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00:00:13What's happening?
00:00:32What happened here?
00:00:34Juan, look at me.
00:00:39You have the bullet inside you.
00:00:44I can't lose my son.
00:00:50Something's missing here, isn't it?
00:00:51I didn't find it at the foot of your bed.
00:00:52You were so drunk that you forgot to hide the gun you used to cut your wife's throat.
00:00:56Take him to jail.
00:00:58You are the Marquis of Santillana.
00:00:59Would the Marquis of Santillana see me in a pigsty like this?
00:01:09Margarita, I can't believe you think Juan killed her.
00:01:12You weren't in that room and saw how he treated that woman.
00:01:20That child.
00:01:23I acknowledge it.
00:01:24Don't you know where you are?
00:01:26At my place.
00:01:28They found a member of the historical group who killed her under the bed.
00:01:30So what? Could anyone have caught it?
00:01:32And how long has this window been broken?
00:01:35You see, gentlemen, there is something more.
00:01:37There are mud stains right next to the window.
00:01:41I thought it would be important for their research.
00:01:44It's clear that nobody pays you to think.
00:01:46Invite yourself to do your job.
00:01:49His son kept repeating that they had to find a woman who was in danger.
00:01:53Locked in a cage.
00:01:55Mother.
00:01:56Oh my God, Juan was killing his wife.
00:02:00Tell me you haven't done it.
00:02:02Don't know.
00:02:06Alonso!
00:02:07Are you OK?
00:02:08Alonso!
00:02:10My love, do you think your mother is alive?
00:02:13Mother.
00:02:15So who is the woman of the forest?
00:02:20I can assure you that my son is the true Marquis of Santillana.
00:02:28You've always said that every man has to find his own destiny.
00:02:31And that's why I'm going to look for mine.
00:02:32Whatever it is, I know this is no longer my place.
00:02:38I arranged that marriage against her will.
00:02:41I am partly responsible for that murder.
00:02:46No!
00:02:47No!
00:02:48No!
00:02:49No!
00:02:50No!
00:02:52No!
00:02:52No!
00:02:53No!
00:02:56No!
00:03:50You will never abuse a woman again.
00:03:53No, no, no.
00:04:42Who's there?
00:05:01No no.
00:05:03No, no, no.
00:05:29Not so vengeful.
00:05:30No no.
00:05:56No no.
00:05:59No no.
00:06:03No no.
00:06:04No no.
00:06:11No no.
00:06:40No no.
00:06:54No no.
00:07:14No no.
00:07:23No no.
00:07:26No no.
00:07:41No no.
00:07:43No no.
00:07:53No no.
00:08:16No no.
00:08:19No no.
00:08:26No no.
00:08:38No no.
00:08:58No.
00:09:12No no.
00:09:20No no.
00:09:22No no.
00:09:50No no.
00:09:53No no.
00:09:56No no.
00:10:00No no.
00:10:16No no.
00:10:45No no.
00:10:48No no.
00:10:55No no.
00:10:56No no.
00:11:20No no.
00:11:27No.
00:11:55No no.
00:11:58No no.
00:12:02No no.
00:12:24No no.
00:12:25No no.
00:12:29No no.
00:12:30No no.
00:12:31No no.
00:12:40They are all over the village.
00:12:43They shouldn't do these things publicly.
00:12:46All they achieve is causing more pain.
00:12:50If Juan has killed his wife, he has to pay for it.
00:12:53Health.
00:13:18Health.
00:13:33Have you found Luño?
00:13:34No, sir.
00:13:35So what are you doing here?
00:13:37Return to the paths.
00:13:38I bring you a letter from Cardinal Mendoza.
00:13:40It seems to be urgent.
00:13:43Report to my palace immediately.
00:13:46Consider it an absolute priority.
00:13:51You return to the roads.
00:13:52As soon as I hand over the river, I will join you.
00:13:55Yes sir.
00:14:17I feel sorry for your mother.
00:14:20A great woman from Spain doesn't deserve to have a murderous son.
00:14:25I went in right away.
00:14:26With great pleasure.
00:14:38Don't treat my prisoner like that again.
00:14:41I have no riffraff in my prison.
00:14:44Like the one in his dungeon.
00:14:45A killer is a killer everywhere, Warden.
00:14:49If you'll excuse me, I have more important matters to attend to.
00:15:05Take off your shackles.
00:15:06No, please don't cut them all off.
00:15:10I see you don't recognize me.
00:15:14Fifth cavalry.
00:15:15Ben Lenz.
00:15:17Servista, at your service.
00:15:22Captain.
00:15:30Look at how I've ended up, sir.
00:15:32Every action has its consequences in a man's life.
00:15:35It is the law of God.
00:15:37Take it to their store.
00:16:10Take it to their store.
00:16:23Somehow.
00:16:24S roubando.
00:16:24Come on.
00:16:29Come on.
00:16:50Mariana, how are you?
00:16:59You're safe now. Trust me. I'll take care of you, I promise.
00:17:27Excuse me, ma'am, I've brought you some fried milk. It would make a marquis weep with joy.
00:17:39The only good thing I learned from the nuns was about orphanages.
00:17:44I'm not hungry. Thank you.
00:17:51We'll let you rest, okay?
00:17:56Come on.
00:18:18Sometimes I even feel disgusted by being a man, I love.
00:18:21Look what we're capable of. Do you remember the upholsterer's daughter?
00:18:27Yeah.
00:18:29Last year they did something similar to the poor thing and the next day she looked like she'd been hanged in the attic.
00:18:37Mariana needs to forget all of this. And within these four walls, she never will.
00:18:42And what does he propose? To help her leave the slum?
00:18:47Yeah.
00:18:49And leave with her.
00:18:52That?
00:18:57Okay, I'm going to repeat the question because I think we're getting confused.
00:19:01And what does he propose? To help her leave the slum?
00:19:05I promised I would take care of her. And I've failed. Now I have to try to give her a normal, free life.
00:19:12No, I understand the part about free life perfectly.
00:19:16I can even imagine her there with the sound of the waves and the song of the sirens.
00:19:21But you can't go with her. What about Alonso and me?
00:19:24What do we do with the little boy? Because he has his life here.
00:19:29Alonso will be fine. We'll be a happy family.
00:19:34Like a family.
00:19:37That Mariana and you don't...
00:19:42Oh God, he's not thinking.
00:19:44That can't be.
00:19:46That you were very close to asking Doña Margarita if you could marry her now
00:19:50other.
00:19:51If it's what's best for Mariana, I'll do it.
00:19:52That sacrifices are made out of love, not out of pity.
00:19:57We'll leave tomorrow.
00:20:00Come on.
00:20:03Come on, don't insist on honoring your ancestors by taking a French dump because this can't be.
00:20:09Satur, I am convinced.
00:20:11And what about Doña Margarita?
00:20:14No.
00:20:15And what about me?
00:20:20Can you come with us?
00:20:27Who would think of ordering that something unclean in the room?
00:20:31Nobody has died here, is that clear?
00:20:33Yeah.
00:20:33The palace's good name must be cleared.
00:20:35I'll start from here.
00:20:36And what are those jugs and glasses doing there?
00:20:38They've been touched by a murderer, clean them up immediately.
00:20:40And that bed, for God's sake, it looks like a sow gave birth to it.
00:20:43They should wash the sheets already!
00:20:46And what are you doing like that?
00:20:49Don't tell me your new suits are already too small.
00:20:52I can't find the street of the camera, nor anyone else.
00:20:54Can you tell me where they are?
00:20:55Has an order been given for everyone to go out and look for Mr. Nuño?
00:20:59Has an order been given?
00:21:01And who exactly was it?
00:21:02Because I have not said this mouth is mine.
00:21:08Me, ma'am.
00:21:13They should all return to the palace immediately.
00:21:16Yes, ma'am.
00:21:17Mother, I think she understands.
00:21:18But who has ever seen me?
00:21:19I'll help you.
00:21:20You should see how lazy you can become when you want to.
00:21:23No.
00:21:23Not lazy, mother.
00:21:25Marquis.
00:21:28Madam, your booties have arrived.
00:21:30Ah, fabulous!
00:21:31This is the latest trend in Paris.
00:21:33Leave them there.
00:21:34Yes, ma'am.
00:21:39Is there any news about Nuño?
00:21:41Nothing.
00:21:43And I hope she returns before the Marchioness, because otherwise she's going to be very upset...
00:21:46No.
00:21:49And you? How are you?
00:21:51I'm very tired.
00:21:53Let's see if we can finally put an end to all this.
00:21:54Yeah.
00:22:03And so?
00:22:07Well, it's a silver cross.
00:22:09And it has the initials R and L.
00:22:14This is not from Juan and his late wife.
00:22:16Well, if it's not theirs, it'll be...
00:22:20Hey, maybe it's from someone who broke in without us noticing.
00:22:25But hundreds of guests have passed through here, Catalina.
00:22:26It can belong to anyone.
00:22:28It could also be from anyone who came in while Juan and his wife were sleeping.
00:22:30It could be from the killer.
00:22:32That woman didn't deserve what was done to her.
00:22:34Juan is guilty.
00:22:35Oh no, Margarita!
00:22:37Maybe we're not giving up too soon.
00:22:39Perhaps we are not exhausting all possibilities of proving his innocence.
00:22:42Wouldn't you like it to be?
00:22:53Can you tell me who forged it?
00:22:56It seems like the closure is a little loose.
00:23:05But you and I couldn't afford these finishes.
00:23:09This was commissioned by someone of high social standing.
00:23:12And the initials?
00:23:13Would you be able to recognize who they belong to?
00:23:18Could...
00:23:19They could belong to anyone, right?
00:23:22I don't know what I was thinking.
00:23:24Daisy.
00:23:26What are you doing here? Aren't you at the palace?
00:23:28Well, he had come to run some errands for me.
00:23:31I've just finished class with the children. If you'd like, I can walk you home and...
00:23:36And we chatted.
00:23:37No, no, no. Yes...
00:23:39Yeah I know...
00:23:40I was just leaving.
00:23:41God be with you.
00:23:44Hey, ma'am.
00:23:46That the cross is left behind.
00:23:50I found her in the room where Juan, his wife, was staying.
00:23:55For a moment I thought that...
00:23:58It's nonsense.
00:24:00I'd better take it with me because I'm sure someone will claim it.
00:24:02If you think it has anything to do with his wife's murder...
00:24:06Let me keep it.
00:24:08Maybe I'll find something out.
00:24:11It's a waste of time.
00:24:13Margarita, if there is a possibility that she is innocent, we must go all the way.
00:24:18After all, Juan...
00:24:19She was the person he had.
00:24:23Alright.
00:24:46OK?
00:24:47Yes, I'm going to face the music.
00:24:52Yes, you have to leave.
00:24:54The woman's hands.
00:24:54The woman's hands.
00:24:56No.
00:25:01Duas.
00:25:04On the side.
00:25:11The slight ones.
00:25:12I'm having a great time.
00:25:15We're going up.
00:25:18No, no, no.
00:25:58No, no, no.
00:26:15What about their origins?
00:26:17Or is he no longer interested in solving the mystery?
00:26:20Now the only important thing is Mariana.
00:26:22Do you know what I'm saying?
00:26:24You will think you are very supportive and very self-sacrificing.
00:26:27But I tell him he's selfish.
00:26:29That he hasn't even thought about us.
00:26:31So, you think I'm going to go with you and leave my son here?
00:26:37You're right.
00:26:38My obligation is to take care of Mariana, and yours is to take care of Gaby.
00:26:42And you have to be near him at the villa.
00:26:45Keep the house.
00:26:46But how do you expect me to keep the house?
00:26:49A house is not just the roof and the walls.
00:26:51A house is also the people inside it.
00:26:53You, the kid, Margarita.
00:26:55They search some things that...
00:27:03There it is.
00:27:12Lady of Requena.
00:27:14Could I speak with you?
00:27:16What do you want?
00:27:19I believe this belongs to him.
00:27:31It belonged to my son Roberto.
00:27:34I thought I had lost her forever.
00:27:37Where did I find it?
00:27:39In the palace of the Marchioness of Santillana.
00:27:43Could I speak with him?
00:27:51It has been 14 years since my son died in the war.
00:27:57I'm sorry.
00:28:37Who is it?
00:28:38The commissioner of Vinencia.
00:28:55Did you have me call you?
00:28:58Hours ago.
00:28:59I'm very busy.
00:29:00The child has disappeared.
00:29:02That's life, commissioner.
00:29:04The children disappear, then someone finds them...
00:29:07You are not going to disobey one of my orders.
00:29:13Richard Blake.
00:29:15He was here last night.
00:29:20Does he want to kill me?
00:29:22I need all the protection you can offer me.
00:29:26I will put my best men at your disposal.
00:29:29I don't think you've understood me, commissioner.
00:29:32Richard Blake.
00:29:33It was in my own bedroom.
00:29:38I can't trust anyone.
00:29:40I need you.
00:29:43Wow, that kind of confidence is new to me.
00:29:46You should put less effort into making enemies.
00:29:48And that way I would avoid these situations.
00:29:50In this world everyone has enemies, commissioner.
00:29:56That's why we need the protection of the family.
00:30:01Your Eminence, you should fear no one but God.
00:30:06Not even him.
00:30:09Because he will be on your side.
00:30:13Even in this situation...
00:30:15You shouldn't forget who you're talking to, commissioner.
00:30:21You will stay here.
00:30:23If necessary, day and night.
00:30:26You will be my guardian angel.
00:30:29No.
00:30:34I'm not asking you.
00:30:42Stop me.
00:30:50Subscribe to the channel!
00:31:18Marta, forgive me.
00:31:20Margarita is there.
00:31:21She's upstairs, busy with things related to the new lady.
00:31:24But I'm going to tell him right now that you're here.
00:31:26Thank you.
00:31:32If you think well of Doña Margarita,
00:31:36Why don't you postpone the trip instead of leaving?
00:31:38What two terrible pieces of news, the doctor's and yours.
00:31:41No heart can withstand it.
00:31:43We leave tomorrow.
00:31:44What do you want?
00:31:44Don't tell him.
00:31:45No, I want him to stay.
00:31:49I want him to stay, I love you for God's sake, reconsider.
00:31:53You are going to deprive the lady of the only family she has and will ever have.
00:31:57maybe.
00:31:57You'll never forgive yourself for that.
00:32:01Look, Saturn, let it hurt me.
00:32:03I'd rather Margarita hate me for leaving than Mariana die because I stayed.
00:32:08Ah, you guys, prepare me a pisco sour, I'm hungry.
00:32:12Excuse me, but we are not your servants.
00:32:15We came to see Margarita.
00:32:16I am Gonzalo de Montalvo, a school teacher.
00:32:18I am Saturno Garcia.
00:32:21His slave, his servant, his most faithful admirer.
00:32:25Allow me, madam, at your feet, master, I present to you, Sagrario de Castro.
00:32:28The best actress that Spanish dinner has ever produced, by far.
00:32:32I see you know me.
00:32:33He asks if he knows her, saying that when he was a comedian, he had the immense fortune of seeing her perform in the
00:32:39Corral de la Cruz.
00:32:40That you left the savanna donkey at the height of the peaks of López de Vega.
00:32:45I won't say any more.
00:32:45Oh, López, López.
00:32:47López liked me a lot.
00:32:49He wanted to write a play for me, but he didn't have time.
00:32:52The poor man died.
00:32:53It doesn't surprise me if he's with women of his...
00:32:57But you haven't finished fixing up the guest room yet.
00:33:00You see, ma'am, Mr. Márquez asked us to take off his hunting boots.
00:33:04And since he's a high twin, there was no way they were going to come out.
00:33:07But come on, this is the last thing left.
00:33:08OK that's fine.
00:33:09But hurry up, okay?
00:33:10Come on.
00:33:10Yes, ma'am.
00:33:10Come on.
00:33:11Permission.
00:33:12Teacher.
00:33:17That?
00:33:19That?
00:33:20Nothing.
00:33:22The cross belonged to a young man who died 14 years ago in the war.
00:33:28There is no possibility for Juan.
00:33:31Margarita, ma'am, would you like a drink of water?
00:33:34No.
00:33:37Sato?
00:33:38Sato?
00:33:39Sato, what's wrong?
00:33:50You should eat something.
00:33:52Distribute my rations among the other inmates.
00:33:56If I don't eat, I'm going to die anyway.
00:33:59If you want to end all this prematurely, this isn't the way to do it.
00:34:04Perhaps I can help you.
00:34:07For old times' sake.
00:34:11No, that wouldn't be fair to my wife's family.
00:34:16They need to get revenge for what I did.
00:34:19They need to see me dead.
00:34:21And I owe it to him.
00:34:25Do you know how to put yourself in someone else's shoes?
00:34:28You have to be an excellent chess player.
00:34:32I learned in the war.
00:34:33In chess it's the same as in battle.
00:34:36You must overthrow the enemy to protect the king.
00:34:39Yes, but unlike in real life, in this game you will never find an enemy in your own ranks.
00:34:49Were you betrayed in the war?
00:34:55Don't you remember yet, doctor?
00:34:59What does he mean?
00:35:01I bet you don't remember your first patient.
00:35:16She's crying!
00:35:21Come on!
00:35:22Come on!
00:35:28Your leg is shattered.
00:35:30I'm going to have to amputate it.
00:35:33It's the only way you'll survive.
00:35:36I don't want to die.
00:35:38No, you're not going to die.
00:35:40I know it's true.
00:35:47Bite yourself as hard as you can.
00:35:49Soldiers!
00:35:51Help me!
00:35:52Hold hands, feet!
00:35:55And for God's sake, whatever he does, don't let go of him.
00:36:13Jral.
00:36:17Come on!
00:36:18Come on!
00:36:20Come on!
00:36:23Come on!
00:36:25Come on!
00:36:26Come on!
00:36:31I cut the artery
00:36:33I cut the artery
00:37:02You killed my son
00:37:09Your son?
00:37:10His name was Roberto
00:37:11And you killed him
00:37:15I was just trying to save his life, sir.
00:37:17If you hadn't made that mistake, my son would be alive.
00:37:26Why are you making me remember all this now?
00:37:32You already know
00:37:35Every action has its consequences in a man's life
00:37:41So all of this is revenge.
00:37:46You didn't pay for my son's death
00:37:49But you're going to pay for your wife's.
00:37:55No, I'm not going to die
00:37:57I'm not going to die for something I didn't do.
00:38:01Where is the king?
00:38:05Call the king!
00:38:07Call the king!
00:38:10Help me!
00:38:11The king is traveling
00:38:13And he will not return before the execution
00:38:15Besides, how were you going to prove your innocence?
00:38:23Checkmate
00:38:25It appears that he does not have a fever.
00:38:44Sorry
00:38:48Satur
00:38:53Satur, are you okay?
00:38:55Oh!
00:38:59I see everything as murky.
00:39:03That's where my tongue is hard
00:39:04And he's already waiting like a lizard's ass.
00:39:06What happened to me?
00:39:07You fell flat on your face in the palace
00:39:09Don't you remember?
00:39:15Let's see, Satur
00:39:16Come on, get up slowly
00:39:18Come on
00:39:19Almost
00:39:21Very good
00:39:28Take
00:39:29Mother, I'm bleeding
00:39:33My nose is bleeding
00:39:35Let's see
00:39:37Maybe I've burst inside.
00:39:40No, Satur
00:39:40No, it's definitely nothing.
00:39:42So, there
00:39:45But I was fine, ma'am.
00:39:50I remember drinking some water
00:39:53But you haven't finished fixing up the guest room yet.
00:39:56And then there was darkness.
00:40:03Daisy
00:40:04Bring a little water, please.
00:40:06Yeah
00:40:12Come on
00:40:15Oh, God
00:40:16Oh my God, I'm remembering one I knew
00:40:17May God have him in his bosom
00:40:20He started bleeding from his groin.
00:40:21And two days later, a stick
00:40:22I...
00:40:22Satur
00:40:22You are not sick
00:40:24You've taken drugs
00:40:27What did you say?
00:40:29That I've taken drugs
00:40:30But I have never done drugs in my life
00:40:31Listen to me
00:40:32The pitcher of glasses that Catalina brought
00:40:33They had been in the room where Juan and his wife stayed
00:40:40Forgive me, love
00:40:40But amidst all the pitchers, all the glasses, and the booze I've had
00:40:44I see a lot of glass, yes.
00:40:46But little transparency
00:40:47Where do you want to go?
00:40:48Well, someone put some kind of opiate in the water
00:40:50So that Juan would fall asleep and not remember anything
00:40:53Then you also drank from the water and the exact same thing happened to you.
00:40:59Oh, damn it!
00:41:02But come on, that means the doctor didn't kill his wife
00:41:10But...
00:41:13But that's impossible to prove.
00:41:19Well, my will can kill me
00:41:21His, which is not so much on my side
00:41:24Being able to
00:41:24What will he do if I don't?
00:41:28Mother, what are you doing?
00:41:29You can't understand a word this man is saying.
00:41:31Whether among thorns, twilights
00:41:33If the wretched moan were to the wind
00:41:34Well, the wind can go blowing on his twilight face now.
00:41:38But mother, what time is it required reading in every respectable circle?
00:41:41Oh, really?
00:41:42Well then, you read it and tell me the ending.
00:41:46But...
00:41:46Mother, if possible...
00:41:50Excuse me
00:41:51I was looking for the commissioner
00:41:53I'll bring you your mail.
00:41:54Leave it there
00:41:58And get to work polishing the silver.
00:42:01Yes, ma'am
00:42:04With permission
00:42:13And this letter?
00:42:14No seal on the wax
00:42:15No sender
00:42:16Nothing.
00:42:20Mother, I remind you that it is not the law
00:42:21Reading other people's correspondence
00:42:30What's happening?
00:42:32Nuño has been kidnapped
00:42:34As?
00:42:35Yeah
00:42:36They are demanding a ransom.
00:42:38And if they are not given the money
00:42:39He will die in two days
00:42:41But that's terrible.
00:42:45Yes, it's awful.
00:42:47But mother, what are you doing with the letter?
00:42:50Which letter are you referring to?
00:42:52No letters have been received here
00:42:56Jacob
00:42:57Jacob, my son
00:42:58My son, Jacob
00:43:01If something happens to you
00:43:02God forbid
00:43:04Nuño would be the heir
00:43:05And then I
00:43:07I would end up with nothing again.
00:43:08And you don't want that for your mother, do you, son?
00:43:11You don't want it here.
00:43:17Sorry
00:43:18Catalina told me she left some letters here for me.
00:43:21Ah, yes, they're here.
00:43:34Do you know anything about Nuño yet?
00:43:37Now she worries about him
00:43:38Well
00:43:39Ultimately
00:43:40My son and he are brothers, aren't they?
00:43:42Alright
00:43:43That interests me
00:43:44It's good that we're interested.
00:44:09You need to calm down
00:44:11I haven't been through what I've been through
00:44:12Nor have I done what I have done
00:44:13To live by the stream again
00:44:17Yes, mother
00:44:32That?
00:44:37That?
00:44:49Are you seeing a doctor?
00:44:51It's the prison plan
00:44:57I see it now.
00:45:00But are you thinking about that?
00:45:02Between doctor visits, are you also thinking about Doña Margarita?
00:45:07I'm telling you this because the hours are passing.
00:45:10I haven't told him he's leaving.
00:45:11What are we waiting for?
00:45:13Should I tell him when he gets some fresh mountain air there in the heart of the Pyrenees?
00:45:17I'll tell him later
00:45:19If he keeps putting it off, it's because he's not convinced about what he's going to do.
00:45:23Otherwise, he would have already told his son.
00:45:25Alonso is spending the day at Gaby's house
00:45:27He won't be back until tomorrow.
00:45:29Just pretend you have neither ears nor eyes
00:45:31As if you were a tuber
00:45:34But he doesn't realize that plan under the guise of forever life, I love
00:45:40I dismantle the lair
00:45:41I'll leave tomorrow
00:45:46Very good
00:45:47Whatever you say
00:45:55But tell me one thing
00:45:57When I'm in bed with that woman
00:45:59Be very careful not to mention the name Margarita.
00:46:01Ole!
00:46:02Saturbasta!
00:46:04I need to figure out how to get into that prison.
00:46:06How do I get into that prison?
00:46:08Have you completely lost your mind?
00:46:10That's a military prison
00:46:12He who enters does not leave
00:46:12There isn't, there isn't, there isn't
00:46:14Possible escape
00:46:16The difficult part is not escaping.
00:46:17But don't catch Juan when he's already outside
00:46:19That's it
00:46:21That's it
00:46:21They've already put the visor on their helmets.
00:46:23And now, now, now
00:46:23He neither sees nor hears
00:46:25A mouse wouldn't pay any more attention.
00:46:33How can I get it out of there?
00:46:44Who is it?
00:46:55Stop, don't take another step
00:47:04Who told you to come?
00:47:08Your Eminence
00:47:12If you want me to leave
00:47:14No, no, come here
00:47:16Come closer
00:47:18Happens
00:47:19Come
00:47:23I had forgotten.
00:47:46God will be on your side
00:47:48But the devil is on my side.
00:48:14Listen to me
00:48:15The murderer of my wife, Saint Alkaide
00:48:17I have been unjustly imprisoned
00:48:24Leave it
00:48:34It is the moment of his final confession
00:48:42I'm going to tell the confessor the whole truth
00:48:44Who's going to believe me?
00:48:48The father is too used to it.
00:48:50To false stories
00:48:52He won't believe you
00:48:54Please listen to me.
00:48:55I beg you
00:48:56I killed his son
00:48:58You have to believe me
00:48:58I don't want to die
00:49:00And I didn't kill him
00:49:02You're going to rot in hell
00:49:05Don't buckle it
00:49:07No lorats
00:49:18Noinoy
00:49:19No Fuck
00:49:20No
00:49:22Oh no
00:49:24No
00:49:26No
00:49:27No
00:49:28No
00:49:29No
00:49:29Alright
00:49:32Creed
00:49:32Father
00:49:34I beg you for the love of God
00:49:37I haven't killed anyone
00:49:38You have to believe me
00:49:42I know
00:49:43That's why I'm here.
00:49:53Listen to me
00:49:53My wife's killer is the Arcaid
00:49:55His son died in my arms during an operation 14 years ago
00:49:58And now he seeks revenge.
00:50:00We won't be able to prove that.
00:50:03You'll have to go
00:50:04Do you know what that means?
00:50:09I will never return.
00:50:12You will escape tonight
00:50:12After the last count
00:50:14That way you'll be far away when they notice your absence.
00:50:18And how do I get out through that door?
00:50:21Take
00:50:21When they bring you dinner
00:50:23You get rid of the guard
00:50:26Inside you have a military uniform
00:50:28With it you can blend in with the guards
00:50:32Out there
00:50:33There are many guards
00:50:34Someone might recognize me
00:50:36Trust me
00:50:38They'll be busy with something else
00:50:42Whoever you are
00:50:44Thanks for everything
00:51:10Hernán, you've been going non-stop all day
00:51:13Why don't you sit down and rest for a while?
00:51:15He gets along well with you
00:51:16Are you talking?
00:51:18He told you if he has any friends
00:51:19Somewhere I can go
00:51:22A reserved and solitary owner
00:51:24You and her mother are her only world.
00:51:28Commissar
00:51:29Have
00:51:30This will be good for him.
00:51:31To regain strength
00:51:33Thank you.
00:51:34But I have no appetite.
00:51:36Mister
00:51:38Excuse me
00:51:39We have found you a handkerchief
00:51:40In search of Saint Raphael
00:51:45It's from Nuño
00:51:47Lucrecia gave it to him.
00:51:48In its nomastic
00:51:55Brother
00:51:55It doesn't necessarily mean
00:51:57That something happened to him
00:52:00We may be closer
00:52:01If we find it
00:52:02What do you know?
00:52:04I see mothers crying every day
00:52:05For children who die out there
00:52:08If you think he's already dead
00:52:09Why do you keep looking for him?
00:52:12I will lift every rock
00:52:14Each piece of sand
00:52:16That there is in that forest
00:52:17Until I meet with him
00:52:18Let's go
00:52:28Mother
00:52:29If the commissioner is looking
00:52:30He will find the kidnappers
00:52:31And he'll know they demanded a ransom.
00:52:48Do you want me to help you?
00:52:51No, thanks
00:52:53I prefer to be busy with something
00:52:56Margarita, I need to talk to you
00:52:59Well, sit down
00:53:00Because of your voice and
00:53:03Because of the streak I'm on
00:53:04I'm sure you're not going to tell me anything good.
00:53:14What's wrong, Gonzalo?
00:53:18Leave
00:53:21Claudia, Alonso and I
00:53:23We're leaving the village
00:53:27I've received a good job offer
00:53:29AND
00:53:30And I accepted it.
00:53:36That's great, isn't it?
00:53:38It's a great opportunity for you
00:53:41Well, for you
00:53:44It is
00:53:47When are you leaving?
00:53:52Tomorrow
00:53:55Tomorrow
00:54:00Margarita had thought
00:54:03You could come with us if you want
00:54:06No
00:54:07I'm staying
00:54:09A married couple has to be alone
00:54:11And not having to deal with the single sister-in-law.
00:54:18You are not a burden to me
00:54:21I apreciate it
00:54:24But I'll be fine, really.
00:54:54Daisy
00:55:03What's the matter?
00:55:04I don't want to talk, Catalina
00:55:08Do you want soup?
00:55:09I've prepared dinner for you.
00:55:11No
00:55:29An emissary has gone to the Palace asking for you.
00:55:33That you read this
00:55:39Is this Juan's mother?
00:55:42For you?
00:55:44Thank you for delivering this letter to my son
00:55:47A serious illness has prevented me from saying a final goodbye to the one I gave life to.
00:55:53Please forget for a second what he has done and go see him
00:55:58You are the only woman he has ever loved
00:56:01Don't let him die alone
00:56:07You have to go and give it to him
00:56:09I just don't know if I'll be able to
00:56:14Margarita, this woman is asking to say goodbye to her son one last time.
00:56:18You can't deny it, she's a mother
00:56:20No, no, no, no
00:56:45Come on, he's already spoken to his brother-in-law.
00:56:48Now I need you to be focused
00:56:50Already
00:56:51What I don't know is how you manage to be like that.
00:56:53I've already told him
00:56:55Yes, Sato, I told him
00:56:56And if he took it, it's worse than bad, of course.
00:56:59So he's not leaving the villa with you, I mean
00:57:02At this time they will be doing the final headcount of inmates at the prison
00:57:05Juan will escape as soon as it's over
00:57:06Have you brought what I asked for?
00:57:08That's it, you changed the subject
00:57:10I brought it, yes, there it is.
00:57:12Good
00:57:12And while I waited, I prepared the crossbow for him.
00:57:17I think she's going to need it to get involved in the fight.
00:57:20If everything goes as planned, I won't even need to fight.
00:57:23What, he's not going to fight?
00:57:25No
00:57:25Now that we know the doctor is not guilty, he's going to leave him there.
00:57:28In their own way
00:57:30I understand him even less.
00:57:32Sato, I'm going to cause an external detonation to distract the military.
00:57:36While Juan escapes
00:57:39You've recently become an expert at escaping.
00:57:42Juan's
00:57:44Hers with Mariana
00:57:45Hey?
00:57:47Wait here with Juan's horse
00:57:49Barring any unforeseen circumstances, the mediator will be here.
00:57:51How do you expect me to wait here?
00:57:54If I go without a mask, I don't have a suit or anything.
00:58:15Well, nothing much.
00:58:20That's awful!
00:58:22That?
00:58:23These two
00:58:25They say we should wait for the superior.
00:58:27Neither you, so many uniforms and so many arquebuses, nor a spark of judgment
00:58:34I don't know if I'll be able to see it, Catalina
00:58:36You will lose your power, woman
00:58:37You'll see, it will.
00:58:39Who should I tell him when I have him in front of me?
00:58:41He deserves what they're going to do to him.
00:58:43Because that's what I feel
00:58:45Woman, he's going to pay for his crime.
00:58:47Don't punish him too
00:58:49And if he wants to touch me or hug me one last time
00:58:52What should I do, Catalina?
00:58:55Let's see, Margarita
00:58:57Go in there, try not to cry
00:58:59You give him the letter and leave, and he comes in.
00:59:02A military prison is no place for women.
00:59:05I have a letter for Juan de Calatrava
00:59:08Inmates are not allowed any communication from the outside.
00:59:11For the love of God
00:59:12Her mother is very ill and she wants her handed over to her.
00:59:16An explosion in the world!
00:59:17Quick, this way!
00:59:18That way!
00:59:19Check this out, man!
00:59:20Run!
00:59:20It was outside!
00:59:21That way, that way!
00:59:22It's a tone-defying one!
00:59:23Stay this way, man!
00:59:29That way, that way!
00:59:33He's an inmate!
00:59:34Don't let him escape!
00:59:35Go for it!
00:59:36Come on!
00:59:44Very pretty!
00:59:45I am innocent!
00:59:47I haven't killed anyone!
00:59:48No, son!
00:59:49No, my son!
00:59:57What a disaster
00:59:58What a disaster
00:59:59It shouldn't have been like that.
01:00:01Everything was going well.
01:00:02The plan would have worked
01:00:03Juan would be free
01:00:04If Margarita doesn't show up there
01:00:05I can't explain why that lady showed up at that jail.
01:00:09What was he trying to achieve?
01:00:10I don't know, but it doesn't matter anymore.
01:00:12Juan will be beheaded today at noon.
01:00:14Come on, they're not going to stop watching him until the executioner has the axe over his head.
01:00:20And besides, you can't count on the element of surprise now,
01:00:23I have to try to get him out of there.
01:00:25No, you don't have to try.
01:00:27He wants to do it, which is different.
01:00:29And do you know why?
01:00:31Because he feels guilty about what he has done to Margarita.
01:00:34And he wants to do something for her.
01:00:36Juan is innocent.
01:00:38That's why I'm going to release him.
01:00:40And are you innocent too?
01:00:43And could he die trying?
01:00:45My love, for God's sake, don't go back to jail. For God's sake, I beg you.
01:00:48Perhaps I can free him just before the execution.
01:00:52I need to see that yard again to figure out how to do it.
01:00:54But it is being heard.
01:00:57He's talking about a...
01:00:59of a single opportunity, of one...
01:01:01of a maybe, of a perhaps, of...
01:01:02Zato, while I'm in jail,
01:01:04Make sure Alonso and Mariana have everything ready to leave.
01:01:08As soon as he releases Juan,
01:01:10We'll leave.
01:01:12You have no reasons, do you?
01:01:15Well, you know what I mean.
01:01:17That you will leave after you release Juan.
01:01:20But I'm leaving and I love.
01:01:24Take care of the little boy for me.
01:01:32And may we be happy.
01:01:45There will be a passage to Cardinal Mendoza!
01:01:54There will be!
01:02:24Thank you!
01:02:43Get out of there! You useless thing!
01:02:47Thanks, Rick!
01:03:00Thank you!
01:03:03Thank you!
01:03:06Thank you!
01:03:10Thank you!
01:03:33Thank you!
01:03:34If we hadn't been there, Juan would have escaped.
01:03:37Come on, woman, don't torture yourself anymore.
01:03:39It was a coincidence.
01:03:41Unfortunately, it was just a coincidence.
01:03:43You didn't see it, how he was shouting that he was innocent.
01:03:46And he kept shouting it until they silenced him with a stick.
01:03:52And if it's true, Catalina.
01:03:55I should have believed in him.
01:03:59Catalina, order that my horse be given water.
01:04:01Fast.
01:04:02Yes sir.
01:04:02I'll be right back out.
01:04:09This letter arrived for you late yesterday, Commissioner.
01:04:12Please take care of your Irene.
01:04:16It's from Muño.
01:04:23I am writing to you from the Posada Santos in Seville.
01:04:26By the time you receive this letter, I will have already set sail for the Americas.
01:04:30I'll be fine.
01:04:33This boy certainly has an adventurous spirit.
01:04:39What are we going to do, Hernán?
01:04:55Santos Inn?
01:04:57Can you tell me when you were in Seville?
01:04:59Never.
01:05:00That was our own doing.
01:05:01If it weren't for your insistence on proving otherwise,
01:05:04You really are clever when you put your mind to it.
01:05:06They didn't hesitate for a single moment.
01:05:07It wasn't that bad, Mom.
01:05:09In the end, all he's done is copy Muño's lyrics from an old song.
01:05:11letter.
01:05:12The truth is that apart from the twist of the L it has been quite easy.
01:05:15If the rescue doesn't arrive, Muño will be dead in a day.
01:05:33Don't you like it? Shall I bring you something different?
01:05:39Not even water?
01:05:45Well, I'd better leave you alone.
01:05:48And that way I don't bother anyone.
01:05:58I'm sorry I've lost my memory.
01:06:02If I had remembered where you were earlier, you wouldn't have...
01:06:07I've done that.
01:06:10It's your fault, Alonso.
01:06:13There is a lot of evil in the world.
01:06:16Yeah.
01:06:19One has just been set up in the street.
01:06:23Some men have taken Richard Blake away.
01:06:29Richard Blake?
01:06:30Yes, I don't understand it either because he was dead.
01:06:33But I'm sure it was him.
01:06:39He tried to attack Cardinal Mendoza, but...
01:06:43If he was injured, they did something to his eyes.
01:06:47I don't think so.
01:06:50But...
01:06:50What's happening?
01:06:56Where are you going with the knife?
01:07:22Are you tired of shouting?
01:07:24No.
01:07:27No.
01:07:27Alright.
01:07:29Get him out of there.
01:07:31His time has come.
01:07:46No.
01:07:48No.
01:07:50No.
01:08:01No.
01:08:02You know you're not getting out of here alive.
01:08:05I will die, but so will you.
01:08:08Come on.
01:08:10You don't have the courage to pull that trigger.
01:08:12No.
01:08:46I just used up my bullet on an inmate in the yard.
01:08:53Father.
01:08:56Father.
01:08:57Here, Alonso.
01:09:01Raul grabbed a knife and left.
01:09:04What do you mean he's gone?
01:09:05He even went to a palace.
01:09:07Which palace?
01:09:08To that of Cardinal Mendoza.
01:09:11Let's see, son.
01:09:12What happened?
01:09:13I don't know.
01:09:14He left when I told him that Richard Blake was alive.
01:09:17Richard Blake?
01:09:18We saw him dead.
01:09:20But he's alive.
01:09:21I've seen it.
01:09:22What time is it?
01:09:23They gave out the ounces a while ago.
01:09:24What's happening?
01:09:26Nothing.
01:09:27You stay here.
01:09:30Don't move.
01:09:31Are you going to accompany Aunt Margarita to Juan's execution?
01:09:45Richard Blake.
01:09:47You thought you could kill me.
01:09:52You will have survived storms and battles.
01:09:57But I am a soldier of God.
01:10:01And you don't mess with that army.
01:10:05I've been thinking about what to do with you.
01:10:11How would you prefer to die?
01:10:14At the same time as you.
01:10:19I like it bold and daring.
01:10:21The conquistador Valdivia had his arms torn off, roasted, and fed to him.
01:10:27What do you think of that?
01:10:30You're hungry.
01:10:34TRUE!
01:10:49TRUE!
01:10:50TRUE!
01:10:52TRUE!
01:10:52TRUE!
01:10:54TRUE!
01:10:54The miracle has occurred.
01:10:56Your wife has just risen from the dead.
01:11:04Let it go.
01:11:05And I will tell you where the treasure is.
01:11:07Already.
01:11:14You're a very predictable little wildcat.
01:11:19Okay, let's get back to the pending matter that has the three of us here.
01:11:24I understand that one of the most painful things in this life is seeing a loved one die.
01:11:31Here it is.
01:11:33You can decide who is the spectator and who is the dead person.
01:11:40But if either of you tells me where the treasure is, then I will gladly offer you one more death.
01:11:49fast.
01:11:51You can think about it.
01:12:02Why have you come back, Richard?
01:12:04I promised you I would.
01:12:16What are we going to do?
01:12:21What are we going to do?
01:12:24What are we going to do?
01:12:46I shouldn't be here.
01:12:47Let's go home.
01:12:48But don't think about leaving him.
01:12:49And what do you want?
01:12:50Keep this memory of Elfa forever.
01:12:52I couldn't escape because of my own fault.
01:12:55I have to be by his side.
01:13:07I couldn't escape because of my own fault.
01:13:11No.
01:13:11Yeah?
01:13:18No.
01:13:23They'll be back soon. You have to leave the village.
01:13:26I have to say goodbye to someone first.
01:13:28There is no time.
01:13:31There's a hay wagon under the window. You have to jump in.
01:13:35Come on!
01:13:37Why are you doing this for us?
01:13:38You saved my life once.
01:13:41Come on!
01:14:03Juan! Juan!
01:14:07Margarita, I am innocent.
01:14:10No!
01:14:13It's innocent that they didn't hear it.
01:14:17Come here!
01:14:20Fargarita!
01:14:22Juan!
01:14:24Juan!
01:14:26Juan!
01:14:30Juan!
01:14:43Juan!
01:14:50No, no, no!
01:14:53No, no, no, no, no.
01:15:22No, no, no, no, no.
01:15:52No, no, no, no.
01:16:23No, no, no, no, no, no, no.
01:16:52I have to bring the child here somehow.
01:16:58So what are you going to do, huh?
01:17:01I need a boat.
01:17:02A boat?
01:17:04I have to get a boat, no matter what it costs.
01:17:07But you need a crew and supplies...
01:17:09It doesn't matter, I'll sell my souls, my horses.
01:17:14My blood, if necessary.
01:17:16You know it's not enough.
01:17:19You could spend years looking for him.
01:17:25I'll give you the money.
01:17:28I didn't ask you for it.
01:17:30I am your wife.
01:17:33For better or for worse.
01:17:43Take the path to the old mill.
01:17:45There's never anyone there, it's safe.
01:17:47Try to travel at night until you reach Cartagena.
01:17:49And once you board the ship and arrive in Italy,
01:17:52Be careful.
01:17:53Even while there, it's likely that the guard...
01:17:55The guards are probably still looking for me, yes.
01:18:02And remember,
01:18:05From today your name is Francisco Jiménez,
01:18:07son of a cutler.
01:18:09Juan de Colatrava y Fonseca, Grandee of Spain.
01:18:12From today onwards he will be a living dead man.
01:18:27How did you know we were here?
01:18:29When you saved me, you brought me here.
01:18:36You should leave now.
01:18:50Your mother gave me this for you.
01:19:00I didn't kill that woman.
01:19:02I can't prove it.
01:19:05I believe you.
01:19:09I'm sorry for everything I did to you.
01:19:14Juan, I want to go with you.
01:19:18I'm going to be running away my whole life
01:19:19And you don't deserve it.
01:19:23I love you.
01:19:44No!
01:19:59No!
01:20:00No!
01:20:21No, no, no.
01:20:22Don't ruin me for who I am.
01:20:25What are you doing here?
01:20:26Because I couldn't leave without knowing the ending.
01:20:30Well, that and...
01:20:32It's just that I said goodbye to you earlier like a complete idiot.
01:20:36There was more warmth in the war at one hundred years old, damn it.
01:20:41I've taken down his lair.
01:20:44And I have collected their things, their belongings, those of the Crio and those of Mariana.
01:20:48I've also folded the clothes and put them in trunks.
01:20:52I didn't do it in alphabetical order because I was short on time, right?
01:20:57Thank you, but...
01:21:01In the end, I'm not leaving.
01:21:06What do you mean he's not leaving?
01:21:09But why isn't he leaving?
01:21:10Do you know the beating I've given myself with the trunks, the belongings, the clothes?
01:21:15Well, now he has to leave.
01:21:17I swear to God, he has to go.
01:21:25But where is it going?
01:21:43Entering this forest is to become infected.
01:21:50I've discovered something about the devil's mouth.
01:21:52Something, I see the evictions.
01:21:56Get out of here!
01:21:57How much money are we talking about?
01:21:58It's enough to pay for provisions and a good crew.
01:22:02Claudia has left.
01:22:03Well, if you need me for anything, I...
01:22:05One more mistake like this and we'll end up on the gallows.
01:22:08You suck!
01:22:11I understand the connection that all this may have with the Templars or with my family.
01:22:15Are you interested in the Templars?
01:22:21Now you're going to pay for everything you've done to us.
01:22:25You have betrayed the family.
01:22:27No no!
01:22:33I know your secret.
01:22:35No no!
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