51:36if you are artists,
51:37I want to do something with this, but I don't have to do anything.
51:42I have a little hard feeling about the fact that it's going to be packed,
51:48it's going to be a big shift, but I think it is going to be a little hard.
51:58I was just thinking, I don't know.
51:59I was just thinking, I'm going to go.
52:02I'm going to go.
52:04I'm going to go.
52:04I'm going to go.
52:06Sankarshan, there is a point in this video.
52:10You'll have to be able to do a big deal.
52:13What is your challenge?
52:14I'm going to go to sleep.
52:16I'm going to go to sleep.
52:18I'm not going to sleep.
52:21I'm going to go to sleep.
52:22We are all hoping.
52:27As you know, usthan, we shouldn't have done your time.
52:31We should always be able to sleep with him.
52:34Again, you don't know if every day says and you go is an essayer of thought.
52:38You don't have to sleep.
52:40Even we never one of these books might be given to lunch.
52:42Even if that is, I don't life.
52:44We don't continue to do a Especially when I get Andrea.
52:45Secondly, not as your boy people will act,
52:47at least if you will ask him,CHANANGAPAR.
52:50We will at least be getting
52:52paid for us.
52:52And if you want to do something, please put your hand in your hand.
52:56You can have a dedication and you can have a dedication.
52:59You can have a lot of work, you can have a lot of things.
53:03And those things you can do, can you have to do something in the same way?
53:10That's what you do.
53:12Your struggle is my struggle.
53:15And you will think?
53:16You'll think that I am just a good thing.
53:22That's the problem.
53:23That's the problem.
53:26But I'm not going to tell you how to do this.
53:29Why do we struggle?
53:33I'm not going to do this.
53:37How much is it?
53:38We are struggling.
53:41Asha, sir, you can learn to learn about your work.
53:44You can learn to learn about your work.
53:45But you don't think that
53:47I think you've got a drink.
53:49And I think you've got to talk about this.
53:52I'm sure you've got to talk about this.
53:55What do you think about it?
53:57How do you think about it?
54:01I don't know.
54:02I'm sure I've got to talk about it.
54:05I'm really sincere.
54:09Even though we have a case, we're always trying.
54:13When you talk about it,
54:14I told you that I am going to do this and do this and do it right now,
54:21and I will not give any questions.
54:24I will help you understand that.
54:27Sankarashin and Sankarashin are more of a question.
54:30Who are you?
54:31I am.
54:32Sankarashin is more of a question.
54:33I don't know about you, but I am going to tell you.
54:39Sankarashin is your question.
54:40Ashok, you probably learned something to ask yourself.
54:43I can't really tell you.
54:44I'm going to ask you.
54:46I'm going to ask you.
54:46That's right.
54:47You're listening.
54:50I'm not a little bit of a girl.
54:54No.
54:55Now, I'm going to give you one question.
55:00I'm sorry.
55:01Now, we're going to ask you.
55:03We're going to ask you.
55:03We're going to ask you.
55:04and the way we can do it.
55:06So, the rest of us can be able to do it.
55:13We can do it.
55:14Yes, and I also want to say that in the trailer,
55:16we have a great deal.
55:19We have a great deal.
55:21We don't have a great deal.
55:22We don't have a lot of dialogue.
55:26But you have a great deal with this film.
55:28I think it's a great deal.
55:31I think we have a great deal.
55:33It's not that you can do this.
55:35If you don't want to have a job, then you can do it.
55:39There is no one to one.
55:42There is no one in the theatre.
55:44It's not a thing, you have to do it.
55:49Team effort is always.
55:51Yes.
55:52I want to tell you something.
55:54We have a photo and a photo of this film.
55:57This film is not a photo.
56:00We have the same photo as a photo.
56:02that you have to believe your own power and your own moral power.
56:07Yes, yes.
56:07And if there are many people,
56:09you know, you have to believe,
56:12you are the one who is my own.
56:15But if you have to believe your own power in your own family,
56:18then you have to have the power in your own family.
56:19You have to have the power in your own family,
56:22then you can play a cinema.
56:23And you can play a bit of a lot of things,
56:26but you can play a lot in the movies.
56:29So you can play a lot.
56:31Thank you so much.
56:32Thank you very much.
56:41Thank you very much.
56:42Thank you very much.