00:03When I make something for Victoria's Secret, it's like you make a dream come true.
00:08For Victoria's Secret, I make something completely special.
00:13We begin with the drawings of the butterfly, of the corset, and the belt.
00:18I want to have everything in one drawing.
00:20It's difficult to show it on one drawing, but it's why I make samples after.
00:24I make the sample with a little thread.
00:26I go to somewhere to ask the guide, can you make me like that?
00:30I put the fabric, I sew everything with the hands, and after we begin to work with the crystals.
00:36Swarovski gives me the chance to see large.
00:42It's a nice quality of crystals.
00:44You can make your own degradé of color.
00:47You can take all the sizes of stone and you can mix together.
00:50You can really do what you want. Look.
00:52And after, you can mix everything. The degradé is very nice.
00:56You have the crystal corset.
00:58This one is completely brodery.
01:01You make first the base of the corset, and after you make the brodery, you can choose whether you want
01:05like beads.
01:06After we put all these different kinds of hotfix on, you have the belt, completely with crystals.
01:13You have a metallic thread inside. It's not crystal mesh. It's something new.
01:17The woven crystal, you can make shapes. You can give a very nice attitude on the crystal.
01:23I put all my metallic threads, I put the crystal inside, and I wove, wove, wove.
01:28And I see, ah, it makes a shape. And after I take the crystal, and I do what I want.
01:35Every piece like that, it takes four hours, six hours to make one of these.
01:41I need to make the sample of the belt, send it to someone, making me a very nice frame.
01:46After I make all the fabrics, I put all the crystals on. It takes a lot of time to do
01:51the crystal outfits.
01:53In my studio, we're working from 8 o'clock in the morning till 10 o'clock in the night.
01:58When I make the dress in Paris, it's on a mannequin. I don't have somebody walking with the dress.
02:05I don't see the movement.
02:07In New York, we tried on Lily Donaldson. I saw a lot of little pieces we need to change.
02:13Add more crystals on the butterfly. Some butterfly was too much like balancing like that.
02:19We need to fix. We cut everything again. We put on a new frame.
02:23I think I make four or five fitting on Lily to get a very perfect outfit on her.
02:29I think we have 88 pounds of crystals, 150,000 of crystals. It's very heavy.
02:38Swarovski, it's something strange. You feel something. It's very interesting in the Swarovski stones.
02:44You have a part of my soul inside because I take a lot of time, a lot of love to
02:49make that.
02:52Working for my collection, working for Victoria's Secret, I'm working for somewhere else.
02:55We see a lot of techniques and we mix everything together and Victoria's Secret have the most beautiful piece now.
03:02We do hard work for a way to move through and make that cook.
03:02If you remember this dish, we start speaking Adon Vans.
03:07They've made a message for quien be so more.
03:07You really want you to jakieśAn In And She Nicole.
03:08It's anxietyезAmark.
03:09You have to be connected.
03:09You're a character of the dude.
