- hace 5 horas
Información de la película aquí: https://www.filmaffinity.com/es/film828623.html
Categoría
🎈
DiversiónTranscripción
00:00:29The Church of Jesus Christ
00:00:58The Church of Jesus Christ
00:01:28The Church of Jesus Christ
00:01:58The Church of Jesus Christ
00:02:28The Church of Jesus Christ
00:02:58The Church of Jesus Christ
00:03:28The Church of Jesus Christ
00:03:58The Church of Jesus Christ
00:04:28The Church of Jesus Christ
00:04:58The Church of Jesus Christ
00:05:17The Church of Jesus Christ
00:05:29The Church of Jesus Christ
00:05:59The Church of Jesus Christ
00:07:25The Church of Jesus Christ
00:07:55The Church of Jesus Christ
00:07:58No...
00:08:18The Church of Jesus Christ
00:08:50Go up
00:09:20I'm sorry
00:09:51She's not that desperate...
00:09:52The Church of Jesus Christ
00:10:40The Church of Jesus Christ
00:11:11The Church of Jesus Christ
00:11:37The Church of Jesus Christ
00:12:11Shall we change?
00:12:31The Church of Jesus Christ
00:12:41The Church of Jesus Christ
00:13:10The Church of Jesus Christ
00:13:18The Church of Jesus Christ
00:13:39The Church of Jesus Christ
00:14:08The Church of Jesus Christ
00:14:14The Church of Jesus Christ
00:14:20The Church of Jesus Christ
00:15:01The Church of Jesus Christ
00:15:33The Church of Jesus Christ
00:16:05The Church of Jesus Christ
00:16:06The Church of Jesus Christ
00:16:08The Church of Jesus Christ
00:16:08The Church of Jesus Christ
00:16:14The Church of Jesus Christ
00:16:31The Church of Jesus Christ
00:16:42What number should I call?
00:16:44Leave it.
00:17:11Hey, anonymous construction worker, are you Pepita?
00:17:15Pita? No! You're mistaken!
00:17:19I'm telling you, I'm not Pepita!
00:17:22Please call Clara.
00:17:25Yes, the legal advisor's secretary.
00:17:28Hurry up, baby.
00:17:28Girl, me.
00:17:30But where is your Eustachian tube?
00:17:32Doesn't his mule understand?
00:17:35Hello, Clara, darling.
00:17:38Listen, there are no Pepitas, no Claras, and no girls here.
00:17:42Did they think this was a harem?
00:17:44I've been waiting for you for half an hour.
00:17:46Yes, in the cafeteria.
00:17:48Come on, don't be long, beautiful.
00:17:50Pretty?
00:17:59Your father!
00:18:01You're so lucky with women!
00:18:03If they take a while, be patient.
00:18:04The good thing is that they're coming.
00:18:05I'm going to wait for her while sunbathing.
00:18:07Keep the change.
00:18:08Thank you.
00:18:08Bye bye.
00:18:31Has it left for its destination?
00:18:32Yes sir.
00:18:37Another bill.
00:18:38Don't you have any change?
00:18:39I have a pact with the bank on the corner.
00:18:42Neither he can sell newspapers, nor can I exchange banknotes.
00:18:44Let's see, don't get angry.
00:18:50Oh, thank goodness.
00:18:51Thank you.
00:18:56Do you know what time it is?
00:18:57It will be about 1:15.
00:18:59Women are all a calamity.
00:19:01Yeah, right?
00:19:02Clear.
00:19:02If the bride is going to arrive at two, why is she asking you to meet at one?
00:19:05What if my husband has to relieve me at twelve because he hasn't arrived yet?
00:19:08But you can't complain.
00:19:10It has a whole kiosk for reading.
00:19:12Goes.
00:19:17It has a couple of the twelve.
00:19:21No.
00:19:25No.
00:19:26No.
00:19:37No.
00:19:39No.
00:19:40No.
00:19:41No.
00:19:41No.
00:19:41No.
00:19:41No.
00:19:42No.
00:20:08Thanks for watching the video.
00:20:32Thanks for watching the video.
00:20:59Thanks for watching the video.
00:21:21Thanks for watching the video.
00:21:39Thank you.
00:21:41Tell me.
00:21:41Has my boyfriend arrived?
00:21:42No, miss, I haven't seen him all morning.
00:21:44Thank you.
00:21:45You're welcome, at your service.
00:21:46Are?
00:21:46No, no, no, no, no, no.
00:22:16I was being followed by two individuals.
00:22:23I'm afraid they're police officers.
00:22:25Police officers?
00:22:26Nobody is in sight.
00:22:27Will you give your signature?
00:22:38Tell me, do you know when they're going to bring the check?
00:22:40What if they've followed you here?
00:22:42I'll tell you what we're going to do, but answer first.
00:22:45What about the check?
00:22:48This afternoon, late in the day, a cyclist will take him to the factory.
00:22:53This time I understood correctly, Enrique.
00:22:57He himself told me that it would be at eight thirty or nine.
00:23:00I'll be there.
00:23:01But if the police are following you, you won't be able to go.
00:23:04They'll get you.
00:23:06They might be watching the house right now.
00:23:10Calm down.
00:23:12I think I've managed to throw them off the scent.
00:23:14Furthermore, I've thought up a great alibi in case they arrest me.
00:23:18We need to act quickly.
00:23:19What are you going to do?
00:23:21They must think I've been waiting for you at the corner coffee shop, you understand?
00:23:25What can fix that?
00:23:28Don't ask.
00:23:29I'll explain later.
00:23:32You want to help me, right?
00:23:35Yes, but above all I want this to end as soon as possible.
00:23:38It will end.
00:23:39I assure you.
00:23:41Now he calls the goal.
00:23:43Call her and tell her to go to the cafeteria and ask for me.
00:23:48Thank you!
00:23:49Thank you!
00:23:51Tell me.
00:23:52Please, would you like to get on?
00:23:53I'll be right there, miss.
00:24:01Is something wrong?
00:24:02She is sick.
00:24:03No no.
00:24:04I'm in a bind.
00:24:05Please go and find my boyfriend, he'll be at Don Pancho's, the cafeteria.
00:24:09It's very urgent.
00:24:10Hurry.
00:24:11I'm expecting a visit and I want him to be there.
00:24:13If he's not at the bar, you'll find him on the corner.
00:24:15She has to be around there because we had an appointment.
00:24:16I'm coming right now.
00:24:17Hurry.
00:24:18Don't worry.
00:24:19I'll be there in a jiffy.
00:24:31Do you want to explain to me now the reason for this comedy?
00:24:34Naturally.
00:24:35You'll understand right away.
00:24:38The goalkeeper won't find you.
00:24:40You're wrong.
00:24:42When she arrives, I'll be waiting quietly on the corner.
00:24:46A magnificent alibi.
00:24:48No one will suspect me, and you won't be able to talk.
00:24:52I was worried about you, Clara.
00:24:55It's a shame you don't know how to control your nerves.
00:24:59If the police questioned you, what would you say?
00:25:05I.
00:25:06Yeah.
00:25:08Women don't know how to keep quiet.
00:25:11That's why silence is necessary.
00:25:16Enrique.
00:25:19What's the matter?
00:25:22Why are you looking at me like that?
00:25:23A prolonged silence.
00:25:27You've gone mad.
00:25:29Very prolonged.
00:25:31What are you going to do about it?
00:25:36Stay still, Riquín.
00:25:38Be quiet.
00:25:40You arrive at a very opportune time, in a graceful manner.
00:25:42Look how I'm doing.
00:25:43When a fence is put up, it's terrible.
00:25:45He has a fondness for little trees and lanterns.
00:25:47Bring this up to your house while I please Riquín.
00:25:50Want?
00:25:50Excuse me, Mrs. Ernestina.
00:25:51But I'm in a hurry, you know?
00:25:53I've been sent on an urgent errand and you understand.
00:25:55Oh.
00:25:56You heard it, Riquín.
00:25:57It just can't be.
00:25:58She's unpleasant.
00:26:00You'll come down later.
00:26:01Can't you see how much luggage Mommy is carrying?
00:26:04Come on, sweetheart.
00:26:06Excellent.
00:26:07Go on.
00:26:08Don't make him suffer.
00:26:10Have a nice time.
00:26:12Come in.
00:26:14No, Riquín.
00:26:16No.
00:26:17Oh, don't make me nervous.
00:26:19The goalkeeper is to blame.
00:26:22And then he'll want to get paid.
00:26:25I'm coming, son.
00:26:27I'm coming.
00:26:28Yes, but don't scratch the little door.
00:26:33Hey, young man, please.
00:26:35Haven't you seen Don Enrique?
00:26:36A tall, dark-haired man, about 40 years old.
00:26:40He usually comes every day.
00:26:42He left a little while ago.
00:26:43Yeah.
00:26:43He'll be out there waiting for his girl.
00:26:46Thank you so much.
00:26:48Thank you.
00:27:24What's wrong, Ingratia?
00:27:26Miss Clara sent me to look for him.
00:27:27He needs to go right away.
00:27:29He says he's expecting a visit and wants you to be there.
00:27:32I was wondering why it was taking so long.
00:27:34Did he tell you who it is?
00:27:35No, sir.
00:27:36But she seemed very scared.
00:27:38Scared?
00:27:38How odd.
00:27:40Let's go.
00:27:50Well, if you need anything, you know where to find me.
00:27:53Wait a minute, Ingratia.
00:27:55Come up with me in case the lady needs anything.
00:27:57I'll stay here for lunch.
00:27:59Go on, Ritín.
00:28:00Yes, well written.
00:28:02Please listen to me.
00:28:03Don't be so annoying.
00:28:06I'm terrified.
00:28:07I don't know what's wrong with him.
00:28:08I'd never seen him like this before.
00:28:13I wonder if something has happened to him?
00:28:15What's going to happen?
00:28:16He'll be in the garden.
00:28:17Careful.
00:28:18Maybe thieves have broken in.
00:28:21Clara.
00:28:26Clara.
00:28:39Well, they should initiate proceedings as soon as possible and send the report to the guardian court.
00:28:44Yes sir.
00:28:47For the stretcher bearers.
00:28:52Take a look at this, inspector.
00:28:55I found it in the victim's pocket.
00:28:58The court hearing has already concluded.
00:29:00Good.
00:29:00They can take it away.
00:29:09Thank you.
00:29:11Thank you.
00:29:11Thank you.
00:29:12Thank you.
00:29:16Thank you.
00:29:35Poor man.
00:29:37What a tragedy.
00:29:45Lush.
00:29:49Make sure they analyze the ink in this fountain pen right away.
00:29:52I want to know if it's the same one that's been used here.
00:29:53Yes sir.
00:29:58I'll be waiting for you at headquarters at four o'clock.
00:30:00Perhaps in the afternoon, when they're more relaxed, they can expand on their statements with some details that will help us.
00:30:05I wish I could do it.
00:30:07I don't know what to think.
00:30:08I'm going crazy.
00:30:09It's natural.
00:30:10Try to calm down.
00:30:12Come on.
00:30:21Don't get like that.
00:30:23If you want to come up to my house, I'll prepare a small cup of broth for you.
00:30:27Poor thing.
00:30:43That's a relief, isn't it?
00:30:44What I need.
00:30:45I hope I'm lucky this time.
00:30:47You already know my situation with the commissioner.
00:30:49The man does not lavish praise, but he is not bad.
00:30:52No, I understand their attitude.
00:30:54I haven't had any success for a year now, and it's natural that I'm not satisfied with myself.
00:30:58But I would like to convince him with some important service.
00:31:00You'll get it, inspector.
00:31:02I'll give him a hand.
00:31:04Hey, do you know my throat is dry from talking so much?
00:31:06We'll have a drink.
00:31:11Good day, gentlemen, you tell me.
00:31:13Jerez, right?
00:31:14Well, two, dry.
00:31:15What tapas can I serve you?
00:31:16Give me some answers, but make them accurate, okay?
00:31:19As?
00:31:19What time do you start work?
00:31:22I start at ten and I'm here until six.
00:31:24Is he a good judge of physiognomy?
00:31:25How can I describe Marilyn Monroe to you in detail?
00:31:29Take the picture.
00:31:31Come on, come on.
00:31:31I've seen several in all poses, and there are some...
00:31:35Hey?
00:31:36I know this girl.
00:31:37Of course, a lot of people come this way.
00:31:40That's not bad, is it?
00:31:41Did he come today?
00:31:44Police?
00:31:46Gee.
00:31:47Something has happened.
00:31:48You are the one who has to answer.
00:31:50Yes sir.
00:31:51No, sir.
00:31:52He hasn't come.
00:31:53But her boyfriend waited here for quite a while.
00:31:55How much?
00:31:56About half an hour.
00:31:57He drank two beers and spent some time reading.
00:31:59He paid attention to what she was reading.
00:32:00Try to remember.
00:32:01A novel.
00:32:02I don't know the title.
00:32:03And it also had a destination.
00:32:06Are you sure it had a destination?
00:32:08Of course.
00:32:09The city in the rain on the cover.
00:32:12See?
00:32:13Just like this one.
00:32:15Good.
00:32:16And what did he do next?
00:32:17He called the girl on the phone.
00:32:18She arranged to meet him and went out into the street to wait for him.
00:32:20Did you see him again?
00:32:21No, sir.
00:32:22Ah, but after a while a woman came looking for him.
00:32:24I don't know if I would find him.
00:32:26Okay, let's go.
00:32:29I'll be waiting for you at headquarters at four o'clock sharp.
00:32:31Yes sir.
00:32:32But he doesn't tell me what happened.
00:32:33Yeah.
00:32:34She has been murdered.
00:32:37Don't they drink sherry?
00:32:43He said he bought his destiny as he left the cafeteria.
00:32:46Your statement is no longer so accurate, inspector.
00:32:48Yeah.
00:32:49Now it makes more sense.
00:32:50That attention to detail baffled me.
00:32:52I realized that I was starting to suspect him.
00:32:55He wasn't very nice, was he?
00:32:56It's not a matter of sympathy.
00:32:58It was more of a hunch.
00:33:00Everything seems so strange.
00:33:02That mysterious visit that the victim announced,
00:33:04her death moments after the doorman left...
00:33:08I don't know.
00:33:20Are you the owner of the kiosk?
00:33:21No, sir.
00:33:22She's my wife.
00:33:23I'm just here while she goes to eat.
00:33:25Tell him I need to ask him some questions.
00:33:27I'll be waiting for you at four o'clock at the criminal investigation unit.
00:33:29Excuse me, did you hit a guard?
00:33:31Nothing would surprise me, would it?
00:33:32She's a wild beast.
00:33:34It's nothing like that.
00:33:35I want to ask you some questions.
00:33:37I'll just have to convince her to go.
00:33:39I'm waiting for her.
00:33:41Are you wearing suspenders or a belt?
00:33:42Nothing.
00:33:43They can handle it on their own.
00:33:44In that case, he will convince his wife.
00:33:46When you say so...
00:33:53I went to pick him up again.
00:33:55He won't come to school this afternoon either.
00:33:57His father won't let him.
00:33:59He has a terrible temper.
00:34:00He once threw a board this big at me...
00:34:03and it passed me, grazing my head.
00:34:06Miguelín will one day escape from his house.
00:34:09He wants to be a naval officer.
00:34:11I would like to be a sailor too.
00:34:13Yes, but he's not sick.
00:34:15His father is determined that he become a dyer.
00:34:18He says that they are...
00:34:19lineage of dyers.
00:34:22Look who's coming.
00:34:27Hi, Dad.
00:34:29Hello.
00:34:30Are you going to school?
00:34:31Yes, but first I want to spend a little time with you.
00:34:34See you later.
00:34:35Bye bye.
00:34:42Wait for me, Antonio.
00:34:43Down there.
00:34:44Well.
00:34:47Hi, Julia.
00:34:49What's the matter?
00:34:50Serious again?
00:34:51What's going to happen to him?
00:34:52He's hungry, isn't he, Dad?
00:34:54What are you doing here, Pedro?
00:34:55You made me rush your food...
00:34:56And now you'll be late for school.
00:34:58I'm leaving now, Mom.
00:35:09Tell me, Dad.
00:35:10Isn't being a police officer more important...?
00:35:12What is a sailor or dyer?
00:35:14Everything is important if it is done well.
00:35:16But ours is harder and carries more responsibility.
00:35:20Naturally.
00:35:21What does it mean to clean a deck or a suit?
00:35:24Women's work.
00:35:25On the other hand, to catch a criminal...
00:35:27slight.
00:35:28You have to be a real man, right, Dad?
00:35:30Leave your father.
00:35:31Can't you see he's tired?
00:35:32Women's work.
00:36:02Good morning.
00:36:06You're worried.
00:36:07What's the matter?
00:36:08An important matter has fallen into my hands...
00:36:10And I need to be successful.
00:36:11And why shouldn't you achieve it?
00:36:13It wouldn't be the first time.
00:36:14But this case is very difficult.
00:36:16Dark.
00:36:17I don't have the slightest clue.
00:36:19What are clues, Dad?
00:36:20Well, it's something that guides us and leads us to the culprit.
00:36:24Some fingerprints...
00:36:25a word that seems to have no importance...
00:36:28a personal item...
00:36:29And sometimes...
00:36:31even a glance...
00:36:32which seems to express confusion or doubt.
00:36:35Do all criminals leave clues?
00:36:38Do you want to stop bothering your father and leave once and for all?
00:36:40Mom, can't you see I have to be a police officer?
00:36:44No, son.
00:36:45One useless person in the family is enough.
00:37:00See you later, Dad.
00:37:12Goodbye, son.
00:37:13Bye bye.
00:37:15Finish that.
00:37:16I'll give you coffee later.
00:37:18But first you'll eat some tuna empanadas.
00:37:24I don't like that you said you're useless in front of the boy.
00:37:28You're right.
00:37:29But the thing is, I haven't been able to control my nerves for the past few days.
00:37:32The problem is that the commissioner still doesn't trust you.
00:37:35But you must work with enthusiasm, without remembering him.
00:37:38With a single idea.
00:37:40Succeed.
00:37:41Do you remember what you had to fight for to marry me?
00:37:44You got your way.
00:37:46Because?
00:37:46Because you knew how to do without my father who didn't believe in you.
00:37:49And in the end you proved your worth.
00:37:51Of course, maybe you regret it now.
00:38:05Thank you so much.
00:38:08Please excuse my delay, but Ricky didn't want to come in.
00:38:12He's scared of uniforms.
00:38:14Ah, in that respect we certainly don't have the same taste.
00:38:26I have to admit that rarely is a statement as concrete as yours.
00:38:30I've tried not to forget anything.
00:38:35Tell me, ma'am.
00:38:35Excuse me, inspector.
00:38:38Miss, huh?
00:38:39Miss.
00:38:40Ah, very good.
00:38:42Tell me then, miss.
00:38:44According to your initial statement, you were heading home when you crossed paths with the doorman, is that correct?
00:38:48Yes sir.
00:38:49How far from the portal did he cross paths with her?
00:38:52About five steps away.
00:38:54I remember that I was holding several packages in my left hand.
00:38:58And with his right hand, Ricky's leash and with him.
00:39:01Yes, I always keep him on a leash because otherwise he runs away.
00:39:04I ask if they crossed paths five steps from the portal.
00:39:07I don't know, maybe a little more.
00:39:10Seven or eight.
00:39:11No, no, there were no more than five.
00:39:13Don't keep it to yourself.
00:39:14No, sir, don't silence me.
00:39:15It doesn't matter.
00:39:17And from the moment Miss Clara gave her the task until she crossed paths with the lady,
00:39:20How much time passed?
00:39:21Very little.
00:39:22About two minutes.
00:39:24Just enough time to go downstairs and put on my jacket.
00:39:26Are you sure?
00:39:27He didn't stop at the goal, remember that well.
00:39:29No way?
00:39:30I remember it perfectly.
00:39:31I didn't even take off my apron.
00:39:33I saw her so restless that I hurried to go and find the gentleman.
00:39:36And when the lady had left, did you stay in the street for long?
00:39:39Do you remember?
00:39:40Of course, the problem is they won't let me speak.
00:39:42I was carrying a lot of weight and some oranges fell.
00:39:45On the street?
00:39:46No, sir, right there in the doorway.
00:39:48Then I went upstairs.
00:39:49Are you sure you didn't see anyone on the stairs?
00:39:51Not a soul.
00:39:53Then I went upstairs.
00:39:53He heard nothing.
00:39:54Footsteps, voices, the sound of a door.
00:39:57I have a very keen ear, Inspector.
00:39:59Do you know?
00:40:00As fine as my little rich one.
00:40:02Right, sweetheart?
00:40:03Well, I didn't hear anything.
00:40:06However, there is no doubt that the killer entered within the brief space of three or four minutes.
00:40:10Those who mediated from the moment you left the house
00:40:13until the moment the dog sniffed the corpse.
00:40:16Tell me.
00:40:18Could you confirm that the young lady was alone in the apartment when you called her?
00:40:21I don't know.
00:40:23I don't know.
00:40:24But yes, yes.
00:40:25She was alone.
00:40:27Did he receive many visitors?
00:40:28No.
00:40:30Only the gentleman entered.
00:40:34Didn't I tell you about someone whose name began with F.O.?
00:40:38Never.
00:40:41And do you recall any letter sender notice with these initials?
00:40:44No no.
00:40:45And when she says no, she means no.
00:40:47Because believe me, he spends all day snooping around.
00:40:50And cleaning up the mess left by that indecent dog.
00:40:53Oh, my indecent dog!
00:40:54Yes, ma'am.
00:40:55Yes, indecent, and how I restrain myself.
00:40:57That's enough.
00:40:59Now you can leave.
00:41:00If I need them, I'll call again.
00:41:02Yes, ma'am.
00:41:05Thank you.
00:41:08Okay, inspector.
00:41:10You know you can count on me.
00:41:11That's all that's needed.
00:41:12But next time you need me, make sure it's alone.
00:41:16What more could you want?
00:41:18Insolent.
00:41:21Ridiculous.
00:41:22Go take care of the puppy.
00:41:39What time did he usually see his girlfriend?
00:41:41At one o'clock.
00:41:42Every day.
00:41:43Was he on time?
00:41:44Not lately.
00:41:46Whether it's the bus or the office job.
00:41:49He said that men could wait by smoking or reading.
00:41:53And that's what I did.
00:41:56Ah, destiny.
00:41:58He sometimes publishes very exciting articles about the circus.
00:42:02Here you are.
00:42:04The circus behind the scenes.
00:42:07This Sebastian Gass is a superb chronicler.
00:42:10Did you read it while having an aperitif?
00:42:12No.
00:42:13I bought it as I was leaving the bar.
00:42:15I already told you that before.
00:42:16Ah, yes.
00:42:17It's true.
00:42:18Here are the witnesses.
00:42:19Let them in.
00:42:20Sit down.
00:42:24Do you know this man?
00:42:26He comes to my establishment almost every day.
00:42:28Or have you already been there?
00:42:29Yes sir.
00:42:30What time did he leave?
00:42:31At approximately 1:15.
00:42:32Were you reading this magazine?
00:42:34No.
00:42:34I was reading a book.
00:42:36A short novel.
00:42:37But he had the magazine in his pocket.
00:42:39You're wrong.
00:42:39This wasn't it.
00:42:40I thought I had bought it as I was leaving the cafe.
00:42:42This lady can tell you when she sold it to me.
00:42:45Do you remember?
00:42:46I believe it.
00:42:47The man just gave me a 100-dollar bill.
00:42:49And when I told him I didn't have any change, he rummaged in his pockets until he found a coin.
00:42:54What time did this gentleman buy his destination?
00:42:56At one fifteen.
00:42:58He actually asked me for the time.
00:43:00And did you buy this one?
00:43:01Clear.
00:43:02Latest.
00:43:04Did you notice if the man went back into the bar afterwards?
00:43:10He headed to the corner of Zurbarán Street.
00:43:12I saw him walking around there.
00:43:14He told me himself that he was waiting for his boyfriend.
00:43:16Apparently, everyone was talking about it.
00:43:18Isn't it durable?
00:43:21How long did he wait?
00:43:24I wouldn't know.
00:43:25When I realized it, I saw him walking with a middle-aged lady.
00:43:29And until that moment, she didn't notice if the man had moved from the corner?
00:43:33I don't know.
00:43:34You see, one has one's job and...
00:43:36Thank you.
00:43:37You may leave.
00:43:40Good afternoon.
00:43:42You've already heard what that woman said.
00:43:43If you bought a destination card as you left the cafe, you couldn't carry it in your pocket while you were there.
00:43:47Well, I could swear it was the same one.
00:43:49Do you remember that I already told you that at the bar?
00:43:51Convince him to be a serf.
00:43:52Which magazine was it?
00:43:53Last week's destination.
00:43:54I left it at the boarding house.
00:43:55I can bring it to you.
00:43:56Don't bother.
00:43:58You may leave.
00:43:59Good afternoon.
00:44:11It's strange that I haven't read last week's issue until today.
00:44:17According to what he told me, his girlfriend was always late.
00:44:20That doesn't mean you necessarily have to read a particular magazine.
00:44:27Let me see the key to the apartment.
00:44:30What's that?
00:44:33This is it.
00:44:34And the other one?
00:44:36There is no other lock.
00:44:37I'm referring to the one on the patio door.
00:44:39I've never had one, what for?
00:44:40It's more convenient to enter through the main door, don't you think?
00:44:45How long would it take to get from Zurbarán Street to his girlfriend's house?
00:44:50Well, about ten minutes.
00:44:52Is that what you and the goalkeeper needed?
00:44:55Yes, approximately.
00:44:56Of course, if you hadn't had to adjust your pace to hers,
00:45:00I would have arrived sooner, right?
00:45:02It would only take about seven or eight minutes, wouldn't it?
00:45:07Answer!
00:45:08Don't know.
00:45:09He's making me dizzy with his questions.
00:45:11Does he suspect me?
00:45:13Until the perpetrator of the crime is found, I must suspect everyone.
00:45:15The other witnesses have left calmly.
00:45:18In contrast, I've been here for two hours.
00:45:20I'm tired.
00:45:21Me too.
00:45:23But we must continue.
00:45:26Who knows if he's forgotten something?
00:45:28Perhaps a detail, seemingly insignificant at first glance, holds the key to everything.
00:45:32Understand.
00:45:34Alright.
00:45:35You can begin.
00:45:40Good cops know Jiu Jitsu.
00:45:43One day my father made a key like this for a robber.
00:45:48And he had no choice but to drop the gun.
00:45:51Even the chief of police congratulated him.
00:45:53Well, if you believe everything he says, he always asks you for things underhandedly.
00:45:56His father must be the same.
00:45:58Hey, you wretch.
00:45:59Would you like to have a father like mine?
00:46:01Yes, a crony.
00:46:02Are you going to eat your words?
00:46:03Leave him be, his father is...
00:46:05Come on, bro!
00:46:06Come on, bro!
00:46:08Come on, bro!
00:46:09Come on, bro!
00:46:10Ignore it!
00:46:12How does your father manage to uncover criminals?
00:46:15How should you do it?
00:46:16Based on the evidence.
00:46:20What are clues?
00:46:21Yes, man, yes.
00:46:22It's unbelievable that you don't know.
00:46:24If you find a dead man, it's a sign that he's been killed.
00:46:27How funny!
00:46:28He may have killed himself from a fall.
00:46:31And if he has a knife stuck in his chest, has he fallen too?
00:46:34I understand now.
00:46:35If the knife is from the bacete, it could be a clue.
00:46:37That is.
00:46:38Anything that goes to the victim's side can be.
00:46:41If you find a poker card, who could the murderer be?
00:46:44One player.
00:46:45Exact.
00:46:46And if you find a bill in the dead man's pocket...
00:46:48He was killed for non-payment.
00:46:49Do you understand now?
00:46:50Let's see.
00:46:52If you find a glass eye, then what?
00:46:54That the killer was one-eyed.
00:46:56Of course, Toquete.
00:46:57Don't you understand yet?
00:46:59Finding clues is more complicated than discovering the criminal.
00:47:03I don't remember anything else.
00:47:05I've already explained everything to him.
00:47:09Good.
00:47:11Would you like a beer?
00:47:12I want to leave, inspector.
00:47:14Don't you understand that I need to take my mind off things a little?
00:47:17That's why I was thinking of inviting him.
00:47:19We'll go together, like two good friends, to take a street.
00:47:23Wants?
00:47:24Believe me, I need it.
00:47:26He kept me talking for two hours.
00:47:34To sell a car, you'll have to talk your own business too.
00:47:37It must be a difficult job, right?
00:47:38I can't complain.
00:47:40I've achieved independence...
00:47:42...thanks to having friends everywhere.
00:47:44Don't believe it.
00:47:45High-class people.
00:47:47Ah, that's to his credit.
00:47:58Good afternoon, inspector.
00:48:00Two glasses of sherry, as usual?
00:48:02Yeah.
00:48:02Or would you prefer something else?
00:48:04No, thanks.
00:48:04Alright.
00:48:07Have you visited many clients today?
00:48:11Two.
00:48:13I can give you the address if you think I'm deceiving you.
00:48:16Why should I believe it?
00:48:18That's what I ask myself.
00:48:24I'll trade you this die for this magazine.
00:48:26If you add the pen, it's a deal.
00:48:28Goal.
00:48:29Eight to zero.
00:48:30You can't beat me.
00:48:31Ah, this one who distracted me.
00:48:33Distracted, nonsense.
00:48:34The problem is that you don't know how to play.
00:48:36Come on.
00:48:36You can't deal with children.
00:48:39Goes.
00:48:44Hi, Dad.
00:48:45What are you doing here?
00:48:46I've told you many times that I don't want to see you at the bar.
00:48:49I didn't know you were coming.
00:48:51Well...
00:48:52Nice excuse.
00:48:53You'll end up in a juvenile detention center.
00:48:54Home right away.
00:48:55Your mother will be worried.
00:48:57Man, I had to trade some comics with Antonio.
00:49:01I need to get my act together if I want to read without spending money.
00:49:05One hard dollar a week for so much.
00:49:08Will you be a good trader?
00:49:09I'd rather be a police officer like my father.
00:49:11Is this gentleman also one?
00:49:13If we were all police officers, who would go to jail?
00:49:18Didn't you hear what he said to you, Peter?
00:49:20Home right away.
00:49:21It's natural that he likes to talk about those things.
00:49:23Leave it.
00:49:24When my father gets like this, it's useless to insist.
00:49:27Okay, Dad, I'm leaving.
00:49:30Goodbye, sir.
00:49:31Bye bye.
00:49:35You are even harsh with your own son, Inspector.
00:49:38If necessary, yes.
00:49:40Better now than when it's too late.
00:49:50Hey, did you know that a glass eye can be a clue?
00:49:53You said no before.
00:49:57Look, it's brand new.
00:49:59Maybe they lost it.
00:50:01Don't be silly.
00:50:02How can they lose this?
00:50:03Without them noticing.
00:50:05They'll get rid of it eventually, won't they?
00:50:07In any case, at night.
00:50:09Have you ever seen someone gouge out their own eye in the middle of the street?
00:50:11But it might fall off.
00:50:13Let me.
00:50:17See?
00:50:18But he would realize it.
00:50:19And besides, it would break when it hit the ground.
00:50:22It's a miracle he didn't break it.
00:50:27Where did you find it?
00:50:28Miguelín gave it to me this morning when I went to pick him up from the dry cleaners.
00:50:32Look, he's stupid.
00:50:33He exchanged it for a two-colored pencil.
00:50:36Do you know if he'll come to school tomorrow?
00:50:38If his father keeps up the nonsense, he might not let him go for a month.
00:50:42Well, let's go see him right now.
00:50:43So that?
00:50:44I prefer to stay and play in the square.
00:50:46Sure, if you give me the pen, I'll go with you.
00:50:50Leaves.
00:50:51I don't need you.
00:50:52I know perfectly well where the dye lives.
00:50:54Yes, you know where he lives.
00:50:55And there you'll meet the father who's going to hit you with a stick.
00:50:58But I know where Miguelín is playing right now.
00:51:00With what?
00:51:01I'm boring.
00:51:03Antonio!
00:51:07Take.
00:51:08But you'll come back to me to solve some math problem for you.
00:51:14These are the footprints that have been found on the patio floor and they match exactly
00:51:18with those found on the floor next to the victim's body.
00:51:22So the killer entered through the door that leads to the patio.
00:51:24Of course.
00:51:25Otherwise the goalkeeper would have seen him.
00:51:28The glass door was closed when we found the body.
00:51:32This suggests that the criminal and the victim were in a relationship.
00:51:36The girl would not have given the keys to her apartment to a stranger.
00:51:39And don't you think the criminal could have found the door open and then locked it?
00:51:42of the girl?
00:51:43No.
00:51:44The key is here.
00:51:46On the keychain I found in my bag.
00:51:48What a crossword puzzle!
00:51:50The case is getting more and more complicated.
00:51:53Look.
00:51:54Witnesses say that only the boyfriend entered the house.
00:51:57And now it turns out there was another heartthrob involved.
00:52:00Anyone can trust women.
00:52:02I don't believe in a crime of passion.
00:52:04And why not?
00:52:05The girl was quite pretty.
00:52:08One day she meets a man and he falls in love with her.
00:52:12They go out, flirt, and suddenly she finds out that there's an official boyfriend.
00:52:15The one who turned off the lights.
00:52:17He enters like a lord through the main door.
00:52:20This makes him furious.
00:52:22They argue.
00:52:23He wants the exclusive.
00:52:23Yeah.
00:52:24And in view of this, the girl sends the doorman to find the official boyfriend to confront them.
00:52:29As if it were a tournament from the Middle Ages.
00:52:31No.
00:52:32No woman would do this because it would be like being left with none.
00:52:35I have no doubt that the secret is here.
00:52:38It is clear that she copied, tried to copy a signature.
00:52:40Couldn't someone else have done it?
00:52:42And put the little ball of paper in his pocket?
00:52:44No.
00:52:44Forget that the ink is the same as the young woman's fountain pen.
00:52:48It seems he was wrong.
00:52:50Look at this satin.
00:52:51According to handwriting experts, it is identical to one of the girl's handwriting samples found on her report card.
00:52:56And he put the little piece of paper in his pocket instead of throwing it away because it was rubbing against a spot where it was running a little.
00:53:00Exact.
00:53:02F.O.
00:53:05If we could complete this name.
00:53:11We will investigate the company where she worked.
00:53:13That's a good idea.
00:53:14Well, you have to give it back to me.
00:53:15My father has gone crazy and I don't want any more trouble.
00:53:18I can't give it back to you.
00:53:19I don't have it anymore.
00:53:20I changed it myself.
00:53:22Now it's mine.
00:53:22Well, you have to give it to me.
00:53:24I need it.
00:53:24I'll give you whatever you want.
00:53:25Why does your father want it?
00:53:27I was wearing a pair of pants that they brought in today.
00:53:29I found it.
00:53:30But my father found out, do you understand?
00:53:32And if the customer complains...
00:53:35Which pocket did you find it in?
00:53:37In no pocket.
00:53:38I was here, on this lap.
00:53:39What a place to store it.
00:53:41How strange.
00:53:42Once my father also found a coin in a pair of pants.
00:53:46It happens often.
00:53:47Something falls, gets in here, runs to the back, and doesn't come out unless...
00:53:53When they take off their pants, they shake vigorously.
00:53:56I understand now.
00:53:57So.
00:54:01That man didn't know he was carrying that gossip on him.
00:54:04Did you notice if he was missing an eye?
00:54:06No.
00:54:08Was he wearing glasses?
00:54:09No.
00:54:10Wow, that's a sign.
00:54:11Exactly, a clue.
00:54:12And what does that mean?
00:54:14Look.
00:54:14Wait, he'll tell her tomorrow.
00:54:16Tell me, when does that man wear his pants?
00:54:19It's a complete suit and he'll come to pick it up himself.
00:54:21So, he didn't leave his address?
00:54:23Why? If he wants to come and pick him up.
00:54:25And when will he go?
00:54:26Tonight, but...
00:54:28Okay, so will you give me the eye, yes or no?
00:54:30First I want to see the suit.
00:54:33Did you notice if it had bloodstains?
00:54:36No way, it was full of mud.
00:54:38Let me see it, will you?
00:54:39Have you never seen a dirty suit?
00:54:46It's you and if you take me to your house.
00:54:48What is it?
00:54:49Can't you see it, you blockhead?
00:54:50An admiral's uniform button.
00:54:54Okay, let's go, but be very careful, because if my father finds out, you'll see what a mess we'll be in.
00:54:58Today is a day...
00:55:00Today only?
00:55:01Come on, let's go.
00:55:09F.O.
00:55:10These initials...
00:55:12I don't know, they remind me of something.
00:55:14Of course, so many things happen here.
00:55:16Do what you've thought of.
00:55:17Look at the file.
00:55:21However, why do you think the girl had to trace them here?
00:55:25He was able to do it.
00:55:26It's just another investigation.
00:55:28Understand.
00:55:32Let the person in charge of the archives come.
00:55:35He will help them.
00:55:37Thank you.
00:55:38Do this research yourself.
00:55:39If you find what we're looking for, call me at the brigade.
00:55:41Yes sir.
00:55:42Great job, yes sir.
00:55:43At least a couple of medals from the bouquets.
00:55:46If you can.
00:55:48Put yourself at the service of these gentlemen and accompany them to the archive.
00:55:51They need to verify a signature.
00:55:52Yes sir.
00:55:53Come on.
00:55:56You'll have to excuse us, but these things...
00:56:00Can?
00:56:01Go ahead, Julia.
00:56:03These gentlemen want to ask you some questions.
00:56:05Thank you.
00:56:06Let's see.
00:56:07Do you remember if Miss Clara received a call from her boyfriend today?
00:56:10Yes sir.
00:56:11Sit down.
00:56:16What time was that?
00:56:17I don't know, a little before twelve.
00:56:20Did you hear the conversation?
00:56:21No, sir.
00:56:22Sure?
00:56:22I tell him no.
00:56:25Did they talk for a long time?
00:56:26Very little.
00:56:27She cut off communication.
00:56:28Uh-huh.
00:56:29I don't usually listen to conversations.
00:56:31But when the director wants to speak with a house employee,
00:56:34I have to interrupt him even though he's on a call.
00:56:36When I plugged in the button to warn Clara,
00:56:39I could hear him saying
00:56:40This is not the time to argue
00:56:42and hung up the phone.
00:56:43Good.
00:56:44And then he called her again, didn't he?
00:56:46I don't know.
00:56:47If he called again, he didn't say he was her boyfriend.
00:56:50Thank you.
00:56:50We're finished.
00:56:55Ah, I'll be waiting for you at headquarters tomorrow at nine.
00:56:57I'm sorry to bother you.
00:56:58Don't worry.
00:57:02Summon Enrique and the waiter at the same time.
00:57:04Yes sir.
00:57:15Don't make any noise.
00:57:25He seems to be a detective who takes so many precautions.
00:57:27Just like this one.
00:57:28Of course, her father is a little bit.
00:57:30Ah, being an admiral is more important.
00:57:32But first you have to be a sailor and peel potatoes.
00:57:35His father once caught an entire gang of robbers.
00:57:38Dude, all by himself?
00:57:39Naturally.
00:57:39My father is the best policeman in the world.
00:57:45That's it.
00:57:46It's ready to be ironed.
00:57:47Are you sure it didn't have bloodstains?
00:57:49And so on.
00:57:50It was covered in mud.
00:57:51I've already told you.
00:57:53You've seen that man, haven't you?
00:57:54Uh-huh.
00:57:56Did it seem suspicious to you?
00:57:57Why did it have to seem that way to me?
00:57:58Men come every day to bring suits.
00:58:01A bit ugly, yes, it was.
00:58:02But so is my father, and nobody distrusts him.
00:58:05His father is an honest industrialist.
00:58:07Although he has a very bad temper.
00:58:09Just a bad temper?
00:58:10Yes, he's an ogre.
00:58:12Who's there?
00:58:13Hey?
00:58:13What are you doing here?
00:58:14Cockroaches?
00:58:15Out!
00:58:15I'm going to kill you!
00:58:16Hey!
00:58:17Out!
00:58:17Listen, you have no right to hit me.
00:58:19Damn it!
00:58:20Miguelín!
00:58:21You here!
00:58:23Miguelín!
00:58:25Miguelín!
00:58:31For listening to you.
00:58:33The one that awaits you when you return to the store.
00:58:35I won't be able to return because of you, Pedro.
00:58:36At least give me the glass eye now.
00:58:38Why don't you tell your father that you've lost him?
00:58:40Sure, so he can hit me harder.
00:58:42I don't want to.
00:58:43Give it to me right now.
00:58:44It's mine.
00:58:45Don't get like that.
00:58:46I was thinking of giving you this complete collection of trading cards.
00:58:49Can I have them all?
00:58:50Yes, you help me, yes.
00:58:52On.
00:58:52So what do I have to do?
00:58:53Let us know when you're coming and we'll pick up the suit.
00:58:56Good.
00:58:57But if you get me into trouble, I'll never look you in the face again.
00:59:00Don't be a coward.
00:59:01I'm telling you it's a game.
00:59:02You'll see how much fun you have.
00:59:03I prefer to play sailors.
00:59:05I'll let you know with a whistle.
00:59:06But if that man claims the eye, promise me you'll give it back.
00:59:10Yes, man, yes.
00:59:11Go on, leave.
00:59:23Who is it?
00:59:26Can?
00:59:31Ah, it's you.
00:59:32Very typical of a police officer.
00:59:34We're not exactly popular with him, are we?
00:59:37In contrast, the inspector has a particular fondness for chatting with you.
00:59:45It's a very comfortable corner.
00:59:48And don't tell me I was dozing.
00:59:50That disappoints me.
00:59:53Oh, by the way.
00:59:55The inspector wants to see you tomorrow at nine o'clock.
00:59:57Be punctual.
01:00:01And think.
01:00:02Think of him as your friend.
01:00:04I am too.
01:00:06And that the three of us are only worried about one thing.
01:00:11A murder.
01:00:18It's very late.
01:00:19Maybe he won't come.
01:00:20The ink shop doesn't close until eight.
01:00:22How long are we going to wait, kid?
01:00:23I'm bored.
01:00:25Let's go.
01:00:26You look like a kid.
01:00:27A good police officer must be patient and wait for the opportune moment.
01:00:30My father always says that.
01:00:32They're waiting for me at home.
01:00:35I have an idea.
01:00:36I'm going to have dinner.
01:00:38I make an excuse and run back.
01:00:39Then you leave and that's it.
01:00:42And now I'm going to be left all alone?
01:00:43It's because you're scared.
01:00:45That would be the last straw.
01:00:46I'm scared.
01:00:47No way.
01:00:48But what if that man comes while you're out?
01:00:50He follows.
01:00:51You notice where he goes.
01:00:52And then you come back here to tell me.
01:00:54And try to keep your eyes wide open.
01:00:57Listen.
01:00:58As I said.
01:01:22Hi, Mom.
01:01:23Hello.
01:01:25Dinner is ready.
01:01:27What's the rush?
01:01:28We have an exam tomorrow, you know?
01:01:30They're going to squeeze so hard.
01:01:31And we've agreed to go to Miguelín's house after dinner.
01:01:35And why don't they come here?
01:01:36Antonio always comes.
01:01:37But Miguelín's father won't let him leave the store.
01:01:40You know he's a grouch.
01:01:42That's why I don't like them going.
01:01:45He is a good man.
01:01:46And he loves me very much.
01:02:10Thank you.
01:02:11Thank you.
01:02:11Thank you.
01:02:14Thank you.
01:02:15Thank you.
01:02:18Thank you.
01:02:36I'm coming.
01:02:44What's happening?
01:02:45Ah, it's you.
01:02:46I was about to close.
01:02:47Happens.
01:02:48You won't recognize the suit.
01:02:53Don't be late, Pedro.
01:02:54I don't like that you're out at this hour.
01:02:56Don't worry, Mom.
01:02:59Of course we have to study a lot.
01:03:01I don't want to get bad grades.
01:03:02How odd.
01:03:03I don't know you.
01:03:05I don't know you.
01:03:08I don't know you.
01:03:12Goodbye, Mom.
01:03:22Bye bye.
01:03:39I don't know you.
01:03:40I don't know you.
01:03:44I don't know you.
01:03:50I don't know you.
01:03:54I don't know you.
01:03:55I don't know you.
01:03:56I don't know you.
01:03:59I don't know you.
01:04:00I don't know you.
01:04:00I don't know you.
01:04:01I don't know you.
01:04:01I don't know you.
01:04:02I don't know you.
01:04:02I don't know you.
01:04:02I don't know you.
01:04:04I don't know you.
01:04:05I don't know you.
01:04:27The man has left, look this way.
01:04:29Anton, I don't know, go on, don't let it get away.
01:04:43Here we go! Are you coming with me?
01:04:45And Antonio.
01:04:46He won't come back, you're a chicken.
01:04:49My father will be looking for me.
01:04:52Would you like to be a police inspector's assistant?
01:04:54I want to be a sailor.
01:04:57It can be both.
01:04:59I appoint you as my assistant.
01:05:00You'll see, it'll be a lot of fun.
01:05:31No, no, no.
01:05:36No, no, no.
01:05:53No, no, no.
01:05:58That?
01:05:59He hasn't had time to cross the silver medal.
01:06:01And he's not in the bar either.
01:06:03We can go now.
01:06:04He's definitely been in here.
01:06:05No way, everyone knows where he's gotten himself into.
01:06:07Come on, let's go.
01:06:16Come here.
01:06:22Don't look, pretend, lower your head.
01:06:24We should pretend we're playing.
01:06:32Stay still, you're hurting me.
01:06:34He's gone now, man.
01:06:36Don't trust it, it won't be spying on you.
01:06:37No, man, no.
01:06:38Look.
01:06:39Aren't we leaving?
01:06:41Don't think I'm scared.
01:06:43You know that sailors are brave people, but I don't like this.
01:06:46Maybe that guy is a real killer.
01:06:48I wish it were.
01:06:51I would tell my father and he would take it.
01:06:54Then the commissioner would have no choice but to acknowledge that he is the best policeman in the city.
01:07:00I want to help you, you know?
01:07:01I was very worried today.
01:07:03Okay, okay, that's your problem, but I'm outta here.
01:07:05We can't leave.
01:07:07If he's a murderer, he won't be able to sleep and he'll come out again.
01:07:10Don't you know that their conscience is bothering them and at night the person they killed appears to them?
01:07:15Does he pull their feet?
01:07:19Wait a little while.
01:07:21We'll do one thing.
01:07:22You go out for dinner and then come back here.
01:07:24My father won't let me go out.
01:07:26Tell him that since you haven't been able to go to school, you're coming to my house to study.
01:07:30That's the best alibi.
01:07:31You think?
01:07:32But don't bring your wallet here, okay?
01:07:34Yes, the umbrella stand is the best place to hide it.
01:07:36We don't have an umbrella stand at my house.
01:07:38Well, put it under the bed.
01:07:40Go on, leave.
01:07:41Come on, man.
01:07:47That eagerness to study was enough to make anyone suspicious.
01:07:49That's why I've come to find out if I was really here.
01:07:51Brave scoundrels.
01:07:52Believe me, ma'am, I'm fed up with those kids.
01:07:55And where could they have gone?
01:07:56It's almost nine o'clock.
01:07:57You can probably guess.
01:07:59They'll be in the cinema or on the foosball tables.
01:08:00I've been here since eight in the morning working like a madman.
01:08:03He will remember his father.
01:08:08That's it.
01:08:09Thank God, they had me worried.
01:08:11Now you'll know what's good.
01:08:21Where do you come from?
01:08:22From Pedro's house.
01:08:24We have exams tomorrow.
01:08:26Tomorrow?
01:08:27Okay, tomorrow or Friday.
01:08:30But we've been studying hard.
01:08:33Oh, really.
01:08:34And with Pedro, right?
01:08:36Of course, Dad.
01:08:37And we still have to study more.
01:08:38You know I'm not interested in you learning math.
01:08:40What do you mean, no?
01:08:41I will be a chemical engineer.
01:08:44Lineage of dyers, but with a title.
01:08:47So I'm going to have a quick dinner and then I'm leaving again.
01:08:50We can't waste any time.
01:08:51Okay, fine, go ahead.
01:08:54Come on, I'm going to give you dinner.
01:08:57Thank you, Dad.
01:08:58Happens!
01:09:05And now you'll tell me where you come from.
01:09:07Where is Pedro?
01:09:10Answer!
01:09:12That one is waiting for a man.
01:09:14A man?
01:09:14And who is that man?
01:09:15It's a game.
01:09:16Pedro is determined to follow him.
01:09:18That's the height of stupidity.
01:09:19Have you been following him for that long?
01:09:21What kind of awful game is that?
01:09:23I don't know.
01:09:24It was Peter.
01:09:25Go on.
01:09:26Then he told me that I might be a criminal.
01:09:29That's why he wants to know where she lives.
01:09:30And why hasn't she come back to you?
01:09:32Wait until that man comes out again.
01:09:33He says the dead will pull at his feet.
01:09:36I was afraid, but it wouldn't let me leave.
01:09:38But where is it?
01:09:39Well...
01:09:39Answer me already!
01:09:41Waiting for him in Berenguer Square.
01:09:43Pedro wants to follow him and find out if he's a murderer so his father can catch him.
01:09:47He is certainly a very, very strange man.
01:09:49It's as if he's afraid I'll follow him.
01:09:51I'm going to look for him.
01:09:52He will go.
01:09:53Hurry!
01:09:53And if you take too long, I'm going to put you in a juvenile detention center.
01:09:55But you'll enter lame!
01:09:57You'll find out!
01:09:58Can I make a phone call?
01:09:59That's all that's needed.
01:10:01Well, if I can't...
01:10:05...further...
01:10:06...all those who...
01:10:08...do...
01:10:10...life.
01:10:13Tell me.
01:10:14No, it's not here.
01:10:15Her husband is meeting with the commissioner.
01:10:18Yes, wait a moment.
01:10:20Wait.
01:10:20Here it comes.
01:10:22What's happening?
01:10:26This time he has spoken very clearly.
01:10:28I have until Thursday to resolve this matter.
01:10:31Another inspector will then take charge.
01:10:33His wife.
01:10:35Tell him I'm not here.
01:10:36Man...
01:10:38What do you want?
01:10:40Llamas at the worst possible time.
01:10:41If it's for dinner, don't wait up for me.
01:10:43I'll probably be late.
01:10:45You'll tell me later.
01:10:46I'm not up for anything right now.
01:10:47Understand it.
01:10:50I'm sorry, darling.
01:10:52I'm nervous and I don't know what you're going to say.
01:10:54What do you want?
01:10:55Nothing.
01:10:56Nothing.
01:10:57Just talking to you.
01:11:00Don't worry about me, okay?
01:11:02If you're late, I'll go to bed.
01:11:03You'll find a bottle of milk in the fridge.
01:11:06Ah, remember what you promised me.
01:11:08Don't think about the commissioner.
01:11:11Sit with your back to that window.
01:11:13You'll see how everything turns out well.
01:11:15Until Thursday.
01:11:18You won't succeed.
01:11:20Think only of yourself, darling.
01:11:22Well, I'll help you if you have time.
01:11:25Bye bye.
01:11:27He hasn't told her, has he?
01:11:29No, she has enough worries.
01:11:31I am the most unlucky guy in the world.
01:11:34Because?
01:11:34My wife.
01:11:36That.
01:11:37I would have exploded if I hadn't been able to speak.
01:11:40Give me the news.
01:11:42The worse, the better.
01:11:44Okay, I'm going to the square, Berenguer.
01:11:46I wouldn't be at ease.
01:11:49Bye bye.
01:11:49Bye bye.
01:11:53Arran, I'm going to the plaza.
01:11:55I wouldn't be biting.
01:12:32It's me, man!
01:12:34Who's there?
01:12:34Your mother is at my house and everything has been discovered.
01:12:37I've come to get you, they're waiting for us.
01:12:39I have to keep going.
01:12:40I've already told you.
01:12:41I want to help my father.
01:12:48Do you think he saw us?
01:12:50Look.
01:12:52He seems afraid of being followed.
01:12:54That's not normal.
01:13:00Come on.
01:13:10Oh, hello.
01:13:11Tell me, tell me.
01:13:12Four files with the initials ECO have been found, but the signatures do not match ours.
01:13:17Yes, I've checked it thoroughly.
01:13:18I just need to look at another file from someone named Francisco Ortíac, but it's not in his folder.
01:13:23There is a note indicating that the legal advisor has it.
01:13:26Well, don't move from there until you manage to speak with that legal advisor.
01:13:29It's important.
01:13:30We need to check it today.
01:13:31I'm sure it's the clue we're looking for.
01:13:36This echo has to be the clue.
01:13:38That will lead us to the end.
01:13:39Of course, that's how I like to see him.
01:13:41But you should take advantage of this time to go out for dinner.
01:13:43When he returns, he will see things more clearly.
01:13:45You're right.
01:13:47I'm fed up with smoking.
01:13:48If he calls before I arrive, he should call my house.
01:13:50See you later.
01:13:51Bye bye.
01:13:52Bye bye.
01:13:54Bye bye.
01:13:57Bye bye.
01:13:58Bye bye.
01:13:59Bye bye.
01:14:14Bye bye.
01:14:18Wait.
01:14:19He's seen us twice.
01:14:21Something might happen to you.
01:14:22A police officer should not be afraid.
01:14:24And not a husband either.
01:14:28But I don't like this.
01:14:30I don't trust that man.
01:14:31Listen to me.
01:14:33Maybe he'll kill us.
01:14:34Stop with the history.
01:14:42Listen to me.
01:14:43No, no, no, no, no, no, no, no.
01:15:17No, no, no, no, no, no, no, no.
01:15:18We want something important.
01:15:19My father will be happy.
01:15:21We must try.
01:15:22You'll try it.
01:15:23I'm leaving.
01:15:24Alright.
01:15:25Come on, Pete.
01:15:26Come on, man.
01:15:54He was no longer in the square and no matter how much I've looked for him I haven't been able to find him.
01:15:58And look at the time.
01:15:59I wonder if something has happened to him?
01:16:01What do you want to happen to him?
01:16:02He's a little rascal.
01:16:04Of course, since you never scold him, he laughs at everything.
01:16:06You need to call his attention to this very seriously.
01:16:08Okay, I'll tell him off.
01:16:10I'll talk to him tomorrow.
01:16:12Don't worry.
01:16:13I promise you.
01:16:18Yes, finally.
01:16:20It's him.
01:16:22Give me the details.
01:16:23This time, yes, inspector.
01:16:24The signature features match exactly.
01:16:27This Francisco Hortiak lost an eye in an accident for which, according to him, he was responsible.
01:16:32This company.
01:16:33He came here and signed his resignation.
01:16:34And with the story of the tear and by virtue of certain considerations, the company agreed
01:16:38give him 50,000 pesetas.
01:16:40This happened two or three days ago.
01:16:42And I just found out that today, in fact, they sent him a check made out to him.
01:16:46Too bad, it was a close call.
01:16:48Listen, go to headquarters and wait for me there.
01:16:50Ah, give me that individual's address.
01:16:52Take note.
01:16:54Calle del Monte, number 215.
01:16:56Apparently, he's the night watchman of an abandoned factory.
01:17:26Calle del Monte, number 215.
01:17:45Calle del Monte, number 215.
01:18:24Calle del Monte, number 225.
01:18:51Thank you!
01:19:27Thank you!
01:19:57Thank you!
01:20:16Thank you!
01:20:56Thank you!
01:21:20Thank you!
01:21:31Thank you!
01:21:32Thank you!
01:21:52Thank you!
01:22:27Thank you!
01:22:45Thank you!
01:22:54Thank you!
01:23:03Thank you!
01:23:04You just haven't found it.
01:23:05Found?
01:23:06Tell them!
01:23:08Tell them!
01:23:08Tell them!
01:23:08All that stuff about chasing a blessed soul!
01:23:11Blessed!
01:23:12Yes sir!
01:23:13And all that happened because their son told them
01:23:14that you had said you suspected him.
01:23:17Come on, let's go!
01:23:19Hurry!
01:23:20Or I'll rip your ear off!
01:23:21Leave him alone!
01:23:22Damn children!
01:23:24Enough is enough!
01:23:27Let's see!
01:23:28Calm!
01:23:29You have to tell me everything!
01:23:36Let go!
01:23:37Let me!
01:23:37Let me!
01:23:38Stop! Be quiet for once!
01:23:39Have you gone down to the basement?
01:23:40No!
01:23:40Well, now you'll go down there, you'll be in good company.
01:23:43It doesn't scare me!
01:23:44My father will find out!
01:23:45Your father?
01:23:46He's the one who sent you, huh?
01:23:49Let me go!
01:23:50Let me go!
01:23:53Let me!
01:23:56Let me!
01:23:59Damned!
01:24:00Don't be an idiot!
01:24:01There's no escape!
01:24:02This is the only way out!
01:24:04You won't be able to escape!
01:24:10Remember, Agent Perez, from the second group of the criminal brigade, it's urgent.
01:24:13Yes sir.
01:24:38Don't be silly.
01:24:40Even if I have to wait until dawn, I will finish you off.
01:24:41Even if I have to wait until dawn, I will finish you off!
01:24:48Tell me!
01:24:58Dog!
01:25:05Pedro!
01:25:09Pedro!
01:25:11Pedro!
01:25:11Dad!
01:25:17Why don't you call him, Dad?
01:25:20What are you waiting for?
01:25:23I'll call.
01:25:32Pedro!
01:25:33Pedro!
01:25:33Pedro!
01:25:35Pedro!
01:25:54They don't put it on, Dad!
01:25:56That's a nod!
01:26:35Dad!
01:26:37Dad!
01:27:04Stop! Stop shooting! Stay still! Don't be crazy! Stop for the last time! Stop!
01:27:28The check, just as I expected.
01:27:30That's a brave hunch, Inspector.
01:27:32So the heartthrob was involved in the mess, huh?
01:27:34More than we thought.
01:27:36He killed a man, he's there in the basement, I've seen him.
01:27:38Calm down, my son.
01:27:39Now the commissioner will be pleased with you, right?
01:27:41You discovered it, I need to tell him.
01:27:43Pedro will know.
01:27:44This will be recorded on your record as a special service.
01:27:47And everyone will congratulate him, right?
01:27:49Clear.
01:27:50They need to understand that he's the best policeman in the city.
01:27:53Thank you, son.
01:27:54But you have been in great danger.
01:27:55Come on, I'm not even scared, see?
01:27:57I'm very calm, very calm.
01:28:00The scare was a relief, but the kid will make a great policeman.
01:28:04This time I have the hunch.
01:28:24Lecce, right?
01:28:24I trouble la puntad y lo que me pburstigo.
01:28:24TRUE?