- hace 1 semana
Categoría
📺
TVTranscripción
00:00:28The Gold of New Spain
00:00:30On the Briñas bridge
00:00:40By now the entire court will know that their king
00:00:43He prefers a wild woman to his queen
00:00:48We have been invited to a hunt at the Cotol a Laguna.
00:00:50I need to talk business.
00:00:51Will he ride a horse?
00:00:53Her Majesty requires your services
00:00:54A guest from the Americas will be living in your palace
00:00:58I call you Anáhuac
00:01:08What will happen to us if Floro comes back?
00:01:11If Floro returns
00:01:13It's over
00:01:14On a trip
00:01:15Rape me every night
00:01:17So now you know
00:01:19What our men like
00:01:21I don't like that your girlfriend lives at home but
00:01:24I don't want us to be angry.
00:01:27Leave that window open.
00:01:29We're going to help you escape
00:01:31It's over here, and the past one is closed
00:01:32But why?
00:01:33I haven't done anything, commissioner.
00:01:35At my place!
00:01:36Where am I going to come?
00:01:37No, please!
00:01:38Do you realize what they can do to us?
00:01:40What if they find out we helped him escape?
00:01:42I have lost a sister
00:01:44I swear I would give anything
00:01:45For having been able to say goodbye to her
00:01:51What is that?
00:01:52They were looking for the holy servant
00:01:57I will not tolerate a group of indigenous people
00:01:59Put my kingdom in check
00:02:04So much for following the golden
00:02:06And it turns out I was here.
00:02:06That a father who doesn't hear badly
00:02:08A worse teacher
00:02:10But what about a deaf hero?
00:02:12That's out of the question.
00:02:12You are disabled
00:02:14Disabled!
00:02:16Appearance!
00:02:27Stop messing around!
00:02:30Go if you want
00:02:30And now I'll finish putting the bandage on him.
00:02:32I think it's best if I stay.
00:02:48Laura de Montignac
00:02:49The shield
00:02:52He must be looking for us
00:02:56If you don't stop looking for her
00:02:58And she keeps looking for you
00:03:00You'll have to tell me how they are.
00:03:05Well, nothing.
00:03:06We've already left a note for his mother.
00:03:07There at the orphanage
00:03:08No?
00:03:12Tomorrow, quicksand
00:03:14Past the tower
00:03:16If this is like a loop
00:03:20Look
00:03:22That could be the title of the book
00:03:24Of our exploits
00:03:26The Red Eagle's Looped Life
00:03:28And his faithful squire
00:03:30What do you think?
00:03:33He was distracted
00:03:34I'm sorry
00:03:36What were you saying?
00:03:37He was talking about our book.
00:03:40Even though I speak to him
00:03:41And don't listen to me.
00:03:42And pretend you do.
00:03:43Like those marriages
00:03:44They've been married all their lives
00:03:47Okay, Sato
00:03:50Come on, let's go
00:03:51Let's go home
00:03:52I'm going to see if I can catch something.
00:03:53Hey?
00:03:54Sato
00:03:54Sato
00:03:55Sato
00:03:55Sato
00:03:55Sato
00:03:55Sato
00:03:55Sato
00:03:55Sato
00:03:55Sato
00:03:55Sato
00:03:56Sato
00:03:56Sato
00:03:57Sato
00:03:57Sato
00:03:58Sato
00:03:58Sato
00:03:58Sato
00:03:59Sato
00:04:02Sato
00:04:04Sato
00:04:05Sato
00:04:06Sato
00:04:28Sato
00:04:29I'm going to tell you the truth, Margarita.
00:04:30And I want to be there when that happens.
00:04:32And is the doctor coming back?
00:04:34Yeah
00:04:35But why haven't you told me anything, man of God?
00:04:38First things first
00:04:39And the first thing is the lady
00:04:40If you are from a private area
00:04:44Come on
00:04:46Come on
00:04:46This is preparing him, huh?
00:04:48I can now
00:04:49In the Navarrese style
00:05:07Checkmate
00:05:09Lady
00:05:11A young man asks to speak with you.
00:05:13At what hour?
00:05:15He says it's very important
00:05:16Oh, okay, let him in.
00:05:20Permission
00:05:29These are not hours to be showing up at anyone's house
00:05:31Excuse me, Hernán, but as far as I know, this is my house.
00:05:35Who are you?
00:05:36And where do you come from?
00:05:38Madam, my name is Álvaro Dueñas and I am a fencing master.
00:05:41I just arrived from a trip and I've come to the village to be your son's teacher.
00:05:46And who told you we need your services?
00:05:48The Lord
00:05:51I understand that, due to his noble status, he practices the art of fencing.
00:05:54If it's already good, it'll be the best with me.
00:05:58Noño already has a teacher
00:05:59Give me your credentials
00:06:19Some fruit?
00:06:20Ah, yes
00:06:25You'll start tomorrow
00:06:28Lucrecia, you don't even know who she is.
00:06:30Noño needs the best teacher
00:06:31And I know you're not.
00:06:37Marquise
00:07:06Noño already has a teacher
00:07:30Juan.
00:07:35I fell asleep waiting for you.
00:07:37No problem.
00:07:40It's great to have you here.
00:07:47How is your mother?
00:07:49Better.
00:07:51It's been really tough, hasn't it?
00:07:54Well, you're home now.
00:07:57And I'm going to help you get better and better, you'll see.
00:08:03Now we have all the time in the world.
00:08:08What's up, Juan?
00:08:13I have to tell you something.
00:08:18What's up, Juan?
00:08:29I cheated on you with another woman.
00:08:34What do you mean you deceived me?
00:08:37With who?
00:08:38With Eugenia.
00:08:42But Eugenia was going to marry me.
00:08:47I'm sorry.
00:08:51I'm sorry.
00:09:03I don't intend to shed a single tear for you, Juan.
00:09:09You don't deserve it.
00:09:16If you really want to do something right,
00:09:20Get used to Eugenia.
00:09:29You don't deserve it.
00:09:31You don't deserve it.
00:09:37You don't deserve it.
00:09:39You don't deserve it.
00:09:39You don't deserve it.
00:09:40You don't deserve it.
00:09:41You don't deserve it.
00:09:42You don't deserve it.
00:09:44You don't deserve it.
00:09:46You don't deserve it.
00:09:55One!
00:09:56What's coming out?
00:10:00Where is he going?
00:10:01No, no, wait, no
00:10:04She sat there, all alone
00:10:06On the little staircase
00:10:09He needs to accept it.
00:10:09If only the blow he's suffered
00:10:13That the doctor was the best thing that had ever happened to the poor girl
00:10:17The only stick he had to hold on to
00:10:19Let's see how he recovers now.
00:10:21Sato, he has us
00:10:22No, that's not how it is.
00:10:25Because there are things you can't give him.
00:10:27Like what?
00:10:29Well, you're going to be with her every night
00:10:33Warming the bed
00:10:34Giving her love, a man's love, care
00:10:36No
00:10:37That woman has lost a husband and children.
00:10:40A future in life
00:10:41Okay, he's right about that.
00:10:44But I'll be there
00:10:45Beside him
00:10:47Demolishing it
00:10:48Okay
00:10:49Or get ready
00:10:50Because the great flood is going to be a mere drizzle
00:10:52Compared to what's going to sprout from that woman's eyes
00:10:54As soon as I walk through the door
00:10:55And if not, you'll see.
00:11:02Good night
00:11:04I'm not going to have dinner, I'm very tired.
00:11:07See you tomorrow
00:11:09Daisy
00:11:11Would you like me to prepare something for you and bring it up?
00:11:15No
00:11:16I just want to sleep.
00:11:17Good night
00:11:19Good night
00:11:26I was crying about it
00:11:28I was crying about it
00:11:31Her fiancé is cheating on her with another woman and she doesn't even flinch.
00:11:34That?
00:11:35What the hell tricked Uncle Margarita?
00:11:39Why did he do that?
00:11:41They're... they're grown-up things.
00:11:48What's happening?
00:11:49Nothing, ma'am.
00:11:50The boyfriend or the other lady who...
00:11:52You should do something
00:11:54He humiliated him
00:11:55It was going to be the talk of the whole neighborhood
00:11:58What do you want me to do?
00:12:00What all men do
00:12:03To avenge his honor
00:12:04Alonso, the one I'm going to have such a duel with Juan.
00:12:06It's not going to make Aunt Margaret any happier.
00:12:09No... I can't do anything
00:12:11If someone in your family is humiliated
00:12:13You can't just stand idly by like this.
00:12:15You should do something
00:12:20I'm going to talk to him
00:12:22Let's see if I can calm him down.
00:12:28Let's see if I can focus on the fish and...
00:12:36What the hell is in the fish here?
00:13:00What the hell is in the fish here?
00:13:10A shipment from Admiral Edward Montagu
00:13:12Ambassador of Her Majesty
00:13:13From King Charles II of England
00:13:23Bad news, Your Majesty
00:13:25Admiral Montagu
00:13:27He will arrive at the Palace
00:13:28This very afternoon
00:13:29And as definitive proof
00:13:32From our peace agreement
00:13:33In the northern seas
00:13:35He wants me to arrange everything.
00:13:36For a lavish reception at the Palace
00:13:40These English people are always so presumptuous
00:13:44I would also like the queen
00:13:45Please show off this jewel that they are giving me as a present
00:13:50The Stuart tiara
00:13:53Undoubtedly one of the most valuable jewels
00:13:55Of how many the English possess
00:13:57And the coat of arms leaves no room for doubt
00:14:02This is all we needed.
00:14:03If you'll allow me, Your Majesty
00:14:07It would not be wise to risk the peace agreement with the British
00:14:11A naval conflict now would be disastrous for the crown
00:14:15Even more so with the Portugal front open.
00:14:19Furthermore, once presented at the Palace
00:14:22The Stuart tiara
00:14:23It can always be sold
00:14:26Naturally, to satisfy the needs
00:14:28From our troops
00:14:32Alright
00:14:34Have everything arranged for the reception
00:14:38Oh, it doesn't fit.
00:14:40That's strange, I was serving it a month ago.
00:14:42Go away, you're putting it on wrong.
00:14:45Remove
00:14:51Marta, do me a favor
00:14:53Go down to the kitchen and see how breakfast is coming along.
00:14:54That today, very late.
00:14:58Breathe, walk
00:15:02You can't see it in her belly yet.
00:15:04But his chest is already quite strong
00:15:07I should tell him now
00:15:09Already?
00:15:11Shouldn't I wait?
00:15:13Let's see, her husband as a man
00:15:16I don't think he'll object to you being so elated.
00:15:19But if he attacks or if he thinks you are pregnant
00:15:21Before telling him, he may suspect
00:15:23It's better to tell him now, before he finds out.
00:15:26I don't know if I'll be able to, Catalina
00:15:29Hernán is a police commissioner
00:15:30And it's part of their job to uncover the liar.
00:15:33Let's see, ma'am, if your husband is very clever
00:15:35But all women have their tricks.
00:15:37The time has come
00:15:38Especially if your child's life is at stake.
00:15:42Just listen to me
00:15:43I'm an old hen
00:15:44And I've already announced Preñez twice
00:15:46You tell him
00:15:48Hernán, I have something very important to tell you.
00:15:51He looks at her
00:15:52And you smile at him.
00:15:53And he tells her
00:15:54I'm expecting your child.
00:15:59What if he doesn't say anything?
00:16:01You know what he's like.
00:16:02Everything is kept quiet and...
00:16:04Well, if he doesn't say anything
00:16:05She plants a kiss on you
00:16:06And he lets him assimilate it little by little.
00:16:08What we've all done
00:16:11I won't be able to
00:16:19Hernán
00:16:23Need...
00:16:24I have to...
00:16:25Irene, you should be clearer when you speak
00:16:26He's had lessons for it, hasn't he?
00:16:30I'm expecting your child.
00:16:36Well...
00:16:36What a joy!
00:16:38Congratulations!
00:16:43Where is?
00:16:45Oh, you're here, Catalina!
00:16:47Those faces?
00:16:48What is the reason for so much happiness?
00:16:49My wife
00:16:51He is going to have a son
00:16:56Congratulations
00:16:59Sooner or later
00:17:00We all have one, dear
00:17:03Well, I have
00:17:04A reception with the king
00:17:06Catalina, prepare my blue silk dress
00:17:08Come on
00:17:08Yes, ma'am
00:17:08Congratulations
00:17:10With permission
00:17:12Congratulations
00:17:26Love
00:17:27Have you seen the lady this morning?
00:17:30He left early for the Palace
00:17:31And not...
00:17:32I haven't seen it
00:17:37Me...
00:17:39Well
00:17:40You know that I am not
00:17:41To take sides with no one
00:17:42But what the little boy says
00:17:44Well, it has
00:17:44A certain sense
00:17:46Oh well
00:17:47Do you want it too?
00:17:48He's challenging me to a duel?
00:17:49If you weren't going to win
00:17:50I would tell him no.
00:17:52But...
00:17:53Being who you are
00:17:54Nothing else
00:17:55What do you want me to say?
00:17:56Ill-born, less.
00:17:58I mean, you
00:17:58We're talking
00:17:59From the life of a man
00:18:07Okay, so what?
00:18:09Pull out a nail, huh?
00:18:11As it is cut off
00:18:13It looks like it's been ripped out.
00:18:14Completely
00:18:17Completely?
00:18:19But a complete accident?
00:18:20They've taken the finger
00:18:22Forward
00:18:22Cutting the river grass?
00:18:24EITHER...?
00:18:24Of curd type
00:18:25Torture and punishment
00:18:27Don't know
00:18:28It could also have been
00:18:29An animal
00:18:31Man, then
00:18:31He has to save you
00:18:32Someone, or not?
00:18:33How does it work?
00:18:34The cut is recent
00:18:37And since it still has blood
00:18:38Inside
00:18:39Well yes
00:18:39It may be that the woman
00:18:40I am still alive
00:18:42Ah, but what a woman's finger
00:18:44Yeah
00:18:44And seamstress
00:18:46It has needle marks here
00:18:47Like Margarita
00:18:48And this
00:18:50It has a symbol
00:18:55He looks Christian
00:18:57Does that ring a bell?
00:19:04Are you going to say
00:19:05This is the symbol
00:19:05From Father Jerónimo?
00:19:07I've heard about him
00:19:10Do you know where it is?
00:19:11The congregation?
00:19:14Father Jerome
00:19:15He is a good man
00:19:17The one about feeding the poor
00:19:18Caring for the sick
00:19:19Come on, you can't...
00:19:20Suspect Father Jerónimo
00:19:21Of course!
00:19:21Satur
00:19:22I just want to talk to him
00:19:23Is this their symbol?
00:19:24You're so used to it
00:19:26Dealing with bad people
00:19:26I even suspect
00:19:28Of the blessed
00:19:30Of course!
00:19:31Father Jerome
00:19:37Always the same thing
00:19:40Well, on the least expected day.
00:19:43I look like that too.
00:20:04Deception is the best defense
00:20:05Against the enemy
00:20:07You thought to the right
00:20:08And it turns out I'm left-handed
00:20:11Your teachings are interesting.
00:20:14Thank you very much, Marchioness
00:20:15Very good, Nuño
00:20:16You can now pick up
00:20:17We will continue practicing tomorrow.
00:20:21Whatever you say, teacher
00:20:24I received some fencing lessons
00:20:25Years ago
00:20:26Before my son was born
00:20:27I'd like to pick them up again with you.
00:20:32Okay
00:20:34It never hurts to be honest.
00:20:34That a lady knows she's going
00:21:05I'm glad to hear it
00:21:06Having hired a teacher
00:21:08She lives with such passion.
00:21:09His work
00:21:11I suppose in other aspects
00:21:12You will be the same in life.
00:21:23We're still in the co
00:21:25Whatever you want
00:21:28Mother
00:21:31What did you call me?
00:21:39Does that ring a bell?
00:21:47You asked me where I came from
00:21:51Are you familiar with the rolares forest?
00:22:05Will we talk?
00:22:07Siblings
00:22:08Does that ring a bell?
00:22:12Does that ring a bell?
00:22:28special
00:22:28No no.
00:23:09No no.
00:23:29If you don't want to talk and you don't want to cry, at least vent your frustration by insulting Juan.
00:23:34I don't want to insult anyone, Catalina.
00:23:37It's okay, I'm fine, really.
00:23:39Oh, it's okay. It's okay.
00:23:41Yes, it does happen.
00:23:43The problem is that you're skipping the normal steps in a breakup.
00:23:47When people break up, they feel bad.
00:23:49All I want is to continue with my normal life.
00:23:51How are you doing?
00:23:53Normal. That is, you're going to get up normally, have a normal breakfast, and so on.
00:23:58Normally you become a slave and eat some porridge and crumbs.
00:24:01But come on, girl.
00:24:03That your man has left you for another woman.
00:24:05It's not like he went to lunch without you.
00:24:06Okay, stop it already, for God's sake, Catalina.
00:24:08But let's see if...
00:24:09Leave it now.
00:24:13Everything you're saying hasn't happened.
00:24:15Neither Juan exists, nor does what he did.
00:24:17Did you understand?
00:24:18Besides, I don't want to keep talking about this, because I already have it.
00:24:23But let's see, I'll say this for a reason.
00:24:26But girl, if it's for your own good, because you can't be like this, you'll have to vent.
00:24:31Catalina, please.
00:24:32Miss.
00:24:33Can you prepare a herbal tea?
00:24:34Clear.
00:24:35I'm feeling a bit unsettled.
00:24:37Of course, miss, please sit down.
00:24:40But you can say it out loud now, you can now have your milestones more out in the open.
00:24:46So, by the way, how's it going with the announcement?
00:24:50It's been wonderful, hasn't it?
00:24:53Own, natural...
00:24:53Come on, you can be proud.
00:24:56Just like the commissioner, who is so proud that he is going to be a father.
00:24:59Yes, it seems so.
00:25:03Well.
00:25:05What if everything is alright?
00:25:07Why all the sadness?
00:25:10Well...
00:25:10I don't know, Catalina, imagine when the baby is born...
00:25:14He is born with chestnut hair and green eyes, like Martin.
00:25:20Well, you're right about that.
00:25:22Because the commissioner and Martin are like chalk and cheese.
00:25:27But we will have to have faith and pray.
00:25:30So that the child does not resemble the father.
00:25:32What's wrong with looking like the village commissioner?
00:25:34No.
00:25:36There's nothing wrong with that, sir.
00:25:40We were just talking about how...
00:25:42I hope the child turns out as handsome as the mother.
00:25:45But wow, she really does look like you...
00:25:47It will have its bearing and its gallantry, which is no small thing.
00:25:52I don't care.
00:25:54As long as it's a male.
00:25:56I don't want you to come down here again.
00:25:59In your condition, these fumes don't agree with you.
00:26:01If you need something, ask Catalina.
00:26:04Okay, let's go, I'll go upstairs with you.
00:26:06I'll bring you the herbal tea now, miss.
00:26:25No, no, no.
00:26:40A man who, like Christ, celebrates Mass on the mountain, why doesn't he have a church?
00:26:43Are you going to bother him at all?
00:26:46Brain.
00:27:20Lucrecia.
00:27:24What are you trying to do?
00:27:25You've lost your mind.
00:27:27Who do you think you are to barge into my private life like that?
00:27:30Why would you do it?
00:27:33An imperfection has been noted.
00:27:35Lucrecia, you've had that your whole life.
00:27:37It's not an imperfection.
00:27:38It's part of you.
00:27:41Leave me alone.
00:27:43Get out of here!
00:27:47You're crazy.
00:28:00Ah, yes, of course.
00:28:03You mean Isabel.
00:28:05But the truth is, he hasn't come for a few days.
00:28:09She is sick.
00:28:13But why are you looking for her, son?
00:28:16I'm looking for a new seamstress and she was recommended to me.
00:28:20Do you know if he has any family or friends here?
00:28:23No, no, no, no, definitely not.
00:28:25She always comes alone and leaves alone.
00:28:30And do you know where he lives?
00:28:32No no.
00:28:34I know almost nothing about her.
00:28:35She has only been here in the congregation for a very short time.
00:28:38But, but listen, I assure you that...
00:28:40If I see her, I'll tell her you're looking for her.
00:28:45Thank you very much, Father.
00:28:48That?
00:28:53Sipri?
00:28:55Sato?
00:28:55Sipri, no, what are you doing here?
00:28:57I didn't know that Father Jerónimo was making everything water.
00:28:59No, my brother was.
00:29:01He suffered from stomach problems and the effects of his illness.
00:29:03That time I come and listen to him.
00:29:04But you have a brother, I had no idea.
00:29:06Where do you live?
00:29:07There in the village?
00:29:08No, no, he died.
00:29:12Come on, man, I feel for you.
00:29:14So you can see how little I know about you.
00:29:16Father Jerónimo's Water!
00:29:17Come on, let's go over to the little water stand.
00:29:19For headaches, bone pain!
00:29:21It worked like a charm!
00:29:23For headaches, bone pain!
00:29:24This has more properties than the Duchess of Alba.
00:29:27Hey, give me a small bottle.
00:29:29It worked like a charm!
00:29:30Thank you.
00:29:31Holy!
00:29:33What are you buying?
00:29:34Mead!
00:29:35A restorative from Father Jerónimo that cures everything, right?
00:29:38It worked like a charm!
00:29:40Willpower?
00:29:43Well, speaking of hands, if he doesn't mind lengthening his, I just don't...
00:29:52Take it.
00:29:54Come on!
00:29:54God be with you!
00:29:55Clear!
00:29:56Cirpe!
00:30:06Is something bothering you, Mother?
00:30:13How did you find me?
00:30:15Very easy.
00:30:16This is your room.
00:30:17Do you know what I mean?
00:30:19I left you in the forest.
00:30:22I thought you were dead.
00:30:24Not everyone is capable of abandoning a newborn in the middle of the forest.
00:30:38A peasant sees you abandon me and run away.
00:30:42I knew you were one of the Duke of Escalona's maids.
00:30:46Because I used to see you when you went out to wash clothes in the river.
00:30:49He raised me.
00:30:52What do you want?
00:30:53Gold?
00:30:55I could give you a chest full right now and a house.
00:30:59A house where I can go to visit you.
00:31:01It's a whole lifetime you have to compensate me for, Marchioness.
00:31:09I want the tiara that the English have given to our majesties.
00:31:15Are you asking me to rob the queen?
00:31:17You are invited to the reception at the Royal Palace.
00:31:20It won't cost you anything to access it.
00:31:22All eyes at the event will be on her.
00:31:24I can't do it.
00:31:25It's impossible.
00:31:25The family of the Marquis of Santillana will be delighted to know that I am your son.
00:31:29And what about the nobles of the court?
00:31:31They always distrusted your plebeian origins.
00:31:35It will be the scandal of the year.
00:31:40Don't underestimate me, Marchioness.
00:31:47Don't forget whose son I am.
00:32:16That woman was sick.
00:32:18It's possibly already a pact of the worms.
00:32:20No.
00:32:22And how do you explain the finger thing?
00:32:25I'm going to tell you what happened.
00:32:27That woman died in the forest.
00:32:30A vulture came and grabbed his finger.
00:32:31As it took flight, the vulture's finger fell into the river.
00:32:35Then a fish came along and ate him.
00:32:37The finger, food chain.
00:32:41Food chain.
00:32:43It could be, but I prefer to check one last thing.
00:32:47And on and on, windmill, to the wind.
00:32:48Well, I've already told him.
00:32:49You do whatever you want.
00:32:55Cemriano!
00:32:56Cater!
00:32:57This is going to make me as strong as a bull.
00:33:00I'm going to bring the women
00:33:03like flies to honey.
00:33:06Yeah.
00:33:08Speaking of women,
00:33:10You since Inés's thing
00:33:12You haven't felt any relief, have you?
00:33:15I don't talk about those things.
00:33:17And that will honor you.
00:33:18I'm not telling you because they've opened a new brothel.
00:33:20there on the road to Alcalá.
00:33:22Because if that's the case, I'll pick you up tonight and we'll go.
00:33:24No, no, no, thank you, Satur.
00:33:26I don't want to go to that place.
00:33:28If it's out of shame,
00:33:29They are very discreet and very clean women.
00:33:31They're real professionals, that's for sure.
00:33:33No no.
00:33:35What's happening?
00:33:39What's the matter?
00:33:43Satur?
00:33:44Damn, it feels like a chicken ate me.
00:33:45and it was pecking at me
00:33:48there from the depths.
00:34:16No, no, no, no, no, no.
00:34:45No, no, no, no, no, no, no, no.
00:35:08Good morning.
00:35:10Let me help you.
00:35:11There's no need, Gonzalo.
00:35:14It doesn't cost me anything, either.
00:35:15I'm a little taller and I can reach better.
00:35:18And I'm not calling you shorty, okay?
00:35:20It's not necessary.
00:35:22Which I can already reach on my own.
00:35:30Daisy.
00:35:32I know what you're going through and...
00:35:35I would like to be able to help you.
00:35:38Yeah.
00:35:39I know you know that.
00:35:41But when was it from, Gonzalo?
00:35:45That doesn't matter now.
00:35:47You knew it.
00:35:50You knew he was cheating on me with someone else right in front of me.
00:35:52And you didn't tell me anything.
00:35:53You kept quiet.
00:35:55It didn't mean anything to you either.
00:35:58You mean a lot to me.
00:36:00For God's sake, Gonzalo.
00:36:02That you saw me there every day
00:36:04sewing the dress for the woman
00:36:05with whom he was cheating on me.
00:36:07And you weren't able to do or say anything.
00:36:11I spoke with Juan.
00:36:13But he made me promise not to tell you anything.
00:36:15He wanted to tell you.
00:36:17Clear.
00:36:18How beautiful.
00:36:20All among gentlemen.
00:36:21And what about me?
00:36:23You said, it doesn't matter.
00:36:24Let them sort it out among themselves.
00:36:26I'm already very busy with my new wife.
00:36:27No, that's not it.
00:36:29It's not that.
00:36:32Perhaps I was wrong, but...
00:36:36I never meant to hurt you.
00:36:38Well, you've done it.
00:36:40And a lot.
00:36:42And now, if you don't mind, I have things to do.
00:36:49I'm sorry.
00:36:49No, no, no, no, no.
00:37:24Even though their food is so disgusting
00:37:26It's hard to imagine how they stay alive,
00:37:29The English have a taste for jewelry.
00:37:32There is no doubt about that.
00:37:36The tiara is spectacular, Your Majesty.
00:37:42Your Majesty, I couldn't wait to see you with the tiara.
00:37:45And I did well, because I don't know what shines brighter, diamonds or you.
00:37:48Thank you for the compliment.
00:37:50And if it didn't come from a flatterer like you, I might even believe it.
00:37:53Don't misunderstand me, Your Majesty,
00:37:56But if you were that Portuguese woman with a mustache who is married to Charles II of England,
00:38:00I wouldn't say anything.
00:38:02I prefer silence to a lie.
00:38:04In any case, I'd like to propose a toast.
00:38:08Allow me.
00:38:10She still has attitudes that betray her fine past, marchioness.
00:38:14I deal with them every day trying to change them, Your Majesty.
00:38:17But as they say, bad habits die hard.
00:38:21Well, that's undoubtedly the smooth talk that makes her so sought after in the trees.
00:38:28They call it, for example.
00:38:30For example.
00:38:31Majesty.
00:38:34Countess.
00:38:35For the best and greatest queen that Spain has ever had.
00:38:48The tiara.
00:38:50Exquisite, Your Majesty.
00:38:52Yeah.
00:38:53Are you OK?
00:38:54Oh, please, a little bit of air.
00:38:56A little water.
00:38:57Wait.
00:38:58Give him some air.
00:38:59Water, please, a glass of water.
00:39:00It must be because of the heat.
00:39:02Develop the dress for her.
00:39:04React.
00:39:08I would notify a doctor, Your Majesty.
00:39:10Let a doctor come.
00:39:12Fast.
00:39:17Doctor.
00:39:20What's wrong, Satur?
00:39:21Are you feeling unwell?
00:39:22No, it's fine.
00:39:23No, it's not right.
00:39:24This vomit does not break.
00:39:27Come here.
00:39:33Good, good, good.
00:39:35Come here.
00:39:35I know I let myself be taken care of, but...
00:39:37But because of the doctor, not because of the person.
00:39:46Does it hurt?
00:39:47No.
00:39:49Okay, okay, okay.
00:39:50No, this isn't a bad thing at all, okay?
00:39:52Satur.
00:39:53You must have eaten something that was spoiled.
00:39:56Until you feel better, don't eat anything solid.
00:39:58Liquid only.
00:39:59OK?
00:40:01See, I told you so.
00:40:03I don't know why we've come here.
00:40:07Liquid, he says.
00:40:11For liquid this.
00:40:13That cures everything.
00:40:16Thank you, doctor.
00:40:24Wow, what a story about Mrs. Irene's pregnancy, right?
00:40:28Therefore, it is the law between a husband and his wife.
00:40:30I don't think it's that much of a news story, either.
00:40:34The numbers just don't add up for me.
00:40:37Let's see, if the child is standing still...
00:40:41And the wedding night was...
00:40:43Let's see, Marta, what accounts are you talking about?
00:40:45Since when did you learn to do math?
00:40:48Here, take it.
00:40:49Take this, I'll put it on a little altar to the Virgin Mary later.
00:40:52And no more down there hammering away at the topic, okay?
00:40:55Because I know you.
00:40:56Miss Irene is pregnant, and that's that, okay?
00:41:00Strip.
00:41:03Young gentleman.
00:41:08Leave me alone, let me go.
00:41:09Yes, yes, yes.
00:41:10Leave me alone.
00:41:15Juan.
00:41:18I need to talk to you.
00:41:19Gonzalo.
00:41:21I want you to tell Margarita.
00:41:22No.
00:41:23That's not what it's about.
00:41:25I just want your opinion as a doctor.
00:41:28I think an animal ripped it out, but I need to rule out that the woman was alive.
00:41:33No.
00:41:45Perhaps she was alive when they cut it off.
00:41:47I certainly doubt that it still is.
00:41:50Look.
00:41:51The bluish color and flaking are caused by hemlock.
00:41:58So they poisoned her.
00:42:04Thank you, Juan.
00:42:05Gonzalo.
00:42:10He's having a very hard time.
00:42:17Thank you.
00:42:21Thank you.
00:42:25Thank you.
00:42:29Thank you.
00:42:32Thank you.
00:42:51I'm not hungry.
00:42:57Núñez.
00:42:58Núñez.
00:43:01Sit down.
00:43:02I want to talk to you.
00:43:10Irene's pregnancy will not change anything.
00:43:11It will change everything, commissioner.
00:43:14You're going to have a real child that you'll have to take care of.
00:43:17You are not my father.
00:43:19And I'd better get used to it.
00:43:22I want you to help me take care of it.
00:43:25That's what maids and wet nurses are for.
00:43:27I mean, be like an older brother to him.
00:43:29That's absurd.
00:43:30We're not even the same family.
00:43:33But I would like you to behave accordingly.
00:43:37If you believe in what's next to you, it will resemble you.
00:43:40And a father cannot aspire to have a son better than you.
00:43:46Thank you.
00:43:49No, me.
00:43:50With the knife.
00:43:55No!
00:43:56Sato, the one who scared me.
00:43:58Mine scared you, ma'am.
00:44:00I need that mead to recover.
00:44:03Well, I'm sorry, man.
00:44:06My stomach is fine, it's more tubers than organs.
00:44:10Old woman, old woman.
00:44:11That's it.
00:44:12That's it.
00:44:19What you've looked at, might have been useful to you too.
00:44:24They say that Father Jerónimo's mead cures everything.
00:44:28Even the pains of the soul.
00:44:31I'm fine, don't worry.
00:44:32Yes, well, okay, fine.
00:44:34But just in case, since I'm coming with Cipria for one, I could bring you another little bottle.
00:44:42or to honey.
00:44:43Let's see if he can bring back that angelic face he has on me.
00:44:45Yeah.
00:44:46Yeah.
00:44:48You knew that too, didn't you?
00:44:51You knew it.
00:44:52But Gonzalo didn't let you do or say anything, did he?
00:44:57If he has any balls.
00:44:59Ma'am, please, I ask you not to speak of the master like that.
00:45:02It's one thing not to talk about her, and quite another to do nothing.
00:45:06Oh, really?
00:45:06And what did he do?
00:45:07Talk to Juan?
00:45:08Talk to Juan, yes.
00:45:10And grab him so hard he was more gone than here.
00:45:14The slap he gave him is more tilted than the Leaning Tower of Pisa.
00:45:26Your Majesty, I have come to inform you that the Flemish merchants have already received the order for the new shipment of gunpowder.
00:45:33I expected nothing less.
00:45:35I will instruct them to proceed with the payment right now.
00:45:39By the way, the reception was magnificent.
00:45:43I'm sure the English have been very impressed.
00:45:47Mister.
00:45:59Are you taking it?
00:46:01That's right, dear.
00:46:02There's no need.
00:46:04My personal jewelry box will keep it safe tomorrow.
00:46:07You are the queen of Spain.
00:46:10And as such, you should understand that this tiara is more important to the empire than to you.
00:46:15I am the queen of Spain, but not yours.
00:46:23It's just glass.
00:46:29They haven't stolen the tiara.
00:46:40They haven't stolen the tiara.
00:46:59The seamstress died of poisoning.
00:47:02Who is poisoning their parishioners?
00:47:31They haven't stolen the tiara.
00:47:36They haven't stolen the tiara.
00:47:41They haven't stolen the many...
00:48:02They haven't stolen the tiara.
00:48:12I was worried.
00:48:17I was beginning to fear that he had cut off your head.
00:48:28Here is your tiara.
00:48:37Don't you trust me?
00:48:44With this, I have already made up for everything I did to you.
00:48:47That's what it was about, isn't it?
00:48:54Well, you can leave now.
00:48:56I hope you're doing well.
00:49:16Goodbye, mother.
00:49:27Bye bye.
00:49:51Can I help you?
00:49:54No, for God's sake, sir. It's my job to put away the clothes.
00:49:58I insist.
00:50:03So, where were you taking them?
00:50:07To the lady's dressing room.
00:50:11And where is it?
00:50:14It's there, it's around here somewhere.
00:50:35Don't worry.
00:50:37I'll keep them for you.
00:50:40Leave them inside the chest, and the keys...
00:50:42You'll be dusty soon, the marchioness.
00:50:54Don't worry.
00:51:05Happy!
00:51:07Don't worry.
00:51:18For your unborn child, sir.
00:51:37Is this the way and place in which you now carry out your work, commissioner?
00:51:42Or have you found the Holy Grail and are celebrating?
00:51:46We're in a different kind of celebration, that's clear.
00:51:48So stop celebrating and pay attention.
00:52:02The Stuart tiara has just been stolen from the queen's own apartments.
00:52:07I suppose they must have questioned the servants.
00:52:10I guess.
00:52:12The tiara was replaced with an exact copy that a maid could never afford.
00:52:19Don't bother looking for the jeweler.
00:52:22The only one capable of performing such a task is already a corpse.
00:52:26Do we know how many people were in the Queen's Cave?
00:52:29What if someone else has had contact with the tiara?
00:52:32The Duchess of Ugarte, her two cousins, and the Marchioness of Santillana.
00:52:39One of them is the culprit.
00:52:44If it becomes public knowledge that the king has been robbed in his own rooms, he would be the laughingstock of all Europe.
00:52:52Do whatever it takes, but find her.
00:52:54The Eminence.
00:53:08Manolo?
00:53:11Manolo, dark ones?
00:53:14What was I going to do?
00:53:15Even in that state, I wasn't going to leave you alone.
00:53:17At least he knows the inn from spending so many hours there.
00:53:22Cipriano, haven't you thought about selling mead at the inn?
00:53:27It's the same, it would get you out of poverty.
00:53:29I couldn't.
00:53:30It reminds me too much of my brother, who never stopped drinking it.
00:53:35That horse?
00:53:46Cipriano, I'm actually thinking it's better if you go to the inn, just in case Manolo
00:53:51Put an end to all the insistence.
00:53:52No, wait.
00:53:53It's very strange that that horse is here alone.
00:53:55No, I don't know if something happened to the owner.
00:53:57What was going to happen to the owner?
00:54:01Horse.
00:54:04Little horse.
00:54:05He's coming here.
00:54:07He's coming here.
00:54:08Cipri, keep him, hold him, I'm going to take a look.
00:54:25Come on.
00:54:33Come on!
00:54:34What's happening?
00:54:35It looks like a bear trap.
00:54:37Did he fall in there?
00:54:39What are you doing?
00:54:40What made you stay there with the horse?
00:54:42Don't worry, I've tied him up.
00:54:44Is it there?
00:54:44Yes, it's there, it's there.
00:54:45He's there, but he's covered in blood from the blow he received.
00:54:49It's best if you don't see it.
00:54:50Well, if you need help getting out, four hands are better than two.
00:54:53Yes, yes, yes. Four is better than two, but...
00:54:57I'm going to put a rope on him.
00:54:59There's bound to be one in the saddlebags, hurry.
00:55:04He's going to find out.
00:55:06He's going to find out.
00:55:19I'm sorry, Cipriano.
00:55:21He forces it, Mario.
00:55:26Come on!
00:55:28Come on!
00:55:35Ma'am, is it true what they say about the diamonds from that land being so bright they look like suns?
00:55:42Catalina, leave.
00:55:45Yes, ma'am.
00:55:46Excuse me.
00:55:55These are ways to enter a lady's bedchamber.
00:55:57Where is the lady? I only see a thief.
00:56:00Where is your tiara?
00:56:02There were only four people in the queen's chamber.
00:56:05The maids were searched and tortured.
00:56:08It's only a matter of time before they discover you.
00:56:12I have to go.
00:56:13No, Lucrecia, don't do it.
00:56:15Don't even think about it.
00:56:16If you do that, you'll give yourself away.
00:56:18And if I stay, they'll cut off my head.
00:56:21Why did you do it?
00:56:23Greed robbed you of what little common sense you had left.
00:56:28I didn't steal it for myself.
00:56:30So, for whom? Tell me.
00:56:33The fencing master is blackmailing me.
00:56:36Come on, Lucrecia.
00:56:37A teacher cannot blackmail a marchioness.
00:56:45He's my son, Hernán.
00:56:47I don't have it anymore.
00:56:49He gave it to her.
00:56:52Where has he gone?
00:56:54Don't know.
00:56:58He left here a while ago.
00:57:00What am I going to do?
00:57:04Regain the cold-bloodedness you had to steal it.
00:57:10And wait.
00:57:15Hernán?
00:57:18Hernán?
00:57:20Don't kill him, please.
00:57:24I love it!
00:57:26I love it!
00:57:27Love, you're alive!
00:57:29But how did you get there, man of God?
00:57:31And put on the mask, because Cipreano is lying there dislocated.
00:57:34I don't know if he's going to wake up or not, but if he does wake up,
00:57:37He'll definitely find out.
00:57:38Saturn, bring the rope.
00:57:41We have to go after Father Jerónimo.
00:57:42No.
00:57:43No, you can't go anywhere, you're badly injured.
00:57:45Saturn, the rope!
00:57:46Saturn, the rope!
00:57:49Saturn, the rope!
00:58:01Saturn, the rope!
00:58:10Saturn, the rope!
00:58:11Saturn, the rope!
00:58:14Saturn, the rope!
00:58:15Saturn, the rope!
00:58:17Saturn, the rope!
00:58:18Saturn, the rope!
00:58:18Saturn, the rope!
00:58:19But what are you doing?
00:58:20I'm going to avenge my aunt because you deceived him.
00:58:23Defend yourself!
00:58:26Come on!
00:58:27Listen to me.
00:58:28I know exactly how you feel.
00:58:31And I would do exactly the same as you, but I'm not going to fight you.
00:58:34My aunt is the best person in the world.
00:58:35And he doesn't deserve what you've done to him.
00:58:38Defend yourself!
00:58:39Defend yourself!
00:58:42Come on!
00:58:44Aloso!
00:58:48Alonso, what are you doing?
00:58:49Alonso.
00:58:53For God's sake, take the sword.
00:58:55No, aunt.
00:58:57He is dishonored and must pay for it.
00:59:00Come on, defend yourself!
00:59:03Come on!
00:59:19The boy is right.
00:59:22I deserve to die.
00:59:26Alonso, please!
00:59:28Alonso!
00:59:35Alonso, please!
00:59:39Alonso!
00:59:39Alonso!
00:59:41Come on!
01:00:24Come on!
01:01:02Where is the tiara?
01:01:07Where is the tiara?
01:01:09I don't have it.
01:01:21Where is the tiara?
01:01:39Where is the tiara?
01:01:52Where is the tiara?
01:01:57Where are you hiding it?
01:02:00If you kill me, you'll never know.
01:02:02I'm not going to do it.
01:02:04I'm going to make you suffer so much that after all
01:02:06You're going to beg me to kill you.
01:02:11Alright.
01:02:13I'll tell you.
01:02:15He is in his palace.
01:02:18You can ask the king if you don't believe me.
01:02:21He has already been informed.
01:02:24No.
01:02:26No.
01:02:38No.
01:02:41No.
01:02:46No.
01:02:48No.
01:02:49No.
01:02:52I am contacting you to inform you that the tiara is in the palace of the
01:02:56Marchioness of Santillana. She stole it. Sincerely, your humble servant.
01:03:06Guard.
01:03:12And then a branch falls from a tree and hits him on the head. If it weren't for saturation, still
01:03:17I'm still lying there. Good heavens. That's bad luck too. You've become quite the nurse.
01:03:23Sure. With the doctor at home, I've picked up a few things. Come on, move it. You've got the whole forest in your...
01:03:29face.
01:03:33Mother. What do you want? What were you doing? Well, what are we going to do? I'm treating him. He's had a
01:03:42It was a blow. Someone had to treat it. Juan's not here. What do you want? I can't find the right size.
01:03:54You have to ask the master about these things. Go to Alonso.
01:04:05Cipri, we need to control ourselves, okay? If the kid doesn't see this, the world will come crashing down on him.
01:04:10Yes, you're right. But... I see you and... well, I can't live without you.
01:04:18Yes, but you have to be without it. You have to be without it, at least, if the kid is around.
01:04:23No. What do you think? That I'm not doing so well?
01:04:26No.
01:04:33Good morning, doctor. Good morning.
01:04:36Hello, Cipri. God be with you.
01:04:46I imagine you don't want to see me around here. You've probably already heard.
01:04:48Well, Juan, I don't know who's going to judge you.
01:04:51Stay as long as you need.
01:04:56Thank you.
01:05:22Why do you poison the people who believe in you?
01:05:28All I do is give them hope for a better life.
01:05:34Even if it's in the afterlife.
01:05:39You haven't answered my question.
01:05:49You put the hemlock in the mead.
01:05:56In that way, they die little by little, without any suffering.
01:06:01I end their lives, because that is what they want most.
01:06:06But who do you think you are to decide whether people want to live or die?
01:06:12I have spent years watching the people I intend to help suffer.
01:06:16They have nothing to eat and nowhere to sleep.
01:06:19I've heard them say "I want to die" too many times.
01:06:25Like the seamstress who committed suicide by throwing herself into the river.
01:06:31To me, you just seem like someone who wants to play God.
01:06:36You save those who want to live.
01:06:40I do the same with those who want to die.
01:06:48You are also poisoned.
01:06:51It is not easy to live in sin eternally.
01:07:00Get out of here.
01:07:03You're not going to kill me, are you?
01:07:05No.
01:07:06I don't play God.
01:07:23Auntie must be somewhere now.
01:07:25Thank you so much.
01:07:26There are two of us looking for her.
01:07:27We'll never find her, Hernán.
01:07:29But what are you doing?
01:07:31The king is aware, it's useless.
01:07:32No, Lucrecia, I'm not going to let you give up now.
01:07:35Get up and search.
01:07:36Where was he?
01:07:37She left the room, but I don't know where she went.
01:07:40He could have been anywhere.
01:07:41Ma'am, excuse me, but I need the keys.
01:07:43Stop messing around with keys and leave.
01:07:46Ma'am, you're upset because the fencing master helped me.
01:07:51As?
01:07:53What are you saying?
01:07:55Sorry, no, I knew it...
01:07:57Let me apologize and tell me what happened.
01:07:59What kind of keys are those?
01:08:01The teacher helped me with the clothes and told me that he would return the keys to the chest.
01:08:05The chest in the dressing room?
01:08:06Go away.
01:08:12They're here.
01:08:14Hernán, I have to go.
01:08:16No, wait, Lucrecia.
01:08:20Let's see.
01:08:22Tell them you survived, tell the Duchess of Dugarte that she would kill for that land.
01:08:29Madam, the royal guard is entering the palace.
01:08:32No, I don't know if you can see yourself.
01:08:35No, no, no.
01:08:46Come on, I'm here now.
01:08:49What is that? Man of God, that's liquid gold!
01:08:52Hey, hey!
01:08:53Father Jerónimo was poisoning his parishioners.
01:08:56He mixed the hemlock with the mead.
01:09:01Hemlock?
01:09:04Oh, love, for God's sake, I've had this bruise all day.
01:09:08I'm going to die!
01:09:29High!
01:09:36Can you tell me why we stopped?
01:09:38I ordered it.
01:09:42I am traveling to Portugal urgently and I have no time to lose.
01:09:45My sister is sick.
01:09:46Who are you to give that order?
01:09:48I am the village commissioner. I need to inspect your carriage.
01:09:52I've already been bombarded with questions about the land before I even leave.
01:09:55And I repeat, I didn't steal it.
01:09:57This is outrageous. I am a Grandee of Spain.
01:10:00It's for your safety, ma'am.
01:10:02We have been informed that they are smuggling weapons into Portugal.
01:10:05That's the last straw. Are you accusing me of betraying the king?
01:10:08I'm not accusing him of anything, ma'am.
01:10:11The traitors are taking advantage of all the trips they are going to cross into Portugal to hide their weapons.
01:10:15They may have done it in your carriage without you knowing.
01:10:19It will only be a moment.
01:10:23Lady.
01:10:48She had it hidden under her seat.
01:10:50Take her away.
01:10:51Don't you dare touch me!
01:10:54Take her away.
01:10:55No! Let me go! Let me go!
01:11:04The dose is very small.
01:11:06You would have to be taking a long time.
01:11:16So the mead was poisoned.
01:11:19The seamstress committed suicide by throwing herself into the river.
01:11:22And that's why his finger was inside a fish.
01:11:27So far so good, right?
01:11:30Well, love, I've been feeling a bit annoyed for a while now.
01:11:35Have you put Father Jerónimo's body in?
01:11:39This time there is no corpse, Satur.
01:11:42At least for now.
01:11:44Don't tell me it slipped out.
01:11:47But it would be the first time it's happened to him in his career as a hero.
01:11:50It didn't escape me.
01:11:54I let it slip away.
01:11:57Well, that's definitely not the case.
01:12:00You catch a bad guy and give him a chance to kill him.
01:12:04Sometimes it's not so easy to know who is good and who is bad.
01:12:08But?
01:12:09Well, I see it as Miridiano.
01:12:12A priest who plays with people's hopes and slowly poisons them until he kills them.
01:12:19Bad or very bad, oh, textbook.
01:12:22What if the people he poisons want to die?
01:12:29We're here.
01:12:31This is how it always is.
01:12:34I'm there, so happy with my...
01:12:36How do you say this?
01:12:37With my firm and established convictions.
01:12:39So you were determined to make them as soft as a cow dung.
01:12:44Well.
01:12:46This is already done.
01:12:47Very good.
01:12:49Let's go home, Saturn.
01:13:21There are more men than fish in the sea.
01:13:29I want to say that no woman deserves to be made to cry by a man.
01:13:36I know.
01:13:46I'm going to get some water.
01:13:49All of this will have to be cooked up somewhere.
01:13:53Thank you.
01:14:20I'm sorry.
01:14:26Can I help you make dinner?
01:14:32There's no need, my love.
01:14:34Which I already know Saturn has taught me.
01:14:38It's not necessary.
01:14:39Well.
01:14:41But I do cut the potatoes myself, that's for sure.
01:14:47Alonso.
01:14:49Promise me one thing.
01:14:51Promise me you'll never get into trouble for me again.
01:14:55Promise me.
01:14:56I'd like that, aunt.
01:14:59But I can't promise you that.
01:15:01Because I will always take care of you.
01:15:07Aunt.
01:15:16I've already told you that I have no idea where Satiara is.
01:15:19They have searched every last corner of my palace and have not found her.
01:15:29No, no, no, no.
01:15:30Not my wife!
01:15:31Not my wife!
01:15:32Not my wife!
01:15:33Not my wife!
01:15:33Not my wife!
01:15:34To my lady!
01:15:35Don't even think about touching it again.
01:15:37Understood?
01:15:39Matiara stole it from the Duchess of Ugarte.
01:15:42He intended to run away with her to Portugal.
01:15:44By the king's will.
01:15:55Are you okay, Irene?
01:15:57Catalina, please, accompanied her to her chambers.
01:15:58Yes sir.
01:15:59Permission.
01:16:10Where were you?
01:16:12At this moment the Duchess of Ugarte must be about to be beheaded.
01:16:17That head was going to be yours, Lucrecia.
01:16:21You might not be so lucky next time.
01:16:27What has happened to the teacher from Serima?
01:16:32He is dead.
01:16:34I didn't deserve a mother like you.
01:16:40What has happened to the teacher from Serima?
01:16:41No, no, no, no.
01:17:01What has happened to the teacher from Serima?
01:17:03That's why I love you.
01:17:04What a scare!
01:17:05I was adding some stitches to the hem to reinforce it and prevent it from sagging.
01:17:08Sometimes I think people don't recognize him because they don't want to.
01:17:12Well, be careful because anyone could get in.
01:17:14No, I remind you that being a hero is one thing, and inventing the disguise is quite another.
01:17:20This could belong to anyone.
01:17:26Oh, God.
01:17:28It seems to me that...
01:17:30which has reinforced it even more.
01:17:33Yes, it's because we Garcias have prominent jaws.
01:17:39Look, try it and see if you like it better than I'm going to give it my all.
01:17:43It's ok don't worry.
01:17:45It's perfect.
01:17:51Are you OK?
01:17:53Yes, yes, I'm fine. Don't worry.
01:17:54The thing is...
01:17:57I only have a rumor that...
01:17:59But come on, I think almost everything is in its place.
01:18:05How about I give you the day off?
01:18:07Okay. From now on?
01:18:09AND...
01:18:10That's how you recover.
01:18:12A day off?
01:18:14Yeah.
01:18:16Are you going to give me a day off?
01:18:17Yes, be you.
01:18:20No, I just can't.
01:18:21I can't because I have to go pick up some books for him.
01:18:23That doesn't matter.
01:18:24No, it's not the same.
01:18:25First comes obligation, then leisure.
01:18:28I'm not thinking about how to make up days off.
01:18:31Because I've never had a day off in my life, so...
01:18:35That's what needs to be raised.
01:18:36That one doesn't have days off.
01:18:40It's thinking.
01:18:51And what are you doing here?
01:18:54What do you mean, what am I doing here?
01:18:56I live here, Cipriano.
01:19:00But I just saw you on the street.
01:19:02And I greeted you and you answered me.
01:19:04Me?
01:19:05It just can't be.
01:19:07I haven't moved from here.
01:19:10Oh, you're joking.
01:19:13No, Cipriano, I'm not joking.
01:19:15I haven't gone out on the street, nor have I greeted you.
01:19:19What blow to the head has left you with a...
01:19:22A little bit impaled, isn't it?
01:19:26I don't know.
01:19:28Well, here's some leftover bread.
01:19:30Thank you.
01:19:32At most, go.
01:19:34Let's see.
01:19:40This one needs a handle like...
01:19:43Like breathing.
01:20:06No no.
01:20:16No.
01:20:17No.
01:20:18No.
01:20:21No.
01:20:22No.
01:20:24No.
01:20:37Money.
01:20:40Don't even think about screaming.
01:20:43I am a poor raindrop.
01:20:46I don't even have enough to eat.
01:20:58What else are you carrying?
01:21:02What's that?
01:21:05It has no value.
01:21:07It's a wooden cup.
01:21:10And why are you hiding it?
01:21:49It has no value.
01:22:21It has no value.
01:23:12Are they crazy or what?
01:23:19But what's happening to me?
01:23:23First Cipriano, who sees me where I'm not, now the one with the books.
01:23:28I wonder if I'm getting sick.
01:23:30Let's see if I can finish off old Anton.
01:23:31It started with Olvido and ended with his wife being mistaken for a hat.
01:23:41But what?
01:23:42Oh!
01:24:06Leopold first sends the ambassador, Count Olsen.
01:24:09I would be pleased if you married him.
01:24:11Are you asking me to move to Vienna?
01:24:13I can't give you bread, man, it's for selling in the village.
01:24:16We'll be better off there.
01:24:18You will get married.
01:24:19It just takes a little more time.
01:24:22The count is traveling with a shipment of gold to offer to the king.
01:24:54Where is the gold?
01:24:55Nobody ever returns from the city where you live.
01:24:56Nobody comes back from death.
01:24:58Nobody.
01:25:00We're going to rob the king.
Comentarios