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  • 4 days ago
Linkin Park talks with Megan Holiday before the premiere of the band's new film, 'UNSHATTER,' sharing the origins of the project and insight into the band's emotional journey over the past few years.

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Transcript
00:00What's going on? It's Megan Holliday and I'm here with Linkin Park.
00:04We are at the premiere of their brand new documentary, Unshatter.
00:08So, you guys, how did it start?
00:10Did Joe come to you and say,
00:13Hey guys, I kind of want to put some cameras up and start filming all this stuff.
00:21We're making a movie.
00:22We're making a movie, kid.
00:23And he said, I have a singer. It'd be really cool.
00:25I think it's going to work out awesome and we're going to start filming it.
00:27We're going to put it all together and it's going to make it look like it's all natural.
00:31And it's just like it happening and then we're going to have a really cool film.
00:34Oh my God.
00:34And then you said sold.
00:36That was literally it.
00:38That was the whole thing.
00:39No, but were you really down from the get-go to do this?
00:43We were down as long as it wasn't Joe.
00:45Yeah.
00:46And then we kind of got like...
00:47As long as it wasn't Joe?
00:48Right.
00:49Yeah.
00:49Okay.
00:49And then we just kind of got like tricked into this whole thing.
00:53Nice.
00:54I didn't know that Joe had directed it until five, four, five minutes ago.
01:00Oh my God.
01:01Wow.
01:01Well, surprise.
01:02Yeah.
01:02Surprise.
01:03It was...
01:03I got an email about it earlier.
01:05You did?
01:05Show up.
01:06Yeah.
01:06Earlier today that there was a movie.
01:07Oh my goodness.
01:08And so at what point did you guys start filming once Emily was sort of like sealed and locked
01:14in?
01:14Well, we always film.
01:15Like, so we have like, if you've seen our on YouTube, for example, the Linkin Park channel,
01:21there are LPTV episodes just to kind of like, you know, chronicle all the things that the
01:26band is up to.
01:27And so we do kind of have cameras rolling.
01:30We have a camera rolling.
01:31I say cameras rolling as if it's some like high big production thing.
01:34It's actually like our friend Mark who just shoots us all the time.
01:38Nice.
01:38And we're used to him and he's like a sweet guy.
01:40So he's around, especially when we're like in the studio or when we're making something
01:46new or when we're rehearsing or working on something on tour or whatever.
01:50And so we were just kind of like had things rolling as we went.
01:55That is to say we had like thousands and thousands and thousands of hours of footage.
01:59And it really was like, to give Joe his proper credit, like to be able to take all of that
02:04madness and decide which things work best on screen and tell that story, that was really
02:12the, I think that was really the trick.
02:14That was the hardest thing to do.
02:15And that's the thing that Joe and his team did.
02:18And is it true that, you know, it's called Unshatter because the vocal that you did for
02:23the song was the thing that kind of made you feel like, hey, this can actually be.
02:29That was definitely a moment.
02:30I mean, the bridge, the bridge from Unshatter was like a big moment in us like going, oh
02:35my God, Emily is like special, the good kind of special.
02:41What would you say?
02:43She's, but she's, but she's very like, no, she is like, she was, it was obvious to us
02:50that she was like, we, it like got our attention.
02:55But I think the name of the, the really, the name of the documentary, at least from my point
02:59of view, is all about something coming back together after it's broken.
03:04And the band, you know, like I said, we had some footage of like us just like getting together
03:11and talking and working out, like, what are we going to do?
03:14The band is in shambles that we don't even know, is it going to be Linkin Park anymore?
03:19Are we going to make music this way anymore?
03:20What's that going to look like?
03:23And, and that's really, that's really what it's about.
03:27Yeah.
03:27And would you guys say that this was a healing experience?
03:33And also maybe what was the most difficult part about having to see yourself in, in a
03:38documentary?
03:39Well, thankfully we haven't had to see ourselves yet on a movie screen.
03:43Oh my God, you haven't?
03:44Yeah.
03:44So I've got teenage daughters.
03:46I'm a little bit worried about the type of teasing I'm going to get if I have any blemishes
03:51and they're magnified in a massive scale.
03:55But, uh, yeah, having said that, like the process of this whole, I'd say last four or
04:02five years for us has been challenging, exciting, emotionally charged, rewarding, all of the
04:12different things that you could, all the Ings, all the Ings you could put in there.
04:17It's been, it's been a blend of all that.
04:19Wardrobe choices.
04:20Wait, what?
04:21Wardrobe choices.
04:23Okay.
04:24Uh-huh.
04:24Not knowing it was going to be a documentary.
04:28I watch it back and I'm like, I, why, why did I, God, oh no.
04:32And then you just see it from, and you're just like, I'm kind of happy that I didn't
04:37know it was going to be a documentary because you would be, you know, you know, I was in
04:45sweats.
04:45Yeah.
04:46Like when we met.
04:47We met.
04:48Yes.
04:48Yes.
04:48You can't get, you kind of can't get more real on a documentary than when you don't even
04:52know that there's going to be a documentary.
04:55I think it just makes it more endearing.
04:57I just think it makes it more authentic.
04:59I don't know if it made the film, but there's a point where I'm practicing a golf swing,
05:03like air swing.
05:04And some of the, I think it might be in there, which is super embarrassing to me.
05:07Oh, I hope it made the cut.
05:08Like no golf club, but that's just what I'm doing in the background while we're working
05:11studio.
05:13Oh my God.
05:14All that just to say, yeah, it's been a process.
05:16Joe did an incredible job capturing that, bringing that to life.
05:20And, uh, I said it earlier the other day, but for me personally, and maybe for everybody,
05:25there's nobody else that I would have felt comfortable with doing that and entrusting.
05:29Such a difficult and kind of like important part of my life to be able to, for other people
05:35to see, there's no one I would trust to do that in the world, except for Joe.
05:38And so there's no way this gets made without him being steering that ship.
05:42100%.
05:43Yeah.
05:43My final question is, what do you guys hope that people walk away?
05:47Like when they walk out of the theaters, what do you hope that they take the takeaway
05:51is?
05:56I could say something.
05:58Can I just mic drop it right now?
06:01Yeah.
06:01Oh, she can't hear me.
06:02I'm just going to mic drop it right now.
06:04Okay.
06:09I was just going to drop the mic and not say anything, but then I realized it's probably
06:13going to break.
06:14And then I was like, I'm not going to do that to you.
06:16Well, either way, just on behalf of all Linkin Park fans and like, before I even found out
06:21I was coming to do this, I said to my friend the night before, I said, you know, I always
06:26love Linkin Park, but as I've gotten older, the songs mean so much more to me because life
06:31gets so real.
06:32So I'm just so happy that you guys are like carrying this forward for the younger generation.
06:37And I really, I can't wait to watch it tonight.
06:39So thank you guys so much.
06:41I really appreciate you for your time.
06:44Hope you enjoy it.

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