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00:01Mariana
00:14Mariana
00:15I've been thinking about something this year
00:19I've realized that I've been
00:21I've been so tired
00:23I can't forget what happened between us
00:27There was nothing between us
00:29Yes
00:30That's not
00:33The spiritual connection
00:34Online writing
00:36Does that mean anything?
00:41You're the captain of the brother
00:43I pray to you
00:47Love
00:50I know you're hurt
00:51I understand everything
00:53But
00:54I'm not
00:55I'm not
00:56I'm not
00:57I don't
01:16I'm not
01:22I'm not
01:24I'm not
01:25I'm not
01:27I'm not
01:27I'm not
01:32I'm not
01:35I'm not
02:03I'm not
02:05I'm not
02:06I'm not
02:07I'm not
02:12I'm not
02:21I'm not
02:22I'm not
02:40I'm not
02:43I'm not
02:51I'm not
02:54I'm not
03:02I'm not
03:05I'm not
03:13I'm not
03:16I'm not
03:33I'm not
03:38I'm not
03:41I'm not
03:43I'm not
03:46I
03:47I'm not
04:03I'm not
04:04I'm not
04:04You have to, you have to pray, Marianne.
04:07I hope you are.
04:17I can see where my mother is, now I will come.
04:21Say hello, say hello.
04:27Five days, Stella.
04:29Five days to not think about Belgrade,
04:32that no one calls me, especially not from business club,
04:34but until now it's a mess.
04:37I trust you.
04:39When I remember Gabriela,
04:40it's like we were in a mess.
04:43Don't forget that.
04:45I want you to reset yourself,
04:48and I'm not right on that.
04:49I know, but I can't believe
04:51that a woman was in the mood,
04:53that there is a child.
04:55I don't know.
04:56Is this Batalit?
04:58Batalit is the story?
04:59And I'm here in Beograd.
05:01God bless you.
05:02Nobody calls me from the company,
05:04nobody calls me from the company,
05:04I don't call me from the company,
05:05you're on a show.
05:06Be sure.
05:07Here you go, on the sea.
05:08The boy is beautiful and peaceful.
05:13Of course.
05:15Okay.
05:15Can you see that?
05:20Yes.
05:21You are the only connection with the civilization.
05:26When it comes to you, bring us water and lead.
05:30I want to see that it's cold.
05:33It's cold.
05:34I don't understand.
05:36I don't understand.
05:37I don't understand.
05:47I don't understand.
05:49This is the home account.
05:53Yesterday, when I called the phone,
05:55I saw that it was 381.
05:57It means that it was cold and I had to kill myself.
05:59I met someone who called me a mistake.
06:01You see the house.
06:04You don't have to be aware of it.
06:06You don't have to be aware of it.
06:06You don't have to be aware of it.
06:07You don't have to be aware of it.
06:08How popular.
06:15You don't have to be aware of it.
06:18Thoughts are messing with nothing.
06:42Hey, I'll see you game box.
06:44Had her ever heard.
06:457-8 minute of the game.
06:45Excuse me.
06:49Good morning, good morning.
06:54This is here, right?
06:58What do you call the apartment?
07:01Is this the Mediterranean style?
07:03Look at this, Mr. Edison.
07:06Here are people, important people.
07:08This is history.
07:10Believe me, this is history.
07:12I am history, Mr.
07:15Look at me.
07:16I am history.
07:18History is over history.
07:20This must be my honor.
07:23Mr. Edison, I tell you that this was the only way to sleep,
07:28because everything is full,
07:29and you don't sleep at the reception.
07:31What are you doing here?
07:33What are you doing here?
07:34This is a strange lady from Belgrade.
07:38No, no, no.
07:40No, no, no.
07:43What am I experiencing?
07:44This is a direct attack on my career.
07:48What is this?
07:49What is this?
07:50What is this?
07:51What is this?
07:55What is this?
07:56What is this?
07:57What is this?
07:57What is this?
07:58I don't want to be inside this when I was having some issues.
08:03I didn't want to be inside.
08:04I don't want to be inside.
08:13You don't have to go to the beach in the night, you don't have to go to the beach.
08:16But I'm saying that the Mediterranean style, you can see.
08:19Nothing, nothing. What I've experienced in the Mediterranean, nobody's experienced.
08:25No, no, no, no, no, no, no.
08:27What is the best in this situation?
08:30I'm like, I'm like, I'm like, I'm like, I'm like, I'm like, I'm like, I'm like, I don't have any
08:35signs of life.
08:37I don't have any signs of what I've experienced.
08:39I won't be able to get you.
08:40I won't be able to get you.
08:42I won't be able to get you.
08:44You know what I want? I want to go.
08:47I'll go out there.
08:49Goodbye, goodbye, goodbye.
08:51I will be able to get you.
08:54No, no, no, no, no.
08:55I don't need anything.
08:57I don't need this luxury.
08:59Goodbye, goodbye, goodbye.
09:02What?
09:03What do you mean?
09:04I don't know.
09:06What is this, people?
09:08I don't need anything out there.
09:19I am a mother who would have hurt me to return to you. Do you know what I mean?
09:24Why are you like that, Mariana? You see, my heart is a sicker. I'm in the rhythm of my heart.
09:30It's not good.
09:31It's not good for me. It's not good for me because of your story.
09:35I'm leaving, Giovane.
09:38Don't pray.
09:38Don't pray.
09:39Don't pray.
09:41Don't pray. Why are you like that?
09:45Why don't you give me another chance?
09:50I'll see what I'm doing.
09:59Even if I left this cream for sunburn,
10:03so I don't fall from the forest,
10:06as I'm falling from the outside.
10:09Oh, my black, Giovane,
10:13sometimes they called you to death for women,
10:16and see what happens to you.
10:19Eh, I'm sick.
10:22Eh, I'm sick.
10:37Eh, I'm sick because I'm sick.
10:44Eh, I'm sick.
10:46Yeah, I'm sick.
10:48Eh, I'm sick.
10:55I'll go to this magazine.
11:17Oh, Mariana, sun.
11:20How did you grow up after the sale?
11:22I grow up like a black man.
11:24What do you want?
11:25One lemon, one cold water?
11:26No, I don't need anything.
11:29Just so that no one can't do it.
11:31If someone can't do it,
11:32it'll be like a little bit.
11:34I know, I know, I know.
11:37I know, I know, I know.
11:40You're a crazy woman.
11:41You're a real woman.
11:42I want you to know that I've never done it.
11:46I believe.
11:47I can't do it.
11:49Mariana, you're a crazy woman.
11:52I want you to know that I've done everything for you.
11:56Super.
11:57I can't do it.
11:58Mariana,
12:01I've been prepared for you
12:02a phenomenal apartment.
12:11I've been prepared for a lot of production.
12:14You're a crazy man.
12:16You're an angel in a human form.
12:20You're not supposed to be able to do it.
12:23You're not supposed to be able to do it.
12:26You're the one who's the best.
12:29You're the one who's the one who's the one who's the one who's the one.
12:31I thought I'd like to invite you something luxurious and convenient for yourself.
12:36If you're planning to take care of yourself, you'll burn the hotel.
12:41No, no, I don't want to take care of yourself.
12:43I'll give you the best thing I'll see you.
12:46And it's just a surprise.
12:49But you're a great woman, you're a great woman.
12:51I don't understand anything, I'm going to go.
12:55Just tell me that it was a good surprise.
13:14My dear God.
13:18What is this?
13:20You're working in my room.
13:22In your room?
13:25Why am I my room?
13:27I paid for this apartment here.
13:30My dear God.
13:30My dear God.
13:31And how I paid for this apartment.
13:33This is my apartment.
13:35What are you talking about?
13:36I'm here today.
13:37I'm going to see you everywhere.
13:38I'm going to see you.
13:40I'm going to see you.
13:41I'm going to see you.
13:42I'm going to see you.
13:55I'm going to see you and your bag.
13:56Don't put my bag down here.
13:58You know this bag here costs like 20 apartments.
14:03I'm going to see you.
14:04You and your bag.
14:06I'll go to the house when I tell you.
14:07No, no, no, no.
14:08No, no, no.
14:08Diana, don't come here.
14:10Diana, I'm here.
14:11I didn't know you.
14:12No, no, no.
14:13You're not at all.
14:13You're going to see me there.
14:15You're at home.
14:17You're only at home.
14:19You're waiting for me.
14:20You're going to see me.
14:22No, no!
14:23You're going to see me.
14:25You're going to see me.
14:26You're going to see me.
14:26I'm coming this way.
14:34Let's go.
14:35Hi, my wife.
14:36It's warm.
14:39Here I go.
14:42You know Anja, in the past few years, there was a lot of children.
14:48Who are you?
14:49I have a new daughter, a Russian.
14:52I came here with my parents.
14:55Donja, why are you so sad?
14:57It's so sad that you don't blame yourself, brother.
14:59If you say to my mom that you're going to kill the girl again,
15:03it's really bad.
15:04Oh, Russian, how are you?
15:07Look at this.
15:07You can't do anything.
15:08You can't do anything.
15:09You can't do anything.
15:09Look at this.
15:12People, this is an educational moment.
15:15How are you not going to go to the beach?
15:18If you have 14 years and you try to become a friend,
15:21this is what you do not do.
15:23Donja, let's go.
15:24You're my sister, you should help me.
15:25You shouldn't be like that.
15:27I want to help.
15:28Here, here, here.
15:29Here, here.
15:31Who won the best place on the beach at the beach?
15:36Are you a divac?
15:37Here.
15:38Come on.
15:39Don't like to start watching.
15:40I'm going to call me Russian.
15:42Here, we'll see you tomorrow if you put Mariana's on Instagram.
15:46Bye.
15:49Bye.
15:50Bye.
15:50Bye.
15:51Bye.
15:52Bye.
15:53Bye.
15:53Bye.
15:56Bye.
15:58Bye.
16:00Bye.
16:12What did you do from my life? What did you do, Crni Pero? I paid for peace, not the circus!
16:20Just a moment, this is the climax!
16:23Do you do it? Do you do it?
16:25No, no, no, no!
16:27You are my time!
16:28This is what I don't know!
16:30You are the center of the world!
16:33I am the center of the world!
16:34I am the center of the world!
16:37No, no, no!
16:38Do you do it, Crni?
16:41I will be charged to the last year!
16:44Stop!
16:45No, no, no!
16:46A inspection.
16:47I will go!
16:47What is it?
16:48What do we do when we get them?
16:50What are the children?
16:52How do you do the children?
16:53What are you doing?
16:55I will be praying, Petra!
16:57What, I will pray, Petra!
16:58I will pray, Petra!
17:01I will pray!
17:01I will pray!
17:02I will pray, Petra!
17:05What are you doing?
17:07What are you doing?
17:08The children are angry when they say it.
17:09I will pray for the children to go to my bed!
17:11Oh mom, is that?
17:12I don't think he has an answer and ask him.
17:15Oh, Mom, she's on a plane and she's not crying,
17:17she's crying but she's so much and I'm going to scream.
17:19His brother and I don't want to,
17:20he's crying, she's crying.
17:22Marianna?
17:23Are you crying?
17:24I'm crying...
17:25Why don't you cry?
17:26Why don't you cry.
17:31I'm crying...
17:50No!
17:52We're the only one.
17:5215th message from the sun.
17:54Mariana, where are you?
17:55Mariana, where are you?
17:56Mariana, you are sleeping.
17:57Oh!
17:59Don't block me, dear.
18:00I have to do these things in the way.
18:02I can't be afraid.
18:04I'm afraid of me.
18:05I'm afraid of me.
18:08Frayer who sends you a message, who is inside of yourself more than two words.
18:12He has a problem, he is definitely emotionally unstable.
18:17I know, but he has a connection to block him. He was a husband.
18:22He was a husband for a long time, from the Catholic to the Orthodox of God.
18:25Yes, I do. I know that you think that this wedding adventure has really cost me peace.
18:32Then nothing. Block and that's it.
18:36Dunja, I can't really speak this.
18:40No, I don't listen to it. I'm sorry that I'm not allowed to go to Juro Kusinać.
18:45I didn't have to bring you here to the house.
18:49Let's go.
18:50Let's go.
18:51Let's go.
18:52And that's how I tell him.
19:01He gives me a poem for months, just to not forget that we were married.
19:07You're not normal, Mariana. What do you want?
19:10Do you have that Stockholm syndrome?
19:12No, I don't.
19:14I'm sorry.
19:16I'm sorry.
19:17I'm sorry.
19:22I'm sorry.
19:22I'm sorry.
19:22I'm sorry.
19:23You're not on the way to Mariana, but you're not on the way.
19:24What, on the way to yourself?
19:26You're on the way to Juro Kusinać.
19:27You know that I can't get to Anja because of her.
19:29Oh wow, Anja has a new daughter.
19:32Who says that you can't find a new daughter on Juro Kusinać?
19:35No.
19:35It's like you're loving it, you're loving it, Dunja.
19:37I know?
19:38I love love.
19:38We're clean.
19:39Mama says that it's like when you're making a blanket and you're getting a little sick,
19:44and then you're getting a little sick and then you're getting a little sick.
19:46And then you're getting a little sick.
19:47Maybe that's for women.
19:48You see how Žika is getting a little sick?
19:50Žika doesn't have a young sister to tell her about her and she has a lot of rice in the
19:56morning.
19:57And she has a lot of rice in the morning.
19:58Let's go.
20:01Let's go.
20:02Let's go.
20:05Let's go.
20:19Let's go.
20:22Let's go.
20:36Let's go.
20:39I don't know how to do my previous marriage.
20:41I don't really know how to do it.
20:43I don't know how to do it.
20:44All of me was a mistake.
20:46I don't know how to take them.
20:50Look at me, Variant.
20:52See, I came here,
20:54left, relaxed,
20:56relaxed.
20:58I want a nice,
21:00romantic,
21:01love,
21:02romantic.
21:04People, can you stop talking about
21:06my marriage in the morning?
21:08Especially when we have some love.
21:10Eh, there are a lot more of these brodolom.
21:13I mean, non-stop,
21:14you look at the phone and see if Anja had seen a story.
21:18See, it's not like that.
21:19I'm tired of the night.
21:21I'm completely new.
21:22You see, my daughter is sleeping, but you don't know.
21:25Of course, that's so.
21:27Sorry, I didn't understand you well.
21:30Did you come to the house to find you?
21:33You see,
21:34only if you do not get her,
21:36there are a lot of you in the office.
21:38I mean,
21:39I have never interested you in the office.
21:43I'm interested in a question.
21:45I have always been on the first one.
21:46I have always been with him.
21:47And, only on the best.
21:48I have been speaking to you in the last one.
21:50I'm the same guy.
21:51I'm a traitone.
21:54I want something clear, specifically male.
21:58Well, the desire is one, the possibility is the other.
22:02I believe, when I feel like this is my summer.
22:10Can I tell you something, teta Bijena?
22:12See, don't forget, I'm a sister.
22:14I'm a sister, I'm a wife in the best.
22:17Okay, I agree, but I think that this will be my summer.
22:20It sounds like you have a plan.
22:23Listen, I started with Anja, it's been the past.
22:26Now I've already realized what I've said.
22:28I have to fix other flowers, you know?
22:31Well, it's crazy, I've told you something a little before.
22:36What are you talking about?
22:38You, my dear, you can't be able to expand the beach on the beach
22:41so that the weather doesn't do that.
22:42What kind of flowers?
22:43Let's fix it a little bit.
22:45Listen, you will see, everyone will see.
22:47Come on, come on, come on.
22:50Come on, come on.
22:51Come on, come on.
22:52Come on, come on.
22:53Oh!
22:54Oh, my child.
22:55Oh, my child.
22:56It's clear that the house is from the house.
22:58It's clear to our stories.
22:59Let's go, Mariano.
23:01Sit down.
23:02Sit down.
23:02So, my sister, my sweet sister,
23:05like someone who passed a bus on the beach in the past few years,
23:11he has to look up for something.
23:13You don't look up for me.
23:14I'm the one, my dear dear.
23:16Here from these locations,
23:18you won't be able to see this, believe me.
23:20I thought that so, as you, in the past few years.
23:23It's a sea of love, love, romantic.
23:26And, what happened?
23:28Move-a me, a man who ran away from his wife and was in the store.
23:31Okay.
23:33It's not the same thing, Mariano.
23:35You're the same.
23:35I'm the same.
23:37I'm the same.
23:37I'm the same.
23:38I'm the same.
23:38I'm the same.
23:38I'm the same.
23:39I'm the same.
23:40You will see how he will fall on his knees
23:44before the big Diana Merski.
23:46I'm the same.
23:47I'm the same.
23:49I'm the same.
23:51I'm the same.
23:53I'm the same.
23:56I'm the same.
23:58I'm the same.
24:12Oh!
24:14Good morning, Mrs. Merski.
24:15I'm the same.
24:17I'm the same, I'm the same.
24:18I'm the same now, the second time got hit.
24:20What the whole world?
24:21What the hell is it?
24:24What the hell is it?
24:29What the hell is it?
24:32I'm the same,
24:35You have to be sleeping like a bird,
24:36and the air, and the sun, and the sun.
24:38So, our manager wants to forgive you for the little misunderstanding of your home.
24:47Manager?
24:48Yes, manager.
24:51Your manager.
24:54Even in the evening.
24:56I don't see anyone here besides you.
24:59Even in the evening.
25:10I don't know why. I'm going to go somewhere where the villagers don't brush the same
25:14tongue and the table.
25:15Good evening.
25:19Wait a minute.
25:20Wait a minute.
25:20You'll get out of here.
25:21Did we get all the factors?
25:24What?
25:25What?
25:27I don't care.
25:28I want to get out of here before the Russians are over.
25:30Good evening.
25:32I see a big brigade ready for the beach.
25:34Yes.
25:34Yes.
25:35And if you tell me that it's gone because of your Mediterranean, then you'll kill me.
25:39Of course not, Kuma.
25:40I just want to tell you that our manager is going to get out of the evening because of the
25:46misunderstanding of the house.
25:49Even in the evening?
25:49I'll leave you with additional money, right?
25:51No, not in the evening.
25:52It's a little bit of bread, a little bit of bread, a little bit of wine, a little bit of
25:57wine.
25:58Why don't you tell us anywhere near the sea?
26:00What do you say?
26:01Yes, great.
26:02You're welcome.
26:03You're welcome.
26:05You're welcome.
26:07We will have a plan for the entire house.
26:08Yes, you are.
26:08Yes, you're welcome.
26:08I have a plan.
26:09We will be able to come back in the evening with romantic love, but some good and great
26:14fresh.
26:15Can't you.
26:16Can't you.
26:16But let me give my own business to you.
26:17Give me some sweet spot.
26:18You can eat fresh.
26:20Just fresh.
26:21It's fresh.
26:22I can't eat fresh.
26:22Yes, good.
26:23We can eat like that for the children.
26:25And for the kum, we can eat like a chicken.
26:28We can eat like a chicken.
26:30If you can...
26:32You can see it.
26:33Okay, let's go to the beach. Are you ready for everything?
26:36Yes, yes, yes, yes.
26:37I have to go for the time.
26:40No, no, no.
26:42What are you doing now?
26:43This is a receptionist.
26:46You can write it in your mind.
26:49Please don't forget it.
26:50Come on, come on.
26:51You have to watch it.
26:54The aristocrat is in Belgrade.
27:00Oh, shit.