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00:00:20The red eagle
00:00:33The teacher was not among the dead guards
00:00:36They've searched everywhere and there's no trace of him
00:00:39I may have caught the red eagle, but I won't get its son.
00:00:42I knew you'd do well, you know?
00:00:45Kids, we need to get to know each other
00:00:47Tell me who betrayed him
00:00:49The owner of the new brothel
00:00:51How do they find it?
00:00:53You're dead
00:00:55You're dead, Naís, dead
00:00:58Someone's coming!
00:01:00Are you looking for me?
00:01:01Hey?
00:01:02It's me
00:01:02I can help us hear
00:01:04I know you're not at the service of the one who wants to capture me.
00:01:06I want to help you.
00:01:08What's happening?
00:01:09You're in labor!
00:01:10In labor?
00:01:13Come on, do your thing
00:01:16It's the worst thing I've ever done, but I had to save Flora.
00:01:19I'm just a teacher and Flora is like your mother.
00:01:21You are not just my teacher
00:01:22I'm in love with you
00:01:25I'm talking about my aunt
00:01:26I know where he lives.
00:01:27He has a cabin in the Forest of Light
00:01:29Do I have to see it?
00:01:30No
00:01:31You can't leave here, it's dangerous
00:01:33Here's your granddaughter
00:01:36What is out here so important that you would put yourselves in danger?
00:01:39Daisy
00:01:42Daisy
00:01:43Leave!
00:01:44Why have they left me here like a dog?
00:01:46That's not it
00:01:47The lad has run away, the servant has followed him, and the father has gone in the rear.
00:01:51What do you mean the kid has run away?
00:01:53They've been caught, Sator
00:01:54No, please don't tell me that
00:01:56The girl is mine and you all can go away
00:01:59Did you sign this?
00:02:01Out!
00:02:01No, please!
00:02:02My granddaughter!
00:02:02Please!
00:02:03No!
00:02:03My granddaughter!
00:02:04No!
00:02:06This suit is a reminder of the Red Eagle's eternal strength.
00:02:09This suit is...
00:02:12Come on, if you put it on you're going to shit your pants
00:02:15This time they don't have to fear the hero, Sator
00:02:19They have to fear the father
00:02:30Eldership!
00:02:36Give up!
00:02:38Give up!
00:02:51Give up!
00:02:58Thank you!
00:03:40There's a red tear in it.
00:04:03Thank you!
00:04:32Thank you!
00:05:20Thank you!
00:05:35Thank you!
00:05:40Thank you!
00:05:47Thank you!
00:05:49I'm here, love!
00:05:50No! I'm here!
00:05:54Come on!
00:06:01It just can't be!
00:06:05Where is?
00:06:20No! No! No! No!
00:06:28No!
00:06:41No!
00:07:12Come on.
00:07:16Nloso.
00:07:23What's happening?
00:07:32What cams?
00:07:33What are you going to do about it?
00:07:34That?
00:07:35Give me a hug!
00:07:36Give me a hug!
00:07:38Where are you taking me?
00:07:39Tell me, daughter, no!
00:07:41No, no, no!
00:07:49Marchioness, Marchioness, Marchioness, what are you doing?
00:07:52Marchioness, please
00:07:53But what is he doing?
00:07:55It's tiring
00:07:57It's the only place in the palace where you can do it
00:07:59Where you don't hear a man over and over again
00:08:03Tire him out, tire him out!
00:08:05All that's going to do is make you sick
00:08:08I want it out of my head
00:08:11I can't take it anymore.
00:08:15What happens now?
00:08:17What is this?
00:08:20Carriages and horse-drawn carriages
00:08:24Also that of Cardinal Mendoza
00:08:34Soldiers?
00:08:38The French
00:08:39I had forgotten.
00:08:40They can't see me like this
00:08:42I'll tell them to leave.
00:08:44Go?
00:08:46Those men are coming to help us get the throne
00:08:49We depend on them
00:08:51Tell them to wait
00:08:52Come, entertain them
00:09:04A curious outfit to welcome your guests
00:09:07Excuse me, Your Eminence
00:09:08I've had a minor accident
00:09:13Get out of here
00:09:21What are you doing dressed like that?
00:09:23Do you realize the situation we're in?
00:09:26I'm sorry
00:09:27I'll change right away.
00:09:30I hope at least the commissioner
00:09:32Be prepared
00:09:36He's not here, Your Eminence.
00:09:38Where is?
00:09:40He left early
00:09:43Change your clothes immediately and go find your husband wherever he is.
00:09:59Tell me
00:10:01We need you to tell us where our soldiers are going to camp.
00:10:05They can wait in the Marchioness's hunting grounds until the time comes.
00:10:10Finally, Spain will have a better future
00:10:13That's what it will be like
00:10:23It's not here, it's not here, it's not here, it's not here
00:11:03It had to be you
00:11:05My own brother
00:11:07What a disappointment
00:11:09Your whole life hidden behind a mask like a minstrel
00:11:13Aren't you ashamed?
00:11:23The only thing I'm ashamed of is sharing your same blood.
00:11:28Have you ever thought
00:11:31That I've killed more men looking for you
00:11:34Those you have saved?
00:11:38Is that what it means to be a hero?
00:11:42Finish me off and leave me alone.
00:11:46The savior of the oppressed
00:11:48The defender of the poor
00:11:54What have you come for?
00:11:57What do you want?
00:12:02I want you to beg me for mercy
00:12:04That you beg me
00:12:06That you kneel before me
00:12:12Never
00:12:14I want to see the fear in your eyes
00:12:16The pain
00:12:17The anguish
00:12:22Never
00:12:25Do you think so?
00:12:28Do you know where your son is?
00:12:34There
00:12:35Very close to you
00:12:37Behind that wall
00:12:39If you try hard
00:12:41You will be able to hear her sobs
00:12:49That's the look I wanted to see in your eyes.
00:12:52See how easy that is?
00:12:59Let him go
00:13:02You already have me.
00:13:07I'll let him go
00:13:10When you have died
00:13:12So I can go and cry for you at your grave
00:13:41Think Saturn
00:13:43Think
00:13:45I have to free the master
00:13:46Before it's too late
00:13:51Where the hell will they have him?
00:13:59One more step and I'll leave you high and dry.
00:14:01Who's there?
00:14:07That's me.
00:14:09Have you escaped?
00:14:12Have you escaped?
00:14:17And how did you get here?
00:14:19What is the first site
00:14:21Where are they going to look, Ciprián?
00:14:24I am alone
00:14:25They let me go
00:14:28And the master and the child?
00:14:30They remain imprisoned
00:14:32But where are they?
00:14:33But where are they?
00:14:34They put a sack over my head
00:14:35So that he wouldn't know
00:14:36The mother who gave birth to me
00:14:38But when he was an innkeeper
00:14:40I was there many times
00:14:42So much for feeding the prisoners
00:14:46They are in the Santa Cruz prison
00:14:53But if it's impossible to get anyone out of there
00:14:58They are in God's hands
00:14:59No, no, no, Ciprián
00:15:00Don't lie to me
00:15:01Don't lie to me
00:15:02Goodbye, for God's sake
00:15:02I'm asking you.
00:15:04It just can't be
00:15:05It just can't be
00:15:07I don't have to do anything
00:15:12I don't have to do anything
00:15:13The fact that?
00:15:17I'm going to Guipuzcoa
00:15:19What do you mean you're going to Guipuzcoa?
00:15:20The king is there
00:15:21And he's the only one who can save his life
00:15:22Do you know how long it takes to get there?
00:15:24He'll have killed him before he arrives
00:15:25I can't just stand idly by.
00:15:27I have to do something, Cipri
00:15:28You're fooling yourself
00:15:29You know it's impossible to achieve it.
00:15:31You know, that's all I know
00:15:33They're going to kill the best person
00:15:34That I have never met
00:15:37And that I see in him all that I am
00:15:39So I'm going to do
00:15:40Everything within my power
00:15:44Even if it costs me my life.
00:16:09Can someone tell me where you've been?
00:16:12Saying goodbye to my brother
00:16:14Your place is here
00:16:15This is the most important thing now.
00:16:18I want to know how and where it will be carried out
00:16:20Who will be his executioner?
00:16:23And in which square will he spend his last days?
00:16:27There will be no public square, commissioner
00:16:32He will die today
00:16:34Alone in his cell, with a bullet in his head
00:16:37No!
00:16:40I must restore my honor in the eyes of the people.
00:16:42That he will see me reign
00:16:44He has humiliated me
00:16:46His death must be made public
00:16:47And I must be present
00:16:49He would eventually be venerated as a saint
00:16:53The best part is that his memories
00:16:54Time fades away
00:16:55Until nobody knows
00:16:56Whether he was a real or fictional character
00:17:01My men are ready to take up positions immediately.
00:17:04Do you mean our men?
00:17:13Please continue, gentlemen.
00:17:23There is one issue we still need to resolve
00:17:27One last problem
00:17:29General Lorenzo de Alcolea
00:17:31He remains in command of the palace guard
00:17:34AND?
00:17:35What's happening?
00:17:36We cannot place our men inside the palace without eliminating him.
00:17:40And he is never alone.
00:17:41Indeed, the general always has an escort, even when going to confession.
00:17:47Five times they have tried to take his life without success
00:17:52I can help
00:17:55I can lure him away from his guards so our men can finish him off.
00:17:58As?
00:18:00They say he's always accompanied.
00:18:02Sometimes what is difficult for a man can be easy for a woman
00:18:06Especially if the general trusts her intimately.
00:18:09How can she be so sure?
00:18:13We'll take care of it
00:18:15We don't need you
00:18:16One moment
00:18:19Perhaps the marchioness is right
00:18:23After all, women
00:18:26They have always had the ability to drag men to their doom.
00:18:30So, should I look for Dad?
00:18:34In other words, why not?
00:18:36Why not?
00:18:37Why not the straps?
00:18:53That?
00:18:57Yes?
00:18:58Yes?
00:18:58Am I coming?
00:18:59Don't put pressure on me?
00:19:00Am I leaving now?
00:19:01Yes?
00:19:03Yes?
00:19:05Yes?
00:19:06No what?
00:19:08What? No?
00:19:11I just don't understand you
00:19:13Which milk do you want?
00:19:15Hey?
00:19:17Oh my god, what do you want to come here for?
00:19:19Do you want to come with me?
00:19:21Is that it or not?
00:19:24The same race as his master
00:19:27Say
00:19:32Are you and I going to save the red eagle?
00:19:34Was that it?
00:19:35Was that it?
00:19:36Of course
00:19:38Of course
00:19:43Say, little ball
00:19:55Say
00:19:56How's your luggage?
00:19:57If you go looking for the king
00:19:58I'm going too.
00:20:02No
00:20:05No, that's not a good idea, is it?
00:20:06We're going to go slower
00:20:07It just can't be?
00:20:08Because?
00:20:08I have the right to go
00:20:11She is determined
00:20:12I'm going to go alone.
00:20:13And who decided that?
00:20:14You?
00:20:16I am also willing
00:20:17I'd do anything for Gonzalo
00:20:18Don't you think you've done enough already?
00:20:22If only I hadn't told the little boy
00:20:24Where was her aunt?
00:20:24None of this would have happened
00:20:27That everything that has happened
00:20:28It was your fault
00:20:30You are condemned to love her to death
00:20:33So come on
00:21:16Let me see my son
00:21:19This is the last time I'll be able to do it
00:21:20I beg you
00:21:21Please
00:21:27Let me see my son
00:21:32Please
00:21:35Let me see my son
00:21:39Let me see my son!
00:21:40Still!
00:22:05Let me see my son
00:22:25Thank you!
00:22:26Thank you!
00:22:27Thank you!
00:22:42Thank you!
00:23:07Thanks for watching the video.
00:23:41Thanks for watching the video.
00:23:44Thanks for watching the video.
00:24:13Father, father.
00:24:17Forgive me, son.
00:24:18Forgive me.
00:24:20Listen to me.
00:24:22Whatever happens, you have to continue on your path.
00:24:24Do you understand?
00:24:26No.
00:24:28I don't plan to leave without you.
00:24:31We have to escape, father.
00:24:33We have to try.
00:24:34No.
00:24:35I couldn't do it, son.
00:24:38I couldn't live if you died because of me.
00:24:43I don't care what happens to me.
00:24:47I'm not afraid.
00:24:48No.
00:24:54I love you, son.
00:24:57I love you.
00:24:59I love you.
00:25:02I love you.
00:25:07I love you.
00:25:07I love you.
00:25:25I love you.
00:25:27I love you.
00:25:47I personally picked this wine from my cellars for you, Lorenzo.
00:25:52It's from my best reserve.
00:25:55I apreciate it.
00:25:58It's been a while since we last saw each other.
00:26:00Why are you here?
00:26:03The thing is...
00:26:05I dreamt about you last night.
00:26:08Look.
00:26:09Ah, yes.
00:26:13But I can't tell you everything that happened to me in front of them.
00:26:19Leave.
00:26:23And take the whole day.
00:26:26No.
00:26:28And now, tell me about your dream.
00:26:32I was a shepherdess walking happily through the meadow when it started to rain.
00:26:38The rain soaked me through.
00:26:40Tightening the dress to my body, I looked for a place to take shelter.
00:26:47And then I found a bird.
00:26:51There you were.
00:26:53Strong.
00:26:55Fierce.
00:26:56Apollonian.
00:27:02And what happened next?
00:27:04I was wet and you took a cowhide to dry me.
00:27:12You came closer and without realizing it we were on the hay.
00:27:16Well, I would rip your shirt off, you would lift my breasts and...
00:27:50And then I woke up.
00:27:58You did very well.
00:28:01Someone had to take care of it.
00:28:03Come on!
00:28:04Fast!
00:28:05Fast!
00:28:13Fast!
00:28:19Fast!
00:28:20Fast!
00:28:25Fast!
00:28:29Fast!
00:28:38Fast!
00:28:43Fast!
00:28:48Fast!
00:28:52Fast!
00:29:04Fast!
00:29:06Fast!
00:29:17Fast!
00:29:32Fast!
00:29:36Fast!
00:29:42Fast!
00:29:43Fast!
00:29:49Fast!
00:29:50Fast!
00:29:52Fast!
00:30:17Fast!
00:30:22Fast!
00:30:28Fast!
00:30:30Fast!
00:30:30The notice I received to see those gallions was urgent.
00:30:35I learned one thing in the jungle.
00:30:37When the elements get fierce, it's best not to fight them.
00:30:41But—Quickly!
00:31:02Fast!
00:31:03Fast!
00:31:04Fast!
00:31:04Find a blacksmith!
00:31:08Useless!
00:31:10Perhaps fate isn't as bad as it seems.
00:31:13Why does he say that?
00:31:14If I remember correctly, we are half a league from a well-known inn.
00:31:19The three sisters.
00:31:21We could stay there while they fix the wheel.
00:31:23A restaurant?
00:31:25What kind of inn?
00:31:27The best.
00:31:28I haven't been there in a while, but its fame is still so great
00:31:31like the beauty of the women who perform it.
00:31:34Sisters? I guess.
00:31:36Yes. Three.
00:31:39Extraordinarily kind
00:31:40with everyone who shows
00:31:42extraordinarily kind to them.
00:31:45And why didn't he say so before?
00:31:50Get two horses ready.
00:31:52Fast.
00:31:53Yes, Your Majesty.
00:31:54After all, nobody expects him back anytime soon, right?
00:32:05Come on!
00:32:17Come on!
00:32:18Come on!
00:32:35Come on!
00:32:41Come on!
00:32:44Come on!
00:33:02Come on!
00:33:06Hey!
00:33:56We have to escape, Father! You have to come with me! I'm not going without you! I don't care what happens to me!
00:34:00with me!
00:34:02You have to come with me! I'm not going without you!
00:34:31Your water!
00:34:37We have to come with me!
00:34:51We have to come with me!
00:35:22Vanye! Vanye! Vanye!
00:35:38Vanye!
00:35:52Vanye!
00:35:54Vanye!
00:36:14Vanye!
00:36:26Vanye!
00:36:30Vanye!
00:36:32Vanye!
00:36:35Vanye!
00:36:40Vanye!
00:36:43Vanye!
00:36:45Vanye!
00:36:58Vanye!
00:37:01Vanye!
00:37:07Vanye!
00:37:09Yes. The queen's crown and the royal jewels. I will shine brighter than the stars.
00:37:16In my opinion, it's going to be a bit overdone.
00:37:21Overdone? What do you know about style? Elegance in a queen is excess.
00:37:26I may not know about style, but I do know about feelings.
00:37:30What are you talking about now?
00:37:32If I remember correctly, this morning I was with my head submerged in the bathtub because of the teacher.
00:37:37And now you're talking to me about dresses? Excuse me, but I don't quite understand you.
00:37:44I've decided to forget him.
00:37:48Forget him? And all the love I had for him?
00:37:51I've been in love with him since I was a little girl.
00:37:54I fought tooth and nail to make her love me, and I've achieved nothing.
00:37:58But he's going to die. She can't leave him.
00:38:00What can't I stop?
00:38:03You love me, don't you?
00:38:05And you know that in life I will reciprocate.
00:38:09Wouldn't you be happier if I were dead?
00:38:13When he dies,
00:38:16I'll forget it.
00:38:19And it will finally end
00:38:21this suffering.
00:38:24When you truly love.
00:38:27The suffering never ends.
00:38:30Don't ever speak of him again.
00:38:32Let no one ever speak his name again in this palace.
00:38:36Leave.
00:38:53What are you wearing?
00:38:55It's the dress I plan to wear on my special day...
00:38:58of our coronation.
00:39:00Do you like it?
00:39:02Only you could be thinking about something like that right now.
00:39:05It's becoming increasingly clear that you need me by your side, Hernán.
00:39:09You never pay attention to the important details.
00:39:11We must project a dignified, regal image.
00:39:14What are you planning to wear?
00:39:16For once in your life.
00:39:17It can be discreet.
00:39:19The slightest suspicion can lead to failure.
00:39:23Change.
00:39:26Tonight we must go with the Duke of Buford
00:39:28and their French companions to the Royal Palace.
00:39:31They are going to pay their respects to the queen.
00:39:33That one?
00:39:35It's an excuse.
00:39:37They need to get him to invite them to stay there.
00:39:41To take positions from within.
00:39:43Our men will be everywhere, from the warehouses to the armories.
00:39:47They're going to spread throughout the entire palace
00:39:49like the worst kind of woodworm.
00:39:53I'll do everything you tell me.
00:39:57I will wear other clothes.
00:39:59I will take up a weapon.
00:40:00Whatever you want.
00:40:03I like seeing you this way.
00:40:05Like this? How?
00:40:08Acting by my side.
00:40:12From now on
00:40:13I assure you that it will always be like this.
00:40:17My only goal
00:40:19will be our future.
00:40:33Don't slow down now.
00:40:35There's still a long way to go.
00:40:37Come on!
00:40:40Come on!
00:40:42Come on!
00:40:43Come on!
00:40:45But what are you doing?
00:40:46You just can't stop, man!
00:40:48Come on!
00:40:54Mother, who gave birth to me.
00:40:58Are you listening to me?
00:41:00It's because of the master!
00:41:02It's because of the master!
00:41:03Their life is in our hands!
00:41:05Hey!
00:41:07We have to get to Ipuzco
00:41:08and find the king!
00:41:09Can you hear me?
00:41:11Can you hear me?
00:41:20In three leagues I will give you as a baby.
00:41:23Not now.
00:41:23Okay?
00:41:24We have to keep going.
00:41:25Three leagues.
00:41:42No!
00:41:50No!
00:41:50No, no, no!
00:41:52No!
00:41:54No!
00:41:57No, no, no, no!
00:41:59No!
00:42:00No, no, no!
00:42:02No, I swear!
00:42:03I swear we're not there!
00:42:06Please!
00:42:08Okay, please!
00:42:09Please!
00:42:10Please!
00:42:11No!
00:42:11No, don't die!
00:42:14Don't die!
00:42:15No!
00:42:17No, no, no, don't die!
00:42:22No, no, don't die!
00:42:32No, you're not leaving.
00:43:21No, you're not leaving.
00:43:49No, you're not leaving.
00:43:55Bringing me here to the bloodline was a great decision.
00:43:58Ah, but that's a compliment.
00:44:00Coming from someone known for his experience and good taste with women.
00:44:04I've learned something from all the women I've slept with.
00:44:09Well, you have been very fortunate, Your Majesty.
00:44:12I've had to teach them all.
00:44:17Hello.
00:44:26I feel 20 years younger.
00:44:28That happens often in these places.
00:44:30One becomes younger when entering and poorer when leaving.
00:44:46Perhaps I should bring the court here for a few months.
00:44:50That's a very good idea.
00:44:51Count on me.
00:44:53It would show those who criticize me how happy the people are.
00:44:55Look at them.
00:45:00Am I a good king or not?
00:45:01Tell me.
00:45:02If I am to judge by what I see, as you say, I will tell you that you are the best of kings.
00:45:12And being here, I might decide to conquer new lands.
00:45:23I regret to inform you, Your Majesty, that the carriage has already been repaired.
00:45:27We can return to the Royal Palace whenever you wish.
00:45:30You're serious, you bad blood.
00:45:32I don't think the Spanish Empire is going to collapse if we stay here for a few days.
00:45:42When I return to court I will have to spend a week of confession and repentance at the monastery of Santa Ingracia.
00:45:51Fall upon my conscience, Your Majesty.
00:46:33I see that you have recovered from the fumes with extraordinary speed.
00:46:38Your nature is formidable.
00:46:41What do they intend to do to me?
00:46:48You know that perfectly well.
00:46:52You will die here tonight like a dog.
00:46:55Without anyone from that town that venerates you being able to even go and mourn you at a grave.
00:47:02I frighten him so much, Cardinal.
00:47:04No, it's not fear.
00:47:06It's a precaution.
00:47:07Myths are sometimes more dangerous than reality.
00:47:11And that's something you've taken great advantage of.
00:47:16You can die with that idea and share it with your maker, if you so wish.
00:47:22Meanwhile, I'll stay here moving the pieces on that corrupt board.
00:47:26As you so rightly said.
00:47:30Will he ever pay for all the damage he has done?
00:47:33And who's going to make me pay?
00:47:35Don't tell me you now believe in divine justice.
00:47:38My beliefs remain the same, Cardinal, unlike yours.
00:47:42I see that you persist in the error.
00:47:45You still see the world as a peaceful place full of ideals.
00:47:49I am an idealist too.
00:47:52But I impose my rules.
00:47:55And when someone doesn't respect them...
00:48:04Sometimes it is someone else who does the penance.
00:48:19It is painful to see a son pay for his father's mistakes.
00:48:27Aaah!
00:48:31Aaah!
00:48:33Aaah!
00:48:36Aaah!
00:48:47Now there's really nothing that can be done for the master.
00:48:59Aaah!
00:49:14I'm sorry, friend.
00:49:20Has his horse died?
00:49:28Too bad!
00:49:30Have you thought about what you're going to do with it?
00:49:34Because I could buy the meat from him and give it a good sale.
00:49:39Nobody eats this horse.
00:49:41Well, I'm sorry.
00:49:44Well, may God have him in his bosom.
00:49:51Wait!
00:49:53Wait!
00:49:55What's happening?
00:49:57I need your donkey.
00:49:58No, no, I'm not selling the donkey.
00:50:00I tell you that because of him.
00:50:02I will do whatever you ask.
00:50:04Ah, I don't have one on me, but I swear I'll come back and give you whatever you want.
00:50:07No no.
00:50:08If it's not about money.
00:50:09I need it.
00:50:10We have a very special guest at our inn.
00:50:13And I have to bring food and drinks.
00:50:14And do I have to go to Guipúzcoa?
00:50:16Yes, I understand your problem.
00:50:18But I have the King of Spain himself staying here.
00:50:22What do you mean, the King of Spain?
00:50:24The king, yes.
00:50:25Philip IV?
00:50:26Himself.
00:50:29And where is his inn?
00:50:31Well, following that path.
00:50:32Between Aranda de Duero and Peñafiel.
00:50:36The three sisters are called.
00:50:37Since there are three of us.
00:51:02Leave the baby.
00:51:04And take care of my shoes.
00:51:06I want them sparkling clean right now.
00:51:09Give me a moment.
00:51:10I'm finishing changing it.
00:51:12It's the only thing they know how to do at that age.
00:51:13Eating and pooping.
00:51:14I should pay a little more attention to it.
00:51:16She is his granddaughter.
00:51:17And it still doesn't have a name.
00:51:19That can be fixed.
00:51:20Which saint is the saint of the day?
00:51:22Saint Bridget.
00:51:24Patron saint of widows.
00:51:26Sad.
00:51:27Think of someone else.
00:51:32It's not very useful now.
00:51:34But when I am able to understand,
00:51:36I'm going to teach her how to be the best woman.
00:51:39I'm going to mold her in my own image and likeness.
00:51:42It's going to be perfect.
00:51:44I think the world already has enough with someone like you.
00:51:53Bring them to my bedroom right now.
00:52:03Smile as much as you can now.
00:52:05Because you're going to have a very bad time with this woman.
00:52:15He can't be here.
00:52:18Give me the girl.
00:52:22Can't.
00:52:24Please.
00:52:27Understand it.
00:52:29Are you a mother?
00:52:32She doesn't know what it's like for my daughter to be without her in her arms.
00:52:38She hasn't eaten since she took it away.
00:52:41I'm sorry.
00:52:42I've already told him I can't.
00:52:45How beautiful she is.
00:52:49Leave.
00:52:52Forget about her.
00:52:54Give it to me.
00:52:56I've already told him I can't.
00:52:57Leave.
00:52:59Give it to me.
00:53:01Forget about her.
00:53:02Guards!
00:53:04Please.
00:53:05Guards!
00:53:07Please.
00:53:10Please.
00:53:11Forget about her.
00:53:14No!
00:53:17No!
00:53:18Please!
00:53:28Please!
00:53:29No!
00:53:31No!
00:53:36No!
00:53:38No!
00:53:39No!
00:53:41No!
00:53:42No!
00:53:44No!
00:53:46No!
00:53:47No!
00:53:47No!
00:53:47No!
00:53:48No!
00:53:48No!
00:53:50I'll be away for a couple of days.
00:53:54I'm going to enjoy what fate unexpectedly offers me.
00:54:00She certainly knows how to choose.
00:54:03Of the three sisters, she is the oldest and therefore the one with the most experience.
00:54:06So she'll have a great time on her getaway.
00:54:10Read it like this.
00:54:56For France.
00:54:59For the Spains.
00:55:03Very well, gentlemen.
00:55:04The time has come to go to the Royal Palace.
00:55:06The queen awaits them.
00:55:09I will give the order to have their carriages prepared.
00:55:13And I'm going to get my cloak.
00:55:16Gentlemen.
00:55:20I would like to talk about a detail that the time has come to address.
00:55:27As we agreed, the queen will be French.
00:55:32The Marchioness of Santillana must be killed before taking the throne.
00:55:37Yes, that's the agreement we had reached.
00:55:42However, it is a delicate matter that we should handle with the utmost skill.
00:55:49What does he mean?
00:55:51A cold-blooded murder could raise suspicions and ruin our plans.
00:55:58Cardinal, the queen will not be Spanish.
00:56:01No, of course not.
00:56:03What I'm saying is that we should be more cautious.
00:56:07You made a commitment.
00:56:10It was our support in exchange for this.
00:56:13Or does he no longer want to be a pope?
00:56:17If you'll allow me to finish, what I mean is that the death of the marchioness could be more useful.
00:56:28The marchioness looked out the window to contemplate the landscape.
00:56:34You see, women are very prone to having accidents.
00:56:48And they are frequently victims of unfortunate setbacks,
00:56:54generally due to the length of their clothes.
00:56:57No!
00:57:00May God have her in his glory.
00:57:04We finally understand each other.
00:57:09Verbal agreements are generally susceptible to misinterpretation,
00:57:17Therefore, I have taken the liberty of drafting these documents for you to sign.
00:57:22They precisely reflect all our previous commitments,
00:57:28such as the division of the territory, the number of French nobles on the council,
00:57:35my throne of St. Peter in the Vatican.
00:57:37Read them carefully, sign them, and send them to me when possible.
00:57:48Gentlemen, the carriages await us. This way.
00:57:52S'il vous plaît, monsieur.
00:58:18S'il vous plaît, monsieur.
00:58:21Holy shit, who...
00:58:30Is it going to his blood? Is it going to his blood?
00:58:33Does it go to his blood?
00:58:34Holy shit, this man has seen the whole region.
00:58:36Wake up, it's bad blood!
00:58:37Hey!
00:58:38Give me more wine.
00:58:40Forget about wine.
00:58:41Where is the king?
00:58:43What are you doing here?
00:58:45The king? Where is he?
00:58:47Having fun.
00:58:48As?
00:58:49What do you mean, having fun?
00:58:51Where has he gone?
00:58:52I don't know, maybe somewhere.
00:58:53I need to talk to him.
00:58:55Yes, well, you're in a tough spot.
00:58:56He is busy with tasks that are not very compatible with conversation.
00:59:00But what are you doing?
00:59:02They have arrested my master.
00:59:04Do you know what a red eagle is?
00:59:12How could he have been so stupid as to let himself get caught?
00:59:15We need to speak with the king, please help me find him.
00:59:17For God's sake, I beg you.
00:59:19I don't know where it is.
00:59:20Well, he'll have to come back.
00:59:21But it can take days.
00:59:24Do you know when he's being executed?
00:59:26It's the same, they've already killed him.
00:59:29Let's go.
00:59:33What are we going to do?
00:59:35Don't know.
00:59:56Do you think seducing the queen is a good idea?
01:00:01Getting him to invite them to stay here until the king arrives is not easy.
01:00:05Without a doubt, this is the best way.
01:00:10But how long does it take him to get her into bed?
01:00:13She should already have her legs spread.
01:00:15Control your nerves.
01:00:22The portrait of you in the French court does not do you justice, Your Majesty.
01:00:27Sometimes court painters do not portray monarchs when they are a few years older.
01:00:31Perhaps that way we seem wiser and more regal to them.
01:00:33Well, his painter should be condemned to hang.
01:00:37You look much younger and more beautiful.
01:00:42It's a shame we have to leave without seeing His Majesty.
01:00:46We would like to pay our respects.
01:00:50Well, if they only know Spain from oil paintings, they have a very mistaken idea of it.
01:00:55My duty is to show them the reality.
01:00:58They will be staying at the palace; they will be my guests.
01:01:00We don't want to be a nuisance.
01:01:02They are not.
01:01:03He will stay.
01:01:05I'm going to give the order to have the north wing prepared for them.
01:01:17Well?
01:01:20We're in.
01:01:22The soldiers are in our hunting grounds.
01:01:25Give the orders to start occupying the passageways.
01:01:31And what if they've thought about what they'll do with the queen after taking the palace?
01:01:38We'll eat it for life.
01:01:41Don't you think that's a rather mild punishment?
01:01:44I have to take him to see the Inquisition's torture chamber.
01:01:48I'm sure he can think of a more suitable destination for her.
01:01:52Sir, can we talk?
01:01:55Yes, I apologize.
01:01:59What's happening?
01:02:00Gonzalo de Montalvo.
01:02:01He will be executed immediately.
01:02:05Sirs,
01:02:07The queen would like to share a viola concert with you.
01:02:10They await you in the royal gardens.
01:02:12Will you come with me, please?
01:02:23Now he is accompanied.
01:02:25I'm going to pick up my cloak.
01:02:40Once the parties had met and the King of Spain had been overthrown,
01:02:43We agreed that Hernán I of Austria would be crowned as absolute monarch of the Spanish kingdom.
01:02:48That Cardinal Mendoza y Balboa, before God and all his saints, will be established as Supreme Pontiff of Rome.
01:02:54That the Spanish crown will commit to ceding all the territories of Naples and Milan to the kingdom of France.
01:02:59How much are you referring to?
01:03:11How much does it refer to the queen?
01:03:17Will this one be French?
01:03:21To do this...
01:03:25As we agreed, the current wife of the future king will die.
01:03:35How much I believed in myself.
01:03:37Did the queen mobilize?
01:03:38Wow!
01:03:58Thank you!
01:04:18No, no, no.
01:04:29No, no, no.
01:04:57I don't need any confession. My conscience is clear.
01:05:01I don't need any confession.
01:05:30No, don't do anything to her, please. Father. Father. Father.
01:05:38No, no, please. No. Don't do anything to her, please. Father. Father.
01:05:50Father. Father, please. Father.
01:05:55Father.
01:05:57He will stop the execution. The commissioner wants to be present.
01:06:03It's on its way.
01:06:07Father.
01:06:11Father.
01:06:20Father.
01:06:29Father.
01:06:30Father.
01:06:34Father.
01:06:38Father.
01:06:42Father.
01:06:46Father.
01:06:56Father.
01:06:57I have less drastic ways of blowing out the candles.
01:07:01And cheaper.
01:07:09If you're going to do what I think you're going to do, you'd better forget about it.
01:07:12Can't.
01:07:15He's going to die because of me.
01:07:17And what are you going to do?
01:07:19Stand there alone and fight with that sword?
01:07:31Is it impossible to get him out of there?
01:07:35Do you know anyone who has escaped from Santa Cruz?
01:07:38I know some dead bodies, but no living person.
01:07:41I'm used to being the first to do many things.
01:07:45There has to be a way.
01:07:46Nothing is infallible.
01:07:49Or death?
01:07:50Death is indeed infallible.
01:07:53But we don't even know which cell he's in.
01:07:56I was inside.
01:07:58Maybe I can help.
01:08:00No.
01:08:02Were you inside?
01:08:04Yeah.
01:08:04My cell was next to Gonzalo's.
01:08:09Could you tell us where they have him locked up?
01:08:14I think we were around here.
01:08:18I think so, I think so.
01:08:19We need data.
01:08:21No, no, beliefs.
01:08:24This is the northern zone.
01:08:27Okay, very good.
01:08:28Now we know where it is.
01:08:29And?
01:08:29What do we do now?
01:08:31Unless we have wings to blow him away...
01:08:34Here.
01:08:35But how so?
01:08:37What do you mean?
01:08:38Are we going to burrow through the ground like moles?
01:08:41Here is the sewer system that runs beneath the prison.
01:08:44We could go in through him and get to the cell where they have him locked up.
01:08:49That's great.
01:08:50But I remind you that the prison is surrounded by soldiers.
01:08:54He won't let a sheep get within a hundred feet of him.
01:08:58This is a problem, yes.
01:09:01It won't be easy to get past that guard.
01:09:03Yes, I've been saying that from the beginning.
01:09:09And if?
01:09:14But what are you doing?
01:09:15I've had an idea.
01:09:17It might be a stupid idea, but...
01:09:21Here it is.
01:09:22The red eagle's spare suit.
01:09:25What if one of us puts it on to throw the guards off?
01:09:27while the others enter through the sewer?
01:09:30Could they think the eagle had escaped?
01:09:38That's the stupidest thing I've ever heard.
01:09:41Yeah.
01:09:46It might work.
01:09:49And who's going to put it on you?
01:09:51Nobody's going to believe you're the red eagle.
01:09:53Besides, you're going to be a target, they're going to fry you.
01:09:55If I have to put it on to get my master out of there, I'll put it on.
01:09:59As...
01:09:59Even if they riddle me with bullets.
01:10:07I rule it.
01:10:24Very good.
01:10:25I feel very good about you.
01:10:27I suppose you know you are going to almost certain death.
01:10:30At least...
01:10:31I will wear an elegant shroud.
01:10:34Under way.
01:10:56He was still being born in the Royal Palace.
01:10:58I thought those kinds of celebrations lasted longer.
01:11:02He wants to kill me.
01:11:06Who?
01:11:08Hernán.
01:11:11He wants me to die.
01:11:17He has put me through a thousand humiliations.
01:11:21And this was planned for me.
01:11:29It's all been a lie.
01:11:33All our lives.
01:11:35What do you need from me?
01:11:36What do you want me to do?
01:11:40Go away.
01:11:50I'm going to Santa Cruz prison.
01:11:55Did you hear what I said?
01:12:00Lucrecia.
01:12:04Lucrecia.
01:12:21I'm going to Santa Cruz prison.
01:12:25You wanted to kill me.
01:12:29What are you saying?
01:12:31It says so here.
01:12:33It is written.
01:12:36The French do not want a Spanish queen.
01:12:39And you have agreed with them on my death.
01:12:41Yeah.
01:12:43I didn't know.
01:12:48I didn't know.
01:13:39It is the red eagle
01:13:41Escape!
01:13:42Think about it!
01:13:43Think about it!
01:13:44Quick, quick!
01:13:45Escape!
01:13:48Escape!
01:13:50Escape!
01:13:53Escape!
01:14:09Escape!
01:14:12Escape!
01:14:12The red eagle is still in the cage!
01:14:14It's a false alarm!
01:14:15It's a false alarm!
01:14:18It's a false alarm!
01:14:24It's a false alarm!
01:14:26Escape!
01:14:31Come on!
01:14:31Oh my God, look at him! Come on!
01:14:34Let's go to God!
01:14:35We have to get Alonso out!
01:14:48Gonzalo, I'm so sorry for what happened. It's all my fault.
01:14:53Principiado, for God's sake, stop complaining. This is not the time to apologize.
01:15:09We need to get out of here as soon as possible, before things get heated.
01:15:14Bad blood is out.
01:15:16Let's see, he's playing his part... as Red Eagle. It's a long story.
01:15:22Come on, Zipi.
01:15:44Are all the men in place?
01:15:49The king will soon be ours.
01:15:54Let's go. I'm going to free my son.
01:15:56No, wait, wait, let's go. We've brought weapons.
01:16:01I didn't find this on his katana, sorry.
01:16:09Good.
01:16:11No, Zipi. It's better if you wait here. You're not used to fighting.
01:16:15Let me go with you, for God's sake.
01:16:20Alright.
01:16:24Get behind me, come on.
01:16:26Behind.
01:16:47Get behind me.
01:17:23Let's go! Let's go!
01:17:35Come on!
01:17:46The sons!
01:17:53Come on! We have to go! Let's go!
01:17:58Come on, son!
01:18:19Gonzalo! No!
01:18:23No!
01:18:25Cipri!
01:18:27Cipri!
01:18:29No, man! Cipri!
01:18:32Hang in there! Cipri!
01:18:34Cipri!
01:18:37Cipri!
01:18:37No, Cipri! I'm not going!
01:18:39I don't want to get there!
01:18:40Cipri, no!
01:18:42Hold on! No, no, no! Cipri!
01:18:45Cipri!
01:18:46Cipri, hang in there! Hang in there!
01:18:47Cipri!
01:18:50Cipri!
01:18:52Cipri!
01:18:54Cipri!
01:19:05Cipri!
01:19:16Cipri!
01:19:18Cipri!
01:19:19Cipri!
01:19:20Cipri!
01:19:23Cipri!
01:19:24Cipri!
01:19:27Cipri!
01:19:30Cipri!
01:19:32Cipri!
01:19:33Cipri!
01:19:35Cipri!
01:19:38Cipri!
01:19:44Cipri!
01:19:46Cipri!
01:19:48Cipri!
01:19:49Cipri!
01:19:51Cipri!
01:19:52Cipri!
01:19:53Cipri!
01:19:54Cipri!
01:19:54Cipri!
01:20:07Who is Eagle? Is it known who is hiding behind his mask?
01:20:11His name is Gonzalo de Montalvo.
01:20:15Gonzalo?
01:20:17Will they send me to Santa Cruz prison?
01:20:20I want to see justice in Gonzalo de Montalvo.
01:20:27Are the dogs eating it, master?
01:20:29He died because of me.
01:20:32Cipri died saving my life.
01:20:34Have you already decided what its destination will be?
01:20:37He will spend the rest of his days locked up.
01:20:40He will end up forgetting his name, his lineage, and even his own face.
01:20:46The headquarters is now ready.
01:20:48The child Margarita is expecting is mine.
01:20:51What do you mean, is it me?
01:20:53I'm going to die without ever meeting my son, Saturn.
01:21:02Swear to me that you will defend me.
01:21:04Move aside!
01:21:04That you won't let them hurt me.
01:21:12I will not allow anyone to stop me from seeing my son.
01:21:16As an epic phrase, it's very good.
01:21:18But the harsh reality is that things are really screwed up, master.
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