Saltar al reproductorSaltar al contenido principal
  • hace 17 horas
Información de la película aquí: https://www.filmaffinity.com/es/film900539.html

Categoría

🎈
Diversión
Transcripción
00:00:23Thank you!
00:00:47Thank you!
00:01:18Thank you!
00:01:49Thank you!
00:02:03Thank you!
00:02:12Thank you!
00:02:14Thank you!
00:02:15Thank you!
00:02:16Thank you!
00:02:17Thank you!
00:02:17Thank you!
00:02:17Thank you!
00:02:17Is your boyfriend waiting for you?
00:02:20He's got you wrapped around his little finger, girl.
00:02:24I wish I could get a guy like that for her.
00:02:28I was going to pass them on by the kilo.
00:02:32You have to know how to keep that line in men.
00:02:35Otherwise, it ends up being a joke.
00:02:40Anyway, it's up to you.
00:02:41Each one knows her own business, right?
00:02:50Look.
00:02:56She's here for whatever you need.
00:03:00And she has a man behind her.
00:03:03What could they see, Sebastian? Let's not make things worse.
00:03:06Leave this at home or throw it away. You don't want it to cause you any trouble.
00:03:09Really, for whatever you need.
00:03:11For a friend, I would risk my life and my very existence.
00:03:15Sebastian, I'm going to leave you. I need to rest.
00:03:18Tomorrow you have to get your act together.
00:03:20Lots of people will come to see you. Don't make a fool of yourself.
00:03:24Because if not, you can say goodbye for good.
00:03:27I know, Sebas. My entire future depends on tomorrow.
00:03:30But let me rest in peace. Don't remind me.
00:03:33Would you like another drink?
00:03:34No, that's enough.
00:03:35I don't want to force you.
00:03:37Whatever you prefer.
00:03:39And that's what I said.
00:03:40Good luck, Antonio.
00:03:41Thank you.
00:03:42Let's see, tomorrow.
00:03:43Let's see, what we can do.
00:03:59Good night.
00:04:01He wasn't late, was he, darling?
00:04:07Are you angry?
00:04:08What do you want, miss?
00:04:10One with milk and enis. A glass of enis.
00:04:13What are you like, Sebas?
00:04:15Hey, you can't complain. I came early.
00:04:17And Carola isn't happy about it at all.
00:04:22What's the matter?
00:04:23Are you sick?
00:04:25Will you shut up already?
00:04:27Leave me alone.
00:04:28Nothing is wrong with me.
00:04:31What do you want?
00:04:33Did he catch typhus?
00:04:36Well.
00:04:38Well, I have typhus.
00:04:40Sebas.
00:04:41Shall we sit down?
00:04:46Don't drink too much.
00:04:50Black eyes
00:04:52They'll learn them tomorrow.
00:04:56Yes sir.
00:05:01We're closing!
00:05:04Goes.
00:05:05Keep going, don't be silent.
00:05:08Hey, Sebas.
00:05:09You're going to see Antonio tomorrow, right?
00:05:11I'll tell you.
00:05:12Hey, count me in.
00:05:14Sit down and have whatever you want.
00:05:16I'm coming with these.
00:05:17They feel it too.
00:05:20Making a habit of it, huh, Sebas?
00:05:22Let's see.
00:05:22You guys spending money like good people.
00:05:25Natural.
00:05:32Your lupe is getting better every day.
00:05:36The treatment I give.
00:05:39Chavo, give us something to drink.
00:05:41Manolo, it can't be done.
00:05:42We've closed.
00:05:44Ricardo, let's see.
00:05:46You, Manolo, already know what these things are about.
00:05:49We are being heavily persecuted.
00:05:50I'm sorry.
00:05:52You know that if it were up to me,
00:05:54until you drank the place dry.
00:05:56Nothing, man.
00:05:57That's what we're here for.
00:05:59We're going to Carola's house right now.
00:06:01And that's the end of it.
00:06:04Sebas, go away.
00:06:06Today we're going to put it together.
00:06:07Whatever you drink, run from my flower.
00:06:11We'll go wherever you want.
00:06:18Come on.
00:06:20Wait a moment while I put on my shoes.
00:06:24If you don't want to come, you can stay here until tomorrow.
00:06:28If it's not that, Sebas.
00:06:30I'll go with you wherever and whenever you want.
00:06:35As I said.
00:06:46I'll go with you wherever and whenever you want.
00:06:49I'll go with you wherever and whenever you want.
00:07:03That I wouldn't look into your eyes.
00:07:08Oh, I hope he doesn't knock on your door.
00:07:12Oh, that he didn't walk at night.
00:07:17Oh, the stone.
00:07:19Oh, oh, your alley.
00:07:22Ay, a tu beira.
00:07:24Always right by your side.
00:07:26Always right by your side.
00:07:28Even if I die of grief.
00:07:39Look what they say and say.
00:07:43Imagine that afternoon.
00:07:46Look, he went and he came.
00:07:48The lady of your house.
00:07:51Oh, just staring and staring.
00:07:54Ah, that's how my blindness began.
00:07:58Ah, that's how my blindness began.
00:08:02Ay, ay, tu beira.
00:08:04Always right by your side.
00:08:06Always right by your side.
00:08:08Even if I die of love.
00:08:17They can now plunge daggers in.
00:08:21They can cross scissors now.
00:08:24You can now cover it with salt.
00:08:28The bricks of your door.
00:08:31Leave now, it's late.
00:08:32Oh, always, oh, eternally by your side.
00:08:38Oh, eternally to your side.
00:08:42Ay, ay, tu beira.
00:08:44Always right by your side.
00:08:46Always right by your side.
00:08:48Even if I die of love.
00:08:50Come on, come on.
00:08:51It's three o'clock and we have to clear out.
00:08:55Good night, Marchioness.
00:08:57It's late.
00:08:57You can start thinking about getting up now.
00:08:59Come on.
00:09:00You see what you're like, Carola.
00:09:01Oh, Manolo, what a time he's had.
00:09:02You see how you are, that he can come to your house.
00:09:03You're seeing it.
00:09:10Turn on the light!
00:09:14Careful!
00:09:22See you tomorrow, Grandma.
00:09:29Bye bye.
00:09:36Carolita, beautiful, one of these days I'll come around here and steal you away.
00:09:40Don't be a fool, Manolo, don't be a fool and get the hell out of here.
00:09:42What you need is to get some fresh air.
00:09:44Come on!
00:09:46Girl, close the door.
00:09:49You're leaving too.
00:09:51Why, Sebas?
00:09:52And why do you want me to stay?
00:09:55Look, tomorrow will be another day.
00:09:57Today I'm going to have a few drinks with these guys at Tripa's house.
00:10:00You'll find me at the bar tomorrow at twelve.
00:10:05Sebas, if you wanted.
00:10:06I already told you, tomorrow at the bar at twelve.
00:10:10Hyacinth!
00:10:10Let's go to Tripa's house, and whoever invites us will go to his.
00:10:13Sebastian.
00:10:16Sebastian.
00:10:17Close the door, I'm going to turn it off!
00:10:20Hey!
00:10:31You're doing well.
00:10:32If I were you, I'd lie down at the foot of an olive tree and take a nap.
00:10:35That would clear your heads.
00:10:38I have enough energy to drink for seven days straight.
00:10:41Seven days, or seventy if necessary.
00:10:44Come on, Jacinto.
00:10:45Let it not be said.
00:10:47We've loaded up with a lot of wine, Sebas.
00:10:49Don't say it's too much, we haven't really started yet.
00:11:04Ah!
00:11:20Ah!
00:11:25What? Let's see what we can do?
00:11:36No, tourism.
00:11:43Have you seen the bulls for the bullfight?
00:11:45They haven't brought it yet.
00:11:46They say they're big, that they won't be able to handle them.
00:11:52Antonio can handle anything.
00:11:54Did you see the Maqueda?
00:11:55They already told me.
00:11:59What's wrong with him?
00:12:03Wine.
00:12:05Come on, Jacinto, let's not have it said.
00:12:07Wake up, it's just for four drinks.
00:12:09Are you going to knock me down?
00:12:11We're going to drink a whole jug of wine right now so you can see I have plenty.
00:12:14We're having a few drinks right now, about nine of us.
00:12:17I was just born.
00:12:31What? Partying and then to the bullfights?
00:12:34Let's see Antonio, he has to put on a show.
00:12:37Don't load up too much wine, otherwise you won't see it.
00:12:40The bull run will catch you lying in the shade.
00:12:43Okay, what should I put on for you?
00:12:44Two shots of brandy.
00:12:46Still brandy.
00:12:48Leave the stories and put them on.
00:12:50Okay, okay, whatever you say.
00:12:52You, Maño, must have been kicked out of some seminary.
00:12:55I haven't been kicked out of anywhere.
00:12:57Well, it seems you came from a priest factory.
00:13:00You're very good at giving sermons.
00:13:02Let's leave it at that.
00:13:14This is disgusting rat poison.
00:13:17That you're drinking is the best brandy sold in Toledo.
00:13:21The problem is that you don't understand.
00:13:22Once you've had a few drinks, you lose your sense of taste and you don't care anymore.
00:13:25You protest for the sake of protesting.
00:13:27With us.
00:13:28You're going to get it.
00:13:30Well, we'll take it.
00:13:32With us.
00:13:39Be careful, this stuff is very strong.
00:13:41Hand.
00:13:44Give me a soda.
00:13:48And why don't you swallow your saliva instead of drinking soda?
00:13:52What's it to you, pimp?
00:13:56Hey, you.
00:13:57Be careful, the cape is over there.
00:13:58And what about the cape?
00:13:59It's going to eat me.
00:14:00No son of a bitch can stop me from drinking.
00:14:11Another one, man.
00:14:12Come on, boys, you're going to get better.
00:14:22You'll spend this afternoon sleeping in the vineyard.
00:14:33I'm not drinking anymore, Sebas.
00:14:34I'm turned around.
00:14:42With us.
00:14:47With us.
00:14:51But what do I do!
00:14:51I'm dead crazy!
00:14:53Oh!
00:15:10Oh!
00:15:10Oh my god, Mom!
00:15:12Calm down!
00:15:14We're going to fix this.
00:15:15You all stand back!
00:15:17And you, you clown!
00:15:19Stay still and answer right now what I'm going to ask you.
00:15:23Yes, corporal.
00:15:24Where has your partner gone?
00:15:26I don't know, corporal.
00:15:29Don't make me lose my patience.
00:15:31I don't know, corporal!
00:15:32Paragraph!
00:15:33Mr. Maño was supposed to take me in, but I never saw him.
00:15:35I haven't done anything.
00:15:36I didn't want to drink.
00:15:38Does your partner carry a weapon?
00:15:40Don't know.
00:15:42Have you seen anyone running towards a specific place?
00:15:44I think he headed towards the castle path.
00:18:52Ask your girlfriend.
00:18:53She'll know more than I do.
00:18:55She will tell her everything.
00:18:57I'm part of the family, but it's as if I weren't.
00:19:00Fine, thanks.
00:19:01Come on.
00:19:09See you!
00:19:15See you!
00:19:26Did they want to?
00:19:27Does Guadalupe Martinez live here?
00:19:29Yeah
00:19:31What happened?
00:19:32What did they want from her?
00:19:34You have to come with us to the barracks
00:19:36I'll tell him
00:19:37Do it
00:19:46Sebastian
00:20:15Sebastian
00:20:45Sebastian
00:21:04Thank you!
00:21:45Thank you!
00:21:57Where did he find that gun?
00:21:59He bought it from someone in Madrid who dealt in fabrics.
00:22:03He paid 25 pesetas
00:22:04I didn't want her at all
00:22:06He's so flashy.
00:22:08I told her to throw it away, but...
00:22:11He ignored me.
00:22:13He likes to take things the opposite way.
00:22:15Sometimes I think it's my fault for insisting.
00:22:19She can't stand me telling anyone what to do
00:22:21Okay, you can go.
00:22:25He didn't hear me
00:22:26Can I leave?
00:22:39Listen
00:22:41Hang on a minute
00:22:42Tell me
00:22:45Listen to me carefully
00:22:46Don't leave your house
00:22:47And if you have any news about your boyfriend, please let us know right here.
00:22:51There's always someone on duty.
00:22:52Don't be fooled
00:22:53It's the best
00:22:54Sooner or later it will fall
00:22:55And if it is surrendered, it may be treated differently.
00:22:58If you manage to speak to him, tell him.
00:23:20Passed
00:23:20He doesn't budge from his love
00:23:21Open your palm
00:23:21She
00:23:21Are
00:23:21AND
00:23:22Sound
00:23:22Small
00:23:22Small
00:23:26Account
00:23:29Super
00:23:29infrast
00:23:30No, no, no.
00:24:04No, no, no.
00:24:31Go, daughter. Go with God.
00:24:34All for love. I only ask one thing of you.
00:24:37I'm very sorry, but don't even think about coming back.
00:24:40Your position will be filled by someone else.
00:24:48I understand what you're going through with Sebastian.
00:24:50You like the boy and you want to be with him.
00:24:53It's natural. I was young once too, but you have to think about what you're exposing yourself to.
00:25:00What am I risking? Losing my job?
00:25:03Leave me alone, Carola, leave me alone.
00:25:05Of course I'll leave you alone.
00:25:07And when you come back starving to ask for help,
00:25:09Because that pimp has been given the boot and you're more alone than ever.
00:25:11I also plan to leave you alone.
00:25:13Stupid, more than stupid.
00:25:15You'll never learn.
00:25:16Sebastian neither expects you nor remembers you.
00:25:18He has plenty of work to do.
00:25:20He thinks that no matter how much you hurry, the boy will be caught before then.
00:25:23Wait and see what happens.
00:25:25The important thing, Carola, is that you pay me what you owe me.
00:25:27Ha! Money!
00:25:29That's what we're here for.
00:25:30Wait sitting down, woman.
00:25:32And me, like a fool, arguing with you.
00:25:34You won't see a single penny of mine.
00:25:35First, because it's not time yet for me to pay you what I owe you.
00:25:38And second, for your own good.
00:25:39Take note of what I'm telling you.
00:25:41For your own good.
00:25:42Let me through.
00:25:50Hey, hey.
00:25:56Please, the ticket.
00:26:04Thank you.
00:26:40Francisco Vázquez.
00:26:42Let's see if it's Paco, the one we call the Top Hat.
00:26:46Hey, you, do you know where Chistera lives?
00:26:49No.
00:26:50Anyway, wherever he is found, it will surely be a little later.
00:26:53It's in a bar called El Asturiano.
00:26:55Where is?
00:26:55The bar?
00:26:56Yes of course.
00:26:57Down here, on this same street.
00:26:59Thank you.
00:26:59It doesn't matter.
00:27:00Give my regards from Jacinto the Barber.
00:27:03Look, Francisco.
00:27:06I need to get to Madrid and I need a hundred pesetas.
00:27:09I'll return them to you tomorrow or the day after.
00:27:11Man, a hundred pesetas just like that.
00:27:14I really need them.
00:27:16I can send them to the Asturian bar for you.
00:27:18No, it's just that I don't have a hundred pesetas right now.
00:27:26I can lend you the watch.
00:27:28It's not worth much, but...
00:27:38It's not mine, but they can wait.
00:27:41If they ask me, I'll give them the watch until you send it to me.
00:27:49Sebastian.
00:27:50Yes, Francisco.
00:27:52And you're not going to tell a real friend what's wrong?
00:27:55I was planning to tell you when I was about to leave.
00:27:57I don't want to cause you any trouble.
00:28:01At the fair of a polo shirt next to Talavera.
00:28:03I don't know what happened, Francisco.
00:28:06We were drunk, we had a fight and the guards kicked us out.
00:28:09I was carrying a small pistol.
00:28:12They cornered me in the field, I fired and saw that it was one.
00:28:17I ran all day, took the train and got here.
00:28:22What are you up to?
00:28:24Don't know.
00:28:26We need to find out exactly what happened.
00:28:30The newspapers will report it tonight if they haven't already.
00:28:33And what do you think I can do?
00:28:36They'll look for you here in Madrid.
00:28:38They'll find out right away what you've done, where they've been.
00:28:41Already.
00:28:42And they're going to ask me.
00:28:45Why you?
00:28:47They'll find out soon enough.
00:28:49They find out about everything.
00:28:50They'll ask me, I'll tell you.
00:28:55The wind has brought you here, Sebas.
00:28:59Now we're all going to be involved.
00:29:03When they ask me, I'll have to say that I've been with you.
00:29:07They call you tough.
00:29:10They're going to think I've been trying to cover for you.
00:29:13I'm sorry about this, Paco.
00:29:15I shouldn't have told you.
00:29:18I don't want you to give me the money.
00:29:35Go to a clinic that I'm going to tell you about.
00:29:37Just for sleeping.
00:29:39Remember.
00:29:40Cababaja number two.
00:29:42Don't say anything about me.
00:29:44You don't have to submit any paperwork there.
00:29:48Well.
00:29:49I have to go.
00:29:51They're waiting for me.
00:30:10You don't have to complicate your life.
00:30:12If they come looking for you, tell them everything.
00:30:15Sebastian, you have to understand.
00:30:16Leave him alone, Francisco.
00:30:17I'm not keeping anything for you.
00:30:18As I said.
00:30:20As I said.
00:30:28As I said.
00:30:49It's the fourth one from the back.
00:30:51Don't close the door from the inside.
00:30:53But Mr. Cabeda sleeps right there.
00:30:55He's always a little late.
00:30:58Leave the bed to him and use the cot yourself.
00:31:03No.
00:31:04No.
00:31:11No.
00:31:13No.
00:31:13No.
00:31:16No.
00:31:17No.
00:31:44Thank you.
00:31:58Thank you.
00:32:23I just wanted to get the newspaper.
00:32:25My name is José Cabeda.
00:32:27I am his roommate.
00:32:31You can take it.
00:32:33My name is Sebastian.
00:32:34Sebastian Vazquez.
00:32:46A bad dream.
00:32:47Yeah.
00:32:53Yeah.
00:33:18Lie down in the seat, miss.
00:33:19Lie down.
00:33:28We're finishing up.
00:33:30I'm running short on time today.
00:33:32Are you still traveling alone?
00:33:33What else can we do?
00:33:34Fermín is sick and apparently this business doesn't provide enough for a replacement.
00:33:37Have a good trip.
00:33:38Good night.
00:33:39Good night.
00:33:49You can now get comfortable however you like.
00:33:51It's not that they get angry about it, but they never let people ride in the truck.
00:33:54You know, nothing ever happens until it does.
00:33:57You did well to warn us.
00:33:58This is not something to mess around with.
00:33:59They're in a lot of turmoil now.
00:34:01I heard that a corporal was shot the day before yesterday in a town, I think near Talavera.
00:34:05Emilio, ready.
00:34:07Okay, raise the trapdoor.
00:34:08I know.
00:34:15I've been serving so as not to wake him up abruptly.
00:34:19Bad awakenings damage the heart.
00:34:25That bed where you slept is cursed.
00:34:28It's as tough as nails.
00:34:30Mine has a cork mattress, it's better.
00:34:34What do you do for a living?
00:34:35I work with paper.
00:34:38It's difficult to explain.
00:34:41Well, I make hats, kites, Japanese lanterns, braided items for festivals, things like that.
00:34:47It's a strange job, but I make a living from it.
00:34:49Bad, but I'll earn it.
00:34:52It's the only good thing I've gotten out of jail.
00:34:5618 years in prison.
00:34:59The only thing I learned.
00:35:16You didn't know he was dead, did you?
00:35:22I read it last night.
00:35:25Your name was coming up and I had just found out.
00:35:31Mr. Cabeda.
00:35:32He is already dead.
00:35:34Nothing can be fixed.
00:35:37You're going to have a very bad time, kid.
00:35:43You are not a criminal.
00:35:46You came to someone's defense.
00:35:51Any arguments between friends?
00:35:54No, he was drunk.
00:35:57You might be surprised that I'm talking to you so calmly about this, when your life depends on it.
00:36:02But for many years, for me it has been like bread and wine.
00:36:07I can tell the difference between a criminal and someone who isn't.
00:36:11That's why I told you what I thought.
00:36:14I'll see you tonight, Mr. Cabeda, if I come back this way.
00:36:17Wait.
00:36:18Let's go together.
00:36:20I'll treat you to breakfast, if you don't mind.
00:36:48I'll invite you to breakfast, yes, I'll invite you to breakfast.
00:36:59Park of our city, I will invite you to breakfast, I will invite you to breakfast, I will invite you to breakfast.
00:37:07Subscribe to the channel!
00:37:09Subscribe to the channel!
00:37:09Let's go together.
00:37:20Subscribe to the channel!
00:37:41That's not the case.
00:37:43The snub must end.
00:37:45Please explain it to me, teacher.
00:37:46Come on, arms up, okay?
00:38:16Teacher, a certain Sebastian Vazquez is asking for you.
00:38:19He says you were a friend of his father.
00:38:22If he's coming for money, forget it, I'm traveling.
00:38:25It's not money, but he wants to ask for help with something.
00:38:28He refused to explain it to me.
00:38:29Tell her to wait for me in the room.
00:38:40It's not about money, it's not about money, no way, I'm traveling.
00:39:02Hey, the only favor he can do you is not to report you, okay?
00:39:07That's the only favor he can do for you.
00:39:10So now you know.
00:39:22Take.
00:39:35Your uncle Caraba has power.
00:39:38Large lands, where you can hide for years without being found.
00:39:43Better than going abroad.
00:39:45Better than anything.
00:39:48Which saint should I turn to?
00:39:50I have a business.
00:39:52There is no trick.
00:39:54I help out from time to time, but without getting involved.
00:39:59Your relative can lend you a hand if anyone can.
00:40:03I'm not forcing you, Don Valdomero.
00:40:06I came to talk to you in case you could guide me, tell me what I can do.
00:40:10In Madrid it's easier, they won't find me.
00:40:12My uncle doesn't like me.
00:40:15You're putting me in a difficult position, Vázquez.
00:40:18You know it.
00:40:21A big commitment.
00:40:24I help everyone, but in this case it's about becoming your accomplice.
00:40:30I suppose you'll realize what you're asking me.
00:40:32I know I have no right to demand anything from him.
00:40:35But between us, here in Madrid you are the strongest.
00:40:39I've been told that it wouldn't be the first time I've helped in a case like this.
00:40:42It's very different.
00:40:44Paying a lawyer because a petty theft has been committed
00:40:47Or getting a kid out of jail is different from what you do.
00:40:51It has nothing to do with it.
00:40:54That doesn't commit me.
00:40:56On the contrary, it brings fame.
00:40:59Good reputation.
00:41:00I would be upset if what you said came to light.
00:41:05Besides, I don't really know what I can do.
00:41:07To cover myself up, to hide, to hide somewhere.
00:41:10That's all I ask.
00:41:32Tell that boy to go to the carnations this afternoon.
00:41:34Explain to him where he is.
00:41:35Wait for me well.
00:41:45How did it go?
00:41:48Don't know.
00:41:51Did you see any of those men you were talking about?
00:41:53Yeah.
00:41:54And?
00:41:57We'll see.
00:41:58Why are you telling them the truth?
00:42:00Because sooner or later they were going to find out.
00:42:02If they have power, they can care little.
00:42:05They don't have that much at stake.
00:42:06One of them summoned me for this afternoon.
00:42:09We'll see what happens.
00:42:1024 pesetas.
00:42:11Okay, kid, I'll leave you now.
00:42:14You'll tell me tonight.
00:42:18Take care of yourself.
00:42:20Try to walk where many people go.
00:42:31This money is yours.
00:42:34I don't need it at all.
00:42:37Nobody is going to demand it of me to bury me.
00:42:42Keep him.
00:42:43Thank you, Mr. Cavedra.
00:42:55José Montaner Cavedra, from Barcelona.
00:42:59Good luck, mate.
00:43:02The pleasure, Mr. Cavedra.
00:43:04Please call me, mate.
00:43:09Until we meet again, mate.
00:44:01Thank you, Mr. Cavedra.
00:44:16Lupe, what are you doing here?
00:44:25How did you find me?
00:44:27Have you seen my sister and Langó?
00:44:29What did they do to Lario?
00:44:32The Civil Guard probably came after you.
00:44:40What did you do, Sebastian?
00:44:43Leave that alone.
00:44:44Let's not talk about what I did.
00:44:47There's no going back now.
00:44:49As soon as I arrived I went to see Francisco, that friend of yours.
00:44:53I knew you had gone to see him, I was sure of it.
00:44:56He sent me to the boarding house and I asked about you there.
00:44:59Did you give my name?
00:45:00Yeah.
00:45:01But they didn't know you by name.
00:45:04I told them what you looked like and they sent me to an old man who sells paper goods in this square.
00:45:08He just told me that you were here.
00:45:10They didn't know my name at the boarding house.
00:45:12Now you've given it to them and they might ask them.
00:45:16How did you come up with that?
00:45:20I had to find you.
00:45:22I came for that.
00:45:24Why did he have to look for me?
00:45:26What things?
00:45:28Why, Lupe?
00:45:29What can I give you now?
00:45:31What can I do for you?
00:45:35I have no one, I only have you.
00:45:38And wherever you are, I will be, even if you don't want me to.
00:45:42I can help you very little, but my company will be of some use to you.
00:45:48What things do you have, Sebas?
00:45:51I wasn't doing anything there.
00:45:54I argued with Carola because she didn't want to let me come.
00:45:59Returning to a place like that won't be difficult for me.
00:46:03I always have that.
00:46:06Lupe, you have to realize that everything has changed.
00:46:09In two days everything changed.
00:46:13I killed a guard, Lupe, and that's punishable.
00:46:20It is punishable.
00:46:22They're looking for me.
00:46:24If I don't get help, they'll find me.
00:46:27In Madrid it takes them longer, but they're not in a hurry.
00:46:31If someone helps me, I'll end up hiding day and night for months.
00:46:36In neither case will you be able to be with me.
00:46:40It's going to be difficult for you.
00:46:44What I have to go through, I'll go through alone; you don't have to.
00:47:08Do you live in Vallecas?
00:47:11No, in the lower cellar.
00:47:15Do you sing?
00:47:16Bit.
00:47:17I dance better than I sing.
00:47:20I'll make you a deal.
00:47:22Tonight I'll find you a group of Englishmen.
00:47:25No, I'm engaged.
00:47:28Okay, we can meet another day.
00:47:31That's right, someday.
00:47:40Tell me, it's for you, Márquez.
00:47:42Who is it?
00:47:43Olga.
00:47:45That I am not.
00:47:46What have I gone out on?
00:47:47Tell him to call at nine.
00:47:49Yeah.
00:47:50Yes, beautiful.
00:47:52He doesn't return until nine.
00:47:54Hey.
00:47:55No.
00:47:57Business.
00:47:59When will we see each other?
00:48:01Don't you want to see me?
00:48:03Soda.
00:48:05Don't mess with me, Eduardo, she's too good a woman for you.
00:48:10The pilgrims from the mountains kiss his forehead.
00:48:14The stars in the heavens bathe him in silver.
00:48:19And the little bull that is brave, of valiant breed.
00:48:24Their legs look like little colorful cigars.
00:48:33The moon is coming tonight in a gown with a train, and the bull is waiting for her between the and the
00:48:48shade.
00:48:49On the face of the river water, where the moon sleeps.
00:49:26We'll be back, Lupe.
00:49:28I don't know what he's up to now.
00:49:32They'll come looking for us.
00:49:34You've already said it.
00:49:57Why haven't you always been like this?
00:49:58What are you like now?
00:50:06I've always been like this with you, Lupe.
00:50:10Not in front of other people.
00:50:11Leave it alone, woman.
00:50:13Leave it.
00:50:14Let's go.
00:50:15Sebastian.
00:50:19Wait.
00:50:20We have to leave.
00:50:21If this man doesn't come, I'll have to look for him.
00:50:34Nobody has come.
00:50:36Don't think I've forgotten.
00:50:37What time do you alternate, Don Valdomero?
00:50:39Well, it depends.
00:50:40Some days he comes after eating.
00:50:41He's usually here at this time too.
00:50:43But sometimes he goes weeks without showing up.
00:50:45I will keep waiting.
00:50:46Bring me another coffee.
00:50:47Good.
00:50:49This is from Don Valdomero.
00:50:51Look.
00:50:52While we were talking, they brought this for you from Don Valdomero.
00:50:56But hasn't he come?
00:50:57No.
00:50:57A boy brought it.
00:51:13Let's go.
00:51:15Where to?
00:51:16Go find him.
00:51:17I want to return the money.
00:51:18At least he shouldn't have the conscience that he helped me.
00:51:21But where are you going to find him?
00:51:26I am a friend of his.
00:51:28I spoke to him this morning.
00:51:29It's for something very important.
00:51:31Can you hear me?
00:51:32I've already told him everything I know.
00:51:34If he's not home now, wait until tomorrow.
00:51:37I've been waiting too long.
00:51:39Leave it.
00:51:40You are right.
00:51:41I'll call tomorrow.
00:51:42Thank you.
00:52:01I did everything I could.
00:52:08Hey, tell me.
00:52:10Don't you have a cigarette for after dinner?
00:52:13And the girl?
00:52:14He'll be waiting for me.
00:52:15Goodbye and thank you.
00:52:24Sebastian.
00:52:35Come on, Lupe, let's go.
00:52:36Sebastian.
00:52:49What am I going to do, Lupe?
00:52:51Call again tomorrow.
00:52:53It will never be again.
00:52:56She doesn't want to know anything about me.
00:52:59I wasn't planning to give him the money back.
00:53:02I wanted to see him to ask for his help again.
00:53:04That's the truth.
00:53:07I'm very scared, Lupe.
00:53:11Do you have me?
00:53:35Nothing.
00:53:36He's not coming back, Sergeant.
00:53:38Go down to the entrance and warn them not to go outside now that it's starting to get light.
00:53:43At your service, Sergeant.
00:53:58It's better for me if you leave.
00:54:03You two better stop.
00:54:06Now you go up to the room and sleep until the train leaves.
00:54:10So what you want is for me to return to Talavera.
00:54:12Yes, that's what I want.
00:54:15It's the best.
00:54:19Someone's coming, Sergeant.
00:54:24A man and a woman.
00:54:26Run downstairs.
00:54:32Sebastian, move it!
00:54:34Move it!
00:54:39Get in there.
00:54:40Wait for me at the station.
00:54:41I'll see you there.
00:54:50Amen.
00:55:17Documentation, please.
00:55:18Oh, by your side, oh, by your side, always by your side, always by your side, even though I
00:55:28He will die of grief.
00:55:32Follow us.
00:55:45Oh, by your side, oh, by your side, always by your side, always by your side, even though I
00:55:58He will die of grief.
00:56:01Look what they say and say, look at that afternoon, look whether he went and whether he came, from your house
00:56:12to the Alameda.
00:56:13Oh, just looking and looking, oh, that's how my blindness began, oh, that's how my blindness began.
00:56:23Oh, by your side, always by your side, always by your side, until I die for you.
00:56:39Oh, you didn't drink in your heart, oh, you didn't swear in court, oh, you didn't look with yourself.
00:56:53Oh, the moon, oh, of spring, oh, by your side, always by your side, always by your side,
00:57:05until I die of love.
00:57:09Oh, they can now stab daggers, they can now cross scissors, they can now cover the bricks of your door with salt, yesterday,
00:57:21Today, tomorrow and always, oh, eternally by your side, oh, eternally by your side.
00:57:31Oh, oh, by your side, always by your side, always by your side, until I...
00:57:39die.
00:57:45Documentation, please. Documentation, please.
00:57:58Documentation, please.
00:58:29Documentation, please.
00:58:40Documentation, please.
00:59:42How's life, Gabriel?
00:59:43I was waiting for you, Sebastian. I received the message.
00:59:47You're completely crazy. You have no idea what's happened here.
00:59:52After what you've done, I don't know how you even thought of coming here for this bull.
00:59:56And my mother?
00:59:57Yes. Your mother doesn't know anything. She left for Cogolludo three days ago.
01:00:03My dude said that if you don't leave soon, he's the one who's going to report you.
01:00:07He doesn't want any trouble with the guards. And what you've done is very serious.
01:00:12Chano told you, he saw you this morning.
01:00:14Go back to Madrid. It will be harder for him to get his hands on you there.
01:00:18Think about it, Sebastian. You've killed a guard. And that comes at a price.
01:00:24I know, Gabriel.
01:00:26If you had money, I could take you to France. There's always a way out there.
01:00:31If your father would help me.
01:00:33Don't even think about it, Sebastian.
01:00:35The guy is willing to report you if you continue here.
01:00:38Yes. He doesn't want any trouble that could ruin his business.
01:01:01Can I come in?
01:01:02You insisted on coming.
01:01:05Happens.
01:01:14Hey, this one's not bad.
01:01:24Look, what do you think of the white one?
01:01:34Good afternoon.
01:01:37Good day to all.
01:01:51What do you want, Sebastian?
01:01:54What have you come for?
01:02:02I don't want anything. I just want to ask.
01:02:04Gabriel already told you.
01:02:07Nothing here.
01:02:09It's over.
01:02:10What is it that ended?
01:02:11Sebastian, you know it.
01:02:13I don't want any dealings with the guards.
01:02:16Leave Alcalá.
01:02:20We won't say anything.
01:02:22But go away.
01:02:26I'll leave soon, man. I'll leave soon.
01:02:29I've come to ask.
01:02:31Do you want money?
01:02:34I don't want anything.
01:02:36I've come to ask.
01:02:40Sebastian.
01:02:42You know your mother here
01:02:45You will always have what you need.
01:02:47It's your obligation.
01:02:48She's your sister.
01:02:50She'll have what she needs, but I don't want to be with you...
01:02:51Appointment!
01:02:52Don't worry.
01:02:55You didn't like my father either.
01:02:57That was something else.
01:03:00If we are family, you have gone against my will.
01:03:03You've always proven it.
01:03:05Your father...
01:03:07It's irrelevant to talk about your father.
01:03:10That's very long.
01:03:12I have time.
01:03:14I still have plenty of time.
01:03:18Sebastian.
01:03:20Don't confuse me.
01:03:23Sebastian, I already warned you through Gabriel.
01:03:27Sebastian, I can feel like going to the Civil Guard lieutenant.
01:03:31And that cockiness you used to have is gone.
01:03:39Out!
01:03:41That's a man's thing.
01:03:45Out with all of them!
01:03:57Out with all of them!
01:03:59Come on, now!
01:04:00Roman!
01:04:02And you, Gabriel.
01:04:04I went to look after the mules and take them out of the yard.
01:04:19Oh!
01:04:22Sit down.
01:04:24I'm fine standing up.
01:04:28You, Sebastian...
01:04:31You've always acted tough.
01:04:33Like your father.
01:04:37You're going to pay for them.
01:04:38You see.
01:04:40Now your blood turns against you.
01:04:42My blood, which is not my blood.
01:04:44The blood of others.
01:04:45The one your mother gave you.
01:04:50Now you're going to pay for them.
01:04:54Shut up already!
01:04:59Don't go see your mother.
01:05:01You don't deserve it.
01:05:04Don't go see her.
01:05:06I'm leaving now.
01:05:08He had come to ask if she was still in Cogolludo.
01:05:13I have very little time left to do what I have to do.
01:05:17Don't go, Sebastian.
01:05:20I'll give you money so you don't go.
01:05:25I'll go.
01:05:30I hope you have good luck, just like you have so far.
01:05:37Go away now.
01:05:41You've done enough damage.
01:05:43Don't go.
01:05:45Leave your mother alone.
01:05:48Leave her alone, Sebastian.
01:05:51Don't go.
01:05:55Thank you.
01:06:00Don't go.
01:06:02Oh.
01:06:07Yeah.
01:06:08No.dy.
01:06:38Thank you!
01:07:02Thank you!
01:07:22Thank you so much!
01:07:24Goodbye, boys!
01:08:02Thank you!
01:08:38Thank you!
01:09:08Thank you!
01:09:38Thank you!
01:09:51Thank you!
01:09:52Thank you!
01:09:53Sebastian!
01:09:54Mikael!
01:09:56What a joy, Sebastian!
01:09:59Mother is there. I'll let her know.
01:10:10Brother!
01:10:11Sebastian!
01:10:14You decided to come, Sebastian.
01:10:16Come with me.
01:10:20The mother doesn't want to believe it.
01:10:45What a joy, Sebastian, son!
01:10:50What a joy!
01:10:53Mother, I was in Alcalá where my uncle was, looking for you.
01:10:58Did you talk to Manuel?
01:10:59He told me you had come to Cogolludo, so I came here.
01:11:04Did you forget Manuel?
01:11:06May she die a bad death, mother.
01:11:09A bad death befall him who casts out his own.
01:11:13Manuel and your father.
01:11:17They never listened to me, son.
01:11:20There was nothing I could do.
01:11:23Nothing.
01:11:27Oh!
01:11:30What I have suffered, son.
01:11:33What I have suffered.
01:11:35Damn you for leaving Talavera, mother.
01:11:38We poor people have to go where hunger takes us.
01:11:41If you had wanted it, son.
01:11:44Yes, mother.
01:11:46We would never have left.
01:11:48Yes, mother.
01:11:55Manuel has given us food.
01:11:58We ate Manuel's bread.
01:12:01He has been good to us.
01:12:05Mother.
01:12:08It has enguido me.
01:12:10It has caught me.
01:12:17Sebastian.
01:12:19What have you done?
01:12:22I come with blood.
01:12:25I come from death, mother.
01:12:30I killed a guard.
01:12:32He was drunk.
01:12:33They're chasing me, mother.
01:12:35That's why I went to Alcalá.
01:12:38I have come where you have come.
01:12:40If they catch me.
01:12:44If they catch me.
01:12:46I killed him without knowing it.
01:12:47I threw without wanting to throw.
01:12:53I have searched the field.
01:12:56I have suffered a lot.
01:13:00What a shame, Sebastian.
01:13:03My God.
01:13:05What an ill wind has brought you here.
01:13:10Mother, they'll catch me.
01:13:14God help us, son.
01:13:17So much misfortune.
01:13:20How were you able to do it?
01:13:29You have to leave.
01:13:32You have to leave here.
01:13:33No, mother.
01:13:34Don't tell me to leave.
01:13:35Yes, son, yes.
01:13:36You have to leave.
01:13:38If they catch you here.
01:13:40They will all pay for you.
01:13:43You can't hurt them.
01:13:45You cannot harm your brothers.
01:13:48Where am I going to go?
01:13:50I'm scared, mother.
01:13:52My son.
01:13:54Everyone knows us here.
01:13:57If not this afternoon,
01:13:59Tomorrow the guards will come to ask who you are.
01:14:03They will be informed.
01:14:07You can't stay.
01:14:15Yes, mother.
01:14:18I'll leave right now.
01:14:33I'll leave right now.
01:14:47Take it.
01:14:50It belonged to your father.
01:14:54It doubled the money I have.
01:14:58No, mother.
01:15:00Take it, son.
01:15:02It will help you.
01:15:10Son.
01:15:12Son.
01:15:16Son.
01:15:18Goodbye, mother.
01:15:19Oh, mother.
01:15:23No, no, no, no.
01:15:48I had a wife in Talaver, a wife like Poca.
01:15:55They exist here too.
01:16:00You'll see if he comes around because of the dance.
01:16:02It's not a bad thing.
01:16:04Rate and good.
01:16:08Her name was Lupe.
01:16:11A truly remarkable woman!
01:16:15I've had many.
01:16:20But there's nothing like it.
01:16:47Give him something to drink from me.
01:16:48Whatever you want.
01:16:56From that group, drink whatever you want.
01:17:00I don't drink more than what I ask for and pay for.
01:17:03I'll tell them you don't want to, that you appreciate it, but that you don't drink.
01:17:11I only drink when I feel like it.
01:17:15That they understand.
01:17:17He's going to drink whatever I say.
01:17:20He'll drink whatever Domingo puts in front of him right now.
01:17:22Be careful.
01:17:23These unruly gypsies are a bad thing.
01:17:25You don't know this guy.
01:17:35I've invited you.
01:17:37Already.
01:17:38I invited you nicely.
01:17:40Already.
01:17:42You didn't want to drink.
01:17:44I only drink when I'm drunk.
01:17:47And now I don't have it.
01:17:49You're going to drink whatever Domingo gives you.
01:17:51No!
01:17:52Let me!
01:17:52Come on!
01:17:53Let go!
01:17:53Oh!
01:17:54Let go!
01:17:54Leave him alone!
01:17:55Leave him alone!
01:17:55Oh!
01:17:56Come on, the man has passed by!
01:17:57Calm down, man!
01:17:57Follow me, come on!
01:17:58Come on!
01:17:58Come on, man!
01:17:59I feel like I'm sitting down!
01:18:01Give me something to drink, I'm thirsty.
01:18:03You started it.
01:18:04He didn't bother anyone.
01:18:05Okay, let's continue.
01:18:11Put them on too.
01:18:19See you tomorrow.
01:18:20Mister.
01:18:34The turkeys.
01:18:35Antoma.
01:18:39Mr.
01:18:41Please.
01:18:42Are.
01:18:43Are.
01:18:44Son's...
01:18:45Are.
01:18:46Are.
01:18:47Are.
01:18:50Are.
01:19:03By your side, oh by your side
01:19:07Always by your side
01:19:09Always by your side
01:19:11Even if I die of grief
01:19:13Oh, you didn't look at your sun
01:19:16Oh, you didn't call upon your strength
01:19:19Oh, that he didn't walk at night
01:19:21Oh, the stone, oh, your street!
01:19:25Oh, by your side, always right by your side
01:19:28Always by your side
01:19:30Even if I die of grief
01:19:33And look, he's a militiaman.
01:19:37And what a day that afternoon was!
01:19:40And look, it's a cultivated wine.
01:19:44Woe to your house, the licked one
01:19:46Oh, just staring and staring
01:19:50Oh, that's how my cedar started
01:19:53Oh, that's how my cedar started
01:19:56Oh, by your side, always right by your side
01:19:59Always by your side
01:20:01Even if I die of love
01:20:18I know you
01:20:20I know you
01:20:21I know you
01:20:23I don't think so
01:20:25You are Zafra
01:20:27Yeah
01:20:28I am Sebastian Vazquez
01:20:31Where from?
01:20:33From Talavera
01:20:34Drinking pots, Sunday
01:20:40It's already installed
01:20:45Let's drink to your health
01:20:51Good
01:20:53I know you
01:20:56You are Zafra
01:21:00You have met my father
01:21:04Vázquez de Talavera
01:21:07Years ago I met a Vázquez
01:21:09But I haven't seen him again.
01:21:11I am his son
01:21:14You have deprived yourself a lot
01:21:15He's been here since the afternoon
01:21:17You haven't left here
01:21:19Drinking all the time
01:21:22Do you have a bed for tonight?
01:21:27No
01:21:29Now for the last one, and you're coming.
01:21:35No
01:21:37Sunday
01:21:38Drinking dishes
01:21:38That's quite enough, man.
01:21:40You're drunk
01:21:41That you don't have
01:21:55Father
01:21:57It's all over
01:21:58Father
01:22:11Did he pay you?
01:22:12I pay myself first.
01:22:13Now he owes no more than this.
01:22:14I'll invite him
01:22:16Thank you
01:22:16Good night
01:22:17Good night
01:22:43Good night
01:22:59Take me to the guards
01:23:08Harvest!
01:23:11Harvest!
01:23:12Take me to the guards
01:23:14What are you talking about?
01:23:16What madness has possessed you?
01:23:19For the health of your loved ones
01:23:20Harvest
01:23:20Take me away!
01:23:22What do you want from the guards?
01:23:29Take me Zafra!
01:23:30For the love of God
01:23:48The barracks are right around the corner.
01:23:55We'll be waiting for you.
01:23:57We'll be waiting for you.
01:24:27Say that you have met
01:24:29To Sebastián Vázquez
01:24:33Say that you have met her
01:24:40Open up!
01:24:41Open up!
01:24:42What's happening?
01:24:44Open up!
01:24:47What's happening?
01:24:49I come to surrender
01:24:51Name
01:24:53Sebastian Vazquez
01:24:55How old?
01:24:5928
01:25:00place of birth
01:25:03Talavera
01:25:06Talavera de la Reina
01:25:06Talavera de la Reina
01:25:07Date
01:25:09April 20
01:25:11Hair
01:25:13Black
01:25:14Stature
01:25:17Regular
01:25:18Eyes
01:25:20Clear
01:25:39Talavera de la Reina
01:25:39Talavera de la Reina
01:25:39Talavera de la Reina
01:25:39Talavera de la Reina
01:25:39Talavera de la Reina
01:25:40Talavera de la Reina
01:25:40Talavera de la Reina
01:25:41Talavera de la Reina
01:25:41Talavera de la Reina
01:25:41Talavera de la Reina
01:25:42Talavera de la Reina
01:25:42Talavera de la Reina
01:25:42Talavera de la Reina
01:25:43Talavera de la Reina
01:26:20Thanks for watching the video!
01:26:48Thanks for watching the video!

Recomendada