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00:00:07Sato, I have lost my mother, but I will find my father.
00:00:11The most beautiful woman in the kingdom will be chosen, and she will be rewarded with a lavish dress and a trip to France.
00:00:21Democracy is over.
00:00:23When the wearer of the dress pays homage to the French prime minister, an explosion will destroy everything.
00:00:35If the problem is that there are no Spanish women in the Americas, there will be.
00:00:42They are taken thousands of leagues away from what they love most. They are treated like slaves.
00:00:47Don't touch him.
00:00:48Please excuse the misunderstanding.
00:00:50Good sir.
00:00:50When did this happen?
00:00:51Good night.
00:00:52It's clear that one of them killed him.
00:00:55Oh, really? And how? We're all in this together.
00:01:02I'm going to win that contest.
00:01:05If you win, they'll send you to France. And you've just come back home.
00:01:10So you missed me.
00:01:11Those women don't deserve to be taken away, you're right.
00:01:14But then why don't we take up our swords?
00:01:16His parents, all of us.
00:01:18You are still very weak.
00:01:21You are?
00:01:23Yeah.
00:01:25My name is Adrián Vega.
00:01:26Can you understand me?
00:01:27Don't talk to me like I'm crazy.
00:01:29I'm not.
00:01:30Carmen!
00:01:31She's my niece.
00:01:32Let me come and enter the competition.
00:01:34To the most beautiful woman in the kingdom.
00:01:35Wait.
00:01:36Don't touch me, don't touch me.
00:01:37You talk about dialogue because you're afraid.
00:01:40I'm sorry I'm not the way you want me to be.
00:01:42In this area lies the torrent of solitude.
00:01:44This is where they are taking the women.
00:01:47I thought he was dead. What's he doing here?
00:01:49Survive.
00:01:50No, no, no, no!
00:01:51What are they going to do with her?
00:01:52Do you know where the wigs worn by noblewomen come from?
00:01:57I want you to know that this is the most humiliating thing I have had to do since I have been in your service.
00:02:02You are the one who can best camouflage yourself among them.
00:02:04Oh no!
00:02:05I'm going to rub salt in that wound.
00:02:08I have a trick to completely remove the signs of exhaustion.
00:02:11My name is Saturno Garcia and I have come to rescue them.
00:02:15Get naked!
00:02:19Clemency!
00:02:20Cut it flush with your skull.
00:02:23Let me!
00:02:31Let her go.
00:02:32I want it for myself.
00:02:33And I want it perfect.
00:02:39God has not given me anything, for God's sake!
00:02:41No!
00:02:48I'm here to help you.
00:03:10Come on, we've been looking all night.
00:03:13It's just that Alonso and I have already gone back home.
00:03:15No, and if that's the case, I know you're not much of a hitter, but I'll give you a ride
00:03:18with my open hand I put my face to his like a village peacemaker.
00:03:22I know my son, Satur.
00:03:23And the letter made his intentions quite clear.
00:03:25Maybe it's lost, who knows.
00:03:28That kids nowadays are kind of scatterbrained.
00:03:31Where are you, Alonso?
00:03:33Where?
00:03:45Have you seen anything, love?
00:03:47There is blood here.
00:03:58And here are signs of struggle.
00:04:05Could it not be Alonso and me?
00:04:08Perhaps the guards ran into some bandits.
00:04:23It's not Alonso's.
00:04:27It belongs to Gaby.
00:04:31Satur by Gaby.
00:04:32You're sure?
00:04:34Of course I'm sure, love.
00:04:35Myself, according to God.
00:04:42It's in my blood.
00:04:49Satur.
00:04:58Satur.
00:05:02Satur.
00:05:04Satur.
00:05:07Satur.
00:05:36Thanks for watching the video.
00:05:56Thanks for watching the video.
00:06:08A mixed-race person. A guard would never leave alive someone who has killed his comrades.
00:07:06Thanks for watching the video.
00:07:13Thanks for watching the video.
00:07:40Thanks for watching the video.
00:08:08Does it...
00:08:11Does the document state who it is about?
00:08:28Does the document state who it is about?
00:09:03Does the document state who it is about?
00:09:32Does the document state who it is about?
00:09:51Does the document state who it is about?
00:10:26Does the document state who it is about?
00:10:29Lady?
00:10:30Be quiet!
00:10:31Child...
00:10:32Child...
00:10:32Don't you dare leave me hanging, kid!
00:10:47Put the document number of who it is!
00:10:54Put the document number of who it is!
00:11:44Put the document number of who it is!
00:11:47Put the document number of who it is!
00:11:59Put the document number of who it is!
00:12:04Put the document number of who it is!
00:12:06It's with you!
00:12:08Put the document number of who it is!
00:12:10Put the document number of who it is!
00:12:10The thing is, he denies it because
00:12:11There is another truth in all of this!
00:12:13No way!
00:12:16I'm not going to waste any time
00:12:17Discussing this with you!
00:12:20He's afraid to hear the truth, but
00:12:21I'll tell you.
00:12:23Your son and mine are dead, love...
00:12:26Because of him.
00:12:28It's all their damn fault.
00:12:30He hears me.
00:12:33Dead.
00:12:41I have to go find them
00:12:50Wait here
00:13:29Beautiful, isn't it?
00:13:30There it is
00:13:33Such an instrument can only come from the mind of a man
00:13:37Had you seen it before?
00:13:38Yeah
00:13:40Yes, I saw it in a print.
00:13:44Then you'll know how it works
00:14:08When do these doors close?
00:14:11The points dig into your body
00:14:14But you don't die immediately.
00:14:17You writhe in pain for days.
00:14:24But I didn't call you to talk about such unpleasant things.
00:14:30I need to ask you a favor
00:14:32Of course, Your Majesty
00:14:33Whatever you wish
00:14:37The king thinks
00:14:40Mistakenly
00:14:40I have a lover
00:14:48I want to dispel any doubts you may have about me.
00:14:52Honesty
00:14:54Majesty
00:14:54I don't know how I can help you with this matter.
00:14:57I do
00:14:59You must sleep with the Duke of Uceda
00:15:00In this way the king will be reassured
00:15:03It's not a pleasant assignment.
00:15:08You'll get through this
00:15:10Surely His Majesty has trustworthy maids.
00:15:12They could do a better job than I could.
00:15:15There is no one with your popularity in the entire kingdom
00:15:19I want a public scandal
00:15:22As it says
00:15:24You will do it at the place I tell you.
00:15:32I will not do such a thing
00:15:36Of course you will
00:15:40Nobody wants to have an enemy.
00:15:42To a queen
00:15:43Majesty
00:15:45Your Majesty, I beg you
00:15:46There are other ways to do it
00:15:51None as effective
00:15:55You need to hurry
00:15:56Your lover is waiting for you.
00:16:01Majesty
00:16:04That's what it takes
00:16:16Oh my god
00:16:19Tsk
00:16:22Tsk
00:16:22That's what I think
00:16:22or other
00:16:24to
00:16:24Tsk
00:16:30autumn
00:16:33If you're going to follow me, I'd rather you be by my side.
00:16:37There you're an easy target.
00:16:47Have you found anything?
00:16:51No.
00:16:52No car tracks or anything like that.
00:16:55The guards had to change their route.
00:16:57They were probably notified when we rescued the women from the tower.
00:17:01And what does he plan to do now?
00:17:03Keep searching.
00:17:05It's impossible to trace all the paths.
00:17:09It would take you months.
00:17:14Do you still think they're dead?
00:17:19I still think about everything I said.
00:17:24So why have you come?
00:17:25Because I need to see them.
00:17:28I don't care about anything else.
00:17:32I need to see them, even if they're dead.
00:17:37Me too.
00:17:55They are going to execute him.
00:18:02Look.
00:18:05They took what they had.
00:18:09It's them, master.
00:18:10Am I sure?
00:18:11Samo, samo, samo, samo!
00:18:15That's my Gaby.
00:18:17That's it.
00:18:25Samo, samo!
00:18:30Samo, samo!
00:18:32Samo!
00:18:38Samo!
00:18:43Samo!
00:19:12Thank you!
00:19:33Let's go! Let's go!
00:19:48You can go. Let's go!
00:20:26Come on!
00:20:28Come on!
00:20:41Come on!
00:20:49Calm down, calm down, calm down.
00:20:51Do you remember me? I am Gonzalo de Montalvo, the teacher.
00:20:54You're in my house, don't worry.
00:21:02What... what happened to me?
00:21:04We found you in the forest.
00:21:06Listen, it's very important that you help us.
00:21:08How did you get to the road?
00:21:10The children. There were some children with you.
00:21:13Hey?
00:21:14One had long brown hair and the other was shorter.
00:21:17Are their names Alonso and Gaby?
00:21:18No no.
00:21:21There was a fight and gunshots and...
00:21:24And no, I don't know. It all happened very quickly.
00:21:28Are they alive?
00:21:29They hurt one, the... the smallest one.
00:21:34To Gaby?
00:21:36What are you saying about my Gaby, love?
00:21:40There was a lot of blood.
00:21:42Listen, where were they taking you?
00:21:45I don't know, I don't know, I want to go home, please, can you...?
00:21:48I don't know everything you're going through, but it's very important that you remember.
00:21:51Our children's lives depend on it.
00:21:52She doesn't talk about the fact that my son is bleeding out.
00:21:57It's not her fault.
00:22:00God, I'm trying to reason with you, love, forgive me. I don't know what's wrong with me.
00:22:06Peaceful.
00:22:08We stopped in a clearing in the forest.
00:22:12What was it like?
00:22:14Was there anything that caught your attention?
00:22:16Yes, there was like...
00:22:18A cross and a guard said it was...
00:22:20The Wailing Cross or...
00:22:26Am I where is it?
00:22:27Do you think we'll arrive on time?
00:22:33There's only one way to find out.
00:22:47Well?
00:22:50Any news about Monsignor Adrián?
00:22:54He left the Palace in the early hours of the morning, Your Eminence.
00:22:57And where did he go?
00:23:00We don't know.
00:23:02We lost him in the woods.
00:23:08Useless!
00:23:12Useless!
00:23:14We're useless!
00:23:19Everything is ready.
00:23:21Majesty.
00:23:23Excuse me, sir.
00:23:24You have arrived earlier than expected.
00:23:28Luis.
00:23:31That's right, sir.
00:23:33Duke Ducet has confirmed his attendance at the race.
00:23:39What I want to know is how he's going to die.
00:23:42We have set a trap for him by the side of the road.
00:23:47And one of my men, in the heat of the race, will push him.
00:23:52A fall.
00:23:55I expected more from you...
00:23:58sophisticated.
00:24:00Have faith, sir.
00:24:02The horror that awaits him inside is difficult to describe.
00:24:07Oh, really?
00:24:11Hey...
00:24:11I'll show you.
00:24:18Luis!
00:24:26We will leave him without food for several days.
00:24:31In that way, it will behave in a lukewarm manner.
00:24:39When the duke falls into that hole, he won't stand a chance.
00:25:06No, no, no...
00:25:10The man...
00:25:11Casual, no…
00:25:18No, no, no!
00:25:24The man…
00:25:35Nebra at that moment.
00:25:59What are you doing here?
00:26:01I suppose the same as you.
00:26:03Reconnoiter the terrain where the race will start.
00:26:06It was one of your first lessons.
00:26:08My first lesson was not to put your life at risk unless it is strictly necessary.
00:26:13Does your mother know you're training?
00:26:15I don't need my mother's permission, nor yours.
00:26:19That's true. You're old enough to make your own decisions.
00:26:22It's a shame they're so stupid.
00:26:26Insulting me won't convince me.
00:26:29I see that nothing is going to change your mind, right?
00:26:31That?
00:26:38Did it help you?
00:26:40No.
00:26:41The wound is sowing seeds.
00:26:46Do not touch me.
00:26:48If you don't change that bandage, the wound can become infected again.
00:26:51I'll do it at the palace.
00:26:52What's wrong?
00:26:54Nothing.
00:26:55Nothing?
00:26:56Have you forgotten who I am?
00:26:58I know you better than anyone, silly girl.
00:27:00You can't fool me.
00:27:02Lately you've been treating me like...
00:27:03as if you hated me, as if I were a rival.
00:27:06Now you are.
00:27:08I'm going to win that race.
00:27:10All of this can't be because of that stupid race.
00:27:14There has to be something more, and you're going to tell me about it.
00:27:17No.
00:27:20No.
00:27:28No.
00:27:29No.
00:27:31No.
00:27:33No.
00:27:34No.
00:27:34No.
00:27:34No.
00:27:35No.
00:27:43Commissar.
00:27:47The Marchioness.
00:27:51If I didn't know I was going to starve to death, I would leave this palace right now.
00:27:57Oh, blessed be the Lord, fornicating in the house of God.
00:28:00They say they found her in Arcajadas, on top of the duke, like a dog in heat.
00:28:04Repeat that.
00:28:09I told you to repeat it.
00:28:11Commissioner...
00:28:12Hernán.
00:28:14I've told you not to bother the servants.
00:28:18Leave us alone.
00:28:29It's true.
00:28:34True what?
00:28:36You know I'm not very good with riddles.
00:28:39That they found you lying inside a church.
00:28:48That's none of your business.
00:28:50Can you tell me what's wrong, Lucrecia?
00:28:52You couldn't even wait to find a bed.
00:28:57Let's just say I found the right man at the right time.
00:29:02That's exactly what the prostitutes tell me when I take them to jail.
00:29:07You've lost respect for everything.
00:29:10The church is a sacred place and you have turned it into a brothel.
00:29:15No.
00:29:21No.
00:29:23No.
00:29:51This is the place.
00:29:55But they're gone now.
00:29:58We need to find the cart tracks, Satur.
00:30:05Please, sir, return the six who were saved to us.
00:30:10Thank you.
00:30:12Thank you.
00:30:20Thank you.
00:30:47They've been burned.
00:30:48They've burned us.
00:30:59They've burned us.
00:31:21They've burned us.
00:31:32Did a client do it for you?
00:31:34No, father.
00:31:35They left.
00:31:36They left on their own.
00:31:40Have you tried to cure them?
00:31:43Yes, but they came back.
00:31:47What's wrong with me, Father?
00:31:49Nobody wants to be with me with these wounds.
00:31:51I will starve to death.
00:32:22We shouldn't have come.
00:32:31Madam, don't you think it would be better to come and get the fabrics another day?
00:32:35I'll take them to the palace myself.
00:32:38Do you think I should hide like a rat?
00:32:41Is that right?
00:32:43Let this be the last time you make such an insinuation to me.
00:32:47Step aside.
00:32:50Open!
00:33:14No, ma'am, no.
00:33:33Go away, go away, go away, let's go home.
00:33:35Go on, go away.
00:33:45Do you know what I think?
00:33:47It was dark, there were shadows, and it seemed like a work of art to the marchioness.
00:33:50But it wasn't really her.
00:33:59He's asking me to lie.
00:34:01Yes, that's right.
00:34:03But don't worry, you can cleanse your conscience through countless pious works.
00:34:07I won't lie.
00:34:08What that woman did was a mortal sin.
00:34:11It is the house of God.
00:34:14It's astonishing that something so small can cause so much damage.
00:34:17I'm not afraid of you, commissioner.
00:34:19As you say, I am of an age and I am prepared to die.
00:34:22I only answer to God.
00:34:27Forward.
00:34:29I'm ready.
00:34:30He can kill me.
00:34:31But justice will be done.
00:34:41Go away.
00:34:43I don't know.
00:34:43I don't know.
00:34:51I don't know.
00:34:54I don't know.
00:35:02I don't know.
00:35:23Hello. Did you hear the screams? The marchioness has just been attacked in the street. They've left her naked. How awful.
00:35:38What? Gonzalo, didn't you hear me? Why aren't you answering me? What's wrong? Gonzalo? Gonzalo, are you okay? And Saturi,
00:36:00Alonso?
00:36:03Gonzalo, for God's sake, are you scaring me? Do you want to talk to me? Gonzalo, do you want to talk to me? You're scaring me! What's wrong?
00:36:13What? Saturi? Saturi? Saturi? What's wrong?
00:36:34Saturi? What's wrong? Saturi, tell me what's wrong? What? What?
00:37:13What? What? What? What? What? What? What? What? What? What? What? What? What? What? What? What? What? What? What?
00:37:26What? What? What? What? What? What? What? What? What? What? What? What? What? What? What? What? What? What? What?
00:37:26What? What? What? What? What? What? What? What? What? What? What? What? What? What? What? What? What? What? What?
00:37:27What? What? What? What? What? What? What? What? What? What? What? What? What? What?
00:38:01I don't understand why you waste your time getting dressed every morning, woman.
00:38:04You should feel uncomfortable wearing clothes.
00:38:09Hernán, if you like to look, your wife is just two doors down. Go to her and leave me alone.
00:38:14I only came in case you needed anything.
00:38:17I saw you enter the palace naked and it seemed strange to me, even for you.
00:38:22Some men stripped me naked in the middle of the street. Do you think I'm in the mood for jokes?
00:38:31I don't understand.
00:38:31After you have displayed your charms before God, all this must seem like a trifle to you.
00:38:38Look, I'm the Marchioness of Santillana, I'm untouchable.
00:38:44I want you to find those who did this and skin them alive.
00:38:49I want their corpses to decorate the gates of the villa, do you understand?
00:38:52Ma'am, you can't come in. Ma'am, please.
00:38:55I'm so sorry, ma'am.
00:38:58I am the Duchess of Uceda.
00:39:01Wife of his lover.
00:39:04I know perfectly well who he is.
00:39:12How dare you enter my palace like that?
00:39:14Fame at court did her justice, Marchioness.
00:39:18You're a whore, a cheap slut.
00:39:23It has ruined my life.
00:39:24Your husband has collaborated quite a bit in that work, ma'am.
00:39:29And passionately.
00:39:33And now he has no more complaints.
00:39:45He only came
00:39:47to tell him that he can stop looking for those responsible for what happened today.
00:39:53It was my idea.
00:39:55A small token of gratitude.
00:39:59You
00:40:00Now it tastes as good as I do.
00:40:02what it's like to feel defiled,
00:40:05naked in front of everyone.
00:40:16Enough!
00:40:17Enough is enough!
00:40:18Enough!
00:40:23Enough!
00:40:26Cipri, what are you doing here?
00:40:30What's happening?
00:40:36Cipri, what's wrong?
00:41:00Enough!
00:41:26What's happening?
00:41:44Cheer up, Satur. Cheer up.
00:42:01Cheer up, cheer up.
00:42:04Cheer up, cheer up.
00:42:07Cheer up.
00:42:14Cheer up.
00:42:19Cheer up.
00:42:20No, no, no.
00:43:19Because?
00:43:21Why did you do this to me?
00:43:24Why did I hear it?
00:43:32Satur!
00:43:34Satur!
00:43:38Satur!
00:43:59Satur!
00:44:00Satur!
00:44:07Satur!
00:44:09Satur!
00:44:11Satur!
00:44:15Satur!
00:44:19Satur!
00:44:41Satur!
00:44:50Satur!
00:45:19Satur!
00:45:47Satur!
00:45:53Satur!
00:45:59Satur!
00:46:01Satur!
00:46:09Satur!
00:46:28Satur!
00:46:30Satur!
00:46:58Satur!
00:46:59Satur!
00:47:02Satur!
00:47:34Satur!
00:47:35Satur!
00:47:41Satur!
00:47:48Satur!
00:48:02Satur!
00:48:03Satur!
00:48:05Satur!
00:48:32Satur!
00:48:33Satur!
00:48:35Satur!
00:48:42Satur!
00:48:51Satur!
00:48:53Satur!
00:48:54In the end,
00:48:55of the two,
00:48:58Maybe you're the hero.
00:49:26Are you sure you have what you say you have?
00:49:33I'm not even going to ask myself what's going on here, Lucrecia.
00:49:36Rozas the disease.
00:49:38You can leave.
00:49:43Hernán, my dear, why don't you use chains?
00:49:46If I'm going to spend the day like a ghost behind me, at least let me hear you coming.
00:49:52The one you loved, that boy?
00:49:54You don't mix with the riffraff if you don't produce something like me.
00:49:58Duchess Dulceda is looking for a stable boy to look after her favorite palfrey.
00:50:03Have you seen this boy's body?
00:50:06The duchess will not only want to ride her horse after seeing him.
00:50:09What are you trying to achieve with all this?
00:50:12I'll explain it to you.
00:50:14Like you're a child, Hernán.
00:50:18Waiter suffers from poor French.
00:50:21Young man frolics with duchess.
00:50:23Duchess catches bad French.
00:50:27Those who contract this disease suffer terrible fevers and their hair falls out in clumps.
00:50:32I think your revenge is disproportionate.
00:50:34That harpy humiliated me right there in the street.
00:50:36Do you think I care about the ratio?
00:50:38Madam Marchioness, a lackey from the archbishopric has brought this letter.
00:50:41It's for you.
00:50:56Bad news?
00:50:59They want to excommunicate me.
00:51:02How can I stop it?
00:51:07It is an ecclesiastical order.
00:51:08You can't.
00:51:09There has to be some way to stop it, Hernán.
00:51:12What you did in that church is very serious, Lucrecia.
00:51:15I will make donations.
00:51:17I will build convents.
00:51:18There's nothing money can't solve.
00:51:19It's not a matter of being educated, but of faith.
00:51:22You have defiled the symbols of all Christendom.
00:51:24Stop lecturing, Hernán.
00:51:26Do you know what it means to be excommunicated?
00:51:29You only think about yourself.
00:51:31Do you know what this will mean for the child?
00:51:34You should have thought about it before lifting your skirts.
00:51:37Now face the consequences.
00:51:55There's nothing money can't solve.
00:52:34I was trying to bring some order to all of this.
00:52:49Not even a day has passed.
00:52:53And you're already taking my son's things away.
00:53:00I was trying to stop you from doing it, Gonzalo.
00:53:03I'm sorry.
00:53:21Daisy.
00:53:25Daisy.
00:53:30I'm sorry.
00:53:45Did I come to tell you that I'm leaving?
00:53:50Where are you going?
00:53:56Far away, Margarita.
00:53:59Where every corner is not...
00:54:02Don't remind me, Alonso.
00:54:06And what about me, Gonzalo?
00:54:10You can't leave me alone now.
00:54:13You can't.
00:54:16You can't.
00:54:28You can't.
00:54:32Marten.
00:55:03I am a man
00:55:03I'm a man of the world, I've seen it all
00:55:06But, heaven forbid, in a confessional, besides being a grave sin, it must be quite uncomfortable
00:55:14You and I both know that there is no scandal that cannot be silenced
00:55:18Not this one
00:55:20Did you know that we had to burn down that confessional?
00:55:24None of my faithful followers could get within 20 paces
00:55:27And since when do you listen to what that girl says?
00:55:29Since his faith provides me with all the luxury you see
00:55:38The same faith that will give Lucrecia a martyrdom befitting her sin
00:55:44Martyrdom?
00:55:45What were the communions enough of?
00:55:48By recommendation of the archbishops and order of the Holy Inquisition
00:55:53The Marchioness of Santillana has been sentenced to wear a chastity belt.
00:56:02Lust has its price, commissioner
00:56:05The people will be satisfied with this decision.
00:56:33There's no need to saddle the other horse
00:56:37One is not enough for me
00:56:40And how do you want me to go?
00:56:42Walking?
00:56:44No, he doesn't look at me like that, love
00:56:47I plan to go wherever you go.
00:56:50No
00:56:52It's time for our paths to diverge.
00:56:55My love, I have sworn an oath to you as a squire and as a postilion
00:56:59And forgive me, but I don't intend to abandon you in the most difficult moment of your life.
00:57:04Sato
00:57:05Look at yourself
00:57:07You're going through the same thing as me and you only care about me
00:57:12You are free
00:57:14My decisions no longer affect you.
00:57:15No, no, no, no
00:57:16No, no, it doesn't work like that.
00:57:19The links do not
00:57:21They don't just disappear when you don't feel like it.
00:57:26And now less than ever
00:57:30Together we have lost our children, love
00:57:34And together we will go to the end
00:57:38Sato, I'm going to seek death
00:57:40I will embark to fight far from here in any war, anywhere.
00:57:43But for an even greater reason, so that I may go with you
00:57:47So that you may find that death you have sought for so long?
00:57:51Until when?
00:57:54No, Sato.
00:57:56It's dangerous.
00:57:57You want to live
00:57:59You're not coming
00:58:00And there's nothing more to say.
00:58:01Of course we need to talk
00:58:03I'm not going to let you walk through that door alone.
00:58:06I'm going with you
00:58:08And if necessary, then
00:58:10Well, I'm going to stand in front of a musket ball, a cannonball.
00:58:14To save your life
00:58:16Well, no way I'm going to do it
00:58:17No, Sato.
00:58:18No, neither Sato nor Leches
00:58:21I don't intend to leave him alone.
00:58:26Because more than his squire, I
00:58:30I am his friend
00:58:33And I'm not going to let him die, do you hear me?
00:58:39I will not allow it
00:59:08No
00:59:26Good choice.
00:59:28You seem like a devotee.
00:59:30Just what you need right now.
00:59:33Cardinal Mendoza always liked this dress.
00:59:37Will he be happy to give her another chance as a parishioner?
00:59:40I've come to talk to him, Lucrecia.
00:59:43You have nothing to do.
00:59:45Don't underestimate me, Hernán.
00:59:48Did I not go from being a maid to a marchioness because of my skill in the kitchen?
00:59:52I know.
00:59:53It is those virtues of yours that have led to your condemnation.
00:59:57I know they're going to excommunicate me.
00:59:59You don't need to come and remind me of it every single moment.
01:00:04You don't know everything, Lucrecia.
01:00:09The church decided to set an example with you.
01:00:12For example, how?
01:00:16Let's talk, Hernán.
01:00:19To take away my palace.
01:00:22My lands.
01:00:24Do they want you to wear a chastity belt?
01:00:29They must be making it public right now at the Holy Office tribunal.
01:00:41I'm sorry, Lucrecia.
01:00:43They will come this afternoon to enforce your sentence.
01:00:52How long will I have to wear it?
01:00:57They want you to wear it for the rest of your life.
01:01:00Leave me alone.
01:01:15No, no, no.
01:01:17No, no, no.
01:01:20No no.
01:02:09Subscribe to the channel!
01:02:15I can see a little.
01:02:20You're going to drink and then you're going to eat.
01:02:23Yeah.
01:02:24And then you'll take a bath.
01:02:26And when you've finished combing your hair and getting ready, we'll pick all this up.
01:02:29You and me, the two of us together.
01:02:33Alonso has died.
01:02:35And they've all left.
01:02:38Leave me alone, please.
01:02:40Yes, Alonso has died.
01:02:42And yes, they've all left.
01:02:43But you're still here, and so am I.
01:02:44And if you fall there, I'll be there to pick you up.
01:02:53Why are you doing this, Cipri?
01:02:56Because?
01:02:59When I was at rock bottom, this family saved me.
01:03:02And I don't plan to leave her now.
01:03:10If you don't want to eat, don't eat.
01:03:12But I'm going to be here giving you this plate and this bread every day, at all hours.
01:03:15Can you hear me?
01:03:17I'm not going to let you leave too.
01:03:44Come on, keep going.
01:03:51Here, have a bowl of warm milk.
01:03:53Well, father, we didn't make it.
01:03:55If I haven't worn the duvet cover my mother made me for Sundays, it's for no reason, okay?
01:04:00I'm not going to let my mother swallow that again.
01:04:02Shh!
01:04:05Shh!
01:04:07Shh!
01:04:07Shh!
01:04:08Shh!
01:04:10Shh!
01:04:15Where do you think I was going?
01:04:18Let's go! Up we go!
01:04:19Get it now!
01:04:20Have you heard that?
01:04:22Aren't you going to do anything that smacks of injustice and makes you want to back down?
01:04:25I am no longer the red eagle.
01:04:32Satur, come out!
01:04:34No, let's go.
01:04:35Why the hell would they go so far away to find death?
01:04:37If you want to die, do it here, at least defending your people.
01:04:41Satur, what is it you haven't understood!
01:04:43I said get out of my way!
01:04:45Now!
01:04:46In the end, his son was right.
01:04:50You are a coward.
01:04:51A fucking coward.
01:04:53Wait here.
01:04:58I brought this with me.
01:05:01His sword and his suit.
01:05:05Take this lie with you.
01:05:07Take it.
01:05:18Following the events between the Duke of Uceda and the Marchioness of Santillana,
01:05:24halt the celebration of the horse race until further notice.
01:05:31Perhaps we should ascertain the true nature of the meeting between the queen and the duke.
01:05:55I have traveled through the dunes of the Sahara.
01:05:58I've seen the sunrise in the rift.
01:06:00But I never found anything as splendid as you in those lands.
01:06:14Leave.
01:06:41Majesty.
01:06:44You have to help me, please.
01:06:47If you've come seeking my mercy, you're wasting your time, Lucrecia.
01:06:52I do not interfere in church affairs when the punishment is just.
01:06:58The scandal for which I am convicted, Your Majesty,
01:07:03It wasn't my idea.
01:07:08Speaks?
01:07:12Was...
01:07:14It was your wife the queen who suggested I do it.
01:07:23I didn't want...
01:07:26that you...
01:07:28that you...
01:07:31you discovered
01:07:32that the Duke of Uceda
01:07:35was really his lover.
01:07:40The Queen of Spain
01:07:42She has no lovers.
01:07:45How dare you?
01:07:47Majesty.
01:07:48I swear I'm telling you the truth.
01:07:50I command you
01:07:52that you stop defiling the name of your queen.
01:07:57Leave.
01:07:58Right now.
01:08:00Majesty.
01:08:02Majesty.
01:08:12Shit!
01:08:26Shit!
01:08:27Shit!
01:08:28Shit!
01:08:30Shit!
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01:15:44You'd better go inside.
01:15:48You have a lot to talk about.
01:16:18Look, I've had my share of hard knocks in this life, but this concentrated suffering we've been through, it's... it's
01:16:26that has no name.
01:16:32Sator, thank you.
01:16:36Thanks for what?
01:16:38You made me come back.
01:16:42Otherwise, they would really be dead and... it would have been my fault.
01:16:49If you're really messing things up, master.
01:16:52We've shed enough tears, you and I, to make the flood seem small.
01:16:57I believe there is nothing worse than losing a child.
01:17:03Here you go, please.
01:17:06Sator, what are you doing?
01:17:07The dog.
01:17:12They really hurt...
01:17:14Even the tests hurt.
01:17:16I don't know what I'm doing.
01:17:21Sator, whose charred corpses do you think they were?
01:17:27Because of some kids who were less lucky than ours.
01:17:37Where are you going now?
01:17:41Let's get some candles.
01:17:42But in abundance.
01:17:44I am going to build an altar to our Lord Jesus Christ.
01:17:47Neither the cathedral of Sigüenza nor that of Burgos.
01:17:49But like that, one on top of the other.
01:17:56There is nothing at the end.
01:18:06Please.
01:18:07There is nothing at the end.
01:18:19Come on!
01:18:19Come on!
01:18:36Love, I know you're not human, it's four in the morning.
01:18:46Can someone tell me what the hell you're doing there burning your eyelashes?
01:18:50I couldn't sleep, Satur.
01:18:54Well, I was lying on the mattress.
01:18:59And a beautiful, beautiful image came to me, I love it.
01:19:02Imagine the whole family, even Cipriano.
01:19:05All on the way to Santiago de Compostela.
01:19:07Satur, I'm not going to make any pilgrimage.
01:19:10Well, something has to be done.
01:19:13Our children are alive and it's all thanks to the Almighty.
01:19:19I've looked at birth certificates, death certificates, there's nothing.
01:19:24It's as if the people who appear in these documents never existed.
01:19:27No, no, no, no, come on, no.
01:19:28Don't come at me again with that "our lord and his children" nonsense, please.
01:19:33Satur, somehow my family is related to this list.
01:19:37I can't leave it out.
01:19:38Oh, damn it, I'm proposing an act of grace and you come to me, you come to me with this heresy.
01:19:42Satur.
01:19:43Sorry, sorry.
01:19:45Sorry.
01:19:46I'm sorry, love, I'm sorry if I've tarnished someone's name.
01:19:52It is the symbol of the black door.
01:19:55Which door?
01:19:56Speak in plain English, I can't understand.
01:19:58Satur, this is the emblem of the black door.
01:20:00According to legend, it carries an old book cemetery.
01:20:05Are we going to end up with books pulling each other's leg or what?
01:20:21They say that behind that door lie hidden works containing the greatest secrets of humanity.
01:20:24Stop, stop, stop, master, we don't have that many clues either.
01:20:27And doors galore.
01:20:30The fact that it is dark, therefore, does not reduce the field either.
01:20:33No one has ever seen that door with their own eyes.
01:20:36And nobody knows where he is.
01:20:38But you know what?
01:20:41We will be the first to find it.
01:20:56They are human teeth.
01:20:57You've been through worse, you'll overcome it.
01:21:00Nothing is worse than this.
01:21:04And do I know you?
01:21:06I came to offer you my services.
01:21:08I'm the best at making people laugh.
01:21:10At your feet, madam!
01:21:12Out!
01:21:13There's been a white smoke signal and I didn't even know about it.
01:21:15I need to go back to the forest and find out who did this.
01:21:18What a good bitch!
01:21:20Duke Dulceda will not make it out of this race alive.
01:21:27How dare you?
01:21:29Have you forgotten that you're under my roof?
01:21:33What's G doing?
01:21:35I want to know what you're like.
01:21:36I try to make you fall in love with me every day, my love.
01:21:40It's the key to every marriage.
01:21:45Out!
01:21:46No, no, no!