Bandhu Marathi Movie Cast Exclusive Interview | Mrunmayee Deshpande, Upendra Limaye, Jitendra Joshi & Nitin Supekar
नवीन मराठी चित्रपट Bandhu च्या स्टारकास्टची ही एक भावनिक आणि exclusive मुलाखत. दिग्दर्शक Nitin Supekar सह अभिनेते Upendra Limaye, Jitendra Joshi, Mrunmayee Deshpande आणि प्रस्तुतकर्ता Rajat Bedi यांनी चित्रपटाच्या सेटवरील आठवणी, भावांचे नाते आणि पडद्यामागील रंजक किस्से शेअर केले आहेत. कौटुंबिक नातेसंबंध आणि भावनिक बंध उलगडणारा हा सिनेमा का खास आहे, जाणून घ्या या खास संवादातून!
Key Highlights of this Interview:
- Bandhu Marathi Movie Cast Interview आणि पडद्यामागील भावना
- Upendra Limaye आणि Jitendra Joshi यांची ऑन-स्क्रीन आणि ऑफ-स्क्रीन केमिस्ट्री
- दिग्दर्शक Nitin Supekar यांनी सांगितलेला सिनेमाचा संपूर्ण प्रवास
- बालकलाकाराची निवड आणि चित्रपटाची भावनिक कथा
#Bandhu #BandhuMarathiMovie #UpendraLimaye #JitendraJoshi #MrunmayeeDeshpande #NitinSupekar #MarathiCinema #LokmatFilmy #MarathiMovie #MarathiInterview #ExclusiveInterview #EntertainmentNews #MarathiMovie2026 #MarathiCelebs #BehindTheScenes
नवीन मराठी चित्रपट Bandhu च्या स्टारकास्टची ही एक भावनिक आणि exclusive मुलाखत. दिग्दर्शक Nitin Supekar सह अभिनेते Upendra Limaye, Jitendra Joshi, Mrunmayee Deshpande आणि प्रस्तुतकर्ता Rajat Bedi यांनी चित्रपटाच्या सेटवरील आठवणी, भावांचे नाते आणि पडद्यामागील रंजक किस्से शेअर केले आहेत. कौटुंबिक नातेसंबंध आणि भावनिक बंध उलगडणारा हा सिनेमा का खास आहे, जाणून घ्या या खास संवादातून!
Key Highlights of this Interview:
- Bandhu Marathi Movie Cast Interview आणि पडद्यामागील भावना
- Upendra Limaye आणि Jitendra Joshi यांची ऑन-स्क्रीन आणि ऑफ-स्क्रीन केमिस्ट्री
- दिग्दर्शक Nitin Supekar यांनी सांगितलेला सिनेमाचा संपूर्ण प्रवास
- बालकलाकाराची निवड आणि चित्रपटाची भावनिक कथा
#Bandhu #BandhuMarathiMovie #UpendraLimaye #JitendraJoshi #MrunmayeeDeshpande #NitinSupekar #MarathiCinema #LokmatFilmy #MarathiMovie #MarathiInterview #ExclusiveInterview #EntertainmentNews #MarathiMovie2026 #MarathiCelebs #BehindTheScenes
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NewsTranscript
00:00you are the only one in this world
00:03I mean you are the only one you are the only one
00:03I mean you are the only one in this world
00:07so if you are you the only one in this world
00:11I have a compliment for you
00:16and you are the only one in this world
00:24Namaskar, my name is Mr. Baker
00:25I'm a famous poet
00:28I have to do this work with StarCars.
00:34This is the third cinema.
00:38I think StarCars can be a big challenge.
00:43I think we have to understand how many people are in the area.
00:48We have to understand how many people are in the area.
00:50What is the direction of I am aware of the situation I do and grow the strength of the people
00:57who have been able to learn.
00:58I am aware that the situation is important to understand very easy and difficult to learn.
01:06in the Uttam.
01:09We know that we have seen some of these things and that's when we understand what we have
01:19in terms of the world.
01:19We've got to help because of the work we've got to understand.
01:20We've got to figure out what we know about this world,
01:21but it's not a matter of the world,
01:23we've got to learn some of the world's world and we've got to keep our world.
01:36I have a lot of fun.
01:39I have a lot of fun in my life.
01:44I am very interested in managing this job.
01:47I have a lot of fun.
01:53I have a lot of fun.
01:55I've done my job on this job.
01:59I have been doing a lot of work.
02:35Thank you very much.
02:35It's a beautiful thing.
02:37I'm a very good person.
02:41I'm a very good person.
02:42I'm working very well.
02:43I'm not working with my director.
02:46I've worked very hard, and I've worked very well.
02:48I've worked very well with my director.
02:49I've worked very well with my camera.
02:51We've got a good sense of movement, good expression.
02:55And our words, the words of the author,
03:00can be very good.
03:02We also have a line when we have done the dialogue and when we have done it, it's gonna be
03:09made as a line when we have dialogue.
03:11We always have a line for us to give the spirit of soul and your soul to give the love
03:17of your love and your presence,
03:21I promise to make money for you.
03:23I have a good deal.
03:25My family members are in the company.
03:28I can't afford to get any money.
03:30I have a lot of opportunity to get money.
03:31So I'll be happy with you.
03:37I'll be happy with you.
03:38This is a very good deal.
03:39I don't know if you don't know how to say.
03:42I'll be happy with you.
03:45I can't afford to play.
03:46In three years we have to play.
03:48the
03:49We are not alone, we are not alone, we are not alone, but we are not alone.
03:55We have to have a lot of work and technicians.
04:00We have to have a lot of work and we are only alone.
04:04But we have a lot of work, because we have to know our work.
04:10So we are not alone to the government.
04:12Right.
04:12With a man who is a DD.
04:16Just a little bit.
04:20The man has their own hair.
04:25Good question.
04:26I think we have two little girls, but we are talking about the kid.
04:34I have to say that this is a title.
04:38But in this case, we have to do our family.
04:45My family is doing my family.
04:47And my family is doing our family.
04:50We have to do our family's family.
04:57And we have to do our family's family.
04:59In this book, I would like to read the language and...
05:06How much of this study will be in your own words in a way?
05:13I know that.
05:14The words could be in your own words.
05:16The words could be in your own words and in your own words.
05:21.
05:21.
05:22.
05:22.
05:22The story is set to a point of view and the truth is that we have to take care of
05:29the people who are living with it.
05:32We are now talking about this, but the truth is that we are living with the people who are living
05:40with their lives.
05:41that that life will be the same, the best way of the future.
05:51This is the question that you think about, Nath.
05:57In this cinema, we thought that some words are only one thing about it.
06:10With this new meaning, we are hearing from the words that we are seeing.
06:17We are hearing from each other and we are hearing from each other very well.
06:23So, we have heard from the book and it is to forget that the meaning of a verb.
06:28and to the group, the group has become the author and the author's name and the author's name.
06:34And the author has become the question.
06:38The question is, the word is to provide a different way to the group.
06:49We are working, we are working, we are working with our work, we are working with our dates, shooting.
06:57And people are getting the cinema, the artists, and the artists.
07:02This is the same thing.
07:04And I have a great idea that I have a great idea of the film,
07:07I have a great idea of the film, I have a great idea of the film.
07:15I think here.
07:19I will talk to the people of the state,
07:21Because there is a scripture,
07:23There is a spoken word and a word.
07:26So, that's how we are going.
07:28A knowledge in this language will be done in time.
07:33I think that the legal and spiritual way will be done,
07:38But in this language,
07:41It was a deal with the Pataan deal and this Pataan deal is a deal with the Pataan deal,
07:48and they are already closed.
07:50But this is a deal with the Pataan deal.
07:57And the situation is just a different situation.
08:06ुआशित भुष्टि में भारतीती चित्रपट शुष्टि में भारतीता ही अचरे करें त्या नंन्तर मलवाटतीत ही मुरुन में एक अभिनेत्री है
08:16कि
08:17But it's important that you do not have any people.
08:21And that's why people are not able to work.
08:27They don't have compliments.
08:30And they are very very important to me,
08:33I think you are not able to do this,
08:35But they are not able to work.
08:39Those are the most important ones.
08:43It is a very exciting film for many people.
08:48So the cinema is a very fun.
08:49I thought it was a fun film.
08:54I thought it was a fun film.
09:03That's why I'm tired of it.
09:08I'm tired of it, I'm tired of it.
09:11But some of the things I've seen before,
09:12that's how the joy started.
09:14And, Nitin Supyakar,
09:17in this world,
09:19that's why I'm happy.
09:21And that's why I'm happy.
09:24That's why I'm happy.
09:25That's why I'm happy.
09:29I love the music and the music and the music.
09:34That was so good.
09:34No, you are a matter of being.
09:36What is that?
09:40The music is an amazing thing.
09:45This music is a great way to getbilirized.
09:48And we thought we could live alone in a third of our country and the fans of Chitravat.
09:57I think Chitravat has do much, and I don't think we've got enough to go in the other ways.
10:03If you've got too far more than what you've got, it's already amazing to go in the middle of your
10:17country.
10:17But at this time, we were only able to do this.
10:21Because the people who were public and the people who were not allowed to be public and public.
10:29The people who were not allowed to make these things were created.
10:32They were not allowed to execute on the government.
10:36They were not allowed to do this.
10:38in the city of G2, I was very happy to do this.
10:53In my career, I had a memorable performance in my career.
11:01I was a friend of mine, and I was welcome, and I am very proud of my friends.
11:05They were the first and the first one I had with him, and I was like, I was afraid of
11:13her.
11:14I had a lot of people who took the wedding out.
11:18I had to sit there and check the other ones.
11:23Still, I had to go back to my head and see.
11:28I had to go back to my bed and see.
11:31So, I'm not here.
11:34I'm going to go back to my head and meet my husband.
11:37What do you think about this film?
11:41Actually, Kharasangu, Kupendra and Ayusha,
11:45we can't talk about it.
11:48We can't talk about it.
11:51We can't talk about it.
11:53But we can't talk about it.
11:56We can't talk about Kupendra.
11:58We can't talk about Kupendra.
12:01We can't talk about it.
12:04Why do you tell me that you can't talk about it.
12:07We can't talk about it.
12:09We can talk about it.
12:14But we can't talk about it.
12:14But Kupendra is very much a point.
12:18We can't talk about it.
12:20We can't talk about it.
12:23The only way the less it is,
12:25we can't talk about it.
12:29But yes,
12:31When I was announced in the cinema, that I was going to leave outside,
12:35I would like to hear about Jitendra and Upendra,
12:38both of these people who are living in every single day,
12:43I genuinely thought that I was very proud of it.
12:46I would like to say something like that in the scene,
12:49I would like to say something like that.
12:54But I genuinely thought that
12:59when I was a young man,
13:01there was a place where all I was in the movie,
13:04and I was going to ask that
13:07I was feeling very sad and proud of it.
13:11I was like,
13:12I mean, I was like I was just like,
13:13I was like, oh, I'm like, I can't get it.
13:17I was like, I was like, I don't like me.
13:19I was like, I don't like you.
13:23But I was like, I was like, I was like,
13:27I think, I got the eye,
13:27I was like, that's what I was like.
13:29brother-in-law
13:31brother-in-law
13:33and
13:36contract
13:39and
13:40and
13:42and
13:48I
13:49I
13:53I
13:54I
13:55I
13:55I
13:55I
13:57The film is a single film.
13:59In the film, it's not a film.
14:00So, this film is a film.
14:02So, it's a film.
14:06So, it's a film.
14:07I'm not sure what I want to say.
14:08I want to say that
14:09I want to say that
14:11In Marathi's city,
14:13I want to say that
14:17that's why
14:18the city of Rajao Patti
14:21has been a place
14:22in the city of Marathi's city.
14:24It is a very difficult decision.
14:29To do my best work.
14:32I will not be able to work,
14:45I will not be able to do this work.
14:49that is, in a very little bit, the people who are living in the world, are the people who are
14:54living.
14:54So they are not the people who are living in their lives.
14:58They are living in their own lives.
15:02So they will continue.
15:09About the time of time, our people are not the people who are living in their lives.
15:17I had to buy the coupon for that.
15:20I got the coupon for that.
15:21I had to pay for that.
15:24But I didn't know if I was aware of this.
15:30I don't know how to get it.
15:33I'm not surprised by the time I was.
15:34I didn't get it.
15:34I didn't work at her at all.
15:39But I'm surprised because I was.
15:42The time I was surprised to say that
15:44I was going to get it.
15:44I was like, I'll follow you guys.
15:46I'll follow you guys.
15:49Okay.
15:50Oh God, I'll follow you.
15:51But the scene is over.
15:54But the scene doesn't stay in the same place.
15:58Yeah.
15:59That's how much.
16:01It's a good scene.
16:02I don't think so.
16:03That's not the scene to see you.
16:09I don't want to see you.
16:11It's not the scene, I think.
16:13I had received a lovely picture that was Tapping in my main scene
16:17I can see how it works
16:20and I can see how it works
16:21Remember to take a picture
16:23outta that question
16:23Yes, I can give it a lot of questions
16:35We don't have to read the first name of the Mayan
16:39Because you don't have to read it
16:40I can show you the last name of the Mayan
16:42And in two numbers, it was about 80% of your brain.
16:49And it was about 20 years old.
16:53And when I was younger, it was about 20 years old.
17:02So, in this case, my family told me that
17:07to the family in this manner.
17:10I want to say that I have a clue about this fact.
17:18I have a clue about this message.
17:22Last one, I would like to say about this...
17:26How are you going to say that?
17:27No, I don't have a voice.
17:31Sorry, I'm saying about Hildi.
17:32Yes, I'm speaking about Hildi.
17:37I would like to say that this is my best friend
17:40I believe that I have a chance to get this opportunity to be able to get this opportunity
17:46and this picture of one piece.
17:51This film has a lot of emotions attached to me.
17:59I believe that I am not sure how to get this opportunity.
18:06and I'm telling you, I'm telling you that there are a lot of people in Manati cinema and all of
18:12them are sitting in front of you.
18:14Looking at their performances, I don't think that in Bollywood, there are so many people who are sitting here.
18:23They have given their heart and soul into their heart and heart.
18:28And I'm telling you that you can see them too.
18:32I'm telling you, you can see the eyes of your eyes.
18:35Every character, every person, everyone has been singing.
18:40I've watched 30 times, I've been crying for 300 times.
18:43I've seen the song in the night, I've seen the song in the night.
18:46I've seen the song in Bandhu's title song.
18:49I've also been crying for Vijay Governor.
18:52I've called Nitin Sir to call me.
18:55I've said, sir, what did you do?
18:57I've seen this song in Manati cinema.
19:01I think this song will be guaranteed in Marati cinema.
19:06And we are so honored and privileged that we are part of this song.
19:12And we will always be known because of being a party to Bandhu.
19:18It will go into history and it will go into history, come what may, and I am saying that you
19:24are in the media, but I am saying that it will go into the history of the Marathi cinema and
19:33it will be made in the other languages, and I will make the band 2.
19:50What are the pictures?
19:55Audition.
19:57Audition?
19:58How do you work in the pictures?
20:01Do you see the pictures?
20:02Yes, yes.
20:05What do you see?
20:06Yes, yes.
20:08What do you see?
20:09Do you see the pictures in the pictures or do you see the pictures in the pictures?
20:13Yes.
20:13Yes.
20:15Yes, yes.
20:18Yes.
20:18Yes.
20:19You can see the pictures in the pictures.
20:21No, no.
20:22Yes.
20:22Yes, yes.
20:23Do your pictures.
20:23Yes, yes.
20:25Yes, yes.
20:26I am doing this show at the 306th of the audience.
20:30But we are the cameraman, Sanjay Kumar Hedi.
20:33This is a little bit of work.
20:35I have started a show.
20:37I have started with this show.
20:46It was a great job.
20:49I love it!
20:50I mean, we didn't need to work.
20:52We had a nice job for doing this.
20:54We have all this thing to do.
20:57We want to have a great job.
20:59this film is a great work for every family and I will say that every family should watch
21:08this film because this film is a medicine for every family which is a cure, there is a problem
21:19This is the problem of this problem. How do I say this?
21:25Exactly. There are many people in Kutumbha.
21:29But the Kutumbha, the Kutumbha, the Kutumbha, the Kutumbha, the Kutumbha, the Kutumbha, the Kutumbha, the Kutumbha and the Kutumbha.
21:35Where you and the Kutumbha, the Kutumbha, the Kutumbha, the Kutumbha, the Kutumbha.
21:55This is the end of the 20th November, which is the end of the 20th November.
21:59Please.