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00:00:04Is that man the Duke of Wheels?
00:00:07This man is the one who told him the truth.
00:00:08My master, how did you kill him?
00:00:09Sometimes you have to manipulate things to get what you want.
00:00:13So what this man said wasn't true.
00:00:15The king ordered the death of his wife.
00:00:19I want to see Gonzalo de Montal.
00:00:23Who are you?
00:00:25Xiaomupai, his teacher.
00:00:30What happened?
00:00:31I found her lying in the woods.
00:00:33She couldn't remember her name or where she lived, and then she fainted.
00:00:37How did you allow me to bring my master to the Palace?
00:00:40All I want is to tell the truth.
00:00:43I will not remain silent about something so, so, so, so vile, so dirty, so miserable.
00:00:46If you tell the truth, your master will kill his father.
00:00:49And who is his father? A farmer or not?
00:00:51His father is the King of Spain.
00:00:53And is this your first time visiting the village?
00:00:57Who is your man?
00:00:57Warriors of the Ming Dynasty, enemies of my emperor.
00:01:03His brain has suffered an attack. Some part of it may be damaged.
00:01:06Is the brain damaged?
00:01:08A top-level meeting will take place here at the Palace this afternoon.
00:01:12I will receive a few nobles who are dissatisfied with Philip IV.
00:01:14I must convince them to stay by my side.
00:01:18This is your speech.
00:01:19A speech.
00:01:21Lighthouse, something's wrong.
00:01:23Last night a group of Chinese soldiers and an elderly man, also Chinese, arrived at my house.
00:01:28My teacher has arrived.
00:01:29And the child?
00:01:30She is safe.
00:01:31Who attacked you?
00:01:32Warriors of the Dynasty.
00:01:34Ming.
00:01:34The child needs to be taken out of the village.
00:01:36We need to find the safest way for them to return to China.
00:01:39The Ming, the Qing.
00:01:40In other words, Qing versus Ming.
00:01:43Oh my God.
00:01:44Come on!
00:01:45Come on!
00:01:45Come on!
00:01:46Come on!
00:01:48Come on!
00:01:48Come on!
00:01:49Come on!
00:01:49Come on!
00:01:49Come on!
00:01:50Come on!
00:01:50Come on!
00:01:54Alright?
00:01:57Gonzalo.
00:02:00I'm coming for you.
00:02:04No!
00:02:05No!
00:02:06Don't hit him!
00:02:07Let me go!
00:02:13You're leaving now.
00:02:14We will never see each other again.
00:02:16There it is.
00:02:17She killed her.
00:02:18Grab it!
00:02:19No!
00:02:19Now you're going to find out what happens to those who kill one of our own.
00:02:22Hanging!
00:02:23No!
00:02:24Never be the queen.
00:02:26Not anymore.
00:02:27Hernán!
00:02:31Aid!
00:02:35We want to know about Rojo!
00:02:37No!
00:02:38No, no, no, no!
00:02:39Okay!
00:02:40He has to tell this woman.
00:02:41It affects the security of the kingdom.
00:02:43Speaks!
00:02:45I know the true identity of Red Eagle.
00:02:49Finally, we catch the Red Eagle, and in its own home.
00:02:55No!
00:02:57No!
00:03:17No!
00:03:25Sato, Sato, I was looking for you, are you avoiding me?
00:03:30Me? Avoiding you? Not at all.
00:03:32Sato, earlier in my bedroom you told me that something was worrying you and that I couldn't help you.
00:03:36Don't pressure me anymore, love, for God's sake.
00:03:39You can't have secrets. It's unbelievable that you're the one who doesn't understand that.
00:03:44Sato, I understand you and I know how hard it is to live with secrets. That's why I'm offering you my help.
00:03:56Is something wrong?
00:03:59No, but I get the feeling that everyone is looking at me.
00:04:05Of course, how could he not be stared at?
00:04:07The fact that you've been living with the king in the royal palace for a whole week isn't so bad.
00:04:11look at him.
00:04:12I suppose something like that doesn't go unnoticed.
00:04:15Shall we go in?
00:04:17Pipe says he has prepared a welcome dinner for us.
00:04:29Are the men deployed? Is everything ready?
00:04:34What's happening?
00:04:35Why have you given orders to my guard without my authorization?
00:04:38Why have I discovered the identity of the red eagle?
00:04:43Who is it?
00:04:46Your brother.
00:04:49It can't be, it can't be.
00:04:51Stop!
00:04:52Stop!
00:04:52I want to kill him with my own hands.
00:04:54I left.
00:05:05You will stay out of it.
00:05:08I haven't risked deceiving the king only to have your pride ruin everything.
00:05:14To deceive the king.
00:05:18His Majesty is now departing on a journey, and when he returns, his beloved son will have ceased to exist.
00:05:36What has happened, Mr. Malestad?
00:05:39Why all the urgency?
00:05:41They are demanding my attention.
00:05:44It seems there's been a problem with the new jaleones.
00:05:50The trip to Guipúzcoa is very uncomfortable.
00:05:55And very long.
00:05:57Majesty.
00:05:59Maybe I should go.
00:06:02The letter requires the presence of the king.
00:06:08I'll only be gone for a few days.
00:06:12What could happen?
00:06:30Bird!
00:06:41Bird!
00:06:42Bird!
00:06:43Flower.
00:06:47Butterfly.
00:06:49Crown.
00:06:53Baby booties, carriage.
00:06:55It seems to be improving.
00:06:57With the time you've been under my command, you still don't know how much I hate being encouraged.
00:07:04What are you doing?
00:07:06I was checking if my tastes had changed.
00:07:08Perhaps what happened to him on the head has made him realize that my option is the best.
00:07:12I love men.
00:07:16So don't you ever check it again.
00:07:24Let me go away from here.
00:07:27What happened?
00:07:29Nothing.
00:07:31Nothing.
00:07:31Nothing?
00:07:32Did you come escorted by two guards?
00:07:36Did something happen that made you cross over to the other side of the law?
00:07:40Are you enjoying this?
00:07:43Because I can ruin the fun for you right then and there.
00:07:49Gonzalo de Montalvo.
00:07:51He is dead.
00:07:57What are you saying?
00:08:01What do you mean, dead?
00:08:03For committing the stupidest of crimes.
00:08:07To be the Red Eagle.
00:08:11Gonzalo.
00:08:16The Eagle.
00:08:19He is currently at home, resting peacefully.
00:08:22Oblivious to his sinister future.
00:08:26There is no escape.
00:08:28Nobody is going to help him.
00:08:34Let me.
00:08:36Do you want to go and tell him?
00:08:41The next time you want to see him, he'll be underground.
00:08:57There is no escape.
00:09:01So?
00:09:02Is it true what they say, that the Royal Palace took more than 100 years to build?
00:09:06I wouldn't say that much, Cipri.
00:09:08But what is certain is that its current appearance is due to years of renovations.
00:09:13Remodeling that was done on top of a castle built by Emir Mohamed in the 9th century.
00:09:20And the stables?
00:09:21How many horses does the king have?
00:09:22Okay, enough with the questions, right, Cipriano?
00:09:26Even the night watchman doesn't ask that many questions.
00:09:29Besides, I'm sure there will be other topics of conversation besides the king.
00:09:32Well, to be honest, what surprised me most about the visit was the king.
00:09:36Well...
00:09:36Oh, really?
00:09:36Yeah.
00:09:38We haven't been treated any better than I expected.
00:09:41He doesn't exactly look like a king, does he?
00:09:44He treats you with warmth and friendliness.
00:09:47We'd have to give it to him the hard way.
00:09:50We all have our dark side.
00:09:57What's happening?
00:09:58Has your stay at the Royal Palace made you a snob, and what if you don't like my food anymore?
00:10:04This is Cipriano.
00:10:08Even goats vomit it up.
00:10:10But that's not why.
00:10:11So relax.
00:10:13Come on, let's keep the peace.
00:10:15I'd like to propose a toast.
00:10:21Satur?
00:10:25Even though there are bad times,
00:10:28You also have to know how to enjoy the good times.
00:10:33Stay still!
00:10:34Freeze, everyone!
00:10:36High!
00:10:37Don't move!
00:10:40Sit down!
00:10:41You're not going to work for me!
00:10:59Gonzalo de Montalvo.
00:11:02Are you under arrest?
00:11:03They have no right to enter my house.
00:11:06What am I accused of?
00:11:09It's useless to pretend.
00:11:11You've been betrayed.
00:11:13You are condemned to death
00:11:14for being the greatest enemy of this kingdom.
00:11:17The greatest traitor these lands have ever seen.
00:11:21because it is the red eagle.
00:11:30The red eagle?
00:11:47The red eagle?
00:12:14Break down the door!
00:12:16The door!
00:12:17Cifri! Run!
00:12:19Cifri! Run!
00:12:19Come on, open the door!
00:12:22Come on!
00:12:28Come on, let's go!
00:12:30Come on!
00:12:31Come on!
00:12:31Come on!
00:12:32The windows!
00:12:32The windows! The windows!
00:12:37The street is full of guards!
00:12:40Stop!
00:12:45What are we going to do, shall we go?
00:12:48What are we going to do?
00:13:03Gonzalo de Montalvo must die.
00:13:24It's turning downstairs! It'll be in soon!
00:13:28Give each other something, love, for God's sake! Give each other something!
00:13:40We'll get out through the roof!
00:13:41All four of them on the roof!
00:13:42It's the only way out! Let's go!
00:13:45Come on!
00:13:47Son!
00:13:49You have to get out of here!
00:13:54Come on!
00:13:54Come on, hurry up, come on!
00:14:12Come on!
00:14:16Come on!
00:14:17Come on!
00:14:19Come on!
00:14:20Come on!
00:14:21I don't plan to leave him alone, my love.
00:14:23Be careful, son.
00:14:24Who takes care of yours?
00:14:26He doesn't see that there are many guards.
00:14:27Saltur, we've already talked about this! You know how to escape through the fish.
00:14:30I will meet you in the forest of the black poplar.
00:14:32Promise me.
00:14:34Promise me we'll see him there.
00:14:36I promise I'll do what I can.
00:14:45Come on, go in and squeeze it!
00:15:17Come on, go in and squeeze it!
00:15:40Come on, go in and squeeze it!
00:15:59And if?
00:16:01What if it doesn't arrive?
00:16:03It's coming!
00:16:06We arrived here all night.
00:16:08It should have arrived by now.
00:16:11Can you do this here?
00:16:12Shh!
00:16:14Don't even think about saying that!
00:16:18I've seen you come out of the poplar tree from worse things.
00:16:21I have seen him defeat an entire army.
00:16:24He cannot die!
00:16:27We shouldn't have come.
00:16:29We shouldn't have left him alone.
00:16:31We've done what we had to do.
00:16:38Look at me, Alonso.
00:16:40Look at me.
00:16:43Ever since I discovered that your father was the Red Eagle,
00:16:47He only wanted one thing from me.
00:16:51If this were to happen,
00:16:55would put you to safety.
00:16:59A guard!
00:17:00A guard!
00:17:01A guard!
00:17:01What do we do?
00:17:06He doesn't know this!
00:17:07You come from here!
00:17:08Shh!
00:17:12They're not going to take it.
00:17:21I must have caught the Red Eagle!
00:17:24But you won't succeed with his son.
00:17:30Veins!
00:17:32I knew you'd do well, you know?
00:17:35Shh!
00:17:36Look!
00:17:38Where are you?
00:17:40Tell me!
00:17:41Come on!
00:17:42We need to get to safety.
00:17:44That's easy to say, but not to do.
00:17:47That all roads are blocked by the guards.
00:17:49How are we going to get out of here?
00:18:10The teacher was not among the dead guards.
00:18:13They've searched everywhere and there's no trace of him.
00:18:16Come on!
00:18:29Come on!
00:18:32Yeah.
00:18:38A man as intelligent as him
00:18:41He had to manage to escape.
00:18:44It is full of virtues.
00:18:50He's handsome
00:18:52High
00:18:55Strong
00:19:03Are you alright?
00:19:06Alright?
00:19:07Talk to me, talk to me
00:19:09Can you hear me? Can you hear me?
00:19:10Of course I hear you
00:19:12I thought he was having another attack
00:19:14Well no
00:19:16I was just thinking
00:19:19I just realized
00:19:21That I slept with the Red Eagle
00:19:26How many women do you know who have slept with him?
00:19:29A legend
00:19:33And I was with him in bed
00:19:36Below
00:19:38On
00:19:40In front of
00:19:41With me, you can skip the little details.
00:19:43Nothing about diminutives
00:19:45For your information
00:19:47His katana isn't the only thing that makes him mythical.
00:19:50That won't do him much good now.
00:19:52At this moment
00:19:56There are guards everywhere
00:19:58There is no hope for him.
00:20:03All of this would not be happening
00:20:05If they hadn't betrayed him
00:20:07Who was the bastard who did it?
00:20:09It is him
00:20:10Who should they kill?
00:20:13That son of a bitch is going to pay
00:20:15And it will be paid for
00:20:24It's not something he's done!
00:20:29Who was the bastard who did it?
00:20:30Who was the bastard who did it?
00:20:32No!
00:20:44No!
00:20:48No, no, no.
00:21:19Well, well.
00:21:25He has spent his entire life making us all believe that he was just a simple school teacher.
00:21:39And yet he was hiding here in his own house.
00:21:45He's mocked us right under our noses, commissioner.
00:21:49You're incompetent. You should have arrested him a long time ago.
00:21:55Don't forget who you're talking to.
00:22:01I know perfectly well who I'm talking to.
00:22:05With the less virtuous of the two brothers, without a doubt.
00:22:08When I am King of Spain, he will learn to value my virtues, or I will have to teach him to do so.
00:22:17Alright.
00:22:20We'd better join forces to capture him as soon as possible.
00:22:24After all, we now have the advantage. We know who it is.
00:22:31Are you sure that you will not hesitate because of your kinship when you arrest him?
00:22:37Dude?
00:22:40You don't know how much you can hate someone with whom you share your origins.
00:22:45That wretch will be mine.
00:22:48Finally I will see how her eyes turn submissive as she begs me, Clemency.
00:22:56So be it.
00:22:59So be it.
00:23:38Tell me who betrayed him.
00:23:41I don't have to give you that information.
00:23:42Tell me.
00:23:45Get this through your head. I'm not going to tell you anything.
00:23:48This matter is none of your business.
00:23:50I will follow you wherever you go.
00:23:53Until you tell me who the bastard was who handed him over.
00:23:59A man's misfortunes always come at the hands of a woman.
00:24:04Was it a woman?
00:24:06The owner of the new brothel.
00:24:25Remove our presence from the north gate.
00:24:27Come on.
00:24:29Come on.
00:24:40Damn, that was close.
00:24:43What are we going to do, Gonzalo?
00:24:46We'll wait here until nightfall.
00:24:49Pablo, they almost discovered us and they can come back at any moment.
00:24:54We have to leave.
00:24:56I feel so many, we won't make it.
00:24:58Go without me.
00:24:59No.
00:25:00I got you into this and I'll get you out.
00:25:02To everyone.
00:25:08The little boy who is completely disoriented.
00:25:12The poor guy must have a headache.
00:25:16This shouldn't have happened.
00:25:18Never.
00:25:22In other words, it turns the entrance on me.
00:25:39I promise you we'll get through this.
00:25:51Are you the red eagle?
00:25:55That seems to be the case.
00:25:58I've been talking to you on the roof since I was a child.
00:26:03I almost killed you.
00:26:07And it's always been you.
00:26:10All these years I've treated you like a coward.
00:26:13Well.
00:26:14Look at it another way.
00:26:16You've helped me keep the secret.
00:26:18I have despised you.
00:26:20I have been ashamed of you.
00:26:24How have you endured it?
00:26:26Protecting you was much more important than what I could feel.
00:26:29Yes, father.
00:26:31But I know I've hurt you.
00:26:34And you didn't deserve that.
00:26:40Forgive me.
00:26:42Good.
00:26:44For a father,
00:26:45My son is always forgiven.
00:26:48Hey?
00:26:55Didn't you ever plan to tell me?
00:27:00Only in case something happened to me.
00:27:08I had written you a letter in which I explained...
00:27:12I prefer to have found out this way.
00:27:19That way I can tell you everything I admire about you.
00:27:25We will get out of here.
00:27:40This man should be having a monument erected in his honor, not having his house shut down.
00:27:43And she doesn't speak any quieter.
00:27:45And without the hero, who will protect us now?
00:27:48Who will look after the people?
00:27:51Multino!
00:27:51Are they going to hear you?
00:27:53Who will stop the guards when they demand taxes from us?
00:27:55And you end up getting beaten up, huh?
00:27:56No, Mari.
00:27:58We live in comfort now, but we cannot forget where we came from.
00:28:02Just say yes, Father.
00:28:05But this one here needs a baby basket.
00:28:07Yeah.
00:28:08Come on, let's go.
00:28:09The wickerworker is closing our stall.
00:28:11Come on.
00:28:11Okay, okay.
00:28:29Does anyone know anything?
00:28:31That can help us capture the Red Eagle.
00:28:37Who was your neighbor?
00:28:40Has nobody seen anything?
00:28:43Not even which way did he flee?
00:28:50Very good.
00:28:52You, stop her.
00:28:58No, no, please, please, leave me alone.
00:29:02Go on.
00:29:03Leaves.
00:29:04Yes, I'll put it in.
00:29:09Why did you get up?
00:29:12You're not recovered yet.
00:29:16You should have saved me.
00:29:19They were going to hang you.
00:29:21Anaís, I'm already an old dog.
00:29:25And my life will end sooner rather than later.
00:29:28Don't go that way.
00:29:30You took me off the streets.
00:29:33You gave me food.
00:29:35Dear.
00:29:37You took care of me.
00:29:39I wasn't going to let them hang you.
00:29:43You are the only mother I've ever had.
00:29:50You must be having a terrible time.
00:29:55You find a man there.
00:29:57I'm fed up with life.
00:30:01Disgusting Portia.
00:30:04Let me go!
00:30:06You have condemned him.
00:30:09You dealt with him.
00:30:11Wasn't selling your body enough for you?
00:30:14That you've sold to him too.
00:30:17However they find him.
00:30:19You're dead.
00:30:21You're dead, Anaís.
00:30:23Dead!
00:30:31You're right.
00:30:35I have condemned him.
00:30:38You're right.
00:30:41It's over.
00:30:43Dry those tears.
00:30:45Let's give your teacher a hand.
00:30:49But how?
00:30:51If it's all surrounded by guards.
00:30:54It's impossible.
00:30:56There are many guards.
00:30:58But there are more whores.
00:31:06And him too.
00:31:07No no.
00:31:09Clemency!
00:31:09I haven't done anything!
00:31:11And her!
00:31:13No, please!
00:31:19They will be your example.
00:31:21If any of you feel the desire to help the Red Eagle,
00:31:26Let him know that he awaits a death just as slow and terrible as theirs.
00:31:31Forward.
00:31:32Do it!
00:31:39If we wait until nightfall, we can walk along the riverbank.
00:31:44I don't know.
00:31:46They may not be able to guard us or see us, but they will hear us.
00:31:50They won't smell us.
00:31:52We have to try.
00:31:54It's better to say this, but for the first time I think Cipriano is right.
00:31:59There are too many of us. Why don't you take the kid and run away together?
00:32:01We will stay united, Saturn.
00:32:03Doesn't he realize?
00:32:04Four people are too much of a burden.
00:32:11We're going to hold hands and splash around in the river.
00:32:14I'm not going to leave anyone behind.
00:32:17When we manage to escape, then what?
00:32:19You haven't stolen a string of sausages, you're the Red Eagle.
00:32:26He has mocked the Spanish Empire day in and day out.
00:32:35We will leave this country.
00:32:39And will it follow us wherever we go?
00:32:42Mitirá una...
00:32:44An order of that international stature.
00:32:48Is someone coming?
00:32:50Second is the background.
00:32:52Come on.
00:32:52Come on.
00:33:23Are you looking for me?
00:33:25Hey?
00:33:26It's me.
00:33:27It's me.
00:33:29What are you doing here?
00:33:31We are searching the forest, looking for you to help you.
00:33:35Help me.
00:33:37Do you want to help me now?
00:33:39You are the one to blame for me being like this.
00:33:40You betrayed me.
00:33:42You have ruined my life, and the lives of my son.
00:33:45Me too, what the hell?
00:33:49Can?
00:33:50Can I help us hear?
00:33:54Don't believe a word he says, master.
00:33:56But not a word.
00:33:59How can I trust you?
00:34:01How do I know you're not working for someone who wants to capture me?
00:34:04Tell me, how much have they paid you?
00:34:07How much?
00:34:09I want to help you.
00:34:11And I know how to do it, please.
00:34:15Please.
00:34:18Please.
00:34:28Can't you go any faster?
00:34:30Anaís, this is a horse-drawn chariot, not a quadriga.
00:34:38And you, cheer up those faces.
00:34:41We are women of joyful life.
00:34:43Smile, milk.
00:34:45Soo!
00:34:49Soo!
00:35:01Soo!
00:35:03Good day to you all. How can we help you?
00:35:07I'm the one asking the questions here. Where are you going?
00:35:11We are on our way to Valladolid to visit some relatives.
00:35:15Something wrong?
00:35:16You don't look like you're visiting family.
00:35:21Not even having them.
00:35:28I've always liked men in uniform.
00:35:47Alright.
00:35:50We are not going to pay any visits to anyone.
00:35:53We've bought alcohol and we're going to resell it on the outskirts.
00:35:57Life is hard these days.
00:35:59You know.
00:36:00I know.
00:36:01And I also know that I shouldn't believe anything that comes out of a whore's mouth.
00:36:07Check that he is telling the truth.
00:36:08Come on!
00:36:10Come on!
00:36:12Come on!
00:36:17Come on!
00:36:29Come on!
00:36:56It's wine from Calahorra.
00:36:59It's a shame to waste something so valuable.
00:37:02It would be like throwing away gold.
00:37:04This is smuggling.
00:37:06The law punishes it with a fine.
00:37:09Take them back to their brothel.
00:37:11No, not going back.
00:37:12No.
00:37:15Can we reach an agreement?
00:37:17When you arrive, have them pay the fine and return immediately.
00:37:22We have to find it.
00:37:25Hey!
00:37:32Hey!
00:37:33Hey!
00:37:45Hey!
00:38:05Did you leave a little bit of blood on that tip?
00:38:09Neatness is essential for any work environment, but I haven't come here to talk to you about cleaning.
00:38:16I've come to ask you for something. Something that, if you give it to me, in return you will receive this.
00:38:35I have never met anyone, neither poor nor rich, who has ever resisted something like that.
00:38:54All these jewels will be yours. If, when you capture the red eagle, you hand it over to me.
00:39:07Aren't you going to say anything? Are you mute?
00:39:31Are you mute?
00:39:34No, no, please. I haven't done anything! I swear I haven't done anything!
00:39:42Alright?
00:39:43Alright.
00:39:57Alright?
00:39:58No, no, no.
00:40:34No, no, no, no.
00:40:56Of course you're not feeling well, it's like you're in labor.
00:40:58In labor?
00:41:00No, no, no, no.
00:41:29No, no, no.
00:41:52No, no, no, no.
00:42:23What are you going to do?
00:42:28I just wanted to help Gonzalo for us.
00:42:32Adjust them properly.
00:42:33I don't want it to move when the spikes are stuck in it.
00:42:36Hernán, listen to me.
00:42:39I was going to help him escape.
00:42:41That's how he would leave our lives.
00:42:44I would never be between you and me again.
00:42:46That was my plan.
00:42:52If Gonzalo were to flee, his life would be worse than death.
00:42:58Wherever he went, he would be miserable.
00:43:00He and all those who accompany him.
00:43:03Hernán, you are an expert at prolonging suffering.
00:43:07You are the cruelest man I know.
00:43:10Do you know what's the best part?
00:43:21You're right.
00:43:23I am a cruel man.
00:43:25And I assure you that he will die in the most agonizing way you have ever seen.
00:43:44What are you going to do to me?
00:43:45What are you going to do to me, Hernán?
00:44:10It's a taste of the show from the front row, my dear.
00:44:26Carefully.
00:44:27Come on, do your thing.
00:44:29Lucia, accompany the gentlemen.
00:44:35Yasmina, the door.
00:44:48Oh my God, I'm so dizzy!
00:44:52I was about to throw up.
00:44:54Taroncha!
00:44:55Are you OK?
00:44:57What a trip!
00:44:59The cave wasn't safe, but at least we were close to the outskirts.
00:45:03We've gone from bad to worse, from the frying pan to the coals.
00:45:06They've done what they could, Sato.
00:45:08I knew we shouldn't trust any woman's plan.
00:45:13Could you give me some water, please?
00:45:15Clear.
00:45:16And something to eat, if possible?
00:45:18It's going to bite us like that, to put something in our stomachs.
00:45:20Yes, follow me.
00:45:22Yes, son.
00:45:23Come.
00:45:25Carefully.
00:45:27We have to leave here now.
00:45:28Come on, let's go.
00:45:29No, Sato.
00:45:31Nobody will think that we are in the house of the one who has betrayed us.
00:45:33But this is a brothel.
00:45:34And this kingdom is more about prostitutes than masses.
00:45:38Isn't it true that people are constantly coming in here?
00:45:41The king.
00:45:43He will help me.
00:45:44The king?
00:45:45What if he was the one who ordered his capture?
00:45:47That?
00:45:49It wasn't him.
00:45:51He is my father.
00:45:52That father has already abandoned him once.
00:45:53I remind you.
00:45:55Not this time.
00:45:57This week that I've been with him, I've seen how he looked at me.
00:45:59I trust him, Sato.
00:46:02I have to go back to the palace.
00:46:04But how are you going to get to the royal palace?
00:46:06Doesn't he realize he's the most wanted man in the entire kingdom?
00:46:09What's going to be displayed there with a sign across all the high ceilings?
00:46:12I have no other choice, Sato.
00:46:14I'll send a messenger to let him know for you.
00:46:17And have you seen how those poor people were in the street?
00:46:19I have to go.
00:46:19No, no, no, no.
00:46:20Come here.
00:46:21You're not going.
00:46:22I'll go.
00:46:23Sato, after our stay there, anyone can recognize you.
00:46:26It's very risky.
00:46:27I know the royal palace as Dillo's.
00:46:29Or don't you remember?
00:46:30You, who before that full one used to take a stroll around recognizing each new one.
00:46:35What could possibly go wrong?
00:46:37Everything, Sato.
00:46:38All.
00:46:40You are also right.
00:46:41Maybe I got a little carried away, didn't I?
00:46:44But trust me, I'll get it, man.
00:46:49If they catch one of us, they catch us all.
00:46:53They'll do anything to get you to tell them where we are.
00:46:55Yes, they will.
00:46:56But I'm not going to say anything.
00:46:59I may have few virtues, but I have balls, I have them all.
00:47:05His whereabouts will go with me to the grave.
00:47:21I only ask for justice.
00:47:28My son is the legitimate heir to the crown of Spain.
00:47:34He comes from a line of kings.
00:47:36No one should take their place.
00:47:39I beg you to speak out against that bastard Gonzalo de Montalvo.
00:47:45Help me, Lord.
00:47:50We all pray for the same purpose, Your Majesty.
00:48:00And I would have begun my supplications sooner if he had told me that he was the king's son.
00:48:07You knew that, didn't you?
00:48:12I can't deny it, that's how it is.
00:48:15We have been more than confessor and parishioner.
00:48:18You've been between my sheets.
00:48:19Why didn't you tell me?
00:48:22I am sorry if I have offended you, madam, but that is a matter that concerns exclusively your husband, the king.
00:48:29King, I am the mother of the legitimate heir.
00:48:33His Majesty has shown more affection for that nobody in two days than for my son in his entire life.
00:48:38life.
00:48:39Please excuse me, but this is a matter that should no longer concern you.
00:48:44The days of that nobody have come to an end.
00:48:49Before the king returns, he must be dead.
00:49:33Don't worry.
00:49:36Satour is very clever and the king will arrive.
00:49:39I don't know.
00:49:41This is for you.
00:49:44It doesn't taste like the one I make, but it's hot and warms the body.
00:49:47Thanks, Cibri, but no...
00:49:49I'm not hungry.
00:49:51Okay.
00:49:57Gonzalo, perhaps it's not the right time, but...
00:50:01I wanted to ask you something.
00:50:05Clear.
00:50:10I was wondering...
00:50:11Come on, I wanted to know...
00:50:14How do you manage to slide across rooftops without falling?
00:50:19Well, like everything else in this life, Cibri.
00:50:21With a lot of practice.
00:50:24Clear.
00:50:27I can't believe I see you.
00:50:30I've been sharing a table with the Red Eagle himself.
00:50:34I'm nobody exceptional.
00:50:37I'm just another man.
00:50:43Gonzalo, I'm not very good with words.
00:50:47But whatever happens, for me and for many others, you will be the best man that Spain ever saw born.
00:50:56Thank you so much.
00:50:59Sorry.
00:51:08I didn't mean to bother you, but I don't know when I'll be able to talk to you again.
00:51:14I wanted to explain to you why I did it.
00:51:16Now the reasons no longer matter.
00:51:20It's the worst thing I've ever done, but I had to save Flora.
00:51:25She's the person I love most, and they were going to hang her right here.
00:51:28Sometimes you have to choose.
00:51:32It has been...
00:51:34...the hardest decision I've ever made.
00:51:38Well, it shouldn't have been.
00:51:42I'm just a teacher and Flora is like your mother.
00:51:44You are not just my teacher.
00:51:49It's not obvious.
00:51:54I'm in love with you.
00:52:18I knew it.
00:52:20I knew he would be in His Majesty's chamber.
00:52:24Well, now all that's left is for His Majesty to come and take a nap and...
00:52:28Where can I eat from me?
00:52:32I'm not finished here.
00:52:35I'm not going to hide.
00:52:39Wow, what austerity!
00:52:43Who are you?
00:52:44What are you doing here?
00:52:47I...
00:52:48I have an appointment with her majesty, who...
00:52:50...that I've stayed here now.
00:52:52Impossible.
00:52:53His Majesty has left on a trip to Guipúzcoa.
00:52:56Traveling like traveling.
00:52:58If I need to see him.
00:53:00You arrived one day late.
00:53:01He left last night with his advisor, Mala Sangre.
00:53:03I'll accompany you to the exit.
00:53:04No, no, no, no, no, no, no.
00:53:06I tell him that I need to see him.
00:53:07When is he coming back?
00:53:14What's happening?
00:53:15Ask for the king.
00:53:16I've already told him he's not here.
00:53:18Perhaps I can help you.
00:53:19No, I was just leaving, I'm very busy.
00:53:22Well, it's just that...
00:53:23He'll have plenty to do, but few manners.
00:53:26Who are you that you do not unveil yourself before your queen?
00:53:30Didn't you hear your majesty?
00:53:34You are the master's lackey.
00:53:37Where is?
00:53:39Where is he hiding?
00:53:44To me, the guard!
00:53:52To me, the guard!
00:53:55Let go of my son.
00:53:57I let him go.
00:53:59Let go.
00:54:01I'm not going to do it, Elena.
00:54:02I let him go.
00:54:04Give me back my son.
00:54:05I let him go.
00:54:08Give me back my son.
00:54:11Yes, I really appreciate it.
00:54:13But I just don't want to sleep.
00:54:15And besides, I don't think I can do it.
00:54:16But not really.
00:54:18You haven't slept a wink for two days.
00:54:21When someone is in your situation,
00:54:23He must have a clear head
00:54:25and rested legs.
00:54:26Come on, help me.
00:54:27Give me that.
00:54:28Give me that quilt, man.
00:54:30Okay, thanks.
00:54:32And I'm telling you this, okay?
00:54:34That I spent half my life
00:54:37with a tight butt
00:54:38fleeing with my mother.
00:54:40She was stealing.
00:54:42And I never knew
00:54:43When was I going to eat again?
00:54:45or sleep.
00:54:47So, son,
00:54:48Listen to me.
00:54:50and lie down on that bed.
00:54:52But I really don't...
00:54:53Not at all,
00:54:54neither pears, nor buts, nor bagpipes.
00:54:56Lie down, I said.
00:55:16Come on.
00:55:17You'll see, all this will turn out alright.
00:55:19Cipri, if we succeed,
00:55:21everything we have
00:55:21will be left behind.
00:55:22No.
00:55:24Everything important
00:55:24You carry it with you.
00:55:25Your father,
00:55:26Satur,
00:55:27I...
00:55:28But not her.
00:55:29She.
00:55:33Do you have a girlfriend?
00:55:36I'm talking about my aunt.
00:55:40Ah.
00:55:42Sure, yes.
00:55:44Nobody has fallen.
00:55:47I will never know again
00:55:48nothing about her,
00:55:49Cipri.
00:55:53Well, but...
00:55:54Will you be able to write to him?
00:55:56Where to?
00:55:58I don't know where he lives.
00:56:00We'll find out soon enough.
00:56:04If we go far away
00:56:05It's going to be impossible.
00:56:10Yeah.
00:56:11I'm not coming back
00:56:11to know nothing about her.
00:56:14Anymore.
00:56:19Yeah.
00:56:21I know where he lives.
00:56:25That?
00:56:27It has a cabin
00:56:28in the Forest of Light.
00:56:28I have to see it.
00:56:30No.
00:56:30He cannot leave here.
00:56:31It's dangerous.
00:56:34The only thing we could do
00:56:36is that you wrote to him
00:56:38and that one of these girls
00:56:40I will deliver the letter to him.
00:56:43Yeah.
00:56:44I'm going to get some paper and ink.
00:57:08or fix the calls
00:57:12No.
00:57:13No.
00:57:15No!
00:57:19No!
00:57:34Something is known already, I don't know, Lina.
00:57:56It's here. It's here.
00:58:08Here's your granddaughter.
00:58:11Mieta? Is she a girl?
00:58:13Yeah.
00:58:22Do you have all your fingers?
00:58:23I've told you about every single one. From head to toe, I've counted them all.
00:58:30How is the little girl?
00:58:32How are you doing, Justino?
00:58:36May I?
00:58:38She looks so tiny.
00:58:40She'll be in good hands, I'm going to wash her.
00:58:43Of course, woman. You'll have to bathe her.
00:58:45Oh, you see.
00:58:58No way.
00:59:00I'll make them leave, but first I'm going to take the child away from them.
00:59:03They are going to sign this document, by which they will give me custody, thinking that they are going to accept ownership of
00:59:09the lands that I have given them.
00:59:22Bye bye!
00:59:25God?
00:59:26God!
00:59:27Where are you?
00:59:36You've gotten yourself into this
00:59:39But what have I done?
00:59:40I should have kept quiet
00:59:43Damned bird
00:59:48What happened?
00:59:49What would you give us?
00:59:50It was my fault, Gonzalo
00:59:51Can you tell me why you are putting yourselves in danger?
00:59:53You'll see
00:59:54What is out here so important that you would put yourselves in danger?
00:59:57Daisy
01:00:00Daisy
01:00:01Live here, in this forest
01:00:05Alonso wanted to say goodbye
01:00:08How long have you known that?
01:00:10Why hadn't you told me anything?
01:00:13Well...
01:00:13Because I...
01:00:18Alonso
01:00:21Come on, there's a house armed
01:00:22Come on, let's get out of here right now
01:00:24No, because I haven't seen it and I want to see it.
01:00:26See it?
01:00:27Alonso, you know what I'm saying
01:00:29We can't think about those things now
01:00:31We need to get to safety
01:00:33Come on, leave
01:00:34Leave!
01:00:35Now it's my turn.
01:00:36Leave!
01:00:37Leave!
01:00:38Leave!
01:00:49Leave!
01:01:19The Church of Jesus Christ of Latter-day Saints
01:01:49The Church of Jesus Christ of Latter-day Saints
01:02:19The Church of Jesus Christ of Latter-day Saints
01:02:33The Church of Jesus Christ of Latter-day Saints
01:02:38I have to be away for a few days
01:02:41If you want to commission me to do any work, tell me what you want in writing and slip it under the door or wait
01:02:45to return
01:02:47Sincerely, the seamstress
01:02:48Daisy
01:03:07Sipri! Let go of me! Sipri! Let go of me! Sipri! Let go of me!
01:03:12No! Yes!
01:03:24Take this! Take this! Take this child! Ah! Panecer Payona!
01:03:27And say that I found them in the washhouse in the forest.
01:03:30Run, come on, let's go!
01:03:31Pouring milk.
01:03:32Oh my God.
01:03:36The issue of the heir has already been resolved.
01:03:39Now let's get down to business.
01:03:41Where is this?
01:03:44Come on!
01:03:46Cipri!
01:03:49Alonso!
01:03:53Mine.
01:03:54Where are they?
01:03:54No, I don't know. I just arrived.
01:04:02What harm would you do without me?
01:04:06No, no, no.
01:04:07I can't believe it.
01:04:10Oh my God! What kind of rage is this without me?
01:04:12They've left me here like a dog.
01:04:15It's not what you think.
01:04:17No, no, no, no.
01:04:18If he has shown without me
01:04:21and has decided to leave me here to escape,
01:04:23Well, I accept it.
01:04:25What the hell?
01:04:26What has left me stranded here?
01:04:27Oh, that's not it.
01:04:29The lad has escaped,
01:04:30The servant followed him
01:04:31and the father has gone after them.
01:04:33What do you mean the kid has run away?
01:04:34Yeah.
01:04:35I think he didn't want to leave.
01:04:37without speaking to her aunt.
01:04:39With Margarita?
01:04:40That's right, yes.
01:04:41But why does everything have to be fleas?
01:04:43Why does everything have to be fleas?
01:04:45Come on!
01:04:46They caught Satur.
01:04:47No, please don't tell me that.
01:04:50The guards have arrested Cipri and my son
01:04:52and I haven't been able to do anything.
01:04:55Were you able to speak with the king?
01:04:59Satur, what's wrong?
01:05:00Have you found him or not?
01:05:01Answer!
01:05:04The king who has gone on a trip.
01:05:13Thank my husband.
01:05:16It was the best night of my life.
01:05:22I've been looking for her since yesterday.
01:05:23Where was I?
01:05:25I prefer to talk about that.
01:05:28I'm afraid that what I'm about to tell you
01:05:30It won't be to his liking either.
01:05:34Gonzalo.
01:05:35His son and his servant
01:05:37They've been caught.
01:05:38They won't be long in having him.
01:05:45We've come to introduce you to your granddaughter.
01:05:48Look how beautiful she is.
01:06:06Get out of my palace.
01:06:08You and your whole family.
01:06:12But what does it say?
01:06:14The girl is mine
01:06:16and you go outside.
01:06:18I'm telling you what's happening, for God's sake.
01:06:20But, Marchioness,
01:06:21What are we?
01:06:23Did you sign this?
01:06:26It just can't be.
01:06:29I didn't know I was signing that.
01:06:30No.
01:06:31Throw them out!
01:06:32Please.
01:06:32I want them far away from my house.
01:06:34From my lands.
01:06:36Of all my possessions.
01:06:38Out!
01:06:38No, please!
01:06:39My granddaughter!
01:06:39Please!
01:06:40No!
01:06:40My granddaughter!
01:06:42My granddaughter!
01:06:43No!
01:06:44No!
01:06:45No!
01:06:46No!
01:06:46My granddaughter!
01:06:47No!
01:06:49No!
01:06:50No!
01:06:50No!
01:06:51No!
01:06:59No!
01:07:01For our victory.
01:07:08That poor man is no longer lost.
01:07:12No parent would let their child die.
01:07:16And we'll be waiting for him as soon as he arrives.
01:07:34This isn't going anywhere, love.
01:07:37That's all I've found.
01:07:39Well, that's not enough.
01:07:40How are you going to show up there with a ham knife and a rolling pin as your best weapons?
01:07:45Are we crazy or what?
01:07:46I also have your knife.
01:07:47My knife?
01:07:48But it is being heard.
01:07:50Those people are waiting for you to come and save your son.
01:07:53They'll be waiting for him with all the cannons in the kingdom.
01:07:55And what do you want me to do, Satur?
01:07:57That I abandon him?
01:08:02Well, I don't know what to tell you.
01:08:06Besides, you are right, if a child jumps off a cliff,
01:08:10The father doesn't think twice and goes after her, even though there's no possible salvation, so I don't know what to tell him.
01:08:15It's the worst thing that could have happened.
01:08:18If they had caught me alone, I would have still had a chance, but like this...
01:08:22Have you already thought about how you're going to do it?
01:08:25No.
01:08:28But if it's not with him, I'm not going back from there.
01:08:32The mother who gave birth to me.
01:08:35But I'll be wretched if I keep his red eagle suit when we leave the lair.
01:08:47Here it is.
01:08:49Here is the katana.
01:08:51Yes, here.
01:08:53Here is your suit.
01:09:00It won't be of much use to me, but...
01:09:01No, no, no, don't be mistaken.
01:09:04Today he needs it more than ever.
01:09:06The thing is, those you're going to encounter fight worse against the red eagle.
01:09:11This suit...
01:09:13This outfit is a cry for freedom.
01:09:16This suit is a reminder of the eternal strength of the red eagle.
01:09:20This suit is...
01:09:22Come on, if you put it on them, they'll be scared shitless.
01:09:29This time they don't have to fear the hero, Saturn.
01:09:34They have to fear the father.
01:09:50Weapons in position.
01:09:56Leave the doors open.
01:09:58I want you to come from inside here.
01:10:12Good.
01:10:14The cheese is already in the trap.
01:10:17Now all that's left is to wait for the rat to arrive.
01:10:30What is that miserable wretch waiting for?
01:10:33Don't know.
01:10:36Let's see if some shouting makes him come out of wherever he is.
01:10:40Stab them!
01:10:51Sincrement.
01:10:57Sincrement.
01:10:59Hail!...
01:11:14Sincrement.
01:11:20What is this?
01:11:22What's going on here?
01:12:09What's going on here?
01:12:16Here! Here! Embrace it!
01:12:20Separate!
01:12:44Get down!
01:12:46Here! Here!
01:12:58Here!
01:13:02Here!
01:13:10Here!
01:13:15Here!
01:13:21Here!
01:13:23Here!
01:13:27Here!
01:13:39Here!
01:13:41Here!
01:13:49Here!
01:13:54Here!
01:13:56Here!
01:14:01Here!
01:14:02Here!
01:14:09Here!
01:14:24Here!
01:14:25Here!
01:14:29Here!
01:14:45Here!
01:14:53Here!
01:15:02Here!
01:15:10Here!
01:15:12Here!
01:15:20Here!
01:15:22Here!
01:15:50Here!
01:15:59Here!
01:16:07Here!
01:16:37Here!
01:16:38Here!
01:16:39Here!
01:16:40Here!
01:16:40Here!
01:16:40Here!
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