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00:00:26The true Bible
00:00:30He was practicing it
00:00:31You're probably like this because you know you've lost Margarita forever
00:00:35Do we know who it is?
00:00:36Father Alejandro
00:00:39Careful
00:00:40May a book fall on a giraffe
00:00:42Are you pregnant?
00:00:44Yes, Hernán and I are expecting a child.
00:00:46Alonso!
00:00:51Dangerous killer escaped from the San Carlos asylum while being transferred
00:00:55What's out there?
00:00:57It belongs to the Franciscan monastery
00:01:00I'm happy about this reunion
00:01:01But I will never give you the real Bible.
00:01:04Do whatever it takes, but save my son.
00:01:06Holy cry, master
00:01:09What a massacre!
00:01:11Alexander
00:01:11He found it
00:01:15Alcrito!
00:01:17Now I know why they took Father Alejandro away
00:01:23No!
00:01:23No!
00:01:24They weren't invited!
00:01:25They haven't been thrown!
00:01:29What happened?
00:01:30Don't worry, you're safe.
00:01:31They are going to kill an innocent father
00:01:34But it was I who spilled the water in the Marchioness's palace.
00:01:37And the commissioner's baby is going to die
00:01:38That's why I'm going back there to surrender myself
00:01:40It has been a pleasant surprise to discover that Father Alejandro's elderly mother
00:01:45He lives in a small village in the mountains
00:01:47Who are you looking at?
00:01:48Go see a doctor!
00:01:50I am guilty and I am not going to pay for it
00:01:51What are you doing here?
00:01:53She has continued with the utmost comfort
00:01:56I left my carriage
00:01:59What's wrong, son?
00:02:01This is what you're looking for
00:02:02The Gospel According to Jude
00:02:11Save it
00:02:12You who risk so much to protect the people
00:02:15You'll know when to announce it
00:02:17The marchioness is in danger
00:02:19His carriage is going to explode
00:02:21Come on!
00:02:24No!
00:02:25No!
00:02:26I'm walking!
00:02:27Stop it!
00:02:29Cipri!
00:02:30Cipri is under the car!
00:02:31Out!
00:02:34If you hadn't changed carriages, nothing would have happened.
00:02:37The Count of Orsen has called off his marriage to the Marchioness.
00:02:40The lady stays, meaning she stays
00:02:42I'm going to live in Italy, Margarita
00:02:44You'll need it more than I will.
00:03:03Come on!
00:03:05Come on!
00:03:05Could you explain where we're going with all this mystery?
00:03:09Satur, we have to keep going
00:03:10I'm feeling really bad.
00:03:12We're almost there
00:03:14But arriving where?
00:03:17If there's nothing else here, look for it.
00:03:23That
00:03:24You won't open your mouth, will you?
00:03:37Here it is
00:03:40Last night I dreamt about this place
00:03:43A dream?
00:03:46Did we walk all this way for a dream?
00:03:59In the dream I saw my mother when she was young
00:04:03I was here
00:04:04With a man who seemed noble
00:04:06They were talking about something in secret.
00:04:10Did you hear anything?
00:04:11Did he see his face?
00:04:12No
00:04:13Precisely at that moment
00:04:15You woke me up
00:04:18That's crazy, Satur, isn't it?
00:04:24Satur, the stick
00:04:26And it occurs to him
00:04:27Where is he going to go?
00:04:28With his face uncovered
00:04:29It doesn't matter, the stick
00:04:50Let him go!
00:05:28Let him go!
00:05:38Let him go!
00:05:43Let him go!
00:06:01Let him go!
00:06:04Ah!
00:06:06Ah!
00:06:09A Chinese person?
00:06:11No, if what we don't find...
00:06:46Commissar
00:06:52I don't have time for that gossip.
00:06:55Let the jailer take care of it.
00:07:00Sir, I believe it is important
00:07:01This is the Holy Grail
00:07:05Mister
00:07:06Sir, I haven't done anything.
00:07:12And who said otherwise?
00:07:15You are cooperating with the justice system, you have nothing to fear.
00:07:20Speaks
00:07:22I saw a woman under the bridge that leads to the village
00:07:26That's all?
00:07:30She was... she was an old woman
00:07:33Relax, you're doing great!
00:07:36When did all that you're saying happen?
00:07:39The day people came from the New World there was a revolt
00:07:42And the old woman was digging in the earth under the bridge
00:07:46AND...
00:07:47Then he left
00:07:49What did the old woman look like?
00:07:55It was like a lie
00:07:59I told him everything I saw
00:08:02I swear
00:08:03I swear
00:08:05Very good
00:08:06I believe you
00:08:08And you deserve a reward
00:08:21But with what you know, I can't let you live.
00:08:25Take care of it
00:08:26And he finds the old woman
00:08:28Sejad
00:08:52Sejad
00:08:56What does it say?
00:08:59What does it say?
00:08:59Hamo! Hamo!
00:09:02Hamo!
00:09:03How are you?
00:09:04Sorry.
00:09:04Pierre Chincheng!
00:09:07My name is Gonzalo de Montalvo.
00:09:10My name is Renan Chin.
00:09:14What is your name?
00:09:16My name is Renan Chin.
00:09:20My name is Renan Chin.
00:09:21My name is Renan Chin.
00:09:24My name is Renan Chin.
00:09:26My name is Renan Chin.
00:09:28My name is Renan Chin.
00:09:32My name is Renan Chin.
00:09:32I don't understand anything the Chinese guy is saying.
00:09:34Nasi is Renan Xixui.
00:09:41Nasi is Renan Chin.
00:09:43Nasi is Renan Chin.
00:09:45Translate a little, love. Translate that no.
00:09:48She is looking for her daughter.
00:09:50She ran off with a Spanish merchant while she was engaged to the emperor.
00:09:55The men who attacked her want to execute her for offenses against the Chinese empire.
00:10:00Once a female catches sight of a Spanish male, there's no stopping her.
00:10:07This has happened to me in several countries.
00:10:16Thank you for everything.
00:10:21But do they speak Spanish to you?
00:10:24Well, I understand Chinese.
00:10:26Do you know the name or whereabouts of the Spanish merchant?
00:10:29Juliana Espinosa?
00:10:31I don't know his whereabouts.
00:10:33I will help you find it
00:10:35And if we have any news
00:10:37We'll leave you a hidden note in the stone washbasin.
00:10:44Saturate, accompany him
00:10:51See you later
00:10:56My God, this Chinese thing is so difficult!
00:10:58No Christian can understand it
00:11:01We have to find that girl
00:11:05I knew it
00:11:07I knew it, but why do we need to open up the market?
00:11:10What have we lost by now dedicating ourselves to oriental offenses?
00:11:15Let's see
00:11:35Irene is getting worse and is very weak
00:11:38The quinine has not managed to lower the fever and he has lost a lot of blood.
00:11:41Okay, you can save yourself the trouble of going to the doctor.
00:11:48He really doesn't care that little about what happens to his wife
00:11:55The only thing I asked of you
00:11:57It was because you saved my son
00:12:11No, Cipri, don't insist.
00:12:14Please listen to me for a moment
00:12:16Look at me
00:12:17I am capable of working from sunrise to sunset
00:12:19Whatever
00:12:20I am healthy and strong
00:12:27Hello, Lourdes
00:12:28Hello
00:12:30Do you need someone to carry the fruit?
00:12:32No, Cipri
00:12:33We don't even have enough to eat.
00:12:37I'm sorry, Cipri
00:12:39I'm truly sorry
00:12:41I understand
00:12:57Thomas
00:12:59Man, Cipri
00:13:01I need to work
00:13:03Give me a task, any task.
00:13:04I'm asking you, please
00:13:06No, man, no
00:13:07I'm sorry, Cipri
00:13:08What I need is an apprentice
00:13:09I can be your apprentice
00:13:11Let me try
00:13:12But, but, what are you saying, Cipri?
00:13:13An apprentice starts at seven years old
00:13:15No to forty
00:13:17Give me back at least the barrels I left you.
00:13:20How are the barrels going to be waiting?
00:13:22So you're coming to get them?
00:13:23You said you didn't want them
00:13:27I sold them, Cipri
00:13:28I'm sorry
00:13:35I have no money
00:13:40I don't have anything
00:13:50Anything else to sign?
00:13:52Yes, this one
00:13:53It is a piece of land that his wife would like to donate to the Teresian congregation.
00:13:57Provided that you, with your permission, Marta
00:14:04Okay, so everything's in order now.
00:14:06If you were to become a widower, God forbid.
00:14:08A vast fortune will fall into your hands, Commissioner.
00:14:12Let's end your before
00:14:13There's still something more
00:14:15It's a delicate matter, but as his executor, I
00:14:18I feel obliged to address it at this time.
00:14:22What is it about?
00:14:23If something were to happen to you, if you were to die
00:14:26Who should we do all this to?
00:14:28Since he has no offspring
00:14:29What would we do with this fortune?
00:14:32Good morning, I'm interrupting
00:14:34No, go ahead, we've already finished
00:14:36Alberto, dear
00:14:37Lucrecia
00:14:38It's a shame that we always find ourselves in such critical situations
00:14:41How are you?
00:14:42Okay, thank you, Lucrecia.
00:14:43We'll fix it.
00:14:44Thank you for everything, Alberto.
00:14:46Think about what I've told you
00:14:47Okay
00:14:48Lucrecia
00:14:49Hernán
00:15:00Holy Virgin
00:15:01One castle, two palaces
00:15:04And that's just a small part of what he will own sooner or later.
00:15:08How much sheet?
00:15:10Is that Hernán's legacy?
00:15:11If Irene were to die, the commissioner would become the most interesting widower at the Spanish court.
00:15:18You're exaggerating, Alberto.
00:15:19At all
00:15:21His fortune will now be equivalent to that of the Duke of Alba
00:15:24The Duke of Alba?
00:15:26The commissioner will have no problem finding a wife again.
00:15:30Currently, her possessions extend to the Americas, Lucrecia
00:15:34You'll have queues of marriageable noblewomen at the gates of your palace.
00:15:37I will personally take care of each one of them, Alberto
00:15:43Lucrecia
00:15:54Excuse us for insisting
00:15:56But what's the idea?
00:15:59Should we look for China or take a stroll through all the abandoned castles in the region?
00:16:04Look for China, health
00:16:05Very good, perfect.
00:16:07Well, we've been to the Espinosa castle and there wasn't a soul there.
00:16:11What the hell are we doing in the Alvarado castle now?
00:16:15Andrés de Alvarado was a partner and good friend of Julián Espinosa
00:16:20AND?
00:16:23Julián Espinosa died a couple of years ago
00:16:24And his family took the opportunity to get rid of his wife.
00:16:28Lee's daughter
00:16:32How do you find out about all this?
00:16:38Social chronicles, Satur
00:16:39They're not just for street gossip
00:16:45Ah
00:16:47If you read them to educate yourself, right?
00:16:52But look where
00:16:54I now admit that your habit of keeping these little pieces of paper isn't ideal.
00:16:58Perhaps Andrés de Alvarado has taken care of his friend's wife
00:17:03But he has seen this clearly.
00:17:05If it's a wasteland of abandonment
00:17:07We have nothing to lose by inspecting it.
00:17:10Come on
00:17:10If we lose, I love
00:17:13If we lose
00:17:15Time and lots of it
00:17:17We've gone off the map of the village
00:17:21Now it's your turn to come back
00:17:49Subscribe to the channel!
00:17:54How are you doing?
00:17:56Evil.
00:17:58Very badly.
00:18:01Can you believe that nobody has come to see her?
00:18:04Neither her husband nor the marchioness.
00:18:08Both of them have to be very busy.
00:18:18The marchioness has asked me to alter a dress for her.
00:18:21So that?
00:18:23Well, I don't know, I imagine it's for Miss Irene's funeral.
00:18:29What is its value?
00:18:31He is unable to come and be with this creature in the last moments of its life,
00:18:36But he won't lack time to organize the funeral.
00:18:53But what about this?
00:18:57Is this the dress my wife wore to her wedding with the Marquis?
00:19:00Does the lady want you to fix it?
00:19:03And what for?
00:19:05The engagement with the Earl of Olsen may also resume.
00:19:08With that one?
00:19:08I don't think so.
00:19:10If he took off like a shot, who knows, man, where Olsen is now.
00:19:14So who is she going to marry?
00:19:18No.
00:19:21And then?
00:19:36No.
00:19:37No.
00:19:40No.
00:19:41No.
00:19:41No.
00:19:42No.
00:19:42No.
00:19:43No.
00:19:44No.
00:19:45No.
00:19:51Come on.
00:19:53There is no God here.
00:19:57We found nothing but dilapidated furniture and cobwebs.
00:20:03Hey, China's not here, it's not here.
00:20:08If you don't mind me asking, what's wrong?
00:20:10Well, I've already told him we're wasting our time.
00:20:14I am worried about Cipriano.
00:20:17that has collapsed.
00:20:19I saw him crying with the blacksmith this morning.
00:20:21because he has no job.
00:20:23Is it that bad?
00:20:26The man is getting on in years, which isn't easy.
00:20:29We arranged to meet Pedro, the one who works with the nymphs on the outskirts of town.
00:20:32who is a friend of mine.
00:20:33Is Cipri going to work in a brothel?
00:20:35No, how is Cipri going to work in a brothel?
00:20:37If he is a man with one ankle and the termesin enters him.
00:20:40Well.
00:20:42There's Pedro, who has a friend who is a baker.
00:20:44and that I might work for him.
00:20:48Alright.
00:20:50Go with him.
00:20:51My turn now.
00:20:52I'm going to leave him alone.
00:20:53Satur.
00:20:55Honestly, I don't need you.
00:20:57Accompany Cipri.
00:21:06Satur.
00:21:14Honestly, I don't need you.
00:21:16Honestly, I don't need you.
00:21:22I don't need you.
00:21:32Honestly, I don't need you.
00:21:39No, no, no.
00:22:22Don't worry, I'm not going to hurt you.
00:22:33Don't worry, I don't want to hurt you.
00:22:36Your father is looking for you.
00:22:38My father?
00:22:39He has come here to protect you from the emperor's men.
00:22:48The raga is well poisoned.
00:22:50It paralyzes the muscles.
00:22:54It is a poison that acts very quickly.
00:23:02Thank you.
00:23:24Does anyone else know you're here?
00:23:28Alright.
00:23:29I will tell your father and he will come and get you.
00:23:32Who are you?
00:23:56Commissioner, you didn't hear me come in.
00:23:58The flowers are beautiful.
00:24:03It's for you.
00:24:11There's a lot of money here.
00:24:13You're fired.
00:24:15But why?
00:24:17I've always been very discreet, so nobody knows anything.
00:24:20I know, but now you have to leave.
00:24:24I have always given him what he has asked for.
00:24:28And if you want, I can do it again.
00:24:33I see you haven't understood anything.
00:24:35That money is the price for your son.
00:24:38I am his father, and I will take care of his education.
00:24:43Please, you can't do that to me.
00:24:46I am his mother.
00:24:49Give me the money, take it, I don't want it.
00:24:51I don't hire maids.
00:24:52My men have already gone to look for him.
00:24:54I'll never know again.
00:24:55Please, please, for the love of God.
00:24:58No, please.
00:25:00I'll do whatever you want, please.
00:25:02Don't do that to me.
00:25:03Don't make me kill you.
00:25:05And go away.
00:25:06Go away.
00:25:30So, how's it going?
00:25:34Let me see.
00:25:35It's no big deal.
00:25:36How was this done?
00:25:37I should have gone with you.
00:25:40I finally found her.
00:25:42He got scared and threw a dagger at me.
00:25:45Damn, those Chinese women.
00:25:47Here the Spanish women took a slap, but daggers...
00:25:50Saturn, we have to leave a note for the father.
00:25:52In the laundry room.
00:25:53Yes, yes, let's go, yes.
00:25:54But first I'm going to wash his wound.
00:25:57Oh my God.
00:25:59Let's see.
00:26:02Leave me alone.
00:26:06Does it hurt?
00:26:11A question I wanted to ask him.
00:26:15The Chinese?
00:26:17Do the Chinese see things this way, elongated, or do they see them normally, like us?
00:26:22Normal, sato.
00:26:23Look normal.
00:26:24Come like normal, like us.
00:26:26And the skin color is because...
00:26:29Because he eats a lot of rice, of course, right?
00:26:33Okay, I'm asking all this because I've never seen a Chinese person in my life.
00:26:44When he makes that concentrated, mean face, is something wrong?
00:26:51I know that woman, Saturn.
00:26:53I met her in China.
00:26:58Sorry?
00:27:05I worked as a servant in the emperor's palace.
00:27:09And that's where she lived.
00:27:18She was destined to be one of his future wives.
00:27:47My love, do you know that I respect and admire you?
00:27:49But, but, but, but sometimes it's scary.
00:27:52He has to find the same woman he met in China, China being as big as it is.
00:27:58That's strange.
00:27:59It's strange, to put it mildly.
00:28:01It's a coincidence.
00:28:04No.
00:28:05No, no, it's not a coincidence.
00:28:07It's a coincidence that...
00:28:09I happen to run into Jacinto the Miller there at the market.
00:28:12But this is strange, this is very strange.
00:28:14Like everything that happens to you.
00:28:16And has he told her who he is?
00:28:19No.
00:28:22And that's what he said before...
00:28:24Of beautiful friendship.
00:28:26You did it, my dear friend.
00:28:28What exactly did he mean?
00:28:30Bring me paper and a pen.
00:28:31We'll take the note to the forest.
00:28:39She's pretty.
00:28:42It's not that I like Chinese women, it's just that I find them a bit lacking in drive.
00:28:49Do you understand me now?
00:28:50Paper and pen.
00:28:52She's so beautiful, isn't she?
00:28:57Alonso, have you had enough soup?
00:29:05The grail is made of a poisonous material.
00:29:10Any liquid that is poured inside.
00:29:16I can't find it.
00:29:18Well, bring me anything else.
00:29:30Okay, so what's this?
00:29:32Well, because I'm really glad you didn't go to Vienna in the end, auntie.
00:29:39Oh!
00:29:42Come on, help me pour water into the dogfish.
00:29:45You're going to make me cry in the end.
00:29:48Do you know what Murillo told me?
00:29:50What did Murillo tell you?
00:29:53Well, that...
00:29:55that tomorrow they are going to hold a mass for the commissioner's wife.
00:30:02The situation is serious.
00:30:04Yeah.
00:30:06It's very nice.
00:30:09Good night.
00:30:10Good night.
00:30:15Excellent.
00:30:16Is dinner ready yet?
00:30:17Yeah.
00:30:19Stale bread.
00:30:20Fully booked for tomorrow.
00:30:24Go on, put it on the fire while I finish picking up the clothes.
00:30:37Father.
00:30:40The commissioner's wife is about to die, and it's my fault.
00:30:45Let's see, son.
00:30:46Sit down.
00:30:51Listen to me.
00:30:51We already talked about this.
00:30:53Isn't it your fault?
00:30:54Yes, yes, yes, it's my fault, father.
00:30:56Because I've ruined their lives.
00:30:59To Irene and the commissioner.
00:31:01No, son.
00:31:03That was an accident.
00:31:05You can't change anything now.
00:31:07So stop thinking about it.
00:31:12Come on.
00:31:31I am pleased
00:31:33invite them
00:31:36to the marriage ceremony
00:31:39between Hernán Mejías,
00:31:42village commissioner.
00:31:55I am pleased
00:31:57invite them
00:31:58to the link
00:32:00matrimonial
00:32:02between Hernán Mejías,
00:32:04tuque
00:32:06by Aranda and Barral
00:32:08and Lucrecia
00:32:11de Guzmán,
00:32:14marquise
00:32:14from Santillana.
00:32:17Oh!
00:32:38I haven't even seen it.
00:32:39You should let me win
00:32:40ever.
00:32:42He's not even dreaming about it, father.
00:32:46You might beat me
00:32:47to the neipes,
00:32:49but still
00:32:50You won't be able to beat me.
00:32:50in a fight.
00:32:51You won't be able to.
00:32:52Get up,
00:32:53Comarde,
00:32:53lion!
00:32:53Struggle!
00:32:55Struggle!
00:32:56Struggle!
00:32:56Struggle!
00:32:58Struggle!
00:32:59Struggle!
00:32:59This is not appropriate
00:33:00of the greats of Spain.
00:33:02Okay?
00:33:05Struggle!
00:33:07Struggle!
00:33:13Struggle!
00:33:15Struggle!
00:33:16Struggle!
00:33:34Struggle!
00:33:41Struggle!
00:33:47Struggle!
00:33:48Lucrecia.
00:33:53One moment.
00:33:58Forward.
00:34:05I need to talk to you, Lucrecia.
00:34:08Oh, Hernán.
00:34:10You and I are always in sync.
00:34:12Happens.
00:34:13I was just thinking about you.
00:34:18I'm going to need you to make one of the rooms in the west wing of the palace available.
00:34:22If you don't mind.
00:34:24You offend me, Hernán.
00:34:25This palace has always been and will always be your home.
00:34:27Who will we have the pleasure of welcoming as a guest?
00:34:34Come.
00:34:44Lucrecia, I'd like to introduce you to my son.
00:34:48What about you?
00:34:50His name is Carlos and from now on he will live with me.
00:34:53You've gone completely mad, Hernán.
00:35:00Hang on a minute.
00:35:01I'll be right there.
00:35:04Where did you come from?
00:35:06You're old enough to know where babies come from, Lucrecia.
00:35:09I don't think I need to go into details.
00:35:11Your desire to be a father has made you stupid, Hernán.
00:35:14He's a bastard.
00:35:16He is my son.
00:35:17My rightful heir.
00:35:19You should show more respect.
00:35:21Your rightful heir?
00:35:23Oh, Hernán.
00:35:27If Dine dies, you will be so powerful that any marriageable noblewoman will want to give you offspring.
00:35:33You don't need that beggar.
00:35:38That child will carry my surname to the highest level.
00:35:42And he will proudly call me father.
00:35:44Everything you denied me with a child.
00:36:06Do you know if Spinoza's people had more properties?
00:36:09Properties?
00:36:10No, sir. These were his only lands.
00:36:19And you don't remember seeing this woman?
00:36:26No, sir, no.
00:36:28Thank you so much.
00:36:32God be with you!
00:36:34God be with you!
00:36:42Do you want to stay still?
00:36:44If you keep going like this, we're going to be finished by the end of the day.
00:36:46Let's see.
00:36:47Let's see over here.
00:36:49Mother of a child.
00:36:51Oh.
00:36:53But let's see.
00:36:54Don't you understand Spanish, or what's wrong with you?
00:36:58Child, already the kid.
00:37:00Catalina, calm down a little, the child is not to blame for anything.
00:37:03Yes, I know.
00:37:05If this poor little creature is the one who loses the most.
00:37:08Give me a kiss.
00:37:10Go on, run and play.
00:37:14And can you tell me what's wrong?
00:37:15My blood is boiling.
00:37:17Now a child.
00:37:18Miss Irene was dying there, wall to wall.
00:37:21And all this scoundrel can think of is bringing a kid along.
00:37:25Oh.
00:37:27Who will be his mother?
00:37:31You were eating.
00:37:32Between brothels, abuses, and loose noblewomen,
00:37:36the list could go all the way to Flanders.
00:37:38Well, then.
00:37:39The way the child was dressed,
00:37:40It's certainly not noble.
00:37:43What I don't understand is how a mother can give birth to a child just like that.
00:37:49You seem new too.
00:37:51If it's placed right on the commissioner's nose
00:37:53Raising a child, he does it, period.
00:37:58Oh well.
00:38:00I tell Marta that the child is five years old
00:38:01And he brings me this.
00:38:02This won't fit on his big toe.
00:38:03Really.
00:38:04Wait, the one with the bread has accompanied you.
00:38:06that the boxes are very high.
00:38:08Look what I'm telling you.
00:38:09Stay here for a little while and don't move.
00:38:10We'll be right back.
00:38:12Tell yourself properly.
00:38:15The genius is better than the turkey.
00:38:17Poor creature.
00:39:46Subscribe to the channel!
00:40:34Subscribe to the channel!
00:40:44Subscribe to the channel!
00:40:45Come with me, little one.
00:40:47That is.
00:40:49You're going to love it.
00:40:50Subscribe to the channel!
00:41:43Subscribe to the channel!
00:41:46That's what they say about Chinese women.
00:41:49It's true.
00:41:51The fact that?
00:41:54They can throw things with it, huh?
00:41:56You know what I mean.
00:41:59Saturn!
00:42:01The bird is laughing, huh?
00:42:04What I can't understand is what you were doing at that Chinorri palace when you met your
00:42:08friend.
00:42:11Well...
00:42:12My teacher sent me there.
00:42:14As a servant.
00:42:15He always said that before becoming a dragon, one had to suffer like an ant.
00:42:20What do you say about a dragon and an ant?
00:42:23What does it say? What does it say?
00:42:24Speak Christian, for God's sake!
00:42:25It's a Chinese proverb.
00:42:27I met Yane during that phase of my training.
00:42:31And when do you plan to see her again? Because she doesn't know who you are.
00:42:36My only mission was to reunite her with her father.
00:42:40I have no reason to return.
00:42:42Look, master.
00:42:44It's not that I doubt his manhood, it's just that he rejects me so much.
00:42:47It's starting to make me suspicious.
00:42:49What if her father takes her to China?
00:42:51And never see each other again.
00:42:53What we had was a long time ago, Satur.
00:42:56No...
00:42:56He may not even remember me.
00:43:24What we had was a long time ago,
00:43:38No, no, no.
00:43:38No no.
00:43:38Amen.
00:43:46My love,
00:43:46But I'll bring it to you.
00:43:46No no.
00:43:48No, no, no.
00:43:52No.
00:44:20Thanks for watching the video
00:44:23Thanks for watching the video
00:45:18Thanks for watching the video
00:45:23Thanks for watching the video
00:46:11Thanks for watching the video
00:46:19The goblins are at the bottom
00:46:24Can you see them now?
00:46:28No
00:46:35Look, little one.
00:46:37Can you see each other now?
00:46:41Look closely
00:46:43Look
00:46:44Look inside
00:46:46It's dangerous.
00:46:52Look
00:46:54Look inside
00:47:11Oh lady
00:47:12Thank God He is with you
00:47:15Catalina
00:47:15More useless every day
00:47:18Who left the barrel open?
00:47:20The young master could have fallen inside
00:47:22Ma'am, I'm sorry.
00:47:23Let it never happen again
00:47:25Yes ma'am
00:47:27Didn't I tell you to stay put?
00:47:29You weren't going to move?
00:47:31Come on
00:47:48It smells so good
00:47:49Did you throw it in?
00:47:50The usual.
00:47:54It's very complicated.
00:47:55Be kind to yourself
00:47:58Don't be
00:47:59Nobody is asking you to.
00:48:10Hello good
00:48:11Good Cipri
00:48:12How did it go with the baker?
00:48:15I can't be a baker
00:48:16Says
00:48:17May the water become mine
00:48:18It's the truth
00:48:18No no
00:48:24Not so much.
00:48:26Quite
00:48:26I let myself live here
00:48:27Without giving a stop to the water
00:48:30Are we the only ones going to eat?
00:48:33The bear eats with Murillo
00:48:34And Satur is in the block
00:48:35He will eat with Gonzalo later.
00:48:44Come on Cipri
00:48:45Try a little
00:48:46It will suit you well.
00:48:53Come on
00:49:07The truth is, it smells like Roria.
00:49:26The bagpipes?
00:49:34Alright?
00:49:44Daisy
00:49:45Daisy
00:49:46Daisy
00:49:47Satur
00:49:48Satur
00:49:49Daisy
00:49:50Satur
00:49:51Satur
00:50:05Daisy
00:50:06Daisy
00:50:06Daisy
00:50:16Daisy
00:50:46Thank you!
00:50:56What does it say?
00:51:03Thank you!
00:51:05Thank you!
00:51:21Thank you!
00:51:24Thank you!
00:51:26Thank you!
00:51:39Thank you!
00:51:42Thank you!
00:51:43Thank you!
00:51:44Thank you!
00:51:45Thank you!
00:51:46Thank you!
00:51:47Thank you!
00:51:48Thank you!
00:51:48What's her sister wearing? What does she wash or something?
00:51:50He has to pay it back.
00:52:10Hail Mary, full of grace, gift in you,
00:52:13like a little Venetian,
00:52:14like a little Venetian,
00:52:15strong thou's ventris.
00:52:22Saint Mary, you plants of her,
00:52:24the pronobis pecatóreos,
00:52:26It will never do you more.
00:52:35This is your first time here
00:52:38to my niece's room
00:52:39after the accident, commissioner.
00:52:42That doesn't speak very well.
00:52:44of your status as husband.
00:52:47He had important matters to attend to.
00:52:48that you attend to, Your Eminence.
00:52:50Being here would only have been a hindrance.
00:52:53What are those issues?
00:52:55Taking other people's children?
00:52:58It's not unfamiliar.
00:53:00He is my son.
00:53:02A bastard.
00:53:04He will bear my surname.
00:53:06and he will be my rightful heir.
00:53:13My niece is a young and strong woman.
00:53:16She will give you the children you desire.
00:53:20if he doesn't die.
00:53:24For your own good,
00:53:25I hope so.
00:53:36The sacrament of marriage
00:53:38unites two souls forever.
00:53:42I assure you
00:53:43I hope my nieces have the best of luck.
00:53:46It will be the same one you run.
00:53:52Pray as much as you know how, commissioner.
00:53:54Your life depends on it.
00:54:17Your daughter Jan
00:54:18It is hidden
00:54:19in the abandoned castle
00:54:20of the Álvaro family.
00:54:33Take this.
00:54:34It will be good for you.
00:54:39Mother.
00:54:41Aunt Margarita is very ill.
00:54:43Juan is desperate.
00:54:44He just doesn't know what to do.
00:54:45Okay, calm down.
00:54:45He'll be alright.
00:54:46Hey?
00:54:47Cipri.
00:54:48What happened?
00:54:50I don't know.
00:54:51We were sitting down about to eat
00:54:52And he already tasted the soup
00:54:54and suddenly it fell
00:54:56round.
00:54:57The doctor said
00:54:58that the soup is poisoned.
00:54:59Poison?
00:55:00Who? Why?
00:55:02Where is?
00:55:02In his room with Juan.
00:55:04Father!
00:55:07And he dies.
00:55:08Hey, that's not going to happen.
00:55:10OK?
00:55:19Juan, it burns me.
00:55:21It burns me up, Juan.
00:55:23It burns me.
00:55:24It burns me.
00:55:29It burns me.
00:55:30Juan.
00:55:31Please help me.
00:55:33I'm here.
00:55:34Juan, Juan.
00:55:39Come on, come on.
00:55:42Empédeme.
00:55:43That will calm you down.
00:55:45Peaceful.
00:56:02Juan, what's wrong with him?
00:56:04Don't know.
00:56:06The symptoms correspond
00:56:07under the effect of a poison.
00:56:08Which?
00:56:09If I knew,
00:56:10I would have cured her by now.
00:56:11Or do you think I like it?
00:56:12See her like that?
00:56:18Juan, what's happening to me, Juan?
00:56:20It's playing in the background, act, Cesar.
00:56:22What's happening to me?
00:56:24What's happening to me?
00:56:26What's happening to me?
00:56:27What's happening to me?
00:56:28What's happening to me?
00:56:29What's happening to me?
00:56:30What's happening to me?
00:56:33What's happening to me?
00:56:34I need help, Gonzalo.
00:56:37Juan.
00:56:38I don't know how to cure it.
00:56:55Dream.
00:56:57Yeah.
00:56:58What's happening to me?
00:57:03What's happening to me?
00:57:05Gonzalo, please help me.
00:57:10It won't be poisoned
00:57:13It paralyzes the muscles.
00:57:17Daisy
00:57:18Daisy
00:57:20Peaceful
00:57:25He searches for and questions each and every old beggar woman, one by one.
00:57:27I want the Holy Grail now
00:57:29Leave
00:57:30Yes sir
00:57:36Does it bother you?
00:57:39From now on you're going to have to get used to these clothes.
00:57:41And stop walking on the ground
00:57:43Yes sir
00:57:45You can call me father
00:57:51Oh, how touching
00:57:54Did you want something?
00:57:56I would love to understand, Ternán
00:57:59But I gave up trying years ago.
00:58:06Lady
00:58:07Yeah
00:58:09Could I speak with you for a moment?
00:58:12Yeah
00:58:15Wait, ma'am
00:58:16Margarita has suddenly become ill
00:58:18I would like to be away so I can be with...
00:58:20No way
00:58:22There is a lot of work to get done.
00:58:23And we can't do without two maids.
00:58:26Ma'am, but...
00:58:26Return to your duties now, Catalina
00:58:29Yes sir
00:58:37Who is the mother?
00:58:44What difference does that make, Lucrecia?
00:58:47You've had me fooled for five years
00:58:50Making me believe that my son was your only obsession
00:58:53You know how I can feel
00:58:57How long have I been unable to act as Nuño's father?
00:59:00Oh, not again with the same old song and dance.
00:59:02You bore me, Hernán
00:59:06Can you leave me alone with my son?
00:59:15Ah!
00:59:16Pick up the child!
00:59:21Don't move
00:59:28Come on!
00:59:30Come on!
00:59:37I have gathered you here to find out
00:59:39Will my son regain his health?
00:59:41Not to talk about the transits of the sun
00:59:44In Capricorn
00:59:45You must know, Your Majesty
00:59:48That astrology is not an exact science
00:59:51Will the prince rule the Spanish Empire?
00:59:54Yes or no?
00:59:56As I was saying before
00:59:57Its transit on Venus...
00:59:59Enough!
01:00:04The town is beginning to doubt my son's physical and mental capabilities
01:00:07Do you know what that means?
01:00:13These are not ways to interrupt Her Majesty's privacy
01:00:20Why this sudden visit?
01:00:24Majesty
01:00:25I'm sorry to bother you
01:00:27But the matter that brings me here is of vital importance
01:00:31Speaks
01:00:33I need the help of your chamber doctors
01:00:36The most important person in my life is dying
01:00:38And I have no means to save her.
01:00:41The royal doctors only treat the king
01:00:44And to his family
01:00:46My son Carlos's health
01:00:48The infant
01:00:49The heir
01:00:51It takes up all his time
01:00:55But Your Majesty
01:00:57The simple help of one of his bedside doctors
01:01:00That would be enough to save his life.
01:01:04Do you expect me to jeopardize the future of the Empire for a single person?
01:01:12Mister
01:01:14I...
01:01:15Yera, Kete!
01:01:18You are captain of my army
01:01:19And the only health you should be worried about
01:01:22It is that of your future king and lord
01:01:39Fancai我!
01:01:43Fancai我!
01:01:48Fancai我!
01:01:51Let her go!
01:01:52Fancai!
01:02:07Fancai yo!
01:02:18Fancai yo!
01:02:37How could three masked figures have reached the palace hall?
01:02:41Where were the lackeys? Why didn't anyone alert the guards?
01:02:44Ma'am, I don't know. We were in the garden cleaning the carriage.
01:02:48They could have taken Nuño.
01:02:49Or kill us all.
01:02:55Why, ma'am? Why did they take that child away?
01:02:58And what do I care?
01:03:00I almost killed myself because of him.
01:03:02I want the entire service lined up below.
01:03:05The person responsible will receive a severe punishment.
01:03:08Yes, ma'am.
01:03:22Were you looking for this?
01:03:25Where is my son?
01:03:28What are you saying, Hernán?
01:03:31You had it all planned, right?
01:03:33I have nothing to do with the disappearance of your bastard, Hernán.
01:03:37What have you done with it?
01:03:40Is he dead?
01:03:42I'm telling you this for the last time.
01:03:44Don't know.
01:03:47Okay, Lucrecia.
01:03:49You leave me no other option.
01:03:52What are you doing, Hernán?
01:04:01Let me go!
01:04:02You will all end up on the gallows.
01:04:03You can't stop me, Hernán!
01:04:06Let me go!
01:04:06Don't touch me!
01:04:08And who said I was doing it?
01:04:10Many people disappear in the village every day.
01:04:14Take her away.
01:04:15Let me go!
01:04:16Let me go, Hernán!
01:04:18Let me go!
01:04:19No!
01:04:44What is that, Gonzalo?
01:04:45Where are you going?
01:04:46Juan, I think I can save her.
01:04:47What do you think?
01:04:48We can't give him just anything.
01:04:50We have no other option.
01:04:52This could kill her, Gonzalo.
01:04:54Margarita is strong.
01:04:55It could be that...
01:04:55That?
01:04:55For a miracle to happen?
01:04:57Juan, do you really think prayers will save her?
01:04:59I'm not going to get down on my knees to watch him die.
01:05:02I will not allow him to put his life in danger.
01:05:05You lost that right when you left her for someone else.
01:05:07Let go!
01:05:08I'm not going to let you give him that!
01:05:09Juan, I'm going up.
01:05:11No!
01:05:14Come on, we don't have time to lose.
01:05:17I trust that he will rise to the top and do what he has to do.
01:05:26Have you checked the garden?
01:05:28Yes sir.
01:05:29And the well?
01:05:32Commissioner, the child is not in the palace.
01:05:36I want men here and here.
01:05:38They should search everyone who enters and leaves the village.
01:05:39Use all the men you need.
01:05:41Of course, sir.
01:05:44What are you waiting for?
01:05:56Have you gone riding?
01:05:57No.
01:06:00Well, yes.
01:06:03I was looking for the child.
01:06:11Thank you.
01:06:14No...
01:06:15I didn't know you had a son.
01:06:19You're old enough to know that all men have secrets.
01:06:23Yes, yes.
01:06:26But it's pre-vello.
01:06:28Like me.
01:06:31Like your mother.
01:06:34Duño, never forget your origins.
01:06:37Those are wise words, commissioner.
01:06:40In the end, it's going to turn out you have the makings of a father.
01:06:46You can leave.
01:06:54It's a shame they didn't let you prove it.
01:06:59I've heard about the kidnapping of your little bastard.
01:07:02That was a terrible event.
01:07:04I'm sorry, Your Eminence, but I don't have time to talk with you.
01:07:06I have a lot of work.
01:07:11Commissioner, lately you've been leading a rather, shall we say, excessively disorderly life.
01:07:19What happened to your son is just a warning.
01:07:25Sometimes we need to be taught a good lesson.
01:07:30A lesson that will be hard to forget.
01:07:33Where is my son?
01:07:37Don't worry about that.
01:07:39And focus your efforts on finding the Holy Grail.
01:07:44When you find it,
01:07:47I will return your little bastard to you.
01:08:29and measures
01:08:30and
01:08:30with
01:08:30and
01:08:30with
01:08:30that
01:08:50Father, please pray with us, please.
01:09:28Subscribe to the channel!
01:09:35Love, no more than it doesn't wake up and that's not good.
01:09:42I mean, she doesn't wake up, you're like stiff.
01:10:13Love, no more than it doesn't wake up.
01:10:17It's slipping away, it's slipping away.
01:10:19It's you!
01:10:19He's not leaving us!
01:10:28No, no, no, no, no, calm down.
01:10:30Relax, you see how...
01:10:32He'll recover, don't worry.
01:10:36What refreshes you?
01:10:37I'll show you what it does to you.
01:11:18No, no, no, no!
01:11:54Thank you!
01:12:12Daisy...
01:12:13Daisy...
01:12:20Daisy...
01:12:25Daisy...
01:12:34Daisy...
01:12:51I couldn't take any risks. I had to make some compilations.
01:12:54You son of a bitch! I'll kill you! I'll kill you! Get out of my room! Get out!
01:13:00Okay, Lucrecia. I owe you an apology.
01:13:02The apology?
01:13:05You owe me much more than that. Have you found your damn bastard yet?
01:13:10That's none of your business. But don't worry, he won't be returning to the Palace. At least not for now.
01:13:18Great. One less problem for everyone.
01:13:26Were you really going to wear the same dress you wore when you married the marquis?
01:13:34That?
01:13:38For our supposed wedding.
01:13:42It was the one that was closest at hand.
01:13:46So...
01:13:49Would you have done it?
01:13:54The fact that?
01:13:56Will you marry me?
01:14:02You would have been a widower with a lot of money.
01:14:06You needed help to spend it.
01:14:10Of course.
01:14:13Money.
01:14:15It's always about money, Hernán. Is there anything else?
01:14:22Forward.
01:14:24Lady.
01:14:26Commissar.
01:14:27His wife.
01:14:28It will be better
01:14:28that we notify the priest.
01:14:31And a coffin will have to be chosen.
01:14:34No, ma'am.
01:14:35It would be better
01:14:36that we should notify the cook.
01:14:38Miss Irene
01:14:39He woke up hungry for a week.
01:14:42No.
01:14:46No.
01:14:47No.
01:14:48Lady.
01:15:03It was God himself
01:15:04who returned Margarita to him.
01:15:05Even you have to admit it.
01:15:07It was incredibly tall, bro, a miracle.
01:15:09If you prefer to believe that...
01:15:12Not you.
01:15:13That's why he picks up his sister-in-law.
01:15:15and he took her away.
01:15:15And where did he take her?
01:15:16Let's go for a walk in the woods.
01:15:17Exact.
01:15:19He was desperate.
01:15:20That's where I want to get to.
01:15:22What kind of God is that for?
01:15:24To help those in desperate need
01:15:25and guide their steps
01:15:26as he did with you.
01:15:27That's what I gave to Margarita.
01:15:28It worked and he was cured.
01:15:29Nothing else.
01:15:30Come on, man.
01:15:31Do you think I believe myself?
01:15:32Or that he didn't believe?
01:15:33When it is obvious
01:15:34who thought they were standing on tiptoes.
01:15:36I'm not stupid.
01:15:38Look, I'm a rational man.
01:15:39I only believe in what I can experience.
01:15:41Say what you want,
01:15:42But any day now this
01:15:43I see him at mass.
01:15:45If I give it to you
01:15:46a tiny cross
01:15:47to wear under a suit.
01:15:48No, thanks.
01:15:50Come on.
01:15:51Gonzalo.
01:15:53Is he/she better?
01:15:57Yeah.
01:15:58Still a little weak,
01:16:00But he will recover.
01:16:05forgive me.
01:16:09You were right.
01:16:23It's terrifying.
01:16:25But that's true.
01:16:27Aunt Klaas, the doctor.
01:16:28He's a gentleman, isn't he?
01:16:31Okay, that's it.
01:16:32Everything is sorted now.
01:16:34Your wedge is healed
01:16:35And we'll rest.
01:16:36that we don't deserve it.
01:16:37Solved?
01:16:38No.
01:16:39Not everything.
01:16:41There's still one thing left.
01:16:44That?
01:16:45Missing?
01:16:56That?
01:17:10No, no, no.
01:17:29Who are you?
01:17:31Why are you doing this for me?
01:17:35I am the Red Eagle.
01:17:37And I help people who need it.
01:18:17Who did this to you?
01:18:18Who went?
01:18:19I'm thinking of creating a new tax.
01:18:21Creating a new tax would starve the people to death.
01:18:24The Life of Saturn.
01:18:26By Saturno Garcia.
01:18:27I am Nuño, from Santillano.
01:18:30Jimena, delighted.
01:18:33I ask him what King Philip would say if they found out that we had converted his riches.
01:18:43It would be absurd to fall in love with a girl whose destiny is to become a nun.
01:18:47Cardinal Mendoza?
01:18:48How did you get in here?
01:18:50I am Fernando Álvaro de Toledo.
01:18:52The duke?
01:18:53The Duke of Álvaro.
01:18:54You're going to give me what I ask for, or the whole world will know that you robbed and murdered the marquesses.
01:18:59of his mountain.
01:19:00Would you like to work for me?
01:19:01I'm offering you a position.
01:19:05You must leave.
01:19:07It's the best thing for you.
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