- hace 1 día
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00:00:27Hello handsome.
00:00:30Let's have some fun.
00:00:42Come on, guys. What are we waiting for? Let's go.
00:00:45Stay still.
00:00:47Calm down. Everyone go to bed.
00:00:50Hey, get out of here. This is for grown-ups. Go away!
00:01:10Good night.
00:01:12Good night.
00:01:21Good night.
00:02:01Good night.
00:02:22Good night.
00:02:25Good night.
00:02:28Good night.
00:02:33Good night.
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00:03:24Good night.
00:03:25Good night.
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00:03:30Good night.
00:03:42Good night.
00:03:44Good night.
00:03:47Good night.
00:03:54Good night.
00:03:55Good night.
00:03:55Good night.
00:03:58Good night.
00:04:00Good night.
00:04:01Good night.
00:04:08Good night.
00:04:19Good night.
00:04:19Good night.
00:04:21Good night.
00:04:31Good night.
00:04:32Good night.
00:04:33Good night.
00:04:44Good night.
00:04:45Good night.
00:04:48Good night.
00:04:51Good night.
00:04:53Good night.
00:04:53Good night.
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00:05:01Good night.
00:05:02Good night.
00:05:10Tell me, what are you dressed as?
00:05:12I'm not in costume, it's my everyday outfit
00:05:15I don't like to draw attention to myself
00:05:17Excuse me, but who are you?
00:05:19You don't recognize me, but it's very easy.
00:05:23No, it can't be.
00:05:25You are Luke, the phenomenon
00:05:27The one I discuss
00:05:51Have you seen it?
00:05:52Yes, boss.
00:05:53You know what needs to be done
00:05:58Take care, boss
00:06:00Thank you
00:06:21Pelacedo, revolutionary
00:06:22Thank you
00:06:25What would you like me to serve you?
00:06:26Don Periñón ice cream and two cups
00:06:28Immediately
00:06:30Tell me, how did you guess that Don Periñón is one of the two things I like the most?
00:06:34The other thing will be me, right?
00:06:36I see that apart from many other qualities, you are also intelligent
00:06:39A quality you lack; neither Don Periñón nor that place are for you.
00:06:42It's a shame.
00:06:44And now I beg you to leave
00:06:46Good
00:06:48Tell me who you are and I promise you two things
00:06:50I'll leave right away and I'll be back in a minute.
00:06:53Who am I when this dress costs me so much?
00:06:56I am Cleopatra
00:06:58What a coincidence, I'm Marco Antonio
00:07:00It's a shame that Julius VI is coming.
00:07:06Is Don Periñón for him?
00:07:09And that place too.
00:07:12We'll see each other again after the holidays in March
00:07:32My dear
00:07:45They've killed Julius Caesar!
00:07:57Find him and take him to Archangel!
00:08:04Get me out of here!
00:08:12There they are!
00:09:10They've come out this way! Don't let them escape!
00:09:13Wait a minute, sweetheart. Can you tell me what it's about?
00:09:16They were trying to kill me.
00:09:16Yeah?
00:09:21Is that all you have to say to me?
00:09:23Oh, and why would they even try?
00:09:25To prevent him from talking to you.
00:09:28Lucky, the phenomenon.
00:09:31I see you know me.
00:09:33What do you want from me?
00:09:35Come with me.
00:09:37Okay, so where do we need to go?
00:09:39To America.
00:09:41That's a bit far. There's a small hotel nearby where the food is very good.
00:09:44No.
00:09:46We have to go to America.
00:09:50I'm not as stupid as you think.
00:09:54I'm not easily fooled. It's a shame because...
00:09:57I liked you quite a bit.
00:10:01Cleopatra.
00:10:03And will you be able to leave me here alone?
00:10:07Oh, no. I am a gentleman.
00:10:10Therefore, I'll accompany you to the tram.
00:10:27Alright, Lucky. Go on, give it your all. Show him who you are.
00:10:37Bravo.
00:10:38Left, right.
00:10:43To the face, to the body.
00:10:45Come on, Lucky, here he goes.
00:10:47I swear!
00:10:48Left, right.
00:10:49Ha ha ha!
00:10:50Great, of course!
00:10:51You're a phenomenon!
00:10:52Shut up!
00:10:54Okay, we can continue now.
00:10:56Be quiet!
00:10:56He doesn't understand anything about boxing.
00:10:58She's just ignorant
00:10:59Let's leave it, okay?
00:11:00Yes, yes
00:11:00This is no way to work
00:11:01Let's go somewhere else
00:11:02With great pleasure
00:11:03You first, please
00:11:03No, you first?
00:11:04No, first, yes
00:11:05Thank you
00:11:27No, first, yes!
00:11:49No, first, yes!
00:12:24Oh, sorry.
00:12:25Are you at home?
00:12:26I have something else to do.
00:12:29Cleopatra
00:12:33Should you go to Wall Street?
00:12:37A Circle of Archangel
00:12:39The Archangel Circle
00:12:42The Secret Society of Financiers
00:12:45The March Ides
00:12:47They have arrived for me too.
00:12:51It's a shame because I liked you
00:12:55Quite
00:13:08Luke the Phenomenon!
00:13:10Luke the Phenomenon!
00:13:12Luke the Phenomenon!
00:13:13Yes, yes, yes
00:13:15The king of adventure!
00:13:21Luke the Phenomenon!
00:13:44Luke the Phenomenon!
00:13:49Archangel!
00:13:50Archangel!
00:13:52Archangel!
00:13:52Archangel!
00:13:52Go ahead, Archangel!
00:13:53You guys are so annoying!
00:13:54It annoys me that you call me so many times
00:13:57And I'm fed up with this nonsense.
00:13:59Let's not waste time
00:14:00Give me that bill, idiot.
00:14:02They're always in the mood for jokes.
00:14:04Bring it here
00:14:05Tell me, what do you think about this?
00:14:09I think it's a shame to burn money
00:14:12They are false pains
00:14:13And there are many.
00:14:15I want you to uncover the counterfeiters
00:14:17And destroy the clichés
00:14:18Go
00:14:18Wait!
00:14:19Where are you going to look for them?
00:14:22Listen to me carefully
00:14:23A man named Las Lucuros was murdered a few days ago.
00:14:26He was carrying a suitcase full of those bills.
00:14:28I worked in Albania
00:14:30In a paper mill in the town of Viglas
00:14:33Go there and take a look.
00:14:34Go
00:14:34Wait!
00:14:36You'll leave for Rome tomorrow.
00:14:38You will be staying at the Forum Hotel.
00:14:39Where you will receive instruction
00:14:41Go
00:14:41Wait!
00:14:43You're not going dressed like that, are you?
00:14:46In Italy, you'd be recognized immediately.
00:14:48Don't worry
00:14:50My other splendid qualities?
00:15:20I happen to be a master of disguise
00:15:32Yeah!
00:15:34Yeah!
00:15:36Yeah!
00:15:38Yeah!
00:15:46Ah, bye, Laki. How's it going?
00:16:09Bye, bye.
00:16:12Good morning. How can I help you?
00:16:17Ah, you sell postcards of Rome, I understand.
00:16:21Ah, wonderful, indeed. Nice, but I'm not interested. I know how to do good mornings.
00:16:25I might take one of these days.
00:16:29Ah, you haven't come here to sell me postcards.
00:16:33He wants my autograph, doesn't he? He recognized me despite my disguise.
00:16:37I like you, and I'll tell you that, but please don't spread the word that I'm
00:16:41Here, in secret agreement for everyone.
00:16:43Here's an autograph for you and your family, with my warmest regards. Goodbye.
00:16:52I don't think it's anything to faint about.
00:16:55If you would be so kind as to explain yourself better, perhaps I would understand what is happening to you.
00:16:59What did you say?
00:17:02I have given it a friendly, light, and phenomenal name.
00:17:05Well, can I assure you?
00:17:08Message.
00:17:09Does it have a secret message for me?
00:17:11A message for me.
00:17:13Let's see.
00:17:16X, three, Z, fourteen, twenty-seven.
00:17:22Look, I speak thirty-six living languages fluently, but I don't know this one.
00:17:26Please be clearer.
00:17:48Please be clearer.
00:18:20I beg you.
00:18:33This afternoon at five o'clock, the man dressed in white, spy market.
00:18:37Russian secrets, American secrets, secret exchange.
00:18:41Buy now, gentlemen. I have last-minute secrets at low prices.
00:18:45Take advantage of this bargain! I'm selling last-minute secrets at low prices.
00:18:49Secrets, Russian secrets, American secrets. I sell Russian secrets. A Russian secret, sir.
00:18:55I know them all.
00:18:57Goodbye, Lucky.
00:18:59American secret exchange for Chinese secret.
00:19:02Okay, fine, let's say.
00:19:03The Americans will launch another capsule in three days. Now tell me yours.
00:19:07Heard.
00:19:08Mao Tse Tung has had a love affair.
00:19:11No, yes, with a lone tourist.
00:19:14Thanks, Lucky.
00:19:19Microfilms. Top-secret microfilms, and balls too.
00:19:33For a secret, a night of love.
00:19:36No.
00:19:43The man dressed in white.
00:19:48The man dressed in white.
00:19:51The man dressed in white.
00:20:01Forward.
00:20:04Forty-nine.
00:20:07Three.
00:20:08Ten.
00:20:10Twelve.
00:20:11Seven.
00:20:14If you're not happy with that, let's say fifteen.
00:20:17Fifteen.
00:20:18OK.
00:20:18Alright.
00:20:19Speaks.
00:20:23So we agreed on this.
00:20:25Tonight in Albania.
00:20:26Stop.
00:20:27Six and a half via Panama.
00:20:29Seventy-seven.
00:20:30Stop.
00:20:31We'll take a plane.
00:20:32Stop.
00:20:33Go away.
00:20:33Stop.
00:20:35Where to?
00:20:47You will die, Lucky.
00:20:48You're sure?
00:20:56You're sure?
00:20:58Mikhailo!
00:20:59Oh, what's that?
00:21:00Oh, Mikhail, stop it.
00:21:02Extend the door.
00:21:03Your hand can do it!
00:21:04Mikhail, you are not impossible.
00:21:05Lismic, three!
00:21:09If it's for me, I'm not home.
00:21:18Oh, if it isn't Lucky, the phenomenon.
00:21:26Ready to board the plane?
00:21:28Well, not me.
00:21:30I still have to do this for five minutes.
00:21:32Don't delay any longer.
00:21:40Oh, Lucky, go to my sweltering life.
00:21:43View in Moga.
00:21:44It's got meña, you fools.
00:21:46Men and I are bowling.
00:21:47Daya, you played well!
00:21:48I hated the double toga even more!
00:21:50You, you bleat, the double sheet goes to me.
00:21:52Let it snow on my house!
00:21:54Hey Lucky, I didn't know you spoke Slavic too.
00:21:56Yes, with a slight Romanian accent.
00:21:58Understood, but whatever you have to say to me, tell me in plain English.
00:22:01Good.
00:22:02What exactly should we do?
00:22:03You see, Archangel wants you to take me to Albania immediately so I can parachute out.
00:22:08near Liglas, where there is a paper factory.
00:22:10I need to find out if that's precisely where they counterfeit dollars.
00:22:14This will give you the strength to carry out your mission.
00:22:17Go on, drink.
00:22:33I've never taken such a good poison.
00:22:36A Yugoslavian-made pistol is frankly ugly.
00:22:43Hands up!
00:22:50Calm down, the Yugoslavian pistols are deflecting the shot to the left.
00:22:56Or to the right.
00:22:58Ah!
00:23:07Ah!
00:23:23Ah!
00:23:30Bye bye!
00:23:37Bye bye!
00:23:43Bye bye!
00:23:47Bye bye!
00:23:48Bye bye!
00:23:56Bye bye!
00:23:57Well...
00:23:59Ah, ciao, come stai?
00:24:01Bene, grazie, che fai ?
00:24:02Sto working, eat vedi, are you?
00:24:04And he eats alone, this spinning a film.
00:24:06Adesso I must walk scuso, sai?
00:24:08Mettiti lì, che ti voglio made a photograph.
00:24:10Just a moment, I ask.
00:24:11Ecco, così.
00:24:13Ecco p embraced, ciao, diciamo!
00:24:18Come downstairs, the food is almost ready.
00:24:20Oh, Lucky!
00:24:21You are Lucky the Phenomenon, nice to meet you.
00:24:24What are you doing in Rome?
00:24:25Have you seen a girl walk by?
00:24:26A blonde?
00:24:27Very pretty?
00:24:28Yeah.
00:24:28Lightly dressed?
00:24:29Yeah.
00:24:30I wish I had seen her.
00:24:46No, no, no, no.
00:25:36No, no, no, no.
00:25:50Do you like it?
00:25:52No.
00:25:53What do you mean, no?
00:25:56My family and I have been using it for 40 years.
00:25:58My grandfather said it was the best airplane in the world.
00:26:00Okay, so where's your grandfather?
00:26:01Died.
00:26:02It was sealed with an airplane.
00:26:18Archangel sends Bortikin with an assortment of secret weapons.
00:26:21No secret weapons.
00:26:22I only use my infallible gun.
00:26:24I am Lucky the Phenomenon.
00:26:26Give me that.
00:26:28Prepared?
00:26:29Yeah.
00:26:30Or have I forgotten anything?
00:26:31Nothing.
00:26:33Let's synchronize the clocks.
00:26:36I never use it.
00:26:37I always know the exact time, in the style of the ancient Egyptians.
00:26:40I am guided by the intersection of the refraction of the sun's rays.
00:26:43And when there is no sun, then it is night.
00:26:46Ah, Archangel greets you.
00:26:49Archangel greets you.
00:26:51Archangel greets you.
00:26:54What a nice guy, right?
00:27:04Archangel greets you.
00:27:07Take your apostle.
00:27:10For the surf.
00:27:13For the surf.
00:27:14I like you.
00:27:17Lucky.
00:27:19I sell like the newspaper.
00:27:22I like you.
00:27:23Hey!
00:27:24That?
00:27:25What do you say now about this plane?
00:27:27Isn't it wonderful?
00:27:28Yeah.
00:27:29It's a true marvel that it's still hanging in the air.
00:27:32We're almost there.
00:27:34Less than 300 kilometers away from flying over Albania.
00:27:37At most, 12 hours.
00:27:40Only?
00:27:41Yes, because we have the wind at our backs.
00:27:44Avid strong.
00:27:45Further.
00:27:46Further.
00:27:52Here.
00:27:53With your fortune.
00:27:56For the surf.
00:27:59Wonder.
00:28:00Country of recomecha to me.
00:28:03When I f*** myself.
00:28:07For me, it's wonderful.
00:28:08Hey! Hey!
00:28:16Good morning!
00:28:18We're in Albania!
00:28:20Where?
00:28:20In Albania!
00:28:2912 hours and 43 minutes! Congratulations!
00:28:33Do you think there will be anti-aircraft batteries around here?
00:28:38Anti-aircraft guns here?
00:28:41No, Albania is a backward country.
00:28:48It's a finely crafted cannon!
00:29:08I think we've been chosen!
00:29:20Where are you going?
00:29:21We're in Albania! I've arrived! I'm going for it!
00:29:23Who are you?
00:29:24No, I just had to bring you here. Besides, the commander never abandons his ship.
00:29:28Come on, jump with me! There's too much smoke in here and this plane is nothing but scrap metal!
00:29:32That's not true!
00:29:34I admire men of character!
00:29:36Loud! Goodbye!
00:29:39Hey!
00:29:40Where are you going?
00:29:41Hey, wait for me!
00:29:55Sorry, grandpa!
00:29:56How do you open that?
00:29:57Spin the ring!
00:30:00Move aside, I'm catching up!
00:30:08So you've decided to stay with me in Albania, huh?
00:30:11Frankly, what I'd really like is to go back to Rome, but how?
00:30:13Don't rush.
00:30:14Rome is that way.
00:30:16If you're lucky and catch the wind at your back, they'll make a small detour through Cairo and then turn off towards
00:30:20You can get to Palermo in a couple of days.
00:30:21Thank you, I prefer to stay with you.
00:30:23No, you're running! Wait! Don't leave me hanging here!
00:30:25Take care! We'll be landing soon!
00:30:29Do you think they see us coming down?
00:30:30I have taken all precautions.
00:30:32We're carrying a camouflaged parachute.
00:30:37Don't be afraid! Come on, get down!
00:30:39The ground here is soft and you can't see anyone.
00:30:42Legs together, arms crossed, stand rigid.
00:30:46Watch out! Stop!
00:30:49Come on!
00:30:57Mallé! Caricay!
00:31:03You see, deep down I like this country.
00:31:05Did I imagine it would be worse?
00:31:06What bothers me is finding myself in it to fulfill a mission.
00:31:09I want to go back as soon as I can, but as a tourist.
00:31:12I'm sure the people here are very friendly and hospitable.
00:31:16Absolutely!
00:31:16Hey!
00:31:20Welcome!
00:31:21Spreckel!
00:31:37Come on! Run!
00:31:50Come on! Run!
00:31:55Explosive pills!
00:31:57It's a secret weapon.
00:32:00Dosage: one pill for every 27 enemies.
00:32:03Infarible!
00:32:04Wait!
00:32:11It worked like a charm!
00:32:16Wait!
00:32:17Look!
00:32:20It worked like a charm!
00:32:38Ja!
00:32:50We got away, thanks to my first aid kit and my infallible pistol.
00:32:58Ah, the countryside, this healthy air has whetted my appetite.
00:33:02Would you like some of my food?
00:33:04Ah, you don't have to be afraid, I'm Hungarian.
00:33:10My name is C. Estepan.
00:33:13Nice to meet you.
00:33:14Delighted.
00:33:15For me, having things to eat is rum.
00:33:18Do you want to?
00:33:19No, thank you, I see he doesn't even have enough for you.
00:33:22No, we've already eaten.
00:33:24Not to be professional bums like me.
00:33:27No.
00:33:28And you? Do you want to smoke?
00:33:29Very good.
00:33:31To be American tobacco.
00:33:33Large cobwebs.
00:33:34Take.
00:33:35What is this?
00:33:36Extraordinary edition of fraud.
00:33:38Very good cigarette paper, very good.
00:33:43Go to Digglas?
00:33:47Why don't you ask?
00:33:49Well, because this train will go to Digglas.
00:33:53But I'll get off at the next station and listen.
00:33:56Where is my fiancée?
00:33:57Sorry, huh?
00:33:59My fiancée will be waiting for me.
00:34:03Permission.
00:34:11Goodbye and good luck.
00:34:20I don't trust that guy.
00:34:22There's something about him that I don't like.
00:34:24Bah, he's just a poor wretch.
00:34:26You think?
00:34:28I think your poor wretch is playing a trick on us.
00:34:31Look.
00:34:49High!
00:34:50For!
00:34:51For!
00:34:58But you also speak Albanian.
00:35:00Yes, with a slight Yugoslavian accent.
00:35:08This apple is so good.
00:35:10You're hot too.
00:35:13Hey!
00:35:14Look at the road ahead or wring your neck.
00:35:16Go on, stay still.
00:35:18Remember that they are after us.
00:35:27Díglas, a miote yudote.
00:35:29He says he has already arrived.
00:35:30But I want him to take us, if only as far as the first houses of Díglas.
00:35:34Chuy, molite no sin acto, Díglas!
00:35:38Nos y chubatzamos, don doy y cuy y conmene.
00:35:41What did he say?
00:35:42She said yes, but on one condition: that you go with her to her house for a few minutes.
00:35:47Why me, specifically?
00:35:48So, why are you more handsome?
00:35:51Come on, Michele, what's wrong?
00:35:52Are you not willing to sacrifice yourself for a friend?
00:35:54I would do it in your place.
00:35:56Come on, man.
00:35:58What does it cost you?
00:35:59Aside from the mustache, it's passable.
00:36:01You're not going to tell me you're scared, are you?
00:36:04It doesn't cost you anything.
00:36:06Dóguiche, dúgio.
00:36:06But...
00:36:07Dóguiche với mene exploited.
00:36:09Loquite!
00:36:10Loquite!
00:36:12Dóguiche!
00:36:14Lady of your SERING MALE.
00:36:23Dóguiche.
00:36:28Dóguiche!
00:36:31Dóguiche!
00:36:38Bye bye!
00:36:41We must flee immediately.
00:36:46Escalite! Escalite!
00:36:51Escalite, morta cebo!
00:37:09There's no way out! We're surrounded!
00:37:33There's no way out! There's no way out! There's no way out! There's no way out!
00:38:09There's no way out! There's no way out!
00:38:32That's a very sensible argument. It almost sounds like mine. Hey! Wait! Where are you going?
00:38:48I can't take it anymore. Can anyone tell me where that damn paper mill is?
00:38:54Don't you see it?
00:39:02Where are you going? To ask if this is where they make counterfeit dollars.
00:39:06Come back soon! I beg you!
00:39:20Hey, where are you going? To ask if this is where they make counterfeit dollars.
00:39:23There's no way out! There's no way out!
00:39:43Madame Linda, chaleam l'ensos in the barraalla guédena, hello el chais mire, chaleam lén,
00:39:49l'hello val, chaleam lén, do I find you val?
00:39:52L'ho pagan el club de Madame Linda Caspir?
00:39:56Yes!
00:39:57Whoop, I risk a ccii!
00:39:59Brandeskis chipek.
00:40:01L'ho pagan len de Caspir, chaleam len, chaleam len, rubi smáleo, chaleam len,
00:40:05es mi ria, chaleam el perecít givens copley, coplskía.
00:40:10Up, bra!
00:40:33Ah!
00:40:41Ah!
00:41:02Into the oven!
00:41:40Thank you!
00:41:43Save me!
00:41:44No! Not in the oven! No! Not in the oven! No! No! To alcohol!
00:41:55Celita, go! Go over there! Go!
00:42:21What happened?
00:42:23You don't even thank me?
00:42:25No, why?
00:42:39Look for them, they're sinking!
00:42:43Look for them, they're sinking!
00:42:45Look for them, they're sinking!
00:42:46Look for them, they're sinking!
00:42:48Look for them, they're sinking!
00:42:49Look for them, they're sinking!
00:42:51Look for them, they're sinking!
00:43:00Look for them, they're sinking!
00:43:01What do we do?
00:43:02Do you know how to drive it?
00:43:03Of course, this is an Arturo Coppel locomotive,
00:43:05Berlin, Madrid, 1910 model,
00:43:07when I was a kid.
00:43:17Look for them, they're sinking!
00:43:23Look for them, they're sinking!
00:43:25Look for them, they're sinking.
00:43:26Look for them, they're sinking!
00:44:05Thanks for watching the video.
00:44:25Thanks for watching the video.
00:44:41Thanks for watching the video.
00:45:07Thanks for watching the video.
00:45:34Lucky, tell me, who do you work for?
00:45:39On my own.
00:45:40That's a lie, you work for counterfeiters!
00:45:43Who are they?
00:45:48Where are they hiding?
00:45:50That?
00:45:56That?
00:45:57Those who behave like you are condemned to death.
00:46:00But if you confess everything to me, I can make an exception and set you and your friend free.
00:46:07In that case, there would be two exceptions.
00:46:09Lucky, you don't provoke me.
00:46:10I wouldn't bother provoking a woman like you for all the gold in the world.
00:46:14You must be colder than an iceberg.
00:46:16It's clear that so far you've only dealt with women obsessed with love.
00:46:20Something that you naturally take for granted.
00:46:23What are you implying?
00:46:23I'm not implying anything.
00:46:24I'm just saying that you're not a real woman.
00:46:26Enough is enough!
00:46:32This time, I won't touch you.
00:46:36Because I want you to reflect.
00:46:38But we'll see each other again soon.
00:46:42And think that for stubborn people like you, I have methods that have never failed.
00:46:48I know you're capable of anything except...
00:46:51Less than what?
00:46:52To react like a woman.
00:46:54Enough!
00:46:56Out!
00:47:05Out!
00:47:15This current...
00:47:19And I hope that witch doesn't carry out all her threats.
00:47:24What are we going to do?
00:47:25Don't know.
00:47:27Lucky, the phenomenon is not usually found in situations like this.
00:47:38Damn it, there's no escape.
00:47:40And he took away my first aid kit with the secret weapons.
00:47:43I've never really trusted those toys.
00:47:46Don't worry, we'll get out of here.
00:47:48I'll take care of it.
00:47:49Kestina!
00:48:00Lucky, the phenomenon.
00:48:02Damn you and her!
00:48:05If I could get my hands on her, I'd tear her to pieces.
00:48:10Courage, Guzzi.
00:48:16Open!
00:48:20Gate!
00:48:22Gate!
00:48:24Open!
00:48:36Open!
00:48:48What is this? One of your special methods of persuasion?
00:48:52No, it's a personal matter.
00:48:55You have questioned my femininity.
00:48:59Kiss me.
00:48:59Military discipline has prevented you from perfecting your feminine qualities.
00:49:03Excuse me, but that's not how it's done.
00:49:05Oh, no?
00:49:06Rather, no.
00:49:07So how?
00:49:09So.
00:49:28Let that be perfectly clear.
00:49:31This is just a truce.
00:49:34You won't give us the information tomorrow.
00:49:38What we are looking for will be executed without delay.
00:49:44Let's just say it's the last wish of a condemned man.
00:50:13Pain, I can't stand it anymore.
00:50:23Hello.
00:50:28Take.
00:50:31Take.
00:50:32Take.
00:50:34Take.
00:50:47Take.
00:50:55Take.
00:50:57Take.
00:50:58Take.
00:50:59Take.
00:51:04Take.
00:51:05Come on!
00:51:06Come on!
00:51:07Come on!
00:51:16Come on!
00:51:28We're lost, there are police everywhere.
00:51:31Does it cover?
00:51:32The police boat would catch up with us immediately.
00:51:34There is a solution.
00:51:35Which?
00:51:36The police boat.
00:51:37Good heavens, no!
00:51:48Saint Gennaro!
00:51:49Just one more small favor and that's it.
00:52:09Hey!
00:52:11Little soldier!
00:52:12Come closer!
00:52:15Hey!
00:52:19Little soldier!
00:52:20Come closer!
00:52:21How beautiful!
00:52:25I?
00:52:25Yes, you!
00:52:27Come!
00:52:30Come!
00:52:32Come!
00:52:37Come!
00:52:41Come!
00:52:52Come!
00:52:53Come!
00:52:56Come!
00:53:00Come!
00:53:21Come!
00:53:23Come!
00:53:26Come!
00:53:29Come!
00:53:35Come!
00:53:36Come!
00:53:37Come!
00:53:38Come!
00:53:39Come!
00:53:55Come!
00:53:57Entered Italian waters. Tonight you can go out with a beautiful tourist in Rome. Also
00:54:03I have one for you. Right, one of the Pum ones? Oh, no, this one won't put poison in the whiskey. Thanks.
00:54:11But I won't have time. I have to get the clichés before they can fall into other categories.
00:54:16hands. But do you know where the counterfeiters are? In Lopagán, a Caribbean island.
00:54:23It gained independence only 10 years ago. It is a naturally democratic republic.
00:54:28and it was immediately welcomed into the United Nations. The population is
00:54:322,543 inhabitants, thus subdivided: English 490, French 338, German 282, 274, Spanish
00:54:41244, Russians 220, Hungarians 190, Swedes 170, Israelis 160, Arabs 120, indigenous people 15. The language
00:54:50The official language is Spanish. Surface resources are nonexistent, and as for the subsoil, searches...
00:55:02The tests carried out ruled out the presence of minerals of any kind. In short, there are no
00:55:06Nothing, not even oil. Which is why the population of this fortunate island
00:55:10She lives peacefully and happily at the expense of the foreign tourists who frequent the only
00:55:15existing hotel, the Singapore Hotel. Good.
00:55:46Welcome to this corner of paradise.
00:55:56Good morning. Do you have our reservation?
00:55:58Your name, please.
00:55:59Miquel E. Cocuzzo.
00:56:01And yours?
00:56:01Lucky the phenomenon.
00:56:03Can you tell me how to spell it?
00:56:05F. E. M. Omeno. Omeno, at least that's how it seems to me.
00:56:13Chico, accompany the gentlemen to 203 and 204.
00:56:20Did you see that blonde girl in the black swimsuit? She seemed a bit suspicious to me.
00:56:24Because?
00:56:25Hasn't it been looked at in a certain way?
00:56:26I'm used to it by now. All the girls look at me.
00:56:30Please.
00:56:31Thank you.
00:56:43I'm going for it.
00:56:45Remember that we are on duty.
00:56:48Thank you.
00:57:22Luki has already arrived at the hotel.
00:57:24Prepare immediately.
00:57:32that
00:57:33No
00:57:35No
00:57:36No
00:57:36No
00:57:37No
00:58:05What would you like to drink?
00:58:08Excuse me, do you happen to have a nice vanilla and chocolate ice cream with some cherries on top?
00:58:13There are no cherries.
00:58:14Two whiskeys.
00:58:19Please, General, make yourself comfortable.
00:58:24Your reserved spot.
00:58:54Are you Linda from Kashmir?
00:58:56No, I am Brunegund from Brodenshagen, but it doesn't matter.
00:59:00Then call Madame Linda and tell her to come here.
00:59:02What do you want from her?
00:59:03Don't be nosy, just tell him to come and go deliver the message soon.
00:59:07Madame is the owner of the place; she receives whomever she wants, whenever she wants, in her office.
00:59:10Don't worry, you'll see how he greets me immediately.
00:59:13Just tell him I'm coming.
00:59:16From Albania.
00:59:17Albania?
00:59:18Yeah.
00:59:20It is a nation.
00:59:22Oh.
00:59:25You danced very well, girl.
00:59:32Have you seen that guy?
00:59:35I seem to remember it.
00:59:36His name is Dimitri Kotshinsov.
00:59:38He is 39 years old, Russian, and a spy by profession.
00:59:42His superior is Sergei Ivanovsky.
00:59:46Anyone who wants to know more about these two characters can read the fourth volume.
00:59:50from my adventures selling in the best bookstores.
00:59:53If the volume is out of stock, you can order it directly from Heroes of Tomorrow Editions.
00:59:58and you will receive it at your home cash on delivery.
01:00:01What are you going to do with Madame Linda?
01:00:03Instill fear in him and try to get him to lead us to the boss in one way or another.
01:00:07But will he recognize you?
01:00:08You think?
01:00:09You mustn't forget that I'm a true master of disguise.
01:00:21What do you want from me?
01:00:24Madame Linda del Cajemir?
01:00:26Yes, it's me.
01:00:28Goes.
01:00:29Don't look at me with such contempt.
01:00:31Years ago she was one of the most beautiful women in the Middle East.
01:00:35Confidence for Confidence.
01:00:36Years ago I won a children's beauty pageant.
01:00:41Let's stop with the biographies and get to the point.
01:00:43What's with that little story about Albania?
01:00:46Here comes a...
01:00:49by Biglas.
01:00:51This name doesn't ring a bell, friend.
01:00:54You're talking to me about things and places I don't know, and I don't care about them at all.
01:01:00Can we know who you are and what you want?
01:01:08Does that matter to you?
01:01:11I have something very interesting to tell you.
01:01:16I worked at the Biglas paper mill.
01:01:21Therefore, I want a little gift of one hundred thousand dollars, good ones, naturally.
01:01:29You're drunk.
01:01:30Throw it away.
01:01:31I don't like those kinds of jokes.
01:01:33I never joke around with money.
01:01:36Auntie, tell your slave to let go of my arm.
01:01:40I'll say it again, I want one hundred thousand dollars.
01:01:44And why on earth?
01:01:45To forget that you manufacture counterfeit dollars.
01:01:49Patrician!
01:02:04Fortune favors the bold, but not the reckless.
01:02:09You risked your life and you lost.
01:02:12Cretin!
01:02:13Well, since I find her likeable, I'll settle for less.
01:02:17Let's put fifty thousand dollars in promissory notes.
01:02:22Take it to the basement.
01:02:35Grab it, you idiot!
01:03:03I've thought about it some more.
01:03:05Now I want two hundred thousand.
01:03:18Let's go.
01:03:20How did it go with Madame Linda?
01:03:21Good.
01:03:22He owes me two hundred thousand dollars.
01:03:24Hey?
01:03:24Oh!
01:03:40Oh!
01:03:43Oh!
01:03:45No, no, no, no!
01:04:15I recognized him. He managed to slip away.
01:04:17Letting him go was a serious mistake. And it's not the first.
01:04:22It wasn't my fault, my dear. Believe me. I did everything I could to prevent it.
01:04:27Okay, sweetie. Okay. It's not important after all.
01:04:31Thank you very much, Gold Glasses. I know you're an understanding man.
01:04:35Don't worry. We'll fix it.
01:04:39Meanwhile, above all, try not to lose your calm.
01:04:43I'll do what I can.
01:04:46Our sweetheart needs a break. Take care of her.
01:04:57Thank you so much.
01:05:00I assure you, Luque. Even if this could cost me my job,
01:05:04even if it meant my family and I had to starve to death,
01:05:07I will gladly make any sacrifice for you.
01:05:10Well, like all of them.
01:05:12Now put me through to the Singapore Hotel.
01:05:17With the 204.
01:05:19Tell me, who are you?
01:05:23What's wrong?
01:05:25Excuse me, I'm not feeling well, you know?
01:05:27Oh, you have a cold.
01:05:30Understood.
01:05:31Stay in bed.
01:06:01Thank you!
01:06:27Thank you!
01:06:45Thank you!
01:06:47Thank you!
01:06:49Thanks, Charlie!
01:06:50You don't think I'm the one who killed her, do you?
01:06:53Of course not
01:06:55Luke and the phenomenon would never do such a thing.
01:06:58How did you recognize me in this disguise?
01:07:01You do the same one I used when the mystery of the strangled girls
01:07:04and none of them recognized me.
01:07:05I've read all your adventures.
01:07:08I am your most fervent admirer.
01:07:11Okay, then I'll let you do something for me.
01:07:13Take me to the lair of gold-rimmed glasses.
01:07:16Yes, but...
01:07:17Tomorrow, tonight, why don't you stay here with me?
01:07:25I'm going to look for my friend.
01:07:27I'll make him come even if he's in his pajamas.
01:07:29Yes, darling.
01:07:30I'll be right back.
01:07:35We don't have time to lose.
01:08:01And your friend?
01:08:02He has been kidnapped.
01:08:03If they have done any harm to him, I will show them who Lucky, Lucky, Lucky really is.
01:08:05The phenomenon.
01:08:06The phenomenon, yes.
01:08:21Prepare to intervene.
01:08:23Don't worry.
01:08:25Are you thinking about your friend?
01:08:27I brought it.
01:08:32That?
01:08:33I have to find it.
01:08:34Yes, darling.
01:08:37Don't call me sweetheart.
01:08:43Here, pretty little doll.
01:08:45They just passed by.
01:08:55This is Maria Dolores.
01:08:57They just passed by.
01:09:03Stop, friend!
01:09:05What's happening?
01:09:06Road closed.
01:09:08Take the detour.
01:09:09Thank you so much.
01:09:11It's a very bad road.
01:09:12That doesn't matter.
01:09:13The point is to arrive.
01:09:28Here, kiss me a lot.
01:09:29They just passed by.
01:09:35Bye bye!
01:09:38Bye bye!
01:09:40Bye bye!
01:10:01I am delighted to meet, Rocín, the most audacious man of our time.
01:10:07It stands to reason.
01:10:08Please sit down.
01:10:09Thank you.
01:10:17Miss, I imagine your collaboration with Mr. Luggy is due to the sudden passing of poor Madame Blinda.
01:10:26Killer!
01:10:27Please, miss, don't lose your temper. Look at Luggy. Take a page from his book.
01:10:33Let's leave others aside and talk about my friend.
01:10:35Don't worry, you'll see him soon. Now that you're here, I'm no longer interested in him.
01:10:39Thank you. That makes sense too.
01:10:42And I'll give you special attention. Before I eliminate you, I'll let you see what you were looking for.
01:10:48This will be the last adventure, Duke and the Phenomenon.
01:10:52What did you say? I've been hired for five episodes and I intend to fulfill the contract.
01:10:57I'm sorry, but his death is essential for the success of my projects.
01:11:10Luggy, have you seen how clever I am? I've found the man I was looking for.
01:11:18I am eager to show you my procedure for manufacturing counterfeit dollars.
01:11:23Please, have me with you.
01:11:37I don't like.
01:11:37After the plant.
01:11:37Thank you.
01:11:47Thank you.
01:12:09Thank you.
01:12:37Thank you.
01:13:08Thank you.
01:13:08My collection of clichés for counterfeiting dollars,
01:13:12made naturally with my own hands.
01:13:15Here I was finally able to find a practical application
01:13:18to my technical knowledge.
01:13:20And I must admit that with excellent results,
01:13:23a few years ago,
01:13:25This was the central launch point to the market
01:13:28of the famous fake Etruscan coins.
01:13:30Did you make them?
01:13:31Oh, they weren't bad.
01:13:33Thank you, thank you very much.
01:13:34Now I'm going to show you something truly exceptional.
01:13:42My king.
01:13:53Yeah?
01:13:58You take care of them.
01:14:00Come, all of you.
01:14:13What could have happened to him?
01:14:16Don't know.
01:14:18Let's follow him, that hurry.
01:14:23I was also the one who put it into circulation
01:14:25a good amount of fake Indian rupees.
01:14:28Please sit down.
01:14:29And I also led the famous operation
01:14:31of the fake pounds sterling in the ultimate truth.
01:14:34Were they yours?
01:14:34Yeah.
01:14:36Almost perfect.
01:14:36Very kind.
01:14:37Now I'm going to show you the masterpiece of my life.
01:14:58These dollars are perfect.
01:15:00And when he puts them into circulation,
01:15:02I will bring the richest man on Earth.
01:15:04You?
01:15:05Yeah.
01:15:05With this?
01:15:07Ah.
01:15:08Let's see.
01:15:21Throw down your weapons.
01:15:22And everyone stand facing the wall.
01:15:25Facing the wall.
01:15:29Obey him.
01:15:41Obey him.
01:15:43Excuse me, Mr. Gold Glasses,
01:15:44But I had no other choice.
01:15:45He's taking responsibility, right?
01:15:46Yes of course.
01:15:47Thank goodness.
01:15:51You first.
01:15:56No.
01:16:02A noise.
01:16:03The entire installation.
01:16:21I'm sure this guy will lead us to Luke.
01:16:26Take that, no!
01:16:26Aco!
01:16:28Fa!
01:16:29Fa!
01:16:31For you!
01:16:33For you!
01:16:41For you!
01:16:48Wait a minute!
01:17:17Music
01:17:37Everyone stay still. Hands up.
01:17:39Obey.
01:17:47Here.
01:18:04Don't worry, I'm here.
01:18:07Music
01:18:16Get me out of here, I'm very scared.
01:18:24Mikele, Mikele.
01:18:33Music
01:18:34Careful.
01:18:38Hop, hop, hop, hop, hop, hop, hop.
01:18:45Go to hell.
01:18:47Yes, what a scare.
01:18:49Hey, Luqui, wait for us.
01:18:51Luqui, wait.
01:19:14Look.
01:19:15Look.
01:19:16Look.
01:19:17Look.
01:19:30Let's not waste time, clichés are all the rage. Come on!
01:20:04Under way!
01:20:18Come on!
01:21:00Goodbye, Miquel! See you at the hotel!
01:21:14You'll be proud of the success of this adventure.
01:21:16Thanks to my friend Miquel.
01:21:42Lucky!
01:21:42Lucky!
01:21:44Get out of the car and walk forward with your hands up!
01:21:59Cover me with this!
01:22:00No!
01:22:05No!
01:22:12No!
01:22:14No!
01:22:24No!
01:22:28No!
01:22:42No!
01:22:43No!
01:22:45No!
01:22:45No!
01:22:47No!
01:22:48No!
01:22:49No!
01:22:54No!
01:23:02No!
01:23:13No!
01:23:15No!
01:23:18No!
01:23:27No!
01:23:36No!
01:23:47No!
01:23:48No!
01:23:55No!
01:23:58No!
01:24:07No!
01:24:17No!
01:24:18No!
01:24:23No!
01:24:24No!
01:24:25No!
01:24:26No!
01:24:28No!
01:24:29No!
01:24:31No!
01:24:31No!
01:24:32No!
01:24:33No!
01:24:41No!
01:24:45No!
01:24:55No!
01:24:59No!
01:25:01No!
01:25:03No!
01:25:04No!
01:25:05No!
01:25:06No!
01:25:09No!
01:25:11No!
01:25:12No!
01:25:12No!
01:25:12No!
01:25:12No!
01:25:13No!
01:25:13Do you want me to tell you who your collaborator is?
01:25:16It is none other than Colonel Franz von Camouflagen of the secret service
01:25:21who now works for the Chinese.
01:25:24He is a true master of disguise.
01:25:29Well, I've made a small mistake.
01:25:33It can happen to anyone.
01:25:35Your time has come!
01:25:40Hein Hitler!
01:25:46No!
01:26:02What do you think, dear Lukey?
01:26:04I'm not as stupid as you think.
01:26:06Greetings, gold glasses.
01:26:08It must be admitted that he was nice.
01:26:10But what about the box?
01:26:12It's empty!
01:26:16It's empty, empty, damn it!
01:26:18After everything we've had to go through in Albania,
01:26:21after having strewn the road with corpses,
01:26:23after all the risks that...
01:26:25But what are you doing?
01:26:27Look for the false bottom.
01:26:29The false bottom?
01:26:30Yes, of course, where the clichés are hidden.
01:26:33And how do you plan to find out?
01:26:38Do you have a special method?
01:26:40The bottom is being hit and you can hear the sound.
01:26:42If it suddenly sounds different, it means there's a hidden meaning.
01:26:45Ah, I see.
01:26:46Go ahead, hit.
01:26:48Let's see.
01:26:48Come on!
01:26:51Come on!
01:26:53Come on!
01:27:12Come on!
01:27:27Come on!
01:27:29Come on!
01:27:30Come on!
01:27:31Come on!
01:27:42Come on!
01:27:48Come on!
01:27:49Come on!