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00:00:01I'm going to see if I can catch something.
00:00:04Was it necessary to humiliate myself like that?
00:00:05Juan is coming today.
00:00:06He's going to tell Margarita the truth.
00:00:08And I want to be there when that happens.
00:00:09Madam, my name is Álvaro Dueñas and I am a fencing master.
00:00:12And I have come to the village to be the dream teacher.
00:00:16I cheated on myself with another woman.
00:00:18I don't intend to record a single tear for you, Juan.
00:00:23I'm not going to have dinner, I'm very tired.
00:00:25See you tomorrow.
00:00:27I wasn't crying.
00:00:28Her fiancé is cheating on her with another woman, and she doesn't give a damn.
00:00:31The Stuart tiara can always be sold,
00:00:34Naturally, to meet the needs of our troops.
00:00:40I love.
00:00:42I'm expecting your child.
00:00:45She has needle marks here, like Margarita.
00:00:47Does that ring a bell?
00:00:48Let's see if this is the symbol of Father Jerome.
00:00:51I'm glad I hired a teacher who is so passionate about his work.
00:00:56Whatever you want.
00:00:58Mother.
00:01:00Does that ring a bell?
00:01:02A peasant saw you abandon me and run away.
00:01:05He raised me.
00:01:07What do you want?
00:01:08I want the tiara that the English have given to our majesties.
00:01:11Neither Juan exists, nor does what he did.
00:01:14Did you understand?
00:01:15Irene's pregnancy will not change anything.
00:01:17It will change everything, commissioner.
00:01:18Father Jerónimo is a mere man.
00:01:20Are you referring to Isabel?
00:01:22He hasn't come for a few days.
00:01:24The one about feeding the poor, caring for the sick.
00:01:25Come on, you can't suspect me of Father Jerónimo.
00:01:27That wouldn't hurt.
00:01:28Father Jerónimo gives water.
00:01:30For headaches and bone pain.
00:01:33What are you buying?
00:01:34A restorative from Father Jerónimo that cures everything, right?
00:01:38It's just glass.
00:01:40The tiara has been stolen.
00:01:41You knew it.
00:01:42You knew he was cheating on me with someone else right in front of me and you didn't say anything.
00:01:46Here is your tiara.
00:01:47With this, I have already made up for everything I did to you.
00:01:50That was the point, wasn't it?
00:01:52Do we know how many people tasted the Queen's Cup?
00:01:54The Duchess of Ugarte, her two cousins, and the Marchioness of Santillana.
00:01:59The bluish color and flaking are caused by hemlock.
00:02:04So they poisoned her.
00:02:07The fencing master is blackmailing me.
00:02:09This is my son Hernán.
00:02:10Where has he gone?
00:02:12Don't know.
00:02:13Where is the tiara?
00:02:14He is in his palace.
00:02:16You can ask the king if you don't believe me.
00:02:18She has already been informed.
00:02:20Wait!
00:02:22Guards!
00:02:23Why do you poison the people who believe in you?
00:02:26You save those who want to live.
00:02:28I do the same with those who want to die.
00:02:32She had it hidden under her seat.
00:02:34Turn it on!
00:02:34No!
00:02:35That head was going to be yours, Lucrecia.
00:02:37You might not be so lucky next time.
00:02:40It has no value.
00:02:42It's a wooden cup.
00:02:48Lucie, I just saw you on the street.
00:02:50Me?
00:02:50But what?
00:02:51No.
00:03:01But what!
00:03:03No.
00:03:05No.
00:03:09No.
00:03:10No.
00:03:12No.
00:03:35Subscribe to the channel!
00:03:58Subscribe to the channel!
00:04:14Your visit today is not for my enjoyment. Please sit down.
00:04:20I am at your complete disposal, Your Majesty.
00:04:24Leopold I, Holy Roman Emperor,
00:04:29He has formally asked for the hand of my daughter, Infanta Margarita Teresa.
00:04:34Isn't she too young to get married?
00:04:37She is already 11 years old. She can assume her responsibilities as a princess.
00:04:42Congratulations, Your Majesty. That's great news.
00:04:45Yes, it's great news for the kingdom.
00:04:48If the engagement is signed, she would have to travel and reside in Vienna.
00:04:56Excuse me, Your Majesty, but I don't quite understand what you need me for.
00:05:03I would like you to take responsibility for the well-being of the Infanta in Vienna.
00:05:07Are you asking me to move to Vienna?
00:05:11Leopold I sends the ambassador, Count Olsen, to formalize the marriage.
00:05:16I would be pleased if you married him.
00:05:21But that would mean abandoning everything I have here, Your Majesty.
00:05:25What's wrong with its growth?
00:05:28You are already of an age and, unfortunately, have a reputation that precedes you.
00:05:32It wouldn't be easy to find a good husband for you.
00:05:35Take advantage of the opportunity that is being given to you.
00:05:39Thank you for the opportunity, Your Majesty.
00:05:42And I'm flattered by the concern you show for me, but first I'd like to...
00:05:46No, no, you don't need to tell me anything now.
00:05:50Get over it and tell me about it.
00:05:53Of course, Your Majesty.
00:05:59Come on!
00:06:00Okay, fine!
00:06:02I can't give you bread, man, it's for selling in the village.
00:06:06Come on!
00:06:08We'll be better off there.
00:06:11There is a great need, Perico.
00:06:13There you will meet Saturn, who is a friend of mine.
00:06:17You'll see how great we'll be there.
00:06:19Come on!
00:06:20Come on, Perico!
00:06:21Come on!
00:06:22Very good!
00:06:23You're so stubborn, aren't you? But look at that...
00:06:27Fuck!
00:06:28Damn it...
00:06:31Oh my God!
00:06:50Please, I'm looking for the way to the Royal Palace.
00:06:53I think we've lost our way.
00:06:54Yes, it has to...
00:06:55Everything has to go straight along this path.
00:06:58And there comes a time when you'll find a tree like that, shaped like a hand, it looks easy.
00:07:02And there on the left, without leaving it until the end.
00:07:09Thank you so much.
00:07:11God will repay him.
00:07:22Come on!
00:07:24Come on!
00:07:41Thank you!
00:08:21Thank you!
00:08:26Thank you!
00:08:29Thank you!
00:08:30Parakeet!
00:08:33Parakeet!
00:08:35Parakeet!
00:08:36Parakeet!
00:08:37No, Perico!
00:08:39Don't die, Perico!
00:08:41No, Perico!
00:08:48You've ruined me!
00:09:10Hey!
00:09:13Give it to me!
00:09:15You weren't going to burn it.
00:09:17I don't need it, I'm not getting married.
00:09:19Give it to me! Give it to me!
00:09:21Margarita, this dress belonged to your family.
00:09:26What if you need it later?
00:09:31I'm going crazy, Gonzalo.
00:09:33And I just can't take it anymore.
00:09:39Margarita, any man would be delighted to marry you.
00:09:43That's it, Gonzalo.
00:09:45I can't take it anymore.
00:09:48Don't say that.
00:09:50You still have a lot of life ahead of you and...
00:09:53many opportunities to start a family.
00:09:56Oh, really?
00:09:57Yeah.
00:09:59And who's going to want to marry me, Gonzalo?
00:10:03Hello.
00:10:05Can?
00:10:09Yeah.
00:10:17Is that my dress?
00:10:21No, no. This is another bride's dress.
00:10:25And mine?
00:10:27It'll be on time, right?
00:10:28Yes, of course. Don't worry, ma'am.
00:10:31Thank you.
00:10:34Can I ask you a favor?
00:10:37Yes of course.
00:10:39Would you mind giving my fiancé a message?
00:10:42It's Juan, the doctor.
00:10:45I just have no way of finding it.
00:10:48Yeah.
00:10:51Will you go?
00:10:52You could tell him that...
00:10:55I need to see him.
00:10:58We need to finalize the details of the link.
00:11:06Alright.
00:11:07I...
00:11:08I'll take care of it.
00:11:10Thank you.
00:11:32Will you get married?
00:11:35I know.
00:11:37It just takes a little more time.
00:11:44Will you get married?
00:11:48Will you get married?
00:11:49I know.
00:11:51It just takes a little more time.
00:11:57Although...
00:12:00What value will it have?
00:12:04I know.
00:12:12Why Numerator, and especially not the copy...Kit...
00:12:15that only me
00:12:16You've left. My poor parakeet.
00:12:20the only company I had.
00:12:30Father?
00:12:33Father Mateo?
00:12:35But what are you doing here?
00:12:37Rise up, man, and your cassocks?
00:12:41No, no, no, huh?
00:12:43It's a very long story.
00:12:44I am actually a bus stop.
00:12:47But, man, why is he crying? What's wrong with him?
00:12:49Everything, everything, daughter, everything.
00:12:51Can I help you?
00:12:52No, no, no, I'll take care of it, I can manage.
00:12:56Catalina?
00:12:59Is something wrong?
00:13:00No.
00:13:01Look, Cipri, I'd like you to meet Father Mateo.
00:13:04Well, former Father Mateo.
00:13:05He is Cipri, my...
00:13:08My local tavern keeper, from...
00:13:10of the village.
00:13:11Delighted.
00:13:13Come on over, man, to my house.
00:13:15If it doesn't cost me anything, I'll make him some broth.
00:13:17Thank you so much, but...
00:13:18The first thing I'm going to do is go visit Satur.
00:13:21Satur?
00:13:21He's not here.
00:13:22He won't be back until tomorrow.
00:13:24That's why, man.
00:13:25It's coming, it doesn't cost me anything, let's go.
00:13:27No, daughter, that...
00:13:28Look, I have so many friends here in the village
00:13:31I don't know where to begin.
00:13:34Well, man, but if that's a...
00:13:35Hey, if he doesn't want to, he doesn't want to.
00:13:38Well, I hope to see you soon.
00:13:43Ex-priest, right?
00:13:44Did they fire him or did he leave on his own?
00:13:46Because one thing is very different from the other.
00:13:48Cipri, please, okay?
00:13:55That's impossible.
00:13:57The count is traveling with a cargo of gold
00:13:58to offer to the king.
00:14:02They examined the car and told me
00:14:04that there was only fabric, sir.
00:14:06That gold is already in the Palace, Menencia.
00:14:08Nothing to be done.
00:14:11I'm going to retire you.
00:14:12Yes sir.
00:14:21My run for the papacy isn't financed with air, commissioner.
00:14:25Without the Holy Grail in my hands,
00:14:27The road to Rome gets complicated.
00:14:29That's not in either of our interests.
00:14:32We've got the Holy Grail issue under control, Menencia.
00:14:35We'll find him soon.
00:14:36There is no time.
00:14:38The Holy Father is seriously ill.
00:14:44And I need to keep buying favors.
00:14:48I want that gold.
00:14:51We've missed our chance, Menencia.
00:14:54My money will already be in the royal coffers.
00:14:58Then we'll get him out of there.
00:15:01No, that's crazy.
00:15:03We cannot steal from the King of Spain.
00:15:07I am surprised by your sudden loyalty to the king.
00:15:12Menencia,
00:15:13What he intends is suicide.
00:15:16The royal coffers are located in an underground labyrinth.
00:15:20It's impossible to get in there.
00:15:22God will provide, commissioner.
00:15:24And it will light our way.
00:15:28But that labyrinth is full of passageways.
00:15:31Of secret passageways, Menencia.
00:15:34Nobody.
00:15:35Nobody knows them completely.
00:15:39There is one person who does.
00:15:46The royal architect.
00:15:51Find that man and get those plans, no matter what.
00:15:58We're going to rob the king.
00:16:24No.
00:16:25No.
00:16:26My God.
00:16:26No.
00:16:34But what's wrong with me today? Damn it all!
00:16:59I'm going to be happy to forgive, but if they're going to stay underground, I'll keep the land for myself.
00:17:29Your Majesty, I am writing to inform you of my irrevocable decision regarding your marriage proposal to the Count of
00:17:35Olsen.
00:17:39I am truly sorry to have to decline your offer, Your Majesty, and I will now list the reasons why.
00:17:45rejection.
00:18:25Subscribe to the channel!
00:18:54Subscribe to the channel!
00:18:57Mom, are you okay?
00:18:59Yes, yes, why?
00:19:01It didn't seem to me like you had received bad news.
00:19:04No, not at all, quite the opposite.
00:19:08I have a wonderful surprise for you.
00:19:10Would you like to visit Vienna?
00:19:12Vienna?
00:19:13I would love to visit a European court, Mother.
00:19:24Come with me.
00:19:25I want to tell you something important for both of us, son.
00:19:30Thank you so much.
00:19:32Does Satura do these purchases alone every day?
00:19:35So you see, son.
00:19:39Thank goodness he's coming back this afternoon, huh?
00:19:42How do you notice when he's not there?
00:19:44Especially because of the silence that reigns at home.
00:19:47Wait.
00:20:04Good morning.
00:20:06Can I speak with you for a moment?
00:20:09Yes, of course, what about?
00:20:11Well, I wanted to offer you my services as a baker.
00:20:15Well, I don't need anyone.
00:20:19This barely provides me with enough to live on.
00:20:21Things are very bad.
00:20:23Look, what if we make a trade?
00:20:25I make bread and rolls every day.
00:20:27And you're letting me have a bed there for free until I find another job.
00:20:31I cannot do without any alcove.
00:20:34I'm sorry.
00:20:40Alonso, don't move from here.
00:20:45What happened?
00:20:49Help me.
00:20:55Tell me.
00:20:58Does anyone know him?
00:21:05It just can't be.
00:21:08He's back for the Red Eagle.
00:21:10He says he awaits him on the road that leads to death.
00:21:13He's gone back to being a Cossack.
00:21:15Alonso, calm down.
00:21:17He's back...
00:21:19He has returned to death.
00:21:20No, Alonso.
00:21:21Alonso.
00:21:23Son.
00:21:25Always help me.
00:21:28Things.
00:21:30I'll carry everything myself.
00:21:31Let's go, let's go, to his house.
00:21:33Come on.
00:21:35Here.
00:21:45Give them to me.
00:21:47We haven't found the plans, sir.
00:22:02Did you question the architect?
00:22:05Answer.
00:22:07He fled with the plans, sir.
00:22:09We mortally wounded him, but he got lost in the streets.
00:22:13You found the corpse.
00:22:16And he didn't have the plans with him.
00:22:19No, sir.
00:22:24He was able to give them to someone while he was fleeing.
00:22:26Nobody sees that, sir.
00:22:27You're testing my patience.
00:22:29Say what you have to say once and for all.
00:22:33The dead man's boots were stolen, sir.
00:22:40My wife and son are healthy.
00:22:43Did you know that?
00:22:47Congratulations, commissioner.
00:22:49The good news is for you.
00:22:52If I weren't in a good mood, you'd be dead now.
00:23:01Assemble our best men.
00:23:02We need to find those boots.
00:23:04The official could have taken the plans.
00:23:08Yes sir.
00:23:23Here, have a drink.
00:23:25Father, he killed him.
00:23:27The red eagle finished off the Cossack.
00:23:30Come on, kid.
00:23:31Listen to your father and take that.
00:23:33You'll see how good it feels on you.
00:23:37How is that possible?
00:23:39How is it possible that he has returned from the dead?
00:23:43Alonso, just leave it.
00:23:45You need to rest.
00:23:46So forget about that.
00:23:48How do you expect me to forget?
00:23:51Don't you remember what happened?
00:23:53Yes, I remember.
00:23:56What happened, Gonzalo?
00:24:02They hired a man a while ago.
00:24:04A Cossack assassin to finish off Red Eagle.
00:24:08Alonso almost went blind.
00:24:10But Eagle killed him, didn't he?
00:24:11Or not?
00:24:13Yeah.
00:24:14But he's back.
00:24:16He has returned from the dead.
00:24:17And it all repeats itself.
00:24:20The dead man on the horse.
00:24:23The note stuck in his back.
00:24:26Listen to me.
00:24:27Nobody comes back from death.
00:24:29Nobody.
00:24:29It's impossible.
00:24:31So who is it?
00:24:33Who wrote that note?
00:24:34Hey?
00:24:35The note.
00:24:40No!
00:25:03No!
00:25:31Subscribe to the channel!
00:26:00Subscribe to the channel!
00:26:11Subscribe to the channel!
00:26:59Subscribe to the channel!
00:27:02I want to tell you about the importance of my upcoming visit.
00:27:07Leopold I, Holy Roman Emperor, sends his right-hand man, Count Olsen, to the village.
00:27:16And I would like to receive it as it deserves.
00:27:18Don't worry, ma'am. We'll be fine. I'll take care of it.
00:27:22No, Catalina. You will take care of something else equally important.
00:27:25I want you to prepare the staff who will accompany us to Vienna during our stay there.
00:27:30I don't quite understand you, ma'am.
00:27:34I hereby announce my upcoming marriage to the Earl of Olsen.
00:27:41The wedding will take place in Vienna, and I want you to be the ones to serve me there.
00:27:47Margarita, my dear, you would come, but how can you get married?
00:27:51You are fortunate to be my chosen ones.
00:27:53Catalina, take charge of choosing the service.
00:27:56Yes, let's go.
00:27:57Return to your duties.
00:27:59Ma'am, please.
00:28:03Ma'am, would I have to go too?
00:28:07Your question is so stupid that I'm not going to answer it.
00:28:13I'm sorry, ma'am.
00:28:16I've never asked him for anything, but...
00:28:19I would like you to consider leaving me here in the care of your palace.
00:28:24You've drunk it, Catalina.
00:28:27No, ma'am.
00:28:28But my son has his school and his friends here.
00:28:32My life is here.
00:28:35I am your owner.
00:28:37Your life is mine.
00:28:39And I will be the one to decide where you live.
00:28:54Little Chorecita from the Village, for whom?
00:28:56Here.
00:29:09Let no one leave the inn.
00:29:15Commissioner.
00:29:19Is there anything I can do to help?
00:29:22Start with him.
00:29:25Get some rest, everyone!
00:29:26Commissioner, I only have these boots.
00:29:29Either you take off your boots or I'll rip your feet off.
00:29:32But sir...
00:30:01Cipri...
00:30:02Cipri...
00:30:04Take off your shoes!
00:30:05Why?
00:30:09No reason is needed.
00:30:11Because I say so, period.
00:30:13Come on, take off your shoes.
00:30:16I don't plan to do it until I know the reason.
00:30:20I have the right.
00:30:23People of your class have no rights.
00:30:26Only obligations.
00:30:28Come on, take off your shoes.
00:30:31Let me go.
00:30:41It doesn't have the initials.
00:30:46Now yes, because I want to.
00:30:48I'm looking for the heartless man who killed the royal architect to steal his boots.
00:30:54Happy now?
00:31:00We're leaving!
00:31:12Are you OK?
00:31:14Whoever has that boot doesn't count, Gonzalo.
00:31:18He doesn't mention it.
00:31:22He doesn't mention it.
00:31:31He doesn't mention it.
00:31:34He doesn't mention it.
00:31:49You look beautiful, daughter.
00:31:51Mother wants me to dazzle at the palace reception today.
00:31:54You will.
00:31:57The tiara bothers you.
00:32:02We'll make sure it's properly fitted for you on the day of your presentation.
00:32:06My introduction?
00:32:12Come here, daughter, come closer.
00:32:20From here to here, everything has been yours simply because you are my daughter.
00:32:25And now, as the wife of Leopold I of Austria, this is going to be your empire.
00:32:32Am I going to get married?
00:32:34No, I don't want to.
00:32:45You should know that your marriage to Leopold I is very important for the Kingdom of Spain.
00:32:52I don't want to leave the palace.
00:32:54And I don't want to be separated from my mother either.
00:32:56You are Margarita Teresa of Austria, Infanta of Spain.
00:33:01And future Empress Consort of the Holy Roman Empire.
00:33:06Act like one.
00:33:10But, father.
00:33:14Now I am not your father, I am your king.
00:33:19I order you to fulfill your obligations as expected of you.
00:33:32Zatur, my friend, but my very close friend.
00:33:35And you say he runs the whole house by himself.
00:33:39Practically.
00:33:41Well, I'm sure they could use a little extra help.
00:33:45Imagine the luxury.
00:33:47Enjoy freshly baked bread with me here every day.
00:33:52But put it on Gonzalo.
00:33:54But I'm telling you, I don't think we can feed one more mouth.
00:33:57There are starting to be too many of us here.
00:34:05But are you still here?
00:34:08I imagine you've already realized this, but...
00:34:11But are you barefoot?
00:34:12Yes, I've already noticed.
00:34:14The commissioner.
00:34:16He forced all of us who were in the inn to take off our shoes.
00:34:20Why take your shoes off?
00:34:22Because he's looking for the guy who stole the boots from the guy who turned up dead in the alley.
00:34:28Hey, look.
00:34:29I'm sorry, but...
00:34:36I didn't kill myself, I swear.
00:34:37I was already dead when he jumped on me.
00:34:39I swear it on my dead relatives.
00:34:41And I have many.
00:34:42Already.
00:34:43And why do you have them?
00:34:45Because it all happened so suddenly.
00:34:47The boots were so new.
00:34:49My shoes were destroyed.
00:34:51I had lost my donkey.
00:34:53And I took them, but I was already dead.
00:34:55I swear, you have to believe me.
00:34:57He was dead.
00:34:59Take off those boots.
00:35:00Yeah.
00:35:06Come on.
00:35:08They need to be hidden.
00:35:17What's that?
00:35:28They weren't looking for the boots.
00:35:31They were looking for this.
00:35:32And what is this?
00:35:48Carolina, I haven't arrived yet.
00:35:50But look how beautiful she is today.
00:35:52That?
00:35:52What does it smell like?
00:35:54Pork in red wine.
00:35:56I'm preparing it for Saturday.
00:35:58I would like to take you and the child out for lunch in the countryside.
00:36:01What do you think of the idea?
00:36:04You don't like pork, is that it?
00:36:06No, yes, Cipri, yes.
00:36:08Yes I like it.
00:36:10Don't you like the countryside?
00:36:15Come, Cipri, sit down.
00:36:18By?
00:36:22Because what I have to tell you is better if you listen to it sitting down.
00:36:32The marchioness is getting married.
00:36:37She gets married in Vienna.
00:36:39With a count from I don't know what empire.
00:36:41And it forces me...
00:36:44She wants me to go live with her there.
00:36:52Vienna.
00:36:55And where is that?
00:36:57I don't know, you're going to France.
00:37:02I'm never going to see you again.
00:37:11I don't want to leave, Cipri.
00:37:13I don't want to leave you here.
00:37:16And besides, what am I going to do in Vienna?
00:37:21Wait a minute.
00:37:24Are you sure there's something we can do?
00:37:27We can't.
00:37:29We can't do anything.
00:37:30She, my wife, has made it very clear to me.
00:37:34That she's in charge of me and that...
00:37:37And I have no other choice, that's just how it is.
00:37:43Fuck.
00:37:52And how much time do we have left?
00:37:57Don't know.
00:37:58But not much.
00:38:07I have to go to her.
00:38:28I'm not understanding anything.
00:38:29What do you mean by passageways?
00:38:31This plan shows the passageways located under the Royal Palace.
00:38:34And what are they used for?
00:38:36They have primarily served to give the kings secret access to various points in the city.
00:38:41Ah.
00:38:43How did you prostitute yourself, for example?
00:38:45So that nobody knows they're going off on a wild spree.
00:38:48I suppose that's what it's for too.
00:38:51The curious thing is that there are passageways that have impenetrable cells.
00:38:56And what do they want it for?
00:38:57What are they looking for with this plan?
00:39:00Don't know.
00:39:02But for something important enough to have cost a man his life.
00:39:16At the same hour that you killed me, you will find your own.
00:39:22Listen.
00:39:23There is a chest in my room.
00:39:25Hide the boots and the plan there.
00:39:26And don't leave the house until I return.
00:39:29But where is it going?
00:39:32I have a personal matter to resolve.
00:39:35Listen.
00:39:37And it's best if you don't leave the room.
00:39:39As you wish.
00:39:40I'm going to drink some water because my mouth is feeling dry from nerves.
00:39:44You go...
00:39:49But where has this man gone?
00:39:56It just can't be.
00:39:59He has returned for the red eagle.
00:40:03The Cossack is back.
00:40:05No.
00:40:16How is it possible that he has returned from the dead?
00:40:23He killed him.
00:40:25The red eagle finished off the Cossack.
00:40:43Son.
00:40:45If you are reading this letter, it means I am already dead.
00:40:49And if I've decided to write to Alonso,
00:40:52It's because I'm afraid to leave without you knowing what I've kept silent about for so long.
00:40:56I'm sorry I wasn't with you every second of your life.
00:40:59Every breath.
00:41:00Every night I couldn't watch over your sleep.
00:41:03I'm sorry I wasn't the father you wanted.
00:41:06But now I'm dead, son.
00:41:08And I want to leave in peace.
00:41:11That's why I don't want any more lies.
00:41:13I don't want to hide any more secrets from you.
00:41:16The hero you admired
00:41:18He was your cowardly father.
00:41:21I was the red eagle.
00:41:26Learn to live without me now that I'm dead, son.
00:41:29There is a great hero inside your heart.
00:41:32Never ever forget it.
00:41:36Your father.
00:41:37Gonzalo de Montalvo.
00:41:39Red Eagle.
00:41:47I will not be part of that plan, Your Eminence.
00:41:49I don't intend to rob the king.
00:41:51That's my final word.
00:41:53What are you afraid of, commissioner?
00:41:55To death?
00:41:56I live with her every day.
00:41:58That's not what's stopping me from carrying out that crazy thing.
00:42:02You will do as you are told.
00:42:04No complaints whatsoever.
00:42:07With all due respect, Your Eminence.
00:42:09How do you intend to force me?
00:42:14Are you obligated?
00:42:15You know very well that's not my style, commissioner.
00:42:19I am a man accustomed to convincing with words.
00:42:23While it is true that sometimes providence
00:42:25It imposes tough tests on us along the way.
00:42:29It would be a terrible disappointment.
00:42:30that my niece suffered the loss of her firstborn
00:42:33due to an unfortunate accident.
00:42:36You will help me get that gold.
00:42:39I'm sure.
00:42:46Mister.
00:42:54What's behind all this commotion?
00:42:58These are not the ones who travel to Vienna.
00:43:01They are the ones from the Blue Room.
00:43:02I have to be involved in everything.
00:43:04Take it away!
00:43:07Are you going to Vienna?
00:43:14Yeah.
00:43:17How long will you be gone?
00:43:21If everything goes well, I'll live the rest of my life, Hernán.
00:43:25I'm getting married.
00:43:27The Earl of Olsen will be my future husband.
00:43:30I am moving to Vienna to live.
00:43:33When?
00:43:34So what?
00:43:36Why didn't you tell me anything before?
00:43:39What are you going to do with Uño?
00:43:41He'll come with me.
00:43:44I don't understand the question, Hernán.
00:43:45I don't understand the question, Hernán is my son
00:43:47and will accompany his mother to where she is.
00:43:50No.
00:43:50No what?
00:43:53I'm not going to let you take Nuño.
00:43:56What are you saying?
00:43:58Who do you think you are to talk to me like that?
00:44:01His father.
00:44:04He is my son.
00:44:06And from the Marquis of Santillana.
00:44:09You can't do anything to stop me from taking it.
00:44:14Nuño will not travel with you.
00:44:27But I have to warn you, aunt.
00:44:29Let's see.
00:44:30To the bear, you're not going to climb onto the roof,
00:44:32that you just got dizzy.
00:44:33I'm feeling fine.
00:44:35Come on, aunt, please.
00:44:36You didn't hear me, did you?
00:44:38I said no.
00:44:40You just don't understand.
00:44:41The Cossack has returned from the dead
00:44:43to kill the red eagle.
00:44:46Let's see, Alonso,
00:44:47That can't be, son.
00:44:49Don't talk nonsense.
00:44:50Furthermore, the red eagle
00:44:51He has to take very good care of himself.
00:44:52Come on, give me the rag.
00:44:54It's not nonsense.
00:44:56He almost killed him the last time.
00:44:58Okay, that's enough.
00:44:59Alonso, come on.
00:45:00To your room.
00:45:01Do the homework.
00:45:02Come on, let's get going.
00:45:04Alonso, I told you to go to your room.
00:45:06That?
00:45:18I washed it as best I could.
00:45:20I don't know how it turned out.
00:45:22I found it in the trash
00:45:23and I thought you'd want it.
00:45:26Thank you.
00:45:28You didn't have to look worried.
00:45:35Are you OK?
00:45:39Yes, yes, I'm fine.
00:45:41Thank you.
00:45:45Do I hear you crying every night?
00:45:49No matter how much you turn around
00:45:50And pretend to be asleep, I can hear you.
00:45:54Well, I'm sorry.
00:45:56I won't bother you again.
00:46:04Happy!
00:46:05Happy with the mania!
00:46:06Happy!
00:46:07Happy!
00:46:09Happy with the mania!
00:46:14What's happening?
00:46:14Move aside.
00:46:15What's going on? What are they doing?
00:46:17Record everything.
00:46:19In the rooms.
00:46:21Look in all the rooms.
00:46:24You, get all the boots out
00:46:25that's in the house.
00:46:26But, but what if the only boots
00:46:27The ones we carry are the ones we have...
00:46:29Quick, move.
00:46:44Hey you?
00:46:45Where are you going?
00:46:46What are you carrying there?
00:46:48Dirty clothes.
00:46:49I was going to take it to be washed.
00:46:51With the window, huh?
00:46:52Well, I needed to air out the room and...
00:47:02I didn't kill him, okay?
00:47:04Really.
00:47:05He was already dead when I removed the...
00:47:13Take it away from here.
00:47:24Happy!
00:47:48Subscribe to the channel!
00:47:56Relief!
00:48:10Help, please!
00:48:17Relief!
00:48:20Aid!
00:48:23I'm going to get you out of here.
00:48:26Relief!
00:48:29I'm going to untie you.
00:48:35Relief!
00:48:38You killed my brother.
00:48:41Prepare to die.
00:48:42Relief!
00:48:54Juan!
00:48:56Juan, wait!
00:48:57I wanted to talk to you.
00:48:59Tell me.
00:49:28Know?
00:49:30To set up a hospital.
00:49:31I'd let you have it for a good price.
00:49:32Yes, yes, yes.
00:49:33If I had to buy an inn, it would be yours, Cipri.
00:49:35But right now I don't need it.
00:49:37Thank you, really.
00:49:38Thank you.
00:49:39Juan.
00:49:40I'm sorry, Ciprián.
00:49:41Thank you.
00:49:41Forgive me.
00:49:45Daisy!
00:49:49What do you want, Juan?
00:49:50Now I can't stand up.
00:49:52Forgive me.
00:49:53Forgive me, I didn't mean to bother you.
00:49:55I just wanted to go here.
00:49:56Juan, it would be much easier for me not to have to see you every day.
00:49:59Only you understand, right?
00:50:01I can't live without you.
00:50:04Oh, really?
00:50:05This morning Eugenia came to pick up her wedding dress.
00:50:11You still haven't had the courage to say anything to her, have you?
00:50:13I went to warn her, but her parents told me she had gone out.
00:50:16We've probably crossed paths along the way.
00:50:17Already.
00:50:20Juan, this is none of my business.
00:50:23All I can wish for you is that you are very happy in your marriage.
00:50:28Daisy.
00:50:33Listen to me.
00:50:35Look at me.
00:50:39I'm not going to marry Eugenia.
00:50:43I love you.
00:50:48Juan.
00:50:58It's true.
00:51:05Answer.
00:51:25Answer.
00:51:28Yeah.
00:51:33Sign the confession now.
00:51:42I've already told him.
00:51:46I didn't even know him.
00:51:47He was wearing his boots.
00:51:50But he was already dead when he was an alquipe.
00:51:54And I didn't know there was a plan inside.
00:51:57Which plan?
00:51:58I don't know what you're talking about.
00:52:03Blind.
00:52:04You can also sign.
00:52:06Up to you.
00:52:27You will be executed at dawn.
00:52:29Take him away from here.
00:52:30But he's already signed.
00:52:32No!
00:52:33No!
00:52:33Please!
00:52:34No!
00:52:35He hasn't done anything!
00:52:37No!
00:52:38He hasn't done anything!
00:52:59No!
00:53:01Who are you?
00:53:05You don't know yet.
00:53:08I am a Cossack.
00:53:10Like my brother.
00:53:12You killed me.
00:53:19Only...
00:53:20I was just defending my life.
00:53:24I couldn't care less about you.
00:53:26An eye for an eye.
00:53:28Someone in your family has to die.
00:53:34You know nothing about me.
00:53:37I'll never tell you where they are.
00:53:40You will take me to them as well.
00:53:47Listen to me.
00:53:49If you touch them...
00:53:51I will kill you.
00:53:58I have it.
00:54:06Good.
00:54:08It will be tonight.
00:54:10You will go down to the chamber yourself.
00:54:13I?
00:54:14But what about you?
00:54:18We're talking about robbing the king, commissioner.
00:54:21He needs an extremely competent man.
00:54:24You will go down.
00:54:25I'll take that as a compliment, Your Eminence.
00:54:27But the answer is no.
00:54:32I didn't think you were a coward.
00:54:35To put it plainly, Your Eminence.
00:54:36It's a mission that's far too complicated.
00:54:37I have a lot to lose.
00:54:39A marriage? A child?
00:54:42I'm not going to move forward without getting my benefit.
00:54:45You disappoint me, commissioner.
00:54:49It is true that our path must be guided by strict moral firmness.
00:54:54But I understand you.
00:54:57Good.
00:54:59I will give you a share of the gold.
00:55:01Exactly half.
00:55:06And a blank piece of paper signed by you.
00:55:09In his own handwriting.
00:55:12You know I can't do that.
00:55:14What you're asking is impossible.
00:55:17I'm not going to use it for anything that would harm him.
00:55:20But it's a personal and urgent matter.
00:55:23Trust in my eminence.
00:55:24After all, we're family.
00:55:27And the family...
00:55:29It's there to help each other.
00:55:31No.
00:55:35You have learned a lot from me, commissioner.
00:55:39I hope you know where your limits are.
00:55:47I, Francisco de Mendoza y Balboa,
00:55:50Cardinal Mendoza,
00:55:52in full possession of my faculties,
00:55:56I swear on my honor and bear witness
00:55:58that Don Nuño Julián Federico de Santillana y Guzmán,
00:56:04Marquis of Santillana,
00:56:05He is the natural son of the town's commissioner,
00:56:08Don Hernán Mejías.
00:56:10As he told me in a private conversation
00:56:13the child's own mother,
00:56:15Doña Lucrecia de Guzmán,
00:56:17Marchioness of Santillana.
00:56:25Where are you going dressed like that?
00:56:28I was trying it on.
00:56:30My uncle sent it to me this afternoon.
00:56:32He wants me to wear it tomorrow to officiate a funeral.
00:56:35I didn't know anything.
00:56:38Who is it?
00:56:39All I know is that it's important that I go.
00:56:42I have insisted a lot.
00:56:44Would you like something special for dinner?
00:56:46I was going to the kitchen.
00:56:46No.
00:56:49I'm not having dinner at home tonight.
00:56:50I have a lot of work.
00:56:52You look beautiful.
00:57:07Hernán, I saw you working.
00:57:09Later we will visit Cesar.
00:57:11No, please, Lucrecia.
00:57:13What would they say in Europe about our magpies?
00:57:14What if you didn't even introduce us?
00:57:17The Earl of Olsen, my future husband.
00:57:19Personal advisor to Leopold I.
00:57:21Hernán Mejías, commissioner of the Villa.
00:57:24It's a pleasure to meet you, Commissioner.
00:57:27Congratulations.
00:57:28You're getting a gem.
00:57:30I'm sorry, I think we've interrupted you while you were writing.
00:57:33No, it doesn't matter.
00:57:38But now that you're here, perhaps you could do me a favor.
00:57:42Everyone knows that you are a very cultured person.
00:57:44Could you give me your opinion on the verses I just wrote?
00:57:48I think it's an excellent idea.
00:57:50I love poetry.
00:57:52Lucrecia will delight us with her wonderful voice.
00:57:55Lucrecia.
00:57:56Of course.
00:58:09Of course.
00:58:11Perhaps they are not up to the task.
00:58:13But I think the message is very clear.
00:58:15I will continue working on it.
00:58:17And congratulations again.
00:58:19It has been a pleasure.
00:58:21Lucrecia.
00:58:30Shall we visit the salon?
00:58:32Thank you.
00:58:51Lucrecia.
00:58:52Lucrecia.
00:58:53Lucrecia.
00:58:55Lucrecia.
00:58:56Lucrecia.
00:58:57Lucrecia.
00:58:58Lucrecia.
00:58:58Lucrecia.
00:58:59Lucrecia.
00:59:01Lucrecia.
00:59:03Lucrecia.
00:59:05Lucrecia.
00:59:07Lucrecia.
00:59:08Don't cry.
00:59:12But why shouldn't you cry, Catalina?
00:59:15My best friend is going to the other side of the world.
00:59:17Juan has deceived me.
00:59:18And even Gonzalo has another woman.
00:59:21She says I can't take it anymore.
00:59:23I can't take it anymore.
00:59:30And what's wrong with you now?
00:59:34Well, we're in good shape.
00:59:37But what?
00:59:41Today in Vienna.
00:59:42I don't even know where it is.
00:59:45But I would trade places with you right now.
00:59:48Do you know what the marchioness told me when I spoke to her?
00:59:51That?
00:59:53That belonged to my life.
00:59:56And it's true.
00:59:57I don't know why I got my hopes up about other things.
01:00:00We poor people don't even have the right to have hope.
01:00:07Illusions are useless, bro.
01:00:13How right you are, daughter!
01:00:19I found out about Mateo at the market.
01:00:21I came to see if you knew anything more.
01:00:24The guards took him away.
01:00:25I saw him kill a man.
01:00:27You just can't trust anyone.
01:00:29Today one is a priest, and the next day he's a murderer.
01:00:32I don't understand anything, Margarita, do you?
01:00:35Look.
01:00:37I'm going to the tavern to run an errand.
01:00:39But now I'm back and I'll help you with all of this.
01:00:40Don't worry.
01:00:48Go with God.
01:00:55My God.
01:01:06Alonso?
01:01:10Alonso, is that you?
01:01:21Alonso?
01:01:25Alonso, is that you?
01:01:40It's not very difficult, Nuño.
01:01:42Gutenag.
01:01:43The count will be pleased to see that you already know some German.
01:01:47Nuño, are you listening to me?
01:01:49Milene.
01:01:51You are the commissioner's wife.
01:01:53He tells you everything, doesn't he?
01:01:55Well, not as much as I'd like.
01:01:57Do you know if he's angry with me?
01:02:00No.
01:02:01No, no, no.
01:02:02Why should it be?
01:02:05I'm leaving in a few days.
01:02:06He hasn't even come to talk to me.
01:02:09Nuño is a very busy man.
01:02:11But I'm sure he'll say goodbye to you.
01:02:16He cares about you a lot.
01:02:17I can assure you of that.
01:02:20Tonight's dinner with the count has been cancelled.
01:02:23Irene, please leave us alone.
01:02:37There is no time to lose.
01:02:38You have to leave.
01:02:39Where to?
01:02:40The coachman is ready.
01:02:42He will take you to a monastery.
01:02:43It will be a few days.
01:02:44But what's going on?
01:02:45Because?
01:02:45Because I say so.
01:02:47Stop asking stupid questions.
01:02:49Help me.
01:02:50Everything would be easier if you ever told me what's going on.
01:02:56I'm sorry.
01:02:58I'm sorry, son.
01:03:01Can't.
01:03:03Everything will be alright soon.
01:03:05Trust me.
01:03:21If you make the wrong choices, you will never be able to get out of that labyrinth.
01:03:30You cannot afford to hesitate for a moment.
01:03:36Soon you will hear the chimes of the Golden Tower.
01:03:47It's time for the changing of the guard.
01:03:55The north exit leads to the cellar of an abandoned barn.
01:04:02You will leave there the gold that you take from the royal coffers.
01:04:32The next guard change.
01:04:35It will happen at midnight.
01:04:41Time will be your greatest enemy, commissioner.
01:04:55This isn't something a friend would do, Tomás.
01:04:58The inn has been my life and that of my whole family, as you know.
01:05:01I'm so sorry, Cipri.
01:05:03I know it's not much, but it's all I've been able to gather.
01:05:11Look, if you give me a little more, I'll leave you the barrels full of wine.
01:05:15They are new.
01:05:15But I don't want the barrels at all, Cipri.
01:05:18He's going to set me up with a blacksmith shop, which is what I'm good at.
01:05:24What am I supposed to do with this?
01:05:26Come on, mate, that's a good deal, man.
01:05:47Cipri, is something wrong?
01:05:55What's happening?
01:05:57Is it because I'm leaving?
01:06:04I have sold the inn.
01:06:07That?
01:06:09But, boy, how did you do such a terrible thing?
01:06:15With the money I've earned, I'm going to Vienna and I'll find you wherever I am.
01:06:22But, man of God, you know how big that is.
01:06:25Well, I'll manage somehow.
01:06:27How will you manage?
01:06:28How are you going to manage?
01:06:30Cipri, they might not even let us see each other.
01:06:34You've gone completely mad.
01:06:37If there's one thing I'm sure of, it's that I want to be with you.
01:06:41I'm willing to do anything.
01:06:43And if I have to die trying, well...
01:06:45I don't care.
01:06:47I consider it money well spent.
01:06:50No, Cipri.
01:06:52I'm sorry, but you can't come with me.
01:06:55She already has a ruined life, without adding to it.
01:06:58to bear this responsibility.
01:07:02It's Catalina.
01:07:04It's Catalina.
01:07:52What have you done to them?
01:07:56What have you done to them?
01:07:59Answer!
01:08:06Your wife is very beautiful.
01:08:08He didn't resist for long.
01:08:11No.
01:08:12No.
01:08:14This is between you and me.
01:08:18Untie me.
01:08:19That's where you're wrong.
01:08:21There is no greater suffering than losing a loved one.
01:08:25No.
01:08:27But watching it being done must be even worse.
01:08:36No.
01:08:38No.
01:08:39No.
01:08:41No.
01:08:50No.
01:14:33That's no way to treat family, Vinencia.
01:14:48You never cease to amaze me, commissioner.
01:14:52How did you know?
01:14:55Irene.
01:14:56I saw myself trying on the mourning dress.
01:14:59He told me that someone had died.
01:15:02And in this village, nobody dies without my permission.
01:15:07I had prepared my burial in a manner befitting your dignity.
01:15:18Why all this, Vinencia?
01:15:21We had a cry.
01:15:22I need all the gold!
01:15:25Furthermore, the king was going to demand someone's head.
01:15:28And yours was available.
01:15:32I have a reason why I'm not going to kill him right here.
01:15:36The first is that I'm pointing this gun at you and you know I won't hesitate to shoot.
01:15:42The second is that neither of them would like to see the floor carpeted with his corpse.
01:15:52What does he propose?
01:15:57It would be heresy to break the bonds with which Divine Providence has united us.
01:16:08Why are we still family? Isn't that right, Commissioner?
01:16:31Why are we still family? Isn't that right, Commissioner?
01:16:46That's not how it works!
01:17:01Subscribe on the left!
01:17:05Daisy
01:17:07I had heard noises and...
01:17:09Are you OK?
01:17:12Gauntlet
01:17:17There was a man who wanted to kill me and...
01:17:19I don't know, I don't know why
01:17:22I think she saved my life, Roja
01:17:26What do you mean a man wanted to kill you?
01:17:27Don't know
01:17:29Let's go downstairs, I'll make something hot and you can tell me about it.
01:17:34What are you doing here?
01:17:38And you?
01:17:40You should be sleeping
01:17:43Come on, come here
01:17:46And I don't think you need that red rag.
01:17:58What's wrong with you, dude?
01:18:02Something tells me your friend is okay.
01:18:05The Court of Justice of the Town
01:18:08He has sentenced Mateo Díaz to death by garrotevil.
01:18:11Tomorrow at dawn
01:18:13Likewise, the execution will be carried out in the square
01:18:18Before the relevant authorities
01:18:21And he was arrested by the commissioner's guards.
01:18:24They say he killed a man
01:18:53You should be sleeping
01:18:55Bye
01:19:18You've gone crazy
01:19:19You could have killed me
01:19:20You will not take my son away from me
01:19:24Where's the cardboard box?
01:19:26Show it to me!
01:19:27Take it, Renan!
01:19:28Can't
01:19:30Can't
01:19:31Can't
01:19:41You said the short one!
01:19:45You said the short one!
01:19:50You said the short one!
01:20:10There's little left for you to do here, Father.
01:20:13This man wants to clean up hell.
01:20:16She executes it tomorrow.
01:20:27Father, father, I haven't killed anyone
01:20:29You tell him
01:20:29I don't want to die
01:20:31My time has not yet come.
01:20:32Hail Mary, most pure.
01:20:36Conceived without sin
01:20:41No!
01:20:42I don't mind!
01:21:01I don't mind!
01:21:11Come on
01:21:12We need to get out of here as soon as possible.
01:21:14You won't be able to return to the village for a long time.
01:21:16If I have nowhere to go
01:21:17Any place is better than a coffin
01:21:19True, from here to there, my girl is a piece of shit
01:21:21Come on
01:21:25I won't need an assistant
01:21:28I work alone
01:21:35They've robbed the royal treasury.
01:21:38The entire kingdom thrives on that gold
01:21:40How was your first day off?
01:21:42Saturn, you're back
01:21:44Where is my son?
01:21:47Ma'am, I just wanted to tell you
01:21:49I've decided to go with you to Vienna tomorrow.
01:21:51You son of a bitch, I'm going to break your soul
01:21:55If you go out with him tomorrow
01:21:56He publishes the letter
01:21:58What am I going to do here now?
01:22:00I don't have anything
01:22:09How are we going to cover the expenses?
01:22:11Until the next shipment from the Indies arrives?
01:22:15The marchioness has discovered us
01:22:16It's very hard to leave places where one has been so happy.
01:22:21Don't you know this place is dangerous for a woman alone?
01:22:24I know how to take care of myself
01:22:29Who are you?
01:22:32I think that's clear.
01:22:34The Red Eagle
01:22:36He's going to find out, oh my God.
01:22:39It's not the marchioness who has discovered us
01:22:41Specialization
01:22:41Art in the style of the Marchioness has revealed to us
01:22:41Do you know what you've discovered?
01:22:42It's not the marchioness who has discovered us
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