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00:00:24The king has cancelled all commitments due to his nomastic.
00:00:28I'm going to organize something big.
00:00:30A Roman circus.
00:00:36A key?
00:00:37What on earth are you opening now?
00:00:39How are we going to get the king to agree?
00:00:42There is no proper Roman circus without an emperor to lead it.
00:00:46We need to take it to the jeweler to have our names engraved.
00:00:48Yeah.
00:00:50And this is for my mother.
00:00:51For having left her to die alone.
00:00:53And this?
00:00:55Sato!
00:00:56Sato!
00:00:58Where is your father's coffin?
00:01:00Have you heard of the finger of Saint Peter?
00:01:03The relic stolen from Zumesin, Italy?
00:01:05The person who stole it was supposed to bring it to me in a carriage from Florence.
00:01:11But there were problems with the exchange.
00:01:13The crown that I left here, it was stolen from me.
00:01:15Don't tell me!
00:01:16It's been stolen!
00:01:17I present to you those who are going to die in the arena, son.
00:01:19And where did you get them?
00:01:20They are my prisoners.
00:01:22Take them to the pumpkin.
00:01:23Yes, ma'am.
00:01:25Who would want to take away a servant's coffin?
00:01:28It doesn't make sense.
00:01:30Leave it be, love.
00:01:31Leave it be.
00:01:31I've lost the gold crown they were going to give to the king.
00:01:34They are looking for actors for a performance taking place tomorrow.
00:01:38Roman Circus.
00:01:40Sounds good.
00:01:43I came to sign up for the representation thing.
00:01:46Hey, no, no!
00:01:46What are they doing?
00:01:47Let me go!
00:01:48Let me go!
00:01:49I've lost something very important.
00:01:51I need money to get it back.
00:02:00Why are you locking me up here?
00:02:03What are they going to do to us?
00:02:05Can you tell me what's wrong?
00:02:07Nothing, ma'am.
00:02:08He doesn't realize it.
00:02:10No, ma'am.
00:02:11Yes, the kings.
00:02:12They are four irons, covered with gold leaf, Catalina.
00:02:15Sato!
00:02:16Where is the relic?
00:02:18Do you remember this?
00:02:19You had it in here.
00:02:21If you remember where the relic of my men is.
00:02:25Relief!
00:02:31Already!
00:02:35Already!
00:02:49I present to you one of the candidates to be the news of your son.
00:02:53Beatrice of Lens.
00:03:04Oh, come on...
00:03:04What a task you've been given.
00:03:07Wash young Jacob's underwear.
00:03:09Yes, and look, it's not hard to leave them in the light.
00:03:12Come on, he's got pigeons firmly ingrained, since all he does is eat chickpeas...
00:03:16Oh, come on...
00:03:17Well.
00:03:18Go on, go to the palace, the lady wanted you to dress her.
00:03:21But how can I leave you here alone?
00:03:22I'll wait, woman.
00:03:24No, don't worry.
00:03:25Come on.
00:03:25Okay, go ahead and throw it.
00:03:26Don't be late, the weather is getting very bad.
00:03:28Leave soon.
00:03:29Come, with God.
00:03:57Give us everything you have.
00:03:59But I have nothing, I'm just a maid.
00:04:02Or we're going to leave empty-handed.
00:04:04Please.
00:04:05Take it.
00:04:06No, no, please.
00:04:09He's a man, he's happy for him.
00:04:11Aid!
00:04:14Help!
00:04:21Help!
00:04:45Aid!
00:04:51Help!
00:04:57Aid!
00:05:20Alright?
00:05:22Yes, thanks.
00:05:24Nothing.
00:05:26I am Captain Patrick Welcott.
00:05:29I am Margarita.
00:05:32A pleasure.
00:05:40Do you want me to take you somewhere?
00:05:43No, thank you. It's not necessary.
00:05:47I really insist.
00:05:50I don't want anything else to happen to him.
00:05:59No!
00:06:00No.
00:06:29Why am I bringing you the cleaning supplies, Matute, and not my love?
00:06:33You come in here straight out of bed and end up smelling like a tiger.
00:06:42That face of frustration.
00:06:45No matter how much I look at it, it's impossible. I don't even know what I'm looking for.
00:06:54Do you want me to consult Paqui the gypsy?
00:06:56No, Saturn.
00:06:57That woman, besides offering intimate services, is said to remove bad luck.
00:07:04And we, who are looking for the noble beggar woman, find nothing.
00:07:07And then there's this key, which we don't even know what it opens.
00:07:11We have to figure it out if we want to find the treasure.
00:07:19Mother of beautiful love.
00:07:23Come on!
00:07:26What's happening?
00:07:27The key.
00:07:29That?
00:07:30He has opened the chest.
00:07:53It also works for this.
00:07:57It's a master key.
00:07:58The mother who gave birth to the temperate ones, but what do you mean, teacher?
00:08:01It opens everything.
00:08:02But come on, if everything opens up we'll have nothing.
00:08:06How will we know which lock hides the treasure?
00:08:12It seems like this was orchestrated by someone who's been following us to laugh their heads off.
00:08:16the journey we're on.
00:08:18Wait, wait.
00:08:19That?
00:08:20There appears to be an inscription here.
00:08:22No, whatever I tell him.
00:08:24There is now an inscription.
00:08:29And what does it say?
00:08:34Fonte en veritatis.
00:08:42Fonte en veritatis.
00:08:44The source of truth.
00:08:49Let's go.
00:08:54They say a man killed his son there.
00:08:58And ever since that fountain has been...
00:09:01Damned.
00:09:03You can hear the baby crying and you can also see...
00:09:07reflected in the water.
00:09:12We'll go.
00:09:28That?
00:09:30Loquica, are you still bothering me about that entrance you made in the palace gardens?
00:09:34And that horse with that piece of English.
00:09:37Oh my God.
00:09:38Yes, it's not a bad thing for me that I was passing by the lake.
00:09:41Although I don't know what an Englishman is doing in Spain.
00:09:43But girl, how come you didn't ask him when you were riding on his back in Caramba?
00:09:47Ah, so you were preoccupied with other things.
00:09:50I understand you.
00:09:51Hey, hey, but wait, what are you doing, what have you done?
00:09:53That's all that's brought me here.
00:09:55Man, I'm saying this because of the way you were touching her.
00:09:57I?
00:09:58As?
00:09:59No, sorry, I was going to grab the horse's handrail.
00:10:01Ah, that's probably why, panocaeste.
00:10:05Let's get to work, it's too early for me to start overthinking things.
00:10:07I usually like the values.
00:10:11But you can't take it anymore.
00:10:12If you've only been there for ten minutes.
00:10:14Come back, and do it now.
00:10:15I don't pay the best firearms instructor in the court for you to waste him.
00:10:19Mother, the disgust isn't that important, is it?
00:10:20Yes, for you.
00:10:21Someone in your position has to know how to handle these kinds of situations.
00:10:25Mother.
00:10:25Shut up, you don't even know how to stand upright on a horse.
00:10:32Mother, I'm not one for battles and arguments, I have other talents.
00:10:39Well, you tell me which ones.
00:10:41Look, son, I gave birth to you and it hurts me more than anyone else.
00:10:45But that's how it is.
00:10:46You're nothing special.
00:10:52Ma'am, I don't know how I couldn't stop her.
00:10:57You killed her.
00:11:01My mother.
00:11:03He hanged himself.
00:11:05What are you saying, miss?
00:11:08You accused her of being an adulteress.
00:11:10And she couldn't stand it.
00:11:13He hanged himself.
00:11:15Mother, she is the county's daughter now before.
00:11:17It was hanging in her bedroom.
00:11:20In her wedding dress.
00:11:24You killed her.
00:11:28You killed her.
00:11:31You killed her.
00:11:43You killed her.
00:12:00You killed her.
00:12:11Lucrecia's son is always welcome in my palace.
00:12:16Why have you requested an audience to see your king?
00:12:21Your Majesty, I want you to send me to war.
00:12:25You have the courage of the Santillana people, no doubt about it.
00:12:28But you're too young.
00:12:32Forgive my persistence, Your Majesty, but I have been receiving instruction for years.
00:12:35I'm ready.
00:12:37I will turn to you when I need to.
00:12:39In war, experience is very important.
00:12:42And you still need to get it.
00:12:44I will prove to him that I am ready.
00:12:50Your Majesty, I may dismiss you.
00:12:54Majesty.
00:13:03The King of England reports that he is crossing Spain on his way to France.
00:13:10In the company of his future wife, Infanta Catherine of Portugal.
00:13:14If he wants to trespass on my territory, he shouldn't inform me.
00:13:19I should ask for permission.
00:13:21Indeed, Your Majesty.
00:13:24An offering like this could be grounds for declaring war.
00:13:29But as you know, the kingdom's coffers could not allow it.
00:13:41Money can be replaced with intelligence.
00:13:46Excuse me, Your Majesty, but I don't understand.
00:13:49What exactly do you mean?
00:13:52I will organize some games of concord between the English and the Spanish.
00:13:57King Charles will not get out of them alive.
00:14:01Taking into account the counter-arguments and the personal guard that usually accompany the king,
00:14:08Even simply approaching him could prove extremely difficult.
00:14:14I know his greed.
00:14:16She will never refuse a valuable gift.
00:14:19And that will lead to his death.
00:14:26Father.
00:14:27Father, have you heard?
00:14:29That?
00:14:30The king has organized a joust against the English.
00:14:33Those games should not be held.
00:14:35All they will achieve is to increase the hatred between the two kingdoms.
00:14:40Well, for me it would be an honor to participate.
00:14:44And to teach the English a lesson.
00:14:53The kid is right.
00:14:55Those guys deserve someone to clarify a couple of things for them.
00:14:58Where were you?
00:14:59We need to go to the source of the truth.
00:15:02I had to do one little thing.
00:15:06I'm afraid that when I tell him what I was doing...
00:15:08She's going to scream at me so loudly that I'll have a ringing in my ear for days.
00:15:14What has he pointed there, just barely?
00:15:17What have you done? What?
00:15:21Should they nominate you as a representative of the people?
00:15:22Don't you know there has to be one?
00:15:25You know I can't do it?
00:15:27What do you mean, no?
00:15:29Do we Spaniards deserve some joy?
00:15:32Just thinking about what the English have done to us in the past?
00:15:37And who better than you?
00:15:40No?
00:15:41Satur, I am the village teacher.
00:15:42I don't know how to fight.
00:15:44So you're not going to do anything?
00:15:46No.
00:15:47But he has forgotten all about the Spanish Armada.
00:15:51When the Spanish people fell to the English.
00:15:55By dwelling on the past, we won't achieve anything.
00:15:57It only reopens old wounds that were already healed.
00:16:00Closed?
00:16:01Tell that to my friend Pedro's grandfather.
00:16:04They tore off his legs and he had to crawl like a reptile for his entire damn life.
00:16:12Tell that to him and to all those who suffered through that war.
00:16:14That the wounds are healed.
00:16:15Tell him.
00:16:15War has nothing to do with jousting.
00:16:18Love, the memory of those dead will only rest in peace.
00:16:21When the Spanish...
00:16:24When the Spanish...
00:16:26When we Spaniards feel...
00:16:28How the hell did I say that?
00:16:30Compensated.
00:16:31Compensated.
00:16:32That you give those fairs.
00:16:35It's all we have.
00:16:38He still doesn't understand, does he?
00:16:40My son's life depends on people believing I'm a coward.
00:16:56He still doesn't understand, does he?
00:17:14This should never have happened.
00:17:18Okay, why don't we confess?
00:17:19It was an accident, they have to understand that.
00:17:22The Count of Abrantes hates us.
00:17:24She will never believe that we killed her daughter by accident.
00:17:27Never.
00:17:30Yes, Mom, but what if they find out...
00:17:34If they find us out, we're dead.
00:17:37That?
00:17:40That?
00:17:43We'll get her out of the palace tonight.
00:17:47It will appear in the forest.
00:17:50That they think someone has done something to him.
00:17:53I am the commissioner.
00:18:07What can we offer you?
00:18:12The daughter of the Counts of Abrantes has disappeared.
00:18:15This morning, when he said goodbye to his parents, he told them he was coming here.
00:18:19Have they received it?
00:18:20Yes that's how it is.
00:18:22But he left a while ago.
00:18:29Did he mention where he was going?
00:18:32No, no, no, no.
00:18:35She was very distressed.
00:18:38Well, he said he wanted to breathe the fresh air of the forest.
00:18:41Right, son?
00:18:42Yeah.
00:18:43To the forest.
00:18:47His horse has returned to the palace on its own.
00:18:48Something has happened to him.
00:18:50Oh, wow.
00:18:53Is there anything we can do, commissioner?
00:18:56Just having them here is enough, in case I need them.
00:18:58Well, my men are already searching the area around the palace.
00:19:04I'm going to question the servants.
00:19:07Very good.
00:19:14Mother, with the palace full of guards, how are we going to get her out?
00:19:32Accurate!
00:19:37Accurate!
00:19:48Accurate!
00:20:01I don't want to bother him
00:20:05But I've already withdrawn it from the competition.
00:20:08Thank you
00:20:09Well, I just wanted you to know.
00:20:12I'm going back home to sweep, that's what I do best.
00:20:14That?
00:20:16You don't have to leave
00:20:18Ah, I don't know, you tell me.
00:20:20Since I cannot make any decisions for myself
00:20:22No, I didn't say that.
00:20:25I said you should be careful.
00:20:26You should know that habit makes us lose our fear
00:20:29And let's lower our guard
00:20:32Lowering your guard
00:20:34And you're telling me that?
00:20:35Since I know him, I sleep with one eye open and the other closed.
00:20:39What the hell am I saying?
00:20:41I don't sleep.
00:20:49What the hell?
00:20:50Oh my God!
00:20:51Oh my God!
00:20:52Oh my God!
00:20:55Oh my God!
00:20:58Saturn, there's nothing here
00:21:03In other words, I neither feel, nor hear, nor see, nor suffer.
00:21:06Because of bowel movements, otherwise I'd be a celiac.
00:21:12Let's see
00:21:13There needs to be a lock here where you can put the key.
00:21:23Here I only see this exercise
00:21:27Wait
00:21:28The lock might be on the inside
00:21:31What are you doing?
00:21:39Oh my God!
00:21:45Come on!
00:21:49What do you mean you bring snakes?
00:21:50Get me out of here for my own sake!
00:21:51Don't move!
00:21:56Go on, Juan!
00:21:56Don't leave me alone!
00:21:59Let's go get his mother!
00:22:01Get me out of here!
00:22:02Take!
00:22:18And there's something down there!
00:22:21Don't tell me he's going to go in there, love!
00:22:24Oh my God, oh my God!
00:22:29Come on!
00:22:30Come on!
00:22:31If everything is to your satisfaction, Your Majesty
00:22:33Get me out of the country!
00:22:35Get me out of the country!
00:22:37Let's prepare the nation!
00:22:37That's not the only thing we need to prepare, Captain!
00:22:42But how do you ensure the king is involved in the adjustment?
00:22:49Come on, Your Majesty!
00:23:06Welcome, Your Majesty
00:23:08It is always a pleasure to meet with my counterparts from the Court of Europe
00:23:12With the permission of your majesties
00:23:15It's very reassuring to see how you set aside
00:23:19The minor differences that have recently arisen
00:23:22To enjoy the games we're discussing, obviously
00:23:26The Concord Games are an unbeatable opportunity
00:23:32To strengthen harmony between peoples
00:23:36We're lighting up for them!
00:23:41Whiskey
00:23:42Different from their Spanish wine
00:23:45But a man's drink
00:23:48Definitely
00:23:51I hope you like it
00:24:06I present to you
00:24:07Captain Patrick Wolcott
00:24:09If you want to bet on someone in the joust
00:24:14Do it for him
00:24:15The English are always so fond of it.
00:24:18To invest your money in gambling
00:24:25You may find it more stimulating
00:24:28That a simple bet
00:24:31Participate in the games yourself
00:24:36Facing me
00:24:41It will be a pleasure to meet you tomorrow
00:24:46May the best one win
00:24:48Okay?
00:25:03Okay?
00:25:07Okay?
00:25:34And if they ask us, what do we say?
00:25:35Because I don't know anything.
00:25:38The best thing we can do is stay calm
00:25:41Let the commissioner see that we have nothing to hide
00:25:44The thing is, I saw her go up
00:25:45But going down, no.
00:25:48Catalina, what did they ask you?
00:25:50That he had been seen leaving the palace
00:25:52The daughter of the Counts of Abrantes
00:25:54But my God
00:25:54What could have happened to that poor girl?
00:25:56Well, I don't know.
00:25:58But God willing, nothing will happen.
00:26:04My God, Irene, are you alright?
00:26:06The horse knocked me out of the tank
00:26:08Good heavens, Lord
00:26:10Andes, go up to your room
00:26:11I'll send someone to prepare the bath for him.
00:26:13Did you see that shirt that's going to catch a chill?
00:26:15Andes, first I know that I know
00:26:18Sit there
00:26:19I'm going to prepare a small glass for him.
00:26:20At least enough to warm the body
00:26:22There it is
00:26:23Okay, you're forgetting me.
00:26:27Sit down
00:26:28Andes, take
00:26:31Wait, let me get you a towel
00:26:36Thank you
00:26:38Good heavens!
00:26:47I'd better go get dressed
00:27:02Agraida
00:27:03Look what they've brought for you
00:27:04Oh my God
00:27:06Oh, what a thing
00:27:07Oh, mother
00:27:09You for the cord, my love
00:27:11Hey
00:27:12What is it?
00:27:14What a beautiful thing!
00:27:17Hey
00:27:19Poor duck
00:27:20She's beautiful.
00:27:21And you're so beautiful.
00:27:25That?
00:27:26Oh, mother
00:27:27Oh, oh, oh
00:27:30How beautiful!
00:27:31Oh, what little kisses!
00:27:31Oh, what kisses!
00:27:34Strip
00:27:40Okay, so what?
00:27:43Hey
00:27:44Whose is it?
00:27:46It belongs to Captain Patrick
00:27:48He says he'll be waiting for me at the lake at 8
00:27:50He's delighted to meet me
00:27:52Of course, he's a real rascal.
00:27:54And more specifically, she'd like to get to know you better.
00:27:57Now that you know what I'm saying
00:27:59Which I think is great.
00:28:00That joy you take with you to your body
00:28:02What are you saying, Catalina?
00:28:03I'm not going to do that
00:28:05That has not been appropriated
00:28:06Ah, it hasn't appropriated
00:28:08And who says what has been appropriated
00:28:09And what has not been appropriated
00:28:12It seems to me that in this life already
00:28:13We have too many sorrows
00:28:14As if they were going to impose rules on us on top of everything else.
00:28:16Go to the lake and enjoy yourself, woman.
00:28:19Today's joy will be tomorrow's tears
00:28:22You don't know what the soldiers are here for.
00:28:24To foreign lands
00:28:27They promise women
00:28:28The sky
00:28:29And the moon
00:28:31When they realize
00:28:32They are alone and pregnant
00:28:37Yes, you're going to make me work.
00:28:38More than necessary
00:28:40You didn't see the daughter leave
00:28:41Of the Counts of the Palace
00:28:44Do you know what I think?
00:28:46I think you
00:28:47Some of the unfortunate ones
00:28:48That works with you
00:28:49He caught her
00:28:49And he got carried away.
00:28:53Perhaps the darkness
00:28:54May it enlighten your mind
00:28:55And know how to answer me
00:29:03Take it with you
00:29:05And then keep searching
00:29:06With those who work outside the Palace
00:29:07Yes sir
00:29:08Come on
00:29:17Have you discovered anything, commissioner?
00:29:22None of the palace servants
00:29:24She saw her daughter leave
00:29:24Of the farming counts
00:29:25How can that be?
00:29:30When I finish questioning
00:29:31To the stable boy
00:29:32And I'll be sure of the gardener.
00:29:33But it seems he hasn't left here
00:29:36That's impossible
00:29:37I showed her the way out myself.
00:29:40If you'll excuse me
00:29:41I have a lot of work.
00:29:47Close the door
00:29:48Runs
00:29:48Close the door
00:29:53Who's going to discover us?
00:29:54Mother
00:29:55What is he doing?
00:29:56What are you doing?
00:30:03Help me take off her clothes
00:30:05To take off her clothes?
00:30:07What now?
00:30:08Relax, you're fine.
00:30:10Better
00:30:11If a snake bites you
00:30:13I assure you that you would have noticed.
00:30:14At the same time
00:30:16Well, nothing much.
00:30:17Thank you so much, I love you
00:30:19And now you don't need me.
00:30:21I have to do something
00:30:23Where are you going?
00:30:26I'm signing up for the tournament
00:30:29Since you're not going
00:30:30And nobody has signed up
00:30:30Well, someone will have to represent the people.
00:30:33Satur, you have never fought
00:30:34You won't withstand even one challenge.
00:30:35Yes, I know.
00:30:36That I have never wielded the spear
00:30:38That in war
00:30:39He only learned the art
00:30:40From playing the drum
00:30:41And not the one about battling
00:30:42But I am going to do it
00:30:43I love everything that is within my power.
00:30:44The fair is no game
00:30:46You know the strength a spear carries.
00:30:47But what about you?
00:30:48Neither fight nor let others fight, or what?
00:30:50No, all I want is for you to live.
00:30:52If they catch you, they'll tear you apart from the inside.
00:30:54What's wrong with you is that you're not patriotic.
00:30:57That you don't care whether it's China or France
00:30:59But not me
00:31:01The world is Spain for me
00:31:04If I lose my life defending them, then so be it.
00:31:06Well, look
00:31:07Very good
00:31:09He forged them for you, Genaro
00:31:11The baker's cousin
00:31:14He hasn't slept all night
00:31:17Well, he's lost sleep, dude.
00:31:20Because he's not going to fight
00:31:22What do you mean, no?
00:31:23If the neighbors are excited
00:31:25They even chipped in to pay for it
00:31:29I'm going to go
00:31:30You?
00:31:32Yes, I
00:31:33What's happening?
00:31:41I will fight
00:31:49I will fight
00:31:50I will fight
00:31:53I will fight
00:31:55I will fight
00:31:58I will fight
00:32:00I will fight
00:32:00I will fight
00:32:00I will fight
00:32:00I will fight
00:32:01I will fight
00:32:02I will fight
00:32:04I will fight
00:32:05I will fight
00:32:06I will fight
00:32:08I will fight
00:32:11I will fight
00:32:12I will fight
00:32:15I will fight
00:32:16I will fight
00:32:18I will fight
00:32:18I will fight
00:32:19I will fight
00:32:19I will fight
00:32:20I will fight
00:32:21I will fight
00:32:22I will fight
00:32:26I will fight
00:32:28I will fight
00:32:30Do you really think he just left the boy standing there like a mushroom?
00:32:32You haven't even given him the benefit of the doubt?
00:32:34Don't go on, Catalina.
00:32:37I don't want to go to the lake, or be with any man, or give myself any pleasure for the body.
00:32:40I don't want to be alone.
00:32:42Well, that's it, girl.
00:32:43If you think like that, what you need to do is stop living life and become a nun.
00:32:48Well, maybe I'll think about it.
00:32:50Do you know what's happening to you?
00:32:53That you don't feel like being happy.
00:32:54That's what's happening to you.
00:32:56I've already told you.
00:32:57Good night.
00:32:58God be with you.
00:32:58God be with you.
00:33:02Oh my God!
00:33:10My father taught me to do things correctly.
00:33:14And I've done them wrong with you.
00:33:18I'll start again.
00:33:21My name is Patrick Welcott.
00:33:26English captain.
00:33:28I was born in York, I am the youngest of three brothers, I am single and I am not looking for a fling.
00:33:35Oh, no?
00:33:37Well, I thought the soldiers were leaving a woman at each port.
00:33:41I wasn't raised that way.
00:33:43And I say that you don't either.
00:33:45Well no.
00:33:46I don't go around saying yes to any stranger who asks me for the lake.
00:33:51Work leaves me little time for what is truly important.
00:33:56I ask for your forgiveness.
00:33:57I ask for your forgiveness.
00:33:58I've been too direct.
00:34:01The trouble I've gotten for pointing that finger at him.
00:34:04But when Cipriano tells you, he comes to you and dives right in.
00:34:09He's listening to me.
00:34:11But if you didn't want to, why did you invite me for a walk?
00:34:19I'll tell you tomorrow.
00:34:23What is the lady doing with an Englishman?
00:34:27Good night.
00:34:28Hello good.
00:34:29Gonzalo, this is Patrick, Captain Patrick.
00:34:34He saved me this morning.
00:34:36He is my brother-in-law.
00:34:38Bran?
00:34:40You hadn't told me anything, Margarita.
00:34:43Okay, I'm leaving.
00:34:45I'm getting up early tomorrow to participate in the competition.
00:34:47My master too.
00:34:50See you tomorrow.
00:34:52God be with you.
00:34:55Margarita, what happened?
00:34:56Are you OK?
00:34:57Yes, this morning.
00:34:59They tried to rob me.
00:35:00But I'm fine.
00:35:03Good night.
00:35:05Good night.
00:35:12That's ridiculous.
00:35:14Having the hero at home, and it was an Englishman who saved her.
00:35:17If the shoemaker's children go barefoot, I'm right.
00:35:21No, and speaking of the blacksmith.
00:35:23We need to get closer.
00:35:25Let's see if he leaves us a stone to polish the edges of the shield.
00:35:43Let's see if he's going to be acting as a bodyguard.
00:35:46Or just getting by with the relative while we're being a pain.
00:35:49No, no, no?
00:35:53No no.
00:36:04No no.
00:36:07No no.
00:36:09No no.
00:36:21She cut her wrists.
00:36:28It's impossible that nobody saw or knows anything.
00:36:40The count lost his wife and daughter on the same day.
00:36:43I can't tell you that I can't find the culprit.
00:36:47We'll have to do something.
00:36:49I can't tell you that I can't find the culprit.
00:37:06Bea, Beatriz Abrandez.
00:37:09Whose is this?
00:37:12Answer, whose is it?
00:37:14From the gardener.
00:37:18Bring it here.
00:37:20There has been no lie.
00:37:40What have you done with the count's daughter?
00:37:44I don't know anything, sir.
00:37:48Clemency.
00:37:50You forced it.
00:37:52You killed her.
00:37:55And you stole her underwear to keep as a souvenir.
00:37:59You're a deviant.
00:38:01No, not me.
00:38:02I don't.
00:38:14Next time your skin will fall off in shreds.
00:38:17Do you want to think about it a little longer and then answer?
00:38:19No.
00:38:34Where could this man have gone?
00:38:36There's only an hour left until the fitting and we still have to dress her.
00:38:41Aloncillo, be more generous with the bacon
00:38:44Let's see if your father has a meltdown in the middle of the park
00:38:46Fatter!
00:38:51Good morning, love
00:38:53Father, I'm preparing breakfast for you.
00:38:55Good
00:38:57Eat quickly, there's no time.
00:39:04I'm very proud of you
00:39:08Thank you, son.
00:39:11I'm going to practice the horse while you have breakfast.
00:39:21I didn't want to tell him anything, love
00:39:23But the first time the little boy tells you that he is very proud of you
00:39:27I don't know
00:39:32What's wrong with you?
00:39:35The little boy, puffed up with dissatisfaction, tells you that and you make that sour face, don't you?
00:39:40I went to the blacksmith's wake
00:39:41No, no, no, no, no
00:39:43No
00:39:43Don't lose sight of me and focus on the fair.
00:39:48We're not here for mysteries
00:39:49A man has died
00:39:51I can't forget it
00:39:52Look, master, don't think I'm insensitive.
00:39:55I'm also very sorry about poor Tomás.
00:39:58But don't overthink it, he committed suicide, period.
00:40:02No
00:40:04Something's fishy there, Sato
00:40:05But how strange, how strange indeed!
00:40:09Have you ever committed suicide?
00:40:10No, right?
00:40:12Do you know what a normal suicide is like?
00:40:14Neither
00:40:15Well, stop with the crazy ideas.
00:40:27Wait, Sato
00:40:30The wound on Tomás's wrist
00:40:32It was from the inside out.
00:40:35If it had been him
00:40:36It would be from the outside in.
00:40:39They have killed me
00:40:42Love, please, there's no time
00:40:44You are the only representative of the people
00:40:46So fight, win for those people
00:40:48And if you want to find out something about poor Tomás, go ahead.
00:40:51But not today
00:40:52Tomorrow
00:41:14Irene
00:41:15I'm writing you this letter to tell you that I love you
00:41:19I feel like I'm betraying the one who has been a close friend to me.
00:41:22And I can't do that to him.
00:41:25I want to get far away from here as soon as I can
00:41:27Nuño
00:41:53No, no, no, no
00:42:20If you'll excuse me, I don't have much time.
00:42:22I remind you that I am the one who controls your time, Commissioner.
00:42:25Close the door
00:42:29Have you heard of the Trojan horse?
00:42:31The Greeks used it as a decoy against the Trojans.
00:42:34They breached their walls and wiped them out.
00:42:36Likewise, we Spaniards will eliminate the king of the English.
00:42:40Come closer
00:42:45This is the drawing of the golden bull
00:42:47Which our king will present today during the Games of Concord
00:42:53To Charles II of England
00:42:56The blacksmith forged it.
00:42:59That's why he's sending us to kill him.
00:43:00So that he wouldn't speak
00:43:02Our plan is as follows
00:43:04A man will hide inside.
00:43:07Two guards will escort him
00:43:09From my residence to your destination
00:43:11After the match
00:43:13That same night our man
00:43:15He will stealthily emerge from inside the bull
00:43:19Like the Greeks did with the Trojan horse
00:43:22And he will kill the monarch
00:43:27And who will be chosen?
00:43:30Choose one of your men
00:43:33But keep his mother
00:43:35Until he completes the mission
00:43:45No, no, no, no, no
00:44:07Hello good
00:44:09Have you come to see me?
00:44:11No, I've come to see my brother-in-law.
00:44:14So you're not going to wish me luck?
00:44:18Between family and...
00:44:19And a stranger
00:44:27Come with me to England
00:44:32That's what I wanted to tell you
00:44:41My king calls me
00:44:43I'm leaving tomorrow at noon.
00:44:45I'll wait for you where we met.
00:44:59From the ignorance that haunts me
00:45:02I have read a book of chivalry
00:45:03The shield must be worn
00:45:04Always protecting his chest and heart
00:45:07Don't worry, I know what I have to do
00:45:09But thanks for your advice, Sato.
00:45:12Let's take a count
00:45:13We've got everything, right?
00:45:14I'll wear the suit.
00:45:16The helmet
00:45:17I'm bringing the ointment for chafing.
00:45:20And the water
00:45:22Mother of God, I was born in the water.
00:45:23Cipri brought it
00:45:24Where is?
00:45:25I'm here
00:45:26Cipri
00:45:26And the water?
00:45:28I've forgotten
00:45:30May you be forgotten
00:45:31For one thing I ask of you?
00:45:32It doesn't matter
00:45:33No, well, you're already looking for it.
00:45:34Even if it's under the rocks
00:45:35Cipri
00:45:35Gonzalo
00:45:42Are?
00:45:45Come on, I've never seen you dressed like that before.
00:45:47I don't know if I'll pull it off as well as Captain Patrick, but...
00:45:51Well, he's more of a military man and...
00:45:54You are more of a master
00:45:56Yeah
00:45:59Be very careful, Gonzalo
00:46:02I'll have it
00:46:32Okay
00:46:32Where was I?
00:46:33I've searched for her on...
00:46:34But what are you doing there so calmly?
00:46:36And why should I be nervous?
00:46:37If the weather is great
00:46:39I like the coffee
00:46:41And they've already found the culprit.
00:46:43What do you mean they've already caught the culprit?
00:46:44Yes, and it was the gardener.
00:46:45And the idiot left the evidence of the crime in the basket
00:46:49Mother
00:46:51Are you the mind of a criminal trapped in the body of a lady?
00:46:58Why is the chiviria covered?
00:46:59Well, everyone knows the shot was terrible.
00:47:02But it did work well.
00:47:03No! And don't even think about touching it!
00:47:08Mother
00:47:08Did you put it inside your body?
00:47:10From the daughter of the count
00:47:12And what did you want me to do?
00:47:14Hey?
00:47:14Keep looking for the body
00:47:15It was the only way to hide it
00:47:20Ah, commissioner
00:47:22I am very grateful that you found the culprit
00:47:24Now all that remains is
00:47:26That bastard deserves just punishment.
00:47:28I'm afraid the Count of Abrantes has already taken care of it.
00:47:32The gardener's attributes are now food for the vultures.
00:47:39Excuse me, sir
00:47:40But Father Eusebio wants to see him
00:47:53Commissioner, I'm sorry to bother you
00:47:54But I have to tell you something about Francisco, the gardener
00:47:59That poor man is paying for something he didn't do.
00:48:03He's implying that I've made a mistake in doing my job.
00:48:05He couldn't be
00:48:06He spent the whole morning at our monastery
00:48:13He comes whenever he can to help us in the garden
00:48:16He is a good man
00:48:18Are you sure he wasn't able to sit down at any point?
00:48:21I was with him one-on-one
00:48:23All day planting seeds
00:48:26He wasn't
00:48:30You may leave
00:48:38Excuse me, commissioner, not again, but it's urgent
00:48:45Report to my palace immediately
00:49:19Is something wrong, commissioner?
00:49:39Count Abrantes' daughter died here
00:50:01Before the games begin
00:50:04I would like to give you a present
00:50:07Spain should be proud
00:50:11They not only have a valiant king
00:50:14But also magnanimous
00:50:16Thank you for your words
00:50:25Your Majesty
00:50:27King Philip IV
00:50:30Officially declares the start of the Concord Games
00:50:33Between Spain and England
00:50:36The Zafra tuque
00:50:37And Sergeant Wells
00:50:39They will be the first to challenge you
00:50:50This isn't the supply store either.
00:50:52Let's go
00:50:52Oh, Cipri, wait
00:50:53We just arrived and you already want to leave
00:50:56Let me take a look for a little bit
00:51:04Come on, let's go
00:51:08What's happening?
00:51:11Oh, Cipri, I don't know what
00:51:13Amidst all the uniforms and all the spears
00:51:16I'm imagining you dressed as a gentleman
00:51:20Dressed like that, even a little thing like me, Ana
00:51:22Hey, don't be insignificant, you're very big, Cipri
00:51:25Very big
00:51:27You who look upon me with kind eyes
00:51:31The truth is, I had thought about signing up for the jousts.
00:51:35But since I'm a...
00:51:36You're recovering, Cipri
00:51:38Of course I would have signed you up, but that's not how it works
00:51:49Where are you going?
00:52:03Where are you going?
00:52:10What's happening?
00:52:10Estáis seemes bastante confident
00:52:11Well, Captain
00:52:13We must make sure that we wipe the smile from their faces
00:52:17Indeed, we will
00:52:28And remember to reinforce your left flank, Your Majesty
00:52:31Philippe IV knows his enemy's weakness
00:52:33He's a good soldier
00:52:34And I, your king, am not
00:52:37Of course, Your Highness, I didn't mean
00:52:40Captain
00:52:41If trickery wins me the battle
00:52:42It makes me a better strategist
00:52:44Not a worse soldier
00:52:47Of course
00:52:52Put the poison on the lance
00:53:17Your Majesty
00:53:19I've got an Englandar on your side
00:53:21I've got an Englandar on your side
00:53:25I've got an Englandar on your side
00:53:26I've got an Englandar on your side
00:53:28I've got an Englandar on your side
00:53:30I've got an Englandar on your side
00:53:36I've got an Englandar on your side
00:53:37I've got an Englandar on your side
00:53:41I've got an Englandar on your side
00:53:41I've got an Englandar on your side
00:53:41I've got an Englandar on your side
00:53:42I've got an Englandar on your side
00:53:42I've got an Englandar on your side
00:53:42I've got an Englandar on your side
00:53:42I've got an Englandar on your side
00:53:42I've got an Englandar on your side
00:53:43I've got an Englandar on your side
00:53:43I've got an Englandar on your side
00:53:45I've got an Englandar on your side
00:54:09Did you send for me, Your Eminence?
00:54:10Yeah.
00:54:14I have been informed that the person in charge of killing the English monarch
00:54:18He appeared unconscious in my stables.
00:54:21Someone has discovered us, commissioner.
00:54:24Who else have you informed about our plans?
00:54:30Nobody.
00:54:32Only the one who was going on the mission knew, and he hasn't spoken.
00:54:34I have your mother, as you ordered.
00:54:36If the English find out, they will soon declare war.
00:54:41Do you know who our monarch is going to blame?
00:54:44Was the man able to see the attacker?
00:54:49The man could see that he was blond and ripped this button off.
00:54:59N.S.
00:55:03It just can't be.
00:55:04The aggressor could have overheard the conversation you and I had in his own palace.
00:55:12N.S.
00:55:14Nuño de Santillana.
00:55:17I know for a fact that he wanted to curry favor with His Majesty so that he wouldn't be sent to war.
00:55:24He is the one inside the bull.
00:55:28Will I stop that madness?
00:55:29No.
00:55:31His Majesty is not yet aware of the incident.
00:55:35We will continue with our plans.
00:55:39I don't intend to allow it.
00:55:41Commissar.
00:55:44What is it that you refuse to allow?
00:55:47The situation is perfect.
00:55:49If the boy manages to kill the English king, we will have achieved our goal.
00:55:55If he does not, it will be considered a childish prank and Spain will be free of all suspicion.
00:56:04He's a child.
00:56:06He is not ready.
00:56:07You know it will kill him.
00:56:10Nor do you trust the instruction you have given him.
00:56:17You will have to shoot.
00:56:19Guards!
00:56:22Speak up!
00:56:33Are you going to England with him?
00:56:37Wait for my answer tomorrow, at the place where I am saved.
00:56:40Well.
00:56:41Well, you see, where I had bad intentions there was only a desire to be upfront.
00:56:46Yes, and so directly.
00:56:54Margarita, if you leave I'm going to miss you a lot.
00:56:58But come on, I'll understand because finding a man who respects you, who loves you, isn't easy.
00:57:09I wish that for once in my life normal things would happen to me.
00:57:13I don't know why everything always has to be so complicated.
00:57:16What a welcome to life.
00:57:18Come on, let's get a good spot to see the joust.
00:57:34Thank you.
00:57:40Whoever falls, let them rise with honor.
00:57:44So be it.
00:57:46The fair one.
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01:08:25What's happening?
01:08:58Soldier me! Soldier me!
01:09:11Soldier me!
01:09:20Soldier me!
01:09:47That's incredible! You've won the competition, Dad! You've won!
01:09:50You should have seen him. The champion next to him would look like a circus puppeteer.
01:09:59What's that?
01:10:01I'm taking my leave in your honor, Father. Everyone is celebrating the victory over the English.
01:10:05And it's a miracle they won't name a street after him.
01:10:09I'm sure you're okay, Dad.
01:10:11Yes, don't worry. It's just a wound from the blow.
01:10:15Go on, take the saddle off the horse.
01:10:17Okay, let's go.
01:10:18He's earned a good rest.
01:10:25Damn it, but that doesn't look good at all.
01:10:29His bones may have cracked inside, but the blow was quite something.
01:10:33The strange thing is that my arm is falling asleep.
01:10:37I once got hit hard here on the leg, and it left me completely numb for two days.
01:10:43Let's see if it's going to be the same.
01:10:46No.
01:10:47I feel like when that snake bit me.
01:10:50No, love, no.
01:10:52Don't say that, for God's sake, because then come the sweats, the fever, and the inability to move.
01:10:58Gonzalo.
01:11:01Gonzalo, are you okay?
01:11:02I'm fine, I'm fine.
01:11:03No, no, no, it's not right.
01:11:05It's bad. How can that English demon be doing, he's left his arm in a mess?
01:11:10Well, the king is also unwell.
01:11:13The cook's sister works at the Royal Palace and says that he fell ill after the tournament.
01:11:27Cool, Lance!
01:11:33The spear that wounded the king is the same one that Captain Patrick later used against me.
01:11:40I think she was poisoned.
01:11:43How poisoned?
01:11:44Margarita, put some water on to boil. I need to clean my wound.
01:11:48Yeah.
01:11:52So what do we do now?
01:11:56He wants me to suck inside his arm like that and get the poison out.
01:12:00Don't get flustered, it wouldn't do any good.
01:12:03The poison is already spreading throughout the body.
01:12:06Furthermore, without knowing who infected us,
01:12:09We also cannot know what the cure is.
01:12:12So, my love, they have poisoned the king.
01:12:14That means that...
01:12:15not to leave him bedridden, but rather to...
01:12:21to kill him.
01:12:24That means you...
01:12:29Cipri.
01:12:30Gonzalo.
01:12:31Hey, Cipri has arrived home.
01:12:33It's not the right time, Catalina.
01:12:34So, the last time I saw you, you were in the English king's tent looking for water and
01:12:37He has not returned.
01:12:38I'm telling you, Catalina, it's not the right time.
01:12:41Don't worry, Catalina. He was just delayed walking back.
01:12:44And how are you?
01:12:46That's good, that's good.
01:12:47Don't worry. We'll let you know when he gets back.
01:12:52So, let me know, okay?
01:12:55Bye bye.
01:12:58That's right, love.
01:13:00That Cipriano never returned with the water.
01:13:27Don't worry.
01:13:31Don't worry.
01:13:33Don't worry.
01:13:46Don't worry.
01:13:50Don't worry.
01:13:51Don't worry.
01:13:52Don't worry.
01:14:09Don't worry.
01:14:26No, no, no.
01:14:40No, no, no.
01:14:53Let's go.
01:15:08Let's go.
01:15:09Let's go.
01:15:10Let's go.
01:15:11Let's go.
01:15:12Let's go.
01:15:12Thank you!
01:15:42I want to die.
01:15:45I want to die.
01:16:03Let me go!
01:16:05Let me go!
01:16:13I'm sorry.
01:16:16He is noble.
01:16:18He has the right to a fair trial.
01:16:19To a fair trial?
01:16:22I am about to kill my king.
01:16:26Carrie, with the plan!
01:16:38Runs!
01:16:39Go!
01:16:41Go!
01:16:47Go!
01:16:48Go!
01:16:49Go!
01:17:07Go!
01:17:08Because you haven't heard.
01:17:11I will be with you until the end.
01:17:13I'm not going to leave you alone.
01:17:17Prepare your weapons!
01:17:40Here you go!
01:17:54Luño, there's something you need to know.
01:17:59That?
01:18:02I...
01:18:15Get ready, don't miss out!
01:18:19Get ready, don't miss out!
01:18:31Get ready, don't miss out!
01:18:38We have to get out of here
01:18:48I know I saw that book
01:18:52I saw that book that was about poisons
01:18:54And how to cure them
01:18:58You have to walk around here
01:19:00Come on
01:19:02Master, how are you?
01:19:04He's better.
01:19:05Okay, it's okay.
01:19:07No, no, no, that's not right, sit down
01:19:10Sit down, for God's sake.
01:19:12This is starting to get dizzy.
01:19:14Poison is beginning to spread throughout the body
01:19:19How much will reach the heart?
01:19:20No
01:19:22No, no, that can't be, I love you
01:19:25I'm sure one of his books
01:19:28It tells how to cure him
01:19:29There was someone around here who said so.
01:19:31But I just can't find it.
01:19:36Jump, jump
01:19:45Leap
01:19:45Leap
01:19:58Leap
01:20:06Leap
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01:20:08Leap
01:20:09Leap
01:20:10Leap
01:20:12Leap
01:20:13Leap
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01:20:29And that dog?
01:20:31I don't know, mother, but look where you are.
01:20:33He smelled the corpse.
01:20:35But mother, don't you see where you are? You're not moving from there.
01:20:59When the dog is dead, the rabies is over.
01:21:01Pass me the buns.
01:21:14Damn ugly ones!
01:21:20A little face.
01:21:21Because of you, the king and my brother-in-law are about to die.
01:21:24That has nothing to do with how I feel about you.
01:21:27Oh, no.
01:21:27Killing my brother-in-law has nothing to do with me.
01:21:30Don't you think I enjoy putting innocent lives at risk?
01:21:33So why do you do it?
01:21:36Because I am a soldier and I owe my allegiance to my superiors.
01:21:40But you don't think or act for yourself.
01:21:42You're only loyal to one position, huh?
01:21:45Well, the only loyalty I know is the one I owe to my family.
01:21:50The little face received an order, it had to obey it, understand that.
01:21:54I owe my allegiance to my king.
01:21:56Your father.
01:21:58Who taught you to do things so well.
01:22:03What do you think he would think of you now?
01:22:17Wait.
01:22:22I know how you can save them.
01:22:43I'm sure what Aunt Margarita said will work.
01:22:46It's been like this for a long time.
01:22:48Breathe.
01:22:49Of course he breathes.
01:22:50Your father breathes lightly when he sleeps, not thunders.
01:22:55Do you see it?
01:22:57Father.
01:22:59Are you OK?
01:23:01I'm fine, son.
01:23:05Satur, the king.
01:23:06No, no, no.
01:23:07We need to bring him the cure.
01:23:07Don't worry, I've already done it.
01:23:11But you're fine.
01:23:14Feel all parts of your body.
01:23:16The major and minor limbs.
01:23:20I'm fine, Satur.
01:23:21I feel them all.
01:23:23Let me see if that's true.
01:23:28Let's see.
01:23:29Stay still.
01:23:30What are you doing?
01:23:34The mother who gave birth to me, well yes, that's good, yes.
01:23:37Jato, I'm sorry, but it was you.
01:23:39Thank goodness I warned the king.
01:23:41If it was already difficult for me to get in with these nails,
01:23:43Imagine yourself like this, hunched over with your hands on your balls.
01:23:46I have to tell Babi about this.
01:23:48Can?
01:23:49Go on, let's see.
01:23:51Strip.
01:23:52Are you OK?
01:24:00What are you doing?
01:24:02The stone we found at the fountain of truth.
01:24:04It's made of amber.
01:24:06Amber?
01:24:07Forgive me, my love, but...
01:24:10Is that treasure or a trinket?
01:24:13I say this mainly because I don't want to get my hopes up.
01:24:16We would call it a treasure.
01:24:18But what does "treasure" mean? That means...
01:24:20The treasure is out there, scattered everywhere.
01:24:25I say, it is God's will that treasures be piled up and gathered in one place.
01:24:30It looks like there's something inside.
01:24:35And that bug?
01:24:37A beetle.
01:24:38And how did that wretch get in there?
01:24:40Amber fell on it and it fossilized over the years.
01:24:45It is an Egyptian species.
01:24:50Egyptian.
01:24:51Come on, let's go.
01:24:52Tell me that you and I are going to have to go there to the army now.
01:25:02Catalina?
01:25:03Wait, wait, wait, wait.
01:25:05Stay there.
01:25:06Stay there.
01:25:07Don't move.
01:25:08Don't move.
01:25:10What's happening?
01:25:14What's happening?
01:25:16And this?
01:25:17I made it for you.
01:25:19But why, for me?
01:25:20My birthday isn't until May.
01:25:22Why?
01:25:23Come on, come here.
01:25:24Sit down.
01:25:27Girl, you are aware of what you have done.
01:25:30Margarita hasn't saved the chicken vendor's life.
01:25:33That saved the king's life.
01:25:36And they haven't erected a monument to you.
01:25:38But your friend has made you a cake.
01:25:39So come on.
01:25:40You don't have to look upset, Catalina.
01:25:45Come on.
01:25:46Let's see.
01:25:56In the end, English was contributed, huh?
01:26:00He saved your king's life.
01:26:01And he did it for you.
01:26:03What more proof of love do you want?
01:26:08Mother, that...
01:26:10And it's going to be a two-person affair.
01:26:12Go!
01:26:14Lady!
01:26:16Keep going because you won't waste time with this one.
01:26:19Don't wait for me.
01:26:33I wanted to thank you for what you've done.
01:26:36I know you've added a lot and...
01:26:56AND...
01:27:04Dear Gonzalo, I am writing you this letter because I don't have the courage to tell you face to face.
01:27:08I'm going with Captain Patrick to start a new life.
01:27:11What has gone with English?
01:27:14It's only a matter of time before he finds the body of the Count of Abrantes' daughter.
01:27:17And when they do, their heads will roll in the town square.
01:27:23I will look for a priest.
01:27:24We will get married in this very castle.
01:27:28Mother, who gave birth to me.
01:27:29You don't have a normal enemy.
01:27:31When I met a contortionist, I lifted one leg, twisted it, lifted the other, and she had
01:27:36the entire tent that...
01:27:37We get the idea.
01:27:40Come on, get me out of here!
01:27:48This joint!
01:27:49Which God is here?
01:27:52Stop! Stop immediately! Stop!
01:27:55I prefer to die facing what awaits me.