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00:03:26Where are you going?
00:03:27We are government agents and we have come to conduct an inspection.
00:03:30Are there any drawbacks?
00:03:31No, sir, I don't think so.
00:03:33But I'd be better off going through the main door.
00:03:35Don't worry, I know the way well.
00:03:38Go on.
00:03:39Good, sir.
00:03:58Accounting, listen, warn Don Jaime that some inspectors are coming.
00:04:02Yes, yes, they just came in.
00:04:18Okay, maneuver for the exit.
00:05:05Thank you!
00:05:34Good morning.
00:05:35I've been informed that they're coming for an inspection.
00:05:38Yeah.
00:05:39Do you want to come in?
00:05:51What are they going to do?
00:05:52Nothing.
00:05:53Stay still and nothing will happen.
00:05:55Between.
00:05:59Stand up.
00:06:00Hurry up.
00:06:02Come on.
00:06:03Everyone stand there.
00:06:04And without making a sound.
00:06:17Don't get nervous.
00:06:18Everything is going well.
00:06:21Go on, it's nothing.
00:06:30Nobody move.
00:06:40That gossip makes me nervous.
00:06:42Leave him be, he'll get tired of it.
00:06:48Bring it.
00:06:53I can't take it anymore.
00:07:10The first person who tries something will suffer the same fate as that person.
00:07:14To your place.
00:07:16Don't worry.
00:07:20What are you doing?
00:07:21Keep doing what you're doing.
00:07:23No, Conrado, they'll catch us.
00:07:24I said go on!
00:07:26Whatever you want.
00:07:35What's happening?
00:07:36Gunshots have been heard.
00:07:47You don't listen.
00:07:48Go on.
00:07:51Aren't you here?
00:07:53Hurry up!
00:07:56Let me go.
00:08:15You're not here!
00:08:42Vincian!
00:08:45Bravo!
00:08:53Leave, don't waste time!
00:09:48Leave, don't waste time!
00:09:58Leave, don't waste time!
00:10:23Leave, don't waste time!
00:10:29Leave, don't waste time!
00:10:34Leave, don't waste time!
00:10:55Leave, don't waste time!
00:10:59Leave, don't waste time!
00:11:46Leave, don't waste time!
00:11:48Leave, don't waste time!
00:11:55Leave, don't waste time!
00:12:15Leave, don't waste time!
00:12:27Leave, don't waste time!
00:12:39Guards!
00:12:40Guard, guard!
00:12:43Come with me!
00:12:43There's a robber in the taxi!
00:12:44I saw him go up!
00:12:46Follow him!
00:12:46Don't lose sight of him.
00:12:47Laxi!
00:12:53Follow the traffic.
00:14:16Up the other staircase.
00:14:50Up the other staircase.
00:15:03Up the other staircase.
00:15:30Up the other staircase.
00:15:53Up the other staircase.
00:16:30Up the other staircase.
00:16:41Up the other staircase.
00:16:59No, no, don't touch me.
00:17:01Let me.
00:17:02You hurt me.
00:17:03Leaves.
00:17:05Let me!
00:17:51You'll see, everything will turn out alright.
00:17:53Where are we going?
00:17:54To a place where you will be safe and healed.
00:17:57Hala.
00:18:21Paxi!
00:18:25Paxi!
00:18:41An accident?
00:18:43It doesn't matter.
00:18:45Where to?
00:18:47Where to?
00:18:47To Infanta Carlota, Viladomá.
00:18:48Good.
00:18:53Paxi!
00:18:54Paxi!
00:18:55Paxi!
00:18:58Paxi!
00:19:14Paxi!
00:19:41If you saw them in a photograph, could you recognize them?
00:19:44Yes, sir, I'm sure.
00:19:46And you?
00:19:46Me too.
00:19:48Me too.
00:19:49Good.
00:19:50You two will accompany me to the archive.
00:19:54Did you say the burns were on your left arm?
00:19:57Yes sir.
00:19:58And on the side?
00:19:59And did they seem serious to you?
00:20:01It's not that?
00:20:02Yes sir.
00:20:03Very serious.
00:20:04When I left here I could barely walk.
00:20:08Hello?
00:20:10Yes sir.
00:20:11Now it's on.
00:20:12The commissioner.
00:20:15At your service.
00:20:16Is it still far from being?
00:20:17No, sir.
00:20:18I'm finishing up right now.
00:20:20Did he learn anything?
00:20:22Well, come as soon as possible.
00:20:23One of the robbers has been killed and I think we have a good lead.
00:20:27Yes sir.
00:20:28One question, commissioner.
00:20:30Do you know if the dead man has burns on one arm?
00:20:32No.
00:20:34His name is Antonio Rodríguez.
00:20:3745 years old and no criminal record.
00:20:40One of them has suffered severe burns and I think it would be advisable to alert the doctors.
00:20:45Well, when you arrive we'll talk about all of this.
00:20:47Yes sir.
00:20:47At your service.
00:21:06Are you!
00:21:07Are you!
00:21:11Are you!
00:21:14Are you!
00:21:34What's happening?
00:21:58You'll be fine here. Try to get some sleep.
00:22:01Give me some water. Do you want some?
00:22:27Baby.
00:22:34Now try to sleep.
00:22:36Yeah.
00:22:38You're not leaving, are you?
00:22:40No.
00:22:42And this.
00:22:44It hurts a lot.
00:22:45I feel very unwell.
00:22:47Calm down, come on. I'll call a doctor.
00:22:49Conrado.
00:22:52Tell me.
00:22:54It was my fault.
00:22:55Don't think about that now.
00:22:57You need to calm down and go to sleep.
00:23:21Don't think about it.
00:23:32Cafeteria Milan, tell me.
00:23:33Do you want to see if Miss Ana Méndez is here?
00:23:36Just a moment, please.
00:23:43Miss Ana Méndez.
00:23:45Miss Ana Méndez.
00:23:48Miss Ana Méndez.
00:23:55She gets a phone call.
00:23:56Thank you.
00:23:57Now, if you'll excuse me.
00:23:58Good.
00:24:10Who is it?
00:24:11I am Conrad.
00:24:12You?
00:24:13What do you want?
00:24:14I need you to come right away.
00:24:15I'll be waiting for you here, at your house.
00:24:17At my place?
00:24:18I can't right now.
00:24:19I'll go later.
00:24:20Okay, let it be with me now.
00:24:22Alright.
00:24:23I'll be right there.
00:24:42What's happening?
00:24:44Nothing, I'm leaving.
00:24:45You told me we would eat together.
00:24:46Yes, but I can't.
00:24:48What can we do?
00:24:50Goodbye, darling.
00:24:51Bye bye.
00:24:51Until tonight.
00:25:12That town is very far away.
00:25:14A couple of kilometers away.
00:25:19I don't like the idea of us separating at all.
00:25:21He ordered it that way.
00:25:22In the village you take the first train to Barcelona.
00:25:24Once you're there, you already know.
00:25:26We'll meet at your house.
00:25:27Understood?
00:25:28Yeah.
00:25:29But I don't like the plan.
00:25:31You distrust me.
00:25:32Say it, clearly.
00:25:33Are you afraid I'll run off with the money?
00:25:35No.
00:25:35I haven't said anything.
00:25:37Then let's not talk about it anymore.
00:25:42Hide.
00:25:42No.
00:25:52No.
00:25:54Yeah.
00:25:57No.
00:26:08Yeah.
00:26:10Yeah.
00:26:11Yeah.
00:26:11Yeah.
00:26:23Wait, this is the last time I see you.
00:26:30Father.
00:26:35Father!
00:26:42Come on.
00:26:55I understand your state of mind. I will try to bother you as little as possible.
00:26:59However, I would like you to answer one question.
00:27:02What kind of friends did his father have?
00:27:05Don't know.
00:27:07Since my mother died, I've been living a strange life.
00:27:10But I was never interested in his things.
00:27:14We never understood each other.
00:27:16And yet, he was good.
00:27:19Don't you remember any of your friends?
00:27:21Make an effort.
00:27:25Lately, I've seen him a few times with a guy named Martin.
00:27:29One who had been a boxer.
00:27:31Don't you know where you live?
00:27:37I don't want to tire you any further.
00:27:39Thank you.
00:27:39If you need me for anything, count on me.
00:27:41Yes sir.
00:27:45Go with him.
00:27:50Poor boy.
00:27:52You've already heard it.
00:27:53He was a boxer and his name is Martin.
00:27:55It was probably the one who was driving the car.
00:27:57He had the face of a boxer, according to witnesses.
00:28:00It will probably be the same one.
00:28:02My friend Royán, as you will have seen, this is a difficult matter.
00:28:06None of those involved in the robbery appear in our files, and this makes things considerably worse.
00:28:12This matter needs to be expedited.
00:28:14Find out about that Martin.
00:28:16You'll probably know him at the gyms.
00:28:18And think that even the smallest detail about him can be interesting to us.
00:28:22I'll keep that in mind.
00:28:23I'll be here waiting for any calls.
00:28:25I hope that the cross-reference to the doctors will yield good results.
00:28:27I hope so too.
00:28:29As soon as I hear anything about Martin, I'll call him.
00:28:31Good.
00:28:35Good.
00:29:00Hello.
00:29:02Why all the mystery?
00:29:03Weren't we finished?
00:29:05Or can't you live without me?
00:29:08Stop making a scene.
00:29:09Come here.
00:29:18Who is it?
00:29:20Why did you bring it here?
00:29:23He's my brother.
00:29:24He's been in an accident and I want him to see a doctor.
00:29:26One of those trustworthy people you know.
00:29:29What do you say to me?
00:29:32I was right to assume you weren't calling me just for my sake.
00:29:36What you're asking me for now is impossible.
00:29:39No, I don't want to know anything about your problems.
00:29:41You've done me a lot of harm.
00:29:43Take it with you.
00:29:44Both of you leave.
00:29:44Be quiet!
00:29:46You will do what I tell you to do.
00:29:52Well, my intention is not to harm you.
00:29:55I was in a tight spot and I thought of you.
00:29:58What's wrong with that?
00:30:00Besides, I'm not asking for much.
00:30:05Did you hear me?
00:30:07Tell me if you're willing to help me.
00:30:10You said it before.
00:30:11I must do what you command.
00:30:14Well, it was in a fit of bad temper.
00:30:16Anyway, you were right.
00:30:18I'm so used to obeying you that I wouldn't know how to do anything else.
00:30:23What do you need from me?
00:30:24I don't like that victim mentality.
00:30:26Besides, I don't intend to waste my time arguing.
00:30:31Here, call a doctor.
00:30:35The one who would come cannot exercise.
00:30:36Because?
00:30:37I expelled him.
00:30:38All the better.
00:30:39Proof.
00:30:56Mr. San Juan.
00:30:58Yes, go ahead.
00:30:59This is Ana Méndez.
00:31:00Does it remind me of you?
00:31:01Yes, yes, go ahead.
00:31:02Can you come to my house?
00:31:04Of course.
00:31:04What time do you want me to come?
00:31:05The sooner the better.
00:31:07This is urgent.
00:31:09I'll be there for a while.
00:31:11Bye bye.
00:31:11Until now.
00:31:15Thank you.
00:31:23José.
00:31:28Tell me.
00:31:30What do you want?
00:31:30I have to go.
00:31:31No.
00:31:32Don't go.
00:31:33You can't leave me like this.
00:31:34They will kill me.
00:31:35Don't you see that you're safe here?
00:31:36No, Conrado.
00:31:37No.
00:31:44Who is it?
00:31:45A friend.
00:31:46She will take care of you.
00:31:48And the doctor?
00:31:50He's not coming.
00:31:51It's almost here.
00:31:52Then don't leave.
00:31:53I need to meet with the others.
00:31:55Conrado, don't leave me.
00:31:57I'm afraid.
00:31:59Take.
00:32:02Thank you.
00:32:04Bye bye.
00:32:06Come.
00:32:16Here, you write it.
00:32:18Santa Rosa 186.
00:32:21Fifth.
00:32:22Department 16.
00:32:27If that man demands money from you, come see me at these addresses.
00:32:33Conrado.
00:32:35What do you want?
00:32:37No, nothing.
00:32:39Good luck.
00:32:42I hope so.
00:33:09For many here in Igualaba.
00:33:10No, sir.
00:33:11Ten minutes.
00:33:15I'll be right there.
00:33:18What do you want?
00:33:20A coffee.
00:33:21Another one for me.
00:33:22Alright.
00:33:23And you?
00:33:24One with milk.
00:33:25Two coffees and one with milk.
00:33:27Will you give me the man?
00:33:40Thank you.
00:33:41To you.
00:33:42Because?
00:33:43Because it has been a pleasure.
00:33:46Very kind.
00:33:48Are you going to Barcelona too?
00:33:49Yeah.
00:33:52Do you want to get paid?
00:33:53Both.
00:33:54Dear listeners, we are interrupting the broadcast of this record to make way for
00:33:58A notice from the Chief of Police that reads as follows.
00:34:02Directors of clinics and relief centers, as well as doctors and practitioners, are ordered
00:34:07and other healthcare personnel, who, in the event of encountering an individual of about 25 years of age suffering from severe burns in
00:34:15an arm, report it immediately to this headquarters because he is a dangerous individual who participated this morning in
00:34:23a robbery at a major industry in this city.
00:34:25What could have happened?
00:34:26What could have happened? This is the second time he's given this warning.
00:34:28Do you know if they've caught any of them?
00:34:29The radio hasn't said anything, but some gentlemen who were here a little while ago said yes, that
00:34:34They had killed two or three.
00:34:36Two or three?
00:34:37That's what they said.
00:34:38Let's go to the car.
00:34:39I'm staying.
00:34:40But didn't you say you were going to Barcelona?
00:34:42I've thought about it some more.
00:34:44Business.
00:34:46I'm sorry.
00:34:47Bye bye.
00:34:48Good day.
00:34:48Come on, gentlemen, to the car.
00:34:51Are you staying?
00:34:53Yeah.
00:34:54Let's go, folks! It's time!
00:35:01Excuse me, the phone please.
00:35:03There you have it.
00:35:03Can I schedule a conference?
00:35:05Yes sir.
00:35:14Put me through number twenty-three in Castelldefels.
00:35:16The first one?
00:35:17Thirteen twenty.
00:35:19Well, I'll load it.
00:35:30Am I going to talk to you?
00:35:30New Thornaco?
00:35:30Are you going to...
00:35:32Am I going to mix you up?
00:35:39Well, thanks!
00:35:44No, princess, I'm going to...
00:35:51Happens.
00:35:55What's up?
00:35:55I would like to speak with you for a moment.
00:35:57What do you want?
00:35:58One piece of information.
00:35:59You'll have to wait.
00:36:00I am a police inspector.
00:36:04Go on, go now, I'll call you.
00:36:05Good.
00:36:08So, what happened?
00:36:09Nothing.
00:36:10I've been told that you know a certain Martin.
00:36:12He had been a boxer.
00:36:14Martin?
00:36:16Martin?
00:36:16What has he done?
00:36:17Do you know him or not?
00:36:18Something.
00:36:19He would have been a great boxer.
00:36:20It had a lot of punch.
00:36:21But he really liked folklore.
00:36:22Do you understand me?
00:36:23No.
00:36:24I'm referring to partying and all that.
00:36:27Now I don't know what has become of him.
00:36:28I haven't seen him in ages.
00:36:30Don't you know where you live?
00:36:31No, I have no idea.
00:36:32And do you have friends here?
00:36:34Don't know.
00:36:35But there's Manolo, who had been his former manager.
00:36:37Can we see him?
00:36:38Well.
00:36:39But he's busy now and won't like to be disturbed.
00:36:42That's on me.
00:36:43Come on?
00:36:44Good.
00:36:50Strong now.
00:36:52So.
00:36:53No, man, no.
00:36:57Close the guard.
00:36:58Careful.
00:36:59Cover yourself now.
00:37:15Come on, guys.
00:37:16What is Martin's name?
00:37:18Martín Peña.
00:37:19Your address?
00:37:20Condal 14.
00:37:21I don't know if he's moved.
00:37:23When did you last see him?
00:37:25About five or six months ago.
00:37:27Why quarrelsome?
00:37:28He had given her money in advance to return to the Rindis, and she refused to prepare.
00:37:33That's all I wanted to know.
00:37:34Thank you.
00:38:02Good morning.
00:38:04Happens.
00:38:06I've given up everything just to please her.
00:38:09You will go.
00:38:11I need your help.
00:38:12He knows he can always count on me.
00:38:14Yeah.
00:38:15But this time it's different.
00:38:17Please come in.
00:38:31Run to the curtain.
00:38:40Who are you?
00:38:41What do you want?
00:38:42He is the doctor who has come to heal you.
00:38:44Don't be afraid, I won't hurt you.
00:38:45No, don't touch me.
00:38:56How are you doing?
00:38:58Why have you dragged me into this matter?
00:39:00Doesn't he know the police are looking for him?
00:39:02But nobody knows he's here.
00:39:04In any case, it's dangerous.
00:39:07Everything has a price, right?
00:39:13No.
00:39:15I may be unscrupulous, but I'm not crazy.
00:39:19I don't want to risk my life.
00:39:22Furthermore, that arm must be amputated immediately to prevent gangrene.
00:39:26It's a risky operation.
00:39:27Please, what are you going to hear from him?
00:39:29You must cure him.
00:39:32Why is it of such interest?
00:39:34Is it something of yours?
00:39:36No.
00:39:37Then I'm going to give you some advice.
00:39:39Call the police as soon as possible.
00:39:41I don't know who will do it.
00:39:43Neither do you.
00:39:43Careful, don't shoot.
00:39:45You scoundrel, you won't say anything to the police.
00:39:48I'm going to kill you.
00:39:49No, no, wait.
00:39:51I'm going to heal him.
00:40:33No, no, wait.
00:40:37No, no, wait.
00:41:07No, wait.
00:41:12No!
00:41:16Imagine.
00:41:17Leave it, leave it.
00:41:18If you don't want to do it for him, do it for me.
00:41:21I'll give him whatever money it is.
00:41:22How much?
00:41:23Whatever you want.
00:41:25One hundred thousand.
00:41:26OK.
00:41:27Come on, give them to me.
00:41:28I don't have them here, I have to go and get them.
00:41:30Well, I won't start until I bring them.
00:41:33Good.
00:41:45How much have you stolen?
00:41:46Don't know.
00:41:47Do you know?
00:41:48How much?
00:41:48I don't know.
00:41:49Big money.
00:41:50No.
00:41:51No.
00:41:52No.
00:41:54No.
00:42:03No.
00:42:09No.
00:42:31Hello?
00:42:32Hello, Luisa. I'm Emilio.
00:42:34Is your sister there?
00:42:35Yes, she's in the garden with Dad. Do you want me to call her?
00:42:39Wait.
00:42:42Don't run, child. Who's calling?
00:42:44The groom!
00:42:51Teresa!
00:42:53Teresa!
00:42:56Teresa!
00:42:58What's happening?
00:43:00Emilia, on the phone!
00:43:02Where are you going?
00:43:03I want to hear what's being said.
00:43:15Tell me, I came running and I can barely speak.
00:43:19Hello, Teresa.
00:43:21The call surprised you, didn't it?
00:43:24That's why I'm calling you.
00:43:26My partner has encountered difficulties and we have had to postpone the trip.
00:43:32I wanted to ask if you'd like me to come see you.
00:43:35I have a couple of days.
00:43:36Of course.
00:43:38You ask so many questions, I should be mad at you.
00:43:43But what about your parents? Do they think like you?
00:43:46Of course, they'll be very happy.
00:43:50Hopefully.
00:43:51Well, see you this afternoon.
00:43:52Goodbye, Teresa.
00:43:54Bye bye.
00:43:55Mother!
00:43:58Mother!
00:43:59What do you want?
00:44:00Teresa's boyfriend will arrive this afternoon.
00:44:02It's true?
00:44:02Yeah.
00:44:03See how true it is?
00:44:05You keep quiet.
00:44:05Wasn't he going on a trip?
00:44:07Yes, but he has cancelled it and I have invited him to spend a couple of days here.
00:44:10How refreshing!
00:44:12Hydrangea.
00:44:13It was a bit too much, a bit too casual.
00:44:14You should have consulted your father or me beforehand.
00:44:18It's done.
00:44:20What's wrong?
00:44:21Were you angry about what I said?
00:44:23No, Mom.
00:44:24I admit you're right.
00:44:26So what's wrong with you?
00:44:27Leave!
00:44:28Go on, go to the garden.
00:44:29That!
00:44:30I'm going to tell Dad everything.
00:44:33Teresa, I'll repeat what I always say.
00:44:35Are you convinced that this boy deserves your affection?
00:44:37Yes, Mom.
00:44:38He has given me proof that he loves me.
00:44:40You know it.
00:44:41Perhaps I'm getting old and I don't know how to understand men today.
00:44:44Anyway, let's not talk about this anymore.
00:44:47I put all my trust in you.
00:44:51Thank you, Mom.
00:44:52You are very good.
00:45:05Did you see?
00:45:07What is it?
00:45:09Dated in Marseille last year.
00:45:10Why hasn't he told us he was in France?
00:45:12I didn't know.
00:45:13He never tells anything.
00:45:14Were you receiving anyone here?
00:45:16No.
00:45:17Nobody ever came.
00:45:18He himself would go weeks without showing up.
00:45:20Come on.
00:45:21Thank you, ma'am.
00:45:22There's nothing to give them.
00:45:23Good afternoon.
00:45:24Good afternoon.
00:45:30Everyone should be here and money first, at least that was the motto.
00:45:34I feel sorry for your brother.
00:45:35I know that man and I know he will let him die if he doesn't receive the money.
00:45:38Scoundrel!
00:45:40Conrado.
00:45:41Tell me.
00:45:42Did you say that everything went wrong?
00:45:45Yeah.
00:45:46What do you plan to do now?
00:45:48Wait.
00:45:50Perhaps the police have arrested them.
00:45:54Why don't you leave?
00:45:55Where to?
00:45:57Well...
00:45:57To my house.
00:45:59There you can help your brother.
00:46:00And if we give these directions, the police won't find you.
00:46:03And you?
00:46:03Where would you go?
00:46:05At a friend's house.
00:46:06I would be a hindrance next to you.
00:46:07I understand now.
00:46:09Do you want to leave?
00:46:10Don't get angry, I...
00:46:11Enough!
00:46:18After all, it's natural.
00:46:23But it's too late to regret it.
00:46:25You will continue until the end.
00:46:36This is where I left them.
00:46:37They headed to that block of houses.
00:46:38Go with your men to the next street over.
00:46:40Yes sir.
00:47:22What's happening?
00:47:24The police are coming to get you!
00:47:28It isn't true!
00:47:30He's lying!
00:47:31He's lying!
00:47:33He's lying!
00:47:33Wait and see it.
00:47:34I'm leaving.
00:47:36I'll leave you the gun.
00:47:37Don't die like a coward.
00:48:07He's lying!
00:48:09He's lying!
00:48:10He's lying!
00:48:19He's lying!
00:48:28He's lying!
00:48:30He's lying!
00:48:32He's lying!
00:48:44He's lying!
00:48:51He's lying!
00:48:54He's lying!
00:48:57He's lying!
00:49:01He's lying!
00:49:09He's lying!
00:49:10He's lying!
00:49:16He's lying!
00:49:17He's lying!
00:49:18He's lying!
00:49:23He's lying!
00:49:24He's lying!
00:49:41He's lying!
00:49:48He's lying!
00:49:59It's on the other floor.
00:50:01Don't stop!
00:50:06He's lying!
00:50:07He's lying!
00:50:10He's lying!
00:50:11He's lying!
00:50:11He's lying!
00:50:12He's lying!
00:50:19It's on the other floor.
00:50:19Go away!
00:50:25Take it away!
00:50:27Open the door!
00:50:29Come in now!
00:50:31Come on!
00:50:33The lock!
00:50:53Surrender!
00:50:56Surrender!
00:50:57Come out and surrender!
00:51:10José! Answer me!
00:51:14José! Answer me!
00:51:21José! José! José!
00:51:35Who is it? Say! Hey! Who is it?
00:51:45Do you want the same thing to happen to us? Let's go!
00:51:47Shut up!
00:51:47They will kill us just like they killed him!
00:51:49Shut up!
00:51:50And it's all your fault! He's a coward!
00:51:51Will you shut up?
00:51:52No! I'm fed up with always doing what you say! I won't be silenced!
00:51:58Stupid idiot!
00:52:13It's me, Monrado.
00:52:16Open!
00:52:17I'm Martin.
00:52:19Happens.
00:52:31Who is it?
00:52:31A friend. Where is Emilia?
00:52:35Hasn't he arrived yet? I saw him get on the bus.
00:52:38He took the money, didn't he?
00:52:40You sent it that way. That's why I didn't say anything to him.
00:52:44If only I could go back.
00:52:46But he won't make fun of me, I assure you.
00:52:49They were talking about Rodríguez on the train.
00:52:51They killed him like a dog.
00:52:52Uh, I know.
00:52:53That fixes everything.
00:52:56Why don't you tell him that they've killed your brother too?
00:53:00Also? Yes.
00:53:02Why are you interested in reminding me of that?
00:53:04Do you think you're going to make me feel tender?
00:53:06Well, you're wrong, I'm not a sentimental person.
00:53:08All I care about now is getting out of this situation and getting my money back.
00:53:13Where could we find Emilio?
00:53:15We don't know if he's in Barcelona.
00:53:17You should go out and take care of some business.
00:53:18Do you know where they're waiting?
00:53:20Yeah.
00:53:21You'd better go to the bus company first.
00:53:23Find out if he booked a ticket to Barcelona.
00:53:25He won't remember her.
00:53:26If you tell him the place where he got into the car, yes.
00:53:28Okay, I'll try.
00:53:29As soon as something happens, call me.
00:53:31Don't come back here.
00:53:32They could follow you.
00:53:33It's likely that they've put surveillance in those places.
00:53:35Be prepared.
00:53:37I never leave her.
00:53:38It brings me luck.
00:54:01Money and a photograph.
00:54:03Notice more?
00:54:04No, sir.
00:54:05This confirms that everything has been planned by an expert.
00:54:08Of course.
00:54:09Have you noticed this?
00:54:10Yeah.
00:54:11It caught my attention because another one, also dated in Marseille, was found belonging to Martín.
00:54:16Do we know anything about the owner of the apartment?
00:54:18García is conducting some investigations, but I doubt they will yield results.
00:54:21Because?
00:54:23He'll have had time to choose his hiding place well.
00:54:27I urgently need those photographs.
00:54:29When you have them, send them to my office.
00:54:31Yes sir.
00:54:31Anything else you need to order?
00:54:32Nothing.
00:54:34I'll send them by telephoto to the Marseille police.
00:54:37I get the impression that that group has its roots there.
00:54:41No.
00:54:56No.
00:55:00No.
00:55:01No.
00:55:05No.
00:55:06No.
00:55:14No.
00:55:15No.
00:55:15No.
00:55:15No.
00:55:16No.
00:55:33Hello.
00:55:34Hello.
00:55:36What are you doing here?
00:55:37I'm being punished.
00:55:40Gee.
00:55:41Do you want to tell Teresa that I'm here?
00:55:43Well, let's see if you can guess why I've been punished.
00:55:46I don't know.
00:55:46What? Could it be for something bad?
00:55:48No.
00:55:49If you give me a peseta, I'll tell you.
00:55:52Then.
00:55:52Now go and tell Teresa.
00:55:54Go on, run.
00:55:54In this house everyone bosses me around.
00:56:02Teresa! Teresa!
00:56:14Emilio!
00:56:16Ah, I was looking forward to seeing you.
00:56:20Me too.
00:56:21You look beautiful.
00:56:23Watch out! Mom's coming!
00:56:28Good afternoon, ma'am. How are you feeling?
00:56:30Well and you?
00:56:31Teresa has already told me about the trip.
00:56:33Yes, we've had to postpone it.
00:56:35You haven't eaten yet, have you?
00:56:37No, ma'am. I'm sorry to bother you.
00:56:38Don't worry. I was counting on you.
00:56:40It will be here shortly.
00:56:41Meanwhile, accompany him upstairs.
00:56:43Thank you, ma'am.
00:57:02What do you think? Will you be okay?
00:57:03Yes. Great.
00:57:08Take.
00:57:09The bathroom is there.
00:57:27Luisa.
00:57:30What are you doing?
00:57:31Nothing.
00:57:34Get out of there.
00:57:55Will he be staying for many days?
00:57:57Can't you hear me?
00:57:58Don't know.
00:57:59What's in that wallet?
00:58:01Nothing.
00:58:05Leave that. Come on, let's go.
00:58:07Wait, woman.
00:58:08Come on, I'm telling you.
00:58:18A second one for the town. Does it have a window?
00:58:21No windows or second seats. Only first seats are left.
00:58:23Well, give me a first one, but one with a window.
00:58:32The documentation?
00:58:33Ah, yes.
00:58:42Hey, there's the car insurance collector for the injured woman. There you have one. That short one.
00:58:49No, no, what I'm telling you.
00:58:51May I have a moment?
00:58:52Tell me.
00:58:53Have you picked up a man near Tárrega?
00:58:56Yes, a young man carrying a wallet. He stayed in the same group.
00:59:03No, no, that's not him. The one I'm talking about is almost his age.
00:59:07So he's old. Goodbye.
00:59:09No, no, no, no, no, no.
00:59:53No, no, no, no, no, no.
01:00:08No, no, no, no, no, no, no, no.
01:01:03Okay, we're alone now. What did you want to tell me?
01:01:06Why did you cancel the trip?
01:01:09I already told you. Difficulties arose.
01:01:12Do you think it's wrong that he came?
01:01:14No.
01:01:14And your parents?
01:01:16Neither.
01:01:17So what's wrong with you?
01:01:18Nothing.
01:01:19You seem worried and not very affectionate.
01:01:22I also find you different.
01:01:23I've already told you that I've had a very hectic few days.
01:01:26But it's over now.
01:01:28From now on I intend to dedicate myself only to you.
01:01:31I have big plans for both of us.
01:01:33We'll get married soon.
01:01:36I need you, Teresa.
01:01:38Leave me alone. Please leave me alone.
01:01:39What's the matter?
01:01:41Nothing. Let's go, it's late.
01:01:48Something's wrong with you.
01:01:50Do you want to tell me?
01:01:51You hurt me.
01:01:52Speak now.
01:01:53It's up to you to do it.
01:01:55What do you mean?
01:01:56Where did you get that money?
01:01:58You're not going to tell me it's your business.
01:02:00You stole it.
01:02:01Shut up!
01:02:01Now I understand many things.
01:02:03Now I understand why you never wanted to talk to me about your work, your friends, your life.
01:02:08Shut up!
01:02:08You don't scare me.
01:02:10I hate you.
01:02:11You've always lied to me.
01:02:13You haven't seen anything.
01:02:14You know nothing.
01:02:15Otherwise I'll kill you.
01:02:17I swear I'll kill you.
01:02:19Wait!
01:02:22Wait.
01:02:23I want to explain.
01:02:25The police know nothing about me.
01:02:27I can still rebuild my life.
01:02:29You have to help me.
01:02:44Go on, girl, tell Emilio that we're waiting for him.
01:02:50Don't go.
01:02:51It can't be long, it will be changing.
01:03:01What's wrong, Teresa?
01:03:02Are you angry?
01:03:04No.
01:03:05They're lying, Mom.
01:03:06They had a fight.
01:03:08Be quiet.
01:03:08What do you know?
01:03:09Yes, ma'am.
01:03:10I saw you crying in the room.
01:03:12Where there's smoke, there's fire...
01:03:13Hortensia, stay out of it.
01:03:15And you, please shut up.
01:03:17I told the truth, Mom.
01:03:18That's enough, Luisa.
01:03:20Go on, Hortensia, tell him or we'll have to wait all night.
01:03:23Yes sir.
01:03:26Teresa, if you have to invite someone another day, I hope you'll consult him.
01:03:29Yeah.
01:03:30All that may be very American and very modern, but neither your mother nor I like it.
01:03:35So now you know, don't let it happen again.
01:03:37Yes, Dad.
01:03:44Good night.
01:03:45Sorry for the delay.
01:03:47It doesn't matter.
01:03:51Hello, little one.
01:03:52What's up?
01:03:53Nothing.
01:03:54And you?
01:03:55Luisa, don't be silly or I'll send you back to the stairs.
01:03:58Yes, Dad.
01:04:02Give me the plate, Teresa.
01:04:04Don't put it on me, Mom, I'm not hungry.
01:04:07Teresa.
01:04:26Is Mr. Casas there?
01:04:28Emilio Casas.
01:04:29He hasn't been here all day.
01:04:30Do you know if he has made any phone calls giving orders?
01:04:32I am his sister.
01:04:35Pass it on, I'll ask the other girl.
01:04:47Which room is yours?
01:04:48That one over there.
01:04:49We'll wait for you inside.
01:04:50We need to see him today.
01:04:52Whatever you want.
01:05:10Let me know if it gets close enough.
01:05:19Which room is yours?
01:05:37And that's it.
01:06:11Who?
01:06:12From his girlfriend. She'll know where he is, I'm sure.
01:06:20What you're proposing is crazy.
01:06:22They will stop us along the way.
01:06:23It's the only way to get the money.
01:06:25But you don't realize it. It's a stolen car.
01:06:28The roads will be monitored.
01:06:29Despite everything, I must try.
01:06:54Crouch down.
01:07:08Center. Station 214 calls center.
01:07:10Tell me if you can hear me. We have an urgent message.
01:07:13Change.
01:07:14We can hear you perfectly. Over.
01:07:16A suspicious car just passed by this checkpoint.
01:07:18Although it was set on fire, it managed to escape.
01:07:20Let me know if you've understood the message correctly.
01:07:23Change.
01:07:23Perfect. Thank you.
01:07:25Check the status of position 214.
01:07:27Empat幹嘛.
01:07:38Heh, I won't give it to you.
01:07:40I won't give it to you.
01:08:06Turn off the lights.
01:08:22What do you want?
01:08:23I apologize for bothering you at this hour.
01:08:24I have business dealings with Emilio, your daughter's boyfriend, and I would be interested in knowing his whereabouts.
01:08:28That's why I've allowed myself to.
01:08:29Emilio is upstairs.
01:08:30He told us about you and a trip you were going to take.
01:08:33Please come in.
01:08:34Yes sir.
01:08:35Wait, let me introduce you to my wife.
01:08:37Ana, come here.
01:08:45My wife, Mr. Javier Roca.
01:08:48Come in.
01:09:02My daughter Teresa.
01:09:04Delighted.
01:09:05Good night.
01:09:15But Mom, why did you get up?
01:09:19They are some friends of Emilio who have come to pick him up.
01:09:22Good night.
01:09:23Lady.
01:09:27Oh.
01:09:28There's our man.
01:09:40Hi, Ana.
01:09:42I'm sorry to have caused you this trouble.
01:09:44It doesn't matter.
01:09:46Whenever you want, we'll go.
01:09:48Yeah.
01:09:48We need to leave right now.
01:09:51But first I would like to ask the gentlemen a favor.
01:09:54Ana cannot accompany us.
01:09:55Would you mind if it stayed here until the first train?
01:10:00You are free to stay.
01:10:02No.
01:10:03No, Conrado.
01:10:04Yeah.
01:10:06You're staying, right?
01:10:10Excuse me, he's a little nervous.
01:10:13Come on?
01:10:15Thanks for everything.
01:10:17Good night.
01:10:18Good night.
01:10:18Bye bye.
01:10:19Good night.
01:10:20Bye bye.
01:10:24Goodbye, Teresa.
01:10:26Bye bye.
01:10:34Bye bye.
01:11:04What's happening?
01:11:17Why have you brought Ana?
01:11:18It has helped me, but I'm no longer interested.
01:11:23You're not going to think I wanted to keep the money, are you?
01:11:26Did I have any reason, Tuna?
01:11:28No, I came here to save him.
01:11:30Can you believe me?
01:11:31Nobody has told you otherwise.
01:11:32And then what would you have done?
01:11:36What's happening?
01:11:37Answer.
01:11:37The same thing I plan to do now.
01:11:39What? Let's speak plainly.
01:11:40There is a small port a couple of kilometers away.
01:11:42Yeah.
01:11:43You've lost your imagination.
01:11:45We will escape in a boat.
01:11:46Are you interested?
01:11:49That's a good idea.
01:11:51It won't be long now.
01:11:52I'll tell you where you should stop.
01:12:11It's down there.
01:12:12Past the railway line.
01:12:20The railway line.
01:12:25The railway line.
01:12:58Subscribe to the channel!
01:13:04You weren't expecting that, were you?
01:13:05You idiot, drop the gun.
01:13:07Don't move. The slightest movement and I'll shoot.
01:13:10Now I'm the one giving the orders.
01:13:11Do you hear it?
01:13:12Coward, you're not even good enough to hold a gun. What are you trying to do?
01:13:15Can't you guess?
01:13:16I see you've really lost your imagination.
01:13:18I'm going to kill you!
01:13:19No, you won't. The police have been following us.
01:13:21If you hear my gunshot, you're a dead man.
01:13:23No, I'm not easily fooled.
01:13:24I would never have believed the story about the boat.
01:13:26You've made a fool of yourself.
01:13:27Hey, be reasonable. We still have time to save both of us.
01:13:30No, not that. I want the money for myself.
01:13:32I saved it and it's mine.
01:13:34Mine and mine alone.
01:13:35You should never have left it with me.
01:13:37I've gotten used to it, you know?
01:13:38I have my plans and...
01:13:40No, no, no, no.
01:13:52No, no, no.
01:13:59No.
01:14:00No.
01:14:21No, no, no, no, no.
01:14:43They can't be far away.
01:15:11Up one!
01:15:13Stop! Stop shooting! Stop!
01:15:43High!
01:15:51High!
01:15:52High!
01:15:53High!