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00:02:57Time will tell.
00:03:01What I do want to remind you of and emphasize is one thing,
00:03:04to spend the night with the prisoner in a supervised and secure place,
00:03:06Because if we lose it, we've all brought it on ourselves.
00:03:09Understood?
00:03:10Yes, Sergeant.
00:03:11Understand.
00:03:13So, how many leagues is that, more or less?
00:03:18You mean kilometers.
00:03:22Well, that's it.
00:03:26Antonio, Antonio.
00:03:27We have been using the metric system for about 20 years.
00:03:30And you just can't seem to get it through your head.
00:03:34And you, Silvestre, do you know him?
00:03:35Yes, Sergeant.
00:03:37The metric system is the set of weights, measures, and coins
00:03:40that originate in the subway.
00:03:42The meter is one ten-millionth of a quadrant of the Earth's meridian.
00:03:45located between the North Pole and the Equator.
00:03:47Very good, Silvestre, very good.
00:03:49Do you realize that, Antonio?
00:03:50A civil guard must know the equivalencies.
00:03:53Yes, I know, Sergeant, yes, I know, it's just that I don't remember.
00:04:00The twenty-millionth of the North Pole passing through the...
00:04:05Okay, okay.
00:04:07So, every now and then you give it a once-over and that's it.
00:04:10Yes sir.
00:04:11My sergeant.
00:04:12And nothing more.
00:04:13Prepare the equipment for service.
00:04:15They will leave tomorrow at dawn.
00:04:16At your service.
00:04:17Yes, sir.
00:04:35So you're leaving tomorrow?
00:04:36Yes, at dawn.
00:04:38And you won't be at the party?
00:04:40Where are you going?
00:04:40Don't know.
00:04:42Can't you speak?
00:04:43I shouldn't.
00:04:44Always the same.
00:04:45You will remember me.
00:04:47Path.
00:04:49Path.
00:04:50Your hand is trembling.
00:04:51It burns you.
00:04:52Maybe.
00:04:53I'm afraid.
00:04:54Afraid of what?
00:04:55I don't know, that you won't come back.
00:04:56Come on, nonsense.
00:04:57I'll be back.
00:04:58I will always come back.
00:05:01Path.
00:05:13Stay.
00:05:14Stay, it will be better.
00:05:14As you wish.
00:05:15How far?
00:05:16Goodbye, Camino.
00:05:18I wish I were back.
00:05:25Bye bye.
00:05:25Bye bye.
00:05:34Bye bye.
00:05:35Bye bye.
00:05:41Bye bye.
00:05:45Bye bye.
00:05:48Bye bye.
00:05:55Peace be with you, officers! Godspeed, shorty!
00:06:02What's wrong with you, man?
00:06:04Nothing.
00:06:06Do you feel like laughing?
00:06:08That's nonsense.
00:06:09Oh ok.
00:06:13He looks like a shepherd, doesn't he?
00:06:17Bull, father, it's what it looks like!
00:06:40I'd bet anything I know what you're thinking.
00:06:44Daydreaming.
00:06:45Is Muria's joy a shrew?
00:06:48I didn't say that.
00:06:50A woman is a small thing to carry her memory as baggage on the journey.
00:06:55And even less so when the road is long.
00:07:01I'll get used to it.
00:07:03Are you making me angry?
00:07:05No, man. Why?
00:07:07Oh ok.
00:07:07No, man.
00:07:11No, man.
00:07:14No, man.
00:07:23No, man.
00:07:37Ladies guards, take this child away, he's a nightmare.
00:07:41Let him finish washing up, we'll be here for him now.
00:08:03What's wrong with you, man?
00:08:05No, nothing. This is what I don't like about the Civil Guard. Being the boogeyman of the people.
00:08:12Silvestre, Silvestre. I remember my grandfather always saying to me, respectively,
00:08:18If you're bad, you'll have the civilians behind you.
00:08:21And if you behave very well, they won't frighten you or be loyal.
00:08:26Yes? What uncle was your grandfather?
00:08:33Which uncle was your grandfather?
00:08:50Come on.
00:09:00If you'd like, we can eat.
00:09:02I think so. But what time is it?
00:09:04Midnight strikes.
00:09:06Let's give it a go.
00:09:07Come on.
00:09:08Sit down.
00:09:18And that one?
00:09:20He will eat alone.
00:09:22Put your irons on his feet.
00:09:44Come on.
00:09:45Come on.
00:09:45Come on.
00:09:45Come on.
00:09:50Come on.
00:10:13If one kilometer is one thousand meters
00:10:16and a league is six hundred and some varas,
00:10:19This results in kilometers of horn.
00:10:25What were you saying?
00:10:26Nothing. Eat and be quiet.
00:11:02Marayo.
00:11:05Marayo, hands always up.
00:11:09Marayo.
00:11:17Marayo.
00:11:25Marayo.
00:11:27Marayo.
00:11:33Marayo.
00:11:34Marayo.
00:11:34Marayo, arfiere los papeles.
00:11:36And, of course, he didn't have papers.
00:11:38Right, Silvestre?
00:11:40Yes, Antonio, whatever you say.
00:11:42And they caught him.
00:11:43Yes, because it's wrong to say it, but I have a nose for things that no criminal was born with.
00:11:49of deceiving me.
00:11:51I'm just following my grandfather's advice.
00:11:53What did the man say?
00:11:56To the pig and the criminal
00:11:58Just from the smell
00:11:59Understood, see you later, see you later
00:12:11What's wrong with the corporal?
00:12:14Damn, our prisoner passed through here
00:12:16And?
00:12:18And we ran him over
00:12:19Ah, now I understand
00:12:22At nine o'clock
00:12:25Let's go to sleep
00:12:26My grandfather, who knew a lot about this, used to say
00:12:29Go to bed at nine if you can
00:12:32And by ten o'clock, you'll be fast asleep
00:12:35If it can be sooner, all the better.
00:12:39Come on
00:13:04At nine o'clock, you have
00:13:30Who is he? Why are you carrying him like that?
00:13:32They say he's a criminal, Father.
00:13:39Whatever your crimes may have been, son,
00:13:42I want to tell you that God's goodness is infinite
00:13:44and I urge you to trust in her.
00:13:46And to you, my children, I urge and recommend patience.
00:13:51Be rigorous with him, but understanding; faithful, but humane.
00:13:56We will be, father.
00:13:57Amen.
00:13:58Adichame, you're Catholic, son.
00:14:01I was an altar boy at the Yluz and I memorized the Mass and Latin.
00:14:04Look here, Father.
00:14:05Confections of the Onnipotent, Blessed María Sanpervírgele,
00:14:08Blessed Michael the Archangel, Blessed Gianni Batista,
00:14:10Holy Apostles...
00:14:11Zero.
00:14:11Onimus Santis, Etibe Paterquia,
00:14:13Picabinimis, Cogitations, Verbo e Opere,
00:14:15Mea culpa, mea culpa, mea culpa, mea culpa.
00:14:16Just a moment, son, leave him alone.
00:14:17I wouldn't stop him with a cannonball.
00:14:19He knows it by heart.
00:14:21Blessed John the Baptist, Holy Apostles Peter and Paul,
00:14:23nomisantes, ether Paterorare,
00:14:25Romeandómino deonostrum, amen.
00:14:28Very good, garayo.
00:14:29We have to leave, father.
00:14:32Go with God, children.
00:14:33And you, entrust yourself to Saint Francis,
00:14:36lawyer of the humble,
00:14:38who hears his day.
00:14:41Goodbye, father.
00:14:42Goodbye, father.
00:14:44Goodbye, father.
00:15:12He must be deaf.
00:15:13How long until the robla, grandpa?
00:15:18You tell us, little one.
00:15:19Do you know how far we are from the oak?
00:15:21Don't be surprised that I don't talk.
00:15:23My grandfather is almost one hundred years old.
00:15:25The oak tree is two or three leagues away.
00:15:27Thank you so much.
00:15:29What is your name?
00:15:31Have you eaten your tongue?
00:15:34You're so beautiful.
00:15:35Come on, woman, say something.
00:15:37Never mind, leave her alone.
00:15:39We'll be back again in a few days.
00:15:42And I'll bring you a fringed handkerchief.
00:15:46And then you will laugh.
00:15:48I know that for sure.
00:15:49Come on, Silvestre.
00:15:51Goodbye, papinna.
00:15:58Grandpa, will they come back?
00:16:00Yes, I think so.
00:16:02You're cold, grandpa.
00:16:05Let's go inside.
00:16:06No, there's still a little bit of sun left.
00:16:37No, there's still a little bit left.
00:16:45Ramiro.
00:16:48Ramiro!
00:16:50Ramiro!
00:16:50Maria!
00:17:07Did you take a while?
00:17:08I haven't been able to before.
00:17:09There was a lot of light.
00:17:10Maria.
00:17:13I'm scared, Ramiro.
00:17:14About what?
00:17:15Don't know.
00:17:16Fear of not being able to return once we have left.
00:17:18And why would you want to come back here?
00:17:20To live the way you do?
00:17:23Perhaps he's right.
00:17:24And where will we go now?
00:17:26I don't know yet.
00:17:27To the sea.
00:17:27We will embark for America.
00:17:29Everything will be alright.
00:17:30The fact that?
00:17:30All.
00:17:31Come on, come here.
00:17:32Wait until nightfall, there is still plenty of light.
00:17:34Maria.
00:17:35Don't be scared.
00:17:37I'm not scaring you.
00:17:38We will be happy.
00:17:44They are civil guards.
00:17:46Yeah.
00:17:47They have a prisoner.
00:18:08Didn't you want a fringed scarf?
00:18:13How odd.
00:18:16It seems like a miracle.
00:18:27Hey!
00:18:29Is anyone there?
00:18:48He'll be worse off than us.
00:18:51Because?
00:18:52She's going to jail, woman.
00:18:54Because?
00:18:55He must have done something wrong.
00:18:57Yes, just like we were going to do.
00:19:06Maria, Maria.
00:19:08Maria.
00:19:34Maria, Maria, Maria, Maria, Maria, Maria, Maria, Maria, Maria, Maria.
00:20:01Wait, look, Antonio, it's the train.
00:20:08He comes from Asturias.
00:20:23How fast it runs, almost like a horse, even more.
00:20:38How I would love to ride the train.
00:20:41I wouldn't want to die without fervor.
00:20:45Me neither.
00:20:58It doesn't last long, does it?
00:20:59Very little, but it's nice.
00:21:03Yeah.
00:21:04Come on.
00:21:30Paragrallo.
00:21:32What's that guy doing?
00:21:33No.
00:21:34No.
00:21:35No.
00:21:35It is not possible.
00:21:36Monsieur Valladol.
00:21:38No.
00:21:38No.
00:21:39No.
00:21:39Valladolid.
00:21:42Monsieur Rami, it's that you don't want to walk.
00:21:47It's because I don't give you enough to eat.
00:21:49It's because I don't treat you with affection.
00:21:53Monsieur Valladol, I swear to you that as soon as we reach the next town, you will enjoy a splendid meal.
00:21:58No, from a beautiful block, from a nice and accommodating one, she argues.
00:22:04Monsieur Valladol, I swear to you, I swear to you by the ashes of Voltaire, Rousseau, Molier, Cambron,
00:22:15of Richelieu, of the Richelieu.
00:22:18Which?
00:22:18I mean, what's wrong, Monsieur?
00:22:21Don't you see it?
00:22:22My Valladolid, which doesn't want to walk.
00:22:25Is Valladolid the donkey?
00:22:26Oh, Monsieur.
00:22:27That's how I named him, in memory of the immortal Valladolid.
00:22:30The gentleman of my country, without fear and without blemish.
00:22:33I am an artist, sir.
00:22:35Already.
00:22:37We already realized that.
00:22:39Do you know why Rousseau isn't working?
00:22:41No, Monsieur.
00:22:42Because a donkey cannot be called Valladolid.
00:22:46A donkey can be called Lucero, or Cateto, or Manolo.
00:22:51Do you understand?
00:22:52Yeah.
00:22:53Do you want to see how quickly your Valladolid team starts running?
00:22:56Yes, Monsieur.
00:23:00Apart.
00:23:01No, Valladolid.
00:23:03Donkey!
00:23:04Look!
00:23:05Donkey!
00:23:05Look!
00:23:06Giddy-up!
00:23:07Giddy-up!
00:23:08Giddy-up!
00:23:09And do you want to see how my grandfather used to beat up artists?
00:23:12No!
00:23:21Come on, you scoundrel.
00:23:22I'll give you the French sole as soon as you let your guard down.
00:23:26Bird!
00:23:26Ha ha ha!
00:23:56Ha ha ha!
00:23:57Do you know what day it is tomorrow? Saint Froilán, patron saint of the Kingdom of León. Festival in the village.
00:24:02Bad luck. Your path is far away.
00:24:05Yes, as far away as you are from your wife and children.
00:24:07Yes. Do you know what we're going to do tomorrow in honor of Saint Froilán?
00:24:12Let's stay and relax all day in that town. What do you think?
00:24:16What did your grandfather say in these cases?
00:24:18He said, "Whatever God wills."
00:24:21He was a very wise man.
00:24:23Yes, it was.
00:24:55With your permission, sir.
00:24:57My dear sir.
00:24:58With your permission, sir.
00:25:00Because of the impression of the greatest photograph of the century of light.
00:25:05No, not for me.
00:25:07Yes, man, for your boyfriend. Be very grateful.
00:25:09Magnificent. It's a wonderful souvenir for loved ones who love us.
00:25:15And will it take long?
00:25:18Oh, immediately.
00:25:19What moment?
00:25:21A very natural position.
00:25:34Parfait, monsieur.
00:25:37What an extraordinary sense of position, monsieur.
00:25:43One moment.
00:25:45One moment.
00:25:50Oh, oh, oh, oh, oh, sorry.
00:25:54Come on.
00:25:55Smile, smile.
00:25:59No, a soldier cannot smile.
00:26:02San laughs.
00:26:02Very healthy river.
00:26:04San laughs, San goes.
00:26:05Birdie.
00:26:06San laughs, goes San laughs.
00:26:20Oh, oh, oh.
00:26:50Oh, oh, oh.
00:27:22Mr. Guarnia, shall we dance?
00:27:24Yes. Well, no, I can't.
00:27:27Because?
00:27:28The uniform, right?
00:27:29Man, you'll see.
00:27:31No, no, what would Antonio say?
00:27:33So, shall we go for a walk?
00:27:34Yes, let's go. See you later.
00:27:49Let's eat them, joy!
00:27:54Enjoy them, joy, and your guests!
00:28:09Come with me, then we'll continue talking.
00:28:18Now you will meet all my daughters, Mr. Pedroso.
00:28:21How many do you have?
00:28:22Just twenty.
00:28:24And seventeen to marry.
00:28:40Marry?
00:28:40Seventeen, eighteen, nineteen...
00:28:54And twenty!
00:28:56Good morning.
00:28:57Good morning.
00:28:58Let's eat!
00:29:09Let's eat!
00:29:29Very good, Mayor, very good.
00:29:32Good afternoon, Mr. Mayor and the company.
00:29:34Good afternoon.
00:29:35Sit down like that.
00:29:38Excuse me.
00:29:40Have you read the latest newspaper?
00:29:42No.
00:29:43Is its destination a secret?
00:29:45In a way...
00:29:47I think you'll find this interesting.
00:29:49Listen.
00:29:52Vitoria.
00:29:52It is claimed that the famous criminal known as the Sacamantecas
00:29:55He has been arrested by the Civil Guard in the mountains of León
00:29:58and that he is currently being transferred to Vitoria.
00:30:02His name is not revealed.
00:30:04As has been known since 1870,
00:30:06This dangerous killer has committed no fewer than eight crimes,
00:30:09all of them in women,
00:30:11on which he committed ferocious acts of violence.
00:30:13There is enormous excitement throughout the province.
00:30:17Correspondent.
00:30:21We're going to Vitoria.
00:30:23That's the truth.
00:30:24And they didn't know what they were carrying?
00:30:26Well...
00:30:28No.
00:30:29Really...
00:30:30That's not all.
00:30:31I have some clippings about that type that I can offer you.
00:30:33The Sacamantecas crimes began ten years ago.
00:30:37The first one was on April 2, 1870.
00:30:40A woman was found dead,
00:30:42drowned and with signs of having been previously assaulted.
00:30:46On April 12, 1871
00:30:50He murdered another woman who begged and did odd jobs around the hamlets.
00:30:53Gee.
00:30:55August 21, 1972
00:30:57A 14-year-old girl was murdered and run over.
00:31:00Eight days later
00:31:01He killed a young woman with bad habits.
00:31:04The body was found with a fork stuck in its heart.
00:31:08In August of '73
00:31:10A woman of ill repute was saved because she was able to scream.
00:31:13The killer managed to escape.
00:31:16January 2, 1874
00:31:18The horribly mutilated corpse of a woman was found
00:31:21with wounds on the chest and lower abdomen.
00:31:24The fishbowls had been torn from her.
00:31:27The name Sacamantecas dates back to that time.
00:31:30But...
00:31:30Wait a minute, joy.
00:31:32Let me finish.
00:31:33Now we enter into the most recent and most abhorrent.
00:31:35Even more.
00:31:37It's a thing of the past, so to speak.
00:31:39He...
00:31:39August 25th
00:31:41An elderly beggar woman was assaulted by a man who...
00:31:43I'm telling the jailer to go there right away.
00:31:46The prey has escaped!
00:32:08Come, come, free.
00:32:16Damn.
00:32:19Okay, so what's up?
00:32:20That the prisoner is affected.
00:32:24Well, that's true.
00:32:27Wow, how did you manage?
00:32:29You gave me the possibilities.
00:32:31Us?
00:32:32Don't be an idiot.
00:32:34How did you do it?
00:32:39That's right, officers.
00:32:41And the company.
00:33:08That barbarian, just like pigs get singed,
00:33:11But he was live.
00:33:13Brave animal.
00:33:14A stallion.
00:33:15That's the comparison.
00:33:18You seem very quiet, Mr. Pedroso.
00:33:20Here is the friend who has left us...
00:33:23They didn't really know what they were carrying.
00:33:25No.
00:33:27Little by little we are all getting to know each other.
00:33:29No!
00:33:45Shut up, woman.
00:33:46You tickled me.
00:33:48The flying bird passes and...
00:33:49Are you scared?
00:33:50No.
00:33:51Have you thought about what I told you?
00:33:53Yeah.
00:33:54And?
00:33:55It just can't be.
00:33:56Coward.
00:33:57I'm on duty.
00:33:59So what?
00:34:00Well, the service is a very serious matter.
00:34:04I've thought it through.
00:34:06Tomorrow we're running away and they'll have no choice but to marry us off.
00:34:08But...
00:34:09Leave it to me.
00:34:10I'll be waiting for you at seven o'clock at the crossroads on the outskirts of town.
00:34:12I'll find you a suit.
00:34:14I'm leaving, I have a lot of things to prepare.
00:34:16Bye bye.
00:34:24Bye bye.
00:34:52If you are not comfortable,
00:34:53We'll bring you one or two more mattresses.
00:34:56No, thank you very much.
00:34:57I don't know what will happen if we fall from up there.
00:35:00Okay, get some rest.
00:35:01See you tomorrow.
00:35:02Bye bye.
00:35:02Good night.
00:35:05This guy's a nice guy, isn't he?
00:35:08Yeah.
00:35:09I suppose so.
00:35:11Do you know what my grandfather called these cots?
00:35:14Namely.
00:35:15Well, Count Ludovico's bed,
00:35:17which you have to jump onto.
00:35:22Or the bed of Count Garcés,
00:35:24which you have to climb on all fours.
00:35:27Wow!
00:35:27Above!
00:35:32My grandfather was an exemplary figure.
00:35:55Are you asleep, Antonio?
00:35:57No.
00:35:58Because?
00:36:00What time will we leave tomorrow?
00:36:02At seven o'clock.
00:36:06I want to ask you a favor.
00:36:08Yeah?
00:36:10Let's leave at six.
00:36:12Because?
00:36:14I can't explain it to you.
00:36:16Alright.
00:36:18We'll leave at six.
00:36:22Thank you, Antonio.
00:36:24It's much better for everyone.
00:36:26that we leave at six.
00:36:30Thank you.
00:36:32Path.
00:36:34Path.
00:36:36Forgive me, road.
00:36:41Very!
00:36:43Very!
00:36:48Very!
00:36:51Very!
00:37:03Very!
00:37:18Good morning, Candida. What are you waiting for?
00:37:22Nothing. I expect nothing.
00:37:59I don't expect anything.
00:38:13I don't expect anything.
00:38:34They haven't let themselves be worked on that much. The authorities didn't come then, no. It's only now that the scoundrel arrives with
00:38:41clean hands to say that the land is theirs.
00:38:43Now that it's fertile land, now that the wheat is growing, now that the orchard is bearing fruit. If not
00:38:49If it were up to us, all of this would still be an ideal, as it was before, as it always was.
00:38:54Oh! The delicacy! Alright! Let's break our necks like beasts! Like what we are! Not at all!
00:39:01Shut up! Not at all!
00:39:04There it is!
00:39:11Pull the trigger now! Come on! Kill them! Shoot!
00:39:18Look! Look! Look! The delicacy is with them! He wants to see it! Damn it! Shoot!
00:39:27Very worried, Silvestre. No, why? It seems to me that the daughter of joy was something more
00:39:35How cheerful. Blas said it, period.
00:39:40Shoot now! Beat them by the horns!
00:39:43Leave it to me! I know what I'm doing!
00:39:47They are still far away.
00:39:49Squeeze now! Kill them!
00:39:52What a nice girl the mayor's daughter is!
00:39:55Very good.
00:39:58Poor road!
00:40:03Leave me alone! Coward! Stay still!
00:40:04Father, father! I'm not a delicacy! Tell each other! You've got a man tied up!
00:40:42So the weather's still dry, huh? The sergeant's eyesight is quite something. I think it would have been better.
00:40:47go around through Sahagún.
00:40:48Yes, it would have been better not to leave the barracks. Hey, friend! Is this the guard's path?
00:40:53Yes, absolutely. Two or three leagues away.
00:40:56Thank you.
00:40:57Shoot now!
00:40:57Be careful!
00:41:35Stop, garayo!
00:41:39What do we do, Antonio?
00:41:44What do you think we're going to do?
00:41:46To not be here.
00:41:49We'll knock on a door.
00:41:51Walking.
00:41:54Call there.
00:42:20Come on!
00:42:22Come on!
00:42:28Give it a call.
00:42:36There's not a soul here. Why don't we keep going until we get to the guard post?
00:42:38Because, among other things, the regulations prohibit walking at night.
00:42:42And because what is not in the scriptures has fallen.
00:42:46We need to stop here.
00:42:47Mr. Guard, there is a light in that house.
00:43:08We push, we win, easy!
00:43:10No, Silvestre.
00:43:12We can't just find a home like that.
00:43:15The light has gone out.
00:43:16So there are people.
00:43:17Open up to the Civil Guard!
00:43:33Why did it take you so long to open?
00:43:35I'm afraid.
00:43:36Can't you see we're Civil Guards?
00:43:39Now yes.
00:43:40Happens.
00:43:55If you want to go into the kitchen.
00:43:57Yes of course.
00:44:18Open up to the Civil Guard!
00:44:33Jesus.
00:44:35What's wrong with them in this town?
00:44:38We are afraid.
00:44:39Fear?
00:44:40That?
00:44:42We are alone.
00:44:45Who is it?
00:44:46Those of us who are sick.
00:44:48The others have gone to work in Sagoun and Grajal.
00:44:50Down there.
00:44:57We spent the night here.
00:44:58Do you allow it?
00:45:00Yes sir.
00:45:01What else can I do?
00:45:05Are you not afraid anymore?
00:45:06Not anymore.
00:45:07They are yours...
00:45:09Well, I don't know.
00:45:11We are very poor.
00:45:12I'll look for some firewood.
00:45:17Change the irons.
00:45:18Change the irons.
00:45:27I'll look for some firewood.
00:45:28Let's go to the last one.
00:45:33Excuse me, end.
00:45:36That's it.
00:45:37Leaves.
00:45:40Steel.
00:45:44AND...
00:46:10Thank you!
00:46:17Where exactly is Guardo?
00:46:20Two or three leagues away.
00:46:23What town is this?
00:46:25Egoñal.
00:46:27Don't bother yourself about us. If you want, go to sleep.
00:46:31Yeah.
00:46:33Good night.
00:46:35Wait a minute. Is the key in the door?
00:46:38Yes. Why?
00:46:40You're welcome. Thank you. Good night.
00:46:44Good night.
00:47:18Dale.
00:47:26What's happening?
00:47:27What's happening?
00:47:28It takes up a lot of people.
00:47:29Is that scary?
00:47:30Take.
00:47:31Take.
00:47:35Take.
00:47:38Take.
00:47:43Thank you!
00:48:37Thank you!
00:48:58Thank you!
00:49:29Thank you!
00:50:03Thank you!
00:50:14Thank you!
00:50:40Thank you!
00:50:48Thank you!
00:50:50Thank you!
00:50:52Thank you!
00:50:52What were you going to do, you wretch?
00:50:54Thank you!
00:50:56Thank you!
00:50:57Come into the kitchen!
00:50:58And if you move, I'll break your heart!
00:51:01Come in, Matillo!
00:51:02Scoundrel!
00:51:03Come in, you beast!
00:51:04You're a vicious beast!
00:51:20host
00:51:30You've already slept, right?
00:51:31Yes, I don't know.
00:51:36go on, get up
00:51:39I'll stay on duty.
00:51:45Come on, man, come on.
00:52:10I'll stay on duty.
00:52:50Touch your eye with your elbow.
00:52:52What would your grandfather say?
00:52:54My grandfather would say otherwise.
00:52:56A soaked eye is neither an oar nor an eye.
00:53:01Can you see better now?
00:53:02Yes, something.
00:53:05Are your bags full?
00:53:07Can.
00:53:09Full or empty, we must keep walking.
00:53:11Or do you think I'm a child?
00:53:14Look, the post house.
00:53:17The stagecoach is going to stop.
00:53:18If there were space, it could take us a few kilometers.
00:53:21Come on, we have to try it.
00:53:40The first Turk at Lepanto, the third the Frenchman, and throughout the sea the Englishman had to see me
00:53:47terror.
00:53:48And I'll set the head like three or three or four.
00:53:52Good afternoon.
00:53:53Good afternoon.
00:53:54Is there room left on the stagecoach to Poza de la Sal?
00:53:59Do you want to arrive at Poza de la Sal seated?
00:54:01Ask the foreman right away.
00:54:03Excuse me if you're being bothered.
00:54:07Are you crazy?
00:54:08Of course.
00:54:09Officers, there is only one spot and it is reserved at the intersection.
00:54:15If you want to get ready there, two of you can come with me and one inside.
00:54:20Thank you so much.
00:54:28I'll go up here with the crow.
00:54:30You get in.
00:54:31Careful, okay?
00:54:38He's completely crazy.
00:54:40He says he's a poet and he drives us crazy with his hallelujahs.
00:54:42Laugh, earpiece!
00:54:43You see a case on the globe!
00:54:45Laugh, violent cop, you ran as fast as the wind!
00:54:49Where lightning is a sun!
00:54:51Birds, a skate and a kiss in the field!
00:55:20No!
00:55:21No!
00:55:22No!
00:55:24No!
00:55:27No!
00:55:34No!
00:56:04Thank you!
00:56:24Where is he going?
00:56:27We hadn't arrived yet, guard.
00:56:29Yes, now we're talking.
00:56:35At the intersection, you will have to get off
00:56:38Have a good trip, gentlemen, and thank you very much for everything.
00:56:44Good afternoon, gentlemen
00:56:45Good afternoon
00:56:47Giddy-up, little earpiece! Giddy-up!
00:56:49Bye bye!
00:56:54Pozo de la Sal is a long way off
00:56:56Right there! At the bottom of the hill! Behind the castle! Goodbye!
00:57:00Giddy-up, earpiece!
00:57:03What do we do?
00:57:04What do you mean, what do we do?
00:57:06We'll stay overnight in Pozo de la Sal and tomorrow, God will tell.
00:57:37What is that? Low clouds?
00:57:40Or a fire?
00:57:42No, the fogs
00:57:44We have to go through!
00:57:52Bye bye!
00:57:55Bye bye!
00:57:58Bye bye!
00:58:00Bye bye!
00:58:10Bye bye!
00:58:11Bye bye!
00:58:21Bye bye!
00:58:27Bye bye!
00:58:38Bye bye!
00:58:39Bye bye!
00:58:43Bye bye!
00:58:45Bye bye!
00:58:57Bye bye!
00:59:03Bye bye!
00:59:11Bye bye!
00:59:21Bye bye!
00:59:22Bye bye!
00:59:28Bye bye!
00:59:29Bye bye!
00:59:41Bye bye!
00:59:46Bye bye!
01:00:01Bye bye!
01:03:48Antonio!
01:04:04What's wrong, Antonio?
01:04:08And the garayo?
01:04:10Don't worry, I have it here.
01:04:12How are you?
01:04:14He almost strangled me.
01:04:16We will rest here until the fog lifts.
01:04:19Seem to you?
01:04:20Yeah.
01:04:22We will rest.
01:04:23We desperately need it.
01:04:41No, no, no.
01:05:34The Lord.
01:05:43The Lord.
01:06:18No, no, no.
01:06:31Come on, Antonio. What's wrong?
01:06:33What's wrong with you, man?
01:06:34Nothing. It's nothing.
01:06:47Why hasn't a doctor examined his eyes?
01:06:49So that?
01:06:51The doctors would tell me to wash them with rose water.
01:06:57It's funny.
01:06:59Antonio.
01:06:59Yes, it's funny.
01:07:04I'm tired and exhausted.
01:07:08Every night I have to swallow the urge to end it all
01:07:12and return to my wife and children.
01:07:18My feet are shattered, and so are my eyes and soul.
01:07:26But I have to move on.
01:07:31I won't be walking tomorrow.
01:07:33I'll stay here.
01:07:35Listen to me.
01:07:35I won't walk anymore!
01:07:36I tell him.
01:07:40Listen to me.
01:07:42Get comfortable.
01:07:47I'm going to set aside my rank and speak to him like a man to another man.
01:07:52He is tired.
01:07:53I understand.
01:07:55I am a man with 34 years of employment.
01:07:58My first assignment after joining was also a prison gang.
01:08:02It was the year 1845.
01:08:06With 20 more numbers we were in charge of transporting 170 prisoners.
01:08:11For a few days there was nothing new,
01:08:13But as they passed through some mountains, the galley slaves rebelled.
01:08:17The comrades who managed to keep their weapons opened fire and killed 12 detainees.
01:08:23But the others fled to the nearby Sierra de la Pila where they fortified themselves.
01:08:28It took seven months to reduce them.
01:08:30Do you understand?
01:08:30It was a point of honor to recapture them.
01:08:33It had to be done, and it was done.
01:08:36It depended a lot on that.
01:08:38The future of the institution and the example for those who would come after.
01:08:42I recovered my old rifle from the corpse of a bandit.
01:08:46Nearly 100 men died.
01:08:48With the remaining people, we arrived at the designated place.
01:08:50And that's all.
01:08:52Oh, I almost forgot.
01:08:54I just received a communication ordering that as soon as they arrive in Pancorvo
01:08:58You must use the railway to Vitoria.
01:09:01The province of Álava is the most punished by the prisoner's misdeeds.
01:09:04And it is not considered appropriate for him to walk through the scenes of his crimes.
01:09:10No, don't say anything.
01:09:12My wife will prepare a hot dinner for them now.
01:09:23Clean up a little.
01:09:25See you later.
01:09:44I think the sergeant's story is as good as your grandfather's.
01:09:50Further.
01:09:53A lot more.
01:09:54Is it all over now?
01:09:58Yeah.
01:10:00Come on.
01:10:03Let's wash up.
01:10:30Come on.
01:10:54Would you do me a favor?
01:10:56Is this the train that goes to Vitoria?
01:10:58Yes sir.
01:10:59You guys are on prisoner transport duty, from what I can see.
01:11:01Yeah.
01:11:01They can get settled in the Tepe van.
01:11:03Thank you so much.
01:11:04Bye bye.
01:11:04Come on, damn it.
01:11:20Here it is.
01:11:21Up you go, damn it!
01:11:36They can get on the one going to Vitoria.
01:11:38They can get on the one going to Vitoria.
01:11:50And that's it.
01:12:01Does it still hurt?
01:12:03Bit.
01:12:04And the eyes?
01:12:06Better.
01:12:08Don't you hold a grudge against me, Mr. Pedroso?
01:12:11No, Garayo.
01:12:13It was natural that you wanted to escape.
01:12:16And it is our obligation not to leave you.
01:12:19Do you hold a grudge against us?
01:12:22No, officers.
01:12:34Your land, Garayo?
01:12:36Yeah.
01:12:40That's where it all happened.
01:12:42That's where I was born.
01:12:45My mother's body is probably buried around there.
01:12:48I don't even know if my father is alive.
01:12:53I played there as a boy.
01:12:55How long ago was that?
01:12:57I can hardly remember that I was ever a boy.
01:13:01That's where it all happened.
01:13:03Why did I do it?
01:13:04Why have I done everything I've done?
01:13:07Leave him alone, Garayo.
01:13:09And I still don't know why I did it.
01:13:11Don't know.
01:13:13What will they do to me, Mr. Pedroso?
01:13:16Don't think, Garayo.
01:13:18Don't think about what might happen.
01:13:21My grandfather used to say
01:13:22thinking behind you was in the way
01:13:25and going forward was tiring.
01:13:28You're already quite tired.
01:13:31Don't think, Garayo.
01:13:33Don't think.
01:13:34Yes, yes.
01:13:35But what will they do to me?
01:13:37What will they do to me?
01:13:43What will they do to me?
01:13:55DependID!
01:14:12What will they do to me?
01:14:12What will they do to me?
01:14:14How can this happen?
01:14:22We have arrived in Vitoria.
01:14:23Yes, yes. It's just that our friend is very well known here.
01:14:26And it's in our best interest to wait for people to leave.
01:14:29Okay, okay.
01:14:43Come on.
01:15:25What will they do to me?
01:15:27No. Hush, hush, Dina, come here.
01:15:46Good night.
01:15:46Good night.
01:16:00The judge is waiting for them.
01:16:03Well.
01:16:06This is over.
01:16:08Yeah.
01:16:09It's over for you.
01:16:29At Your Service.
01:16:31The numbers Antonio Pedroso and Silvestre Abuín are presented
01:16:34from the Murias de Paredes post, León Command.
01:16:37Juan Díaz de Galayo was on duty transporting the detainee.
01:17:00Are you Juan Díaz de Galayo y Argandoña, nicknamed El Zurrumbón?
01:17:06Who answers?
01:17:10Yes sir.
01:17:34Who answers?
01:17:34Who answers?
01:17:35The receipt.
01:17:36Sheriff, take charge of the prisoner.
01:17:54Goodbye, Galayo.
01:18:11God be with you, officers.
01:18:16Goodbye, Galayo.
01:18:34Are you sending anything else to Usía?
01:18:36Nothing, thank you.
01:18:37They may leave.
01:18:39At Your Service.
01:19:06What's the matter?
01:19:07No, nothing.
01:19:09It's always like that.
01:19:11Always.
01:19:13You'll get used to it.
01:19:15Now, time to hang up the rifle.
01:19:19I remember my grandfather telling me, we are like a sword.
01:19:25An arm moves us to hurt or defend.
01:19:28And when they don't need us, they dump us.
01:19:33Now, back to the barracks.
01:19:34Time for bed.
01:19:36And tomorrow, we'll return.
01:19:38But early.
01:19:39With the sun, the road awaits us.
01:19:42The path or your path.
01:19:49Both.
01:19:53Come on.
01:19:54Come on.
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