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00:00:01You're not doing it for yourself!
00:00:06Oh my God, master, I have never seen you so violent, nor so vengeful.
00:00:11It will serve to let everyone know the price that must be paid for what has been done to them.
00:00:15Good evening, Cardinal Mendoza.
00:00:20Richard Blake.
00:00:21The child has left.
00:00:23In this letter, he says goodbye forever.
00:00:25Love, don't be offended, for God's sake, the doctor is guilty.
00:00:28We know Juan. I find it hard to believe he would have done something like that.
00:00:31If Juan has killed his wife, he has to pay for it.
00:00:35I'll kill you, King!
00:00:36Wow, quick!
00:00:39Stress me out already.
00:00:41With great pleasure.
00:00:43In my jail I have a rabble, just like in his cell.
00:00:46A killer is a killer everywhere, okay, Aide?
00:00:51I will take care of you, I promise.
00:00:53Because that can't be.
00:00:54That you were very close to asking Doña Margarita to marry you, that you can't marry her now
00:00:59other.
00:00:59It's what's best for Mariana, I'll do it.
00:01:01Maybe we're not giving up too soon.
00:01:03Perhaps we are not exhausting all possibilities of proving his innocence.
00:01:06Wouldn't you like it to be?
00:01:08Richard Blake was in my own bedroom.
00:01:12And this letter, without a seal on the wax, nor a sender, nor anything.
00:01:19Nuña has been kidnapped.
00:01:20But mother, what are you doing with the letter?
00:01:22No letters have been received here.
00:01:25I bet you don't remember your first patient.
00:01:27Your leg is shattered.
00:01:30I'm going to have to write down the juena for you.
00:01:32I've cut the artery.
00:01:35I've cut the artery.
00:01:37You didn't pay for my son's death, but you're going to pay for your wife's.
00:01:42They're already giving me a king!
00:01:43They're already giving me a king!
00:01:45The cross belonged to a young man who died 14 years ago in the war.
00:01:49There is no possibility for Juan.
00:01:52Saso?
00:01:53Someone put some kind of opiate in the water so that Juan would fall asleep and not remember anything.
00:01:57Then you also drank from the water and the exact same thing happened to you.
00:02:00But come on, does that mean the doctor didn't kill his wife?
00:02:04Come on!
00:02:05We found this scarf in the San Rafael forest.
00:02:07He's from Noña.
00:02:13Shit!
00:02:14Richard Blake?
00:02:15Yes, I don't understand it either because he was dead.
00:02:17The miracle has occurred.
00:02:19Your wife has just risen from the dead.
00:02:22Juan is beheaded today, according to the video.
00:02:25They will not stop watching him until the executioner has the axe over his head.
00:02:30And besides, you can't count on the element of surprise now.
00:02:39He's from Noña.
00:02:40By the time you receive this letter, I will have already set sail for the Americas.
00:02:45Why are you doing this for us?
00:02:46You have to jump!
00:02:48I'm sorry for everything I did to you.
00:02:50Juan de Colatrava y Fonseca, Grandee of Spain, from today onwards will be a living dead man.
00:02:55Juan de Colatrava y Fonseca, Grandee of Spain, from today will be a dead man in the forest of San
00:03:05Rafael.
00:03:08How about this Margarita?
00:03:10How about this Margarita?
00:03:13How about this Margarita?
00:03:15He hasn't said a word since he arrived from the forest.
00:03:18You could go downstairs and talk to her, couldn't you?
00:03:20And what do you want me to say?
00:03:23Juan will never return.
00:03:26I can't comfort her.
00:03:29Look, ordinary people, those of us who aren't heroes, sometimes need to be listened to.
00:03:40That's all?
00:03:47I've discovered something about the devil's mouth.
00:03:52Very good.
00:03:56And?
00:03:57Don't you know where the treasure is?
00:04:00In 1307, King Philip of France convinced the Pope to dissolve the Order of the Temple.
00:04:06Its members were persecuted throughout Europe.
00:04:08Many of them have burned.
00:04:09Feren, feren, feren, feren, you're mixing up my concepts.
00:04:13What does all that have to do with the treasure?
00:04:15Well, one of those gentlemen was captured here in Castile.
00:04:20According to legend, he was executed and buried in a forest.
00:04:23That forest was called the Devil's Mouth.
00:04:27So, those Templars were dealing with demons?
00:04:30The pope accused them of committing heresies and worshipping a devil called Baphomet.
00:04:34But in reality, he envied her wealth and influence.
00:04:41That's going very well, look.
00:04:43Because if the Pope wanted to grab the treasure, it must be something special, I tell you.
00:04:47I.
00:04:48However, that legend was lost over the years.
00:04:51Although that forest is still cursed today, it goes by another name.
00:05:02The forest of evictions.
00:05:05No, no, no, don't tell me he wants to go before the dying.
00:05:09I have to find that Templar's tomb.
00:05:11It's the only clue that can lead me to my mother.
00:05:13But that forest is full of freaks and deformed people.
00:05:17Of plague victims, of lepers.
00:05:19But even there the air is sick.
00:05:22You can stay here if you want.
00:05:24If you go in there, you'll come out with buboes in your ears.
00:05:27What do you want me to do?
00:05:28Stay here, sitting down?
00:05:31I don't know where else to look.
00:05:32Come on, think about it, for God's sake.
00:05:34I've been through it and I know what I'm talking about.
00:05:37There is no katana that can defeat this disease.
00:05:40It's already decided.
00:05:45I'll go there tomorrow.
00:05:47That this messed up in his hands, master.
00:05:50Entering this forest is to become infected.
00:06:02Not even the red eagle can escape from the air.
00:06:09Not even the red eagle can escape from the air.
00:06:55Not even the red eagle can escape from the air.
00:06:55Not even the red eagle can escape from the air.
00:06:59Not even the eagle terrifies.
00:07:19Wait, I heard you talking, so you're going to ask for a ransom, when do you plan to...
00:07:25Why should I let myself go? The commissioner is going to pay, I'm sure of it. Wait! Wait!
00:08:08Have you come for me? You've been paid already, haven't you? I've been in the woods. He hasn't come.
00:08:21Nobody. It can't be, it's impossible. Commissioner Jamal would tell me he abandoned me.
00:08:32Nobody has paid. Something real must have happened. Let him go.
00:08:54What have you done? Let me go! What have you done? Why did you make me sit down? Your family
00:09:01He doesn't take us seriously, little marquess. We have to do something to change things. Let me go!
00:09:07No, no, please! The commissioner is going to pay, I know he really is going to pay. Please,
00:09:12Let me go! Let me go! No, please! Let me go, please! Aaaaaaah! Aaaaaaah!
00:09:25What are you doing here so early? Since you left yesterday, I wanted to prepare you
00:09:32I need some food for the trip. And I want to say goodbye to Alonso. I don't want him to leave.
00:09:37Without me even kissing her. Claudia's gone. What do you mean she's gone? She left yesterday.
00:09:50I'm sorry, Gonzalo, I didn't know. But why? What happened? Well, we realized
00:09:58I realize that... that there was nothing between us. Well, if you need anything
00:10:08Well, you don't have anything else to say to me. Thank you. Father! Father! Cabi is going to make her First Communion!
00:10:23She's been running all the way from the market. And Luz? Go away! Father told us.
00:10:28Yes, too. It's going to be this Sunday, Father. This Sunday. And here's what you don't know. What?
00:10:33It will be held at the Counts of Villena's residence. It will be a lavish affair. So, it's going to be
00:10:37the count
00:10:37He lends his chapel to the blacksmith. I'm happy for Gaby and Estuarda. It was about time they started.
00:10:44Things are going well for him. And what about me? When am I going to make my First Communion? Because all the boys
00:10:48They've done it in Medellín. I'm telling you, Gonzalo. When's the kid going to do it? Like it's that simple.
00:10:53She's going to accumulate sacraments. Yes, Lara. By the way, Isator, she hasn't been pleased.
00:11:02communion. You'll see what's going to happen when he finds out. Oh, Master, I'm already...
00:11:07I'm picturing my Gaby. Up on the altar, with the priest bringing him the bread and wine.
00:11:14And I give thanks to our Lord, illuminating him with all His grace. My child is going to turn out to be a Christian.
00:11:20from head to toe.
00:11:21Sato. We are entering the forest of the dispossessed.
00:11:29What? Come on, let's go home, for God's sake. Who are you at the child's communion?
00:11:41Don't worry. That Templar's tomb must be nearby. We won't be long.
00:11:48I really need to get to the party healthy. Today, I'm going to infect everyone with my silly antics.
00:11:53The boy, the priest, and even the guests. Good. According to the map, the tomb has to be
00:12:00Near this stream. Whatever you say. But for God's sake, try not to touch anything. And breathe.
00:12:10as little as possible, love.
00:12:21Look, come on. Don't come any closer! Don't come any closer! Don't come any closer! Don't come any closer!
00:12:30Don't come any closer! Don't come any closer!
00:12:31Don't come near!
00:12:34Don't come near!
00:12:40Don't come near!
00:12:41Don't come near!
00:12:43Don't come near!
00:12:44Don't come near!
00:12:46Don't come near!
00:12:48Don't come near!
00:12:49Don't come near!
00:12:50Don't come near!
00:12:51Don't come near!
00:12:52Don't come near!
00:12:53Don't come near!
00:12:53Don't come near!
00:12:54Don't come near!
00:12:55Don't come near!
00:12:55Don't come near!
00:12:56Don't come near!
00:12:58Don't come near!
00:12:59Don't come near!
00:13:00Don't come near!
00:13:00Don't come near!
00:13:02It doesn't hurt much.
00:13:05Damn my black image, I almost left it dry right there on the spot.
00:13:09It's no big deal.
00:13:11I only grazed myself.
00:13:14Be careful, don't put your hand in there too far, the water might be...
00:13:18...contagious.
00:13:27Gold!
00:13:31We've struck gold!
00:13:38Squeeze harder, I want my charms to be highlighted.
00:13:42And you, seamstress, take note of what I need.
00:13:46Yes, ma'am.
00:13:47To begin with, I want a dress just like the one worn by the Marchioness of Alborán.
00:13:51The collar is folded down and the sleeves are tight up to the elbow.
00:13:56You're not squeezing!
00:13:58Ma'am, yes, I do squeeze, but I don't want to take advantage either.
00:14:02Wow, this body has made theaters vibrate from Linares to Tortosa, Zopenca.
00:14:08Come on, squeeze me tighter.
00:14:09Yes, yes, yes.
00:14:09Squeeze harder!
00:14:10Yes, ma'am.
00:14:13Very sorry.
00:14:16You're useless.
00:14:18And you?
00:14:19I don't know what your previous mistress was like, but I am a real woman.
00:14:23I don't want rags for skeletons, got it?
00:14:25Yes, ma'am.
00:14:26As soon as you tell me, I'll take your measurements.
00:14:28Well, now get out of my sight.
00:14:33Both!
00:14:33Out, both of you!
00:14:34Out!
00:14:40Out!
00:14:42Mother, do you think they have killed him already?
00:14:44Relax a little, okay?
00:14:47What a night you've given me!
00:14:49I've heard you use the potty at least twenty times.
00:14:51I'm not feeling well, Mom.
00:14:52What if you've escaped?
00:14:53No, trust my son.
00:14:56By now your brother will already be resting in peace in a ditch.
00:15:02Have they brought this package, Mr. Marquis?
00:15:05Go away, go away, go away.
00:15:09Does it sound like a gem?
00:15:12And a real gem, one of the expensive ones.
00:15:15It must be from the Duke of Pinares, who, as I've already told you, was looking at me with pleading eyes.
00:15:20Mother!
00:15:20It's a finger, it's a finger!
00:15:22Okay, yes, I can see it's a finger, but lower your voice.
00:15:25Don't shout.
00:15:26What does it say here?
00:15:29It belongs to the kidnappers.
00:15:31He says that if we don't pay the ransom within a day, they'll send Nuño back to us piece by piece.
00:15:37So what are we going to do?
00:15:42Well, what we've always done: nothing.
00:15:46If they have decided to dismember this child, then we have no objection.
00:15:55Now take this finger and get rid of it.
00:16:03Jacobo, we're going to get through this, like we always have.
00:16:09This saintly drink must have upset his stomach.
00:16:13I can't say what you're telling me seriously.
00:16:16I'm telling you this very seriously.
00:16:18We cannot go back to that river.
00:16:21But I love that this is a blessing from heaven.
00:16:25We cannot turn our backs on him.
00:16:26A site is not something that can be hidden.
00:16:29If people discover there's a gold mine there, they'll want to go to that river.
00:16:32To that forest.
00:16:35AND?
00:16:37What do you think will happen to those sick people?
00:16:40They're going to take them somewhere else, they're going to massacre them.
00:16:42Come on, damn it, all this is for the sick.
00:16:44Of course it's for the sick, Satur.
00:16:46If we take that gold, we are condemning them.
00:16:49I don't love, no.
00:16:50If we take this gold, our problems will be over.
00:16:55Goodbye to hunger, goodbye to hardship.
00:16:57And our children will live like kings.
00:16:59At the cost of the blood of those poor people.
00:17:02But you call yourself a hero of the people.
00:17:04He shouldn't just think about us, he should think about all the poor people in the village.
00:17:08What they could do with all that money.
00:17:11Satur, they are going to kill all the sick people.
00:17:14You just don't care about anything.
00:17:17Well, look, no.
00:17:18If the poor things are already evicted, they are the living dead.
00:17:22If they have to choose between a healthy person and a cold one, I won't even think twice.
00:17:26Already.
00:17:27What if one of those sick people in the forest were your son?
00:17:31Would you let him die too?
00:17:33My son would never have gone into that forest.
00:17:37I'd rather kill him with my own hands so he doesn't suffer.
00:17:44Your Bible, Satur.
00:17:46Your Bible says that everyone is equal in God's eyes.
00:17:50And you?
00:17:51Do you call yourself a Christian?
00:17:53Come on, even God makes mistakes.
00:17:56If someone had gotten rid of me when I had the plague, they would have done me a favor.
00:18:01At least that way he would have had a dignified death.
00:18:08Then I have nothing more to say to you.
00:18:11Very good.
00:18:12Satur.
00:18:13That?
00:18:15Give me the gold.
00:18:23I don't want you to go back to that river.
00:18:25I don't want you anywhere near him.
00:18:27What's wrong? Don't you trust me now or what?
00:18:31I know you well.
00:18:35Know your weaknesses.
00:18:42I will depart by ship from Seville bound for the Americas.
00:18:46With favorable winds, I will land in Veracruz in less than a month.
00:18:51And when will you leave, sir?
00:18:53Tomorrow I'm leaving for Seville.
00:18:55There is a ship waiting for me in the port of India.
00:18:58There I will look for a good captain and a competent crew.
00:19:06Can you leave now?
00:19:08Yes sir.
00:19:14Have you spoken to the treasurer?
00:19:16There has been no problem.
00:19:18I have ordered my northern lands to be sold.
00:19:21How much money are we talking about?
00:19:23Enough to pay for provisions and a good crew.
00:19:35If you think you can keep my family's money, you're much stupider than I was.
00:19:40thought, commissioner.
00:19:42Your Eminence, you will not get anywhere at the expense of my niece.
00:19:46But, dude, it's...
00:19:48He is my husband.
00:19:50Don't interrupt, Irene.
00:19:51It's a matter between the commissioner and me.
00:19:56Dude, I also have the right to manage my assets.
00:20:00Not if your husband takes advantage of you.
00:20:03Have you thought about what would happen if I were gone?
00:20:07You would be completely helpless and at his mercy.
00:20:11I will not allow that to happen.
00:20:14Take that risk?
00:20:16Irene, you are not aware of your situation.
00:20:21Everything you have...
00:20:23All.
00:20:25I gave it to you.
00:20:27And you must take care of it, my daughter.
00:20:33Irene, please leave the room.
00:20:45If you really want to go to the Americas, I can get you a passage in the galleys, commissioner.
00:20:51But you will not squander the Mendoza family's heritage.
00:20:58If you want your niece's land,
00:21:02Keep them.
00:21:04That's how a reasonable man speaks.
00:21:06I'm glad you changed your mind, Commissioner.
00:21:09Don't be mistaken, Your Eminence.
00:21:12Neither God, nor you, nor anyone else
00:21:14will prevent him from going to look for Nuño de Santillana.
00:21:32Satur.
00:21:33This one's for you.
00:21:35So you can put it on your son's committee.
00:21:38For me?
00:21:45Oh, ma'am, thank God.
00:21:50Thank you so much.
00:21:52And with a ruff collar.
00:21:55Like all good people, my pedigree will shine through in every pore.
00:21:59You must have tucked up his sleeves properly, right?
00:22:01Of course, Satur.
00:22:03No, don't cover my hands, that'll make it look a bit silly, won't it?
00:22:07He's going to be very proud of me.
00:22:08Oh, my.
00:22:12But I can't wear these filthy shoes.
00:22:15It will spoil the outfit.
00:22:17Wait.
00:22:18Where are you going, Satur?
00:22:20Talk to the shoemaker so he can put some Sevillanos on there for the celebration.
00:22:25Some Sevillians that shine, that shine, that shine a lot, because they're coming to me from Toledo.
00:22:29Hey?
00:22:30I'll be right back.
00:22:38Stuart?
00:22:40Satur.
00:22:41And Gaby? How is she?
00:22:43Are you nervous?
00:22:44He'll be going around all day with the communion up, the communion down.
00:22:48I wanted to ask you a favor.
00:22:49I would like to have a good seat in the church, if possible.
00:22:52Satur will be with your father.
00:22:53Woman, I'm not asking you to be in the front row, but since the boy is going to meet God, I
00:22:57I would like not to miss a thing.
00:22:58Satur, you're not invited.
00:23:02As?
00:23:03I'm sorry, I'm very sorry, but in what capacity would I invite you?
00:23:08Nobody knows you're their father.
00:23:10People might start talking.
00:23:13You?
00:23:16You can't do that to me, can you?
00:23:19Don't go that way.
00:23:20Look, don't go down that road.
00:23:22The blacksmith is a good person.
00:23:23He loves us, he works at the palace.
00:23:25Gaby and I finally have everything we've dreamed of.
00:23:28You're ashamed of me, the little boy is ashamed of me.
00:23:30It's not that.
00:23:32Look, I think you need to get out of our lives.
00:23:37It's the best thing for us.
00:23:38It's the best thing for you and the best thing for me, since I'm their father, because you can't just erase me like that.
00:23:42in that way.
00:23:44Satur, I'm so sorry, really.
00:23:47Estuarda, you can't do that to me.
00:23:51You can't separate me from my son.
00:24:07Mister.
00:24:15Commissar.
00:24:18He is dead.
00:24:29So what are you waiting for to get him out of here?
00:24:40Irene.
00:24:42This is not a place for women.
00:24:44Those lands will belong to me, brother.
00:24:46Give me some time.
00:24:48I just have to convince my uncle.
00:24:52I don't need your help.
00:24:54I know perfectly well how to fix my problems.
00:25:01You don't even have money for a crew.
00:25:05You can't travel alone.
00:25:17Who told you I need money to have a crew?
00:25:22Open the cells!
00:25:25Sir, I don't think that's a good idea.
00:25:27This is my last day here.
00:25:29I don't think you want to disobey me today.
00:25:31Open them!
00:25:32Commissioner, they're thugs.
00:25:35Unscrupulous people.
00:25:37The problem is the point of view.
00:25:39Where you see thugs, thieves and murderers, I see a crew.
00:25:43Open them.
00:25:51It's crazy, Hernán.
00:25:54Don't do it.
00:25:56Irene, you have to get out of here.
00:26:00Don't do it.
00:26:02No.
00:26:03No.
00:26:03No!
00:26:04Herman, please, this is crazy!
00:26:06Barnabas!
00:26:07Barnabas!
00:26:34Barnabas!
00:26:35That's it. I want him to make a mistake or lose his job or something. I'll pay you well.
00:26:48If there's money involved, you can count on it. Who is it? José Aranda. He's one of the king's blacksmiths.
00:27:07Love, I was looking for you. Me? I wanted to apologize, Sato. You know all my secrets, even the most important one. And although
00:27:18We don't think alike, but I know you wouldn't knowingly hurt anyone. I'm sorry I didn't trust you. Please forgive me.
00:27:27You? Get out. Let's go! Let's go!
00:27:48The Spanish empire has condemned you to death. I offer you the chance to save your lives.
00:27:58You will embark with me for the Americas.
00:28:07What's wrong with you? You haven't said a word the whole way here.
00:28:13Love, do you think I'm a good person?
00:28:17I have no doubt, Sato.
00:28:20But I have them all, damn my black image.
00:28:25Let's see, Sato. You know you can count on me for anything you need?
00:28:31If you need help, just let me know.
00:28:33No, that's not it.
00:28:35The thing is, I urgently need to return to the village to sort out a mess.
00:28:39This time I've really messed up, and badly.
00:28:43Do what you have to do.
00:28:44I'll stay, don't worry.
00:28:45No, no. I haven't left you alone or crazy.
00:28:49Focus and find the grave as soon as possible.
00:28:53According to the map, we are very close.
00:28:58Very close, he says.
00:29:00Admit it, love.
00:29:01How could God not send us a sign? We're more lost than a nun in a brothel.
00:29:07That's right, Sato.
00:29:11Don't tell me we're looking for a nun because, because...
00:29:16Don't explain that.
00:29:19So what, right? What difference does it make?
00:29:23You certainly have a knack for making someone feel useless...
00:29:26Bad mention.
00:29:27Sato, you said it yourself before.
00:29:29We need to look for a sign.
00:29:30It is quite possible that those who buried the Templar left something behind.
00:29:33Is there any kind of marker to help find the grave?
00:29:37Well then, let's look for it.
00:29:39Jaro?
00:29:48It is a Templar cross.
00:29:51We're close.
00:30:06It is the name of the dead Templar.
00:30:10Help me.
00:30:11The treasure, I love the treasure, the Templars.
00:30:15But he realizes it.
00:30:16That we are rich.
00:30:18And don't tell me we can't touch the treasure because the Templars have been dead for ages.
00:30:23years.
00:30:23Okay, on the count of three.
00:30:25A.
00:30:26Two.
00:30:27Three.
00:30:37What the hell is this?
00:30:49But seriously, how many times do I have to say I don't want dogs in the kitchen?
00:30:55Is he carrying anything in his mouth?
00:30:56Well, the dog might be the lady's sugared almonds, because she has them all counted.
00:31:06But it's a finger.
00:31:10And this mutt? What's he doing here?
00:31:12And you were screaming like chickens.
00:31:14That's how you take care of my kitchen.
00:31:16Ma'am, the dog was carrying that in its mouth.
00:31:18It's a human finger, ma'am.
00:31:23I see it, it's a finger, indeed. So what?
00:31:26Well ma'am, the rest of the body...
00:31:30Come on, I mean, that must belong to someone, right?
00:31:33We would have to notify the commissioner, ma'am.
00:31:37But you're an idiot.
00:31:38I'm going to bother the authorities over a tiny finger.
00:31:41Well, there must be plenty of loose fingers around.
00:31:46I'll throw it away.
00:31:47And not a word about any of this, huh?
00:31:49I don't want the staff to rebel over something trivial.
00:31:52We are?
00:32:03Okay, so when you open a tomb you can find anything.
00:32:07But I'm here.
00:32:09I'm as surprised as you are, Sator.
00:32:14Damn, damn.
00:32:16I won't like this, love.
00:32:21What kind of banquet is this?
00:32:23They're just skeletons.
00:32:26No, I'm not saying it just for that reason.
00:32:29This place gives me the creeps.
00:32:33We're not needed here, I'm telling you.
00:32:36This is beyond our understanding.
00:32:39It's as if time has stopped.
00:32:41Do you see it?
00:32:42If even you don't understand it.
00:32:45What if this was closed for a reason?
00:32:48It's best not to move anything.
00:32:50Listen to me.
00:32:53Don't touch, don't touch.
00:32:54I'm telling you, don't touch it, no.
00:32:56Don't touch.
00:32:58I understand the connection that all this may have with the Templars or with my family.
00:33:03But there has to be some way of knowing who they were.
00:33:07As I have given to myself.
00:33:09It will be impossible to recognize them by their faces.
00:33:11They look like knights from the Middle Ages.
00:33:14I don't care.
00:33:15But you don't realize it
00:33:17that all this belongs to the realm of the dead.
00:33:24Jump!
00:33:35Well, this is a warning.
00:33:40If you have any idea what has happened here, please tell me.
00:33:42And if not, let's get the hell out of here.
00:33:45Whatever it was, what happened has no logical explanation.
00:33:52Still.
00:34:01Red.
00:34:03Sir, I must warn you that your mother has chosen the other one.
00:34:06She says it matches her dress.
00:34:08Already.
00:34:09My mother has the great virtue of standing out from any distance,
00:34:12But I am different.
00:34:14I am refined.
00:34:16Our entrance into the theater has to be...
00:34:19unforgettable.
00:34:21I'm sure of it, sir.
00:34:23You've never been in the VIP box, have you?
00:34:25Not me, sir.
00:34:26I hope we look good up there.
00:34:28My mother does nothing but complain about the prices.
00:34:32This hair is a pain, isn't it?
00:34:34My mother certainly hasn't left.
00:34:36No, sir.
00:34:37Nor his brother.
00:34:40He is more... blond.
00:34:43Let me know, hairdresser.
00:34:44I want you to powder my hair a little.
00:34:45Yes sir.
00:34:46Excuse me.
00:35:02But you're an idiot.
00:35:10Did they cut another one?
00:35:11It's the finger you had to bury.
00:35:13How could you even think of doing it in the palace gardens?
00:35:16But, mother, it was full of blood.
00:35:18I thought that...
00:35:18I thought, I thought.
00:35:19Don't you remember when we used to go from inn to inn asking for leftover food?
00:35:22Didn't you have enough?
00:35:24But, mother...
00:35:25Another mistake like this.
00:35:26And we'll end up on the gallows.
00:35:28You suck!
00:35:29Mother, you have no right to call me lucky.
00:35:31What you have to hear.
00:35:33Without me, you wouldn't even find your own ass.
00:35:36Enough!
00:35:36Enough is enough!
00:35:37I am the marquis.
00:35:39Remember?
00:35:40And from now on everything will be done my way.
00:35:42Right now.
00:35:44I'm going to see the commissioner and put an end to all this.
00:35:46I can't take it anymore.
00:35:54Alright.
00:35:56You're right, son.
00:35:58But when you talk to him, tell him that I am responsible for everything.
00:36:02I will accept my guilt before the justice system.
00:36:09Mother, forgive me.
00:36:10The thing is...
00:36:12I can't take any more of this.
00:36:13My nerves are shattered.
00:36:15Mother, I can't take it anymore.
00:36:20Don't worry, son.
00:36:24Nuño is already dead.
00:36:26That's what they do in kidnappings.
00:36:29They are demanding a ransom.
00:36:30And then he will kill the hostage.
00:36:34Even if we wanted to, we could no longer do anything for him.
00:36:44Mister?
00:36:58Mister?
00:37:02Don't leave in such a hurry.
00:37:05Forget what I told you before.
00:37:07I'll pay you anyway, but you don't need to do anything to the blacksmith.
00:37:09It's too late.
00:37:10What do you mean it's too late? What do you mean?
00:37:12I'm going to disappear for a while.
00:37:17Explain yourself once and for all, you see what happened.
00:37:19It got out of hand, okay?
00:37:20It wasn't my fault.
00:37:21I just removed the wheel from the hair.
00:37:22An accident?
00:37:23What, an accident?
00:37:25Where are you going?
00:37:38Satur!
00:37:39Saturre Guerrero!
00:37:41Warrior, what happened?
00:37:42I was at Gaby's house.
00:37:44She was showing me the dress she's going to wear for her communion and...
00:37:47What else?
00:37:48Speaks?
00:37:48His father.
00:37:50The reverse was working and...
00:37:51Explain yourself, Aloncillo.
00:37:54The hair went crazy and stepped on his back.
00:37:57He cannot move his legs.
00:38:04Oh my God!
00:38:27We are running late.
00:38:29All the prisoners should already be on their way to Seville.
00:38:31Yes sir.
00:38:41Are you interested in the Templars?
00:38:44It's only for teaching classes.
00:38:49Can you read?
00:38:51I haven't always been a beggar.
00:38:55What happened to make him end up on the street?
00:38:58It's a long and boring story.
00:39:01I have to go, I'm sorry.
00:39:03Wait!
00:39:04Alonso, my son, has been looking for her to thank her.
00:39:08We owe you a debt of gratitude, so if there's anything I can do to help...
00:39:12No, thanks.
00:39:13It's not necessary.
00:39:16Greet the boy.
00:39:17He turned around like a brave man.
00:39:19I'll tell him.
00:39:21Do you have children?
00:39:24No.
00:39:26He has eaten.
00:39:28I can't offer you much, but in my house an extra dish will hardly be noticed.
00:39:32I've already told him I don't need anything.
00:39:35Bye bye.
00:39:46Commissar.
00:39:47His wife.
00:39:53Come on!
00:39:55Come on!
00:40:09Come on!
00:40:11Come on!
00:40:12Come on!
00:40:19Why have you come back?
00:40:23Take.
00:40:25I know it's not enough, but it's mine.
00:40:27And this time my uncle can't say anything.
00:40:30Above!
00:40:32Come on!
00:40:49Don't move from my side.
00:40:51Now you're going to pay for everything you've done to us.
00:40:59No! No! No!
00:41:18No! No, no!
00:41:23No!
00:41:25No!
00:41:43Are you OK?
00:41:44No, no, no!
00:41:50No, no, no!
00:42:17Could you give me some water, please?
00:42:26They have already paid.
00:42:37Who are you?
00:42:38Who am I?
00:42:40Answer.
00:42:41I have learned that the Marquis of Santillana
00:42:43He's going to the theater tonight.
00:42:46Who are you?
00:42:48You wear the Santillana coat of arms on your clothes
00:42:50and also the sword that we took from you.
00:42:52Because?
00:42:57I am the Santillana boy and beautiful.
00:43:03Answer me already, kid.
00:43:05Or I'll open a channel for you.
00:43:07Is he the Marquis of Santillana or not?
00:43:13I am his stepbrother.
00:43:17I am the little stepbrother of the marquis.
00:43:33Not eating isn't going to solve anything, Alonso.
00:43:38Gonzalo.
00:43:40The blacksmith has had an accident.
00:43:43I know.
00:43:44I just found out on the street.
00:43:46Is it serious?
00:43:47A lot.
00:43:48She cannot move from the waist down.
00:43:51He has been left crippled for life.
00:43:53He needs help even to relieve himself.
00:43:58How will they live, father?
00:44:01Don't worry, son.
00:44:03They are now very upset by what has happened to them,
00:44:05But they'll recover in time, you'll see.
00:44:08As?
00:44:09The blacksmith can no longer work.
00:44:12Gaby's mother is going to have to go back to the streets.
00:44:14When a slave is born,
00:44:15Hammers are falling from the sky.
00:44:18What a disgusting life.
00:44:19Okay, enough with the complaining.
00:44:22What we need to do now
00:44:23It's about figuring out how we can help them.
00:44:31It will be Satur.
00:44:33He crossed the street.
00:44:35When she found out, she became very upset.
00:44:37He left without saying anything.
00:44:58Forgive me.
00:45:09How are you?
00:45:19Sometimes life is that cruel.
00:45:22You know it.
00:45:24Already.
00:45:27I had thought about going to visit them now with Alonso.
00:45:30Will you join us?
00:45:35No, no, love. No, I can't.
00:45:39I need to be alone. I'm sorry.
00:45:43Good.
00:46:15Subscribe to the channel!
00:46:45Subscribe to the channel!
00:46:54Subscribe to the channel!
00:47:03Subscribe to the channel!
00:47:07Subscribe to the channel!
00:47:21Are you there? Haven't they put you in? Huh? They're holding a mass for the blacksmith to pray for him.
00:47:30They're here now. And is David taking too long? Do you want me to come inside with you?
00:47:39No, no. No, I was going to his house, but with so many people around, it's probably best not to.
00:47:46Yes, I understand. Well, I'll leave you now. I have to go to the palace. Goodbye.
00:48:13Thank you.
00:48:32How are you, Navi?
00:48:35It's very bad.
00:48:45He won't want for anything. Here.
00:48:46What is this?
00:48:50Is it gold?
00:48:50Take it and don't ask questions.
00:48:53If you need more, just let me know.
00:49:00After what I told you, I've always torn you to pieces like a dog.
00:49:05Don't worry about that now.
00:49:08Why are you doing this, Satur?
00:49:13No.
00:49:15No.
00:49:29Oh, God.
00:49:44Stretch your arms out a little further
00:49:46I want to see the print clearly.
00:49:47Ma'am, if I stretch them any further my shoulder blades are going to pop out
00:49:50Look son, with this fabric
00:49:52We're going to make you some leggings
00:49:53All the women in the court are going to look at you.
00:49:55I don't know, mother, it seems like a lot of frills to me.
00:49:57No, trust me
00:49:59That's why I always make sure you look your best.
00:50:02But you didn't realize the mess you made last night when you went into the theater
00:50:05If the Count of Uceda's daughter still has a stiff neck from staring at you so much
00:50:08Really
00:50:10I'm a woman and nothing gets past me.
00:50:13High-class people go to the theater to do that, to have their eyes on things.
00:50:15Or do you think anyone was watching the play?
00:50:19So ma'am, we'll take it, right?
00:50:21I think it's a beautiful fabric for the gentleman.
00:50:23Oh, if he likes this bad sign
00:50:26You may be right, son
00:50:27For a marquis, more sober fabrics are better.
00:50:31They make you stronger and help you lose weight.
00:50:33Let's see
00:50:39Go on, go
00:50:40Buy yourself some jam
00:50:41You deserve a treat today.
00:50:43Can you give me money?
00:50:48Take?
00:50:49Only?
00:50:51Well
00:50:53Mom, when am I going to be able to have my own bag?
00:50:55Being a marquis
00:50:55That's exactly why.
00:50:56Do you know the riffraff that hangs out at these markets?
00:50:59Go away, go away
00:50:59Go
00:51:00See you later at the Palace
00:51:04When we return to the Palace
00:51:05I want you to empty Nuno's room
00:51:08Lady
00:51:09But the young master doesn't like anyone touching his things.
00:51:11You obey and keep quiet
00:51:13We cannot have the room occupied.
00:51:15Until he decides to come back
00:51:18Yes, ma'am
00:51:21Come on
00:51:24I'm going to set up a little reading room
00:51:26With its armchairs, its books
00:51:30Let our culture shine through.
00:51:32I'm going to set up a little reading room!
00:52:10Who are these men?
00:52:14Knights Templar
00:52:16They belonged to a military order
00:52:18They were half monks, half warriors
00:52:20That's very well thought out, isn't it?
00:52:22Why live your whole life in a monastery?
00:52:24It must be incredibly boring.
00:52:27And why were they burned?
00:52:29They came to have so much money
00:52:30They aroused the envy of many kings
00:52:32And from the Pope
00:52:33That condemned them all to death
00:52:35Did they kill them all?
00:52:37More than 200 gentlemen
00:52:38They were burned alive
00:52:39They preferred to die
00:52:40To renounce his ideas
00:52:44How is Gaby?
00:52:50Hey...
00:52:50Fatal
00:52:53She's crying all day
00:52:55They'll get through this, son.
00:52:58It will be tough at first, but...
00:53:01But together they will.
00:53:02You'll see
00:53:09Alonso
00:53:12Do you want to tell me something?
00:53:16Hey...
00:53:16Claudia
00:53:19HE...
00:53:20Did she leave because of me?
00:53:21No, son
00:53:22No
00:53:22Claudia has left
00:53:24Because this is not your place
00:53:25Neither
00:53:26I treated her too well.
00:53:28Look
00:53:29It has nothing to do with you
00:53:34You don't look like a couple either.
00:53:35Couple
00:53:39That you didn't do boyfriend/girlfriend things
00:53:41I mean
00:53:43No
00:53:51Mother
00:53:54That...
00:53:55I am no longer a child
00:54:01Oh, no?
00:54:02No
00:54:04AND...
00:54:04If you ever find another woman
00:54:07Another bride like...
00:54:08As...
00:54:09Claudia
00:54:10I will support you
00:54:12Besides
00:54:12One day I will leave
00:54:14And I don't want you to stay here alone
00:54:17Good
00:54:18Son
00:54:19You and I will always be together
00:54:21Whatever happens
00:54:24And even if you leave someday
00:54:26I don't think I can get rid of that you
00:54:29Go on
00:54:30I'm going with Gaby
00:54:32Today, he needs you more than ever.
00:54:33Okay
00:54:43We're going to put in dried apricots
00:54:47Some cherries
00:54:48How are we doing, kids?
00:55:04Nunio?
00:55:15Nunio?
00:55:18No
00:55:20Who will it be?
00:55:47Look, I had color, it was going away and the other one was coming in.
00:55:50Do you think you're something special, lady? Yelling at the fruit vendor over a penny.
00:55:54That candle is priceless.
00:55:56Just look at me, he's even looked down on the marchioness.
00:55:59We were not treated the way we were treated.
00:56:00Me too?
00:56:02Oh my God, what a shame.
00:56:03When that woman returns, she won't recognize the palace, not even its facade.
00:56:08What does he want?
00:56:09What am I saying? Why wouldn't it be a good idea to warn her about what's happening?
00:56:11Well, listen, I don't understand it either.
00:56:13Because he's supposed to be in Paris or some other modern city.
00:56:15Didn't he go into a cave?
00:56:16She's going to go crazy when she finds out her son has left.
00:56:20I'm coming!
00:56:35But Cibri! What are you doing here?
00:56:38Oh my goodness! And how did you get covered in mud after falling?
00:56:42At last.
00:56:44That?
00:56:45We can start a new life together.
00:56:48Far from the village.
00:56:49Just as we wanted.
00:56:54Cibri, for God's sake, what is this?
00:56:56It's gold.
00:56:59Pure gold, Catalina.
00:57:00And I know where there are more.
00:57:02I achieved this in just one night.
00:57:04Cibri, for God's sake, tell me you haven't gotten into any trouble.
00:57:06The point is not to spend your whole life running away like an outlaw.
00:57:08No, it's mine.
00:57:09Our.
00:57:10I have found a deposit in a nearby river.
00:57:15We can be happy.
00:57:17Cibri, really?
00:57:19I'm starting to tremble.
00:57:21We will never lack anything again.
00:57:24We deserved it, Catalina.
00:57:31Has anyone seen my niece?
00:57:32I've been waiting for her for quite a while.
00:57:36I don't know, Minencia, but I'm going to look for her right away.
00:57:40Permission.
00:58:05Gold.
00:58:08It's mine.
00:58:14Where did you get it from?
00:58:19I'm here, man.
00:58:23I asked you a question. Where did you get these seeds?
00:58:29Ah, he found himself in a forest.
00:58:37Irene, leave us alone for a moment.
00:58:50How long has it been since you last confessed, my son?
00:59:25Why has no one paid for me?
00:59:31What's happened out there?
00:59:33And the commissioner?
00:59:35He wouldn't let me die here.
00:59:36What happened? Why isn't he here?
00:59:40Answer!
00:59:45Come on!
00:59:46Huh? What happened to the kidnappers' letter?
00:59:48What did the commissioner say about the plane? Answer!
00:59:51We didn't give it to him.
00:59:58No, no, no!
01:00:03No, no, no!
01:00:05No no!
01:00:09No no!
01:00:10No, no, no!
01:00:17You are not worthy of being a marquis.
01:00:23Cris.
01:00:27I don't understand why my father took the title away from me to give it to you.
01:00:34What? Why?
01:00:35Because he owed it to me, because all his life he never treated my mother or me like we were trash
01:00:39You are!
01:00:42While you lived in a palace, we didn't even have enough to eat.
01:00:46He gave us the scraps; he was ashamed of the others.
01:00:52And now you and I are going to die
01:00:55And that title isn't going to be for either of them.
01:00:58At least I'll die peacefully knowing that I'll never be the Marquis of Santillana.
01:01:19Your Majesty, you have summoned me
01:01:21Indeed, come closer
01:01:27Why the rush?
01:01:30I wanted to ask you about a very delicate matter.
01:01:33Please, Irene
01:01:38Can you help me illustrate your uncle?
01:01:40Good afternoon, uncle
01:01:44Irene, what are you doing in the king's bedchamber?
01:01:48Don't worry, Cardinal
01:01:50I respect your niece as if she were a daughter
01:01:54And don't imagine sins that don't exist
01:02:00You reassure me.
01:02:03What, then, is the reason for your call?
01:02:07Your niece has informed me that you have found gold on crown lands
01:02:13I came to visit Her Majesty the Queen and told her about it, dear uncle
01:02:20Majesty
01:02:22I intended to inform you as soon as my ecclesiastical duties allowed.
01:02:27Well, let's do it now.
01:02:30Where is that deposit?
01:02:31I thought I heard that I was in a forest
01:02:33No, dear uncle?
01:02:35Indeed
01:02:38Perhaps you have heard of a place called
01:02:41The forest of the evicted
01:02:44It is where all the hopeless sick go to die in peace
01:02:47No one in their right mind would go near that place
01:02:51That is the reason why
01:02:53No one has discovered that the river that runs through it
01:02:57Lowered loaded with gold
01:03:01Thank you, Your Eminence
01:03:02Majesty
01:03:03I'm going to inform my guards of this valuable find.
01:03:10Guard!
01:03:20What have you done?
01:03:22That gold was ours.
01:03:23Of the Mendozas
01:03:26The same as the territories you forbade me from selling
01:03:32What's the point of having assets if I can't access them whenever I want?
01:03:37Revenge is not a Christian sentiment, my daughter.
01:03:44You have disappointed me.
01:03:47You have betrayed the family
01:03:52The next time I confess
01:03:54I'll add three Hail Marys to my penance, uncle
01:04:05Pick up the table for me.
01:04:07If I trip over my hem in front of the Count of Uceda, you'll be sorry, seamstress.
01:04:14Has the marquis not returned yet?
01:04:16No, ma'am
01:04:23If we end up being late
01:04:27Take
01:04:29Fasten it for me
01:04:30Yes, ma'am
01:04:32The count will like to look out from the little balcony
01:04:35If he's a man of noble birth, of course.
01:04:38Do you know the one from Uceda?
01:04:40Yes, ma'am
01:04:41He has come a few times to some receptions at the Palace
01:04:44She was widowed years ago and has a very beautiful daughter
01:04:50And she hasn't remarried?
01:04:52No, ma'am
01:04:53Well, I don't think it's dry.
01:04:55Do you know if he has a permanent lover at court?
01:04:57Or are you the type who likes to sample several dishes without getting full from any of them?
01:05:01Well, I don't know the count's private life, madam.
01:05:05If you'll allow me
01:05:07Come on
01:05:08That you maids talk to each other
01:05:11And you all know about the skirt-chasing scandals in the village
01:05:14Besides, I don't know what the nobles see in you that awakens their basest instincts.
01:05:19Ma'am, please
01:05:23No, yes, it's good that you're discreet
01:05:26But I am your mistress
01:05:28And you're not fooling me.
01:05:30With that body you have
01:05:32I'm sure more than one person has benefited from it.
01:05:36You're mistaken about me, ma'am
01:05:38Oh, really?
01:05:39Well, I've heard that you were the lover of the Duke of Velasco and Fonseca.
01:05:43He was my fiancé
01:05:46If you don't need anything else
01:05:51With permission
01:06:03What do you want?
01:06:04Someone has left this letter at the door
01:06:07Go away, go away, go away, go away
01:06:14Take the money to the San Fernando bridge at five o'clock
01:06:18Or she will never see her son alive again
01:06:47The child is already dead
01:06:48That's what they do in kidnappings.
01:06:50They demand a ransom
01:06:51And then they will kill the hostage.
01:07:10I'm not going
01:07:12I'm not going to take communion this Sunday
01:07:15Well, you'll give it another time.
01:07:18Come on, come
01:07:23There, young man, sit down
01:07:35Do you know anyone who needs an apprentice?
01:07:43An apprentice? What for?
01:07:46I want to get to work
01:07:49No, Gaby, no
01:07:49You can't work
01:07:50You are a child
01:07:55I'm not going to let my mother come back again.
01:08:00Listen to me
01:08:02Yes, son
01:08:04Listen to me
01:08:06As long as I have a single drop of blood left.
01:08:11You and your mother will lack nothing.
01:08:13Can you hear me?
01:08:28It is said that a real man should not cry.
01:08:33There's a time for everything now.
01:08:37If your body tells you to cry
01:08:39Well, you cry until you're as dry as a codfish bone.
01:08:48Satur?
01:08:51Go
01:08:54Satur?
01:08:55I need to talk to you
01:08:57It's a really bad time.
01:08:58It takes longer to come back to you
01:08:59I know your secret
01:09:07What secret? What do you know?
01:09:11What have you found?
01:09:14The gold thing
01:09:17How do you know about the gold?
01:09:19I saw you hiding the map
01:09:22I went to the river and found several nuggets
01:09:25That?
01:09:27God willing, nobody will find out about this.
01:09:31Nobody
01:09:34Sorry, Saturn
01:09:39We could have been rich
01:09:41I'd have had a better life, but...
01:09:44What are you telling me?
01:09:47There will be clear
01:09:51The cardinal knows where the gold is
01:09:58Okay!
01:10:00Okay!
01:10:01You have to leave!
01:10:03Okay!
01:10:04Okay!
01:10:05I'm ready to kill!
01:10:10Please
01:10:13Please, you all have to see it.
01:10:15No, no, no, no.
01:10:39No, no, no.
01:11:09Fast!
01:11:15Give it to the marchioness when she returns.
01:11:17If you haven't seen her in a year, throw her in the fire.
01:11:20Good luck, sir.
01:11:38No, no! Out! Out! Out!
01:11:41Out! Out! Out! Out, everyone! Out!
01:11:47Commissar!
01:11:50Commissioner, please wait! Wait!
01:11:53What's wrong with him?
01:11:55He has to help me.
01:11:57They are going to kill my son.
01:11:58I am no longer the commissioner of the village.
01:12:01He has been kidnapped.
01:12:04Resign it to the authorities.
01:12:05I hope they find him.
01:12:07They are the same ones who have Nuño.
01:12:13Niño has embarked for the Americas.
01:12:16No.
01:12:18What do you mean, no?
01:12:21He told me so himself in a letter.
01:12:26My son and I wrote that letter.
01:12:28It's false.
01:12:31I'd kill you right here.
01:12:35Commissioner needs me.
01:12:37And I need you.
01:12:40If Nuño is still alive,
01:12:43Only I can help you find it.
01:13:29Thank you!
01:13:58Thank you!
01:14:26Thank you!
01:14:56Thank you!
01:15:28Thank you!
01:15:30Thank you!
01:15:44Off!
01:16:25Are you OK?
01:16:45No! No! No! No! No!
01:17:41Love, I'm sorry.
01:17:47I'm sorry, really, it's me who should have died, not you poor people, me!
01:17:54Satur, you have food, a roof over your head!
01:17:57What more did you want with that gold, money, decent clothes?
01:18:00Your greed has killed them, Satur.
01:18:02It wasn't for me, it was for my son; I couldn't bear the guilt.
01:18:09What are you talking about?
01:18:12Well, I paid so that the blacksmith would lose his job.
01:18:17I tried to undo it, love, I swear I tried to undo it, but it was too late.
01:18:22And now he left that poor man prostrate for the rest of his days.
01:18:27But why did you do something like that?
01:18:32Because it's very hard to be sidelined in front of your child, to see how others are raising him, to see
01:18:40as...
01:18:42Well, how mean, I have no excuses anyway.
01:18:46Unfortunately, every action has its consequences, Satur.
01:18:50And sometimes a single mistake can trigger a lot of suffering.
01:18:52No, no, no, no.
01:18:54Not if the mistake is mine, love.
01:18:57But how do I go back? How?
01:18:59I cannot raise the dead, no, no, no.
01:19:01I can't bring those people back to life.
01:19:10So, think about the living.
01:19:22What are you doing?
01:19:25Find a map.
01:19:27So that?
01:19:28To help those who are alive, the evicted.
01:19:32To find a place for them to live.
01:19:37Sator.
01:19:38That?
01:19:39It's crazy.
01:19:40Where are you going to take them?
01:19:43Well, what do I know?
01:19:45But I will do as Moses did, who also did not know where he was going and ended up parting the seas.
01:19:50We'll find a place, love.
01:19:52Sator, they are terminals.
01:19:54You can get infected.
01:19:56As if all four of my limbs were falling off.
01:19:58Should I say four or five? And I'm left looking like a mushroom, like...
01:20:03like a ticket.
01:20:05It would be well employed.
01:20:08It's the one with the hot springs.
01:20:12Not this one either.
01:20:13Let's see, don't you have a map where normal things are shown, Leche?
01:20:18Take.
01:20:26Sator.
01:20:31Comes back.
01:20:53Are...
01:20:55lovely.
01:20:56His Holiness, Pope Alexander VII honors us with his visit.
01:21:00What does all this mean?
01:21:02If you have to use force, do it.
01:21:10I do not intend to go down in history as the man who killed his holiness.
01:21:14Irene, you'd better have a man nearby to defend you, huh.
01:21:17The only thing the king is going to do is reward us.
01:21:21You look much more handsome when you smile.
01:21:29I turn it off.
01:21:30I turn it off.
01:21:31This country needs men like me.
01:21:37A downpour with the rest.
01:21:38A downpour with the rest.
01:21:43They were wrong.
01:21:46They wanted to kill me.
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