DMVG_DISC1-Track06

Evangelizacion Activa

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Transcript

00:00:00Okay, so let's continue with our reflection on the Guadalupe event.

00:00:22And remembering what we saw last time,

00:00:27We know that from December 12, 1531,

00:00:33Everything changed in the history of our country

00:00:37And we are certain and convinced that in light of this event that has arisen in our homeland,

00:00:45has had, has and will have a projection towards the whole world.

00:00:51Since Our Lady of Guadalupe told Juan Diego,

00:00:55because I am truly your mother,

00:00:58yours and that of all those who are in these lands in one

00:01:02and of the most varied lineages,

00:01:05Those who love me, those who cry out to me, those who seek me.

00:01:09Therefore, we know that although Our Lady of Guadalupe appears in Mexico

00:01:14And the miracle of printing also takes place in Mexico,

00:01:20It's mainly for us Mexicans,

00:01:22Well, we can understand it like this,

00:01:24but not only for us,

00:01:27but she is for everyone,

00:01:28because it's not just Guadalupe,

00:01:32but we know that above all else is the Blessed Virgin Mary,

00:01:35Mother of God and Our Mother,

00:01:39Mother of us all.

00:01:40Okay, we've already talked about the miracle of printing.

00:01:45And we now understand what a codex means.

00:01:50The Aztecs, the Soltecs, and other cultures

00:01:54They wrote in the form of codices,

00:01:57They were made by crushing amate leaves.

00:02:00or also in strips of leather,

00:02:04It could be from a deer, or from some other animal

00:02:07and they wrote on drawings.

00:02:09Remember that there were no letters.

00:02:11Well, those drawings had to be interpreted,

00:02:15That's why they are called ideograms.

00:02:17because they were drawings that had to be interpreted

00:02:20and they were read differently,

00:02:23from top to bottom, from bottom to top,

00:02:25from left to right and vice versa.

00:02:27Well, then, Saint Mary of Guadalupe

00:02:30It appears as a codex,

00:02:33so there are drawings in his image,

00:02:37There are figures that we have to interpret.

00:02:41The wise men, called tlamatinimes,

00:02:44They were the ones who primarily interpreted these images.

00:02:48and they understood the message better.

00:02:53This message was lost for a long time afterward.

00:02:57It was unknown why,

00:02:59Remember that many of the codices

00:03:01They were either burned or sent to other places,

00:03:05whether to Spain, to Rome,

00:03:08to many other places.

00:03:09And so consciousness was lost.

00:03:12of what Saint Mary of Guadalupe

00:03:14He left us in his blessed image.

00:03:18Recently, it has become better understood,

00:03:22It has been reinterpreted again with the codices

00:03:26and for that reason it has been understood even more

00:03:30and in a wonderful way, what the Guadalupe message is,

00:03:35what God through His Most Holy Mother

00:03:37it offers to all of us

00:03:40Because we obviously know that God transcends time and space.

00:03:45Okay, so we've already started the interpretation.

00:03:48and we were left with what was the big flower,

00:03:52the flower hill that has its stem,

00:03:56which has its root in the mantle, that is, in the sky.

00:04:00And we closed with that very beautiful phrase

00:04:03that our ancestors offered hearts to God

00:04:07so that there would be harmony in the world.

00:04:10She tells us, with this flower she placed here on her chest,

00:04:14that without tearing them out, we put our hearts

00:04:18into her hands so that she may offer them to God our Lord.

00:04:23We concluded there with this interpretation.

00:04:27We continue with what is the codex,

00:04:30what are the figures that appear in the image,

00:04:33in everything that is the tilma of Saint Juan Diego,

00:04:36Cuauhtlatoatzin,

00:04:37And something that stands out very clearly

00:04:41and that we cannot omit.

00:04:44And if the Blessed Virgin Mary is drawn,

00:04:47We can't remove this,

00:04:50We cannot ignore it

00:04:51because it is a very important part.

00:04:54Perhaps the small flower Nahuiolín

00:04:57We might miss it,

00:04:59In fact, many painters

00:05:00They forgot to draw that flower

00:05:02because it's very small.

00:05:04Perhaps one of the flowers,

00:05:07even if they are very large,

00:05:08some painter forgets to paint them

00:05:11and so that we can also locate her.

00:05:14But what we cannot fail to see

00:05:17and even to capture,

00:05:20If one day we paint the Blessed Virgin of Guadalupe,

00:05:23They are the stars.

00:05:25The leaping stars,

00:05:28stand out on the mantle of Our Lady.

00:05:31We know that the cloak represents heaven

00:05:34because it is blue

00:05:36and the somewhat greenish blue color

00:05:39It means heaven

00:05:41and also life,

00:05:42because the stars are in the sky.

00:05:45Look at how things are.

00:05:48Many of the painters

00:05:49that they painted for a long time

00:05:52to Our Lady of Guadalupe,

00:05:54They painted the stars,

00:05:56But they didn't realize it

00:05:57that the stars have a precise placement,

00:06:01Exactly.

00:06:02If they are in a place,

00:06:04It's because it has a reason for being.

00:06:07That's so true,

00:06:08that when we talk about music

00:06:10on the mantle of Our Lady of Guadalupe,

00:06:12Stars have something to do with this music thing

00:06:15and also the placement of the stars

00:06:19exactly in that place

00:06:21where each of the stars is,

00:06:24It has its importance.

00:06:25Many of the painters

00:06:27They painted the stars,

00:06:29but not exactly as they are on the cloak,

00:06:32even as they saw them dismantled,

00:06:36the stars,

00:06:37What did they do?

00:06:38They lined them up from top to bottom,

00:06:41They arranged them like stripes.

00:06:44And that's how the stars are.

00:06:46Because they didn't know,

00:06:48because they didn't understand,

00:06:49obvious,

00:06:50They were under no obligation to know.

00:06:51But they didn't know the placement of the stars

00:06:55It also has its importance.

00:06:58Saint Mary of Guadalupe

00:07:00It appears at very specific times,

00:07:04important to our beloved ancestors,

00:07:08pre-Hispanic,

00:07:08the Aztecs,

00:07:09appears in a day

00:07:11and it is stamped on a very specific day,

00:07:15at a very specific time,

00:07:17where the stars have a placement in the sky.

00:07:20And this will be important.

00:07:21to find the right moment for printing

00:07:25and also for what we know

00:07:28like music

00:07:29on the mantle of the Virgin of Guadalupe.

00:07:32Good,

00:07:33the stars,

00:07:34to find out what happened,

00:07:37What was discovered?

00:07:39There are two moments,

00:07:41There are two very important people.

00:07:43that tell us about the stars.

00:07:46The first one is

00:07:48Dr. Homero Hernández Illezcas.

00:07:52This doctor was the witness

00:07:56of the miracle that God performed

00:07:58through the intercession of Saint Mary of Guadalupe

00:08:02and through the intercession of Saint Juan Diego,

00:08:06the miracle by which

00:08:08Juan Diego's intercession was acknowledged,

00:08:11the miracle that was awaited

00:08:12so that he could be canonized

00:08:14to Juan Diego,

00:08:16who was already a blessed man.

00:08:18Dr. Homero Hernández Illezcas

00:08:20is the doctor who

00:08:21He witnessed the miracle

00:08:23that God accomplished through mediation.

00:08:25We must always make it present

00:08:28to Our Lady of Guadalupe,

00:08:30but in a special way

00:08:31in that miracle

00:08:32to San Juan Diego Cuautla Toatzin.

00:08:34Good,

00:08:35because of this event

00:08:37and along with other things,

00:08:38Dr. Homer,

00:08:39doctor because he was a doctor,

00:08:41He has already passed away.

00:08:42But this doctor began to perform

00:08:45certain investigations

00:08:47and he ventured

00:08:49in the field of what are flowers

00:08:51which we already discussed,

00:08:52but together with a group of astronomers

00:08:56also ventured

00:08:57in the case of stars

00:08:59and saw that if the flowers

00:09:02They have a placement,

00:09:03the stars too

00:09:04It has something to do with it,

00:09:06It has something to do with it

00:09:07with the question

00:09:08of the constellations

00:09:10and from heaven

00:09:12on December 12

00:09:14of 1531.

00:09:16He meets with astronomers

00:09:18from the Autonomous University of Mexico

00:09:20and for six months

00:09:22they were performing

00:09:24many studies

00:09:25to place what was

00:09:26the celestial vault

00:09:27because it's not that easy,

00:09:29It's nothing more than that

00:09:29let's see,

00:09:30Let's imagine

00:09:31what was the sky like

00:09:32on that night

00:09:33or in that early morning,

00:09:35It wasn't something like that.

00:09:36So simple.

00:09:37Well, then afterwards

00:09:38of so many studies

00:09:39find

00:09:40the constellations

00:09:42and the accommodation

00:09:43of the stars

00:09:44the celestial vault

00:09:45December 12

00:09:46of 1531.

00:09:47But the problem is

00:09:50than the stars

00:09:51back then

00:09:52with the stars

00:09:53of Saint Mary of Guadalupe

00:09:55They don't tie.

00:09:58And so he becomes sad.

00:09:59because afterwards

00:10:00from studying so much

00:10:01to get there

00:10:02to that celestial vault

00:10:04and place

00:10:05and try to tie

00:10:06with Saint Mary of Guadalupe

00:10:08and it is not achieved

00:10:09Well, it's a species

00:10:10of frustration.

00:10:11But there is a reflection

00:10:13that he does

00:10:14and says

00:10:14if she comes

00:10:16from the sky

00:10:17if she comes

00:10:19from up there

00:10:20if we want it

00:10:21understand it this way

00:10:22the sky

00:10:22like something

00:10:23that's up there

00:10:24as they pass

00:10:25by the stars

00:10:26if it were

00:10:27like a table

00:10:28the firmament

00:10:29and when impregnated

00:10:31the stars

00:10:32in his cloak

00:10:33so

00:10:35the stars

00:10:36she would have them

00:10:37that you're watching

00:10:38the other way around.

00:10:40If I asked them

00:10:41to you

00:10:41that he

00:10:42Don't do it

00:10:43But if I asked them

00:10:44that they raise

00:10:44his right hand

00:10:45They're going to lift

00:10:47an opponent

00:10:47to mine

00:10:48That's called

00:10:49the mirror effect

00:10:50if you stop

00:10:51in front of your mirror

00:10:52after having you

00:10:55hairstyle

00:10:55and clean

00:10:56because otherwise you'll get scared

00:10:57after

00:10:58Raise your right hand

00:11:00And it's going to be

00:11:01well, the opposite

00:11:02It's the mirror effect.

00:11:04No?

00:11:05Good

00:11:05well, that's it

00:11:07That's what he did

00:11:08the doctor

00:11:08Homer Hernandez

00:11:09and Tinder

00:11:10if she's watching

00:11:11the celestial vault

00:11:13the other way around

00:11:13if God is

00:11:14doing so

00:11:15then let's go

00:11:16to invest

00:11:17the stars

00:11:19And what was it?

00:11:19What happened?

00:11:21that by investing

00:11:22the stars

00:11:23In other words, not seeing them

00:11:24as if we

00:11:25we were

00:11:25from Mexico

00:11:26up

00:11:27but seeing

00:11:28above

00:11:29down

00:11:30What's happening?

00:11:31than the stars

00:11:32They tie

00:11:33perfectly

00:11:35perfectly

00:11:40They tie

00:11:41the stars

00:11:42and the constellations

00:11:43that were

00:11:44in the early morning

00:11:45December 12

00:11:47of 1531

00:11:49those constellations

00:11:51They are there

00:11:52so that

00:11:53we can see

00:11:54clearly

00:11:55the different

00:11:57constellations

00:11:58this does not have

00:11:59nothing to do with it

00:11:59with astrology

00:12:01Hey?

00:12:01because there are

00:12:02There are people

00:12:03which unfortunately

00:12:04They use this

00:12:05for a benefit

00:12:06staff

00:12:07and they take it

00:12:08to a field

00:12:09which is not

00:12:09not even

00:12:10Christian

00:12:11this does not have

00:12:12nothing to do with it

00:12:12but

00:12:13It's something

00:12:14And we have it.

00:12:14that understand

00:12:15further

00:12:15from the world

00:12:17supernatural

00:12:18but also

00:12:19to the interpretation

00:12:20indigenous

00:12:21we see then

00:12:22than the stars

00:12:23They tie

00:12:24perfectly

00:12:25Here's where it gets interesting

00:12:27And this is already

00:12:28something very personal

00:12:29They are not the stars

00:12:31that are seen

00:12:32because they are

00:12:33constellations

00:12:34that can

00:12:35attract attention

00:12:36but

00:12:37What calls to me

00:12:38plus the attention

00:12:39They are the stars

00:12:40that are not seen

00:12:42but also

00:12:43they were there

00:12:44December 12

00:12:45of 1500

00:12:45131

00:12:47I'm going to go

00:12:49towards the

00:12:50towards the screen

00:12:51to be able to

00:12:52point out

00:12:53I'm going this way

00:12:55and then we see

00:12:56that in the part

00:12:57down

00:12:58Orion is there

00:12:59And here where is it?

00:13:01the angel

00:13:02Orion is there

00:13:03and we know

00:13:04that Orion

00:13:04He is the great man

00:13:06in the mindset

00:13:07Greek

00:13:08And here we see

00:13:09to the angel

00:13:09in this position

00:13:10as of Atlantis

00:13:11No?

00:13:13then we went up

00:13:14And here it is.

00:13:15Gemini

00:13:15the twins

00:13:17and where are they

00:13:18the twins

00:13:19they are precisely

00:13:20on our leg

00:13:22Where are they?

00:13:23the twins

00:13:23Gemini is

00:13:25what does it mean

00:13:25twins

00:13:27and in the womb

00:13:28Leo is there

00:13:30Look closely

00:13:31in the old

00:13:33will

00:13:34as well

00:13:35in the book

00:13:35of the apocalypse

00:13:36it is noted

00:13:38about what

00:13:38the messiah

00:13:39will be the one

00:13:40the lion

00:13:41where from

00:13:42the lion

00:13:44of Judah

00:13:44exactly

00:13:45remember

00:13:46what he tells her

00:13:47the promise

00:13:48that makes him

00:13:48Jacob

00:13:49to his son

00:13:49Judah

00:13:50and your puppy

00:13:52of Judah

00:13:52will not turn away

00:13:54the scepter

00:13:55from your hands

00:13:56and also

00:13:57in the apocalypse

00:13:58it is spoken

00:13:58of the lion

00:13:59of Judah

00:14:00and we see

00:14:01where

00:14:01there is the belly

00:14:03where is

00:14:04Jesus

00:14:04developing

00:14:05if we want it

00:14:06understand it this way

00:14:06where is

00:14:08the son

00:14:08of God

00:14:09it is precisely

00:14:10Leo

00:14:10Jesus

00:14:11what is

00:14:12the lion

00:14:13of Judah

00:14:13the real

00:14:14king of the universe

00:14:15That's where

00:14:17Leo is there

00:14:17if we talk

00:14:18Leo

00:14:19the lion

00:14:19like the king

00:14:20from the jungle

00:14:21we see that

00:14:22Jesus

00:14:23He is the king

00:14:24of the universe

00:14:24the constellation

00:14:26He points it out to us.

00:14:27something very interesting

00:14:29where is

00:14:30the ribbon

00:14:31Virgo

00:14:32and that has

00:14:34what to see

00:14:35with that

00:14:35because

00:14:36remember

00:14:37you

00:14:37that for

00:14:381531

00:14:39They were already there

00:14:40defined

00:14:41two dogmas

00:14:43in history

00:14:43of the church

00:14:44which are

00:14:45both

00:14:46dogmas

00:14:47that had already

00:14:48definite

00:14:48in the church

00:14:49Catholic

00:14:50in reference

00:14:52to Mary

00:14:52Most Holy

00:14:53in the year

00:14:55431

00:14:56in Ephesus

00:14:57It had already happened

00:14:58definite

00:14:58the

00:14:58maternity

00:15:01divine

00:15:02of Mary

00:15:02and at the end

00:15:04of the year

00:15:04600

00:15:05had

00:15:06definite

00:15:06the

00:15:07virginity

00:15:08life

00:15:09already in

00:15:101854

00:15:11will be the

00:15:12Immaculate

00:15:13conception

00:15:13and in

00:15:141910

00:15:16150

00:15:17will be the

00:15:18assumption

00:15:18to the heavens

00:15:19so

00:15:20that for

00:15:201531

00:15:22were

00:15:23defined

00:15:23these dogmas

00:15:24and look

00:15:25like Virgo

00:15:26It's on the tape

00:15:27which indicates

00:15:27that she

00:15:28is

00:15:28mother

00:15:30she is

00:15:31virgin

00:15:31and at the same time

00:15:32is

00:15:32in the

00:15:33always

00:15:34virgin

00:15:34mother

00:15:35of the

00:15:35absolutely true

00:15:36God

00:15:37by whom

00:15:37one lives

00:15:38come as

00:15:38the constellations

00:15:39also

00:15:40they point

00:15:41this

00:15:41and in the end

00:15:43in the part

00:15:43superior

00:15:44where

00:15:45there is the

00:15:45forehead

00:15:46of our

00:15:46lady

00:15:46there is the

00:15:47crown

00:15:48boreal

00:15:48this set

00:15:49of stars

00:15:50that is

00:15:51as

00:15:51crowning

00:15:52to the

00:15:53most holy

00:15:54virgin

00:15:54remember

00:15:55you

00:15:55that there was

00:15:56a time

00:15:56we don't know

00:15:57exactly

00:15:58when

00:15:58it was put

00:15:59a crown

00:16:00that's why

00:16:01suddenly

00:16:02see images

00:16:02like what

00:16:03has a

00:16:04crown

00:16:04And that's it.

00:16:05deleted

00:16:06already

00:16:06I already know

00:16:07she

00:16:07they removed

00:16:08because

00:16:09it's not

00:16:09necessary

00:16:10put it

00:16:11then comes

00:16:11the coronation

00:16:12at the end

00:16:13of 1800

00:16:14of the

00:16:15most holy

00:16:15virgin

00:16:15of Guadalupe

00:16:16but we see

00:16:17like the

00:16:17same

00:16:18stars

00:16:19are

00:16:19crowning

00:16:20to the

00:16:21most holy

00:16:21virgin

00:16:22Maria

00:16:22so much

00:16:23the

00:16:23stars

00:16:24that

00:16:24come

00:16:24like the

00:16:25no

00:16:26they can be seen

00:16:26here

00:16:27the interesting thing

00:16:28It is the study

00:16:29that did

00:16:30recently

00:16:31the counter

00:16:33and mathematician

00:16:34Fernando

00:16:35Ojeda

00:16:35Llanes

00:16:36And that's what

00:16:37he acted

00:16:38study

00:16:38along with a

00:16:39group of

00:16:39astronomers

00:16:40of the

00:16:40university

00:16:41autonomous

00:16:41from Mexico

00:16:42is

00:16:42that if the

00:16:44distance

00:16:45that exists

00:16:45between a

00:16:46flower

00:16:47hill

00:16:47and another

00:16:48in centimeters

00:16:50that's what

00:16:51equivalent

00:16:51proportionally

00:16:52in kilometers

00:16:53between a

00:16:55hill

00:16:55and another

00:16:56in the

00:16:56orography

00:16:57Mexican

00:16:58I don't do this anymore

00:16:58we managed to see

00:16:59but it's part of it

00:17:00from a study

00:17:01says

00:17:02in the

00:17:03stars

00:17:03There has to be

00:17:05a

00:17:05comparison

00:17:06also

00:17:07mathematics

00:17:08There has to be

00:17:09a similarity

00:17:10mathematics

00:17:11and so

00:17:11he is

00:17:12mathematical

00:17:12goes with

00:17:13one of the

00:17:16high

00:17:16range

00:17:17of the

00:17:17astronomy

00:17:18of the

00:17:19university

00:17:19autonomous

00:17:20from Mexico

00:17:20and tells him

00:17:22hey

00:17:22I want to do

00:17:24this study

00:17:24I know

00:17:25that the distance

00:17:27that exists

00:17:27between the center

00:17:28of each flower

00:17:29hill

00:17:29and another

00:17:30It's the same

00:17:31that exists

00:17:32between a hill

00:17:33or volcano

00:17:33and another

00:17:34in the orography

00:17:34Mexican

00:17:35I want to see

00:17:36if this

00:17:37it's the same

00:17:37in the

00:17:38stars

00:17:38and this

00:17:39I would check

00:17:40further

00:17:40no

00:17:41are

00:17:41graffiti

00:17:42I mean

00:17:42no

00:17:43they painted

00:17:43but

00:17:44are with

00:17:45the miracle

00:17:46of the

00:17:46stamping

00:17:47and says

00:17:48No

00:17:48It's more

00:17:49I don't believe it.

00:17:50in the Virgin

00:17:51of Guadalupe

00:17:51Well

00:17:53but you are

00:17:53scientist

00:17:55Yeah

00:17:55well in honor

00:17:56to science

00:17:57Let's see

00:17:58if this

00:17:59it's true

00:18:00ah

00:18:01through science

00:18:02Yeah

00:18:03and they begin

00:18:05to study

00:18:05And what happens?

00:18:07now

00:18:08This astronomer

00:18:09He gives lectures

00:18:11with Fernando

00:18:11Gedayans

00:18:12about the Virgin

00:18:13of Guadalupe

00:18:13because

00:18:15because of the distance

00:18:17that exists

00:18:17in centimeters

00:18:18between a star

00:18:20and another

00:18:21is the equivalent

00:18:22in millions

00:18:24or thousands

00:18:24millions

00:18:25of kilometers

00:18:26or years

00:18:26light

00:18:27however we want it

00:18:28see

00:18:28between a star

00:18:29and another

00:18:30in the sky

00:18:31Mexican

00:18:32of

00:18:33December 12

00:18:36of 1531

00:18:37And they dared

00:18:39also

00:18:39to say

00:18:40the exact time

00:18:42not like the commercial

00:18:43but if

00:18:44the exact time

00:18:45in which

00:18:46happened

00:18:47this

00:18:48this arrangement

00:18:50of the stars

00:18:51in the celestial vault

00:18:52December 12

00:18:53of 1531

00:18:556.45

00:18:56a.m.

00:18:57and says

00:18:59if we put it

00:19:01at 6:30

00:19:03a.m.

00:19:03says Fernando

00:19:04Gedayans

00:19:05They don't come out anymore.

00:19:05these stars

00:19:06because remember

00:19:07that

00:19:08we are moving

00:19:10all

00:19:10but

00:19:11They are moving

00:19:12the stars

00:19:12if we want it

00:19:13understand it this way

00:19:14suddenly

00:19:14Venus

00:19:15You see it here

00:19:15and later

00:19:16You see it elsewhere

00:19:17the stars

00:19:18They also move

00:19:19so

00:19:20They would no longer appear

00:19:22in this place

00:19:22or these

00:19:23they would leave

00:19:24and if you put them

00:19:25at 7 in the morning

00:19:26it happens exactly

00:19:28the same

00:19:29so

00:19:30the location

00:19:31this

00:19:32between 6:30

00:19:34and 7 in the morning

00:19:35approximately

00:19:366.45

00:19:38a.m.

00:19:39moment

00:19:40astronomical

00:19:41of what they are

00:19:42the stars

00:19:43on the cloak

00:19:44of the Virgin

00:19:45of Guadalupe

00:19:46well, something that

00:19:47we are surprised

00:19:49completely

00:19:49good

00:19:51another element

00:19:52indisputable

00:19:53and that identifies us

00:19:55what is

00:19:55Saint Mary

00:19:56of Guadalupe

00:19:57when you see

00:19:58in the distance

00:19:59the image

00:19:59of a Virgin

00:20:00whichever one you want

00:20:02But you see in the distance

00:20:03an image

00:20:03of the Virgin

00:20:04that looks

00:20:05to the Virgin

00:20:06of Guadalupe

00:20:06how do you distinguish

00:20:08who is the Virgin

00:20:08of Guadalupe

00:20:09in another image

00:20:10the angel

00:20:12go down

00:20:13and you see

00:20:14if the angel

00:20:14It's down there

00:20:15grabbing

00:20:16It is the Virgin

00:20:16of Guadalupe

00:20:17because it's the only one

00:20:18image that brings

00:20:19the angel thus

00:20:20in the images

00:20:22European

00:20:23of the Virgin

00:20:23Maria

00:20:24It fills up

00:20:25of angels

00:20:26to the Virgin

00:20:27It fills up

00:20:27of angels

00:20:28you go

00:20:29to the parish

00:20:29queen of the angels

00:20:31And we see Mary

00:20:32surrounded

00:20:33well, of a whole

00:20:34celestial court

00:20:35all the angels

00:20:37good

00:20:38in iconography

00:20:39We see Mary

00:20:41surrounded by angels

00:20:42Not here

00:20:43only here

00:20:44one

00:20:44and says

00:20:45Well, it must be because

00:20:46Mexico was

00:20:47very poor thing

00:20:48and nothing more

00:20:49enough for one

00:20:49angel

00:20:50No

00:20:52because the angel

00:20:54is also part

00:20:54of the message

00:20:55what does it mean

00:20:57angel

00:20:58means

00:21:00messenger

00:21:02TRUE

00:21:03messenger

00:21:04or sent

00:21:05good

00:21:05well this angel

00:21:07it's a

00:21:08He is a messenger.

00:21:09now then

00:21:11for a long time

00:21:13it was said

00:21:14that angel

00:21:15It was Juan Diego

00:21:16we cannot say

00:21:18who was Juan Diego

00:21:18But we can say

00:21:20which is a representation

00:21:22of Juan Diego

00:21:22we already saw

00:21:23last time

00:21:24with the eyes

00:21:25more or less

00:21:26What was Juan Diego like?

00:21:27because it's far away

00:21:28to be someone like that

00:21:29besides

00:21:30has mixed-race features

00:21:32and Juan Diego

00:21:33It wasn't

00:21:34He was not of mixed race

00:21:35He was an indigenous person

00:21:36pure

00:21:37so

00:21:38But we can say

00:21:39which was a representation

00:21:41or is it a representation

00:21:42because?

00:21:43because

00:21:44what role

00:21:45He/She fulfilled

00:21:46Juan Diego

00:21:47in the apparitions

00:21:48of Saint Mary

00:21:49from Guadalupe?

00:21:50the messenger

00:21:52Well, Holy Mary

00:21:53of Guadalupe

00:21:53he tells Juan Diego

00:21:54You are my ambassador

00:21:56that?

00:21:57very worthy

00:21:59trustworthy

00:22:00good

00:22:01Well, Juan Diego

00:22:02is the messenger

00:22:02remember

00:22:03that in the mindset

00:22:04indigenous

00:22:05in those times

00:22:06of the emperors

00:22:07of Moctezuma

00:22:08and everyone else

00:22:09the messengers

00:22:11They were carrying flowers

00:22:12when a king

00:22:14I was sending him a message

00:22:15to another king

00:22:16the messenger

00:22:17someone very worthy

00:22:18trustworthy

00:22:19She was carrying flowers.

00:22:20that he couldn't

00:22:22I didn't have permission

00:22:23to smell them

00:22:24because the message

00:22:25It did not belong to him

00:22:26It belonged to him

00:22:27to the other king

00:22:28so

00:22:29the messenger

00:22:30very trustworthy

00:22:32She was carrying flowers.

00:22:32What did Juan Diego take with him?

00:22:34December 12

00:22:35in the early morning

00:22:36before 6:45?

00:22:39flowers

00:22:39because he was the messenger

00:22:41of the Blessed Virgin Mary

00:22:43appears as messenger

00:22:44But look closely

00:22:46It has wings

00:22:48but not from a dove

00:22:49how they're portrayed

00:22:50the Spaniards

00:22:51the Spaniards

00:22:52They painted little angels

00:22:54almost with just her face

00:22:55with just his face

00:22:57and

00:22:58with the wings

00:22:59but the wings

00:23:00They were more like dove.

00:23:01not of eagle

00:23:02It's interesting.

00:23:03that here

00:23:04have this form

00:23:06because

00:23:06What was his/her name?

00:23:08Juan Diego

00:23:09before being baptized?

00:23:12Cuautlatoatzin

00:23:13what does it mean

00:23:14Cuautlatoatzin?

00:23:15the eagle

00:23:16the talking eagle

00:23:18that is to say

00:23:19he

00:23:20is bringing us

00:23:22this little angel

00:23:23It's giving us

00:23:24to get to know

00:23:25is revealing to us

00:23:26a message

00:23:27This message

00:23:28It is extremely important

00:23:30It's that God

00:23:31comes to us

00:23:32through his

00:23:33Most Holy Mother

00:23:35the eagle

00:23:36in the mindset

00:23:38pre-Hispanic

00:23:38especially Aztec

00:23:40It was the bird

00:23:40which par excellence

00:23:42She carried the hearts

00:23:44and the blood

00:23:45to the gods

00:23:45and it brought us the message

00:23:47the good news

00:23:49of the gods

00:23:49because it has been offered

00:23:51the sacrifice

00:23:52Do you remember?

00:23:53in our

00:23:54Ávaro Patrio

00:23:56like the eagle

00:23:57is taking

00:23:57the hearts

00:23:58and the blood

00:24:00the snake

00:24:01and the prickly pears

00:24:02from the prickly pear cactus

00:24:03which is the

00:24:04what is

00:24:05the stone

00:24:05of the sacrifice

00:24:06well then

00:24:07the eagle

00:24:08It was the bird

00:24:09that wore

00:24:09sustenance

00:24:10but also

00:24:10It carried the message

00:24:12is

00:24:12Cuautlatoatzin

00:24:14the eagle

00:24:15talking

00:24:15the one who comes

00:24:16to bring us

00:24:17This is great news!

00:24:18that God

00:24:18We are visiting

00:24:19through his

00:24:20Most Holy Mother

00:24:21the Virgin

00:24:22of Guadalupe

00:24:23now then

00:24:25this

00:24:26little angel

00:24:27the representation

00:24:28of Juan Diego

00:24:29has some

00:24:30tickets

00:24:31when

00:24:33they keep passing by

00:24:33the years

00:24:34and this way

00:24:35I see

00:24:35to several

00:24:38I see several

00:24:39that some

00:24:41They have tickets

00:24:42and others

00:24:42until exits

00:24:43I can see

00:24:44around there

00:24:45TRUE

00:24:45well

00:24:46means

00:24:47that a person

00:24:48He's already grown up

00:24:49He's already grown up

00:24:50notice how

00:24:51in the little angel

00:24:52they meet

00:24:53the two elements

00:24:54the tickets

00:24:55and also

00:24:56the young face

00:24:57almost

00:24:58almost like a child

00:24:59It's a young face

00:25:01but at the same time

00:25:02ripe

00:25:02and with tickets

00:25:03means

00:25:04that what we

00:25:05is bringing

00:25:06It is wisdom

00:25:07is someone

00:25:08sage

00:25:09but at the same time

00:25:10It's something new

00:25:11is the conjunction

00:25:13of these two things

00:25:14of these two elements

00:25:15which are very

00:25:16important

00:25:17notice how

00:25:19I don't know.

00:25:19He understood this

00:25:20in history

00:25:21that afterwards

00:25:22They put

00:25:23little hair

00:25:23look

00:25:26in some

00:25:26images

00:25:27no, well, like that

00:25:28kind of

00:25:29baldy

00:25:29It's not visible

00:25:30very good

00:25:31let's put

00:25:32his toupee

00:25:33And there they painted it.

00:25:34hair

00:25:35but the saltpeter

00:25:36from Lake Texcoco

00:25:37he threw it away

00:25:39And that's it.

00:25:40well, how is it

00:25:41In fact

00:25:41No

00:25:42Well

00:25:43what other element

00:25:45we can see

00:25:45in the angel

00:25:46we can see

00:25:47that has

00:25:47big eyes

00:25:48and big ears

00:25:50It's not the wolf

00:25:51fierce from Little Red Riding Hood

00:25:52Don't worry

00:25:54because you have eyes

00:25:55so big

00:25:56and such big ears

00:25:57It's not the wolf

00:25:58fierce

00:25:59Don't worry

00:26:00who

00:26:01a witness

00:26:02Saint John in the Gospel

00:26:04says

00:26:04the one who sees

00:26:05the one who hears

00:26:07gives

00:26:08testimony

00:26:09the one who bears witness

00:26:11is the one who sees

00:26:11and it is the one who hears

00:26:12we see how this little angel

00:26:14It has big eyes

00:26:15and big ears

00:26:16because

00:26:17because it is

00:26:18the witness

00:26:19of this event

00:26:21Juan Diego

00:26:22is the witness

00:26:23of which holy Mary

00:26:25of Guadalupe

00:26:25came to us

00:26:27to Mexican lands

00:26:29December 9-12

00:26:31of 1531

00:26:32And if we observe

00:26:34also

00:26:34like his hands

00:26:35that are widespread

00:26:36a hand

00:26:37is taking

00:26:38what is the dress

00:26:40and another hand

00:26:41is taking

00:26:41what is the cloak

00:26:43the cloak

00:26:44which represents

00:26:44the sky

00:26:45the dress

00:26:47pink

00:26:47salmon

00:26:48which represents

00:26:49the earth

00:26:50means

00:26:51that God

00:26:52our lord

00:26:53is joining

00:26:53with humanity

00:26:54is united

00:26:55is not joining

00:26:56is united

00:26:57with humanity

00:26:57and is united

00:26:59through

00:26:59through mediation

00:27:01and intercession

00:27:02of the Most Holy

00:27:03Virgin Mary

00:27:03is coming

00:27:04us

00:27:05this town

00:27:06Mexican

00:27:07is coming

00:27:08us

00:27:08through

00:27:09of the Blessed Virgin Mary

00:27:10the messenger

00:27:12in this case

00:27:13the representation

00:27:14of Juan Diego

00:27:14this little angel

00:27:15He's telling us

00:27:16this

00:27:17that the sky

00:27:17is joining

00:27:18with

00:27:19the earth

00:27:20the sky

00:27:21and the land

00:27:21are united

00:27:23these two realities

00:27:24than in the world

00:27:25pre-Hispanic

00:27:25were important

00:27:26appear

00:27:28in this element

00:27:29and still

00:27:30There are people

00:27:31that says

00:27:31father

00:27:32father

00:27:33Listen

00:27:34they say that

00:27:36the wings

00:27:36of the angel

00:27:37They painted them

00:27:38green

00:27:39white

00:27:40and red

00:27:40the flag

00:27:41of the louse

00:27:42TRUE

00:27:42green

00:27:44white

00:27:45and red

00:27:45because that's how

00:27:46It is our flag

00:27:47Mexican

00:27:48TRUE

00:27:48and I tell him

00:27:50let's see

00:27:50when was

00:27:53independence

00:27:54from Mexico

00:27:55because Miguel Hidalgo

00:27:56its first flag

00:27:58the Virgin of Guadalupe

00:27:59later

00:28:00it was made

00:28:01when was

00:28:02in 1810

00:28:03when was

00:28:05the printing

00:28:06of Saint Mary

00:28:07of Guadalupe

00:28:081531

00:28:09which was first

00:28:10the egg

00:28:11or the hen

00:28:11which is first

00:28:131531

00:28:14or 1810

00:28:16well yes

00:28:19TRUE

00:28:20first it was

00:28:21Saint Mary

00:28:22of Guadalupe

00:28:23and then

00:28:23the flag

00:28:24from Mexico

00:28:25Well

00:28:26besides

00:28:27It's not green

00:28:28the first color

00:28:29What color does it look?

00:28:29It's blue

00:28:31as much as

00:28:33greenish

00:28:33But it's blue.

00:28:34It is white

00:28:35yellowish

00:28:35and it's red

00:28:36and still

00:28:37in this part

00:28:38down

00:28:38of the wings

00:28:40red

00:28:41It can still be seen

00:28:42a little blue one

00:28:43very faint

00:28:44if you

00:28:45They have the opportunity

00:28:46to approach

00:28:47at another time

00:28:47to an image

00:28:48faithful

00:28:49faithful copy

00:28:50from the image

00:28:50original

00:28:51of the Virgin

00:28:51of Guadalupe

00:28:52to give us

00:28:53to understand

00:28:53like that angel

00:28:54It's in flight

00:28:56as if they are

00:28:56moving

00:28:57the wings

00:28:58besides

00:28:59the colors

00:29:00they don't start

00:29:01in the blue

00:29:02they begin

00:29:02in black

00:29:03of the moon

00:29:03black blue

00:29:05white

00:29:05and red

00:29:06which

00:29:07those were the colors

00:29:09of the four

00:29:10creator gods

00:29:11which were

00:29:12Tezcatlipoca

00:29:14Ehecatl

00:29:15Tlaloc

00:29:17and

00:29:17Tezcatlipoca

00:29:22Ehecatl

00:29:24Tlaloc

00:29:25and

00:29:25Quetzalcoatl

00:29:28very good

00:29:29Those are the four

00:29:30creator gods

00:29:31each god

00:29:32It had its color

00:29:33which were

00:29:34the colors

00:29:35of those gods

00:29:35black

00:29:37blue

00:29:38white

00:29:40and red

00:29:41what do they mean

00:29:42those four

00:29:43colors

00:29:43the colors

00:29:44of the universe

00:29:45when we talk

00:29:46about what

00:29:47Saint Mary of Guadalupe

00:29:48It's stopped

00:29:49is standing

00:29:50on the moon

00:29:51Let's talk

00:29:52about this

00:29:54precisely

00:29:54That's what's next.

00:29:56she

00:29:57has put

00:29:58his foot

00:29:59or the plants

00:30:00from his feet

00:30:01in the center

00:30:02of the moon

00:30:02look

00:30:03I'm going to leave

00:30:04to the image

00:30:05so that

00:30:05can point it out

00:30:07Here's a closer look

00:30:07look

00:30:09as

00:30:09the little foot

00:30:10of Saint Mary

00:30:11of Guadalupe

00:30:12exits

00:30:12it looks

00:30:13It's not visible

00:30:14the other foot

00:30:15But if you see this

00:30:16and the foot is

00:30:18on the moon

00:30:19Mexico

00:30:21Mexico

00:30:23It comes from three

00:30:25words

00:30:25Nahuas

00:30:26what is

00:30:27mestli

00:30:28moon

00:30:29shitli

00:30:31belly button

00:30:32center

00:30:32and co

00:30:33is a particle

00:30:34locative

00:30:35in

00:30:36in the navel

00:30:37in the center

00:30:38of the moon

00:30:39I said it once

00:30:41but

00:30:41and I got burned

00:30:42But I'm going to return it.

00:30:43to say

00:30:43No

00:30:44the Argentinians

00:30:46They are not comparable

00:30:47with us

00:30:48if the Argentinians

00:30:50they believe

00:30:50that are

00:30:51by

00:30:51with all due respect

00:30:53Don Francisco

00:30:54this

00:30:57No

00:30:57the Aztecs

00:30:59they believed

00:31:00who were the ones who

00:31:01were

00:31:01in Mexico

00:31:02It was the center

00:31:03of the universe

00:31:04that's why

00:31:06that's why

00:31:06the sacrifices

00:31:07humans

00:31:07in Mexico

00:31:08because

00:31:09because it was the place

00:31:10from where it was supported

00:31:12the entire universe

00:31:13they remember

00:31:14the flower

00:31:14here

00:31:15our ancestors

00:31:17They offered hearts

00:31:18bye

00:31:19so that there would be

00:31:20harmony

00:31:21throughout the universe

00:31:22she tells us

00:31:23without starting them

00:31:24Let's put ours in.

00:31:25in his hands

00:31:26so that she

00:31:27I offer them to God

00:31:28good

00:31:28Well, if she is

00:31:30standing on the moon

00:31:31means

00:31:32that she is standing

00:31:33at the center of the universe

00:31:34She is standing

00:31:35in Mexico

00:31:36She is the forger

00:31:37of our homeland

00:31:38but not only

00:31:40she

00:31:40but also

00:31:42and above all

00:31:43he

00:31:43And who is he?

00:31:44Christ

00:31:45Let's understand it

00:31:47this way

00:31:48It's as if Jesus

00:31:50through the leg

00:31:52and the little foot

00:31:53of Saint Mary

00:31:54of Guadalupe

00:31:55is coming

00:31:56us

00:31:56whoever shows up

00:31:58his foot

00:31:58It's not a question

00:32:00ornamental

00:32:01nor merely

00:32:03aesthetics

00:32:03It's a message

00:32:05remember

00:32:05which is a codex

00:32:06and it's giving us

00:32:07a message

00:32:08means

00:32:09that God

00:32:10our lord

00:32:11through Santa María

00:32:12of Guadalupe

00:32:13is coming

00:32:14to these lands

00:32:15Mexicans

00:32:16that little foot

00:32:17on the moon

00:32:19That's right

00:32:19now then

00:32:20There are people who say

00:32:22Oh father

00:32:22but

00:32:23because it has to be

00:32:24the black moon

00:32:25father

00:32:26and it even puts you

00:32:27her face looked distressed

00:32:29as if truly

00:32:30it would mortify them

00:32:31because it has to be

00:32:32black

00:32:33the moon

00:32:33father

00:32:34why not

00:32:37little white girl

00:32:38or red

00:32:38or greenish

00:32:39or golden brown

00:32:41silvery

00:32:42like others

00:32:43and they make you crooked

00:32:45the face

00:32:45the one the moon

00:32:47be black

00:32:48It makes perfect sense.

00:32:50It makes perfect sense.

00:32:52What color

00:32:54the moon sets

00:32:55when it is placed

00:32:56in front of the sun

00:32:57black

00:32:59that points you out

00:33:00the moon

00:33:00in front of the sun

00:33:01an eclipse

00:33:02means

00:33:03than the moon

00:33:05is covering

00:33:06in the sun

00:33:06good

00:33:07which is

00:33:08behind Santa Maria

00:33:09of Guadalupe

00:33:10the sun

00:33:11because the moon

00:33:13It is black.

00:33:13because

00:33:14it is happening

00:33:15that

00:33:16an eclipse

00:33:17when someone

00:33:18opaque

00:33:19to another person

00:33:20how do you say

00:33:21they overshadowed you

00:33:22I mean

00:33:23They overshadowed you

00:33:25They covered you up

00:33:26You don't see yourself anymore

00:33:27appears

00:33:28shines

00:33:29the other person

00:33:30somehow

00:33:31We can do this

00:33:32understand it this way

00:33:33the moon

00:33:34is pointing

00:33:35that there is an eclipse

00:33:36nothing but the moon

00:33:37waning crescent

00:33:39or waxing crescent

00:33:40the moon like this

00:33:42It does not eclipse the sun

00:33:43It doesn't cover it.

00:33:44yes sometimes

00:33:45the full moon

00:33:46It doesn't cover it up.

00:33:48according to the placement

00:33:49It doesn't reach it

00:33:50to completely cover

00:33:52minus one moon

00:33:53waxing crescent

00:33:54or during the waning crescent

00:33:57No

00:33:57so

00:33:58like the moon

00:33:59It is not the one that

00:34:00is overshadowing

00:34:01in the sun

00:34:02who

00:34:03who is

00:34:03eclipsing

00:34:04she

00:34:06She is the one who

00:34:09is overshadowing

00:34:09to that

00:34:10Huichilopo

00:34:11who was the god

00:34:13sun

00:34:13the god of war

00:34:14the bloodthirsty god

00:34:15the god who asks

00:34:16the hearts

00:34:17and the blood

00:34:17But they know that

00:34:19It's not just

00:34:20she

00:34:21is the

00:34:23the one who is

00:34:24eclipsing

00:34:25to the new sun

00:34:26to the old sun

00:34:27remember

00:34:29that Jesus Christ

00:34:30our lord

00:34:31It's the sun

00:34:32that is born

00:34:33from above

00:34:34is

00:34:35he

00:34:36the one who is

00:34:36in the womb

00:34:37of Saint Mary

00:34:37of Guadalupe

00:34:38the one who is

00:34:39eclipsing

00:34:40the sun

00:34:41of the ancestors

00:34:42notice how

00:34:44the shine

00:34:45the glow

00:34:47that is

00:34:47surrounding

00:34:48to Saint Mary

00:34:49of Guadalupe

00:34:50the glow

00:34:51it's stronger

00:34:52in this part

00:34:53from here

00:34:53where is

00:34:54the belly

00:34:55of Saint Mary

00:34:56of Guadalupe

00:34:56because

00:34:57because

00:34:58Here is Jesus

00:34:59the son of god

00:35:01Mary's son

00:35:02now then

00:35:04What is the message?

00:35:06the message is

00:35:07my son

00:35:10the true sun

00:35:11that is born

00:35:12from above

00:35:13Christ

00:35:13has surpassed

00:35:15has left

00:35:16back

00:35:17all that

00:35:18you believed

00:35:19what you

00:35:21they believed

00:35:21it led them

00:35:23him

00:35:23to the true sun

00:35:25for the Aztecs

00:35:27they remember

00:35:28you

00:35:29in their stories

00:35:30sun

00:35:31moon

00:35:31and stars

00:35:32They were always

00:35:33in battle

00:35:34They were always

00:35:35at war

00:35:35the moon

00:35:36and the stars

00:35:37coyosausli

00:35:38and sense

00:35:38in guisnaga

00:35:39They were against it

00:35:40from Huichilopostli

00:35:41the sun

00:35:42and battle

00:35:43constant

00:35:43and when it bled

00:35:44it was necessary to offer

00:35:45sacrifices

00:35:46and the fear

00:35:47was that one?

00:35:48It's more

00:35:48they revered

00:35:50a huichilopostli

00:35:51but

00:35:51They were afraid of him

00:35:52because he was a god

00:35:53bloodthirsty

00:35:54a god who asked

00:35:55sacrifices

00:35:56which is what

00:35:57he's saying

00:35:57sun

00:35:58moon

00:35:59and stars

00:36:00in Santa Maria

00:36:01of Guadalupe

00:36:01there is a perfect

00:36:03harmony

00:36:04there is no battle

00:36:06there is no war

00:36:08There is no danger

00:36:09and there is no death

00:36:11but life

00:36:12we see then

00:36:13than the sun

00:36:14the moon

00:36:15and the stars

00:36:16They are not gods

00:36:17but they are

00:36:19creatures

00:36:20and so they are

00:36:21creatures

00:36:22that adorn it

00:36:23They accompany her

00:36:25They do not preside over it

00:36:27if you

00:36:28they fix

00:36:28Saint Mary

00:36:30of Guadalupe

00:36:30It's stopped

00:36:32in front of the sun

00:36:33but it's not dark

00:36:34how to put

00:36:35the moon

00:36:36if I put

00:36:37this focus

00:36:38that here

00:36:38or that focus

00:36:39that here

00:36:39behind me

00:36:40this incandescent

00:36:41They see me

00:36:42everything dark

00:36:43just come

00:36:44my silhouette

00:36:45sculptural

00:36:45Well

00:36:50a bit

00:36:51deteriorated

00:36:52also

00:36:52TRUE

00:36:52but they would see

00:36:54my silhouette

00:36:54look

00:36:55as in Santa Maria

00:36:56of Guadalupe

00:36:57that doesn't happen

00:36:58because

00:36:59are

00:37:00realities

00:37:01They are moon

00:37:02and stars

00:37:02They are creatures

00:37:04They are not gods

00:37:05They accompany her

00:37:07they adorn it

00:37:08because she is more important

00:37:10that those deities

00:37:11who are no longer deities

00:37:13and?

00:37:13he

00:37:14his son

00:37:15our lord

00:37:15Christ

00:37:16the true sun

00:37:17that comes from above

00:37:18is infinitely

00:37:20bigger

00:37:20that a creature

00:37:22well

00:37:22he

00:37:22has created

00:37:23all things

00:37:25good

00:37:25the clouds

00:37:26the clouds

00:37:28that are

00:37:28after the sun

00:37:29and that cover

00:37:30fill

00:37:31fill

00:37:31everything that is

00:37:32the tilma

00:37:33of Saint Juan Diego

00:37:34Cuautla Toatzin

00:37:35It would seem that

00:37:37the clouds

00:37:37They are not important

00:37:38one says

00:37:39Well, it's filler.

00:37:40It's more

00:37:42Where are they?

00:37:43the clouds

00:37:43good

00:37:44They look perfect

00:37:45if you

00:37:46look closely

00:37:47what surrounds

00:37:48Saint Mary

00:37:49of Guadalupe

00:37:49They are clouds

00:37:50for us

00:37:52the clouds

00:37:53They have that meaning

00:37:54transcendent

00:37:55it's true

00:37:56And that's how it should be understood.

00:37:58They have a purpose

00:37:59transcendent

00:38:01good

00:38:01but not only

00:38:03Is this it?

00:38:03the clouds

00:38:06the fog

00:38:07or as we call it

00:38:08also

00:38:08the fog

00:38:09in the mindset

00:38:11indigenous

00:38:11has three

00:38:12meanings

00:38:14very important

00:38:15so that

00:38:16Let's apply it

00:38:17to Saint Mary

00:38:18of Guadalupe

00:38:19when Moctezuma

00:38:20when Moctezuma

00:38:22is found

00:38:23with Hernán Cortés

00:38:24on the road

00:38:25from Izapalapa

00:38:25They say it was

00:38:27one day

00:38:28a little foggy

00:38:30and appears

00:38:30the figure

00:38:31of the Spaniards

00:38:32and says

00:38:33Moctezuma

00:38:34you

00:38:34that come

00:38:36through the fog

00:38:37and among the clouds

00:38:38the priests

00:38:40Aztecs

00:38:41They call him

00:38:42to the priests

00:38:44Catholics

00:38:44to the friars

00:38:45you

00:38:46who have come

00:38:48through the fog

00:38:49and among the clouds

00:38:50what's that

00:38:52from among the mists

00:38:52and among the clouds

00:38:53three meanings

00:38:54I'm going to the screen

00:38:55to point them out

00:38:56the first

00:38:57of them

00:38:58the thing is

00:38:59you have come

00:39:00from a place

00:39:01to everyone

00:39:02a stranger

00:39:04Where do you come from?

00:39:05we don't know

00:39:07Where do you come from?

00:39:08we don't know

00:39:10Does anyone know?

00:39:11the sky

00:39:11she comes

00:39:13from the sky

00:39:14open a chest

00:39:16divine

00:39:17of treasures

00:39:18spiritual

00:39:19she comes

00:39:20to give us

00:39:21to get to know

00:39:22something wonderful

00:39:23something prodigious

00:39:25something new

00:39:27what is

00:39:28absolutely

00:39:29necessary

00:39:30hear

00:39:30and to know

00:39:31experiment

00:39:32and enjoy

00:39:33because it is

00:39:35a treasure

00:39:35and finally

00:39:37eyes

00:39:38ear

00:39:39mouth

00:39:40of that

00:39:41invisible

00:39:42and spiritual

00:39:43that in you

00:39:44it manifests

00:39:45visible

00:39:46I'm going to put

00:39:48a comparison

00:39:49so that it is understood

00:39:50That's not the case

00:39:50But I'm going to put

00:39:51a comparison

00:39:52says Saint Paul

00:39:54in reference

00:39:54to our Lord

00:39:55Christ

00:39:56says that Jesus Christ

00:39:57It's the image

00:39:59visible

00:40:01of the god

00:40:02invisible

00:40:03Well

00:40:04we're going to do

00:40:05this comparison

00:40:06as Saint John says

00:40:09bye

00:40:09Nobody has seen it

00:40:11never

00:40:11Well

00:40:12in Santa Maria

00:40:14of Guadalupe

00:40:14her eyes

00:40:15ears

00:40:17mouth

00:40:18in it

00:40:19us

00:40:20can

00:40:21see

00:40:22whom

00:40:23it is invisible

00:40:24she is

00:40:25eyes

00:40:26ear

00:40:27mouth

00:40:27of the one who

00:40:28It has no eyes

00:40:30ear

00:40:31and mouth

00:40:32who is god

00:40:32which is transcendent

00:40:34and it is spiritual

00:40:35Father, but Jesus Christ

00:40:37if he/she has it

00:40:38Yeah

00:40:38Yes, yes, but we talked.

00:40:39that God is spirit

00:40:40in that sense

00:40:41of transcendent

00:40:42in Santa Maria

00:40:44of Guadalupe

00:40:44Look at how the clouds

00:40:46that look like decorations

00:40:47everything it's telling us

00:40:49that she comes from an unknown place

00:40:51the sky

00:40:52that she's coming to bring us a chest

00:40:54of treasures

00:40:56wonderful

00:40:57spiritual

00:40:59but also

00:41:00that she is

00:41:00eyes

00:41:01ear

00:41:01mouth

00:41:02of him who is

00:41:04spiritual

00:41:04invisible

00:41:05and transcendent

00:41:07that is to say

00:41:08that in it

00:41:10it is fulfilled

00:41:11that plea

00:41:13that he would

00:41:14the bishop

00:41:15Friar Juan de Sumárraga

00:41:16in July

00:41:17of 1529

00:41:19if God

00:41:20does not provide

00:41:22with remedy

00:41:23from his hand

00:41:23there is the earth

00:41:25sharp

00:41:25to get lost

00:41:26completely

00:41:27if God does not intervene

00:41:28directly

00:41:29if God doesn't do something

00:41:31This land is about to

00:41:32to get lost

00:41:33in Santa Maria

00:41:34of Guadalupe

00:41:35God

00:41:35is fulfilling

00:41:36with his promise

00:41:37and God

00:41:38manifests

00:41:40that he has heard

00:41:41the plea

00:41:41of the bishop

00:41:42from Mexico

00:41:43good

00:41:43the step

00:41:45dance

00:41:46remember

00:41:47that

00:41:48the indigenous people

00:41:49as well

00:41:50in Africa

00:41:51our very dear

00:41:52African brothers

00:41:53They pray to God

00:41:54dancing

00:41:55more or less

00:41:57have gone

00:41:58a chalma

00:41:59have gone

00:42:01a chalma

00:42:01there is the expression

00:42:02of

00:42:02not even going dancing

00:42:04a chalma

00:42:04TRUE

00:42:05when I was a seminarian

00:42:07They took us

00:42:07there in Chalma

00:42:08And it's interesting.

00:42:09because people

00:42:10that will be fulfilled

00:42:11a vow

00:42:12has to

00:42:13has to dance

00:42:14That's the promise

00:42:15You have to dance

00:42:16in chalma

00:42:17in that temple

00:42:18But you enter like this

00:42:20three little steps

00:42:21forwards

00:42:22and two little steps

00:42:23backwards

00:42:24three forwards

00:42:25I mean

00:42:26you are giving

00:42:26really one

00:42:27as if to say

00:42:29Life is difficult

00:42:30but you always move forward

00:42:32even if it's just a step

00:42:33But you make progress.

00:42:34not even going dancing

00:42:35a chalma

00:42:36good

00:42:36the dance

00:42:37part of

00:42:38very important

00:42:39of spirituality

00:42:42in the world

00:42:43in our very dear

00:42:44indigenous people too

00:42:45Saint Mary of Guadalupe

00:42:47that is

00:42:48incorporating

00:42:49what is

00:42:50a large part

00:42:51of culture

00:42:52pre-Hispanic

00:42:53and he's capturing it

00:42:54in his blessed image

00:42:56She is dancing

00:42:57also

00:42:57because?

00:42:58because his hands

00:42:59her face

00:43:00and their dance

00:43:01They point out that

00:43:03she

00:43:03She is the mother of God

00:43:05But he is not God.

00:43:06She is praying

00:43:08interceding

00:43:09for us

00:43:10and that knee

00:43:11I'm going to

00:43:12back to the image

00:43:13I'm going to her

00:43:14this knee

00:43:16flexed

00:43:16as we can see

00:43:17perfect here

00:43:19the fold

00:43:20means that

00:43:21She is dancing

00:43:23And if she's dancing

00:43:24with his hands

00:43:25together

00:43:26means

00:43:26who is praying

00:43:27and if he is praying

00:43:28means

00:43:29that there is someone

00:43:30which is bigger

00:43:30that she

00:43:31And who is that?

00:43:32bigger

00:43:32that she

00:43:33the very real

00:43:34God

00:43:34for whom one lives

00:43:35our lord

00:43:36Christ

00:43:37this that seems

00:43:38a fold

00:43:39of the dress

00:43:40It's a knee

00:43:42that is

00:43:43flexing

00:43:44that is moving

00:43:45her dress

00:43:46and as it moves

00:43:47the dress

00:43:48it is collected

00:43:49a bit

00:43:50and allows us

00:43:51see the shoe

00:43:53of the Virgin

00:43:54one more note

00:43:56I had the opportunity

00:43:58of being

00:43:59before the image

00:44:00of the Virgin

00:44:00face to face

00:44:01face to face

00:44:02not on Facebook

00:44:05but on Facebook

00:44:06to face

00:44:06face to face

00:44:08Did you know?

00:44:10that the foot

00:44:13of Saint Mary

00:44:13of Guadalupe

00:44:14the shoe

00:44:15is the only one

00:44:16part

00:44:17of all

00:44:18the tilma

00:44:19that does not have

00:44:20pigmentation

00:44:22because we say

00:44:23that is not

00:44:23graffiti

00:44:24It's not painted

00:44:25but it is

00:44:26printed

00:44:27or printed

00:44:27the little foot

00:44:29the shoe

00:44:30is the only one

00:44:31part

00:44:32of all

00:44:32the image

00:44:33that does not have

00:44:34pigmentation

00:44:34I mean

00:44:34the tilma

00:44:35direct

00:44:36of Juan Diego

00:44:37this

00:44:39in a technique

00:44:40of paint

00:44:40it can't be done

00:44:41or you prepare

00:44:43all

00:44:43or pints

00:44:45directly

00:44:46that right now

00:44:47Let's talk

00:44:47about

00:44:48or today

00:44:49or in the next

00:44:49chance

00:44:50Let's talk

00:44:50about that

00:44:51or you prepare

00:44:52all

00:44:52or it can't be done

00:44:53piecemeal

00:44:54and we see

00:44:55how are you

00:44:56this situation

00:44:57as if to say

00:44:58the Virgin

00:44:58go ahead

00:44:59let's see

00:44:59How do you do it?

00:45:00to discover

00:45:01as

00:45:02how I crashed

00:45:03here

00:45:03TRUE

00:45:04how I printed

00:45:05good

00:45:06conjunction

00:45:08of dates

00:45:09It's interesting.

00:45:11conjunction

00:45:12of dates

00:45:13of the 9

00:45:14to the 12th

00:45:15December

00:45:15like the year

00:45:161531

00:45:18part of

00:45:191532

00:45:20silk

00:45:21a union

00:45:22of dates

00:45:22this union

00:45:25of dates

00:45:25more than

00:45:27in the field

00:45:28European

00:45:29yes

00:45:29in the field

00:45:30pre-Hispanic

00:45:32It has a lot to do with it

00:45:33what year

00:45:34what year

00:45:35was

00:45:36what year

00:45:37was

00:45:3712

00:45:38sorry

00:45:391531

00:45:4013 cane

00:45:41like 13

00:45:43cane

00:45:44Remember that there are

00:45:44four periods

00:45:4613 years old

00:45:47home

00:45:48rabbit

00:45:49flint

00:45:49and cane

00:45:50that those four

00:45:52periods

00:45:5313 years old

00:45:54They give you 52

00:45:55which was the century

00:45:56of the Aztecs

00:45:57good

00:45:5813 cane

00:45:59specifically

00:46:00that year

00:46:01which is the end

00:46:02of

00:46:03of that group

00:46:05of

00:46:05what is

00:46:06cane

00:46:06that

00:46:07that year

00:46:0813

00:46:08It has a meaning

00:46:10very important

00:46:11in the mindset

00:46:12Aztec

00:46:13means

00:46:14course

00:46:16to the house

00:46:17of the light

00:46:18means

00:46:20towards the land

00:46:21of the black

00:46:22and red

00:46:23to the region

00:46:24of knowledge

00:46:25the place was full

00:46:25of wisdom

00:46:26red

00:46:27and black

00:46:28in the world

00:46:28pre-Hispanic

00:46:29They were colors

00:46:30very important

00:46:31good

00:46:31also

00:46:32the colors

00:46:33It has to do with

00:46:34with the

00:46:34the four

00:46:35points

00:46:36cardinals

00:46:37north

00:46:37south

00:46:37this

00:46:38west

00:46:38good

00:46:39well

00:46:39the year

00:46:4013 cane

00:46:41that

00:46:42in

00:46:43Nahuatl

00:46:44it is said

00:46:44the huiscalpa

00:46:45good

00:46:46It was the year

00:46:48from the printing

00:46:49I mean

00:46:50in the year

00:46:51of the

00:46:51towards the land

00:46:52of the black

00:46:53and of red

00:46:53towards the land

00:46:55of knowledge

00:46:55towards the house

00:46:57of the light

00:46:57that's when

00:46:58it is printed

00:46:58second

00:47:00Saint Mary

00:47:02of Guadalupe

00:47:03it is printed

00:47:05or it is printed

00:47:06the image

00:47:07blessed

00:47:08on the tilma

00:47:09of Saint Juan Diego

00:47:09at the party

00:47:11inside

00:47:12inside

00:47:12of the party

00:47:13of the

00:47:13panquetzalistli

00:47:15that

00:47:16Friar

00:47:16Motolinía

00:47:17said

00:47:17which was

00:47:18Easter

00:47:19of the Aztecs

00:47:20the party

00:47:21most important

00:47:22for which

00:47:23They were preparing

00:47:24deeply

00:47:25good

00:47:26they know that

00:47:27they did

00:47:27at the party

00:47:28del panquetzalistli

00:47:29they did

00:47:30the priests

00:47:31some little balls

00:47:32from amaranth

00:47:33they sprayed her

00:47:35they sprayed him

00:47:35blood

00:47:36blood

00:47:37of the sacrifices

00:47:38and then

00:47:39with some thorns

00:47:40with points

00:47:41of maguey

00:47:42They were stinging them.

00:47:43and they gave them to them

00:47:44to the people

00:47:44in the mouth

00:47:45What does that sound like to you?

00:47:47that

00:47:47to the Eucharist

00:47:49It's like

00:47:50to give communion

00:47:51No

00:47:52that's why

00:47:53the friars

00:47:53when they see

00:47:54that ritual

00:47:54at the parties

00:47:55del panquetzalistli

00:47:56they think that

00:47:57the demon

00:47:58He's making fun of you.

00:47:59whose

00:47:59of Jesus Christ

00:48:01Eucharist

00:48:02good

00:48:03because in this era

00:48:04third

00:48:07another party

00:48:08important

00:48:08It was the one from

00:48:09huehuetilistli

00:48:10what was happening

00:48:11every 104 years

00:48:13if you divide

00:48:14104 years

00:48:15between two

00:48:17What does it give you?

00:48:1752

00:48:19and of how much

00:48:20It will be the century

00:48:21Aztec

00:48:21I mean

00:48:23the party

00:48:24from the huehuetilistli

00:48:25it was every

00:48:25twice

00:48:2852

00:48:29TRUE?

00:48:30good

00:48:30well in that year

00:48:31December 12

00:48:33of 1531

00:48:34the conjunction occurs

00:48:36sun-venus

00:48:37It's the party

00:48:38from the huehuetilistli

00:48:39conjunction

00:48:41of dates

00:48:41the three

00:48:43calendars

00:48:44in the year

00:48:451531

00:48:46the conjunction occurs

00:48:48of the calendar

00:48:48solar

00:48:49the mole

00:48:50and the Venusian

00:48:52I mean

00:48:52they were

00:48:53closing

00:48:53the accounts

00:48:54so to speak

00:48:55No?

00:48:55they combined

00:48:57the three calendars

00:48:58and third

00:49:00sun- and pardon

00:49:01and fourth

00:49:01solstice

00:49:03winter

00:49:04December 12

00:49:06of 1531

00:49:08solstice

00:49:09winter

00:49:10what does it mean

00:49:11the solstice

00:49:12winter?

00:49:13means

00:49:14than the sun

00:49:15begins to win

00:49:17into darkness

00:49:18the days

00:49:19begin to be

00:49:20longer

00:49:21that the nights

00:49:22How is this possible?

00:49:24father?

00:49:24Yeah

00:49:24For example

00:49:25What time?

00:49:26darkens

00:49:27in July

00:49:28here in Monterrey

00:49:30at nine

00:49:32at nine

00:49:33There is still light

00:49:34good

00:49:35in November

00:49:37December

00:49:37What time?

00:49:38Does it get dark?

00:49:39at six

00:49:40It's already dark

00:49:41good

00:49:42at the solstice

00:49:44winter

00:49:45begins to reverse

00:49:47that darkness

00:49:48clear

00:49:48It is not immediate

00:49:50it's becoming

00:49:50progressive

00:49:51It's not getting dark anymore.

00:49:52at six

00:49:53It gets dark later

00:49:54good

00:49:55because the sun

00:49:56begins to win

00:49:57into darkness

00:49:58December 12

00:49:59solstice

00:50:00father

00:50:01I already caught him

00:50:03What a liar!

00:50:04Are you

00:50:05because the solstice

00:50:07It's not twelve

00:50:10It's the twenty-second

00:50:11December

00:50:13between twenty-two

00:50:14twenty-three

00:50:15It is precision.

00:50:16astronomical

00:50:17Yeah

00:50:18my little daughter

00:50:18Yeah

00:50:19my little boy

00:50:20I agree

00:50:21but I am not

00:50:22liar

00:50:23because?

00:50:24because it grows

00:50:24the nose

00:50:25say

00:50:25this

00:50:26because

00:50:28remember

00:50:30that the pope

00:50:31Gregory

00:50:32in the year

00:50:33of a thousand

00:50:33five hundred

00:50:34eighty-two

00:50:35Okay, that's it.

00:50:36prior to this

00:50:37with scientists

00:50:39from that time

00:50:40they had realized

00:50:41that the times

00:50:42They were outdated

00:50:43the storms

00:50:45the climates

00:50:46all

00:50:46It was outdated

00:50:48a study is conducted

00:50:49and they realize

00:50:50about what

00:50:51It's outdated

00:50:52time

00:50:53in ten days

00:50:54So there was

00:50:55that travel

00:50:56the calendar

00:50:57ten days

00:50:58And the Pope says

00:50:59October 5th

00:51:02of fifteen hundred

00:51:03eighty-two

00:51:04October 5th

00:51:06It's not going to be five

00:51:07It's going to be

00:51:07fifteen

00:51:08so that

00:51:10who was born

00:51:12the fifteenth

00:51:12or died

00:51:13sorry

00:51:14who was born on the fifth

00:51:15or he died on the fifth

00:51:16The number five doesn't die

00:51:17or the fifth is born

00:51:18but

00:51:18October 15th

00:51:20how holy

00:51:21died

00:51:23October 5th

00:51:24of fifteen hundred

00:51:25eighty-two

00:51:26which was not five

00:51:27but fifteen

00:51:27It begins with Teresa

00:51:30and it ends with Jesus

00:51:31Someone said it

00:51:33over there

00:51:33Teresa of Jesus

00:51:34very good

00:51:35very good

00:51:36Teresa of Jesus

00:51:37she herself

00:51:38she dies

00:51:39the five

00:51:40October

00:51:41of fifteen hundred

00:51:41eighty-two

00:51:42but

00:51:42We celebrate their party

00:51:44when

00:51:45because he lived

00:51:47ten days

00:51:48who did not live

00:51:49good

00:51:50so

00:51:51It is corrected

00:51:52but in fifteen hundred

00:51:54thirty-one

00:51:55the calendar

00:51:55that governed the Julian

00:51:57so that

00:51:58the solstice

00:51:59winter

00:51:59It's ten days before.

00:52:00I mean

00:52:01that our tradition

00:52:02oral and written

00:52:04It is not false

00:52:05but it is

00:52:06precise

00:52:06solstice

00:52:08winter

00:52:08December 12

00:52:10of fifteen hundred

00:52:11thirty-one

00:52:12It is corrected

00:52:13up to a thousand

00:52:14five hundred and eighty-two

00:52:15which is a coincidence

00:52:19when something turns out like this

00:52:23suddenly

00:52:23TRUE

00:52:24also to the coincidence

00:52:26we call it

00:52:27fluke

00:52:28says I'm worth it

00:52:31that there is a match

00:52:33or fluke

00:52:34I'm worth it to you

00:52:35a second

00:52:36listen

00:52:37but all of the above

00:52:39plus these three

00:52:41They would already be

00:52:42too many

00:52:43coincidences

00:52:45It's possible that I'll pass

00:52:47once

00:52:47math

00:52:48but let it happen

00:52:50five

00:52:50one of two

00:52:52or am I copying

00:52:54or there are many

00:52:56cockroaches

00:52:56because I am bad

00:52:57for mathematics

00:52:58TRUE

00:52:59oh well

00:53:00I'll be good for history

00:53:02but and geography

00:53:03but not for mathematics

00:53:05at last

00:53:06mathematics

00:53:07I only use them

00:53:08to count the hosts

00:53:09get out of there

00:53:10And that's it

00:53:10TRUE?

00:53:12good

00:53:13So we have then

00:53:15that

00:53:15in March

00:53:17from March to May

00:53:19of one thousand five hundred and thirty-one

00:53:20There was an eclipse

00:53:21total sun

00:53:22in the Mexican sky

00:53:24There are codices

00:53:25who narrate this

00:53:26that in the year

00:53:28of one thousand five hundred and thirty-one

00:53:29on the thirteenth reed

00:53:31There was an eclipse

00:53:33total sun

00:53:34This was terrible

00:53:36terrible

00:53:36for the pre-Hispanic world

00:53:38We already saw it

00:53:38because the moon

00:53:40it is

00:53:40eating

00:53:42in the sun

00:53:43And if he eats it

00:53:45They are in constant battle.

00:53:47it ends that

00:53:48life

00:53:48that's why

00:53:49during eclipses

00:53:51that were predictable

00:53:52due to the astronomical issue

00:53:54the wise men

00:53:54That's where they prepared it.

00:53:56many sacrifices

00:53:57to give it strength

00:53:59in the sun

00:53:59and may he win

00:54:00to the moon

00:54:01good

00:54:02September

00:54:05of one thousand five hundred and thirty-one

00:54:07January

00:54:08of one thousand five hundred and thirty-two

00:54:10He was in Mexican heaven

00:54:12Halley's Comet

00:54:13You know that

00:54:15Halley's Comet

00:54:16It is one of the comets

00:54:18that have accuracy

00:54:19this

00:54:20astronomical as well

00:54:21I mean

00:54:22we know when it came

00:54:23and we know when

00:54:25is coming

00:54:26because their period

00:54:27It is seventy-five

00:54:28seventy-six years

00:54:29its rotation

00:54:31It is elliptical.

00:54:32I mean

00:54:33it keeps coming back

00:54:34and returns

00:54:35in the Mexican sky

00:54:36in one thousand five hundred and thirty-one

00:54:37This is dated

00:54:38not only

00:54:39by the Mexicans

00:54:40but also

00:54:40in Europe

00:54:41Halley's Comet was there

00:54:43This was terrible

00:54:44also

00:54:45for the pre-Hispanic

00:54:47because?

00:54:48because

00:54:48It was understood

00:54:49that the world

00:54:50it was falling apart

00:54:51pretend

00:54:53that you

00:54:53They have the universe

00:54:55as if it were marzipan

00:54:56Well

00:54:58if she is Aztec

00:54:59No

00:54:59Those are very good.

00:55:00TRUE?

00:55:01but from another

00:55:02from another marzipan

00:55:03finally here

00:55:03They don't charge me

00:55:04the commercials

00:55:05TRUE?

00:55:07but

00:55:07what's happening?

00:55:08when you grab it

00:55:09it falls apart

00:55:10pretend

00:55:12that happens

00:55:13with the universe

00:55:14when the gods

00:55:15They are angry

00:55:16a comet appears

00:55:18It's a bad omen.

00:55:19but it also means

00:55:20that the world

00:55:21it is

00:55:21crumbling

00:55:23And that's why

00:55:23human sacrifices

00:55:25good?

00:55:27in the Mexican sky

00:55:28was

00:55:28September

00:55:30of 1531

00:55:31I mean

00:55:31before the apparitions

00:55:33at the moment

00:55:34of the apparitions

00:55:35and then

00:55:36Halley's Comet was there

00:55:38and finally

00:55:39three earthquakes

00:55:41three earthquakes

00:55:42of 1529

00:55:44This is dated

00:55:45of 1529

00:55:461531

00:55:48happened

00:55:49three earthquakes

00:55:51What was an earthquake?

00:55:52in the pre-Hispanic mindset?

00:55:53They were movements

00:55:54of land

00:55:55Do you remember?

00:55:57that I told them

00:55:58how the sun rises

00:55:59the moon

00:55:59the stars

00:56:00and how

00:56:01it is destroyed

00:56:02all

00:56:02And is it being built?

00:56:03well then

00:56:04The world was created

00:56:05for the pre-Hispanic world

00:56:07in a four-movement

00:56:08the world would be destroyed

00:56:10when?

00:56:11in a

00:56:12four movements

00:56:14movement of what?

00:56:15of land

00:56:16I mean

00:56:17It would be catastrophic.

00:56:18had already happened

00:56:19three

00:56:19of 1529

00:56:221531

00:56:23They were waiting

00:56:24already with the one that was going to be destroyed

00:56:27remember

00:56:28that the pre-Hispanic mentality

00:56:30because of the stories

00:56:31which I already told you

00:56:32previously

00:56:32there was the idea

00:56:34that the world

00:56:34it was going to be destroyed

00:56:35The conquest is coming

00:56:37in 1521

00:56:38The plague is coming

00:56:40smallpox

00:56:42an eclipse appears

00:56:44There is a comet

00:56:45and they happen

00:56:46three earthquakes

00:56:47and we are in year 13

00:56:49cane

00:56:49in the last

00:56:50of the accounts

00:56:51They are closing

00:56:52the calendars

00:56:54They are closing

00:56:55the calendars

00:56:56What are you going to think?

00:56:57Something really cool is coming

00:56:58What is all of this telling you?

00:57:01destruction

00:57:02destruction

00:57:03destruction

00:57:04danger

00:57:05danger

00:57:06but on December 12

00:57:09the winter solstice

00:57:12at the party

00:57:14del panquetzalistli

00:57:15at a moment

00:57:17crucial

00:57:18for our

00:57:19pre-Hispanic

00:57:19does not appear

00:57:21death

00:57:22but

00:57:23life

00:57:25in Guatemala

00:57:27from Itagua

00:57:28and

00:57:29in the center

00:57:33of Our Lady

00:57:35from the sky

00:57:35the most holy

00:57:37Virgin Mary

00:57:37There is a flower

00:57:39what is the flower

00:57:40four movements

00:57:42It is the solar flower

00:57:44that does not come to destroy

00:57:47the son of God

00:57:48to this humanity

00:57:48if something comes to an end

00:57:51but it does not come to destroy

00:57:53to humanity

00:57:53but it comes

00:57:54to offer the best

00:57:56that treasure

00:57:58of

00:57:59spiritual goods

00:58:01that great joy

00:58:02and the high life

00:58:04that God

00:58:05He comes to bring us

00:58:06in abundance

00:58:07through mediation

00:58:08of Saint Mary

00:58:10of Guadalupe

00:58:11we see then

00:58:12that

00:58:12Saint Mary

00:58:14of Guadalupe

00:58:15appears

00:58:16at a moment

00:58:17extremely important

00:58:18It's not that

00:58:20Oh

00:58:21when I appear

00:58:22Oh

00:58:24What will I do now?

00:58:25The little angels were there.

00:58:25playing there

00:58:26kids

00:58:27Where am I going?

00:58:28and that the little angels

00:58:30they said

00:58:30Go to Mexico

00:58:31that you appear

00:58:32there

00:58:32the Virgin

00:58:33It wasn't like that.

00:58:34It's a moment

00:58:36extremely important

00:58:37a crucial moment

00:58:39in history

00:58:40That's why we understand

00:58:42that in the light

00:58:42of Saint Mary

00:58:43of Guadalupe

00:58:44Mexico

00:58:45it comes to have

00:58:46a different face

00:58:47a different face

00:58:49it comes to be forged

00:58:51a new homeland

00:58:52where

00:58:53everything spoke

00:58:54of death

00:58:55and destruction

00:58:56if God

00:58:57does not provide

00:58:57with remedy

00:58:58from his hand

00:58:59and where

00:59:00God our Lord

00:59:01through mediation

00:59:02of the queen

00:59:03from the sky

00:59:03his most holy mother

00:59:05Our most holy mother

00:59:07It comes to change

00:59:08our story

00:59:09for a story

00:59:10of love

00:59:11of consolation

00:59:13with joy

00:59:14of forgiveness

00:59:15and of life

00:59:16but above all

00:59:18that story

00:59:19of grace

00:59:19and that story

00:59:21of love

00:59:21in that sacred little house

00:59:23that she has asked

00:59:25that was built

00:59:26on the plain

00:59:26from the hill

00:59:27from Tepeyac

00:59:28She comes to show us

00:59:29his love

00:59:30and it comes to show us

00:59:32your personal love

00:59:33and his personal love

00:59:35is his son

00:59:36our lord

00:59:37Christ

00:59:38that's why

00:59:39every time we go

00:59:41to Saint Mary

00:59:41of Guadalupe

00:59:42we know that

00:59:43we experienced

00:59:45your protection

00:59:46being

00:59:47at the crossroads

00:59:48from his arms

00:59:49your help

00:59:50and their help

00:59:51when experiencing

00:59:53also

00:59:53his full cloak

00:59:54of stars

00:59:55that covers us

00:59:56and protects us

00:59:57but also

00:59:58we know

00:59:59that we have

01:00:00all

01:00:01a mission

01:00:01that we must

01:00:02to comply

01:00:03because she

01:00:04It also tells us

01:00:05like Juan Diego

01:00:06go

01:00:06beam

01:00:07what is

01:00:08on your part

01:00:09because although

01:00:11the angel

01:00:12that there

01:00:12He is a messenger.

01:00:13us

01:00:14like those new angels

01:00:16we are also

01:00:17messengers

01:00:18and we have to be

01:00:19carriers

01:00:20of that great message

01:00:22of that good news

01:00:23which is the gospel

01:00:25the presence

01:00:26of God

01:00:26in each one

01:00:27of us

01:00:28good

01:00:29well

01:00:29next time

01:00:31Let's see something

01:00:33very important

01:00:34I'll close with this

01:00:35I'll close with this

01:00:37of 1523-24

01:00:41when they arrive

01:00:42the friars

01:00:431531

01:00:44had been given

01:00:46a few

01:00:47conversions

01:00:48very few

01:00:50but very few

01:00:51You already know.

01:00:52account

01:00:54Friar Toribio

01:00:54from Benavente

01:00:55Motolinía

01:00:56that by 1536

01:00:58They had already become

01:01:015 million

01:01:02of indigenous people

01:01:03and by 1540

01:01:07I mean

01:01:08of 1531

01:01:10at the end

01:01:11when it appears

01:01:12Saint Mary of Guadalupe

01:01:131540

01:01:14I mean

01:01:15in 8 years

01:01:15says Friar Toribio

01:01:17from Benavente

01:01:17Motolinía

01:01:18You can read it

01:01:19in his book

01:01:19that he wrote

01:01:21says it becomes

01:01:22in more than 9 million

01:01:25of indigenous people

01:01:26It is the conversion

01:01:29bigger

01:01:30in history

01:01:30of the church

01:01:31since Jesus

01:01:33he told Peter

01:01:33on this stone

01:01:35I will build my church

01:01:36until 1531

01:01:37they had never

01:01:39converted

01:01:40so many people

01:01:41like in Mexico

01:01:42father

01:01:43I know that

01:01:44Constantine

01:01:45in times of

01:01:46Constantine

01:01:47they were baptized

01:01:486 million

01:01:49Yeah

01:01:49they were baptized

01:01:51They did not convert

01:01:52because

01:01:54or you get baptized

01:01:55or I'll kill you

01:01:55Well, let's do it nicely.

01:01:56Yeah

01:01:57in Mexico

01:01:59they become

01:02:00more than 9 million

01:02:02of indigenous people

01:02:03the friars say

01:02:04that without being

01:02:05pushed

01:02:06they arrived

01:02:07to Mexico

01:02:08to be baptized

01:02:09and it happened

01:02:11wonderful things

01:02:12that here

01:02:12we can't anymore

01:02:13extend

01:02:13on this

01:02:14but

01:02:14the conversion

01:02:16of

01:02:16having to leave

01:02:17to several women

01:02:18to stay

01:02:19with a

01:02:20and

01:02:21no longer recognize

01:02:22to the other children

01:02:23but only

01:02:24of the woman

01:02:24with which they left

01:02:25to marry

01:02:26They didn't want that.

01:02:27do

01:02:27but then

01:02:28that appears

01:02:29Saint Mary

01:02:29of Guadalupe

01:02:30This happens

01:02:31people who

01:02:32from Oaxaca

01:02:33they were going

01:02:34to Mexico

01:02:36walking

01:02:37to confess

01:02:38women

01:02:40that were

01:02:40pregnant women

01:02:41which also

01:02:42They were walking

01:02:43heading

01:02:44to Mexico

01:02:45to confess

01:02:46the friars say

01:02:47that they had

01:02:48to their children

01:02:49on the shore

01:02:49of the road

01:02:50but not them

01:02:52mattered

01:02:52because for them

01:02:54the most important

01:02:55It was going to Mexico

01:02:56to confess

01:02:58and they arrived in Mexico

01:02:59and they were there for two or three days

01:03:01queuing

01:03:02and then they would return

01:03:04to Mexico

01:03:04sorry

01:03:05They were returning to Oaxaca

01:03:06to their places of origin

01:03:08to continue

01:03:09with their work

01:03:10That's a conversion.

01:03:12It's not just

01:03:13throwing water

01:03:14for baptism

01:03:15but it is

01:03:16the conversion

01:03:17of the Mexican people

01:03:19that in the light

01:03:20of an event

01:03:21Because, I repeat,

01:03:22Fraijuan de Sumárraga

01:03:23I was desperate

01:03:24because of what was happening

01:03:26after

01:03:27Fraijuan de Sumárraga

01:03:29changes

01:03:30and write to the king

01:03:31and will say

01:03:32Could it be?

01:03:33that in these lands

01:03:35start the reform

01:03:36that the church

01:03:37is looking

01:03:38that the church

01:03:39is waiting

01:03:40because while

01:03:41in Europe

01:03:42they were becoming

01:03:44eight million

01:03:45of Catholics

01:03:46to Protestantism

01:03:47by Luther

01:03:48in Mexico

01:03:49they were becoming

01:03:50nine million

01:03:52of indigenous people

01:03:53if they are not Christians

01:03:54to embrace faith

01:03:56in Jesus Christ

01:03:56through mediation

01:03:58of Saint Mary

01:03:58of Guadalupe

01:03:59she

01:04:00has changed

01:04:01the story

01:04:01God our Lord

01:04:03through Santa María

01:04:05of Guadalupe

01:04:06has changed

01:04:07our story

01:04:08of death

01:04:08in life

01:04:09of desolation

01:04:11of pain

01:04:12and sadness

01:04:13in a love

01:04:13incomparable

01:04:14because?

01:04:16because although

01:04:16we have been evangelized

01:04:18We Mexicans

01:04:20now

01:04:21we are

01:04:22returning

01:04:23the favor

01:04:23to our Europeans

01:04:25Africans

01:04:26Koreans

01:04:27Vietnamese

01:04:28Japanese

01:04:29South Americans

01:04:30Mexicans

01:04:31we are returning

01:04:33the favor

01:04:33of having been evangelized

01:04:35and now we have

01:04:36turned

01:04:37in evangelizers

01:04:38now we

01:04:39we are carrying

01:04:41this great message

01:04:42and not only

01:04:43this

01:04:43but we are

01:04:45accompanying

01:04:46of our queen

01:04:47from the sky

01:04:48Tell me

01:04:50in what part of the world

01:04:51Santa María is not here

01:04:52of Guadalupe

01:04:53go to France

01:04:55And it's going to be there.

01:04:56go to Africa

01:04:58And it's going to be there.

01:05:00go to Japan

01:05:02someone told me

01:05:03who went to study

01:05:03to Japan

01:05:04said

01:05:05I liked to walk

01:05:06I was climbing a mountain

01:05:08and at the tip

01:05:09of the mountain

01:05:10There was a small

01:05:11temple

01:05:11and who was

01:05:12in the center

01:05:13of that temple

01:05:14Our Lady of Guadalupe

01:05:15In a place

01:05:17lost from Japan

01:05:18There was a temple

01:05:19dedicated to the Most Holy

01:05:20Virgin of Guadalupe

01:05:21in Europe

01:05:23to one side

01:05:25yesterday he told me

01:05:26a person

01:05:27Father, I didn't know

01:05:28I just saw

01:05:29that

01:05:30where is

01:05:32the apostle

01:05:33Peter

01:05:33buried

01:05:34there is an altar

01:05:35and the altar

01:05:36that is on one side

01:05:37has the image

01:05:38of Saint Mary

01:05:39of Guadalupe

01:05:40Pope John Paul

01:05:41he ordered it to be built

01:05:42that place

01:05:44that it would transform

01:05:46to set up an altar

01:05:47and the image

01:05:48of the Virgin

01:05:49no other

01:05:50but

01:05:51of Guadalupe

01:05:53in the heart

01:05:54of the church

01:05:55where it has been established

01:05:57where is

01:05:58the apostle Peter

01:05:59There is the Virgin

01:06:00of Guadalupe

01:06:01she has forged

01:06:03if our homeland

01:06:04But that message

01:06:05has been spreading

01:06:06to everyone

01:06:07That's why we

01:06:08Mexicans

01:06:09We have a strong commitment

01:06:11It's a privilege

01:06:13quoting the Psalm

01:06:14147

01:06:15the Pope

01:06:17Benedict XVI

01:06:18he said

01:06:18has not done

01:06:19with another nation

01:06:20similar thing

01:06:21It's a privilege

01:06:23but it is also

01:06:24a commitment

01:06:25so that this

01:06:26what happened

01:06:27the conversion

01:06:28continue to occur

01:06:29There are people

01:06:31what they say

01:06:31father

01:06:32it is needed

01:06:33that he comes back

01:06:34Our Lady of Guadalupe

01:06:35so that it changes

01:06:36this that is happening

01:06:37in Mexico

01:06:37No

01:06:38no need

01:06:39that he comes back

01:06:40Our Lady of Guadalupe

01:06:41because to begin with

01:06:42It has never left

01:06:43and second

01:06:44It's not about

01:06:45that he comes again

01:06:46It is about

01:06:47that you

01:06:48turn to look at her

01:06:49again

01:06:49and that you do

01:06:51and may it happen in you

01:06:52the same

01:06:52that in so many

01:06:53and so many indigenous people

01:06:54and Spaniards

01:06:55the conversion

01:06:56if we are

01:06:57in these times

01:06:59so important

01:07:00in our

01:07:00my beloved homeland

01:07:01in our

01:07:02My beloved Mexico

01:07:03We need to call

01:07:04to the Mexicans

01:07:05and through

01:07:06of the Mexicans

01:07:07to the whole world

01:07:08to the conversion

01:07:09from the heart

01:07:10that we put

01:07:11our hearts

01:07:12in his hands

01:07:13so that she

01:07:14offer them

01:07:15bye

01:07:16our lord

01:07:16Let us ask Him for that grace

01:07:18bye

01:07:18our lord

01:07:19And let us ask Him for that grace

01:07:21to the queen of heaven

01:07:22to the queen

01:07:23of all Mexicans

01:07:25that we can put

01:07:26our heart

01:07:27in his hands

01:07:28so that she

01:07:28I offer them to God

01:07:29and that also

01:07:31us

01:07:31let us be capable

01:07:32of doing what is

01:07:33on our part

01:07:34fulfill the mission

01:07:36that God entrusts to us

01:07:37and that has shown it to us

01:07:39through His Most Holy Mother

01:07:41the queen of us all

01:07:43Our Lady of Guadalupe

01:07:44very good

01:07:45Thank you very much.

01:07:46And may God bless you.

01:07:47And may God bless you.

01:08:01And may God bless you.

01:08:02And may God bless you.

01:08:04God bless you

01:08:05Thanks for watching the video.

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