- 7 weeks ago
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00:00:21I dream of ye with a light from hell
00:00:28Born like a vapor from the summer air
00:00:58I dream of ye with a light from hell
00:01:01I dream of ye with a light from hell
00:01:05I dream of ye with a light from hell
00:01:37Keep that horn going
00:01:45I dream of ye with a light from hell
00:01:48I dream of ye with a light from hell
00:01:51I dream of ye with a light from hell
00:02:05Stand by the anchor
00:02:11Right ahead sir
00:02:16I see one over there
00:02:18We are here for all police
00:02:22The Lord
00:02:25Quiet down there
00:02:29Who are you?
00:02:31The flying cloud
00:02:33220 days out of New York
00:02:36And 15 days trying to find your blast at all
00:02:40Well, nobody asked you to come
00:02:43Got anything in this fog end of the world except fog?
00:02:47Sure, we got gold
00:02:49Mountains of gold
00:02:56You're just in time
00:02:57We're all home to the back
00:02:59We're all home to the back
00:03:00We're all home to the back
00:03:01We're all home to the back
00:03:03Where are you going, Jerry?
00:03:05Set a promise to the back
00:03:06Whoo!
00:03:10Now all the blocks
00:03:12High the front of the boys
00:03:13High the front of the boys
00:03:14Please pick him up
00:03:21There they are at last, Miss Rutledge
00:03:23The will-of-the-wisp lights of fortune
00:03:24San Francisco
00:03:25The latest newborn of a great republic
00:03:29I see a lot of fog and a few lights
00:03:32I like it when life's hidden
00:03:34Gives you a chance to imagine nice things
00:03:38Nicer than they are
00:03:42Listen, listen to them
00:03:44Men like to yell, don't they?
00:03:46They imagine they are millionaires already
00:03:49More than that
00:03:50They've all left lives behind them they didn't like
00:03:52They all dream of being reborn in the new land
00:03:55Do they?
00:03:57Or do they dream of gold?
00:03:59No, no, Miss Rutledge
00:04:01Behind that fog lies not only sand filled with gold
00:04:04But a new empire for men of vision
00:04:06Men of vision?
00:04:07Oh, I love the fine names men give each other to hide
00:04:10Their greed and lust for adventure
00:04:13I'm amazed at your idealism, Colonel Cobb
00:04:16Newspapermen read that drunkards are idealists, Miss Rutledge
00:04:19I'm afraid I'm both
00:04:21But however soiled is hand
00:04:23The journalist goes staggering through life with a beacon raised
00:04:26Beg pardon, Miss
00:04:28There's not much trying to pay for your clearance papers
00:04:30Nobody will be allowed off ship until they do
00:04:33How much is it?
00:04:34Forty-five dollars, Miss
00:04:36Tell the person I'll settle before the ship leaves the port
00:04:38Sorry, Miss, but there'll be no going ashore unless it's paid
00:04:41Here, young men
00:04:43You get our luggage and a boat to take us ashore
00:04:46Yes, sir
00:04:47Thank you, sir
00:04:49Thank you, Colonel
00:04:50I
00:04:51A paltry sum to unlock the golden gates of that new empire that lies behind the fog
00:04:57Miss Rutledge
00:04:58You pardon an old man for interfering, but I'd like to help you
00:05:01San Francisco is no place for so fair a flower as yourself
00:05:05Thank you for your offer of protection, Colonel Cobb
00:05:08But I don't think I shall need it
00:05:10Are you ready with the anchor?
00:05:12All right, sir
00:05:13Let her go
00:05:14All right
00:05:18We are in, Colonel
00:05:20Road alongside, sir
00:05:22This way, sir
00:05:23This way, sir
00:05:29Can you just step aside, please, and let the lady get in here
00:05:38A white woman
00:05:39How much to take us ashore?
00:05:43Fifty dollars a piece in advance
00:05:44Fifty dollars?
00:05:46Why, that's outrageous!
00:05:47Fifty dollars?
00:05:49Well, this is New Year's Eve, folks, and them's New Year's Eve prices
00:05:52I know about it
00:05:54Colonel
00:05:54It'll be paid back when we get ashore
00:05:58Jumpin' G. Harshaman
00:06:00A white woman
00:06:10What's the matter, my man?
00:06:11Tired
00:06:12Tired?
00:06:12Say, I can roll from here to China and back again without even puffing
00:06:16Then why the delay?
00:06:17Well, it's after 10 o'clock p.m.
00:06:19I don't get the significance of your remark
00:06:21Well, after 10 o'clock the rates go up
00:06:25A blackmailer at the gates of El Dorado
00:06:28But it's preposterous
00:06:29Well, pay or get out, and the proposition goes for you, too, miss
00:06:33We're hardly in a position to walk
00:06:35Well, try swimmin'
00:06:36But I haven't that much money
00:06:39Well, over you go, then, both of your business is business
00:06:41Oh, you wouldn't dare
00:06:43I wouldn't dare
00:06:44Say, you don't think they call me old atrocity for nothin', do you?
00:06:48Why, if I have to tell you half the atrocities have committed them a time, why, you'd kill over right
00:06:52where you are
00:06:52And another thing
00:06:53There's a price in my head in every state in the union
00:06:55Except in the California, and it ain't organized yet
00:06:58Well, upsy-daisy, over you goin', no foolin'
00:07:02Wait
00:07:03Does it mean anything to you that I came here to marry Dan Morgan?
00:07:06Married Dan Morgan?
00:07:07Yes
00:07:08The man that made the homestead guilty strike?
00:07:10Yes
00:07:13More than the mountain
00:07:19Get him, Wolf
00:07:20Who you got, sir?
00:07:23Where are you?
00:07:25No way
00:07:26She's a New York white woman
00:07:28Whiter in Henzey
00:07:30Whoo-heee
00:07:37Be careful with us
00:07:39Be careful with us
00:07:41Be careful with us
00:07:43You're not getting in the water, Warner
00:07:44Be gentle with us
00:07:45Look in the room, boys
00:07:46She ain't gonna disappear
00:07:47Welcome to San Francisco, Miss
00:07:49Thank you, sir
00:07:52Happy New Year to the gentlemen of San Francisco
00:07:55On behalf of the assembled multitude allow me to wish you likewise
00:07:59That's right
00:07:59And many others
00:08:00Thank you, gentlemen, but would someone please help Colonel Carver?
00:08:03Well, I'd swim round the horn with my hands tied if you ask it, Miss
00:08:06I hope you're coming to San Francisco, pardon it
00:08:09Colonel Marcus Aurelius Cobb is the name, gentlemen?
00:08:11That's fine
00:08:12Well, is there anything we can do for you?
00:08:13It'd be chilly, Miss
00:08:14You can have my coat
00:08:15Here, mine's new
00:08:15Are you hungry, Miss?
00:08:16Yeah, you can have me roast boiled or fried
00:08:18We can dig up something better than old monkey meat for you, Miss
00:08:21The Bella Donna serves the best steaks in town
00:08:22Well, thank you, gentlemen
00:08:23But I came here to meet Mr. Dan Morgan
00:08:25Does anyone know where he is?
00:08:31She's Dan Morgan's fiancé
00:08:35You came all the way from New York to marry Dan Morgan?
00:08:39There seems to be some mystery, gentlemen
00:08:42Mr. Morgan wrote me with him
00:08:44He couldn't meet me
00:08:45Somebody would be here to take me to the Homestead Gully
00:08:47I'd like to go there if it isn't too far
00:08:50Does anyone know where it is?
00:08:53But you see, Miss, uh, uh
00:08:55Homestead Gully has been taken off the map
00:08:58Would you like a little drink, Miss?
00:09:00Well, could you tell me where I could find Mr. Morgan?
00:09:04Well, uh
00:09:06Go on, Jed
00:09:07You've been doing all the talking
00:09:09Well, I hate to be the first to break the news, Miss, but
00:09:13Mr. Morgan has been taken off the map
00:09:16Likewise
00:09:20He's dead?
00:09:22He's dead on the doornail
00:09:23Shut up, you're barman
00:09:25Here, Miss, drink this
00:09:29How did it happen?
00:09:32Well, Miss, you see
00:09:33The red come up 13 times straight in a row
00:09:37And the gold mine changed hands
00:09:39After which, unfortunate incident by Mr. Morgan, uh, sort of
00:09:42Sort of had a, uh, misunderstanding
00:09:45Oh, I'm afraid he was a bad loser, Miss
00:09:48San Francisco is no place for a bad loser
00:09:51Especially if they're not so quick on the draw
00:09:54Which he wasn't, Miss
00:09:55I never see a man in my life takes a long to pull a gun
00:09:57In fact, he got real drugs
00:09:58Clean drugs
00:09:58Shut up for all
00:10:02And there's nothing
00:10:04No
00:10:17There's nothing
00:10:29Miss Rutledge
00:10:31Allow me to walk for my heartfelt sympathy
00:10:35I don't know why I'm crying, Colonel Cobb.
00:10:37But that's what men expect of women, isn't it?
00:10:39That they should cry.
00:10:41You poor child.
00:10:43Well, it seems my first claim hasn't panned out so well.
00:10:46You don't fool me, my dear.
00:10:48You're hurt.
00:10:49Can't I be of some assistance?
00:10:53You don't understand, Colonel Cobb.
00:10:55I never loved Dan Morgan.
00:10:58But you were going to marry him.
00:11:00Yes.
00:11:02He must have meant something to you.
00:11:04He meant a million dollars.
00:11:06Miss Rutledge, you're shocked.
00:11:09Why?
00:11:09Because I'm not pretending an emotion I don't feel.
00:11:12Oh, you poor dear.
00:11:13Let me take you back to the ship.
00:11:15Oh, no.
00:11:18No.
00:11:20I'm not running away.
00:11:24I came here to get something.
00:11:27And I'm going to get it.
00:11:29Yes, but San Francisco is no place for a woman.
00:11:32Why not?
00:11:33I'm not afraid.
00:11:39I like the fog.
00:11:42I like this new world.
00:11:44I like the noise of something happening.
00:11:48No, San Francisco is no place for a bad loser.
00:11:51Man of who?
00:11:53Dan Morgan was a bad loser.
00:11:56Well, I'm not.
00:11:58I'm a state.
00:12:01I'm tired of dreaming, Colonel Cobb.
00:12:04Stay.
00:12:04I'm staying and holding out my hands for gold.
00:12:09Bright yellow gold.
00:12:21Gentlemen, who got Dan Morgan's money?
00:12:23Oh, I'd forget about that money if I were you, miss.
00:12:26Because you ain't ever going to get it back.
00:12:27Who got the money?
00:12:29In the hands of the worst fiend in San Francisco.
00:12:32What's his name?
00:12:33His name is Louis Shemali.
00:12:35He owns the biggest gambling parlor in California.
00:12:37The Belladonna.
00:12:38You know.
00:12:39The one we was telling you about.
00:12:41Gentlemen, I'm hungry.
00:12:43Good job.
00:12:43I should like to have supper at the Belladonna.
00:12:47Oh, that's how he's the best man to get you down there.
00:12:50Oh, go down.
00:12:52I reckon we'll have to pack you a horse, too.
00:12:54Come on, Captain.
00:12:56Right down, man.
00:13:00Three things can't get me.
00:13:02I see.
00:13:03What do you see?
00:13:04That's what we're eating, man.
00:13:07Get me.
00:13:11Come on, you're up, sir.
00:13:20That's opium in this mountain, man.
00:13:22Opium in China when sure a perfume up the street.
00:13:25Come on, make way for it, lady.
00:13:29All right, all right, all right.
00:13:32This is worth in the poverty, such an advocate.
00:13:34Don't worry, miss, sir.
00:13:36Don't worry, man.
00:13:40Look out.
00:13:41Here comes some more China.
00:13:53Oh, he's just a fool from one of us.
00:13:55They're going to cut off their pig tail.
00:13:57Why?
00:13:57Well, if you cut off a Chinaman's pig tail,
00:13:59he can't go to heaven, according to their religion.
00:14:01That's the reason they're carrying on so.
00:14:03It's outrageous, gentlemen.
00:14:06Outrageous.
00:14:06Surely you will not allow persecution of this sort to raise its ugly head in this new land.
00:14:11Look out there.
00:14:11Why, the Chinese are the oldest civilization of the world.
00:14:15We must not be intolerant.
00:14:17We must respect their beliefs.
00:14:19We must...
00:14:20We must...
00:14:23We must get me out of here.
00:14:28A couple more minutes, man.
00:14:30Get him, China.
00:14:33Well, you went on Sacramento Avenue.
00:14:34They lost their burrow down there last week
00:14:36and ain't found out to hear of them yet.
00:14:38Gentlemen, shall we go on to the belladonna?
00:14:40Yes, sir.
00:14:41Don't give you a wrong impression of our fair city, Colonel.
00:14:43Wrong wasn't built in a day, gentlemen.
00:14:45The paths of empire have always started in the mud
00:14:48and ended in gauly.
00:14:50I shall make that the subject of my first auditorium.
00:15:16I'll be a foot fellow.
00:15:19Have a good day, man.
00:15:25I'll Mauldse, now you went.
00:15:26Everybody down.
00:15:27Here we go.
00:15:29Very good.
00:15:30Good night.
00:15:35Good night.
00:15:41Good night.
00:15:43Good night.
00:15:44Good night.
00:15:44Good night.
00:15:46Good night.
00:15:46Good night.
00:15:46Good night.
00:15:47Good night.
00:15:48I'm going to run away!
00:15:50I'm going to run away!
00:15:55The white woman!
00:16:12I just wanted the biggest fans out here, Miss.
00:16:15I got a bigger mind than his, Miss.
00:16:18And I was thinking if you might consider Mary.
00:16:20I'd like to meet the little lady, too.
00:16:22This is Jack Boone.
00:16:23Speaking about marriage.
00:16:24Yes, I am.
00:16:25We sure hope you're going to like it out here.
00:16:29I'm not as serious about that marriage question.
00:16:31Indeed I am.
00:16:41I'll get back to work.
00:16:43Sure.
00:16:43Yes, Missy.
00:16:46We're taking out more than a hundred ounces a day.
00:16:48Yeah.
00:16:48That's more than...
00:16:52Ain't somebody going to introduce me?
00:16:58My name is Louis Shamali.
00:17:01I'm very glad to know you.
00:17:10I like that seat.
00:17:25Hey, Miss.
00:17:28What do you like San Francisco?
00:17:32I think I'm going to like it very much.
00:17:35That's fine.
00:17:36I own it.
00:17:41much pleasure gentlemen I drink nothing but rye
00:17:45I don't drink some wine
00:17:51I hear
00:17:54that you come out here to marry Dan Morgan
00:17:57yes
00:17:58well there's no accountant for days
00:18:02you could have been throwing yourself away on him
00:18:06yeah
00:18:08you've been throwing yourself away
00:18:11you ain't told me a name yet
00:18:13my name is Mary
00:18:14nice name
00:18:18I am Colonel Marcus Aurelius Cobb
00:18:21I'm glad to know you
00:18:22Miss Rutledge is not staying here sir
00:18:24that true
00:18:26depends on how much I like your town
00:18:29Miss Rutledge I beg you to reconsider
00:18:31good night Mr Cobb
00:18:32hope we'll see you around here often
00:18:34good night Colonel Cobb
00:18:36and thank you
00:18:44ready
00:18:45we behind him
00:19:03you
00:19:13could be
00:19:15okay
00:19:26Happy New Year.
00:19:27Happy New Year.
00:19:44I didn't hear you knock, sir.
00:19:46Oh, I guess that's because I didn't knock.
00:19:49How do you feel?
00:19:51I feel like New Year's morning, Mr. Shumali.
00:19:54You know, I kind of thought you might, so I brought you something.
00:19:57Go on, take it. We call this a prairie oyster.
00:19:59Make you feel better.
00:20:05Well, you made up your mind about what I told you last night?
00:20:10Let me see. It was something about marriage, wasn't it?
00:20:15Oh, no, that wasn't me.
00:20:17Have you something better to offer?
00:20:21Then I'll let you and me understand each other.
00:20:25You ain't staying in San Francisco for to go into society, are you?
00:20:29You're staying here for gold.
00:20:31And you didn't bring a pick and shovel with you, either.
00:20:34You seem to have everything all figured out.
00:20:36You're quite right.
00:20:38I'm staying for gold.
00:20:40Well, then you'll be glad to hear that you found it.
00:20:44I take it, Mr. Shumali, that your journey's in.
00:20:47Yeah, hmm?
00:20:49Yeah, that's me.
00:20:51Say, now, look here.
00:20:52You had a lot of the boys last night laying bags of gold at them little feet of yours.
00:20:57Well, them bags of gold is mine.
00:20:59Only I don't have to dig and sweat to get them.
00:21:02Oh, I see.
00:21:03They shovel it out of the ground and they hand it to you across the table with the little wheel
00:21:06on it.
00:21:07You know, you're highfalutin', but you're smart, ain't you?
00:21:10Oh, yes, I'm smart.
00:21:13Hey, you got a pretty way of holdin' your head.
00:21:16What's your proposition, Mr. Shumali?
00:21:19All right.
00:21:20You work at the table, see?
00:21:22You're worth a lot of me as an attraction.
00:21:24Why, they'll come swarming in here like flies around a pot of honey.
00:21:28How would you like to get part of all the gold that's dug up around here?
00:21:32Suppose I lose.
00:21:34Ah, you lose only when you want to.
00:21:36And you win when you want to.
00:21:37That's the kind of a little wheel it is.
00:21:40Oh.
00:21:43Is that the wheel Dan Morgan played?
00:21:46Very same one.
00:21:49Head feel better?
00:21:52Very much better, thank you.
00:21:54Well, then it's a bargain, huh?
00:21:56Yes.
00:22:11Like a swan, ain't it?
00:22:16That's what you're like?
00:22:19Soft and slick.
00:22:22A swan.
00:22:28Just one thing more, Mr. Shumali.
00:22:31I suggest you get used to knocking on doors.
00:22:36All right.
00:22:37Swan?
00:22:51You guys right, they're here behind that other side of the sun.
00:22:54Come here.
00:22:57Oh.
00:22:58Oh.
00:22:58Oh, yes.
00:23:03Oh.
00:23:06I'm
00:23:16San Francisco ain't like it used to be, it's getting to be more like a city.
00:23:19Speaking of that, I've been in cities where they chase me off the street like I was a mad dog.
00:23:23Oh, shut up before I start doing some more chasing.
00:23:25Looks like we'll have to do a couple more stores here pretty soon.
00:23:29You like this one?
00:23:31That's very nice, sir.
00:23:32Looks like pretty on you.
00:23:35I don't like that.
00:23:38She can be the orneryish critter.
00:23:41Oh, shut up. I like her when she talks like that.
00:23:44See this.
00:23:46See here, how it's made here.
00:23:48Well, if it ain't the mayor of this thriving metropolis.
00:23:51Lurie!
00:23:51Good morning, Mr. Mayor.
00:23:53Say, I want you to meet a friend of mine, Miss Rutledge.
00:23:56Swan, I'm sorry, sir, but I'm with my wife.
00:23:59Come, my dear.
00:24:03Why, the ungrateful coyote.
00:24:05What a two-faced hyena.
00:24:08Why, I made a mayor of this town.
00:24:09Now stop him, dear mayor.
00:24:10I wouldn't do that.
00:24:11Why, I...
00:24:12I wouldn't do that.
00:24:13Why, he insulted me.
00:24:14No, he didn't.
00:24:15He just insulted me, that's all.
00:24:16Well, I don't like that either.
00:24:17You'll get used to it, Louie.
00:24:20So will I.
00:24:21Now then, I have one beautiful cowboy.
00:24:23I'll show him in that horse face he calls his wife.
00:24:25Buzzard me, that's what she is.
00:24:27Very nice, dear.
00:24:28Give me that.
00:24:29Which one, sir?
00:24:30The one she's got applause on.
00:24:32Go on, take it, it's mine now.
00:24:33I bought it.
00:24:34Sorry, Miss.
00:24:34This belongs to Mr. Shimali.
00:24:38Say, I'm buying that too.
00:24:39It's mine.
00:24:40Put it back.
00:24:41What's that, sir?
00:24:41You heard what I said.
00:24:42I don't approve of your behavior, sir.
00:24:44No, you don't, huh?
00:24:45How's that?
00:24:45Well, it's my behavior and it's good enough in this town.
00:24:48Now I'll show you some real behavior.
00:24:50I'm buying this and that and that.
00:24:52I'm buying all this, understand?
00:24:53It's mine now.
00:24:54I don't want anyone else touching it.
00:24:55I'm buying everything in the store.
00:24:57Do you want the fish too?
00:24:59No, I'll throw the fish to the mayor's wife.
00:25:00She looks hungry.
00:25:08Make your plays, gentlemen.
00:25:10Make your plays.
00:25:11All right, all right.
00:25:12There we go.
00:25:13Off again.
00:25:13Well, I'm warm.
00:25:14I've got to hold the red.
00:25:15That's black.
00:25:16All right, I'm warm.
00:25:19Five and a six.
00:25:23Twenty-two.
00:25:24Even.
00:25:24Black.
00:25:25You lose, sir.
00:25:26I've never seen anything like it.
00:25:28The black has come up six times in a row.
00:25:30The red's bound to come up soon, mister.
00:25:33Sobux McTavish is my name.
00:25:34And I'm the luckiest man in the world.
00:25:37I'm sure you are, sir.
00:25:38Make your plays, gentlemen.
00:25:39Make your plays, sir.
00:25:40By the same way, sir.
00:25:41Place them on the legs, Andy.
00:25:43Go slow, Sobux.
00:25:44You and me worked with that for a whole year.
00:25:46I'm tired of bending over lifting gold over the ground.
00:25:49I want to pick it up off the table standing up.
00:25:52Let her go.
00:25:53Say, how much is it, sir?
00:25:54We'll weigh it when the gentlemen win.
00:25:56Aye.
00:25:56How about Britain just half, Sobux?
00:25:58The plays, Mayor.
00:26:00All of it, sir?
00:26:00All of it, sir.
00:26:01You're a daft man.
00:26:02Daft am I.
00:26:03Who was it pulling Bonanza Creek?
00:26:05I'm the luckiest man in the world.
00:26:07I never lose.
00:26:12Eleven.
00:26:19Pull in your whiskers, then.
00:26:21I want to talk to you.
00:26:22I don't want to hear no scolding.
00:26:24It is back to me.
00:26:25I lost to the prettiest pair of blue eyes I ever seen.
00:26:28Make your bet, sir.
00:26:29Get out.
00:26:30You were nicer to me a little while ago.
00:26:32You better skedaddle, Romeo.
00:26:34Sobux, my cabbage never skedaddle for a lady yet.
00:26:37Come on, let's go somewhere and celebrate.
00:26:40Take care of me, Michael.
00:26:41Drunk.
00:26:42I wasn't too drunk for gambling.
00:26:44And I know too drunk for luck.
00:26:51He asked for a gentleman.
00:26:53I guess he didn't read the sign.
00:26:58Come on, pick him up and take him out of here.
00:27:00Come on, take him out.
00:27:08You have no hand the last to this.
00:27:12Make your place, gentlemen.
00:27:15Now, see what he's up to.
00:27:27Wait a minute, partner.
00:27:29Where you going?
00:27:30I saw the way she ran that wheel.
00:27:33Yeah?
00:27:34How?
00:27:35Crooked.
00:27:36And I'm going to tell the whole town.
00:27:37I'm going to tell them all.
00:27:58Where's your man, Sheriff?
00:28:00No Chinaman allowed in here.
00:28:02He's with us.
00:28:03Go ahead.
00:28:04Knuckles, I'm sorry.
00:28:05What's on your mind?
00:28:06Nothing serious, Louie.
00:28:07I will do the talking, Sheriff.
00:28:10Sandy Ferguson was murdered last night.
00:28:12Shot in the back.
00:28:13Now, now, boys.
00:28:15You know, murder is a pretty big word.
00:28:17Never mind you.
00:28:19All right, he was murdered.
00:28:21What about it?
00:28:22We've sworn out a warrant for the man that did it.
00:28:24Yeah, and before we're through, he'll tell us who ordered it done.
00:28:27Got a warrant, huh?
00:28:30All printed out and everything.
00:28:32Serve it, Sheriff.
00:28:33Simply a matter of routine.
00:28:35Come on, come on.
00:28:36Serve it and take him along.
00:28:38Yeah, not so fast, boys.
00:28:40Not so fast.
00:28:43Where do you think you're taking, Knuckles?
00:28:45He's gonna stand trial for murder.
00:28:47Well, you don't have to take him anywhere for that.
00:28:51What a trial, huh?
00:28:54All right.
00:28:59Hey, Judge.
00:29:00What is it?
00:29:00How dare...
00:29:01What?
00:29:02Ah, my dear Louie.
00:29:03Well, I'm afraid it's rather late, so I think I'll go home.
00:29:06Oh, no, you're not going home.
00:29:08No, no, no.
00:29:08Steady, Judge.
00:29:09Steady.
00:29:11Oh, man.
00:29:12You got a little work for you, Judge.
00:29:14Good evening.
00:29:15Seems that a fellow named Ferguson has just been killed.
00:29:18Who?
00:29:19Ferguson, ain't it?
00:29:20Well, uh, what's the matter with him?
00:29:22Just been killed.
00:29:23Who?
00:29:24Yeah, ain't it a shame?
00:29:25No, no, no.
00:29:25Oh, it's appalling.
00:29:26Who did it?
00:29:27There's your man.
00:29:27Uh, which one?
00:29:28Him.
00:29:30Oh, Knuckles, oh.
00:29:31Yes, we've got a warrant for him.
00:29:33We're gonna put him in jail until court opens.
00:29:35Our court's open now.
00:29:37Well, go ahead, Judge.
00:29:38Just, my dear.
00:29:38Why, this ain't no court, it's a saloon.
00:29:40That's whatever he says it is.
00:29:42Go ahead, Judge.
00:29:44The court's open.
00:29:47Hear ye, hear ye, this honor court is our session.
00:29:52Gentlemen, I must insist upon absolute silence.
00:29:57And will you kindly remove your hats?
00:30:00Now, gentlemen, Knuckles is accused of homicide.
00:30:05Who's seen him do it?
00:30:06That fellow was right there.
00:30:08This is the man.
00:30:09Oh, come, come, gentlemen.
00:30:11You can't expect me to take the word of a Chinaman.
00:30:13Did any American witness this homicide?
00:30:15Oh, there ain't any question who did it, Judge.
00:30:18Come on, good God.
00:30:18Well, hold your horses.
00:30:19This court is not going to be hurried.
00:30:22And, Louis, will you please stop the music during the trial?
00:30:25I can't concentrate.
00:30:27Yeah, give the judge a drink.
00:30:28Well, thank you.
00:30:29Hey, Frank.
00:30:30Quiet on that noise.
00:30:32That's better.
00:30:33Now, Mr. Slocum.
00:30:34Are you prepared to swear on these statements are true?
00:30:37Sure.
00:30:38Oh, you are?
00:30:39Well, let me put it to you.
00:30:41That if Knuckles did commit this crime, that he must have had some reason.
00:30:46Why, of course he had a reason.
00:30:48He was, Judge.
00:30:49Well, this man, Ferguson, passed a remark about Miss Rutledge.
00:30:53He was vulgar.
00:30:54What?
00:30:55He insulted a lady?
00:30:57Gentlemen, you hear that?
00:30:58He insulted a lady.
00:31:00A woman.
00:31:00That censured a vessel.
00:31:02Which from our childhood...
00:31:03Come on, hurry up, hurry up.
00:31:04Oh, yes, yes, of course.
00:31:05Well, under the evidence...
00:31:06Hurry up, Judge.
00:31:07...the case is dismissed.
00:31:09Good day, gentlemen.
00:31:10Have another drink, Judge.
00:31:11You know, there's your trial.
00:31:15Hate to see you fellas make mistakes like this.
00:31:18Might go bad with you sometime.
00:31:22We'll be back, Shomali.
00:31:25Now, don't come around here wasting my time anymore.
00:31:27Get out of here.
00:31:28Come on, get out!
00:31:32Our wing!
00:31:40Knuckles.
00:31:48I'm just gonna cut your pig tail off.
00:31:51What are you yelling about?
00:31:53There's nothing to wash in heaven.
00:31:54What do you wanna go there for?
00:31:56Let him go.
00:32:01I'm afraid, my dear Louis, I really must be going.
00:32:06And so, I shall bid you good day, sir.
00:32:09Good day, Your Honor.
00:32:13Billy.
00:32:17Override, Tim.
00:32:21Easy, Mr. Peoples.
00:32:22Don't strain her, sir.
00:32:24Here she goes.
00:32:26Stark, human.
00:32:27Seems to feel the flow of life along her keel.
00:32:31All right, all right.
00:32:34There she is, Mr. Wiggum.
00:32:35The last word in human ingenuity.
00:32:38The modern printing press.
00:32:40She won't find it.
00:32:41Let's put her in some.
00:32:43Oh, gentlemen, welcome.
00:32:44Glad to see you all.
00:32:45You know Mr. Joseph Wiggum, don't you?
00:32:48How are you?
00:32:48How are you?
00:32:49You're just in time to help christen our new printing press.
00:32:52The beacon that is to guide the destiny of our fair city.
00:32:55I'm glad to hear you say that, Colonel, because we want your help.
00:32:58Gentlemen, I am at your service.
00:32:59Go on.
00:33:00Tell him, Jack.
00:33:00We want you to write something about Louis Sharmali.
00:33:03Yeah, criticize you.
00:33:04For being a murderer.
00:33:05I'm running this town like a jungle.
00:33:07Yeah.
00:33:07We want to know if you have the courage to print in your newspaper exactly what is wrong
00:33:11with San Francisco.
00:33:12That's right.
00:33:13Yeah.
00:33:14Gentlemen, I've waited a long time for this.
00:33:18She's oil, inked, and we're both ready.
00:33:22And Clarion is at your service in any cause that will help make San Francisco a better city
00:33:26to live in.
00:33:28Well, if you'll just sit down and listen to your story.
00:33:31Come out here.
00:33:32I'm glad you came here.
00:33:33I'll tell you a minute.
00:33:39Oh, I'm shut up.
00:33:40There it is, sir.
00:33:42The first issue of the Clarion, Mr. Wiggum.
00:33:44Look at that makeup.
00:33:46Look at that title.
00:33:47Oh, it looks mighty neat.
00:33:48Oh, this is something I've dreamed of.
00:33:50I'm a new man, Mr. Wiggum.
00:33:52Forgiven for my journalistic sins.
00:33:54Restored to my profession.
00:33:56There's nothing that can touch it.
00:34:00What if you stay here?
00:34:02What's the meaning of this, sir?
00:34:03That your newspaper?
00:34:04Yes.
00:34:04Well, let me see it.
00:34:09You want law and order, huh?
00:34:11Well, I'm the law around here, and I give the orders.
00:34:14What are you putting in for?
00:34:16Did I ever do you any hurt?
00:34:17This is not a personal matter, sir.
00:34:19This is something much more than...
00:34:20Now, listen.
00:34:21Everybody gets along fine on this town who minds his own business.
00:34:24And you're trying to spoil San Francisco by tenting this kind of stuff.
00:34:28Is that the machine you must bring it on?
00:34:29Mr. Wiggum, get Mr. Slotman.
00:34:31What's that?
00:34:31There you are.
00:34:32Knuckles.
00:34:33What are you going to do?
00:34:34Just watch close and you'll see.
00:34:36Smash that machine.
00:34:37You can't do that, sir.
00:34:39Smash it, sir.
00:34:40Smash it, sir.
00:34:41And after you finish, burn down the building.
00:34:44You can't do that.
00:34:45I saw you.
00:34:45He's outrageous.
00:34:46He's an old man.
00:34:47Well, he ain't going to get much older acting the way he does.
00:34:49Go on.
00:34:49Break it up.
00:34:50No, no, Mr. Slotman.
00:34:51You can't do that.
00:34:52You mustn't do that.
00:34:57Wait a minute.
00:35:00Louie.
00:35:03I don't want you to do this.
00:35:05Why, get out of here.
00:35:06Swan, this is business.
00:35:06Then it's my business, too.
00:35:08Get out of here.
00:35:09Let me handle this my own way.
00:35:10I don't like your way.
00:35:12I've never said anything before.
00:35:13Now I'm saying it.
00:35:14All right.
00:35:15Have your say and get out.
00:35:16You've done enough things I haven't liked.
00:35:19I want him to have his paper.
00:35:20Now listen, Swan.
00:35:21I said let him have his paper.
00:35:23Tell Knuckles to get out.
00:35:31Go on, get out.
00:35:32Get out, will ya?
00:35:33Give her what she said.
00:35:34Go on, get out!
00:35:39Do you still want your paper?
00:35:40Mr. Shamali, if you destroy my press, you destroy me.
00:35:44More than that, you destroy the soul of San Francisco.
00:35:47A city can't...
00:35:47Now cut out the high-sounding talk and answer me.
00:35:49Do you want your paper?
00:35:50Yes.
00:35:51Well, then run it the way you should run it.
00:35:53What way is that?
00:35:54My way.
00:35:55Next time you do anything, write anything, or think anything, just ask yourself, how would
00:35:59Louis Shamali like it?
00:36:01Understand?
00:36:03Is that what makes the writing on the paper?
00:36:05Yes.
00:36:06Well, I don't want anybody reading this kind of stuff.
00:36:12There you are.
00:36:14Hm.
00:36:15You still got your little plaything.
00:36:17Come on, Swan.
00:36:19I'll come in a moment.
00:36:38Thank you, Miss Rutledge.
00:36:40I couldn't have stood it if they'd broken it.
00:36:45There isn't much use this way, though, is it?
00:36:47A poor, shamed thing that mustn't speak.
00:36:51It can speak, Colonel.
00:36:53Let it speak the language of the town.
00:36:55Lies, hypocrisy, and more lies.
00:36:58The beacon of the new empire.
00:37:02Mr. Shamali's empire.
00:37:07Is this true about Sandy Ferguson?
00:37:12You should know better than I, Miss Rutledge.
00:37:27Louis, I want to talk to you.
00:37:30This is true, isn't it?
00:37:33Sure.
00:37:34Why did you kill Sandy Ferguson?
00:37:36For business reasons.
00:37:38Our bargains included lots of things, Louis, but this wasn't one of them.
00:37:41I don't like it.
00:37:43Now, listen, Swan.
00:37:44I'm running this down, and there's only one way to run it.
00:37:47My way.
00:37:48I'm beginning to learn that.
00:37:51And it isn't a pleasant lesson.
00:37:54Oh, come on, come on, Swan. Have a drink.
00:37:56I want up on you.
00:37:58So you haven't thanked me yet for letting the colonel have his paper.
00:38:03You seemed almost human for a moment.
00:38:06Well, then how about you being human for a change, huh?
00:38:09I'd like another drink, please.
00:38:10Swan.
00:38:12Why don't you ever kiss me of your own accord, huh?
00:38:15Why don't you ever put your arms around me and kiss me like you meant it?
00:38:17Wait till I have my drink.
00:38:22I don't want that kind of love.
00:38:25Listen.
00:38:27I'm sick of you talking to me like that.
00:38:30I'm sick of you looking at me like I was a snake in a cold skin.
00:38:33Stop it, you're drunk.
00:38:34I told you I'd wait, didn't I?
00:38:35Well, I waited long enough.
00:38:37You're going to love me, or you're through.
00:38:39You're going to say you love me and mean it.
00:38:41I don't want any woman looking at me like you do.
00:38:43You're going to say you love me, you love me, or get out!
00:38:46I heard you.
00:38:47Don't keep repeating it.
00:38:48Is that all you've got to say?
00:38:50Just that I'm going.
00:38:51Oh, so you're going, are you?
00:38:52Where?
00:38:53Don't you know there isn't a man in San Francisco who will speak to you if you went out of
00:38:56here?
00:38:56Because they know I'll kill him.
00:38:58I'll kill the first man you talk to.
00:39:02What do you want me to do? Lie?
00:39:04Lie and pretend I have a heart?
00:39:06Do you think I'm still Mary Rutledge?
00:39:08Do you think I'm still a white woman?
00:39:09Oh, shut up!
00:39:11Look at me, Louis.
00:39:12Look in my eyes.
00:39:13What do you see?
00:39:15It isn't pretty, is it?
00:39:16Well, I'm just what you see there.
00:39:20Oh, take what you can get, Louis, and let it go at that.
00:39:23Let's enjoy our mud puddle.
00:39:41Where are you going?
00:39:42I'm going riding.
00:39:43I want the wind and the air on me.
00:39:46Yeah, but it's going to rain.
00:39:47I like the rain too.
00:39:51Swan.
00:39:54I want to talk to you.
00:39:56About last night I...
00:39:57Forget it, Louis.
00:39:58I'm trying to.
00:39:59I'll be back in time to run the table.
00:40:15Look.
00:40:35Whoa!
00:40:36Emma...
00:40:36I'm sorry to break in on you like this, mister, but...
00:40:39It's getting pretty wet out there.
00:40:41Listen to Tommy?
00:40:42Oh man, what an arty...
00:40:48what's the matter i can't get over it over what how beautiful a woman is i'd almost forgotten
00:40:56sir help me did you ever read about balboa when he first caught sight of the pacific ocean man
00:41:03what are you talking about he fainted with pure joy you're the most peculiar desert rat i've seen
00:41:09yes would you mind very much if i looked at you if i promised not to faint hey you're pretty
00:41:15wet man
00:41:15don't you think you ought to hang those clothes of yours in front of the fire to dry
00:41:22well i'm afraid there's only this one room but i'll either have to go outside or else i could
00:41:27use my willpower and turn my back turn around mister yes ma'am i apologize for this place ma'am
00:41:35you see i only found it myself a few minutes ago that's how i happened to join the gold rush
00:41:42the
00:41:42case of either going to work for my father or finding the golden fleece afraid i'm gabbing my
00:41:47silly head off but i i haven't talked to anybody for two years except napoleon and josephine my two
00:41:52burros i reckon you met them outside what did you talk to them about oh my cakes of soap whether
00:41:58i'd
00:41:59shave or not and lamb kidneys and wine sauce for breakfast we used to have at home you're from new
00:42:04york aren't you 14 gramercy park gramercy park i used to play there when i was a little girl say
00:42:10you want that little brat with a shetland pony man no no i don't think you know me i was
00:42:17raised under
00:42:18a bell jar with forget me not my hair clothes dry yet i'll see yes i guess they're about cooked
00:42:27now ma'am
00:42:32i'm afraid i'll have to use my willpower again
00:42:44pardon my curiosity ma'am but i'm amazed to find anyone like you blooming away in this arid land of
00:42:50gold you live in san francisco no no i'm uh i'm just visiting here alone no no my family's with
00:43:01me
00:43:01naturally oh prospecting nowhere they're just visiting someone who owns a ranch you can turn around now
00:43:13would you mind my asking you who you are man my name's mary rutledge pleased to meet you miss
00:43:19rutledge my name is james carmichael i've never seen you before have i in uh san francisco no i never
00:43:27been there only to get off the boat and now to get on it again oh you're leaving the west
00:43:32yeah shipping
00:43:34out like sinbad with his loot here it is you know i've been poking around for this silly stuff for
00:43:40about two years i keep expecting it to vanish like the pigments of a dream but safe now that is
00:43:45if i
00:43:45can get by the harpies of san francisco a harpies yes ma'am although some people call them by other
00:43:53names
00:43:57say can i help you button that thank you you remember how ulysses had the stuff cotton in his
00:44:02ears to keep from hearing the song of the sirens well they're gonna have to sing awfully loud for me
00:44:07what does a heartbeat look like oh they got snakes in their hair and cat's eyes and no hearts at
00:44:12all
00:44:13you can always tell them easy oh you know this is more fun than digging gold if you weren't a
00:44:20lady
00:44:20from gramercy park and i weren't a sort of a poetical halfwit full of the most idiotic respect for beauty
00:44:25and grace and gentility i'd you'd what mr garmichael i'd act a lot different than i've been acting
00:44:31you've been very charming sir it's the trouble of being a poet at heart you always have to be
00:44:36charming at the wrong time you don't mind the sort of loose talk i hope ma'am there
00:44:44now i guess you're but now and forever it seems to have stopped raining i think we better go
00:44:52i kind of had an idea we were never going to leave here but i guess that's impractical i'm afraid
00:44:58it is
00:45:01how am i going to write to you if i don't know where you live ma'am i really write
00:45:05awfully well
00:45:05something like shelley when i'm in the mood say i'll read you something he wrote you're having
00:45:10time mr carmichael this is my road and that's yours to the boat and the lamb chop and wine
00:45:17so lamb kidneys ma'am only only they don't seem so important now can't i see you home you'll miss
00:45:25the boat mr carmichael well aren't ever going to see you again please i'd like to remember it just like
00:45:31this the rain the fog and a poet from gramercy park with his bags of gold let's just leave it
00:45:38that
00:45:38way it's awfully hard to live poetry ma'am goodbye mr carmichael well will you take this as a present
00:45:47then and read it to yourself and pretend i wrote it thank you goodbye goodbye
00:46:00hey you don't want a couple of jackasses to remember me by no no thank you goodbye
00:46:11kind of foggy ain't it josephine maybe that old boat won't sail after all
00:46:20well where have you been i've been worried about you i've been riding louie from gramercy park
00:46:28what are you talking about there ain't no gramercy park around here i guess you're right
00:46:33say is something the matter did anything happen a lot happened what got caught in the rain got soaked
00:46:42rolled back a thousand miles and here i am that's all that matters isn't it yeah that's all that matters
00:46:52i guess i better change my thing
00:47:15i beg your pardon gentlemen is this the way to the boat passenger yeah well that's no use you're
00:47:23going aboard tonight sir that is unless you want to we had sail until this fog lifts
00:47:28how soon do you expect that oh that'll be a dare too i'll be seeing you on deck sir
00:47:37well now that's mighty discouraging stranger yes it is you hit it reaching home and down
00:47:42eh yes you don't figure on standing here to the fog lift do you son well i don't know reason
00:47:47tells me
00:47:48that's about the smartest thing to do to stand right here yeah but i've been too reasonable all day
00:47:54something i kind of left up in the air that i'd like to attend to
00:47:57we'll say how about a nice home-cooked meal first lead on sir mighty lucky you met up with
00:48:02these runners can protect you from the barrels of the city yeah yes siree they had me hemmed in so
00:48:09i pulled my gun and i took one down there and one there hey hey take it easy you might
00:48:13hurt somebody
00:48:14don't be afraid son it ain't loaded not loaded no i don't depend on fire ants for protection
00:48:19it's the fire my mighty muscles it scares them away if you want to know some of the things are
00:48:23done with
00:48:23my bear okay here's a right nice homey place for strangers son the belladonna oh yes i've heard
00:48:28of it hey maybe you'd like me to help me carry some of that gold you'd like to string yourself
00:48:33oh never
00:48:34mind thanks just the same well if you came not to take advantage of my strength but have it your
00:48:39wrong way some folks is mighty suspicious for no reason yeah i never saw more grand lastly behind
00:48:43one pair of whiskers in my life you ain't fooling son no
00:48:48you don't even realize how bad i am
00:48:55let's sit here and i'll fetch a garcin what's a garcin oh that's me call waiters in san francisco
00:49:00garcin hey garcin kind of a stylish nickname garcin come come come come what do you want
00:49:08pressure me you guys now should be off the earth start shoving
00:49:13always fooling give us a minute we'll get a couple more drinks
00:49:17you better make it a bottle judy sweetie that last was french let's wet the whistle
00:49:28i think i'll have uh
00:49:32makes me look a little more fee roaches
00:49:46i think i can't make out what that says number three is the best meal what's she doing here oh
00:49:52oh her told you it was a nice homey place that's the lady known as swan swan yep how long
00:49:59has
00:49:59she been in this place brought her in myself for a night just like this right off the flying cloud
00:50:02here's your bottle
00:50:04she come alone yeah but mr chamali one of the services exclusive for the belladonna
00:50:11she ever live on a ranch huh a ranch
00:50:16well the joke's on me see but if you're looking for fun there it is win or lose it's a
00:50:19pleasure
00:50:19just to stand beside her at the table
00:50:24can you see from here whether she has snakes in her hair oh now son go easy on that liquor
00:50:46oh
00:50:47Red, black, evil.
00:50:50Old man advice.
00:50:52Are those snakes in her hair?
00:50:53Forget me now.
00:50:54It's all right, Swan.
00:50:55He's just a little young and been drinking.
00:50:58No, they're not snakes.
00:51:00They're diamonds.
00:51:01No, but she's got lovely cat's eyes.
00:51:04What's the delay, Swan?
00:51:05Come on, spin on.
00:51:07Make your plays, gentlemen.
00:51:10Make your plays.
00:51:12Quiet, quiet.
00:51:13I want to hear the song of the sirens.
00:51:15Ah, son, that ain't no way to talk to a lady.
00:51:18Most humbly apologize.
00:51:19Forgot she was raised under a bill job
00:51:22and a string of forget-me-nots in her hair.
00:51:2621, red.
00:51:2721, waiter.
00:51:34I'll take that.
00:51:35Let's drink together, man.
00:51:37To me, James Carmichael.
00:51:40The dumbest jackass that ever came hee-hawing into San Francisco.
00:51:46Put your money up, you, or get out.
00:51:47Yeah, come on, put up your money.
00:51:49Come on, spin that wheel.
00:51:50Let's get going.
00:51:51All right.
00:51:52There goes.
00:51:53Come on, action.
00:51:57Ramsey Park versus the hallucination.
00:51:59You better get it away first, son.
00:52:01We'll wait for the gentleman when he wins.
00:52:06Black.
00:52:07The color of women's heart.
00:52:08Easy, son.
00:52:09You ain't gonna get no place for them sentiments.
00:52:10A little less fancy talk, stranger.
00:52:12Just, I'm sorry to give offense.
00:52:17Seven.
00:52:18And red.
00:52:20You lose this one time, son.
00:52:21But if you're first, you don't succeed, well, try, try again.
00:52:24That's my motto since a child.
00:52:26Is that it?
00:52:26Yes, sir.
00:52:28Knuckles.
00:52:31Give him this.
00:52:32There you are, stranger.
00:52:40I'm the house.
00:52:43It's hospitable of you.
00:52:44Make your bets, gentlemen.
00:52:45Make your...
00:52:47Had enough of you?
00:52:50Not so fast, son.
00:52:52Not so fast.
00:52:54Gee, what's he gonna do?
00:52:55Put it all up?
00:52:56Yeah.
00:52:59You ain't fitting all at once, are you, son?
00:53:02On the black.
00:53:13Come on, then.
00:53:15Does it all go?
00:53:17Go on.
00:53:18Roll your hoof.
00:53:23Round, round the old willow tree.
00:53:26Come on, old man of the sea.
00:53:28Drink to the little ball.
00:53:3627.
00:53:38And it's red.
00:53:43Who won?
00:53:44The red.
00:53:44Yes, sir.
00:53:45The red come up again.
00:53:47That's not my color.
00:53:49You lost.
00:53:50Just like I did.
00:53:52You lost like a sawbuck from the cabbage.
00:53:54Cover up your back a minute.
00:53:56I'll shoot you like a dead sandbag.
00:53:58Get out.
00:53:58I see it.
00:53:59I see it.
00:54:00Get out.
00:54:03Adam Swan.
00:54:05Galahad.
00:54:06The pure and hard.
00:54:08The expert dresser.
00:54:14Lay the black of wind.
00:54:16The harpies will weep.
00:54:18Don't get excited, stranger.
00:54:20Drink a little bit.
00:54:39Take your place, gentlemen.
00:54:42Take your place.
00:55:01Hey, come on, open the door.
00:55:05Please go away, Louis.
00:55:07Oh, come on, open the door.
00:55:09Say, I got something for you.
00:55:10Part of the money you want tonight.
00:55:13I don't want it.
00:55:15Keep it.
00:55:16What are you asking so hot for?
00:55:20I don't know.
00:55:21Just...
00:55:23Just go away and leave me alone.
00:55:31Women are like frogs.
00:55:33You can never tell which way they're going to jump.
00:55:35Just try to figure them out.
00:55:52Oh, hello.
00:55:55The old man of the sea, hmm?
00:55:58How are you?
00:55:59Well, son, still feel a little depressed over your bad luck last night.
00:56:06Oh, yes.
00:56:09I remember.
00:56:10Say, you know I never seen the light before.
00:56:12Yeah, well, let it dampen that fine western spirit of yours.
00:56:15I still have two boroughs left.
00:56:18That's right, you did.
00:56:19Jane got them now.
00:56:20They run away.
00:56:24Very interesting city.
00:56:26Surprised I have my boots.
00:56:28Any complaints?
00:56:29Oh, no.
00:56:31No complaints.
00:56:32Wisdom was never bought at so cheap a price.
00:56:37Do you still feel pretty bad, son?
00:56:39Maybe it's something you ate.
00:56:42Gall and wormwood sit hard on the delicate stomach.
00:56:48Gentlemen, I don't want to depress you with my problems,
00:56:51but is there any way for the shorn lamb to earn enough money for his passage home?
00:56:56A shorn lamb of infinite accomplishments and a great mass of personal charm.
00:57:02Say, I like the way he talks.
00:57:04I don't.
00:57:06Nobody's asking you.
00:57:08I like a windbag like that around.
00:57:11Go on, get him something to do.
00:57:12You say so.
00:57:17Get busy on those.
00:57:24Oh, you mean these interesting vessels?
00:57:27We call them spittoons, and we like them shiny.
00:57:31Well, with all deference to my benefactor,
00:57:34I think I'll call them cuspidors.
00:57:52Well, how do you feel, son?
00:57:54Like a useful member of society at last.
00:57:56Well, that's fine.
00:57:57Hey, do you have a weight on table?
00:57:59No.
00:58:00I'm sure I have a talent for it.
00:58:02Well, you can begin now.
00:58:04It ain't hard to be a gassin'.
00:58:06All you gotta do is stick up for your rights when they get fresh with you, see?
00:58:09And always take a bottle in your right hand.
00:58:11I mean, when they come and talk...
00:58:18Well, I may spoil her appetite.
00:58:29Good morning.
00:58:30Would you like to see the menu, ma'am?
00:58:32What are you doing here?
00:58:33I'm waiting for your order, ma'am.
00:58:34I don't want you around here.
00:58:36Well, I don't blame you after last night.
00:58:38I'm very glad of this chance to apologize.
00:58:40I don't like sarcasm so early in the day from waiters.
00:58:42Well, there's no sarcasm intended, ma'am.
00:58:45You hate me while I hide it behind a lot of silly words.
00:58:47I don't think that's a very accurate account of my feelings, ma'am.
00:58:50The worst, I feel, is kind of philosophical.
00:58:53Well, what are you standing there for?
00:58:54I told you I don't want you around here.
00:58:56Well, if you don't mind, I'd like to work here
00:58:58until I get enough money to take a boat back to New York.
00:59:01You could steer clear of the harpies next time.
00:59:03Uh, what would you have for breakfast, ma'am?
00:59:06Would you like to see the menu?
00:59:08I'll give you your fare back to Gramercy Park, Mr. Carmichael.
00:59:11I'm sorry, but I have some notion on the subject of handouts.
00:59:15You mean I'm not good enough to give you money?
00:59:17I mean I'm not bad enough to take it, ma'am.
00:59:19Well, if you don't hate me, I hate you, Mr. Carmichael.
00:59:21Because with all of your talk about being a poet,
00:59:23you're small and mean and righteous,
00:59:25no different from the rest of them.
00:59:26Would you like to see the menu, ma'am?
00:59:28Bring me some toast with butter on it
00:59:29and some coffee and jam and, yes,
00:59:33some lamb kidneys and wine sauce.
00:59:35Yes, ma'am.
00:59:42May I, uh...
00:59:44I just met a fellow who told me something very interesting.
00:59:49I told you what was going to happen to you
00:59:51if I ever caught you lying.
00:59:54Well, I caught you.
00:59:56What a pleasant way to begin a conversation, Louis.
00:59:59Before breakfast, too.
01:00:01You wasn't alone in the rain.
01:00:03You mean yesterday.
01:00:04You know what I mean.
01:00:06Yeah, yesterday.
01:00:08You were seen.
01:00:10Oh, come out with it, Louis.
01:00:11Don't sit there like a dog barking at a cat up a tree.
01:00:13I was seen doing what?
01:00:14Well, who was he?
01:00:15Well, who was who?
01:00:16Who was the man you were with yesterday?
01:00:17Who was he?
01:00:18You're hurting my arm, Louis.
01:00:19I'll hurt worse than that if you don't tell me the truth.
01:00:21You were seen with him yesterday down by the water,
01:00:23standing there talking to him.
01:00:24Who was he?
01:00:25Louis, I told you.
01:00:26I beg your pardon, ma'am.
01:00:27There are no lamb kidneys.
01:00:29Would you like the wine sauce by itself?
01:00:31Hey, we're talking, can't you see?
01:00:33Come on, get out of here.
01:00:34Get out.
01:00:36Sure.
01:00:40Who was he?
01:00:42Louis, I...
01:00:42I told you I got lost in the fog
01:00:44and I...
01:00:44I stopped somebody to ask the way
01:00:46and he told me
01:00:48that isn't a hanging offence, is it?
01:00:50I'll find out if you're lying.
01:00:54Hey, your waiter.
01:00:56Bring me...
01:00:58Bring me a steak and a piece of pie.
01:01:09Did you hear about the Chinaman being killed last night?
01:01:13Yes.
01:01:15I was wondering, Colonel,
01:01:16if I couldn't kind of weave it into this piece about the climate,
01:01:21saying how sorry we was that the Chinaman
01:01:23was going to miss the salubrious spell of weather
01:01:25we're expecting next week.
01:01:28All topics sound hollow and commonplace
01:01:31compared to the glorious climate of California, Mr. Wiggum.
01:01:35Mr. McTavish was in again.
01:01:38What did he want?
01:01:39He had an item for the paper about the roulette wheel at the Belladonna.
01:01:42He says it's crooked
01:01:43and they stole a small fortune from a young fellow playing there last night.
01:01:47It's quite an interesting item, Colonel.
01:01:50Avoid all mundane matter, sir,
01:01:52and we shall flourish like a green bay tree.
01:01:59The beacon of the press.
01:02:03In the hell to which all journalists must descend when they die, Mr. Wiggum,
01:02:07we shall sit at red-hot desks with quills of fire in our hand
01:02:10and spend eternity on eternity
01:02:12writing about the salubrious weather of that region.
01:02:15Let us serve our apprenticeship here
01:02:17thoroughly and intelligently.
01:02:22How do you spell Aurora Borealis?
01:02:27Call it Mr. Shomali's rosy-finger dawn.
01:02:48What's that?
01:02:49You've got eyes.
01:02:51Go on and read it.
01:02:52It's news, that's what it is.
01:02:54News you wouldn't print in that yellow dog paper of yours.
01:02:56You'd better not put that up, Mr. McTavish.
01:02:59There'll be trouble.
01:02:59Aye, there will that.
01:03:00I strongly advise against it, sir.
01:03:03Mr. McTavish, take that down.
01:03:05You had...
01:03:09I warned you, sir.
01:03:10Go on back inside and write a story about the climate.
01:03:14Stop where you are, sir.
01:03:15Stop where you are!
01:03:17This is the first honest news that Clarion has ever had
01:03:19and it's going to stay there.
01:03:21Stop!
01:03:21Stop where you are!
01:03:36Mr. Wiggins.
01:03:38Mr. Wiggins.
01:03:40Never mind, Frank.
01:03:42Mr. Wiggins.
01:03:42I thought you hurt bad.
01:03:43Get a doctor, quick.
01:03:44Send a hand here, son.
01:03:48Mr. Wiggins.
01:03:50I want you to change the policy of the Clarion.
01:03:56I want you to write a story
01:04:00I should have written myself long ago.
01:04:05I want you to tell people of San Francisco
01:04:10that no city can exist without law and order.
01:04:14Don't try to talk, sir.
01:04:20Write a story about that flag.
01:04:24Write that whatever it flies,
01:04:27it brings a promise
01:04:29of life,
01:04:31liberty,
01:04:32and the pursuit of happiness.
01:04:36There are some people in this town
01:04:38who don't seem to know that.
01:04:42let the Clarion tell them.
01:04:47Print the news.
01:04:48I will.
01:04:49I will.
01:04:49We'll carry on.
01:04:50We'll carry on.
01:04:52We'll carry on.
01:04:52We'll carry on.
01:04:53We'll carry on.
01:04:54We'll carry on.
01:04:55Law and order.
01:04:57Christian.
01:05:01Christian.
01:05:03I will.
01:05:09I will.
01:05:15Well, Wiggins,
01:05:16you got a job.
01:05:18We're here to help you.
01:05:20Yeah, right.
01:05:29Torby, come with me.
01:05:32I don't need anybody to go with me.
01:05:42All right, gents.
01:05:43The last we got a paper in this town.
01:05:46All about law and order.
01:05:48Here you are.
01:05:49The Clarion.
01:05:50Take one.
01:05:51The voice of San Francisco.
01:05:53No charge, brother.
01:05:54All about law and order, gents.
01:05:57Player of Kings.
01:05:58Law and order.
01:05:59She's a bunch of San Francisco.
01:06:01Fire the page.
01:06:02She's a free.
01:06:03Law and order in San Francisco.
01:06:06Law and order.
01:06:06That's a new one on you, eh, brother?
01:06:08Law and order in San Francisco.
01:06:10Here you are.
01:06:11Come get it.
01:06:12Law and order.
01:06:13I'm scared to stay.
01:06:14Law and order.
01:06:16Shoot any men of a century.
01:06:18Law and order.
01:06:21Law and order.
01:06:23I'll give them some law and order.
01:06:25A lot of them run around down there.
01:06:26Selling those things all over the street.
01:06:28And they've got guns to back them up.
01:06:32Yeah, well, I've got guns, too.
01:06:34The first thing to do is to bust up the machine, the print of this, like I should have done.
01:06:38Go down to the newspaper.
01:06:38Take some of the boys with you.
01:06:40I won't need anybody.
01:06:43So you killed Colonel Cobb.
01:06:46Louie, you must be crazy.
01:06:47Do you think you can go on killing and destroy?
01:06:49No, never mind about that.
01:06:52I found this under your pillow.
01:06:54Who gave it to you?
01:06:56It's about love.
01:06:58Poems.
01:06:59Who gave it to you?
01:07:03Do you want me to take the little wheel tonight?
01:07:06I'll find out who he is without you.
01:07:08But I'm giving you a chance.
01:07:08I want you to tell me.
01:07:09There's nothing to tell.
01:07:10Some rat with a book of poems.
01:07:12So that's what you went for.
01:07:13That's what made you start pushing me away.
01:07:14Who is he?
01:07:15Stop it.
01:07:15Stop it.
01:07:15I suppose he took you in his arms and made you happy.
01:07:17Oh, shut up, you fool.
01:07:18You stupid fool.
01:07:18Nobody touched me.
01:07:19Nobody's going to.
01:07:20You and nobody else.
01:07:21Nobody.
01:07:21You didn't.
01:07:22And you kissed him back like he never done to me.
01:07:25Throwing yourself free as some rat.
01:07:26I wish your head.
01:07:26I wish I could tell you something to make you howl and shoot.
01:07:33I'll do the shooting.
01:07:36But somebody else is going to do the howling.
01:07:41Here he comes.
01:07:42Anybody with him?
01:07:55Keep on walking, Mr. Jacoby.
01:07:58Which way?
01:07:59We'll steer you.
01:08:00Turn right here.
01:08:11You call this a fair fight?
01:08:15You're not in a fight, Mr. Jacoby.
01:08:18You're on trial, knuckle.
01:08:22For what?
01:08:23Burger.
01:08:26Where's the trial gonna be?
01:08:28The trial is going on now, sir.
01:08:37Can I get word to Shamali to get me a lawyer?
01:08:39I'm representing you, sir.
01:08:42There's a gun in my back.
01:08:44That's right.
01:08:46Is this the man you saw shoot down McTavish and Colonel Cobb?
01:08:51That's him.
01:08:53Allow me to cross-examine the witness, Mr. Slocum.
01:08:57Are you sure, sir?
01:08:59Dead certain.
01:09:10Where's the rope?
01:09:11Here.
01:09:17Wait a minute.
01:09:19What do you think you are?
01:09:20We're vigilantes, sir.
01:09:22You're what?
01:09:22The vigilantes.
01:09:23We're bringing law and order to San Francisco.
01:09:26What kind of monkey business is this?
01:09:27I thought you said there was going to be a trial.
01:09:29You've been tried, knuckle.
01:09:31I didn't hear any trial.
01:09:32There wasn't any judge or jury.
01:09:34Gentlemen, what is your verdict?
01:09:35Guilty.
01:09:35Guilty.
01:09:36Guilty.
01:09:37Wait a minute.
01:09:37You can't do this.
01:09:38Give Louie Shemali.
01:09:39Give me Louie Shemali.
01:09:57Who done it?
01:09:58The vigilantes.
01:09:59They're holding meetings everywhere.
01:10:01Who?
01:10:01The vigilantes.
01:10:02They've gone crazy.
01:10:04They'll be after us.
01:10:05We must get away.
01:10:06They'll be hanging us like that.
01:10:07I want to stand up, Robert Nese.
01:10:09But, Louie.
01:10:11This is my town.
01:10:12It's going to stay my town.
01:10:13Shut up.
01:10:16Climb up there and take them down.
01:10:19Vigilantes, huh?
01:10:23Come on.
01:10:34Kind of quiet around here, ain't it?
01:10:36Them vigilantes sure depress the business.
01:10:47Wow, what's troubling you?
01:10:48I'm feeling pretty low tonight, son.
01:10:50Seen old knuckles hanging up out there.
01:10:52Sort of reminded me I've done something I don't like.
01:10:54That's easy to believe.
01:10:56You're right.
01:10:57I'm a no good, terrible old man with the heart of a coyote.
01:11:00Yes, I'm certain of it.
01:11:01I wish you weren't so ready to believe me.
01:11:03Why?
01:11:04Well, it makes it harder to confess.
01:11:07Confess what?
01:11:09Well, I ain't going to beat about the bush, son.
01:11:12There's one thing that's bothering my black soul in particular.
01:11:16Well, I found something that don't belong to me.
01:11:19There it is.
01:11:19You recognize it?
01:11:21Somebody dropped it by mistake.
01:11:23Oh, that's mine.
01:11:24I was wondering.
01:11:26Say, where'd you get it?
01:11:27Off on the floor?
01:11:34Don't look at me like that, son.
01:11:37Say you forgive me.
01:11:39Just say it once.
01:11:41Thanks.
01:11:45The first decent thing I've done in my whole black life.
01:11:48Sort of overwhelms me.
01:11:50I feel like a little white kitten reborn.
01:11:56May I reward you there?
01:11:58Oh, the reward.
01:11:58Say, I took that out myself in advance so as not to delay matters with any bickering.
01:12:02Oh, I see.
01:12:07Thanks again.
01:12:13Say, son, looks like the fog's going to lift and that boat will be sailing with the tide.
01:12:16You ship another?
01:12:17Yes.
01:12:18Well, I kind of hate to see you go, son, but things will be more suitable in the east.
01:12:23For poets.
01:12:24For failures.
01:12:45Well, this is the second time we say goodbye.
01:12:48I'm sailing after all.
01:12:51I thought you didn't have your boat fare.
01:12:53It seems that this saintly old gentleman rescued some of my loot the other night.
01:12:57Yeah, he dropped under the cable in excitement.
01:13:00And so with the bag of gold, the particle returns to Gramercy Park.
01:13:03Licked.
01:13:04Well, there won't be any bands to play, if that's what you mean, ma'am.
01:13:07Or any poems to write?
01:13:09No, I guess not.
01:13:11I won't have much time for writing poetry, and anyhow, I kind of run out of subject matter.
01:13:17Write about a harpy who smiled at you and cheated you.
01:13:20Write about that.
01:13:23That's what you believe, isn't it?
01:13:24That I'm a cheat.
01:13:27No.
01:13:28I don't believe that.
01:13:30Then why are you crawling out without giving yourself another chance?
01:13:33Ah, Swan, he's just got enough for another ticket.
01:13:35Let him go.
01:13:36There's no way for a man to go to crawl out of the Golden West with just the price of
01:13:39a ticket.
01:13:40Not when there's still a chance.
01:13:41Listen, son, I'm against it.
01:13:42Go on, go away.
01:13:43Thinking that I stole your money and that I'm sending you back licked and broke.
01:13:50I'll try the black again, ma'am.
01:13:52Your son, it's Bill Follett.
01:13:53Wait for him, Bill.
01:13:54The gentleman from Gramercy Park bets on the black.
01:13:57Here it goes.
01:13:58Well, this teaches me I'll never do a good deed again.
01:14:01Staking your whole future on a little ball rolling.
01:14:04Why, it's an outrage.
01:14:05It's not much of a future.
01:14:07Win or lose.
01:14:1117 on the black.
01:14:13Moses in the mountain, you win.
01:14:15How much did he have, Bill?
01:14:16320.
01:14:18You're letting it ride, Mr. Calmarco?
01:14:20I don't know, ma'am.
01:14:22The play is made.
01:14:24There it goes.
01:14:26Sanch it off, John.
01:14:27Why left side?
01:14:3722, the black.
01:14:39Something more.
01:14:39You win again.
01:14:40I can't believe it.
01:14:41Make your play, sir.
01:14:43Pick it up, son.
01:14:43Pick it up.
01:14:44Here it goes.
01:14:45Pick it up, kids.
01:14:46It's on the number.
01:14:46Are you leaving it on the number, Mr. Calmarco?
01:14:48Son, it's a million to one, I'll tell you.
01:14:51You'll write something about the fog, won't you?
01:14:54About how people forget where they are and who they are.
01:15:0213, and it's black.
01:15:03You win again, Mr. Carmichael.
01:15:05A bonanza!
01:15:07Pay off, Bill.
01:15:07The game is closed.
01:15:09Do I win all that, ma'am?
01:15:10The belladonna pays 35 to 1 on a number always, Mr. Carmichael.
01:15:14Hurry, Bill.
01:15:15Get him on the boat.
01:15:16I'll save.
01:15:17Ma'am, I don't know quite what to say, but...
01:15:19Well, save to somebody else, not me.
01:15:21I've seen quite enough of you for one day or for one lifetime.
01:15:27I'm afraid, Mr. Carmichael, I'm not as good a loser as you were.
01:15:34Come on, son.
01:15:34Don't stand around now.
01:15:36Come on!
01:15:42Do you know the purpose of organizing the vigilantes?
01:15:44I do.
01:15:45Fine here.
01:15:49What do we do first?
01:15:51Get Shemali.
01:15:52That's fine by me.
01:15:56Yeah, the guns are in there.
01:15:57Pass them around.
01:15:57All right, boys.
01:15:59Law and order, huh?
01:16:00Well, here's my orders, and don't get them wrong.
01:16:02Round up the boys and find out what these vigilantes are meeting.
01:16:04What are you going to do, boys?
01:16:05I'm going to set fire to San Francisco.
01:16:06I'm going to burn down every building with a vigilante in it.
01:16:09There's a wind coming up.
01:16:10Well, it's blowing the right way.
01:16:11Here, just a minute.
01:16:12We need plenty of money.
01:16:14How much have we got downstairs, Bill?
01:16:15We ain't got much.
01:16:18What do you mean?
01:16:21You tell him, Swan.
01:16:24What happened?
01:16:25We lost.
01:16:27What table?
01:16:28Mine.
01:16:29How much?
01:16:30Bill counted it out.
01:16:32A little over 40,000.
01:16:35Who ran the wheel?
01:16:37I did.
01:16:40Go on, boys.
01:16:41You got your orders.
01:16:41I'll be along.
01:16:42Here, you stay here.
01:16:47Who was this one?
01:16:50Hey, Mr. Carmichael.
01:16:51Who's that?
01:16:53One of your employees.
01:16:55The fellow with all them fancy words.
01:16:59So that's him, huh?
01:17:01That's the fellow you traded me in for.
01:17:04Where is he, Swan?
01:17:06Gone.
01:17:07Gone, huh?
01:17:08Hmm.
01:17:10Listen.
01:17:12I'm going out and bringing your little friend back to see you again.
01:17:15I'm bringing him back so that you can listen to his pretty poetry.
01:17:19Lock her in, Bill, and keep her waiting till I come back with her, sweetheart.
01:17:25You heard what he said.
01:17:37Okay.
01:18:02Mr. Shemali is looking for you, sir.
01:18:04I was told.
01:18:05I don't think this is quite the place for you to hide.
01:18:08I'm not hiding.
01:18:09Then what do you want?
01:18:11I don't know.
01:18:13Oh, you fool, get out of here.
01:18:15Don't you understand?
01:18:15They're outside of that door.
01:18:16He's looking for you to kill you, Shemali.
01:18:18He's out there looking for you.
01:18:19He's going to kill you.
01:18:20Why should he want to do that?
01:18:22Because he's mad.
01:18:23Crazy mad.
01:18:24Because he's laboring under the delusion that I'm in love with you.
01:18:28Are you?
01:18:30You must be mad, too.
01:18:32I'm much worse than that.
01:18:34I'm stupid.
01:18:35Love is the only thing I've thought I've ever read about since I was knee-high.
01:18:39That's what I've always dreamed of.
01:18:41Of meeting somebody and falling in love.
01:18:43And when that remarkable thing happened, I was going to recite poetry to her for hours.
01:18:47About how her heart's an angel's wing and her hair the strings of a heavenly heart.
01:18:51Instead, I got drunk.
01:18:53And hollered at her.
01:18:54And called her a heartbeat.
01:18:56I'm pretty stupid.
01:18:59I love you.
01:19:05Why are you doing this to me?
01:19:08Why did you come back to me?
01:19:10Hurt me?
01:19:11Make me cry?
01:19:13Oh, please go on.
01:19:16Thank you for being what I thought you were nice.
01:19:20So nice.
01:19:21Are you coming back with me?
01:19:23No.
01:19:24Oh, no.
01:19:25I love you.
01:19:28That's why I can't come.
01:19:30If you just wanted small, it'd be different.
01:19:33But you want someone that doesn't exist anymore.
01:19:36Why, I stole your money and I gave it back to you.
01:19:39And that pleased you.
01:19:39That's all it is.
01:19:40It pleased you.
01:19:42I wasn't as bad as you thought.
01:19:46Come, you must go.
01:19:48They're looking for you.
01:19:49They'll kill you.
01:19:49You're wasting a lot of time, Tony.
01:19:52Because you're coming with me.
01:19:53No.
01:19:54Oh, no.
01:19:56You're dreaming of something that isn't me.
01:19:59You'll look at me someday.
01:20:01I'm looking at you now.
01:20:04I'm no good.
01:20:05I'm no good to hear.
01:20:07Don't make a thing.
01:20:10Too much has happened to me.
01:20:12It happened to Swan, not to you.
01:20:14Listen to me.
01:20:15There's something inside of people that can't be touched.
01:20:17They can stand in mud up to their necks.
01:20:19But that thing inside stays bright and shiny.
01:20:22Oh, I want to believe it.
01:20:23Oh, you must believe it because it's true.
01:20:25Loving wipes out everything else.
01:20:28All this never existed.
01:20:30You'll see.
01:20:31Are you sure?
01:20:32Oh, no, no.
01:20:33Don't tell me.
01:20:34Even if you are sure.
01:20:35Even if it isn't true.
01:20:37Please take me with you.
01:20:41Here we are.
01:20:42Keep quiet.
01:20:42Nobody's going to get hurt.
01:20:44Where's Shomali?
01:20:56Here he is, boss.
01:20:57I found him down with the English.
01:20:58Hey, hey, hey.
01:20:59Where did that windbag go?
01:21:01I didn't get no conception, were you?
01:21:02But he was seen with you last.
01:21:03Well, I can't collect some money he owed me.
01:21:05For what he say.
01:21:05Well, he drawed his gun.
01:21:06And when I was grappling with him,
01:21:07I was slipping the mud and down it went.
01:21:08And he's on top of me like 21.
01:21:10Oh, they came in, the vigilantes.
01:21:12They're looking for you.
01:21:13They're busting up the whole place.
01:21:14Where's Juan?
01:21:15She got away through the window.
01:21:16I seen her run off through the fog.
01:21:18There was somebody with her.
01:21:18I took the other window.
01:21:20Listen, boys.
01:21:21She went up with that fellow, huh?
01:21:23Well, then she'll try coming around to the boat.
01:21:25Yeah, but she's too smart to come down this way.
01:21:27But, boys, let me...
01:21:28Shut up.
01:21:29She'll probably try rolling around to the offside.
01:21:32We'll get some boats.
01:21:32We'll lay for them.
01:21:33You stay here and watch the walk.
01:21:34But what about the...
01:21:35You stay here, like I told you.
01:21:36Come on, we'll get some boats.
01:21:39Right where old atrocity said it was to be.
01:21:41Bless his heart.
01:21:44Hurry, darling.
01:21:54Just sit there and steer.
01:21:55They've ordered a starboard and all up there.
01:21:58You still love him?
01:21:59Oh, might you ask me that when I'm an old woman with a friend?
01:22:01Hey, and I'll tell you I haven't begun to love you yet.
01:22:05I'll have to wear this dress for three months.
01:22:07You'll get terribly tired of it.
01:22:09We'll put it in a museum.
01:22:10There's a good one in Hoboken.
01:22:12Shh.
01:22:14I thought I heard something.
01:22:15No, that was me flying through the air.
01:22:19Head straight to the big boat.
01:22:22Real carefully, darling.
01:22:23He's sure to figure out where we're going and he'll come after us.
01:22:26You happy?
01:22:28But I wish I had some other dress on me.
01:22:31I must look so foolish.
01:22:32You'll take me from here to China and back to tell you how you look.
01:22:35You look...
01:22:36Shh.
01:22:38I heard something.
01:22:41That's a bird hunting for fish.
01:22:44We've turned the wrong way.
01:22:46Starboard, Mr. Carmichael, Bob.
01:22:48It's hard rowing when you're so emotional.
01:22:52Darling, where's your money?
01:22:55Oh, Lordy, I forgot.
01:22:56I left it right outside your window.
01:22:58That's the most idiotic thing I've ever done.
01:23:01Thirty thousand.
01:23:02Forty, darling.
01:23:04Do you mind?
01:23:04I don't find anything.
01:23:06Same here.
01:23:06I'm rowing out of the golden west with...
01:23:08Oh, no, me.
01:23:09Shh.
01:23:11I heard something.
01:23:13Somebody's rowing over there.
01:23:15Listen.
01:23:18You keep falling, you ezel.
01:23:21Shh, darling.
01:23:23Don't mind?
01:23:24I don't.
01:23:27I took it back about not liking the fog.
01:23:29I'm very fond of fog.
01:23:31So am I.
01:23:32I don't.
01:23:35They're moving in the same direction.
01:23:38Darling.
01:23:39The fog's thinning.
01:23:40Is it?
01:23:41A little.
01:23:42Here comes the moon.
01:23:43This is one poet that hates the moon.
01:23:51Here they are, Bob.
01:23:52A little to the left.
01:23:54Oh, oh.
01:23:55They've heard us.
01:23:56They're coming this way.
01:24:00Oh, you're lit up.
01:24:02Get down.
01:24:02Get down.
01:24:03I don't know.
01:24:04Forgive that moon.
01:24:04Are you all right?
01:24:05I'm very frightened.
01:24:06But otherwise...
01:24:07Can you row any faster, darling?
01:24:09I'll try.
01:24:10Jim.
01:24:11Jim, I love you.
01:24:12I adore you.
01:24:13Whatever happens.
01:24:15What is it?
01:24:16A little exiting.
01:24:17Oh, we can't make it, Jim.
01:24:18Jump on it.
01:24:19You can swim.
01:24:20Get down.
01:24:20Get down.
01:24:22Oh, no.
01:24:23No.
01:24:25You hit him.
01:24:27Keep pulling.
01:24:37You see them?
01:24:39No.
01:24:53Here, darling.
01:24:55I'm not much help.
01:24:57I...
01:24:57No, that's all right.
01:24:57But hurry.
01:24:58Come on, darling.
01:24:59Here.
01:25:00Come on.
01:25:02Here.
01:25:04Darling.
01:25:05Mary.
01:25:06Mary.
01:25:06All right.
01:25:07Shh, darling.
01:25:08They're coming.
01:25:11They live in somewhere around here.
01:25:14Can you feel?
01:25:15Keep quiet.
01:25:18Mary, you go on.
01:25:20Why, everyone?
01:25:20Listen.
01:25:22No, you mustn't.
01:25:28You thought you'd get away, huh?
01:25:31The moon...
01:25:32The moon was on your side.
01:25:34Wait.
01:25:34Get out of the way.
01:25:35I'm going to put him out of his misery.
01:25:36Louie, wait before you should listen to what I have to say.
01:25:38Louie, listen.
01:25:39You wanted something from me.
01:25:40You wanted me to love you.
01:25:40You've held me in your arms.
01:25:41You've asked me to love you.
01:25:42Do you still want it, Louie?
01:25:43Do you?
01:25:44Because if you do, I will.
01:25:45I love you.
01:25:45I promise you, I will.
01:25:46Only don't kill him.
01:25:47Let him go, Louie.
01:25:48Let him go.
01:25:49And I love you the way you've always wanted me to.
01:25:52I'll forget him.
01:25:52I swear I will.
01:25:54He's never even touched me.
01:25:55He's never even kissed me, Louie.
01:25:57Let him go.
01:25:58No, no.
01:25:58I swear it.
01:25:59And on account of him, you'll feel for me like I've always wanted you to.
01:26:02No, no.
01:26:02On account of him.
01:26:03No, it's not just on account of him, but if you do this, you'll be a fine man.
01:26:07You'll be the kind of a man that a woman could not.
01:26:09Well, how do I know you'll do all that?
01:26:11Because I give you my word.
01:26:13Not Swan's word, but the word of somebody you haven't even known yet.
01:26:16Somebody that you like much better than Swan.
01:26:19I'll do it.
01:26:20I gotta do it.
01:26:22Yeah, that's what I want.
01:26:24Come here.
01:26:25Pick him up.
01:26:26What for?
01:26:27Pick him up, do you hear me?
01:26:28Pick him up and throw him on that boat.
01:26:29I want him on that boat.
01:26:30There are lots of people in this town trying to give me orders, but you ain't.
01:26:33Do what I told you.
01:26:34Get away.
01:26:35Be careful.
01:26:37Be careful.
01:26:39Be careful.
01:26:44There, he'll make it.
01:26:45We'll have him on his feet before he lands in New York.
01:26:48The tide is changing, sir.
01:26:49Well, folks, you'd better be saying goodbye.
01:26:51We're sailing.
01:26:54Goodbye, son.
01:26:56Goodbye.
01:26:58You left something outside the window.
01:26:59I'll give it all to the captain, every bit of it.
01:27:02There was five bags.
01:27:04Can you imagine?
01:27:06Who must have missed this one?
01:27:08Goodbye, son.
01:27:11Mary.
01:27:15Mary.
01:27:16Yes, Jim?
01:27:18We made it.
01:27:20Be quiet, darling.
01:27:22Don't talk.
01:27:23Nothing can ever come between us.
01:27:25Anymore.
01:27:26No.
01:27:28Go to sleep, darling.
01:27:40We'll take good care of you, miss.
01:27:46Come on.
01:27:50Hold everything up!
01:27:56Thank you, Louis.
01:27:58You did thank me.
01:27:59Thank you again.
01:28:01I'll always thank you.
01:28:03You'll never regret it.
01:28:05I swear it.
01:28:06So that's the way a woman looks when she's in love.
01:28:08I really do stop.
01:28:09And that's the way she cries when she loves somebody.
01:28:13Hurry, hurry, please.
01:28:14Yeah, wait a minute.
01:28:16You're going to love me now.
01:28:18You're going to look like that for me, aren't you?
01:28:20Yes.
01:28:21Yes, I'm going to keep my word.
01:28:24You're never going to regret.
01:28:27I'm never going to regret it because I'm never going to see you again.
01:28:30I don't take presents off spittoon cleaners.
01:28:33I don't take presents off anybody.
01:28:34I give them.
01:28:36Hey, I...
01:28:38I got things to do in this town without tying myself up to somebody
01:28:41that's going to cry for somebody else all the time.
01:28:44What's the matter with you?
01:28:44Don't you understand English?
01:28:46Go on back to him.
01:28:46Go on now.
01:28:47Charlie.
01:28:50We want you.
01:28:55All right.
01:28:59What are you standing there for?
01:29:01Say goodbye?
01:29:03All right.
01:29:05Is that the way a gentleman does it?
01:29:09Go on.
01:29:10All right.