00:28There is this
00:29a drop in the ocean, meant only for you.
00:34I found him.
00:39I am so happy.
00:43So happy.
01:07Five minutes until the broadcast.
01:22He took war photographs like no one else.
01:26She had an incredible eye.
01:30Anja sees with her heart.
01:34She finds the soul of the people she photographs.
01:42Millions of people saw her work.
01:45Her photos, her stories could change lives.
01:50They were able to influence politics.
01:53Their work required tremendous strength and courage.
01:58In crisis situations, in war, in the face of bombs and destruction.
02:07Anja felt drawn to people who were not heard.
02:11She knew that was important.
02:14That's what mattered.
02:36War in the heart of Europe.
02:39That's unimaginable.
02:41But the dream of a peacefully united Europe has now been shattered.
02:46What lasted 73 years has now come to an end: the unity of Yugoslavia.
02:51Slovenes and Croats want independence.
02:57The Serbs are bringing their tanks into position.
03:00Neighbors become enemies.
03:04That's big.
03:06We must be the first to report from there.
03:10Genghis.
03:13Send me there.
03:14Where should I send you?
03:17Yugoslavia.
03:19You?
03:21Did you see the news?
03:23A war is breaking out there right now.
03:26Exactly.
03:27And that would be the first war in Europe since 1945.
03:29No, I'm sorry, I don't have time right now.
03:31This could be something big, Genghis.
03:34For you, for me, I can do this.
03:43And that?
03:45Nobody would have expected that from me.
03:47Do you see that?
03:48Yes.
03:50But Willy Brandt
03:51Don't pull your Kalashnikov on you right now.
03:54That's not the point.
03:56That's exactly the point.
03:57You have no military experience.
03:59No experience with war or conflict.
04:02However.
04:03We don't even need to talk about it.
04:05Did you understand?
04:06I am a photographer.
04:07I have no partner, no children.
04:08I can take good care of myself.
04:10I am exactly the right person for this job.
04:11Stop, stop.
04:12Come down a bit, okay?
04:14I don't want your blood on my hands.
04:17That's it.
04:18You're the youngest one here.
04:20The only woman among all my photographers.
04:22You've come so far.
04:24So stop bothering me like that.
04:25Yes, I am better than all the others.
04:27And this was child's play.
04:30What is that supposed to mean?
04:32War is for men.
04:35Whether you like it or not.
04:37But that's just how it is, Anja.
04:40That's what you're really after.
04:41Because I don't have a penis?
04:44Your words, not mine.
05:07If I still want to be a real journalist,
05:09Then I have to go down there.
05:10Then I have to go to this war.
05:12You know, he's not just anywhere.
05:14It's located in the heart of Europe.
05:15He's here.
05:17Little sister, you want to be respected.
05:19Is that right?
05:20I love you, little sister.
05:25So much is already being achieved.
05:27You cover Wimbledon, you photograph celebrities.
05:30You don't need to worry anyway.
05:31They won't let me under there.
05:33I am too young, too inexperienced, and too female.
05:48Yes.
06:12Hey, what are you still doing here so late?
06:17Dear Mr. Sehren, for several months now there has been a civil war in Yugoslavia.
06:22Virtually every EPA photographer was sent there. Except me.
06:26No, that's enough.
06:33It has become increasingly obvious that the EPA is no longer interested in working with me as a photographer.
06:41Not again.
06:46No. 75
06:53No way.
07:04To escape the gunfire, we plummet almost vertically towards the ground.
07:08Everything is flying through the air. I feel incredibly nauseous.
07:16Come on!
07:18Come on, boys. Faster. Let's go!
07:21Get your ticket!
07:37E-P-A?
07:38Yes.
07:40Yes.
08:10Are you supposed to be my replacement?
08:11And the hole will remain.
08:12Ah, and always remember: when you're driving, always stay in the middle of the road.
08:17The left and right sides are usually mined. Good luck!
08:21Bon voyage!
08:25Bon voyage!
08:25Bon voyage!
08:46Bon voyage!
08:47Bon voyage!
08:52Bon voyage!
08:53Bon voyage!
08:59Bon voyage!
09:00Bon voyage!
09:15Yes, yes, far away!
09:16Hi.
09:16Stay tuned.
09:19No worries.
09:20I know the way.
09:22And knows where the mines are.
09:45Stop.
09:46ID Control.
09:47Your papers. ID.
09:52Let's see what we have here.
09:59We can go.
10:07Stop. Stop.
10:09Stop.
10:09Please.
10:11She doesn't know the speech.
10:13She doesn't know what she's doing, okay?
10:16It's a completely new thing.
10:17Totally new thing, okay?
10:18Hey, here, take this.
10:20This is yours.
10:21Come on, it's yours.
10:24It's all ok.
10:25Yes, yes, yes, yes.
10:26Okay, we're quiet.
10:27Yes, yes, alright, alright.
10:35Let's go.
10:37Go.
10:47No electricity.
10:50No water.
10:52I'm cold.
10:53For a moment I am afraid of my own courage.
10:58Please.
10:58I'm cold.
11:10This is man.
11:18This is important.
11:23Everything here is broken.
11:31Hello?
11:37That thing with the checkpoint earlier...
11:42I had no idea.
11:44You know what? Take the next flight home and do us all a favor and get the hell out of here before anyone...
11:54You're being killed because of me. May I please?
12:10Knock, knock.
12:13Sorry about...
12:19At least...
12:21...we have enough leg.
12:40Grenade launcher.
12:42Caliber 82.
12:45Italic production.
12:48Oh yes?
12:50Yes.
12:53I'm not taking any pictures of tanks and weapons here.
12:57Is that so?
13:00OK.
13:01And why are you here?
13:05I want to end the war.
13:07With my photos.
13:10Like back then in Vietnam.
13:20You think you're taking pictures here like the Napheim girl?
13:24Oh my god, can you be serious?
13:27Were you even born when the photo was taken?
13:31Those were different times, girl.
13:33No.
13:34They were just other photographers.
13:39Look there.
13:46This was the site of the Olympic Games.
13:50The bobsleigh track is now a trench.
13:54And I reckon those grenades just now came from the ski jump.
14:02Yes.
14:04You can't believe it, can you?
14:06Yes.
14:06That was only a few years ago.
14:08People used to dance and sing and think...
14:13What?
14:17Do you know?
14:18It's over.
14:20No Olympic Games, no tourists.
14:23The only thing that matters now is surviving the day.
14:27Come on.
14:29Come.
14:36Shit.
14:39Fuck.
14:42Rule one.
14:44Always take cover. Always.
14:47Yes, that's enough.
14:48Once you feel safe here,
14:51You are dead.
15:06So you believe we can't change anything here.
15:08Do you think so?
15:11This is not your war.
15:14You are just an observer.
15:16The moment you forget that,
15:19That's the moment when you have to leave.
15:28So, I'm just supposed to watch, right?
15:30Is that what you're saying?
15:32That's the only way.
15:38That's not me.
15:47It was horrible.
15:52It is extremely difficult to report from here.
15:55The journalists suffered under the siege.
15:58almost like the civilian population.
16:02Fear everywhere,
16:04tension
16:05and danger.
16:07Jason,
16:09He is a freelancer.
16:10works for everyone.
16:11TV crews,
16:11for the sea,
16:13Gary is a photographer for Newsweek.
16:15The guy next to him writes for The Times.
16:18Hi, I'm Shane,
16:19your contact person.
16:20Hello.
16:21Nice to meet you.
16:22Nice to see you.
16:22Welcome.
16:23Welcome to our place now.
16:24Nice to meet you.
16:26Say,
16:27Have you already specified anything?
16:28Hey, come on, don't forget.
16:29You're actually having a little fun.
16:31Come, come, come, come, come.
16:32Hey, you got the slide from my girlfriend.
16:34Hey, guys.
16:35Sit down.
16:36Come on, there.
16:36He's up.
16:37Everything okay?
16:38Yes.
16:40Yes?
16:42Cigarette?
16:44Uh, yeah.
16:45Yes?
16:46OK.
16:47So, if you need anything from me,
16:48Let me know, okay?
16:49It doesn't matter what.
16:50If you, I have no idea,
16:51Cigarettes, contacts,
16:53You need information
16:54or perhaps women's needs
16:56no idea,
16:56no idea,
16:57Yes?
16:58Let me know, okay?
17:00I'll be right back,
17:01Yes?
17:02Oh, yeah.
17:03Yes.
17:04Thanks.
17:09I believe,
17:11They actually call that breakfast.
17:13Mhm.
17:16Potato soup.
17:17Mhm.
17:18This is a classic.
17:20Yes?
17:21Mhm.
17:22Yes.
17:24Hey.
17:26For friends
17:28among us.
17:29Oh, uh,
17:30No coke for me.
17:31That's sugar.
17:40No.
17:57Go!
18:13I don't know what. We didn't receive a single picture.
18:16I know. I feel like a bouilleur.
18:19I'm not one of those bang-bang photographers.
18:22I need more time.
18:30Time? Reuters, AP.
18:33All the other reporters are delivering daily, and I've received nothing.
18:36What we absolutely don't have is time, you know?
18:40Anja, I know how good you are. Otherwise you wouldn't be down there.
18:44But you are not the Messiah.
18:46Send me pictures of this damn war. Send me anything.
18:49That's why you went there.
19:29What did you expect?
19:30No idea.
19:34Either I'm too early or I'm too late.
19:39Either I'm too close.
19:48Or too far, I don't know.
19:50I just don't feel it.
19:57You think about so much.
19:59Yes.
20:02Just forget what others think, might think, or say.
20:15I'm good at what I do.
20:20But this is different.
20:24I feel kind of beside myself the whole time.
20:30No different.
20:32Don't think.
20:39It's about instinct.
20:44Just point and shoot.
20:47Point and shoot.
20:54Or better yet, just give up.
20:57Yes.
21:07This park is untouched in Jamba.
21:10Like an oasis of peace.
21:14But war takes no breaks.
21:23Emina!
21:32Mia!
21:34Oh.
21:36Miros!
21:38Mira!
21:40Mama!
21:43Hey.
22:11Subtitles by ZDF, 2020
22:41Subtitles by ZDF, 2020
23:11Subtitles by ZDF, 2020
