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TVTranscripción
00:30Gonzalo Presa, good evening
00:31Good evening, Iker
00:32Hey, thank you so much for allowing this experience
00:35It is a great pleasure for us
00:36I'm a little worried about you anyway.
00:38No, don't tell me that
00:39But I'm glad you took this initiative
00:41Which, on the other hand, has surprised me.
00:43That for so many years nobody thought of it
00:44Because...
00:45It's possible that no one in almost 35 years of museum history has been more
00:49There has only been one case, but for radio
00:51Who was Juan Madrid, the novelist?
00:53That in the late 1970s he locked himself away for a day for Radio El País
00:56And he did one night of EVP recordings in the crime gallery only
00:59I can attest to this as if I were a notary.
01:01Indeed, I have welcomed you
01:03You're going to enter the museum
01:05Our colleague Fermín is going to lock it up.
01:07And until the recording is finished in the early hours of the morning
01:11The museum will say
01:12And you are going to be an entity, you are going to be alone
01:14And I guarantee you that this is the first time anyone has actually been left alone in the museum.
01:18In an experience like yours
01:19I hope it will be unforgettable for you.
01:21And for those of us who see it later
01:23Sure, Gonzalo, as always, thank you very much.
01:25Hey, I'm going to see you on set.
01:26Because I'm sure we'll share things about the history of this wonderful museum.
01:30Of the figures, of what happened
01:32Of terrors and other kinder things
01:34We'll tell you about it.
01:36There's a lot to tell, so perfect.
01:37That's great, Gonzalo, thank you.
01:38Well, now José Alberto, with your permission, my friend
01:41Because this is all pure reality.
01:42I'm going to take your camera
01:44Obviously I'll do worse than my fellow cameramen on Cuarto Milenio.
01:50There we have José Alberto
01:52He's leaving
01:53And I would like to attest to that.
01:55That Fermín is really going to open the door for me
01:57Or rather, he's going to close the gate on me.
02:00Fermín, good evening
02:01Good night
02:01I'm going to record it in detail.
02:15How do we close the gate?
02:19Well, thanks for letting me stay here, Fermín.
02:21Good night
02:22Good night
02:22Thank you
02:22The door to the Wax Museum closes.
02:26How is Madrid?
02:28Virtually empty until now
02:31There we are
02:33It's a curious feeling
02:35An almost childlike feeling
02:39Look how there's nobody outside
02:44They are practically
02:46Midnight
02:50Hear some sounds
02:52There they are
02:53Let's do it
02:57There we have Goya
02:58The great Goya
02:59We still have some light in this part of the museum.
03:04Few were able to capture it with such force as the Aragonese master.
03:07These faces, right?
03:09These faces
03:11The faces of horror
03:18Our camera, like a visitor from the future, enters the story
03:22In this solitude, we understand what had to be
03:26The faces, the countenances
03:29The human massacre
03:31It takes shape
03:33It's very difficult
03:34That something has the drama of brushstrokes
03:38From the Aragonese master Goya
03:40But here we see
03:42We can almost touch.
03:44Some scenes from that painting that
03:47They become palpable, tangible, present
03:53Let's go inside
03:54I've already activated night shot
03:57And we're getting into it
03:59A little bit in the shadows
04:02Well, here we have
04:04To Don Pablo Picasso
04:06No more, no less
04:09What loyalty, right?
04:10What surprises us?
04:13It must be done very carefully.
04:16And it surprised me
04:17I told Gonzalo Presa something that surprised me a lot
04:19Why is this painter here?
04:22Gutiérrez Solana
04:25He is a man who played at
04:29The sensationalism
04:30And of a kind of modern black paintings
04:33Its form, its style
04:35And here it is told
04:36What's interesting about the Wax Museum is that they tell
04:38Many stories
04:41Dramatic and mysterious
04:42In this case I'm going to read
04:44Gutiérrez Solana
04:46Lover of mystery
04:49Installed
04:50His easel in the Wax Museum
04:54Grevin
04:55From Paris
04:56And he painted
04:57This painting
04:59Assassination of Marat
05:00In the French Revolution
05:02In other words, the great Solana
05:04The great Gutiérrez Solana
05:05He was painting, using models
05:08The figures in the Wax Museum
05:11It seems that Solana is coming back to life.
05:14Awesome
05:17Oh, I forgot one thing
05:21I forgot there's a flashlight for me
05:24A flashlight and another tape
05:27Let's see
05:29Just in case
05:30The flashlight
05:34And we're going inside.
05:38Let's see
05:40Here we have
05:44To Odrogenio
05:45How impressive it is at night
05:47Salvador Dalí
05:50How impressive
05:51The gaze
05:58Because when passing from here
06:01Here
06:03This image is impressive.
06:05It's simply an image
06:07What does that have to do with the meninas?
06:09But this head position
06:10This feeling
06:13Well, I don't know, it's not pleasant.
06:14It's a bit ghostly, isn't it?
06:16Oh
06:18How different it is to see the painting
06:21Let's take a look at this.
06:23We will move forward
06:29There it is
06:31The great master
06:32There are many painters here
06:33I like them, you know?
06:34But
06:35If I have to categorize someone
06:37From a great master
06:39Is
06:40Him
06:41Genius among geniuses
06:43I have never hidden my devotion to Goya
06:45He knew how to see the threshold, I'm sure of it.
06:47The threshold of mystery
06:51Good night
06:52Good evening, teacher
06:59You can't see anything here anymore.
07:01You can't see anything here anymore.
07:07You have to take things very slowly here.
07:11Let's see
07:14I hear sounds
07:15I hear sounds
07:17I hear sounds of
07:17Water
07:20Behind me
07:21Because
07:24Has to
07:26To have had
07:28Let's see
07:31It has rained in Madrid these past few days.
07:33And then it leaks
07:35The sound of water
07:37We continue to move forward
07:41What do wax figures do?
07:44When night falls, right?
07:46What are they doing?
07:49Of everything
07:51I think it's the eyes.
07:53What most
07:54They have strength, don't they?
07:56Because?
08:07Well, of course
08:07And then
08:08I just turned around
08:10And I see this
08:12And it seemed to me that he was a man.
08:14That I was here
08:16A man
08:18With his outfit
08:21Attending a species
08:21Just a chat, right?
08:24We continue
08:26The museum itself, right?
08:27It has a
08:30Singularity
08:31Way down there
08:33Way down there
08:34There are some figures
08:34I heard footsteps
08:36And before I approach
08:38Who's back there?
08:39Let's see it
08:44Wow, man
08:46I'm looking through the camera's viewfinder
08:48Because right now I can't see much else.
08:50AND
08:52Some of the figures
08:53They have their charm, don't they?
09:01There it is
09:03Well, this scene
09:04It's impressive.
09:05And I think it is
09:06One of those childhood fears
09:08That stay with you in your retina
09:09When you come for the first time
09:10This museum
09:11And please
09:12I'm not going to say anything else.
09:14Look at the scene
09:15Because it impressed us a lot
09:16To the children who used to come here
09:18But that's how it was.
09:21The welcome
09:22From the barn
09:24The tragedy at the party
09:26It's clear this isn't a game.
09:29It's very different.
09:30And it's very different.
09:30TRUE?
09:33I could swear I just saw someone
09:37Way down there
09:38At the fence
09:44In the end
09:44The shadows of the stage museum
09:46When we arrived in this area
09:47When we arrived in this area
09:48It's different.
09:49We continue to move forward
09:50Because I believe
09:51I think it's right around the corner.
09:53Where is it located?
09:56Leonardo
09:58We can see something
09:59And I think it is
10:00The hallway
10:01Where can we record again?
10:03Sin Night Shot
10:04I'll check it out.
10:09And here
10:11Something important
10:11Here it is
10:13That document
10:14The one he was telling us about
10:17Our friend Gonzalo Presa
10:18The spokesman
10:19Press Officer
10:20From the Madrid Wax Museum
10:21Says
10:22Your Honor
10:23That no one
10:25Take responsibility
10:26Of the consequences
10:28May the night be good
10:29I want to spend
10:30In the crime gallery
10:33From the Madrid Wax Museum
10:34In Columbus Square
10:35Since 1979
10:36For Radio El País
10:37A similar experiment had not been conducted before.
10:39I just heard a noise
10:41And it's incredible.
10:43The sounds of the night
10:45What they cause
10:46Clear
10:48You focus on the background
10:49And what do you see?
10:50A figure
10:51A doll
10:53A sculpture
10:55An exact moment
10:57Clear
10:57Look what I had seen
10:58Here you turn around
11:01And then you see things
11:05Like that figure
11:06That I mistook for a gentleman
11:10I'll check it out.
11:11And I'm running out of tape.
11:28Good night
11:29Welcome to the mystery ship
11:30A camera
11:32With night vision
11:35And a flashlight
11:36Two simple elements
11:38To face each other
11:38To our childhood fears
11:41Perhaps
11:43Come with me
11:44Many who have been
11:46Amazed
11:47Because of the figures
11:47From a very special place
11:48What enclave
11:49We could choose
11:50For this species
11:51Experiment
11:52Individual
11:52And collective
11:54At the same time
11:54The Madrid Wax Museum
11:57The truth and the fact
11:58We've been through
11:59One whole night
12:01At the Wax Museum
12:02And we have done it
12:04To join us
12:06And explore
12:07In that vision
12:08A little hazy
12:10At night
12:10And loneliness
12:11Here are some guests
12:13Exceptional
12:15Inert
12:16From what it seems
12:16As we say
12:17And others
12:19Flesh and blood
12:21I think there will be
12:22Some events
12:23They deserve your full attention.
12:25Gonzalo Presa
12:26Good night
12:26Good evening
12:27Yes I want
12:27Spokesperson for the Wax Museum
12:28Thanks a lot
12:29For being here
12:30As usual
12:30It's a pleasure
12:31And an honor.
12:31Thank you so much
12:33You were
12:33Of
12:34Somehow
12:36On sentry
12:37From that place
12:38Almost sacred
12:39For many
12:40Where
12:40They have
12:42Tangled
12:43Many fantasies
12:44And one thing
12:45What might surprise you?
12:45What is it?
12:46It hadn't been done
12:47I thought
12:47What had been done
12:48But not
12:49No, not really.
12:50Nobody ever
12:51Not even
12:52Those of us who form
12:53Part of that house
12:54It has remained
12:55One whole night
12:56Alone
12:56At the Wax Museum
12:57As we discussed
12:58That time
12:58Only Juan Madrid
12:59The writer
13:00The novelist
13:01The famous author
13:01From a crime novel
13:02He locked himself in
13:03In one night
13:04But only
13:04In the crime gallery
13:05And it was also to do
13:06A broadcast
13:07Via radio
13:09About EVP (Electronic Voice Phenomena)
13:11About the noises
13:11About the sensations
13:12That he thought
13:13Excellent
13:14Which actually happened
13:15That would take place
13:16In that gallery
13:16But on television
13:17And a whole night
13:18Throughout the museum
13:19It's the first time
13:20So they actually happened
13:22But you can tell me about that later.
13:22Very good
13:23That seems very good to me
13:24There are even documents
13:25They tell us
13:25From that night
13:26From a teacher
13:28From the crime chronicles
13:28Juan Madrid
13:30Carmen, good evening
13:31Good night
13:32The curious feeling
13:33The curious feeling
13:33It must be pointed out
13:34From that special luminescence
13:37According to the specialists
13:38They call it Night Shot
13:39That vision
13:41For very dark places
13:43The museum was practically
13:44In the dark
13:45Gonzalo tells us
13:46Wax Museum
13:47That is
13:48In the collective unconscious
13:49Of many
13:50Because of a very famous movie
13:51The crimes
13:52From the Wax Museum
13:52Year 53
13:53It gives the impression
13:54From that point on
13:55The feeling
13:56Shared
13:57From a place
13:58Very strange
13:59Very special
13:59Different from the others
14:00It's a place
14:01Very special
14:01When you enter
14:02In those galleries
14:03And you keep coming back to life
14:04Passages from our own history
14:06And you see those glassy eyes
14:08I guess so
14:09That when night falls
14:10And you're alone.
14:11It still has to be
14:12More shocking
14:13When you go to visit him
14:14And there are still people
14:15In the museum
14:16Well then
14:17Let's do one thing
14:19I hope
14:20Let us join
14:21Not only in the museum
14:22But in many other things as well.
14:23That tonight
14:24They come out to meet us
14:25For example
14:26We will travel
14:27To some old mines
14:28Some mines
14:29Where the Nazis
14:30They were looking for their gray gold
14:31In Spain
14:32A material
14:33That enriched
14:34Some towns
14:34And that too
14:35It was forgotten afterwards
14:36Tungsten
14:37With Luis Álvarez
14:38We will begin
14:39That route
14:40Thrilling
14:41And also
14:41In the mountains of Almería
14:43They talk about light
14:44From Alcolea
14:44A light that has to do with
14:45With the deceased
14:46With the belief
14:47Anthropological
14:48Ancient
14:49Between death
14:49And the apparitions
14:50Paco Pérez Caballero
14:52They see it there
14:52He was on guard duty.
14:54So we have
14:55An intense night
14:56I'm very excited
14:57Because
14:58I haven't told anyone.
14:59In this first part
14:59From the report
15:00But the first museum
15:01First place
15:01To the person I was in my life
15:02When I came to Madrid
15:03From my native Vitoria
15:04With my parents
15:05It was the Wax Museum
15:06I wanted to see that
15:08I had heard
15:09I wanted to see it
15:10The curious thing is, Gonzalo.
15:11It's you
15:12Watching the first part
15:13And that too
15:14I find it interesting.
15:14Tell me
15:15What is a vision?
15:16Completely different
15:17Because?
15:18What's wrong with that?
15:19Undoubtedly
15:19I who
15:20You can imagine
15:21Which I know very well
15:22The museum
15:22And I've seen it many times.
15:23I've seen it at night too.
15:25Not alone
15:26Never
15:26Because I haven't been
15:26Never alone
15:27With the museum closed
15:28But today I realized
15:29Looking at the images
15:30That you have recorded
15:30There's another wax museum
15:32That the vision
15:33With that camera
15:34Or for whatever reason it may have been
15:37I have acquired
15:38The vision of some people
15:39That I even had trouble recognizing
15:40That is to say
15:41To figures like Napoleon
15:42Or like Dalí
15:43Or like Goya
15:43Or like the Menina
15:45Well, I've seen them.
15:46In a different way
15:47I've seen them in a murky way
15:49Well, murky
15:50Yeah
15:50The truth would be murky
15:52I'm impressed.
15:53Sincerely
15:53Because my vision is always
15:55Well, from an artist
15:56From a painter
15:58Whatever it was
15:58And today I saw them all
15:59A background
16:00Which is perhaps true
16:00That legend that there is
16:02From the time of museums
16:03Made of wax
16:04Night falls
16:05The doors are closing
16:06Well, who knows?
16:07What can happen
16:07In its galleries
16:08There is a part
16:09Which evidently
16:09Everyone is waiting
16:10With passion
16:11When he goes to the wax museum
16:12The crime room
16:15Could those be them?
16:15The criminals
16:17Main Characters
16:18From the following report?
16:19It was already
16:20Very late at night
16:21And I have to admit
16:23That
16:24In this zone
16:25What are they going to see now?
16:25I had a bit of a rough time
16:27Detail
16:28How was the museum lit?
16:29Gonzalo
16:30It's because it needs to be understood perfectly.
16:31Well, we have to tell the truth.
16:32The museum only has
16:33A few emergency lights
16:35In certain parts
16:36From one gallery entrance to another
16:38And only the sports part
16:41And where are the scientists?
16:42The one with a little more light
16:43The rest of the museum
16:44It was completely dark
16:46Well then
16:46Completely in the dark
16:47Wax Museum
16:48They are with us
16:49I know that many children
16:51From Madrid and all of Spain
16:52They're reviving things
16:53That's what we want
16:54Because
16:55The feeling of something that seems
16:57I repeat
16:58Still
16:59Does it reach the deepest part?
17:01Why a figure
17:02Like that girl
17:03With hair swept to the side
17:04Suddenly it gives us
17:05A kind of revulsion
17:06When is it the complete opposite?
17:08But why
17:08The night
17:09We are not
17:10Of course
17:11Animals of the night
17:12It confuses us especially
17:13Around the mystery
17:14Let's get to that second part
17:16We're going
17:17In some areas
17:18Especially sensitive
17:19Enjoy it
17:20Let's go
17:21There it is
17:22Night Shot
17:23And we went in
17:25In the room
17:26Clear
17:27Which was quite terrifying
17:29Of the monsters
17:31Look, this...
17:32I was impressed
17:32Even with light
17:33Here we have
17:35Amazing story
17:37From Stevenson
17:38Dr. Jekyll
17:39And Mr. Hyde
17:40Okay, okay
17:41Okay, okay
17:43The story goes
17:44That the wife
17:45From Stevenson
17:46Practically
17:47Well
17:48He hit on her
17:49At the head
17:49But to break them
17:51Because of the horror
17:52That there was
17:53Sense
17:54Upon reading this story
17:55Be careful.
17:57Concentrate the phobias
17:58Of
17:58For the most part
18:00Of
18:00Of humanity
18:02My God
18:03Let's see
18:09Footsteps are heard
18:10In the museum
18:15I'm watching
18:16Hear
18:17Let's go
18:18Retell it
18:25It's not the best
18:26A place to tell the story
18:27But I am
18:27Come and listen
18:28Steps in the part
18:28Above
18:29Of the
18:30From the museum
18:31Come and listen
18:33Steps in
18:33In the part
18:34Superior
18:34Where are they?
18:36Those
18:36Roofs
18:38With their
18:38Drawings
18:42And here
18:43This
18:47Here
18:49Jakey
18:50Mr. Hyde
18:50It's not me
18:51This is it
18:51From here
18:58In the end
18:59Well
19:00Well
19:01And here we have
19:01I think that
19:02To the
19:02Vampire
19:03Celebrated
19:04Of the last
19:07600 years
19:09No?
19:10Count
19:11Dracul
19:11The Tepes
19:13Watch it
19:14Well
19:15Well, they were telling me
19:15That even
19:16I could play
19:16Here
19:21The coffin
19:23A coffin
19:24Mysterious
19:26From some museums
19:27It could
19:30Perfectly
19:31Do
19:32From this same experience
19:33Gee
19:33I didn't remember this one so well.
19:36The Mummy
19:37How curious.
19:38One can already see
19:39Of everything
19:42Because unfortunately
19:44Okay, but look
19:44There's the werewolf
19:45In a classic version
19:47The werewolf
19:49The werewolf
19:50Well then
19:51Here we have
19:52I just hit
19:53At the fence
19:55Making a sound
19:55And so
19:56One is
19:57Pay attention now
19:59There
19:59Well, look
20:00There we have one thing
20:01That depends
20:01And however you look at it
20:02That's what we talked about.
20:03The power of the image
20:05It can give
20:06Well, lots of joy
20:07Or it can cause
20:09A mixed feeling
20:10Here we have Tonetti
20:11That had a life
20:12Tonetti
20:13With a very unfortunate ending
20:14Not deserved, right?
20:15For a clown
20:16That made us laugh so much
20:23That sound
20:23I don't know where it's coming from
20:26It's like a machine
20:28They're there activating
20:28And there shouldn't be.
20:30These sounds here
20:31Unless
20:33In the end
20:36Come on
20:37We're leaving
20:37Towards the area
20:39The area
20:39That everyone
20:40I wanted to see
20:41Crime Gallery
20:43Truly terrifying
20:46Up to the gallery
20:47Of the crime
20:48Clear
20:48Here's the material
20:50Authentic
20:51It smells like
20:52A species
20:52Incense
20:54And I asked them
20:55That they would let me
20:56Completely in the dark
20:58As it should be
20:59This is the gallery
21:00Of the crime
21:02I see shadows
21:03And images
21:03But I don't know
21:04What dolls
21:04They are exactly
21:05What sculptures
21:06We'll find out later
21:07Well
21:09One that impressed me
21:10The crime
21:11From the Andalusian Express
21:12The story
21:13From a statement
21:14A scene
21:15That reproduces
21:16As in several vignettes
21:18From history
21:18How well recreated
21:19Well done!
21:20Charles Manson
21:21There it is
21:22The family
21:26Practically
21:27Ah
21:27This is where the water comes from.
21:29Come on
21:29Hear
21:37It just turned on
21:39The room
21:40Of the tortures
21:41Of the Inquisition
21:44That's really good.
21:49That in the end
21:49It makes me laugh
21:50What makes me
21:53And now I'm going to show you
21:54Well
21:58Now I'm going to show you
21:59One of the images
22:01That's more me
22:01I was impressed
22:03When I came here
22:04With barely
22:0514 years old
22:07I remember
22:08Perfectly
22:09This kitchen
22:10What you're going to see now
22:11This kitchen
22:12That is here
22:12Really
22:13That kept me awake
22:14On more than one occasion
22:15I think you'll understand.
22:18This kitchen
22:19It was the kitchen
22:21From the Andru
22:22No more, no less
22:24The tap
22:25Where blood flowed
22:27And inside the sink
22:30Inside the sink
22:33Pum
22:35A human head
22:38AND
22:40I'm going to do one thing
22:42That I had never done
22:44Take a piece
22:44Take a piece
22:45From the meat
22:46A piece
22:47Victim of the andrú
22:49Landru was a man
22:50That it was a great success
22:52With women
22:54I used to go
22:55To places
22:56Where could it be found?
22:57With them
22:58And here we see the andrú
23:00Peaceably
23:02Cooking pieces
23:03Of the human body
23:05A lady
23:06What was it going to be?
23:08Roasted patiently
23:09By the Andrú
23:11Let's see
23:14Death
23:16Of the
23:17That they devised
23:18The crimes
23:20From the express
23:20Andalusia
23:22A scene
23:23That too
23:23It's quite impressive.
23:24Because?
23:25Because the prisoner
23:28He will be brought to justice
23:31Here we see it
23:32The garrote
23:34That figure
23:35So
23:36So Spanish
23:37TRUE?
23:38This area
23:39This gallery
23:40It was very, very, very interesting.
23:42Now let's see it
23:42And man
23:43Here we have
23:44Some true classics
23:48The perfect expression
23:50From pain
23:51There it is
23:53Torture
23:55Of the Inquisition
24:04And here we have
24:05The passage
24:07With bandits
24:09This is a gluttonous drinker.
24:10They called him a glutton.
24:11Because it was eaten
24:12A donkey fetus
24:14In marinade
24:15And then he killed
24:17Both to his lover
24:18Throwing it out the window
24:19Like the abacus
24:21The one who was surprised
24:22Inside a wine vat
24:23At home
24:23When he went to bullfight
24:26And here's the pain
24:27It's almost
24:27Let's see if we can see
24:29The heads
24:30Peter Curtin
24:32The vampire
24:33From Düsseldorf
24:35What an expression
24:36How cold
24:40Mark David Chapman
24:41Not like that, John Lennon
24:41We recently told
24:42The Stephen King Story
24:45Stephen King
24:46I was very scared
24:47To what they are
24:48The number one fans
24:49Those who come
24:50And they say
24:50I'm your number one fan
24:51And do you know why?
24:53Because
24:53Before killing John Lennon
24:55Mark David Chapman
24:56He approached Stephen King
24:57And he said
24:58Hey
24:58I'm your number one fan
25:00Who is an autograph?
25:01My God
25:02What a scare!
25:03They are faces that have
25:05Certain
25:08Common trace
25:09No?
25:10It gives the impression
25:10About what
25:12They all seem
25:14People
25:15Very kind
25:16With smooth skin
25:17Well
25:18Like any neighbor
25:19That one finds
25:28Curiously
25:30It's a nicer place.
25:31The one I was thinking about
25:32The museum inside
25:35He did it
25:37More inhospitable
25:38More dramatic
25:40A kind of automaton
25:41From the future
25:42Like a prophecy
25:43Of what is to come
25:45It appears almost at the end
25:46From the museum
25:49Like a memory
25:50From the future
25:52And we've tried to see them
25:55I like it a lot
25:56That there is a figure
25:57There are many important ones.
26:00But let there be one
26:01Almost at the end
26:03That many children
26:04And many people
26:05Take a souvenir with you.
26:05Tremendous
26:06His
26:07Felix
26:08Rodriguez
26:09From the Source
26:12Really
26:13We've stayed
26:14Alone
26:23Well
26:27I don't know if the framing
26:29It's right
26:29I don't know if this
26:30Alright
26:30Focused
26:32But I like it
26:33A lot
26:33Finish
26:34This tour
26:37By the Wax Museum
26:38From Madrid
26:40Hours already
26:40Untimely
26:42With the great master
26:44Felix
26:44Rodriguez
26:45From the Source
26:46The man
26:47What did he teach us?
26:48Moreover, nature
26:49And for me
26:50The teacher
26:51From communication
26:53The museum was beginning
26:54With Goya
26:55The man
26:55That went ahead
26:56In time
26:57Painting the horrors
26:58And the truths
26:59Of the human being
27:00And almost, almost
27:01And it's no coincidence
27:02It ends with Felix
27:03I was overwhelmed
27:05This coincidence
27:06There were no ghosts
27:08There were no specters
27:08I wasn't looking for them either.
27:10I was just looking
27:11That gap
27:12For fantasy
27:13It has been an experience
27:14Wonderful
27:15And safe
27:16Unforgettable
27:17I hope that for
27:19For you
27:19For some of you
27:20At least
27:21Also
27:21It may have been
27:22An experience
27:24Different
27:25That's what we've been looking for.
27:26Good night
27:27Until next time
27:50Fantasy Night
27:51Night at the Museum
27:53Made of wax
27:54From Madrid
27:54With a vision
27:55Different
27:56Very different
27:58And here
27:59Suddenly
28:00In our ship
28:01Of the mystery
28:02They are embodied
28:03Those same figures
28:03Those that carry
28:05Generations
28:05Scaring
28:07Amazing
28:08And marveling
28:09Agent
28:10From all over Spain
28:10And from all over the world
28:11The swallow
28:13Landru
28:14The lady
28:15Protagonist
28:16From the express
28:18From Andalusia
28:20Some head
28:21With a history
28:22Terrible to tell
28:23And even
28:24Figures
28:25From the artisans
28:26As an example
28:27That work
28:28For some time
28:29More than 35 years
28:30In these creations
28:32In wax
28:32Here
28:33Our tribute
28:35Gonzalo
28:36What have you seen?
28:37In this report?
28:38Man
28:38A very beautiful thing
28:39There were moments
28:40We were here
28:41Watching it
28:42That the density
28:43Ascending
28:43The images
28:44They showed how
28:45As if it were
28:47Almost the skull
28:47Of the spirit
28:48What lies behind
28:48TRUE?
28:49What is not seen
28:49In the dark
28:50How beautiful!
28:52Also finish it
28:52With a teacher
28:53Many people
28:54He has to go
28:55To meet again
28:56With the teacher
28:57Félix de la Fuente
28:58Which is very beautiful
28:59That it is also
28:59At the end of the museum
29:00To give it that feeling
29:01Again
29:02TRUE?
29:02I think so
29:03Because also
29:03That ending
29:04As you rightly said
29:04It is symbolized
29:05In a character
29:06That he is immortal
29:07Not because
29:08It's in the museum
29:08But because it is
29:09For his work
29:10And because of its destiny
29:12So wonderful
29:12And what everyone
29:13We have learned
29:14And we continue learning
29:14And I liked it
29:15Besides, you used it
29:16Because I myself
29:17I was already starting
29:17To make you nervous
29:19Seeing the visions
29:20Because there is no doubt
29:20What to see at the museum
29:21The way you
29:22You've seen it
29:22Night
29:23Perhaps out of the lights
29:25From the sets
29:25Looking at the characters
29:26Up close
29:27So penetratingly
29:29Probably
29:29That's dangerous.
29:30Because you're coming in
29:31A bit
29:32In that non-existent brain
29:34That they may have
29:35The works of art
29:36The sculptures
29:37And it has worried me.
29:38I repeat myself
29:39The same
29:39I've seen them acting shady
29:40They have unsettled me
29:42Did you know that museums
29:44They started with wax.
29:44In the world
29:45With a criminal history?
29:46We could almost say
29:47That it couldn't be
29:48Otherwise
29:48Looking at some figures
29:49How did it all begin?
29:50With Madame Tussaud
29:51Yes, Madame Tussaud
29:52What is a character?
29:52Very interesting
29:53He has a biography
29:54Thrilling
29:54She is already German
29:55It is called color
29:57Actually
29:58And he's working
29:58With a sculptor
30:00What is it called
30:00Philippe Kurtius
30:01And they are doing
30:02Even back then
30:03In the 18th century
30:03Many wax figurines were made
30:05Even cameos
30:06Of portraits
30:06And this doctor
30:08He went to work in Paris
30:09With the court of Louis XVI
30:10And of Louis XV
30:11Previously
30:12He even made a portrait
30:13Marvelous
30:13From Madame Dibarri
30:14That she was one of the favorites
30:15Of the king
30:15Well, and he settled in Paris
30:17The success of the heads
30:18Wax figures
30:19It was so big
30:19That were exposed
30:20At the Grand Palais
30:21And Madame Tussaud
30:22His Maria Gronjo
30:24That he was with him
30:24She also began modeling
30:25And he discovered her
30:26A natural talent
30:27And he put her to work with him.
30:29All this
30:30The French Revolution arrived
30:31And unfortunately
30:32They for having worked
30:33For the court of Versailles
30:34They were involved
30:34As suspects
30:35And to prove it
30:36His faithfulness
30:38To the revolution
30:39Well, they didn't have any left.
30:40No other option
30:40How to make wax figures
30:42Of the decapitated heads
30:43In such a way and manner
30:44Madame Tussaud
30:45And that it was already beginning
30:46To be known
30:47With that name
30:47Well, it started
30:48To make a collection
30:49Of corpses
30:51Actually
30:51Because they were performances
30:52Of those guillotined
30:53She succeeded
30:54Finally, an escape
30:55To London
30:56And then
30:57In London
30:57He mounted an exhibition
30:58They called a lot.
30:59The attention
30:59Because they were characters
31:00All very important
31:01Louis XVI
31:02Marie Antoinette
31:03Voltaire
31:04Etc
31:04And that's the beginning
31:05From the exhibition
31:06Which led to
31:06To what we all know today
31:08Like the Museum of London
31:09And that has spread
31:10Throughout the world
31:11And then
31:12It is a direct consequence
31:13About that
31:13Also the one in Madrid
31:14So,
31:15The beginning of this whole story
31:16With criminals
31:17And the expression
31:18Of death
31:18In the guillotines
31:19The first great artist
31:21But there are still artists.
31:22And let's reveal
31:23A little surprise
31:24He is with us
31:25José Antonio Sol de Villa
31:26Good evening, friend
31:27José Antonio
31:58He's coming back from the world
31:58I've been a lot, then.
31:59I've been with them for a while.
31:59You've seen them
32:00And it has happened
32:01TRUE?
32:01The truth
32:01Yeah
32:02What surprised you?
32:03What caught your attention?
32:04Well, the sanction
32:04That's what I was saying
32:05Whote Gonzalo
32:06The truth is that
32:08The naturalness that occurs
32:09When you have it so faint
32:11Especially the eyes
32:13The thing is
32:13It's like they're watching you.
32:15In other words, it's
32:15It's a real annoyance you get.
32:17When you walk past
32:18And you think they're going to say something to you?
32:20They're going to intimidate you
32:22And it's amazing.
32:24Seeing how
32:25At night
32:26And I've been up all night, believe it or not.
32:28I
32:29Recording things
32:30From filming
32:31And things inside the museum
32:33Photography and everything
32:34But
32:34Like the plans
32:36What have you brought out now?
32:38Tonight
32:39That you've been there
32:40The truth
32:41It's just amazing
32:42Excellent
32:43Have there been people
32:43Did someone get scared at the museum?
32:44I'm referring to visitors
32:46That they were impressed
32:47Too many rooms
32:48Do you have any news?
32:49From people who have
32:49Having happened
32:51Even bad
32:52In the area where the crime occurred?
32:53There are many people
32:54They don't even go up
32:55Oh, they don't go up.
32:56I mean
32:57I saw them in the gallery, the crime
32:58And it says
32:59Shut up and that's it.
33:00There are those involved in crime.
33:01From Lucia's dog
33:02The impaled
33:03There are those on the wheel
33:04In the end
33:05And say
33:06No, no, no
33:06I do those things
33:06I don't want to see them.
33:08And yet
33:08Others
33:09Especially the kids
33:10There are schools
33:11They're crazy
33:12To go and see
33:12The kids
33:14Specifically that
33:15Look at that simplicity
33:16José Antonio Sol de Villa
33:18We just made
33:18A sociological study
33:19The children
33:20What could be there?
33:21Are they interested?
33:23Some will say
33:23Morbid curiosity
33:23Well, no
33:24The child is still alive
33:25In fantasy
33:26Fortunately
33:27If found
33:28With these specimens
33:30Some
33:30Even if it's just briefly
33:31They have such a story
33:33Gonzalo said
33:34That it was spectral
33:34See Andrú's kitchen
33:35Well, when I arrived
33:36At 14 years old
33:37Andrú's Kitchen
33:38It gave me more than one nightmare
33:39So when I got back there
33:41I alone
33:41And in the dark, I repeat
33:43And I was watching through the camera
33:44Because I really
33:46There were such dark areas
33:47I saw them more through the camera.
33:48How were they?
33:49And you said
33:50Wow, here's Andrú
33:50No?
33:52Cooking patiently
33:54What do we know about Andrú, Carmen?
33:55In broad strokes
33:56Because history
33:57It will give us the dimension
33:58This criminal is so strong
34:01The French Bluebeard
34:03He was called
34:03He is one of the biggest criminals
34:05From history
34:06This man was born in 1869
34:08In a rather humble family
34:11Her mother was a seamstress
34:12His stoker father
34:13And very soon
34:14Begin
34:14To have
34:16A series
34:17From longing
34:18To be able
34:19That they take him
34:20To commit crimes
34:21At 20 years old
34:22She gets married
34:22With one of her cousins
34:23That gets pregnant
34:24But since it cannot maintain
34:26To his wife
34:26And to the four children
34:27Well, he starts committing
34:28Some fraud offenses
34:29They take him to jail
34:31In jail
34:32Watch an ad
34:32A widow's announcement
34:33During World War I
34:35Well, there were many women
34:36That they had stayed
34:37Alone
34:38And he takes advantage of that.
34:39To get their attention
34:41Apparently
34:42He was a man
34:42That attracted attention
34:44He was quite a gentleman.
34:45Or so they said
34:46Women
34:47They were approaching him
34:48And the truth is
34:49Answer that ad.
34:51And he realizes
34:51He has it very easy
34:52That can access
34:53To women with money
34:55Keep their money
34:56And end his life
34:57And then
34:58When he starts killing
35:00The first of his victims
35:01He has a 17-year-old son
35:03And they both die
35:04In the hands of Andrú
35:06He murders them
35:07He dismembers them
35:08He ends his life
35:10And he puts them in
35:12As you said
35:13In the report
35:14In that fireplace
35:15In that kitchen
35:15So that was their modus operandi
35:16What we see at the Madrid Wax Museum
35:18That was their modus operandi
35:18There it is
35:19That kitchen
35:20It was a macabre kitchen
35:21Because it ended up burning
35:22To her victims in it
35:23And the ashes
35:24She threw them into the Seine River.
35:26But that kitchen
35:27Normally it will be
35:28The one from her house
35:28The Hermitage one
35:29Take a house
35:31On the outskirts of Paris
35:32To avoid calling so much
35:33The attention
35:33And that's where he kills
35:35Between 117 and 300 women
35:38That's outrageous.
35:40Until
35:41The latest of his victims
35:43Their relatives
35:44They start looking for her
35:46And that's why
35:47They're with Andrú
35:49They realize
35:49About what
35:50This man
35:51He has had access
35:52To many women
35:53That have disappeared
35:54In 4 years
35:55In just 4 years
35:56Murderess
35:57To all those women
35:58To all those victims
35:59So
36:00Just watch
36:00And when they get home
36:02Bones found
36:03Bones found
36:04And they find
36:05Gold teeth
36:06Stored in a drawer
36:07That they verify
36:08That belong
36:10To some of its victims
36:11And a macabre agenda
36:12Just
36:14He can be tried
36:15By 11
36:15Of those crimes
36:17Of those murders
36:19But they're useful.
36:20To take to Andrú
36:21To the guillotine
36:22In 1922
36:23Andrú
36:24He is guillotined
36:25And they do it right away
36:26Disappear her body
36:27Gonzalo Pérez was speaking
36:28From a first
36:29To Caesar
36:30What belongs to Caesar
36:30A first experience
36:31For the radio
36:32Juan Madrid
36:33Radio El País
36:35First
36:35That which was exactly
36:37Well, that's it.
36:38Due to ingenuity
36:39What does Juan Madrid have?
36:40For everything
36:40Not only
36:41For the crime novel
36:41But also
36:42We all know that
36:43Television screenwriter
36:44Author also
36:45From many important series
36:47At the museum, it was explained to him
36:49That's what I was going to do
36:49It was dangerous.
36:50In quotation marks
36:50And that they didn't have
36:51In the end
36:52They are responsible
36:53Of what might happen to him
36:54Then he offered himself
36:55To write
36:56A letter
36:58A parchment
36:59Addressed to a judge
36:59In which insimi
37:00To the museum
37:01Full responsibility
37:02Of all that
37:02What could happen to him
37:03He said
37:04That he could assure
37:06That at night
37:07In that crime gallery
37:08The spirits
37:09Of those victims
37:10And the spirits
37:12Of those criminals
37:14They made themselves known
37:15He said no more
37:16That word
37:16They made themselves known
37:17There is a question
37:18What remains there
37:19And that's because
37:20Generations come and go
37:22I have news
37:23Here
37:23From the vanguard
37:25February 1972
37:28It was inaugurated
37:29The museum
37:29Of figures
37:30Made of wax
37:31I imagine that
37:32Great anticipation
37:32At that moment
37:33We weren't used to it
37:34But what has been
37:36José Antonio
37:37There is somewhere
37:38Where the figures are
37:39That they have been forgetting
37:40Because there are also figures
37:42Unfortunately
37:43That they have to go through in a way
37:44That they have to be
37:44Replaced
37:45Where is the cemetery?
37:46Of those figures?
37:48We have a huge ship
37:50In Illescas
37:51Where we have all the molds
37:53These body molds
37:54Heads
37:55Hands
37:56And all this
37:56Stop at a certain point
37:57Let any misfortune happen
37:59Or something
38:01To be able to restore again
38:02The same head
38:04And the same figure
38:04Of those who were watching
38:06At the moment
38:07In the museum
38:08They are in limbo
38:10Because they are waiting
38:11Or ascend to glory
38:13Or return to the land
38:14And then they are there
38:15Have you seen that scene?
38:17Which is already tremendous
38:18But it's real
38:19It's not an exaggeration
38:20At all
38:20Right, Juan Pablo?
38:21No, it's authentic.
38:21The death of Granero
38:22Manuel Granero
38:23He was gored
38:24Against the board
38:25That way
38:26For a bull
38:26It was called Little Sorrow
38:27They've always called me
38:28The attention to me
38:29The names of the bulls
38:30Unfortunately
38:30They have killed bullfighters
38:31And it's a name
38:33Little Pity
38:33From someone who is
38:34Dragging against the boards
38:35That gored him
38:36Through the eye
38:36And that reached him
38:37Truly to tear apart
38:38It was a bullfight
38:39In the year 22
38:40And what a tremendous impact
38:42And I agree with you.
38:43What he remembers most
38:45Lots of people
38:45When he enters as a child
38:46To the museum
38:47And he returns years later
38:47They are not the figures
38:48Of the monsters
38:49Not even from criminals
38:50Most important
38:50It's curiously
38:51The one from Granero
38:52Because it's terrible
38:53And it is also reflected
38:54With a dramatic flair
38:56Truly
38:56With atrocious realism
38:57And then there are scenes
38:58About that death at the party
38:59That Manolete's death
39:01Other images
39:02They are already images
39:03From the 20th century
39:04And that they are there
39:05And that one
39:05Me at least
39:06I had that feeling
39:07In the dark
39:07I witnessed it again
39:09Of all that
39:10The 20th Century
39:11It almost closed
39:12In 1980
39:13With the intervention
39:14Of a new kind
39:15Of criminal
39:16That when we saw it
39:17There at night
39:18When I focus on it
39:19I was very impressed
39:20He appeared as if from nowhere.
39:21That area of the heads
39:22Mark David Chapman
39:24John Lennon's killer
39:26A guy apparently
39:28Normal
39:28But
39:29We'll be focusing on it now.
39:31With a history
39:32Also terrible
39:33And incomprehensible
39:34He is still alive
39:35And he's still in jail
39:36Go on
39:36With a life sentence
39:38In the prison of Attica
39:40David Chapman
39:41Mark David Chapman
39:43He was a child
39:45Already somewhat
39:46Strange
39:47He was depressed.
39:49I always had
39:50Desire for notoriety
39:52He was obese
39:53Even from a very young age
39:54The children laughed at him
39:56They called him Mark the geek
39:58And all that
39:59It's taking its toll
39:59In his personality
40:01To such an extent
40:02When he is 11 years old
40:03He's in a series
40:04From spiritual retreats
40:05Christians
40:06And listen to a statement
40:07From John Lennon
40:08Saying that they
40:09They are more famous
40:10That Jesus Christ
40:11He plays it
40:12Like something demonic
40:13Like something satanic
40:14Does he interpret that?
40:15Like something satanic?
40:16Yes, when he is 11 years old
40:17Let's remember that he was a child
40:19And that's all it takes.
40:20In his mind
40:20And he starts making songs
40:22Towards John Lennon
40:23Saying that he's going to kill him
40:25At a very young age
40:26Already a teenager
40:28He's always worn it
40:29In his head
40:29Oh well
40:30Life goes on
40:30He has several jobs
40:32She gets married
40:33On two occasions
40:34He got off in Olulu
40:35To live
40:35The second woman
40:36It's very similar.
40:37To Yoko Ono
40:38It had always been
40:39Obsessed
40:40With that woman
40:41With the woman
40:42From John Lennon
40:43And the woman begins
40:44Let's see what he does.
40:45Strange rituals
40:47That at night
40:47The songs are played.
40:48From the Beatles
40:49While he is naked
40:50Change those letters
40:52By letters
40:54In which he speaks
40:55To murder
40:56To John Lennon
40:57To such an extent
40:58Take a ticket
40:59His father-in-law
41:00He gives her some money
41:01That he didn't have
41:02Travel to New York
41:04He is staying at a hotel
41:05And day by day
41:06He goes to the Dakota building.
41:08In which we have been
41:09In front of him
41:10And that goalkeeper
41:11Who always takes care
41:13The Dakota building
41:14He starts asking her questions
41:15About when it comes in
41:16John Lennon
41:17When does it come out?
41:18Like his life
41:18With Yoko Ono
41:19Start getting
41:21Lots of information
41:22Until one day
41:23He even asks
41:24An autograph
41:25To John Lennon
41:25He tells her
41:26If you can give
41:26An autograph
41:27John Lennon
41:27He signs it
41:28Quietly
41:29He was dating Yoko Ono
41:30That night
41:31During several days
41:33Previous
41:34I had been
41:34Watching him
41:35Sincerely
41:36Even
41:37To his photographers
41:38Bedside
41:39He manages to establish a dialogue
41:40A certain friendship
41:41But the night
41:43That occurs
41:43The murder
41:44Yoko Ono
41:45And John Lennon
41:46They had gone out
41:47Towards the study
41:47Recording
41:48They were practically
41:49Half past eleven
41:50At night
41:50When they arrive
41:52To the Dakota building
41:54Previously
41:54Just as we were leaving
41:55They had signed it
41:56The autograph
41:57And when they return
41:58They don't even look at him
41:59This is what he interprets it as.
42:00As
42:02What are they doing to him?
42:03An ugly one
42:04With the stories
42:04That I already had
42:05He on top
42:06Imagine
42:07A personality
42:08So tremendous
42:09What it does is
42:10Put on
42:10As if it were
42:11A sailor
42:12He kneels
42:13He calls her
42:14And he shoots.
42:15Five times
42:15Against John Lennon
42:17He almost died
42:18Immediately
42:19But precisely
42:20He arrives at the police station
42:21A few minutes later
42:22They warn her
42:23And they transfer him
42:24To the hospital
42:24Where already
42:25John Lennon
42:26He dies
42:26Even so
42:27In jail
42:28It still has
42:30Photographs
42:31From John Lennon
42:31Dead
42:32Because it leaks
42:34A photograph
42:34From his autopsy
42:35And she has it.
42:36In his cell
42:37And also
42:37It still has
42:38Some photographs
42:39From the Beatles
42:40There are colleagues of his
42:41From cell
42:42That they have declared
42:42That it didn't end
42:44The whole job
42:44The Beatles are missing
42:46That he cannot
42:47That he could not kill
42:48In short, a case of
42:49Mortal hatred
42:49José Antonio
42:50In Sol de Villa
42:51Gonzalo Presa
42:52It has been a great pleasure
42:55Working with you
42:56Being with you
42:56And that many people now
42:58Discover this legacy
42:59Which I believe is unique
43:00Unique in the world
43:01Thank you friends
43:02Thank you very much
43:02It has been a great pleasure
43:03Thank you, good night
43:04Thank you, thank you both
43:05Let's look at some images of the mystery.
43:07What do you think, Carmen?
43:07Very shocking images
43:08The ones that have arrived this week
43:09Yes, even more
43:10We have solutions
43:11As always happens
43:13Thanks to the help
43:14From the viewers
43:15There were different
43:16Photographs
43:18That we had to
43:19Investigate deeply
43:20Well, there we had it
43:21The image they sent us
43:23A few weeks ago
43:24From Verango
43:24In Vizcaya
43:25A strange lighthouse
43:26TRUE?
43:27We didn't know what it was
43:28We ask for your help.
43:29And Iker solved it for us.
43:31Look
43:31There's one thing to focus on
43:33The first thing there is
43:34A kind of mist
43:35TRUE?
43:36And that can do
43:37So typical
43:37From the mountains of Biscay
43:39And that can do
43:40That the element
43:53Where they were
43:54The original photograph
43:55They have gone back to the place
43:57Under other atmospheric conditions
43:59To see if this time
44:00They saw something
44:01And yes, they have seen
44:02Yes, look
44:03It is an electricity tower
44:06There it is
44:07And this tower
44:09From another perspective
44:10Uh-huh
44:11In that species
44:12From the ends
44:15From each one
44:16From the accumulators
44:18Electricity
44:18It seems that
44:19Pum
44:20These would be
44:21One, two
44:22Three, four
44:24Five and six
44:25The six luminaries
44:26That they could see
44:27As if floating
44:28But put it on again
44:29The previous one
44:30Because of course
44:31How far
44:32Nature
44:32The vision
44:33The image
44:34It can cause
44:36An anomaly
44:37Of course
44:37It was obvious
44:38A UFO
44:39A tremendous UFO
44:41Vertical
44:42Lights
44:42It reminds me
44:43At the door
44:44From our mystery ship
44:45Those lights
44:46Sides
44:47And it was a tower
44:48High voltage
44:50Yeah
44:50Well, you learn from everything.
44:51And what we want
44:53Although sometimes many people say
44:54Oh, what a disappointment
44:55It's about solving things.
44:56I think this one is more complex
44:58This one is more complex
44:59And also
45:00It's one of those classic photos.
45:01Because
45:02It is nothing more and nothing less
45:04That's what they say.
45:04That the ghost
45:06By Jean Morris
45:07Look
45:08We are in the cemetery
45:11From Paris
45:11The most famous
45:12Where they are buried
45:13A multitude of characters
45:15Acquaintances
45:16That is
45:18And look
45:19There is a strange character
45:20What's coming out back there?
45:21I'm going to expand it
45:22Because here
45:22Extended
45:23Yeah
45:23Look
45:24What's more
45:25It's an image
45:26Which is perfectly visible
45:27The one we have in the foreground
45:29He is the historian and chronicler of rock.
45:30Brett Meissner
45:32He
45:32Well, he's going to this cemetery.
45:34She was a fan of Jean Morrison
45:36And she decides to take a photograph
45:39In his tomb
45:40Save the photograph
45:42And years later
45:43When she takes it out
45:44To show it to some friends
45:45He realizes
45:46That the strange character
45:48That came out right behind
45:50Well, it has
45:51According to him
45:52Very similar
45:53With Jean Morrison
45:54But he didn't see it.
45:55The first time
45:56He didn't see it
45:56Look, there it is.
45:57He sees absolutely nothing.
45:59It's more
46:00He says that afterwards
46:01To make this photograph public
46:03Everything that has arrived
46:04To his life
46:04It's been bad
46:05A friend
46:06He has died
46:07They have separated
46:08Of the woman
46:09At night
46:10In the early hours
46:10They show up at his house
46:12Telling him
46:13That have messages
46:14By Jean Morrison
46:15Towards him
46:16Well, he's got enough already.
46:17Because the whole tomb
46:18And all the people
46:19That continues to go in procession
46:20Nowadays
46:21A Perlaché
46:22Let's see
46:22Rare phenomena
46:24No less strange rituals
46:26To leave
46:26Things
46:28Instructions
46:28Messages
46:29To Jean Morrison
46:30Man
46:31I don't know if it's a coincidence
46:32Or is it a trick?
46:32Because it's true
46:33It seems
46:34The torso
46:35Naked
46:36Typical pose
46:37Of the brain
46:38From The Doors
46:39It's a photograph
46:41Which is very well known
46:43Inside
46:44From the world of photography
46:46And of the cases
46:47Of alleged ghosts
46:49It has even been published
46:50In the book
46:50Ghost Coach on Film
46:52The ghosts
46:53Captured
46:54In a movie
46:55Or in a camera
46:58And there we see him
46:59And what they say
47:00The experts
47:00That they have analyzed
47:01The photograph
47:01Even the negative
47:02He says he wants to
47:03Undo
47:03From the photograph
47:04From the negative
47:05Because it hasn't brought
47:06Nothing else
47:06What bad things
47:07To his life
47:07What is wanted
47:08Get rid of him
47:09And who has investigated
47:11And who has investigated
47:11About that negative
47:11He says there isn't one.
47:12No trickery
47:13Of no kind
47:14What we can do
47:15It's about inviting people
47:16To those who send
47:17His photographs
47:18Taken in this setting
47:19In this famous
47:20Cemetery
47:20We can explain it too.
47:22The phenomenon
47:22Otherwise
47:24I think we are
47:25Faced with one thing
47:25Very rare
47:26Our motivation
47:27It's about explaining things.
47:28It's more
47:29In the second round
47:30From photos
47:30Don't miss it!
47:32I think we're going
47:33To get to the bottom
47:34Regarding this issue
47:34About this strange character
47:36That appeared in the cathedral
47:37From Murcia