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Watch Agatha Christies Tommy and Tuppence, Season 1 Episode 4 on Dailymotion (2026).
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00:00Sous-titrage Société Radio-Canada
00:42Sous-titrage Société Radio-Canada
01:02Sous-titrage Société Radio-Canada
01:05Sous-titrage Société Radio-Canada
01:19Omar wasn't our murderer
01:24To think
01:25To think that this all started with some missing pearls
01:32But what did you know that got him killed?
01:35Oh, Archie said that Omar was overstepping a mark when it came to finding a story
01:39So maybe that story was about our murderer
01:44Yeah, certainly, we can't ask him what he was working on, can we?
01:51Actually, when I was in Omar's flat, I did something that was a little illegal
01:58Yes, go on
02:00Well, he had a voicemail on his watch
02:04And
02:08Maybe I pressed play
02:11I'm oddly proud of you
02:12It was something about a document from a registry office
02:16Okay
02:23Okay
02:26Registry office
02:30So, like
02:34A birth, a birth, a death, or a marriage
02:36Yeah
02:37Maybe it was
02:38Maybe it was part of Omar's research into Archie
02:43It's a stretch, but
02:47It's all we have
02:49Yeah, months
02:50Then we, you know
02:50Have to chase it
02:54Listen
02:57Are you sure you want to keep going, Tubbins?
03:03Perhaps we should stop
03:06No, this just got
03:08Really, really personal
03:11You know
03:12You know, for a moment
03:15I saw you
03:16I thought
03:20No
03:22I'm not
03:25Fine
03:27Hey
03:28Don't be
03:50Sorry
03:51Sorry
03:52Sorry
04:17Hey, puppy
04:18Fuck
04:23Oh my god, c'est genius!
04:26Oh fuck!
04:30Coming!
04:44Hey!
04:46Hey!
04:47Genius!
04:49I'm sorry, am I interrupting something?
04:55You know, when your sister told me that you'd started an amateur private detective agency with an ex,
05:02I thought it was code for mental breakdown.
05:07The two are mutually exclusive.
05:10Hey, what happened here? You okay?
05:14Yeah, I fell. I mean, well, actually I was pushed by a murderous intruder.
05:20Hazards of the job.
05:21Here I thought acting was full of backstabbers.
05:25Some great tea, by the way.
05:26Uh, Timmy, was it?
05:28Um, it's Tommy.
05:29Sure.
05:30Yeah.
05:32Listen, maybe now is not a great time to talk.
05:35You know, if there's a murderer on the loose.
05:38No, it's not. We've actually got quite a lot of work to, um, to crack on with.
05:42Yeah, no, I saw the, uh, scary sounding registry office.
05:46Can you not touch that, please?
05:47Thanks.
05:48Um, so I was thinking, right, what if we just waited to see if, if, if whatever Omar ordered from
05:53the registry office was still delivered to his place?
05:55Can we wait for her to wait that long? When the murder is still out there? I mean...
06:02Yeah, maybe we can talk later.
06:04Sure.
06:05Yeah, I just wanted to, uh, drop these off.
06:08I was gonna send an email, but it just felt too impersonal.
06:13So I, uh, printed them off for you.
06:26Divorce papers. Sorry. You came, um, all the way from America to give me divorce papers.
06:32I'm sticking around for a bit.
06:34Um, I'm trying to find a director for that movie with Harry Styles.
06:38Of course. Of course.
06:41Two birds, one stone.
06:44Fucking convenient.
06:46That's not, uh... No, it's not...
06:50I am, uh, staying at the Radcliffe.
06:54Room 209.
06:56Your favourite. When you want to talk.
07:01Tim.
07:11So...
07:13That's Julius.
07:16He's, uh...
07:17He's tall.
07:21Shall we talk about what happened?
07:25Let's just get on with the case.
07:42We are not naming her after your mum's hygienist.
07:45Why? Because it's ridiculous.
07:47OK, here we are.
07:49Births, deaths and...
07:51Marriages.
07:55Um...
07:55That's why Mrs. Stamper.
08:07Wait until I call next.
08:09Sorry. Sorry.
08:10Yep.
08:18Next.
08:24Hi.
08:26Um...
08:26So my friend here, Omar Bevington...
08:28Um, he ordered a certificate from your archive and we wondered if we could just pop by today and grab
08:33a hard copy.
08:35Now, if that's OK.
08:36You're Omar Bevington, are you?
08:39Yes.
08:45The dead guy.
08:47Sorry.
08:48God.
08:49Did I say he's Omar Be...
08:50What I meant was...
08:51We work for Omar Bevington.
08:53Yeah, we work with him.
08:54Um, it's obviously really terribly sad.
08:56Mm-hm.
08:57And we feel like we need to, um, to finish, um, his work.
09:01It's...it's...was his dying wish.
09:03Yeah.
09:03Yeah.
09:05God.
09:06We need to get access to that computer.
09:08We need to find some kind of a distraction.
09:11So her son goes to St. Cormac's.
09:13I noticed the logo on the mug and then the photo on her desk.
09:16It's a school room here.
09:17OK, great.
09:18So now all we need is her phone number.
09:20Which...well, I also have.
09:22Strangely.
09:24OK.
09:25Let's see.
09:30207...942...
09:32932...
09:36Do I do it? Wait.
09:37Do an accent.
09:38Yeah.
09:40Hello?
09:41Is that Mrs. Asante?
09:43Hi, uh, yeah, I'm calling from St. Cormac Secondary School.
09:47Yeah, um...
09:48I'm afraid you're gonna have to come and collect your son.
09:52Yeah, um, because, er...
09:55He's been suspended.
09:56He's been suspended.
09:58For, er...
09:58What for?
10:00Swearing.
10:00For swearing.
10:01Lots and lots of swearing.
10:04Yeah.
10:05Yeah, I know.
10:06I know.
10:07Yeah, I think you're gonna have to come right away.
10:10Yeah, OK.
10:12Goodbye.
10:33Oh, my God, are you serious?
10:36Sorry, we're not actually...
10:37That's a kind of cheese.
10:38I cannot believe it's your first choice.
10:40I'm lactose intolerant.
10:41Please tell her she's being unreasonable.
10:43Er, the system's down.
10:44What's your name?
10:45Maybe we'll use yours.
10:46Er, Tuppence.
10:48Short for Prudence is a family nickname.
10:51Well, that's so...
10:52Lovely.
10:53I can't find anything for Archie St Vincent.
10:55There's not even a birth certificate.
10:56Er, try...
10:57Try Malay.
10:58Malay.
10:58Um, Vincent was her stage name.
11:00OK, nice.
11:01Yeah.
11:02There's a couple.
11:02OK, print them.
11:03Yep.
11:05OK, I think we've decided...
11:06I'm afraid I'm on a break.
11:07So sorry.
11:08Great.
11:11Grab them, let's go.
11:16OK, so we have a birth certificate.
11:19Mm-hmm.
11:20Mmm, nothing unusual here.
11:22God, did he look good for his age.
11:28What?
11:28What is it?
11:30It's a marriage certificate.
11:32I didn't know Archie had been married before.
11:33Yeah, but look who he was married to.
11:41It wasn't exactly a secret.
11:44It's not anybody's business that we're married.
11:46Sorry, you're still married?
11:48So he was about to be a bigamist?
11:50Well, not exactly.
11:53It's just we never got round to getting a divorce.
11:56Mainly because the tight-fisted bastard
11:58never wanted to pay me half or...
12:01sell the house.
12:02Look, it was an arrangement of sorts.
12:06It was the 90s.
12:07Well, I'm struggling to see
12:09what you got out of this arrangement, Miranda.
12:11Work.
12:13That's what I got.
12:14High-profile work.
12:16As long as I never made a scene.
12:19But then with Gilda, it was different.
12:23You finally wanted a divorce.
12:24So, him asking for a divorce
12:27and getting engaged to Gilda.
12:29a beautiful, talented...
12:33Debatable.
12:33...younger woman
12:35didn't spur you to murder him,
12:37resulting in you inheriting all of his money
12:39before he could make her his wife.
12:42Well...
12:43When you say it like that, it does sound bad,
12:46but I honestly had no hard feelings
12:48towards his upcoming nuptials.
12:53Fine.
12:55I was angry with Archie.
12:58And I hated that parasite Gilda.
13:01Especially when the silly girl lost those damn pearls.
13:04Pearls!
13:04Which were once mine, by the way.
13:10But the reason I'm still married...
13:12The real reason we never got divorced was because...
13:17you still loved him.
13:19And you'd do anything to be near him.
13:23He had this way of making you feel so special.
13:27That's why I put up with the hordes of stage door groupies,
13:31the endless gossip of affairs.
13:34I was happy to take anything I could get,
13:38even this bloody hand soap.
13:41And now I'll never see him again.
13:46We know that Omar was digging into Archie's past.
13:50Did he know about...
13:52the marriage?
13:53Yes.
13:54But he never outed us.
13:56Now, we have to be out of this theatre by tonight,
13:58so if you'll excuse me.
14:00Thank you.
14:14It makes you realise, doesn't it, how...
14:17people can lose themselves for love.
14:22Are you gonna look at me, or...?
14:25To be honest, we knew it was a long shot, okay?
14:27Miranda certainly wasn't the one that I chased from Omar's last night.
14:31Yeah, it doesn't mean she didn't hire someone.
14:33I mean, nothing before, with Alice and Sebastian,
14:36the suspects can work together, so...
14:37True, but as Miranda said, Omar knew about the marriage,
14:41so that wasn't his big secret story about Archie.
14:44It was something else.
15:00Yeah, I don't think you're supposed to steal condolences for the dead.
15:03These wretched eminent things leave no more fame behind him
15:06than should one fall in a frost
15:08and leave his print in snow.
15:10As soon as the sun shines, it ever melts.
15:13That's intense.
15:14Well, it's a line from the play about the bad guy's death.
15:17How he's not noble, his fame won't precede him,
15:20he's just... he's nothing... special.
15:22It's not exactly a rest in peace model of good riddance.
15:25No, maybe this isn't from a super fan, but a super hater.
15:29You just have no way of knowing who left them.
15:32Hang on. Let's have a look.
15:39I think I know where they bought them.
15:42I'm guessing you don't have CCTV.
15:46OK, erm...
15:48Well, thanks. Thanks anyway.
15:50Look, how about you buy a bunch for your beautiful girlfriend?
15:54Oh, no, we're not...
15:55That might just jog my memory as to who bought them irises.
16:04She prefers lilies, actually.
16:12It was a woman.
16:14Young.
16:15She had a tattoo of irises, I think that's what she bought them.
16:18She had loads of tattoos, couldn't I think of it?
16:20My purple hair.
16:25Hi.
16:26Hi.
16:27Hi.
16:28You wanted to talk?
16:29Yeah, please, thanks.
16:35Sorry, I was taking that new show last night.
16:38Haven't had a chance to clean up.
16:40It's a shame they were both last night.
16:45Mary.
16:46You wrote this.
16:48For Archie.
16:49The florist, she remembered your tattoos.
16:52And?
16:53And?
16:54You acted like you were his biggest fan.
16:55I mean, you said you were desperate to work with him.
16:57That's what you said.
16:58And I did work with him.
16:59And to be honest, I was disappointed.
17:01He wasn't the man I was expecting him to be.
17:03Disappointed enough to make you want to kill him?
17:06No.
17:08He was just...
17:10I let down.
17:12It wasn't about VR, it was just...
17:15reputation, money, ego.
17:20But no, he got no reason to kill him just because he's a cliché.
17:24But I couldn't leave him with a rest in peace either.
17:26I...
17:26I thought it was poetic.
17:32Never meet your heroes.
17:34Mm.
17:38Holden, he really was yours, wasn't he?
17:40Look, you were a mega fan.
17:46I didn't.
17:47Was Sega staying here last night as well?
17:48Actually, he didn't.
17:50No idea where he was, but I am worried about him.
17:53When the show was taken its toll, Archie was hard to impress.
17:56He did say that Archie was tough on him.
17:59On all of us.
18:00I actually think Gilda was bearing the brunt.
18:03You know?
18:06Thanks, Mary.
18:10Oh, and what's the show you're going on to?
18:13Sweeney Todd.
18:14Nice.
18:15Good luck with that.
18:35Hang on.
18:35What if they're just, like, all working together in some big, elaborate pearl heist gone wrong?
18:39Even Gilda?
18:41Yeah.
18:42I mean, Mary did just say...
18:45...that she was bearing the brunt.
18:46...of Archie's ego.
18:48Okay, so, hang on.
18:50Mm-hmm.
18:50What if...
18:52...Gilda found out that Archie was still married and was about to be a bigamist?
18:56Okay.
18:58Okay.
18:59So, so...
19:01...planting the oil in the lipstick, et cetera, and making herself the weapon, that was just, like...
19:07...an elaborate double bluff.
19:12Remember when we interviewed her? She had that tiff with Omar on the doorstep. What was that about?
19:16And he said, you can't keep ignoring the truth.
19:19Right. The truth about what? Like...
19:22...Miranda?
19:22Okay, alright, hang on. What if...
19:25...it's nothing to do with the marriage to Miranda. Forget that.
19:29What if...
19:30...Omar was threatening Gilda about something else?
19:33Yeah, it's possible. It's possible, yeah.
19:35Let's get those emails out, the ones she was cancelled for.
19:38Let's see who we're dealing with.
19:43Okay, so this is the website that the emails were first leaked on.
19:48Just as she was about to break America.
19:51Total trash, very my vibe.
19:54Okay, here's what she said about her co-star.
19:57A talentless tumour that needed cutting out of the production.
20:01Charming.
20:05Big Bad Hype, this is the website?
20:07Yeah.
20:08I've seen that somewhere.
20:10I think it was in Omar's obituary.
20:14Omar Bevington, here we go.
20:16Omar had a varied journalistic career, briefly launching an entertainment gossip site...
20:21Big Bad Hype!
20:22Wait, wait.
20:24So Omar was the first to out Gilda, but Archie still invites him to the theatre to write about their
20:30new show?
20:31What if...
20:33Hear me out.
20:35Archie leaked the emails.
20:37To Omar.
20:38And that's what the NDA was about.
20:39Yeah, but why would Archie do that?
20:41Because some men, sadly, have a problem with powerful women.
20:44Right, she was about to supersede him.
20:47And he wanted to cancel her.
20:49I thought I had relationship doubles.
20:51Right, what would you do if you found out that your fiancé was not only married, but had destroyed your
20:56career only to be the one to kickstart it?
20:58It's the ultimate power move.
21:00I mean, I'd fucking kill him.
21:03I'd kill him?
21:05Yeah.
21:05Let's go. Come on.
21:08You think I killed Archie because he leaked those terrible emails? And then what? Killed Omar for good measure?
21:17Right, let me explain something to you.
21:21This is the first play I saw Archie in, over 30 years ago.
21:28I was a newbie, all excited.
21:31He had everyone in the palm of his hand.
21:35It was magic.
21:37Then years later I met him and we fell in love.
21:42And then we make this show together.
21:46And then he invites Omar, the man who had destroyed my career, to write about the Duchess.
21:53I was stunned.
21:54I went and talked to Omar.
21:57He was so annoyed with Archie, he told me that the leak had come from him.
22:02I didn't want to believe it.
22:04But Archie looked so guilty when I confronted him.
22:08You were angry.
22:09At the dress rehearsal I saw that you shrugged him off.
22:12I was.
22:13But I'm a professional and I needed the show to go on.
22:17It was the only chance to get back to that magic.
22:23It was also a chance I had to outshine him a much better revenge.
22:27So why on earth would I kill him?
22:31Where were you last night?
22:33Here. Alone. Grieving.
22:37He may have been a bastard but he was still my fiance.
22:40Would you still have married him?
22:42Oh, he was already married, didn't you know?
22:44The lawyers told me yesterday.
22:47This is all Miranda's now. Good for her.
22:57Well, that was another insight into Archie's sordid little life.
23:01Hmm.
23:02Let's just say his Wikipedia page needs a few little amendments.
23:06I just don't get it. I just thought he was different.
23:08I genuinely thought he was one of the good guys.
23:10Yeah. Well, I hate to say I told you so.
23:12Yeah, but you don't. You love it, don't you?
23:15Oh, God. We should go around in circles.
23:18And someone is lying about what happened last night.
23:23Listen, why don't we slow down a bit? Hmm?
23:27You look like you need a break.
23:29Stop telling me what to do, please.
23:32I can't help caring about you.
23:34Please don't do this right now. Please don't do this.
23:36And just keep ignoring this massive thing that's happened between us, really?
23:40Oh, for fuck's sake, Tuppence. I know you're avoidant, but this is just a joke.
23:47I have to go...
23:48You know, you can talk to me about this.
23:50You can talk to me.
23:52We're not a university anymore. We're adults.
23:54I know we're adults.
23:55Who think I know we're adults?
23:56My husband wants a divorce, Tommy.
23:58And you're right. We're not at uni anymore.
24:01I have a proper grown-up life. I know.
24:02And I just don't know that I can implode it for you.
24:06Well, I'm not the one who keeps trying to do exactly that.
24:12Oh, fuck.
24:13Where are you going?
24:26Good morning.
24:29So, no Tuppence this evening?
24:32Nope.
24:34Her husband's in town.
24:36Ah.
24:38That's all very...
24:40...drama, as they say.
24:43Yeah.
24:44Just as the case is getting pretty difficult.
24:47Mm.
24:47After all, another person's dead.
24:50And I find that once a killer gets a taste for these things,
24:53the body count can really rack up.
24:55They nearly got Tuppence.
24:58She likes a bit of risk.
25:00Doesn't she?
25:02Ah.
25:03Yeah.
25:04No matter who gets hurt in the process.
25:07You are allowed one more cocktail's worth of wallowing.
25:11Deal?
25:13Deal.
25:14You're feeling jealous. I get it.
25:17You know what can help?
25:19Just stirring in a little complication of your own.
25:23Deal.
25:43Thanks, Ada.
25:45As usual, you're right about everything.
25:47Well, duh.
25:49Now I must get back to a little puzzle I've been working on.
26:08Thank you for agreeing to talk about it.
26:10Yeah, you're welcome.
26:11Got a lot of work to do on the case, but, you know, needed to eat, so here we are.
26:15Did you have time to look over the settlement?
26:17We can get the ball rolling on this as soon as you like.
26:19God, you're an absolute prick.
26:21You knew that this would confuse me, didn't you?
26:24You knew that it would force me to have to...
26:27To make a decision.
26:28You know, to tell me what you're feeling and thinking.
26:30Yeah.
26:33Forgive me if I'm a little confused here, Tuppence, okay?
26:35But you did run away.
26:37Without saying anything.
26:38And then you ghosted me for a month.
26:40So you like ultimatums.
26:41So that's what I'm here giving you.
26:43I...
26:43I just...
26:46I just wanted things to change between us.
26:49I just wanted you to...
26:50To what?
26:51To fight?
26:51Yes, to fight.
26:52Yeah, to fight.
26:53Actually fight.
26:54Or throw in the towel.
26:56And then I could just blame it all on you.
26:57Wow.
26:58London's made you honest.
26:59Well, I've been talking to people all day about secrets that don't tend to end well.
27:02Okay, so which should I do?
27:04Should I fight?
27:05Or should I throw in the towel?
27:07And how worried should I be about this Tommy guy?
27:10So you do know his name?
27:11Of course I know who he is.
27:12You re-read his books every year.
27:14I just didn't like hearing from your sister that you're now living together.
27:17You're running around solving crimes like some kind of shaggy and scooby-doo...
27:21Fred and Daphne, more like.
27:22That's much better.
27:23It's not the point, is it?
27:24It's not the point.
27:26The point is that I'm not myself in LA.
27:29And you don't even notice.
27:31You don't even notice.
27:32All you do is work all the time.
27:34Hey, I get carried away, okay?
27:36And I am sorry.
27:36No, you talked about...
27:39God, you talked about, like, leading lady energy.
27:41That's why you married me.
27:42I've just become this...
27:43Okay.
27:44I don't know.
27:46Sidekick or...
27:47Hey, hey, hey.
27:47Okay, okay.
27:48Alright, so what we do is we set you up some meetings.
27:51I will make some calls.
27:52No, Julius, I don't want you to buy my career.
27:55I want to do it myself.
27:57What?
27:57Like I have been doing.
27:58With Blunt's brilliant detectives?
28:00With Tommy?
28:01Yes, with Tommy.
28:02Yes, okay, yes.
28:03He's an ex.
28:04Okay, he's...
28:05He's a very distant ex.
28:07And...
28:08It's not...
28:09We're not...
28:09Because hiding...
28:11In the past would be a very, very Tuppence thing to do.
28:21I just think we should get a drink.
28:23Should we get a drink?
28:24Uh, Albert.
28:25A couple of G&Ts, please.
28:27Hey.
28:28I...
28:30I love you.
28:32But if you're not happy...
28:36You just sign the papers and I'll leave for good.
28:44Thank you.
28:46I like your scarf.
28:48Haven't seen you wear that before.
28:49Since when do you wear a scarf?
28:50Since a guy called Eagle.
28:52It's a great scarf.
28:53Can we have one second, please, to just finish this conversation?
28:56I'll make these doubles.
28:58Thank you.
29:13Tommy.
29:18How about you don't know me?
29:21Okay.
29:23Yeah.
29:26Peanut oil was in the lipstick.
29:29You guys were right.
29:30We owe you one.
29:32Okay, great.
29:33Thanks.
29:38Is that...
29:39I mean, should I go now?
29:40Or is this the point where you hand me the secret briefcase?
29:43Sorry.
29:44I thought it would be cute.
29:45It was a reference to...
29:46Yeah, that's right.
29:47You know what?
29:48I got it.
29:49It was cute.
29:51So, I thought I could tell you something as a thank you.
29:54Okay.
29:54Yeah, go on.
29:56Omar was working on a story about Archie.
29:58We know.
29:59Yeah.
29:59You wanted Archie to sign an NDA.
30:00Well, we obtained a copy of the certificate he ordered for his story.
30:03The one that tells us he was married to Miranda?
30:05No.
30:06Wait.
30:06What?
30:07He was married to Miranda?
30:07Yeah.
30:08Oh, that really was a piece of work.
30:10No.
30:10Sorry.
30:11No.
30:11That's not the certificate we accepted.
30:12It's black.
30:14I got you a copy.
30:15I mean...
30:17We're still looking into it, but I thought maybe you could do something with it.
30:20Please don't tell anyone about this.
30:22Obviously.
30:23I mean, it really...
30:23It could cost me my job.
30:24Of course.
30:25Yeah.
30:26Thank you.
30:28I should go, but...
30:31This is fun.
30:34Yeah.
30:35Maybe next time we could do it inside.
30:38Like a pub, maybe?
30:40Yeah.
30:41Yeah.
30:42Yeah.
30:42Yeah, I'd like that.
30:43Okay.
30:43Cool.
30:45Um...
30:46I'll text you.
30:47Cool.
30:48Yeah.
30:50Um...
30:50Bye, Tommy.
30:52Bye, Draper.
31:03Are you feeling better?
31:07Yes, Mom.
31:08What?
31:10Well, at least you haven't taken it off.
31:12What?
31:14Your wedding ring.
31:16We're good together.
31:20Yeah, we were good.
31:21Yeah.
31:22So we can try again.
31:25I mean, don't we owe that to ourselves?
31:28You're not a quitter.
31:30You never have been.
31:33And I...
31:34Tommy.
31:35Yeah, Timmy.
31:36Nice of you to join us.
31:37Can I get you a drink?
31:39Read this.
31:40It's from Draper.
31:41She gave it to me.
31:42To us.
31:42Thank goodness for groupies.
31:44Well, speaking of groupies,
31:45it's the certificate that Omar ordered from the registry office.
31:48It's not about Miranda.
31:49This was the dirt he had on Archie.
31:52Okay, it's a death certificate.
31:54And there's nothing to do with Archie.
31:56It's about a woman.
31:57Not just any woman.
31:57Read the name.
32:00Oh, my God.
32:01Mm-hmm.
32:01Oh, my God.
32:04Wait, they're all gonna be at the theatre tonight, aren't they?
32:06Doing the get-out.
32:06Yeah, but just because we know who, doesn't mean we know how.
32:15I think I know.
32:16I think I know how to prove it.
32:17We have to go now.
32:18We have to go now.
32:19Albert, can you give us your shittest bottle of whiskey?
32:20Always.
32:21Can I come?
32:23Probably not.
32:23Yeah, fine.
32:24Yeah, yeah.
32:31You know the rules?
32:37They're all here.
32:37Perfect.
32:38Who's the new guy?
32:40Work experience.
32:41But Marvin, could you pop the intercom on?
32:43I have a message for the cast and crew.
32:45And who made you, boss?
32:49That's a call for everyone to the stage, please.
32:55Now go get him, Poro.
33:03Oh, Mary?
33:05Would you care to join us?
33:07Sure.
33:14What's this about?
33:15What's going on?
33:17Marvin?
33:21Great.
33:22We're all here.
33:25We knew you'd all be here for a final time.
33:27And we just wanted to do something special for Archie.
33:32We just wanted to commemorate what huge inspiration he was.
33:37To Archie.
33:39To Archie.
33:41To Archie.
33:47Oh, wow.
33:49That's a really bad whiskey.
33:50And we know who killed him.
33:52Him and Omar.
33:55Who?
33:56You're right, Seger.
33:57That is really gross-tasting whiskey.
33:58It's actually a type of peanut whiskey.
34:00That's a bit of a low-blown, eh?
34:02Sorry.
34:03Sorry.
34:06Mary, you're looking a little bit puffy.
34:09Did you know that if one of your parents is allergic to nuts, then you have a higher chance of
34:12also being allergic?
34:13What the fuck have you done?
34:15Except that I'm bluffing.
34:16This is just shit-tasting whiskey.
34:18No peanuts, I promise.
34:20Wait.
34:21One of your parents?
34:22So Archie was your father?
34:30So what?
34:30That doesn't give me any reason to kill him.
34:32No, it doesn't.
34:33But this is your reason.
34:38This is a death certificate for Iris Ventnor.
34:43You have a tattoo of irises on your arm.
34:45You left irises for Archie.
34:47So?
34:47Because Iris was your mum.
34:50You talked about a mum who hung out at stage doors in love with the theatre.
34:54The ticket to Macbeth?
34:55Yeah, please.
34:57Bit late for superstition now.
34:59The ticket on your court board.
35:00I wondered why it kept irking me.
35:03And then I got it.
35:05Thanks to you, Gilda.
35:06You talked about being a newbie watching Archie in that production.
35:10So you, Mary, you weren't born.
35:12That was Iris' ticket.
35:15Your mum's ticket.
35:18Iris met Archie in this very theatre 30 years ago.
35:23And had you.
35:25Isn't that right, Miranda?
35:26After all, you spoke about having to share Archie throughout your marriage.
35:29Rumours.
35:30Well, lots of women claimed they had his kids.
35:32Lots of them were lying.
35:33He said he never wanted children.
35:35No, you, you, you took his DNA, right?
35:38A hair from a costume, maybe.
35:40And you sent it off for testing.
35:41That, that post that Marvin reprimanded you for, do you remember?
35:44That arrived the day before and I'm guessing that that was the DNA results.
35:47Yeah, and those results confirmed exactly what your mum told you before she died.
35:51And you took them to Archie and you were hoping for a beautiful homecoming.
35:55But he did not react well at all.
35:57Did he?
35:59Once a bully, always a bully.
36:01This means nothing.
36:02Archie, it's right there.
36:03You are fucking delusional.
36:08He, he was cruel.
36:12Yeah, you were angry at how he reacted.
36:15And you realised what everyone else had.
36:18That Archie wasn't a hero.
36:21He was a nightmare.
36:23So I didn't get a hug.
36:25Boo hoo, I didn't kill the guy for that.
36:27No, it wasn't just that.
36:29Pearls.
36:32This will start with the pearls.
36:34Do you know, I always wondered why he hired us.
36:36I mean, come on.
36:37He could afford to go for an elite service.
36:39But it's because this wasn't, this wasn't a real robbery.
36:43He was using the pearls to frame you, to get rid of you.
36:46So he planted them on you.
36:48And I am guessing that you've, you've found them.
36:54That morning and, and, and hid them before we got there.
36:56And do you know what?
36:57I think, I think I know where.
37:00Sticky hands.
37:02You had sticky hands the day we met.
37:09So.
37:23The cheap hand soap.
37:25He bought you guys.
37:27As a present.
37:38Right, so now you're pissed.
37:40And now you really want revenge.
37:42You pretended to microwave some oats.
37:44So you could actually sabotage Archie's EpiPens.
37:47Extreme heat does the trick.
37:48It, it denatures them.
37:52And he used Gilda's usual drink order as an opportunity to go and buy peanut butter.
37:57Right?
37:57Any corner shop.
37:58So you snuck in.
38:00You planted the peanut oil on Gilda's lipstick.
38:03Spilling a little bit in the process.
38:04Giving yourself hives because you share your dad's allergy.
38:06You're the one that Gilda was talking about.
38:08When she said that there were other people in the cast with allergies.
38:12So then you had to hide the hides.
38:14Hence the wristband was suddenly wearing in rehearsals.
38:16Even though you were able to carry the set out of the theatre the very next day.
38:20That's because the wristband wasn't for an injury.
38:23It was to cover the rash.
38:25And then it was showtime.
38:27And all you had to do was wait for the kiss.
38:32Get his EpiPen!
38:34You bitch!
38:35You make me kill him!
38:37What did I ever do to you?
38:38Oh fuck's sake Gilda, maybe this isn't actually about you for once.
38:41Night of the murder you were the one that broke in through the window
38:43and stole the DNA results from Archie's dressing room
38:45because they were the only thing left that pointed to you.
38:58But then there was Omar who knew something he shouldn't.
39:02Yeah, and your alibi didn't check out.
39:05You weren't in a single production of Sweeney Todd in the entire country.
39:10I made a lot of calls.
39:15Omar messaged me.
39:18You ever heard Archie and I arguing?
39:20You are fucking delusional!
39:28Always hanging around desperate for gossip.
39:32He wanted to tell the world what Archie was really like.
39:35And anything he said would make you a very, very obvious suspect.
39:43So I had to do what I had to do.
40:01And you came running after me like some budget Lara Croft.
40:05And pushing me down the stairs was what?
40:07Covering my bases.
40:11You know, you shouldn't have gotten me down when I was working on a lighting rig.
40:18Those things can be really dangerous.
40:21Heads!
40:23Oh my god!
40:24I don't think so!
40:29Get off!
40:30Get off!
40:31Get off!