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00:09:25Cardenas.
00:09:31Cardenas.
00:09:36Lord, the diligent one.
00:09:37Let him wait.
00:09:38I didn't wait, it was half past one.
00:09:39Another hidden gem.
00:09:42I'm standing my ground.
00:09:46Seven thirty.
00:09:50I'm sorry.
00:09:59Twenty-five, thirty, ten, and forty.
00:10:02This makes forty thousand reales.
00:10:04Believe me, I dislike having beaten him by so much.
00:10:06And I dislike being pitied.
00:10:09Understood, Mr. Osuna.
00:10:11When do I have to pay you?
00:10:12Wednesday morning.
00:10:14I'll definitely stop by here.
00:10:15Does that sound good to you then?
00:10:17I'll be here with the money on Wednesday.
00:10:19Have a good trip.
00:10:20Thank you.
00:10:21Good morning, gentlemen.
00:10:22Good morning.
00:10:27It really was bad luck, Juan Pablo.
00:10:29What are you up to?
00:10:30Do you think your father...
00:10:31Should I confess to my father that I've lost at gambling again?
00:10:34And that would be enough for the old man to close the bag that is becoming less and less open.
00:10:37Forty thousand reales is a lot of money.
00:10:39Lot.
00:10:40Especially when you don't have a penny to your name, like me.
00:10:43And what would I like to help with?
00:10:45Thank you very much, friends, but don't worry about me.
00:10:48There's still time between now and Wednesday.
00:10:50See you around.
00:10:51Bye bye.
00:11:13For!
00:11:14How are you, Consuelo?
00:11:15And you, Don Joaquín?
00:11:17Fine, thanks.
00:11:18I just spoke at length with his father, who is waiting for him, extremely upset.
00:11:22He hasn't heard from you in three days.
00:11:24I don't understand my father, because when he finds out something about me he gets even more upset.
00:11:27Those are the kinds of unpleasant experiences I want to spare my daughter.
00:11:30In agreement with your father, I have decided to break off your engagement.
00:11:34That's right, Juan Pablo.
00:11:35I'm sorry.
00:11:36But let me explain, Consuelo.
00:11:38You don't have to explain anything to me.
00:11:39I hope this is the last time we see each other.
00:11:41Go on.
00:11:57John Paul.
00:11:58John Paul.
00:12:14If you plan to be away from home for several days again, let me know.
00:12:19I swear I was planning to do it.
00:12:20But when I realized...
00:12:22Save yourself the apologies, since you consider yourself the master of your actions.
00:12:25However, I own my money.
00:12:28You will not receive another penny.
00:12:30Even if he solemnly promised...
00:12:32Even if you kept your promise.
00:12:34I assure you, Juan Pablo, that if you ever change your life, it won't be because of money, but because of a lack of it.
00:12:40Man, John Paul.
00:12:41Your father told me you weren't here.
00:12:44I just arrived.
00:12:45Although he knows little about the Bible.
00:12:47John Paul practices one of his passages like no one else.
00:12:50The return of the prodigal son.
00:12:51Now, he jokes, just wait a while and you were afraid that what happened to me had happened to him.
00:12:55What happened to you, Don Felix?
00:12:56Something awful.
00:12:57I've been kidnapped by the morning star gang.
00:13:00That now surrounds me in these contours.
00:13:01It was a bad deal for the bandits, and I had to pay my son's ransom.
00:13:06Don Félix eats with us.
00:13:08Over dinner, you'll tell us about your adventures with that black woman.
00:13:14When they received the money they didn't tell me anything.
00:13:17They blindfolded me, gagged me, put me on a horse and made me walk for hours and hours.
00:13:24Every twenty steps, bam!
00:13:25A whiplash.
00:13:27How barbaric, you.
00:13:28No, to the horse.
00:13:29We finally stopped.
00:13:31Now, I thought, and began to pray, My Lord, Jesus Christ.
00:13:35They untied my hands, they took me down, and I am sorry, I am sorry, Lord, for having offended you with all my heart.
00:13:40One of the bandits told me, in ten minutes, take off the blindfold.
00:13:45Did you take it off and...?
00:13:46I was alone on the road, two leagues from Cordoba.
00:13:49Calm down, thankfully it's all over now.
00:13:51Not everything.
00:13:52Although it gives something.
00:13:53The fear, which no one can take away from me in my entire life.
00:13:55All the armies in the world wouldn't be able to defeat those criminals who have accomplices in every town.
00:14:01Yesterday I was the one who was kidnapped.
00:14:03Tomorrow it could be you, Esteban, or anyone else.
00:14:06We must live prepared.
00:14:08Going armed is pointless.
00:14:09Going with a private escort would be ridiculous.
00:14:12You have to trust in luck and take a chance.
00:14:16Tomorrow my father will go to the San Pablo farmhouse.
00:14:19He will return at night and unarmed.
00:14:21Conveniently masked, you will position yourselves at the bend of the old mill.
00:14:24Understood.
00:14:25Will he be carrying a lot of money?
00:14:25None.
00:14:26So?
00:14:26I'm not finished yet.
00:14:28You will have to fake a kidnapping.
00:14:30You will hide my father anywhere for a few hours.
00:14:33You will write to me demanding 40,000 reales for your ransom.
00:14:36I will get the money from our administrator and then pay my debt.
00:14:39And then you will give him back his freedom.
00:14:40Understood?
00:14:41Understood.
00:14:41It's a magnificent idea.
00:14:43And it's very funny.
00:14:44Count on us.
00:14:45Hands up.
00:14:47With better manners.
00:14:48He is my father.
00:14:49Ha ha ha!
00:14:50Ha ha ha!
00:15:12Lorenzo, tell me, young man.
00:15:14Already in bed.
00:15:15Aren't we waiting for the master?
00:15:16I'll wait for him.
00:15:17You're in charge.
00:15:18Until tomorrow, God willing.
00:15:35Young gentleman!
00:15:37Young gentleman!
00:15:50Don Juan Pablo de Osula.
00:15:52This is to let you know that I have kidnapped your father.
00:15:56Send a messenger tomorrow before noon with 70,000 reales, which he will leave in the hollow oak tree that
00:16:03There is one next to the road bridge, half a league from his house.
00:16:05Will we kill his father if he doesn't do it?
00:16:08Lucero.
00:16:09Jesus, it's Lucero!
00:16:11Go to the village immediately and look for Don Fernando.
00:16:13Tell him from me to get that money ready.
00:16:14But...
00:16:15Let him sort it out however he can.
00:16:16Explain everything to him.
00:16:17And not a word to anyone.
00:16:19Go away!
00:16:19Yes sir.
00:16:27No!
00:16:29No!
00:16:30No!
00:16:31No!
00:16:32No!
00:16:33No!
00:16:34No!
00:16:34No!
00:16:35No!
00:16:37I was sure I'd find him here.
00:16:40Tell it.
00:16:41There's no need if you've already told it.
00:16:44Would you like to sit down and have a drink with me?
00:16:46No, thanks.
00:16:47Another day.
00:16:48Whatever you want.
00:16:49Bye bye.
00:16:50Bye bye.
00:16:50I had a good time.
00:17:04Are you sure you left the money where the letter said?
00:17:06Yes, Mr. Fernando.
00:17:07I left him as I was leaving his house.
00:17:08So there's no reason to worry.
00:17:10Those people always carry out their threats.
00:17:12But he also usually keeps his promises.
00:17:14It is the foundation of their business.
00:17:18My father should be here by now.
00:17:21Where is he going?
00:17:22There's nothing that can be done.
00:17:29What's the matter?
00:17:30What have you done?
00:17:31Nothing, because we haven't seen your father.
00:17:33We waited for him until daybreak.
00:17:41With the blood of an innocent
00:17:46Driven by ambition, a bright star, a noble gentleman, he never stained his hands.
00:18:01The moon is envious of him, the mountain range watches over him.
00:18:13In a farmhouse, a young woman sighs for her love.
00:18:24Oh, morning star, call!
00:18:33Oh, morning star, call!
00:18:49With him disappears the only restraint that Juan Pablo had.
00:18:54Our Father, who art in heaven, hallowed be thy name and our kingdom,
00:18:58You will do six things, and I will be as in heaven.
00:19:00He was one of my best friends.
00:19:02Thank you.
00:19:03I have personally visited the governor.
00:19:05He has promised me that he will ask for reinforcements from the guards of Granada and Malaga to carry out a sweep.
00:19:09I know I can do nothing to alleviate your pain,
00:19:11But remember that you are not alone in your misfortune.
00:19:13You have me.
00:19:14Don't talk to me like that and don't pity me.
00:19:17What do you mean?
00:19:18What's wrong?
00:19:19Go away, Consuelo.
00:19:20You need to be strong, Juan Pablo.
00:19:23Calm down.
00:19:23Leave me alone.
00:19:24And you don't come near me.
00:19:26Not now, not ever.
00:19:29Hail Mary, Maria Generez.
00:19:30Thank you, old gentlemen.
00:19:32Good day, you are the one for all women.
00:19:59Good day, you are the one for all women.
00:20:22My horse.
00:20:40I know the misfortune you have suffered, Juan Pablo.
00:20:42Everyone's talking about it.
00:20:44It's been horrible.
00:20:46I understand your pain.
00:20:47Can I talk to you alone?
00:20:49Don't worry, he's deaf.
00:20:50What do you want from me?
00:20:52I have to see the morning star.
00:20:54You're crazy?
00:20:55Do you want what happened to your father to happen to you?
00:20:57You need to know where it is.
00:20:59The morning star belongs to this town.
00:21:00Even if you knew, I wouldn't tell you.
00:21:03Anas or Juan Pablo, don't try anything against that man.
00:21:06Your life depends on it.
00:21:08Who could tell me?
00:21:12Tell me, who can know?
00:21:16Vargas.
00:21:17He lives in Sahara, next to the square.
00:21:20Thank you.
00:21:22Where are you going?
00:21:24Sahara is far away.
00:21:25It could be tomorrow during the day.
00:21:27Stay, Juan Pablo.
00:21:30John Paul.
00:22:24Who is it?
00:22:25A friend.
00:22:30Who are you?
00:22:33What are you doing here at this hour?
00:22:35I seek the morning star and its departure.
00:22:37And I know you can inform me.
00:22:40I?
00:22:41Who told you that?
00:22:43You know it and you'll tell me.
00:22:52The morning star pays worse than I do.
00:22:56Who are you?
00:22:58Calm down, Vargas.
00:22:59It's not the justice system, it's me, personally.
00:23:04For anyone interested in knowing where they are.
00:23:09Do you think all that money would be enough to save me?
00:23:12If I spoke sooner or later, the morning star would finish me off.
00:23:17I am Juan Pablo de Osuna.
00:23:20Don's son...
00:23:22Exact.
00:23:23Now you can rest assured that this will stay between us.
00:23:28If I want to find them, it's to kill them.
00:23:31Or die at his hands.
00:23:37Don't be afraid, Vargas.
00:23:39I will not speak.
00:24:06Do you win?
00:24:09Are you familiar with the Sierra de Campanilla?
00:24:11The morning star and his people have been there for some time now.
00:24:20José! José!
00:24:24It's Don Juan Pablo, the one from Los Rosales!
00:24:26He killed Vargas!
00:24:28Killer!
00:24:28Let go!
00:24:30Let go or I'll kill you too!
00:24:31He killed Vargas!
00:24:53Let go!
00:25:07Come on!
00:25:09Come on!
00:25:57If you don't mind me asking, what brings you to this part of town?
00:26:01I seek the morning star and its departure.
00:26:02Ah, I see.
00:26:04Can you tell me where I can find them?
00:26:06Those people are never still.
00:26:09I know they're around here.
00:26:11I'm not saying no.
00:26:12But I'm not saying yes either.
00:26:14Which is the same as not wanting to say anything.
00:26:16That is.
00:26:17Today for some, tomorrow for others.
00:26:20Who can say that tomorrow they won't come to ask us if we've seen you?
00:26:26This is better for living in peace.
00:26:28Is it possible that you are right?
00:26:32Stay right there.
00:26:37You keep eating.
00:26:39Give me the botillo.
00:26:47That?
00:26:48Are you having anything to drink?
00:26:49A sip of wine.
00:26:59What are you doing here?
00:27:00Speak without moving.
00:27:02I come in search of the morning star.
00:27:04Do you know him?
00:27:06No.
00:27:07And nobody gives me any news about him.
00:27:09Perhaps you can help me.
00:27:11Clear.
00:27:12Sure.
00:27:12Get up.
00:27:18Walking.
00:27:20Walking.
00:27:28Walking.
00:27:34And nobody gives me any news.
00:27:41And can't he come back?
00:27:45That?
00:27:48That?
00:27:49That?
00:27:51That?
00:28:20Thank you!
00:28:30Thank you!
00:28:54What? Did you see Lucas and skip him?
00:28:56Yes, he gave me this letter for you.
00:28:59Read.
00:29:05What does it say?
00:29:06Let's wait for the Cordoba stagecoach the day after tomorrow
00:29:09who brings money from the Royal Treasury hidden in a trunk and without security
00:29:12so that nobody knows.
00:29:13The godfather knows it; he finds out about everything.
00:29:15And what about us? What's it to anyone else?
00:29:17And what about Mr. Carmona? He says nothing.
00:29:20A lot.
00:29:21His family has reported it to the authorities.
00:29:37Turn it back.
00:29:42Did you know that your people have notified the authorities?
00:29:44They're the ones who condemned you. Don't complain about us later.
00:29:49Not you.
00:29:51The sink.
00:29:57Come on, get rid of it.
00:30:00The thing is...
00:30:01Come on, get it over with!
00:30:02But why should it be me?
00:30:03You came here for a reason.
00:30:06But the thing is...
00:30:07Either you kill him or I'll kill you.
00:30:09But like that, in cold blood...
00:30:11Let the other one be killed, a fight!
00:30:13That's better, give him a drink to cheer him up.
00:30:16You'll get used to it.
00:30:18And if not, too bad for you.
00:30:20We need to make sure everyone is safe.
00:30:23And you know us too well to back down.
00:30:27Come on.
00:30:32Oh!
00:30:33Go fast if you want to finish quickly!
00:30:35Oh!
00:30:36Oh!
00:30:36Punch hard!
00:30:37Oh!
00:30:38Punch hard!
00:30:40Oh!
00:30:40Oh!
00:30:40Oh!
00:30:40Oh!
00:30:42Oh!
00:30:52Oh!
00:31:02Who is this?
00:31:03One who is looking for you.
00:31:04What is your name?
00:31:05What does it matter?
00:31:07Last night I killed a man.
00:31:08And between justice and the saw, I have chosen the saw.
00:31:11Who was that man and why did you kill him?
00:31:13The reason is of no interest to anyone but me.
00:31:15His name was Vargas.
00:31:16From Zahara?
00:31:17Yeah.
00:31:18He was a friend of mine!
00:31:19It would have been better for it to be mine.
00:31:21Well done, Chiclana native!
00:31:23Chiclanero.
00:31:24What are you saying?
00:31:25I repeated your name so I wouldn't forget it.
00:31:26You won't forget it so easily.
00:31:28Lucero, let's make her dance and see if she's as brave as she says.
00:31:31Alright.
00:31:32Sing to him.
00:31:41Well, it's for Soleares.
00:31:53Pay attention to the game.
00:31:54When I say right, I'll jump to the right and you'll jump to the left.
00:31:58When I say left, I'll jump to the left and you'll jump to the right.
00:32:01Always the other way around.
00:32:02If you jump well, you win.
00:32:03Otherwise, I'll put a hole in your leg.
00:32:04Pa!
00:32:05Right!
00:32:05Left.
00:32:08Left!
00:32:11Right!
00:32:13Right!
00:32:15Right!
00:32:17Right!
00:32:18Left!
00:32:19Enough!
00:32:21Letting go!
00:32:42Now I can believe you've dispatched one.
00:32:45Are you the morning star?
00:32:47Himself.
00:32:48You, Jacinto.
00:32:49Tell me.
00:32:50Go to Zahara and find out what happened with Vargas.
00:32:53Immediately.
00:32:53And I'm sure you're from Chiclana.
00:32:55Yes, what's wrong?
00:32:55It's my second one.
00:32:58Well, I feel sorry for him, because I'm interested in the position.
00:33:14Seat!
00:33:16Bring me tobacco!
00:33:27Hi, Marcos.
00:33:28Hello, Jacinto.
00:33:29Seat!
00:33:35Seat!
00:33:44Seat!
00:34:01Peace be with God.
00:34:05I hadn't recognized him.
00:34:07Excuse me.
00:34:09What happened to Vargas?
00:34:10Vargas?
00:34:12No one is immune to the possibility that a party-loving young man might lose his temper one day and pay the price.
00:34:16with a wretch.
00:34:17Do we know who it was?
00:34:19They say it's Juan Pablo, the one from Osuna.
00:34:22Don Esteban's son?
00:34:23Himself.
00:34:25Nobody can explain it.
00:34:26But they have seen him.
00:34:27And he almost killed one of the people who tried to stop him.
00:34:33Wow, what a watch!
00:34:35Does it have a bell?
00:34:37Yes, but it belonged to my father and...
00:34:39Sis!
00:34:44Will you give them to me?
00:34:49Thank you, Tomás.
00:35:04The officer?
00:35:19Hello, Jacinto.
00:35:20What is this circus?
00:35:21Throw half there to the guardian.
00:35:26Soldiers.
00:35:27And neither you nor anyone else warned me.
00:35:35It's not here.
00:35:36How can I help?
00:35:37Where is the man of the morning star who has entered here?
00:35:39I don't know who you're talking about.
00:35:50To the fence!
00:36:04I drag, the seven of clubs.
00:36:07The others.
00:36:09So, I'll tell you what's what.
00:36:55Thank you!
00:37:04Can you talk?
00:37:07Soldier Sanzara.
00:37:09They surprised me in the tavern.
00:37:11Nobody warned me.
00:37:14The barber.
00:37:16Have they been following you?
00:37:19Up to the river.
00:37:23Is what Vargas said true?
00:37:26Yeah.
00:37:27Was this it?
00:37:30Yeah.
00:37:32To the horses.
00:37:35Come with us.
00:37:37Don't leave without me.
00:37:40Take me with you.
00:37:42Don't leave me.
00:37:43Don't leave me alone.
00:37:45Don't leave me alone.
00:37:47Don't leave me.
00:37:54Mr. Osuna.
00:37:56I'm glad they don't know.
00:37:58Who are you?
00:38:02Tell me.
00:38:04Who killed my father?
00:38:27Who killed my father?
00:38:29No.
00:38:31No.
00:38:32No.
00:38:44To a farmhouse?
00:38:45First to Sanzara.
00:38:46People must be crushed when they rebel.
00:38:48Well, but...
00:38:48Before letting a traitor live, I'd rather fight an entire regiment.
00:38:52To Sanzara!
00:39:04Don't leave me alone.
00:39:05To Sanzara!
00:39:08To Sanzara!
00:39:11Don't leave me anymore.
00:39:15To Sanzara!
00:39:19To Sanzara!
00:39:34No, no, no!
00:39:52What's happening in town, good sir? Lots of troops, isn't there?
00:39:55None left. They left last night for the mountains.
00:39:58You three stay here. The rest of you with me.
00:40:36Hi, friend.
00:40:42Shave me.
00:40:46Thank you.
00:40:48Thank you.
00:40:55Thank you.
00:41:02Thank you.
00:41:05Thank you.
00:41:06Thank you.
00:41:11Thank you.
00:41:19Thank you.
00:41:21Thank you.
00:41:22Thank you.
00:41:24Thank you.
00:41:25Thank you.
00:41:28Thank you.
00:41:30Thank you.
00:41:32Thank you.
00:41:32Yes sir.
00:41:34Good business.
00:41:36One cut and all that money would be yours.
00:41:42A thousand ducats and your life too.
00:41:45What do you mean?
00:41:49Hyacinth.
00:41:52A thousand ducats and your life, because I do not forgive traitors.
00:41:55He has been deceived.
00:41:56I don't...
00:41:56Keep oiling me.
00:42:06Go on.
00:42:07Now you could do it.
00:42:10Take the plunge.
00:42:13I would never do that, Lucero.
00:42:15I would never do that.
00:42:16I swear that...
00:42:17You lack courage.
00:42:18Saying is one thing, doing is another.
00:42:19You don't kill.
00:42:20You complain that it's more convenient.
00:42:21I haven't reported anyone.
00:42:23I saw Jacinto here and spoke with him.
00:42:24I'm finished.
00:42:28Yes sir.
00:42:31I'm finished.
00:42:33Good.
00:42:40There you go, so you can afford a proper burial.
00:42:43Hey, frog!
00:42:44Take it with you.
00:42:46No.
00:42:46No.
00:42:47No.
00:42:48No.
00:42:50No!
00:42:51No!
00:42:52No!
00:42:53No!
00:42:53No!
00:42:55No!
00:42:56No!
00:43:01No!
00:43:05No!
00:43:10No!
00:43:11No!
00:43:14No!
00:43:19No!
00:43:20No!
00:43:22No!
00:43:24No!
00:43:25No!
00:43:26No!
00:43:26No!
00:43:27No!
00:43:27No!
00:43:27No!
00:43:28No!
00:43:29No!
00:43:30No!
00:43:30No!
00:43:30No!
00:43:31No!
00:43:33No!
00:43:42Hurry up, it's going to die in your hands!
00:43:47Shot!
00:43:57Now you.
00:44:01You are all just as treacherous as him. Has anyone among you done anything to save Jacinto?
00:44:09Not a single one!
00:44:12Not one! Now you will truly know the morning star!
00:44:18Chiclanero!
00:44:48Not a single one!
00:45:00Not a single one!
00:45:01Not a single one!
00:45:02Not a single one!
00:45:08Not a single one!
00:45:09The love of the humble!
00:45:14Your nobility conquered!
00:45:20Lucero, heart of gold
00:45:24And they still mourn your downfall
00:45:31The moon sings its glory
00:45:36The poor pray for him
00:45:44You saw the air in the mountains
00:45:51A woman's circle
00:45:57Oh, Lucero, love me
00:46:04I arrived at the inn in Utrera
00:46:06Don Juan Pablo was already there waiting for me
00:46:08He must have been in a hurry
00:46:09He handed me the money and left
00:46:11And that was it?
00:46:12Last Wednesday
00:46:14Do you recognize this bag?
00:46:17Yes sir
00:46:18Did you hand in this bag?
00:46:19The ransom amount
00:46:21To Don Juan Pablo de Osuna?
00:46:23Yes sir
00:46:25Thank you, sir.
00:46:26That's all
00:46:27With your permission
00:46:34Monster
00:46:36It was him, his own son
00:46:37The one who kidnapped and murdered him
00:46:39To seize the money
00:46:42According to the morning star
00:46:43Juan Pablo planned the kidnapping
00:46:44From his father
00:46:45He paid off his gambling debt
00:46:46With the ransom money
00:46:48Then he murdered in Zahara
00:46:49A man with the last name Vargas
00:46:50To rob him too?
00:46:51Why that question?
00:46:53Because I'm sure
00:46:53You know it
00:46:54You know John Paul well
00:46:55He knows him better than I do.
00:46:57I always thought he was crazy.
00:46:58But I never believed him.
00:47:00Neither a murderer nor a thief
00:47:01There is no other crime
00:47:02What to blame him for
00:47:03Comfort
00:47:04I know everything points to him.
00:47:05His attitude on the day of the burial
00:47:07From his father
00:47:07His disappearance
00:47:08The escape, you mean
00:47:10I have heard the statements
00:47:11Of the witnesses
00:47:11And they all accuse him
00:47:12They accuse you, just like you.
00:47:14That he always hated him
00:47:14You don't know what he's saying.
00:47:15I know
00:47:16And I think I'm beginning to understand
00:47:17The reason for that hatred
00:47:19If I get married
00:47:20You lose the administration
00:47:21From my inheritance
00:47:23Consuelo, come
00:47:23I order you to
00:47:36From my inheritance
00:47:58From my inheritance
00:48:24From my inheritance
00:48:44Today is going to be a good day
00:48:45How do you know?
00:48:46Because of the letter he received
00:48:48The morning star yesterday
00:48:48And the godfather is never wrong
00:48:51Who is the godfather?
00:48:52A friend who has
00:48:53The morning star in round
00:48:54He warns when it's time to raid.
00:48:55A legal proceeding
00:48:56And it says the rescue
00:48:57What to ask for
00:48:58In a round?
00:48:59Who is it?
00:49:01It always stays
00:49:02With most
00:49:03And without giving the meat
00:49:09Get out of here!
00:49:32Get out of here!
00:49:33Get out of here!
00:49:41Get out of here!
00:49:43Get out of here!
00:49:45Get out of here!
00:49:46Get out of here!
00:49:49Get out of here!
00:49:51Get out of here!
00:49:52Get out of here!
00:49:53Get out of here!
00:49:54Get out of here!
00:49:55Get out of here!
00:49:57Get out of here!
00:49:58Get out of here!
00:50:00Get out of here!
00:50:01Don't go! Come on, come on!
00:50:10It seems like nobody needs them alive!
00:50:44Thank you!
00:51:11A little more and you'll be left dry.
00:51:24You stand in front of me or you shoot yourself. Come on!
00:51:49Thank you!
00:52:00Thank you!
00:52:03Come on!
00:52:05Come on!
00:52:22Well, you did it.
00:52:24You missed the stagecoach and you've also brought wounded people.
00:52:27And the others, tell me, what has become of them?
00:52:29You don't ask him!
00:52:30He fired to scare the mules and ruin everything.
00:52:33He's a traitor!
00:52:34Well, I've seen him fight and kill Mikelete.
00:52:37I don't know what it was like before, because until now no one has been forced to tell their story.
00:52:40But today, today he's just as much orca meat as you or me.
00:52:43What do you say?
00:52:44The shot went off accidentally.
00:52:47All he knows how to do is shout.
00:52:49And when it comes to organizing an escape, no one can beat him.
00:52:51Damned!
00:52:53Yatos!
00:52:57Then, you speak.
00:53:00In my game, I don't want people who hate each other.
00:53:02Either you're friends, or one of you is redundant.
00:53:06To the rooster's trial!
00:53:07Good!
00:53:08I was expecting it.
00:53:10It's always been like this.
00:53:12And I like it.
00:53:14Good job, cyclist, that's the way to talk.
00:53:19By the cyclist.
00:53:21That's my rooster.
00:53:23And I, the ducats, also for the cyclist.
00:53:25And me, three more.
00:53:27You, come here.
00:53:41All this for my rooster.
00:53:47Goes.
00:54:04So, we're getting ready.
00:54:05And what does he tell me, there is...
00:54:34Thank you!
00:54:52Thank you!
00:55:24Thank you!
00:55:37Thank you!
00:55:38The morning star and his people have been here while we were looking for them in the mountains.
00:55:41But none of you have seen them.
00:55:43Nobody says anything!
00:55:45No one wants to answer me!
00:55:49You are just as miserable as they are!
00:56:03Thank you!
00:56:04Come on!
00:56:21Watch your head.
00:56:22You bring the wine.
00:56:23After.
00:56:23We're here for this one.
00:56:24Has the money arrived?
00:56:25Not yet.
00:56:26But this man is going to write to his father.
00:56:28Because the morning star...
00:56:31He has neither patience nor does he like guests.
00:56:36Come on!
00:56:47Did you write it clearly?
00:56:49Yeah.
00:56:49I say that they should collect the ransom for Flores this morning at the Capuchino intersection.
00:56:54And let them know.
00:56:56Right away to Uncle Lucas.
00:56:58If they have paid.
00:57:00Or not.
00:57:01Good.
00:57:18Write to your father.
00:57:20My vision is blurring.
00:57:22Your mind will become even more clouded if you don't hand over the money.
00:57:26Tell him that the same night he receives the letter he must go to the Capuchinos crossroads.
00:57:31At dawn a man will arrive to whom he will hand over the fifty thousand reales.
00:57:36If you do, we will set you free.
00:57:39If not, you know.
00:57:42If my father had that money, he would have handed it over already.
00:57:45Let him look for it!
00:57:53Writes.
00:57:59My dear and beloved father.
00:58:03I...
00:58:03...I don't speak to my father like that.
00:58:05Put in what I tell you.
00:58:07I know how to write these letters.
00:58:10It's not the first one I've dictated.
00:58:14You will go and deliver the letters to Ronda.
00:58:17To Ronda?
00:58:18They know me too well there.
00:58:19I could go.
00:58:21You? Why?
00:58:23Because I'd like to see my girl.
00:58:24Ah.
00:58:27Okay, then listen.
00:58:29A little before arriving in Ronda is Uncle Lucas's inn.
00:58:32You will personally deliver to him the letter that is on the table.
00:58:35The other one, the one he's writing, you'll take to Don Faustino Flores in Ronda.
00:58:40You don't have to deliver it yourself, but it's important to make sure she receives it.
00:58:43Anything else?
00:58:44Yeah.
00:58:45Tomorrow you will go to the inn again.
00:58:47Uncle Lucas will tell you if they gave him the ransom money.
00:58:49If so, come back here and let me know.
00:58:52If not, you can stay in Ronda for two or three more days having fun with your girlfriend.
00:58:58even if you miss the show.
00:59:12Uncle Lucas?
00:59:13At your service.
00:59:15Here I have a letter.
00:59:18Do you know who it's for, even though it doesn't have a name or address written on it?
00:59:22That's precisely why I know.
00:59:23Rest assured that the task will be completed.
00:59:26I'll come back tomorrow for the answer.
00:59:28No.
00:59:32No.
00:59:39No.
00:59:41No.
00:59:43No.
00:59:44No.
00:59:45No.
00:59:46No.
00:59:48No.
00:59:58Do everything the letter says, Mr. Flores.
01:00:00His son's life depends on it.
01:00:02Do you think it depends solely on my will?
01:00:05I swear I don't have that amount of money.
01:00:09If you could wait a few days, just a few days, I have already written to my brother who lives in Malaga.
01:00:15I'm sure that...
01:00:16It has to be for tonight, Mr. Flores.
01:00:18The problem is that I only have 20,000 reais that I received for my wife's jewelry.
01:00:23Speak to them yourself.
01:00:25Ask them to wait.
01:00:28Do not leave your house and do not speak to anyone.
01:00:32I'll be back in an hour.
01:00:34No.
01:00:54It may be less despicable than I had come to think.
01:00:57What have you done, John Paul?
01:00:59It's crazy.
01:01:01But don't ask me.
01:01:02Where is Don Joaquín?
01:01:03So that?
01:01:04I need money now.
01:01:05Big money.
01:01:06Urgently.
01:01:07I managed to get into Lucero's game.
01:01:10He currently has a kidnapped person in his custody.
01:01:12His father has no money.
01:01:14And he must pay the ransom without fail tonight.
01:01:16Otherwise, they will kill him.
01:01:18Don Joaquín helps me.
01:01:20I never believe you.
01:01:22Wait.
01:01:30And do you live in Ronda?
01:01:32No.
01:01:33I'm sorry.
01:01:34I don't like doing business with strangers.
01:01:37Me neither.
01:01:38So, are you interested or not?
01:01:39I am interested, yes.
01:01:40But don't take offense.
01:01:43I want to live peacefully without any trouble with the law.
01:01:46And who's to say these jewels haven't been stolen?
01:01:51I understand now.
01:01:52You want to buy them at a low price.
01:01:53No.
01:01:54Alright.
01:01:54Tell me how much you want to pay.
01:01:55Nothing today.
01:01:57Because I don't have any money at home.
01:01:59But if you want it tomorrow...
01:02:32Are you here at this hour, Uncle Lucas?
01:02:33A little late, yes.
01:02:35I came walking from Ventoro.
01:02:38I had to bring it today.
01:02:39Would you like to rest for a while?
01:02:41No, thank you. See you another day.
01:02:42Go with God, Uncle Lucas.
01:02:53Come in.
01:03:01What has Uncle Lucas brought?
01:03:02Careful.
01:03:10Open it.
01:03:20Tomorrow at dawn you have to go to the Cacuchinos crossroads to collect Flores' ransom.
01:03:26Burn it.
01:03:28The stagecoach that leaves tomorrow at 8 for Granada is going without an escort.
01:03:32And it carries a management of the Royal Treasury.
01:03:35Should I give notice?
01:03:36No.
01:03:36Go ahead, Luis.
01:03:37You take care of Flores.
01:03:54No.
01:03:57No.
01:04:02No.
01:04:05No.
01:04:08No.
01:04:10No.
01:04:12No William, sir.
01:04:41Thank you!
01:05:12Thank you!
01:05:19Thank you!
01:05:19Thank you!
01:05:29Help! Help! Stop him! It's a game! At him! Shoot!
01:06:05What are those screams? What's happening?
01:06:07A man being pursued by the patrol has taken refuge in the church.
01:06:10Does anyone know who he is?
01:06:11Probably a thief or a murderer.
01:06:15Go back to your rooms and calm down.
01:06:27What happened?
01:06:28I didn't want to say it in front of Miss Consuelo.
01:06:30The refugee is Don Juan Pablo de Osuna. He must have followed me.
01:06:33Didn't he recognize you?
01:06:35I don't think so. He couldn't have.
01:06:37Did you bring the money?
01:06:38No. They're jewels. He said they're worth more.
01:06:54He didn't lie to you. They're worth much more.
01:07:13Consuelo, will you tell me where your jewels are?
01:07:16Why are they mine? I can do whatever I want with them.
01:07:19Why didn't you tell me that Juan Pablo was here?
01:07:22Admit that you gave them to him.
01:07:24I said before that the jewelry was mine.
01:07:26Nor have I tried to hide the fact that Juan Pablo has been here.
01:07:28He came to see you.
01:07:29What for?
01:07:31I needed money.
01:07:32It doesn't surprise me.
01:07:33To save a man's life.
01:07:34From a man who is in the custody of Lucero's gang.
01:07:36He needed money for his ransom.
01:07:39How did they get their hands on it?
01:07:42Never believe everything you're told.
01:07:44Store them away.
01:08:01Where are you going?
01:08:03To mass?
01:08:04I'll go with you.
01:08:05Can you go home?
01:08:06Yes sir.
01:08:47I don't want to confess, Father.
01:08:49I want to tell you about the man who has taken refuge here.
01:08:52Juan Pablo de Osuna.
01:08:53He is innocent.
01:08:55He's your boyfriend, Consuelo.
01:08:58Are you sure that affection isn't blinding you if you're thinking about him?
01:09:01I swear I'm telling the truth.
01:09:03I'll talk to him.
01:09:04He is wanted by the law, but I know he hasn't committed any crime.
01:09:13May God help us all.
01:09:16And he doesn't live badly.
01:09:32Father, do you want to go to confession?
01:09:34No.
01:09:35It's clear that nobody wants to go to confession today.
01:09:38Come on.
01:09:55Speaks.
01:09:56She has probably told you about me.
01:09:58Help me, Father.
01:10:00To continue your revenge.
01:10:02To save two beings.
01:10:04If I stay here, one of us will be killed.
01:10:06And only I can prevent it.
01:10:09You must help me, Father.
01:10:12What could I do to convince him that I'm telling the truth?
01:10:15What could I do to help you?
01:10:18You know there's a guard around the church.
01:10:20Only the officer in charge could perhaps...
01:10:24Timothy!
01:10:26Find the officer.
01:10:28Tell him I need to talk to him urgently.
01:10:30In the cloister.
01:10:33Thank you, Father.
01:10:36We'll see.
01:10:37I fear it will be more difficult to convince the officer than to convince me.
01:10:40In the end...
01:10:40That depends on you.
01:10:47I've been told that you want to talk to me.
01:10:50Not me, exactly.
01:10:52But...
01:10:52Talk to that man?
01:10:54I have something else to do with him.
01:10:56Then you will speak with me, officer.
01:11:20But then you know where the morning star is.
01:11:22At the Carmen farmhouse.
01:11:24Less than a league north of the road to Grazalema.
01:11:26Past the pit of the dead.
01:11:28How many men do you have?
01:11:29Twenty.
01:11:30I can move more, but I'll need two or three hours.
01:11:33Good.
01:11:34I'll arrive first.
01:11:34What does it say?
01:11:35If I let him escape and fail to capture the morning star, I'll be shot.
01:11:39And if I'm not there, they'll kill Flores' son before nightfall.
01:11:41And when they hear the first shot, to the other one.
01:11:44Well.
01:11:45But when the attack begins, I won't be able to direct my men's bullets to make them respect him.
01:11:51Mind your own business.
01:11:53What I have to do is my own business.
01:12:08And it will be necessary to wait hours, perhaps days, until hunger makes him surrender.
01:12:13No!
01:12:15No!
01:12:17No!
01:12:19No!
01:12:20The refugee has managed to escape.
01:12:24Take the stagecoach that's leaving right now.
01:12:26When they jump over it, go with them and warn the morning star.
01:12:28I am sure that Juan Pablo will return to the farmhouse.
01:12:31Tell them he is the son of Don Esteban de Osuna.
01:12:33The morning star will take care of him.
01:12:34Don't waste time.
01:12:36The stagecoach is about to depart.
01:12:37No!
01:12:46No!
01:12:51No!
01:12:53No!
01:12:53No!
01:13:06No!
01:13:06No!
01:13:30No!
01:13:31No!
01:13:32No!
01:13:32No!
01:13:32No!
01:13:32No!
01:13:34No!
01:13:35No!
01:13:36He is a bandit, a bandit from the morning star gang.
01:13:39Come closer, miss.
01:13:42Between.
01:13:48Start moving and never stop again.
01:14:13Start moving and never stop again.
01:14:38Start moving and never stop again.
01:14:46Everyone to the ground.
01:14:48Hey, Miguel.
01:14:49Hello, frog.
01:14:50I need to talk to the morning star immediately.
01:14:52Get down, miss.
01:14:54It comes with us.
01:14:55Come on, calm down.
01:15:03That's the Ronda road.
01:15:09Here, take it, to keep you company.
01:15:12Thank you.
01:15:26Hey, you!
01:15:27That?
01:15:28The morning star wants to see you.
01:15:46Did you leave Flores on the road to Ronda?
01:15:48Yeah.
01:15:49Did you call me for that?
01:15:53For that and for something else, Mr. Osuna.
01:16:02That is my name, morning star.
01:16:05Not for much longer now.
01:16:07Kill him!
01:16:10You're going to die with a noose around your neck like the traitors!
01:16:16John Paul!
01:16:23You know this girl, right?
01:16:26Speaks!
01:16:30Let's see if I can wipe that smile off your face.
01:16:39Get them out of here!
01:16:40Get them out of here!
01:16:43No!
01:16:58Sac 보이는!
01:17:01Speaks!
01:17:03Speaks!
01:17:15What has he done?
01:17:16He has deceived us all
01:17:19Pig, young master
01:17:20He's going to regret ever being born
01:17:44The first section will circle the mountain
01:17:46The others with me
01:18:16The others with me
01:18:40The others with me
01:19:08The others with me
01:19:30Go down into the cave and take out those who are there.
01:19:41What's up? What are you going to do?
01:19:42These must be stopped
01:19:43The others with me
01:20:23I don't trust you
01:20:29I take care of her
01:20:30Go in peace.
01:20:59I don't trust you, I don't trust you
01:21:05I don't trust her
01:21:07I don't trust her
01:21:18I don't trust her
01:21:39Thank you!
01:21:58Thank you!
01:21:59A horse.
01:22:04Can't you hear me, you horse! Stay still!
01:22:47Thank you!
01:22:58Thank you!
01:23:46Thank you!
01:23:49Tear it down!
01:23:57The moon is no longer silver
01:24:02The wind moans for him
01:24:08In a farmhouse in mourning
01:24:14His comic strips and a woman
01:24:19Oh, morning star!
01:24:24Has!