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Grainy wildlife footage doesn’t have to stay noisy. In this DaVinci Resolve mini tutorial, learn a practical noise reduction workflow for low-light footage, using an early-morning clip of great crested grebes as an example.

The process combines temporal and spatial noise reduction, with scopes helping you judge how far to adjust the settings while keeping the image natural. You’ll also see how to disable the noise reduction node during editing for smoother playback, then switch it back on before export. A useful guide for wildlife videographers and DaVinci Resolve editors looking to reduce video noise without making footage look overly smooth.

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Transcript
00:00So hello my friends and welcome to another mini tutorial on DaVinci Resolve.
00:06Today I'm going to talk about my process for noise reduction, which I seem to have to use
00:13quite frequently because my, unfortunately, Blackmagic Pocket Cinema 6K doesn't really
00:20do well in low light.
00:23As fantastic of a sensor it is and produces lovely images, in low light it doesn't do
00:30so well.
00:31And the other day when I was filming the Great Crested Greaves on the lake, in the early hours
00:37before the sun came up in low light, the images did come out a little bit noisy and I had
00:44to
00:44apply some noise reduction.
00:46So I thought I would talk you through my process of doing that today.
00:50Again, I should say that I am not a professional video editor.
00:54This is just a process that I use that seems to work for me.
00:57I don't know if it is the exact right way of doing things as far as noise reduction goes.
01:04But it seems to produce an okay result.
01:07So that being the case, I'll get the screen recording going and we'll dive into it.
01:13Okay, so I've got the screen recording going and I've opened up DaVinci Resolve and loaded
01:22into it one of the clips from the lake the other day filming the Great Crested Greaves,
01:29the early morning shots.
01:31And as you can see it's quite, if I put that full screen, you can see it's quite a noisy
01:36image,
01:36especially here in the shadows.
01:39So I want to try and correct that.
01:43And the way I do it, I should say I've also, I've done the color grade on it so far,
01:49so I've added in all my nodes for the color grade.
01:53So for the, again in the color module down here, I want to add in an extra node for the
02:01noise reduction.
02:02So highlight the last one here, the number three, hit option S to add the extra node and I'll put
02:11the noise reduction on this node.
02:15The module for adding noise reduction is this one over here, motion effects, and you'll want to have your scopes
02:26open for this as well,
02:27so that you can see the immediate effect of adding noise reduction on the scopes here.
02:34So we'll start off over here on the left, temporal NR, noise reduction, and I usually choose three frames.
02:43And better quality.
02:46I then add in, just by clicking and sliding on the Luma, they're all linked here anyway, so it adds
02:53it evenly across the board.
02:55And what I do is, what you want to do is, as you increase the Luma threshold here, you want
03:05to keep your eye on the scopes,
03:07and you'll see it, the signal here cleaning up.
03:11As I do it, I'll do it extreme so you can see the difference, so that's pushing over the Luma
03:18quite hard,
03:19and you can see the difference as I back it off again.
03:23So what you want to do is, what you're trying to do is clean up the signal slightly,
03:28and you want to go so far as to when you start seeing the image, the scope here clean up,
03:36but not too hard, because then the image sort of turns to plastic.
03:42So if I back that off and go slowly, about there seems right, which is about 4.6 on the
03:51Luma scale here.
03:53The next step is to add in some spatial noise reduction.
04:00Again, for mode here I will choose better.
04:04You can change the radius if you want to medium, I tend to keep it on small.
04:09And again you want to start adding in the Luma, and again you'll see the scope starting to clean up.
04:15And this normally works out to about double the temporal threshold,
04:21so 4.6 is what I've pushed the temporal threshold to.
04:26So this will be about 9.2, if I push that up, and keep watching the scopes on the right,
04:33and you see them start cleaning up, the signal starts becoming cleaner.
04:38So get that onto 9.2, there we are, and put it up to full screen.
04:47And you can see that's actually cleaned up the image.
04:49If you look here in the shadows, a lot of that noise is gone.
04:52I think I've actually pushed it a little bit too hard in this instance, so I might back that off
04:57slightly.
04:59Back off to about 8, and push this down to about 4 as well, and have another look.
05:10I think that's a bit better.
05:11It still looks fairly natural, and a lot of the noise has disappeared.
05:20The thing with adding noise reduction into your edit is that, even though this is a relatively new laptop, it's
05:32a 2024 Mac.
05:35But it still struggles when adding in noise reduction to actually run cleanly.
05:41And you can see it's a little bit jittery when I hit the play button.
05:45As soon as I turn that off, it runs smoothly.
05:49So what I tend to do in order to keep my whole editing of the video smooth, is as I
05:57add in my noise reduction node to each of the clips that need it,
06:03I'll add it in to the extent that I want it, and then turn it off just by clicking on
06:09the bottom left on the number,
06:12so that I can keep editing smoothly without the image slowing down and making editing difficult.
06:21And then, once I've finished the edit, I'll go back through and turn each of these on before exporting it.
06:29So, I hope that's been of some help to you.
06:33Do drop a line in the comments below if you have any more questions about it.
06:41And, yeah, hopefully you found this useful.
06:45Thanks so much for watching, and I'll see you again soon. Bye for now.
06:59Bye.
07:24Bye.

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