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00:00:13Pope Alexander VII
00:00:30I just saw them kidnap the Pope
00:00:32Mother, are you drinking again?
00:00:35What does all this mean?
00:00:37We wanted to ask you for something
00:00:39Be our godparents
00:00:39Be our godparents
00:00:41I don't want to see a single prostitute in the village while the Pope is visiting.
00:00:46If you have to use force, do it.
00:00:49They're going to kill us
00:00:56Bordas!
00:00:59Alonso, he broke into your house
00:01:00That?
00:01:00We have to be the guards
00:01:03Irene, you'd better have a man nearby to defend you.
00:01:07Are...
00:01:08Lovely
00:01:10Thank you
00:01:11Love is not envious
00:01:13He doesn't boast
00:01:15He does not rejoice in injustice.
00:01:18But he rejoices in the truth
00:01:20Where were you?
00:01:22Under the straw
00:01:23You look much more handsome when you smile
00:01:27This is the first time men have treated me so well
00:01:31It has been called men
00:01:44Mazon!
00:01:47She's the maid who came with me this morning
00:01:50They wanted to kill me
00:01:51They've made a mistake.
00:01:53The bullet is inside, we have to get it out.
00:01:55We'll get it out.
00:01:57Why are you doing this to me?
00:01:59I am Jones' representative!
00:02:01Do you want to approach the king dressed as a nun?
00:02:03All the king is going to do is reward them
00:02:05No!
00:02:06Nobody lets me.
00:02:07And especially not the daughter of peasants like you
00:02:12Mother!
00:02:13Alonso!
00:02:14No!
00:02:25Many thanks for everything
00:02:28No!
00:02:32Grab it!
00:02:39I do not intend to go down in history as the man who killed His Holiness.
00:02:46What a mess! I need men with me!
00:02:49Dad!
00:02:51You are safe, Father
00:02:53Thank God!
00:02:56Thank you!
00:02:57Thank you!
00:02:57Thank you!
00:02:58Thank you!
00:03:00Thank you!
00:03:17If this isn't the smell of a man
00:03:20This is a need for water
00:03:24Who are you and what are you looking for in my house?
00:03:26Come on, it's me
00:03:26That I'm back
00:03:27Satur?
00:03:28Yeah
00:03:29Sorry, I thought you were a thief
00:03:31No, I love, no
00:03:32My fault
00:03:34How is it so late?
00:03:35I thought they were sleeping
00:03:37What a joy to see you again, my love
00:03:39You have no idea how much I've missed him
00:03:40And me too, Sato
00:03:43So, how was the trip?
00:03:44How could you leave those poor people?
00:03:45I left them in Castroculo
00:03:48Between mountains and goat paths
00:03:51The good thing about all this is that they won't be found there.
00:03:53They will be safe
00:03:55Well, now I have to take care of Estuarda and Gaby.
00:03:57Okay, you'll see them.
00:03:59Yeah
00:04:00Just what you needed
00:04:05If you don't mind, I've decided to get a Polish bath.
00:04:09A what?
00:04:11A Pole?
00:04:13Fold your balls and armpits?
00:04:16Keep going, keep going
00:04:16I didn't mean to interrupt you
00:04:22Looking at red to compare is just curiosity.
00:04:25But you keep staring, already addicted.
00:04:27No, Sato
00:04:28That?
00:04:30What do you have...
00:04:31I don't shit myself, I have
00:04:31No, you have a pustule there.
00:04:33A pustule?
00:04:37I heard a noise
00:04:38Sato
00:04:40What are you doing like that?
00:04:41That?
00:04:41It's okay, Cipri
00:04:43Are you OK?
00:04:44Well, I am a little uncomfortable.
00:04:46And how are you all?
00:04:47Sato
00:04:48It could be the plague
00:04:49Plague?
00:04:50Do you have the plague?
00:04:50No, no, it's not the plague
00:04:51It's not an illness.
00:04:52What is a chafing from underwear?
00:04:55I have one right next to my butthole
00:04:57That at any moment I have made speak
00:05:00Well
00:05:00I'm going to sleep
00:05:01Yeah
00:05:02I have to do the shopping for the month early tomorrow.
00:05:03Good night
00:05:05By the way, Gonzalo
00:05:06I took money from your jar
00:05:07Good
00:05:08There!
00:05:10You should go to bed too.
00:05:12You must be exhausted
00:05:14Well, look, yes
00:05:15I've even lost the desire to take a bath
00:05:17Where are you going?
00:05:22I'm going to the devil's mouth
00:05:24To the devil's mouth
00:05:47Okay, let's recap.
00:05:50We don't even know what these men were doing here.
00:05:52Nor who they were
00:05:56End of recap
00:05:58Sato
00:05:59Alón from here
00:06:00Yeah
00:06:05A burning sensation here in the groin
00:06:08Let's see
00:06:17There was another skeleton under the table
00:06:24What would I do there?
00:06:26Come on, kneel facing each other and under the table
00:06:28Come on, I don't think he was praying.
00:06:31Sato
00:06:32Damn those temperate ones
00:06:34A temperate for many things, yes
00:06:36But for other really hot ones you want
00:06:39Bring the torch closer
00:06:40Yeah
00:06:56Forgive me, love, I'm sorry
00:06:58Excuse me
00:06:59And on top of that, I burned him
00:07:02I'm fine, Sato, I'm fine
00:07:03Are you OK?
00:07:04Yeah
00:07:05Yes, but I
00:07:07Bring me water
00:07:08Where have I left my skin?
00:07:16Good
00:07:32Oh God, he's seen her face, I love it
00:07:36I cursed all my dead relatives, he saw his face
00:07:44I hope this will end the pain caused by syphilis.
00:07:51I curse this disease and whoever gave it to me.
00:07:58Forward
00:08:03Majesty
00:08:05The blood that my enemies have not managed to spill.
00:08:08My doctors spill it
00:08:12That's precisely what I came to talk to you about.
00:08:14Majesty
00:08:15Of blood and enemies
00:08:26Please excuse my bluntness, Your Majesty
00:08:28This head belongs to an emissary of the English crown
00:08:32That has been intercepted by my men
00:08:34Apparently, the King of England is traveling to Portugal with the intention of marrying Princess Catherine.
00:08:43A union between England and Portugal
00:08:45Portugal will become stronger
00:08:47And it will cease to be ours.
00:08:51I don't know if that marriage will actually take place.
00:08:55The English monarch could suffer a terrible accident
00:09:00We don't know which route he has taken towards Portugal.
00:09:04Pay no attention, Your Majesty
00:09:07I have in my possession the maps that show the route of the English ship
00:09:14We must kill him on the high seas.
00:09:18It will be as you wish, sir.
00:09:20The cardinal
00:09:22Who is the martyr who will carry out that plan?
00:09:27Someone I trust completely
00:09:31Majesty
00:09:42Holy and blessed God
00:09:46And what a horrible thing!
00:09:49You are by Rubens
00:09:51He is a very renowned author
00:09:53Yes, my daughter, for you will be as renowned as you wish.
00:09:55But come on
00:09:56Where are you going to buy this?
00:09:58With a good still life
00:09:59With its fruit, its bread
00:10:01His good water jug with a spout
00:10:05What is this?
00:10:08They brought him this morning, very early, for the commissioner.
00:10:13Very good
00:10:13Well, the contemplative life is over.
00:10:16The Duke of Izaga is coming this afternoon with his daughter to meet me.
00:10:20It is very important for my son's future
00:10:23So I want everything perfect
00:10:25I want splendor
00:10:26Stuffed animals
00:10:28And golden
00:10:29Many golden ones
00:10:31Let it be known that there is class here.
00:10:34The duke has to leave here with the best possible feeling.
00:10:39Come on
00:10:41Quick, out!
00:10:56Excellence
00:10:56It was a pleasure meeting you.
00:11:01Thank you, thank you
00:11:02But I'm not here to see you.
00:11:05In any case
00:11:06It's always an honor to have you here.
00:11:10Commissar
00:11:10What amazing gifts they give him!
00:11:15Do you have a secret admirer, commissioner?
00:11:25Commissar
00:11:27King Charles of England is currently traveling to Portugal
00:11:31With the purpose of making announcements with Infanta Catalina
00:11:34We must prevent that link.
00:11:36And you are in charge of preventing it.
00:11:38Wiping the English king off the map
00:11:42This painting
00:11:43He hides some documents
00:11:45Which you must hand in to the English finance officer
00:11:48He is one of our ally
00:11:50And it will undoubtedly favor Spanish interests.
00:11:55Do you realize that you are asking me to kill King Charles of England?
00:12:05You will travel to Cadiz
00:12:07With the painting
00:12:09The English have spies everywhere.
00:12:12Therefore, you must save the documents
00:12:14Always safe and sound
00:12:15Once in Cadiz
00:12:17You will take the documents
00:12:18And you will board a ship that will leave you on the high seas in a boat
00:12:21You will pretend to be a shipwrecked person
00:12:24And when you are intercepted by the English ship
00:12:27You will come aboard
00:12:29And you will eliminate King Charles
00:12:36That's suicide
00:12:38I won't be able to get out of there
00:12:42Sometimes a life has to be sacrificed
00:12:45To save many others
00:12:48Didn't our Lord do it?
00:12:52I don't have the soul of a martyr
00:12:55It's a direct order from the king.
00:12:58You are obliged to do it
00:13:00It's in your hands
00:13:02To die like a hero
00:13:04Or like a traitor
00:13:13If it had to happen
00:13:15It had to happen
00:13:17It had to happen someday.
00:13:18They will be dead because of me.
00:13:19God, God, God
00:13:20God!
00:13:21Don't worry
00:13:21But how do you expect me to calm down?
00:13:23We've been keeping watch all night
00:13:25Back and forth
00:13:26All the places where he could betray you
00:13:29And we haven't found any trace of that man
00:13:32So what the hell do we do now?
00:13:33Where are we going to look for it?
00:13:34The only thing I found coming out of the devil's mouth
00:13:36It was a trough that was seen falling
00:13:38That man has to work in the gold mines
00:13:43Okay, that's it.
00:13:45Let's not rest on our laurels
00:13:47Come on
00:13:48Where are you going?
00:13:50To find the lady and the little boy
00:13:53To take them to their friend Pedro's inn in Toledo
00:13:56Don't worry, I already know what I have to do.
00:13:58As long as you kill that man
00:13:59Saturn, I'm going to kill him
00:14:02Are you telling me that you're not going to kill him?
00:14:04Did he see her face?
00:14:07I cannot kill an innocent man
00:14:09But how can that be?
00:14:11That was the first thing he said to me when I saw his face
00:14:14I have to kill you
00:14:15But I didn't.
00:14:17I can't do it now either.
00:14:18I love
00:14:20I love that this isn't the time for your Christian conscience to enter you.
00:14:23Did that man betray him?
00:14:25You and your family are dead
00:14:27Don't you see which way the scales are tipping?
00:14:30What if he doesn't want to betray me?
00:14:31What if it turns out he's a good person?
00:14:33Look, it makes him look much better.
00:14:35To believe in the nobility of humankind
00:14:37But not all human beings are good.
00:14:40You and your family cannot depend on a...
00:14:43Maybe he's a good person
00:14:44What if it isn't?
00:14:47Saturn, so far that man hasn't betrayed me.
00:14:49But he could be doing it right now.
00:14:52I remind you that there is a price on your head.
00:14:55In case you've forgotten
00:14:57And in these times, money is very tempting.
00:14:59I know my head is worth a fortune.
00:15:01So what is he going to do?
00:15:03No, tell me, look at me, what are you going to do?
00:15:08Wait a second before I report him.
00:15:10And to hell with everything
00:15:15I love
00:15:16Master, listen to me
00:15:18You can do whatever you want
00:15:19As if it doesn't kill him
00:15:21Now I ask God for it.
00:15:22Pick up the child
00:15:22To the lady
00:15:23Get in a car
00:15:24And flee
00:15:26Saturn, they would have to be running away their whole lives
00:15:29And you and Gaby
00:15:31And Catalina and Cipri
00:15:32You know me, and I'm coming for you.
00:15:34I can't do that to you.
00:15:35But I don't care, I love
00:15:38All I want is for you to stay alive
00:15:42Between fugitive and dead
00:15:45Choose fugitive, please
00:16:16Choose fugitive, please
00:16:29Choose fugitive, please
00:16:30Choose fugitive, please
00:16:30Choose will make you
00:16:31Choose fugitive, please
00:16:33Choose fugitive, please
00:16:50I'm looking for a man who works here
00:16:53Has anyone not come today?
00:16:57Well, only one of us was missing.
00:16:59He told me he had something very important to do.
00:17:04I need your name
00:17:05And where does he live?
00:17:06Don't know
00:17:08Here we are just numbers.
00:17:20Lady
00:17:21I'm bringing you the food for the reception with the Duke of Izaga
00:17:27Quail skewers with prickly pear
00:17:29The cook has put in a lot of effort.
00:17:38Disgusting
00:17:39Tell that fat woman who cooks
00:17:41Otherwise, prepare something delicious.
00:17:43She'll be the one to end up with this stick up her ass
00:17:46Go away
00:17:53Mother, did you want to talk to me?
00:17:55I was trying on the new suit
00:17:56But it seems the seamstress has taken the measurements of a circus dwarf.
00:17:59Yeah
00:18:00What do you think of this painting?
00:18:02I've been thinking about it.
00:18:04And I've decided I'm going to keep him.
00:18:07But mother, it belongs to the commissioner.
00:18:11And the money we get from it will be ours.
00:18:13I'll buy a copy
00:18:14I'll make the switcheroo
00:18:16The commissioner will notice and cut off our heads.
00:18:18That?
00:18:19But he can't tell the difference between a Zurbarán painting and a turd.
00:18:23But I wanted to talk to you about something else.
00:18:24Come
00:18:24I feel
00:18:30Look, son
00:18:31You're at an age where you urgently need to find someone on your level.
00:18:35That he values your gifts
00:18:37And with whom to start a family
00:18:40I have it in mind, Mother
00:18:41Don't worry
00:18:42Oh, well, how nice that you thought of that
00:18:44The Duke of Izaga is coming today.
00:18:47I've been meeting with him lately.
00:18:48And everything seems to indicate
00:18:50That you're going to marry his daughter
00:18:56Getting married
00:18:57What do you mean, get married?
00:18:59The issue is very much on track.
00:19:01Mother, what you see as being on track, I see as being rushed.
00:19:04I don't know that lady
00:19:05I don't even know if I'm going to like it or anything.
00:19:07Of course you're going to like it
00:19:08It's very difficult to find nobles of your stature.
00:19:10The list was reduced to two
00:19:12To her and to the amorphous daughter of the Count of Núñez
00:19:15Well, even so, Mother
00:19:16I think he should have consulted me.
00:19:17I'm no puppet
00:19:19So you can go find my wife
00:19:20I am the Marquis of Santillana
00:19:23And I'm the mother who gave birth to you.
00:19:34Son
00:19:35You must get married and have children as soon as possible.
00:19:39If something were to happen to you before you conceived
00:19:42Núñez would inherit everything, son
00:19:44Mother, I remind you that in order to perpetuate
00:19:46You don't need to be married.
00:19:48And if not, take their case as an example
00:19:56The duke is coming at three
00:19:59Dress properly
00:20:18Come on, come on, hurry up for God's sake
00:20:21That man hasn't gone to work
00:20:22It's because he's reporting him right now.
00:20:23I was afraid of that.
00:20:24I feared as much.
00:20:25Don't worry
00:20:26The cart and horses are ready.
00:20:28Remember to get water
00:20:29All that's left is to go after Alonso
00:20:30She's with Gaby
00:20:31And pick up Margarita at the palace
00:20:33The lady, already
00:20:35Yes, what about her?
00:20:37Well, that's convincing the kid.
00:20:38It's going to be very easy
00:20:39Just tell him to get in the car
00:20:40I'm telling you.
00:20:41That I am your father
00:20:41But to the lady
00:20:42It will come out in another bag
00:20:43I remember when the pirate
00:20:44That he did not want to accompany them
00:20:45I know
00:20:46But now it's different.
00:20:47His life is in danger
00:20:49But she doesn't know it
00:20:50What is she going to say?
00:20:52No, what's she going to say?
00:20:54Because they won't believe it
00:20:54The first Chinese tale
00:20:55Tell him
00:20:56I know
00:20:57That's why I'm going to tell you
00:20:58Someone is following me.
00:20:59But I will lie to him
00:20:59In the who
00:21:00And in the why
00:21:01Are they after him?
00:21:02Yes, you
00:21:03To a school teacher
00:21:04And who?
00:21:05Who?
00:21:06Who is chasing him?
00:21:07The mouse
00:21:08He made a mistake in the books.
00:21:08At school
00:21:10And even swearing it to him
00:21:11He's going to believe it
00:21:14I love God
00:21:16Convince her
00:21:17Telling him the truth
00:21:17Tell him
00:21:19Tell him that you
00:21:20It is the red eagle
00:21:21I can't tell you that.
00:21:23It's not going to go up
00:21:24That car, the lady
00:21:25Not even if you shout fire
00:21:27Tell him the truth
00:21:27For God's sake
00:21:30Gonzalo de Montalvo
00:21:37It's me
00:21:43No, let's go
00:21:44Satu, Satu
00:21:44No, no, no
00:21:45Drop the knife
00:21:46Drop the knife
00:21:46No, Satu
00:21:47Drop the knife
00:21:53Drop the knife
00:21:53Please
00:21:56Drop the knife
00:22:00Drop the knife
00:22:01Drop the knife
00:22:03No
00:22:05Take it
00:22:32Take it
00:22:33And let go of the family
00:22:34I'm not going to trust myself
00:22:35Blindly, sir
00:22:40Thanks, mate.
00:23:01Excuse me, a man has a letter for you.
00:23:05What, give it to you? I don't want to receive anyone.
00:23:08You see, sir, it belongs to the Marchioness.
00:23:11Let him come in right away.
00:23:21Where is the marchioness? When did she give it to you?
00:23:25Answer!
00:23:27If you don't talk, I'll kill you.
00:23:32Toast!
00:23:37Go away!
00:23:47Hernán, I didn't expect to contact you until after I gave birth.
00:23:50But the fevers and increasingly severe pains make me realize that I may not survive childbirth.
00:23:57That's why I'm sending you a signed document in which I give you legal guardianship of Nuño.
00:24:03I know you will make the best decisions for my son.
00:24:07Take care of it.
00:24:09Do you think so?
00:24:12That's suicide.
00:24:14Are you obligated to do it?
00:24:17I won't be able to get out of there.
00:24:18He is forced to do it.
00:24:19That's suicide.
00:24:21It's a direct order from the king.
00:24:23Yes, I'll leave.
00:24:25Commissar?
00:24:31I thought we could take the horses and go hunting.
00:24:35And so they spend a couple of days together.
00:24:37What do you think?
00:24:39I have to take a trip that I can't.
00:24:42Already.
00:24:43What if I come with you?
00:24:46No no.
00:24:47Have we never taken a trip together?
00:24:50That can't be, Nuño.
00:24:51No.
00:24:56Commissioner, I don't want to be left alone.
00:25:10It's a business trip.
00:25:12This time I can't take you with me.
00:25:21Then, when you return, we'll go hunting.
00:25:25Clear.
00:25:31When I return.
00:25:43Please.
00:25:46Asking your daughter to suffer.
00:25:48You will pay for what you have done.
00:26:01Someone has given us your name.
00:26:18I am solely responsible.
00:26:20My family knows nothing about...
00:26:21Gonzalo.
00:26:22Gonzalo.
00:26:23What's happening?
00:26:24What are you doing here?
00:26:25Gonzalo.
00:26:26Let's see what they've found on you.
00:26:28You have to tell them that I work for you.
00:26:30We have arrested him for disturbing the peace.
00:26:33They tried to steal my food money.
00:26:35And when I accused a man, I ended up in a fistfight.
00:26:40Cipri.
00:26:43I vouch for him.
00:26:46Can you let him go?
00:26:47You must pay a fine.
00:26:48Because of the damage caused in the street.
00:26:53I'll pay for it.
00:26:56Thank you, Gonzalo.
00:26:57Thank you.
00:26:58Very sorry.
00:27:06Oh.
00:27:06This corner looks kind of poor.
00:27:08Bring the golden vase that was here before.
00:27:11Excuse me, ma'am, but if you add more gold,
00:27:13when light enters the room,
00:27:14Your guests are going to go blind.
00:27:16Is that what it's about?
00:27:17To dazzle them?
00:27:19You know about style.
00:27:20My palace has to be the Fontenebló Palace.
00:27:24Not the one-armed man's inn.
00:27:26Come on, go find it.
00:27:28Come on, go away, go away, go away.
00:27:30Oh, come here, come here, come here, so I can see you.
00:27:33Oh.
00:27:34Oh.
00:27:35Oh.
00:27:36And that smell?
00:27:37I've put on a little bit of bergamot essence.
00:27:40The duke's daughter will be swooning when she sees you.
00:27:43You look like a real Adonis.
00:27:45And speaking of beautiful things, take a look at this painting.
00:27:49Okay, I've already told him that this painting shouldn't be touched.
00:27:51How the commissioner finds out, he might...
00:27:53Ah, well, I've already changed it.
00:27:54And you didn't even realize it.
00:27:56The Duke of Izaga and his daughter.
00:27:58Oh, come.
00:28:02Duke, Miss Carolina.
00:28:04What a joy to see you.
00:28:05Welcome to my humble abode.
00:28:07And apart from this palace and those in Santander, what other possessions does the Marquis of Santillana own?
00:28:15Lands in general and a small palace in Soria in particular.
00:28:19But I'll tell you more.
00:28:20The fertility of those lands has skyrocketed.
00:28:24We've had more profits than ever before.
00:28:29It's always a pleasure, Duke.
00:28:31How long, Hernán?
00:28:32We could have a drink for old times' sake.
00:28:35There is a matter of utmost importance that I would like to discuss with you.
00:28:38Yes, but do it later.
00:28:40We were going to talk now.
00:28:43It's a beautiful day.
00:28:44Perhaps the marquis and the lady would like to go for a walk.
00:28:47Yeah.
00:28:49Go on, go for that walk.
00:28:55Ladies.
00:29:03I understand that she has come to formalize her daughter's marriage to the Marquis of Santillana.
00:29:09He will know that the marquis was raised among rats and filth.
00:29:13Why this sudden interest in my daughter's marriage?
00:29:18Perhaps he's mistaken for another brother.
00:29:22Nuño?
00:29:23He has nothing to offer me.
00:29:27But maybe I do.
00:29:29I understand that lately he's been having serious problems with his lover.
00:29:34Women can lose their minds when they are expecting a child.
00:29:40I guarantee your lover's silence.
00:29:43If Nuño de Santillana marries his daughter.
00:29:47Hey, but don't worry, I'm sure these herbs will cure your stepfather's back sores.
00:29:52Yeah.
00:29:53But they won't make it go back to the sea.
00:30:09Do you think Lola will be okay?
00:30:11I hope so.
00:30:13I had never seen such a beautiful woman.
00:30:16You?
00:30:17Never.
00:30:20Hey, I'm going to finish my homework, okay?
00:30:25Bye bye.
00:30:27Sorry.
00:30:31Let me go.
00:30:33I'm going to your father's house.
00:30:35I'm going to your father's house.
00:30:49Alonso, come to the palace as fast as you can.
00:30:52Satur.
00:31:04Careful, careful.
00:31:06Careful.
00:31:17Careful.
00:31:20What, what, what is it that Margarita isn't here?
00:31:23Let's see, when is he coming back?
00:31:25I don't know, I went to the village to get some fabric.
00:31:26But they will make charges every day, my daughter.
00:31:29When is he coming back, I ask you, how long has he been gone?
00:31:32Well, it was about...
00:31:33No, not really!
00:31:35There's no time.
00:31:37You just don't get it.
00:31:42Forgive me, forgive me, you are not to blame for anything, forgive me.
00:31:46But this is very important.
00:31:56What's happening?
00:31:58Why was it so important that he came?
00:32:00And what's a car full of our things doing outside?
00:32:04That?
00:32:07We're going on a hike.
00:32:09That?
00:32:09Yeah.
00:32:11And is there such a rush to go on a hike?
00:32:14Yeah.
00:32:18Hello good.
00:32:20What's going on? What are you doing here? Has something happened?
00:32:22Alonso, go away, go away.
00:32:23Go see if there is enough warm clothing in the car.
00:32:26Runs.
00:32:27Ah, a man on the street gave me this.
00:32:28Yeah.
00:32:29For Dad.
00:32:30Come on, let's go.
00:32:33Sit down, ma'am, sit down.
00:32:34What's up, Satur?
00:32:36Hey, I have to tell you something very important.
00:32:39That?
00:32:40You already know that the master is not very talkative.
00:32:43Although, because of his love of books and literature, he can sometimes appear lazy and weak.
00:32:49Often, people are not what they seem.
00:32:52But how can it not be what it seems?
00:32:53No.
00:32:53Isn't he the teacher?
00:32:53No, no, he is a teacher.
00:32:55He is a master, especially during the day.
00:32:57The thing is...
00:33:00Gonzalo de Montalvo is...
00:33:03He's a hero, ma'am.
00:33:04Is...
00:33:05It's the...
00:33:08He is the most incredible master I have ever had in my entire life.
00:33:13That's what I wanted to say.
00:33:14What's wrong with you?
00:33:15Nothing.
00:33:16That I've given him a raise.
00:33:18Nothing.
00:33:19I really don't understand anything.
00:33:22Oh, Margarita.
00:33:23Doña Sagrario is looking for you.
00:33:24He's acting like a hydra because of some golden vase he asked Catherine for.
00:33:28Okay, I'm coming now.
00:33:33Good God.
00:33:33Good God.
00:33:40Cipri had been arrested for getting into a fight.
00:33:45They made me go all the way to the dungeon to testify that he works for me.
00:33:48I curse Cipri, and the mother who bore him.
00:33:52That I was about to let it all go.
00:33:54Already.
00:33:55Well, if that man hasn't betrayed me already, perhaps it's because I don't intend to.
00:34:02There are still good people out there, Sato.
00:34:03Yeah.
00:34:04Whatever I say, I haven't seen those good people.
00:34:08By the way, it was your son who gave me this note for you.
00:34:20I know who you are.
00:34:22I'll be waiting for you at seven in the clearing in the rye wood.
00:34:26Oh my God.
00:34:53Oh my goodness, silly girl.
00:34:54How you've grown.
00:35:21What's happening?
00:35:32Catalina?
00:35:34Oh my God, Margarita, you gave me such a fright!
00:35:36But you can find out where he was, by imagining your palace.
00:35:39Well, where else would I be? Here, fulfilling the wishes of her majesty, the tyrant.
00:35:44Wasn't it forbidden to enter here?
00:35:46If she had asked you for the key.
00:35:48Clear.
00:35:49And I gave it to her.
00:35:50But I have another one.
00:35:52Well, if he finds out, you're going to be in trouble.
00:35:54Clear.
00:35:55And if I don't give him what he wants, when he wants it, I also have a problem.
00:35:58And if I know that what he wants is here, then I have to have another key.
00:36:01Well, that's also true.
00:36:03In short, it's pointless if you have all the keys to the palace.
00:36:05Why wouldn't you have this one?
00:36:08Ah, take that.
00:36:10Here it is, the damned golden vase.
00:36:13I don't know what's gotten into him now with the gold.
00:36:15He wants this golden.
00:36:16And then, to deserve to be ordinary.
00:36:21Hey, girl.
00:36:23And why did he suddenly decide to upload it here?
00:36:26No.
00:36:27If I say so, the living room was downstairs.
00:36:31Another one downstairs too?
00:36:33They're so expensive.
00:36:34How did you buy two of the same?
00:36:36No, Catalina, they never make two alike.
00:36:37That's why they are so valuable.
00:36:41That he has falsified this.
00:36:44How counterfeit?
00:36:46But what for?
00:36:48What do you mean, "what for?"
00:36:50Because someone wants to keep the original.
00:36:52And it has to be this one, that's why it's under lock and key.
00:36:57Someone?
00:36:57No.
00:36:58No, someone.
00:36:59She.
00:37:00Mrs. Sagrario.
00:37:02That's why he's made such a fuss about taking my key and not letting us in here.
00:37:08Oh my God, what are we going to do?
00:37:10What do you mean, what are we going to do?
00:37:11Well, let's take the vase and leave.
00:37:13Come on.
00:37:13No, girl.
00:37:15When will the commissioner find out they've changed it?
00:37:18Well then, Sagrario will have brought trouble upon herself.
00:37:21No.
00:37:22Tabernacle no.
00:37:23Sagrario will deny it.
00:37:25And he'll blame us.
00:37:27At your service.
00:37:37Please, for God's sake, don't go.
00:37:40You're an eagle, yes.
00:37:42But I have my own street dog tendencies and I return to danger from afar.
00:37:47I have to do it.
00:37:48What he needs to do is get out of here like a shot.
00:37:52Since the little boy already knows they're going on an excursion, they all get in the car and drive for miles.
00:37:57If I wanted to betray myself, the guards would already be here.
00:37:59But he doesn't realize it's a trap.
00:38:00He's already betrayed him.
00:38:03And what he wants now is to serve his head there on a silver platter.
00:38:11Listen, one thing.
00:38:14I'll go to the forest.
00:38:15No.
00:38:16It is me he is waiting for.
00:38:17That's why.
00:38:18He won't suspect a thing.
00:38:21And I'll be able to get close enough to him to kill him.
00:38:26Satur, I'm not going to let you do that.
00:38:30But he saw her face because of me, master.
00:38:33You are not a murderer.
00:38:34I know.
00:38:37But I prefer the guilt of being one to the guilt of his death.
00:38:41Don't make me carry that burden, for God's sake.
00:38:44Please, I'm asking you.
00:38:46I know I can handle him.
00:38:48It's my problem.
00:38:49Not yours.
00:38:52Excuse my rudeness, but bullshit.
00:38:58You gave me my life when we met.
00:39:01And I owe you for that, so it's my problem too.
00:39:05No.
00:39:06Satur, I told you no.
00:39:07You have to stay here.
00:39:08And if I haven't returned before dinner, you know what you have to do.
00:39:13Come on, they've set a trap for him.
00:39:15And you're going to dive headfirst into it.
00:39:21Shhh.
00:39:22Shh!
00:39:43Shh!
00:40:14Shh!
00:40:27Satur, I'll prepare dinner today, okay?
00:40:29Can you help me?
00:40:30Is dinner ready yet?
00:40:31But what time is it?
00:40:33How strange, Satur.
00:40:34If you always say your guts are like clockwork,
00:40:37that as soon as you skip a meal,
00:40:38They begin to creak.
00:40:42What happened, Alonso?
00:40:43What happened?
00:40:45It's okay, Satur, don't worry.
00:40:56I'm here, it's me.
00:41:01Come on, show yourself.
00:41:07I'm here.
00:41:18Satur?
00:41:21They're saying this is ready, that they've been working for hours.
00:41:24One hour.
00:41:26Satur, are you okay?
00:41:27You look unwell.
00:41:29Yes, yes, I'm fine.
00:41:32I'm fine, don't worry.
00:41:35Satur!
00:41:36Satur!
00:41:37Satur!
00:41:38Satur!
00:41:48Satur!
00:41:49Why did you make me come here?
00:41:52What do you want from me?
00:41:54I need your help.
00:41:56Speaks!
00:41:58My daughter.
00:42:00It was the best thing he had.
00:42:02But they took her away on St. John's Eve.
00:42:06You have to find her.
00:42:09I don't know you at all.
00:42:11Why should I trust you?
00:42:14Satur!
00:42:15Satur!
00:42:20Please help me.
00:42:23Help me.
00:42:31Who could have taken her?
00:42:35He went to serve on a court hunt.
00:42:40When I got home I was excited.
00:42:43I had met her majesty and...
00:42:45And he had invited her to the palace.
00:42:48What does the king have to do with all this?
00:42:53He wanted her to be his lover.
00:42:55But she rejected it.
00:42:57And the next day...
00:43:01They will take her away.
00:43:06You are accusing her majesty of kidnapping.
00:43:13I know what it means.
00:43:15That's why I can only turn to you.
00:43:32We did the right thing, didn't we, Catalina?
00:43:35Yes, woman.
00:43:38Now let's pray that Mrs. Sagrario doesn't give us anything either.
00:43:41Come on, he must have good eyesight.
00:43:43Because the painting is exactly the same, exactly like the other one.
00:43:45Even from behind, huh?
00:43:51I don't want to see anyone standing still.
00:43:53The Duke of Izaga has sent an emissary saying that he wants to see us immediately.
00:43:57Come on.
00:43:58Okay, okay.
00:44:06Mother?
00:44:07Yeah.
00:44:07Mother?
00:44:08What could have happened to the duke now that he's in such a hurry?
00:44:12Not the duke.
00:44:14Her daughter has suddenly become impatient.
00:44:16That after the walk through the palace gardens she was completely captivated by your charms.
00:44:22Yes, it could be, yes.
00:44:23I've thought about that too.
00:44:24Besides, I can be very charming at close range, Mother.
00:44:27Ah, son.
00:44:29I see you and I can't believe you're getting married.
00:44:32I still remember, as if it were yesterday, the day you uttered your first word.
00:44:38Bacon.
00:44:39Bacon.
00:44:40I would have preferred if you had said mother.
00:44:42But oh well, that doesn't matter anymore.
00:44:46The Duke of Izaga and his daughter.
00:44:51Your Grace, please take a seat.
00:44:54In a few moments we will enjoy a delicious dinner in your company.
00:44:58No, we haven't come for dinner.
00:45:01Ah, he prefers to get straight to the point.
00:45:03Brilliant.
00:45:04That's right, as soon as we're all here.
00:45:08I think everyone is here.
00:45:10No.
00:45:14What's happening?
00:45:16Why is it so important that I'm here?
00:45:18Calm down, kid.
00:45:19Your Grace the Duke.
00:45:21Sanctuary.
00:45:23Now that we are all here, I am pleased to announce the engagement of my daughter Carolina de Izaga to Nuño de Santillana and
00:45:32Guzmán.
00:45:54I thought I was never going to see him again.
00:46:01Satur, what's wrong?
00:46:03Are you OK?
00:46:08No, he's already passed his last bit of baby food...
00:46:11out of pure worry, thinking that I was never going to see him again, as I told you.
00:46:16But I'm better now, thank you, yes.
00:46:18I'm much better, I'm happy that she got rid of that bastard once and for all.
00:46:25I didn't kill him.
00:46:31They kidnapped her daughter.
00:46:33She wants me to find her.
00:46:35And why did I ask you for help?
00:46:37Are you not anyone's babysitter?
00:46:40What happens to the guards? Should they do it?
00:46:42That's precisely the problem.
00:46:44The king was the one who ordered that his daughter be taken away.
00:46:46The king.
00:46:49So, does that mean you have to confront the king?
00:46:52But that can't be, love.
00:46:55I must try.
00:46:57The red eagle helps people, doesn't it?
00:46:59What kind of people are they?
00:47:01Those people who were born evil don't deserve anything.
00:47:05He's nothing more than a cheap blackmailer.
00:47:07He never suggested it to me like that.
00:47:09He begged me to help him.
00:47:12He seems like a good person.
00:47:14What if he doesn't find his daughter, huh?
00:47:17What if he does threaten her then?
00:47:19Or worse.
00:47:21He finds her.
00:47:22And he forces her to keep doing him favors.
00:47:25No, Sato.
00:47:27He's lost.
00:47:28She doesn't know what to do.
00:47:30Put yourself in their shoes.
00:47:31I have faith that I can do it.
00:47:34See if the king, for whom I would give my life,
00:47:38would do anything to my wife or my son.
00:47:40What about me? What about me?
00:47:42I would do anything crazy.
00:47:44But that would be my problem, love.
00:47:47Not his.
00:47:52I'm going to find that man's daughter.
00:47:56But don't you realize it?
00:48:00as long as there is someone who knows who you really are,
00:48:03He'll never be safe, love.
00:48:09God.
00:48:23God.
00:49:04Mr. Núñez.
00:49:07We were very worried.
00:49:10He hasn't been riding all night.
00:49:13He knows his mother hasn't tried it.
00:49:14My mother is not here.
00:49:15I'm alone here.
00:49:16Out!
00:49:17Go away!
00:49:20Yes sir.
00:49:33This is my palace and I don't plan on going anywhere.
00:49:44You're a man now.
00:49:45This scene is unnecessary.
00:49:46You know I'll never agree to leave here.
00:49:48It's the best.
00:49:50The Duke of Izaga has offered a very beneficial link for you.
00:49:53Sir, always lucky.
00:49:55I am the Marquis of Santillán and I already have my palace.
00:49:57And I don't plan to abandon it.
00:50:01And is this your bedroom, Marquis?
00:50:03A caterer full of fleas and surrounded by cobwebs.
00:50:07The best thing you can do is get married.
00:50:10If you stay here alone, Sagrero and Jacob will do everything they can to get rid of you.
00:50:14I'm not alone, you're here.
00:50:16I won't always be here.
00:50:18Yes, I know, but there's still plenty of time for that.
00:50:22I will never abandon the palace where I was born.
00:50:25And you're not going to force me.
00:50:32Your mother gave me the power to do it.
00:50:34When he deemed it appropriate.
00:50:48But...
00:50:50Because?
00:50:53Why did he do it?
00:51:01Because it's what's best for you, kid.
00:51:04No.
00:51:20The young man is found dead in the forest far from the village.
00:51:23Her parents fear that she will murder her fiancé.
00:51:30Missing girl.
00:51:31She gets in touch with her family after marrying a young man.
00:51:57Woman missing in Cebreros.
00:51:58She returns home after being lost in the mountains for three days.
00:52:01Her family, very worried, had been looking for her for days.
00:52:09A young woman tries to escape from the Poor Clares convent on June 25.
00:52:14One day after the night of San Juan.
00:52:25Gonzalo.
00:52:26Cipri.
00:52:27I'll bring you something to eat.
00:52:29I've been hearing you all night that you went into your papers and it will do you good.
00:52:33Thank you.
00:52:34What are you doing?
00:52:35Correcting your students' homework?
00:52:38Yes, and prepare some lessons.
00:52:43Well, I'll leave you now, you're very busy and I have to clean the manure from the stable.
00:52:48It's not as much of a headache as yours, but it's the one I have to deal with.
00:52:52Good.
00:52:58Thank you for getting me out of the dungeons.
00:53:02And forgive me.
00:53:05I owe you this one too.
00:53:09Cipri.
00:53:11Thank you for helping me take care of this family.
00:53:18Tell Satur to come, please.
00:53:20He's not here, he hasn't slept at home.
00:53:22What do you mean he hasn't slept at home?
00:53:24And where is it?
00:53:25No idea.
00:53:27I ran into him this morning when he returned to the market, but he didn't even acknowledge me.
00:53:31He seemed distracted, constantly asking about a man.
00:54:04No, no, no, no, no.
00:54:12Duke of Izaga.
00:54:13Duño Sagrario, forgive me, but I have to...
00:54:16No, it's just a moment.
00:54:17Excuse me for approaching you this way, but I wanted to know why you've changed your mind.
00:54:22About what?
00:54:23What will it be about?
00:54:24About the wedding?
00:54:25Ah, yes, I see.
00:54:27I don't have to give you any explanation.
00:54:29And now, if you'll excuse me, I'm in a great hurry.
00:54:31What do you mean you don't have to give me any explanation?
00:54:34You and I had a deal.
00:54:35And he slammed the door right in my face.
00:54:39Your son doesn't have enough class to be related to my family.
00:54:43What about my son?
00:54:44What he has heard.
00:54:45There's your explanation.
00:54:48You stuck-up piece of shit.
00:54:49Take your class and shove it up your...
00:54:53Oh, excuse me.
00:54:54Excuse me.
00:54:55I got fired up and didn't know how to stop.
00:54:58But please understand, he's my son.
00:55:01No, no, no, no, no.
00:55:36No, no, no, no, no.
00:56:00No, no, no, no, no, no.
00:56:53It's not easy to kill an innocent person.
00:57:00Love, I...
00:57:04I just wanted to protect him.
00:57:07I know.
00:57:10I've found out where that man's daughter is.
00:57:15Come on.
00:57:16No, no, no.
00:57:46Your Majesty, please forgive the intrusion, but an English military officer urgently wishes to see you.
00:58:01Is it customary to request an audience to see the king, or is this protocol simply a custom in his homeland?
00:58:07Not when something is urgent, your majesty.
00:58:12I am Sir James Wilshere, a general in the English army.
00:58:17I have come to inform you that we are aware of your intentions to attack our king.
00:58:24Where did you get such a fallacy from?
00:58:28Who has dared to slander my name?
00:58:30The Spanish, always so theatrical and tragic.
00:58:37Deny it, we have proof.
00:58:40I don't know what he's trying to achieve, but this outrage will not go unanswered.
00:58:45We know they have the map of our king's itinerary.
00:58:49And you also need orders for your spies in England.
00:58:55Very clever to hide these documents behind a painting.
00:59:00I don't know what painting you're talking about. I'm not going to listen to you anymore.
00:59:05So leave, right now.
00:59:11My men are heading for the painting right now.
00:59:16As soon as we have proof, England will declare war on Spain.
00:59:24Your Majesty.
00:59:32Poor thing.
00:59:35Having her there, locked up in the convent against her will.
00:59:39Without any contact with the outside world, I shit on everything.
00:59:44So young and not having lived life or anything.
00:59:49Could you bring me the bottle of essences?
00:59:51I'm going to wake her up.
00:59:52Yeah.
00:59:54I have to admit, love, that leaving her unconscious there during the rescue has been, has been, has been spectacular.
01:00:04So that as soon as he wakes up, you won't worry.
01:00:08We'll give you a logical explanation.
01:00:11Well, you'd better do it yourself.
01:00:13Because explanations and logic are not my strong suits.
01:00:16So...
01:00:20And let me say one thing, God forgive me, because what I'm about to say is very ugly, but...
01:00:26I mean, Her Majesty is there, I see it as very little to satisfy like that and I want it with all my heart.
01:00:30kingdom.
01:00:33Of course, given the monarch's age, I imagine Listón Cabelo will have a lower one.
01:00:52Where am I?
01:00:54What are you?
01:00:56Don't worry, we're not going to do anything to you.
01:00:59We found you unconscious in the forest and there was no one with you.
01:01:02Are you okay?
01:01:04You need something.
01:01:08If you tell us where you live, we'll accompany you home.
01:01:13I have nowhere to go.
01:01:15I am an orphan.
01:01:22What do you mean, an orphan?
01:01:24My parents died two years ago.
01:01:26My aunt forced me into that convent.
01:01:30Can I have some water?
01:01:32I'm very thirsty.
01:01:35Yeah.
01:01:37Now we bring it to you.
01:01:42I'm going to get some water.
01:01:51Oh my God, God, God, God, we've chosen the wrong girl, love.
01:01:56This isn't the daughter.
01:02:00So what are we going to do?
01:02:06And now to fix all this again.
01:02:08Seriously, there's a lot of hustle and bustle, going up and down the gilthead bream.
01:02:11And it's not even like packing the commissioner's luggage yet.
01:02:14No, I already did it this morning.
01:02:16In total, I only brought one bag.
01:02:18I don't think he's in the right frame of mind for much traveling.
01:02:21He hasn't even had breakfast this morning.
01:02:23It's like, like...
01:02:25Languid.
01:02:26Just like that, inside.
01:02:29Give me the tactics.
01:02:36Still like this?
01:02:37Didn't I tell you I wanted all this clean before I came back?
01:02:41Yes, ma'am.
01:02:41We're finishing up right now.
01:02:48I'm sorry, ma'am.
01:02:51I'm sorry, really.
01:02:52Am...
01:02:53I'm clumsy.
01:02:57Ma'am, please!
01:03:00Lady!
01:03:01Get out of here!
01:03:03Oh my God!
01:03:04Marten?
01:03:06Marten!
01:03:06Out!
01:03:28Watch your back.
01:03:57Everything is going to be alright!
01:04:05Everything is going to be alright!
01:04:07Everything is going to be alright!
01:04:30I'm sorry.
01:04:33Don't worry.
01:04:35It's normal, you're having a really hard time.
01:04:44I have to go.
01:04:45I have to go.
01:04:50It's Gandalf!
01:04:58I have to go, abe?
01:05:23What are you doing here?
01:05:24Who are you?
01:05:25What were you stealing?
01:05:26No, no, ma'am.
01:05:27No, those clothes you're wearing are mine.
01:05:29You see, it's just that...
01:05:30It's nothing.
01:05:31Come on, take off that dress and give it to me.
01:05:33Come on!
01:05:33Margarita, Margarita.
01:05:34No.
01:05:35She is not a thief.
01:05:37No, then who is it?
01:05:39She's a friend.
01:05:42Oh, what is a friend?
01:05:43Yeah.
01:05:45Well, that's it.
01:05:46I'll have to make room in my bedroom again.
01:05:49At least this one isn't dressed as a man.
01:05:51It's not that.
01:05:52Her dress had ripped, and you all wear the same size...
01:05:55You don't need to explain anything to me.
01:05:57I have a lot of work.
01:05:58I have to go to the palace.
01:06:00Can you keep the dress?
01:06:07I'm sorry for the confusion.
01:06:09Don't worry.
01:06:10Thank you for the dress.
01:06:13Do you need a ride somewhere?
01:06:14No, no, thank you.
01:06:16I don't know where I'm going, but anywhere is better than that prison.
01:06:21Freedom should be a right for everyone.
01:06:24Yes, because it seems to belong only to men and not to women.
01:06:28Although I should be grateful.
01:06:29I've had better luck than others.
01:06:32What are you talking about?
01:06:34Has anything happened to any of your colleagues?
01:06:40There was a girl who was locked in a tower.
01:06:44They have one of you locked up.
01:06:46Where?
01:06:49She tried to escape from the convent,
01:06:50But they confined her to a watchtower on Mount Nebral.
01:06:54Now you only see Maria when she feeds him.
01:07:19Peaceful.
01:07:20He sent your father to find you.
01:07:40Come on!
01:07:47Quick, it's in the tower!
01:08:11These are not times to give in to melancholy, commissioner.
01:08:17Don't worry, I'm not afraid of death.
01:08:24You shouldn't lose faith.
01:08:27Only with her are miracles performed.
01:08:33Irene is going to be widowed.
01:08:34I spoke about it in consideration.
01:08:38But don't worry about that.
01:08:40My niece is very young.
01:08:43He'll recover.
01:08:46Who knows, maybe she'll find another husband.
01:08:53You must leave.
01:08:56One.
01:08:57Commissioner, you must leave immediately.
01:08:59I'll arrive.
01:09:01Wait.
01:09:03What should I expect?
01:09:04Ladybug!
01:09:06Mister.
01:09:07Is he back, kid?
01:09:08No, sir.
01:09:10He went out riding.
01:09:11When he gets back, tell him that...
01:09:15What, sir?
01:09:17Nothing.
01:09:21Come on.
01:09:25Everybody be quiet.
01:09:32What does this mean?
01:09:35They are English soldiers, Your Eminence.
01:09:40English.
01:09:54How do you tell a father that his daughter has died?
01:09:59There's just no good way to say that, love.
01:10:02That father is waiting for you to bring him your daughter, and in return he's going to tell you that his
01:10:06My daughter is dead.
01:10:08No father's heart can withstand that.
01:10:14That bullet was aimed at me, Satur.
01:10:18What a hero.
01:10:19No, no, no, I love you.
01:10:21Don't go that way.
01:10:22That's it...
01:10:23That I absolutely will not allow.
01:10:26That you risked your life for that girl.
01:10:29Ah.
01:10:32Prepare the horse.
01:10:35I'm going to tell you what happened.
01:10:38No.
01:11:02I only asked you to save her and now she's dead.
01:11:06I'm sorry.
01:11:07She wasn't free, but she was alive.
01:11:10Now I can only mourn her among the dead underground.
01:11:13I did everything I could.
01:11:14Don't lie to me!
01:11:15I know what happened.
01:11:17They have brought me my daughter's body.
01:11:21You'll pay for it.
01:11:23I've betrayed you.
01:11:26One of those men is currently running the dungeons with a letter in which I tell everything.
01:11:32When justice comes, it will be your responsibility.
01:11:44The!
01:11:55They were English soldiers.
01:11:57For a moment I thought they had discovered the switcheroo.
01:12:00Okay, that's it.
01:12:01It's over now, Matalia.
01:12:02What I don't understand is what they would be looking for in that painting.
01:12:05Because there must have been something.
01:12:05Even the English were looking for him.
01:12:06I don't know.
01:12:07The only thing I hope is that we are not associated with him.
01:12:10And as for me, don't you dare touch that Rubén guy again, not even with tweezers.
01:12:17Leave us alone.
01:12:27If those documents were to be discovered, war between Spain and England would be a certainty, Commissioner.
01:12:36What could have happened?
01:12:37I am as confused as you are, Your Eminence.
01:12:40I don't understand what could have happened and who could have those documents.
01:12:45I'll find them.
01:12:55Commissioner, if you start investigating, could you raise suspicions about yourself or me?
01:13:01It's best if you do it alone and without drawing attention to yourself.
01:13:05I'm not that foolish, Your Eminence.
01:13:07I remind you that my life is also in danger.
01:13:12Next time, consult with me before sending me to certain death.
01:13:17Next time I'll do what I think is best, commissioner.
01:13:35I think I have something that belongs to you.
01:13:46How did you find them?
01:13:48It was a coincidence.
01:13:50He was alone in the living room.
01:13:53Angry about having to get married and move to that Izao palace.
01:13:57Then I approached the painting.
01:14:13Have you read them?
01:14:16That mission was suicide.
01:14:19That's why you wanted me to marry that noblewoman.
01:14:22So as not to leave me alone.
01:14:25Under no circumstances should you discuss these documents with anyone.
01:14:30I know.
01:14:32But I want something in return.
01:14:35Not to marry the daughter of the Duke of Izaga.
01:14:40You are a worthy son of your mother.
01:14:44I will cancel that link.
01:15:01Thank you!
01:15:02Thank you!
01:15:06Thank you!
01:17:16Mother, calm down, please!
01:17:19Let me!
01:17:21Let me!
01:17:23We should have rested
01:17:25a little while before coming back here.
01:17:29Sato, did you close the door properly?
01:17:31Yes, this time it's true.
01:17:39If you would be so kind as to explain to me
01:17:40what are we looking for.
01:17:43It might be of some use to you.
01:17:45And not going from here to there
01:17:46without any agreement.
01:17:56Semper Fidelis!
01:17:58That?
01:18:05Always?
01:18:06Always?
01:18:06Always?
01:18:07Finolis!
01:18:19If these people don't need to swear to it, they seem so stuck-up.
01:18:23No, Sato, semper fidelis
01:18:25In Latin it means always faithful
01:18:27It is an oath of eternal loyalty to the order
01:18:30And so eternal
01:18:32It's like they've left their whole lives here.
01:18:35Sato! Watch out!
01:18:37Oh!
01:18:41Oh!
01:18:46Forgive me, love
01:18:49I don't know what's happened to me lately.
01:18:50I'm more dangerous with a torch than a monkey with an arquebus
01:18:54Here's something, Sato
01:18:56That?
01:18:58Omnequot movetur, apaleomovetur
01:19:03Everything that moves is moved by something else
01:19:08And this is a mystery
01:19:10I need to find out what it means
01:19:12Another enigma?
01:19:15Oh God, we've entered a loop
01:19:18We're like dogs, chasing each other by the tail.
01:19:21There, again and again, until they get dizzy and fall asleep exhausted.
01:19:26Come on, round and round and round
01:19:28And on and on and on and on.
01:19:39Burned trees, giant footprints
01:19:41Just what we needed, a dragon
01:19:43Nobody calls my wife an adult
01:19:45I demand to cleanse my honor in a duel
01:19:47For me, a kiss is something important, Irene
01:19:51It's not very common for a father to send his daughter on those kinds of trips.
01:19:55It's also not very common for a school teacher to have been to India.
01:19:58Help, please!
01:20:02Come on!
01:20:02We have enough money to declare war on England
01:20:05That bracelet has an inscription that implicates me.
01:20:08For much less they can take you to the gallows
01:20:10She's going to get that bracelet back.
01:20:11I give you my word of honor
01:20:16My time has come
01:20:17I prefer to be remembered for my bravery
01:20:20And not because of my sins
01:20:22I'm sorry, but I can't forget it.
01:20:25Something wrong?
01:20:27Something wrong?
01:20:42Thank you
01:20:43Thank you
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