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00:00:20The Immortal Medusa
00:00:30Images recorded a few days ago by the Odyssey Marine Exploration.
00:00:35It is a warship, the HMS Victory, which disappeared in one of the most spectacular shipwrecks of
00:00:42the history of the United Kingdom.
00:00:43In 1744 the Victory, a three-decker ship, was lost in the English Channel,
00:00:48with a full cargo of 110 bronze cannons, the largest guns in the world and the latest in weaponry
00:00:55naval.
00:00:56It is believed that more than 900 people died in the shipwreck due to a storm.
00:01:01Among them was one of the most important admirals in the history of the British Navy, Sir John
00:01:07Balchin.
00:01:08In addition, four tons of gold were buried underwater, which are now estimated to be worth more than a thousand
00:01:15millions of dollars.
00:01:16We did not abandon the waters, at least not the islands.
00:01:19You may recall that some time ago we moved the Cuarto Milenio team to Cádiz,
00:01:24in the, let's say, stony ground of Cadiz.
00:01:27There was still a memory of the old Asclepeion, places for reverie, strange rites.
00:01:35The thing is, we don't know anything.
00:01:36And it was our mother civilization, the Greeks; you don't have to go very far.
00:01:39Little by little we are discovering things that were boring in the Greek islands.
00:01:43The last one, where there were massive, very strange, magical, esoteric rites, is the island of Keros.
00:01:51Yes, and there British and Greek archaeologists have discovered that the uninhabited Aegean island of Keros
00:01:57It was a major center for rituals during the Bronze Age.
00:02:01Thanks to excavations carried out over the last three years, thousands of pieces of statuettes have been found.
00:02:07and other marble objects.
00:02:08Experts believe the statuettes were used in litanies and social events
00:02:14such as weddings and festivities throughout the region, and that they were then broken up and sent to the island.
00:02:21Keros served as a center of worship not only for the Cyclades islands,
00:02:25but also for other regions, since even ceramic objects have been found
00:02:29of the Peloponnese peninsula.
00:02:32They also found the remains of a building 16 meters long and 4 meters wide,
00:02:36in which three bronze and copper axes dating back some 4,500 years were found.
00:02:42And we are still, in some way, under the influence of the Mediterranean.
00:02:45There is still much to discover about the ancient Greeks and how they communicated their beliefs.
00:02:50which were the gods and the afterlife.
00:02:52The mummies, friends, in quotes, of this fourth millennium program in Egypt.
00:02:56Egypt continues to surprise us because 30 mummies have just been found
00:03:01and an unopened sarcophagus in a burial chamber approximately 4,300 years old.
00:03:07Archaeologists found the chamber near the stepped pyramid of Saqqara,
00:03:11one of the oldest stone structures in the world,
00:03:14dating back to 2650 BC
00:03:17The mummies appear to be from different eras,
00:03:20one dates from approximately 640 BC,
00:03:23while the sarcophagus, made of limestone and sealed with plaster,
00:03:27It is probably from the 5th Dynasty.
00:03:30In addition, another sarcophagus made of wood was found.
00:03:33which has not been opened since Pharaonic times
00:03:36and inside, archaeologists found a mummy
00:03:39of a man named Batí Enrei,
00:03:41as reported by the inscriptions on the sarcophagus itself.
00:03:45And now we talk about men, robots, rats, all that in the unusual world.
00:03:56Take a look at this Bible because we might be meeting.
00:03:59before the oldest in history.
00:04:02They say it's 2,000 years old.
00:04:03that some letters written in Syriac,
00:04:06a dialect of Aramaic, the one spoken in the time of Jesus,
00:04:10They are written in gold.
00:04:12And it was also found in an antique smuggling shop.
00:04:15It has all the makings of a novel, doesn't it?
00:04:18But no, it's reality.
00:04:19The thing is, they're not that sure.
00:04:22that this Bible has that age.
00:04:242,000 years old and could have been written in the time of Jesus
00:04:28because there are some things that specialists don't consider true.
00:04:32For example, some strange dots that appear
00:04:35just above the Syriac letters
00:04:37and that were only written many centuries later.
00:04:41And look at this creature,
00:04:43Because he could be the king of the rats, right?
00:04:45But no, it's a phenomenon
00:04:47which science also categorizes as such,
00:04:50because apparently the rats, a group of 50 or 60,
00:04:53when they are in very enclosed spaces,
00:04:55because they tend to intertwine their tails.
00:04:58These queues often contain excrement and dirt.
00:05:01and also blood in some cases,
00:05:03which produces a mass that sticks them together.
00:05:07Well, until a few centuries ago it was believed to be a legend.
00:05:09and that there were other rats that were with them
00:05:12They were the ones that provided food to this large group known as the king of the rats.
00:05:17But the truth is that they were found in 2005, in Estonia,
00:05:23several sets of these mummified rat kings.
00:05:26A terrible image.
00:05:29And look, they say that in 2015 wars are going to change.
00:05:33They said so at the last competition held in California,
00:05:36where the latest scientific advances have been presented.
00:05:40The robots of the future, being machines,
00:05:42They will have no mercy, nor will they,
00:05:44when they see a child and have to shoot him,
00:05:47They will have compassion for him.
00:05:49They say these are the new weapons,
00:05:51that in 2015 we will have half-human cyber-robots,
00:05:55half machines,
00:05:57who will carry out that tricky action
00:06:00of shooting at the enemies.
00:06:03And by the way, tomorrow, Monday, and throughout the week,
00:06:06as usual,
00:06:07the new addition to the Cuarto Milenio collection,
00:06:10one of the most special,
00:06:11full of research, of documents,
00:06:14of elements that will surprise you.
00:06:15Some of them have never been counted until this moment.
00:06:19Antonia Tamayo and the protective ladies.
00:06:22That girl who got lost in the mountains and then reappeared,
00:06:24She says she is guarded by a strange figure.
00:06:26The case of the ravine,
00:06:27hospitals of silence,
00:06:29a thousand and one stories,
00:06:30fourth millennium,
00:06:31Available from tomorrow, Monday, at all newsstands in Spain.
00:06:33And now, really,
00:06:35He is one of the beings that has impacted me the most,
00:06:38This was almost 20 years ago.
00:06:40No?
00:06:40No, almost 20 years.
00:06:43It was, well, a famous black and white magazine from ABC.
00:06:47It was being discussed up until this moment
00:06:49of the dragon larva or the human fish.
00:06:53Let's unravel that mystery.
00:06:55Let's go to the archives.
00:07:10Let's look at an almost contemporary newspaper archive.
00:07:151989, and ABC, the paradox is curious,
00:07:19Today we had here the head of science at ABC,
00:07:21in its classic black and white weekly,
00:07:25He was talking about a great discovery.
00:07:26For the first time,
00:07:28human beings,
00:07:29stuffed almost like an astronaut from the deep,
00:07:32they were face to face
00:07:33with a being that seemed to be from another world.
00:07:36That's the feeling the photographer gave him.
00:07:38who made these plates on Proteus.
00:07:41I admit that it's one of the reports
00:07:43that has impressed me the most in my life.
00:07:45I cut it out and here it is.
00:07:47What did that creature look like?
00:07:49A serpentine creature about 30 centimeters long,
00:07:52blind,
00:07:53two rows of saw-like teeth,
00:07:56little arms with three fingers similar to those of a fetus,
00:08:00an albino appearance
00:08:01and always wandering in eternal darkness
00:08:04from very specific places,
00:08:06the submerged caves of Slovenia.
00:08:09Until this encounter with the cameras
00:08:11He had been, for many, the human fish,
00:08:14That's what it was called,
00:08:15or the dragon larva.
00:08:17Creature from those mythical legends.
00:08:21There was much more.
00:08:21Breathing itself,
00:08:23how this individual, the Proteus, lived
00:08:24how he lives, because he exists,
00:08:27It was truly like something out of fiction.
00:08:29The scientists couldn't believe it
00:08:31when they saw that this albino being,
00:08:34with eyes closed,
00:08:36like with just two little lines,
00:08:38He was breathing through three tubes.
00:08:39Because of the gills they had on their sides
00:08:41and that they were completely red,
00:08:43as they are also seeing through the lungs,
00:08:46very primitive that he had
00:08:48And of course, because of the skin.
00:08:49Three ways to breathe
00:08:50for a creature Iker
00:08:51who only lives in those caves in Slovenia
00:08:55and which also attracted a lot of attention
00:08:56of figures like Benito Mussolini,
00:08:59that moved precisely
00:09:00to one of these caves
00:09:01so that they could show him the Proteus.
00:09:04Well, to that extent
00:09:05This animal became famous.
00:09:08who even became
00:09:10the stamps they are seeing.
00:09:12Stamps and coins
00:09:13which were minted in Yugoslavia in 1952.
00:09:17But it's very curious.
00:09:18because it was a drawing,
00:09:21It was something that was on horseback
00:09:23between fiction and reality.
00:09:24And until that year of 1989
00:09:27really the man
00:09:29It has no confirmation.
00:09:30The meeting was very brief.
00:09:32and that being simply
00:09:33realized
00:09:34that his lost universe
00:09:35She was never going to be a virgin again.
00:09:37The men had arrived
00:09:39to his kingdom.
00:09:39The Proteus,
00:09:41capable of being able to last 10 years,
00:09:42The studies say,
00:09:43without eating,
00:09:44to reach 100 years of age.
00:09:47What kind of organism was this?
00:09:49The first discovery
00:09:50It was almost unbelievable.
00:09:51They thought it was a fraud.
00:09:52What was that?
00:09:53A baby dragon.
00:09:54On a stone,
00:09:55a 17th-century stonemason,
00:09:57finds him
00:09:58and it seems to him
00:09:59what it really is
00:10:00an incredible monster,
00:10:02non-human.
00:10:03In the end, Carmen,
00:10:04This is the graphic proof.
00:10:06palpable
00:10:06that to find
00:10:07with genuine mysteries
00:10:08of zoology,
00:10:09with creatures
00:10:10that seem to be coming
00:10:11otherworldly
00:10:12and that they are real,
00:10:13It's not necessary
00:10:13travel to almost legendary places
00:10:15like the Lagonés monster
00:10:16or the abominable
00:10:17snowman.
00:10:18No.
00:10:18They were there
00:10:19and our meeting
00:10:21He was very close.
00:10:22How many creatures
00:10:23Will there be more of this type?
00:10:24At this same time,
00:10:25the Proteus Anguinus,
00:10:27the son of the dragon,
00:10:28the human fish,
00:10:29He continues to wander alone.
00:10:30through the remote darkness
00:10:32and perpetual
00:10:32from those caves
00:10:33from Slovenia.
00:10:34It's wonderful
00:10:35from Mother Nature
00:10:36and its forms
00:10:38incomprehensible.
00:10:39By the way,
00:10:39talking about things
00:10:40incomprehensible,
00:10:41There are many doctors,
00:10:42many,
00:10:43who have written to us
00:10:43in a way
00:10:44more or less private
00:10:45to tell us
00:10:46their experiences.
00:10:47And somehow
00:10:49we have combined
00:10:50several experiences
00:10:52embodying it
00:10:52in the letter
00:10:54from a friend,
00:10:56Ignacio from Ciudad Real.
00:10:58Our veteran
00:10:59researcher,
00:11:00Of course,
00:11:01has chosen
00:11:02in his case,
00:11:02their story,
00:11:03because it concentrates
00:11:04many fears,
00:11:05many visions,
00:11:06many frights.
00:11:08You have to experience them,
00:11:09we need to get going
00:11:10instead.
00:11:11Let's do it.
00:11:12It's time
00:11:13of those letters
00:11:14of the mystery,
00:11:15cards
00:11:16from you,
00:11:17its viewers
00:11:18of the fourth millennium.
00:11:45Ciudad Real,
00:11:46February 2nd
00:11:48of 2009.
00:11:51Dear Iker,
00:11:53My name is José Ignacio
00:11:54And I am a doctor.
00:11:56Currently
00:11:57I practice my profession
00:11:58in a large hospital
00:11:59attending to some
00:12:00and others
00:12:01and trying to find a solution
00:12:03to their problems
00:12:04health.
00:12:05I like my job,
00:12:07but it's not the same
00:12:08than in my early days.
00:12:10In my early years
00:12:12the destination
00:12:12This led me to perform
00:12:13my work
00:12:14from the side
00:12:14more human,
00:12:15traveling through villages
00:12:16and villages
00:12:17and visiting
00:12:18in his own bed
00:12:18to the sick
00:12:19throughout the province.
00:12:21It was a learning experience.
00:12:23constant,
00:12:24both professionally
00:12:26as well as on a personal level.
00:12:28On one of those occasions
00:12:29my nurse and I
00:12:30We received a call
00:12:31at the last minute
00:12:32p.m.
00:12:33which led us
00:12:34a small payment
00:12:35with barely half a dozen
00:12:36of shacks
00:12:37in the environment.
00:12:38The signs
00:12:39They were clear.
00:12:41We were getting into cabins
00:12:42to the last house
00:12:44after the last curve
00:12:46of the road.
00:12:48We stopped the vehicle.
00:12:51The darkness
00:12:52It invaded everything.
00:12:55Just a halo of light
00:12:56it was becoming clear
00:12:57through the window
00:12:58of that strange house.
00:13:00It was an old house.
00:13:04It had two floors.
00:13:06In the first
00:13:07the burning wood
00:13:07mitigated the effects
00:13:09of that harsh winter.
00:13:11In the second
00:13:13I thought I saw
00:13:14a face to appear
00:13:16to the small window,
00:13:17I suppose waiting
00:13:18our arrival.
00:13:20The stories
00:13:22that it must house,
00:13:23I thought.
00:13:25We knocked on the door
00:13:26and a raspy voice
00:13:29He invited them in.
00:13:32A few centimeters
00:13:33from the fire
00:13:34an older man
00:13:35He wasn't very old.
00:13:36of age
00:13:36but yes in appearance.
00:13:38Pale,
00:13:40wrinkled
00:13:41and with a strange
00:13:43gesture in his gaze.
00:13:46He told me
00:13:46that for days
00:13:47I noticed
00:13:48pressure
00:13:49on the chest,
00:13:51very strong pains
00:13:52headfirst
00:13:52and digestive disorders.
00:13:56I performed several tests on him.
00:13:58Everything was fine.
00:14:01That's why
00:14:01I didn't see it clearly.
00:14:03Something strange
00:14:05was happening.
00:14:07The symptoms
00:14:08which he detailed to me
00:14:08that the patient
00:14:09they didn't fit together
00:14:10with no disease
00:14:11Specifically.
00:14:12He had mentioned me
00:14:13an endless list
00:14:14of evils
00:14:15in a rushed manner
00:14:16as if trying
00:14:16to get my attention.
00:14:19Besides,
00:14:20I had the feeling
00:14:21that he was lying to me.
00:14:22I'm here
00:14:24to help you.
00:14:25Tell me the truth.
00:14:27I demanded it.
00:14:29You
00:14:31He can't help me.
00:14:35What happens to me
00:14:36There's no solution for me.
00:14:38He told me.
00:14:40Tell me
00:14:41What's wrong with him?
00:14:42man.
00:14:43I insisted.
00:14:45The old man
00:14:47looked
00:14:47towards the roof
00:14:49and pointed
00:14:50towards the floor
00:14:50above.
00:14:53Please,
00:14:55I ask you
00:14:56that they don't take me
00:14:57because he's crazy
00:14:57and above all
00:14:59Don't leave me alone.
00:15:01For a year now
00:15:02that my wife died
00:15:02I live in solitude.
00:15:03in this house.
00:15:04But I assure you
00:15:06that in the attic
00:15:07There is someone.
00:15:10Clear
00:15:10that there is someone,
00:15:11I told him.
00:15:13I saw him through the window
00:15:14when we arrived.
00:15:15Doctor,
00:15:17I repeat
00:15:18that I live alone.
00:15:19I've been here for months
00:15:20without going up
00:15:21to the attic.
00:15:23Whatever it is,
00:15:24It won't let me live.
00:15:27That man
00:15:27He wasn't sick.
00:15:30Was
00:15:30terrified.
00:15:33And the worst part
00:15:33of everything
00:15:34It's just that he wasn't...
00:15:35infecting.
00:15:37I grabbed a lamp
00:15:38and I prepared myself
00:15:39to go up.
00:15:41Slowly
00:15:42the noise
00:15:42from the embers
00:15:43from the bottom
00:15:44gave way
00:15:44when it creaks
00:15:45of the wood
00:15:45of the staircase
00:15:46following in my footsteps.
00:15:48I faced the door.
00:15:51I overcame
00:15:52my fears.
00:15:53Don't worry,
00:15:55don't worry,
00:15:55they will be imaginings
00:15:56from the old man,
00:15:57I thought.
00:15:58And I went in
00:15:59in the room.
00:16:02Everything was dark.
00:16:06The pao
00:16:07escaped
00:16:09through my mouth.
00:16:09my breathing
00:16:11it was accelerating
00:16:12at times.
00:16:14I tried to calm down.
00:16:15But then
00:16:16I am that.
00:16:19Go away.
00:16:20Get out of here.
00:16:23God.
00:16:25Fear
00:16:26toured
00:16:26my whole body
00:16:27from top to bottom.
00:16:28The lamp
00:16:29fell
00:16:29and without turning around
00:16:30I rushed out
00:16:31of the place.
00:16:33I went downstairs
00:16:33on the run
00:16:34and without giving explanations
00:16:35I told my nurse
00:16:36that we took
00:16:37that man over there.
00:16:41Anymore
00:16:42We spoke again
00:16:43about that.
00:16:45I don't know
00:16:46if that stranger
00:16:47old man lied
00:16:48or was he telling the truth.
00:16:51The truth
00:16:51is that from
00:16:52of that day
00:16:55I was more than ever
00:16:56aware
00:16:57that there are events
00:16:58that science
00:16:58He cannot explain.
00:17:00Me at least
00:17:02as of today
00:17:04I still can't
00:17:05explain that.
00:17:06Thank you for listening.
00:17:10José Ignacio
00:17:12from Ciudad Real.
00:17:29Subscribe to the channel!
00:17:41Subscribe to the channel!
00:17:47Reporters say
00:17:49of the case
00:17:49they were made
00:17:50made of different stuff
00:17:51that they had
00:17:53a single mission
00:17:56arrive before anyone else
00:17:57and they used to comply with it
00:17:59arrive before the police
00:18:00arrive before the families
00:18:03to the crime scene.
00:18:04On many occasions
00:18:06the blood crimes
00:18:07they became later
00:18:08in true enigmas
00:18:09some never
00:18:10were resolved
00:18:11and others
00:18:12It has to be said like this.
00:18:14they ended up showing
00:18:16his truth
00:18:16for participation
00:18:18through expertise
00:18:19of these men
00:18:20and women
00:18:21half detectives
00:18:22half journalists.
00:18:24Little justice has been done.
00:18:25with the case
00:18:26I believe
00:18:27above all
00:18:27because it was a newspaper
00:18:29of which many
00:18:30They were ashamed
00:18:31But it has to be said.
00:18:32that most people read
00:18:34and tonight
00:18:35we're going to do
00:18:35a small great miracle
00:18:36to have in this newsroom
00:18:38who travels
00:18:39in the time tunnel
00:18:40to reporters
00:18:41to directors
00:18:42to chroniclers
00:18:44from this newspaper
00:18:45popular Spanish
00:18:47absolutely legendary
00:18:48Let's begin
00:18:49in principle
00:18:50with a report
00:18:51by Paco Pérez Caballero
00:18:52for those who still
00:18:54They don't know what it meant
00:18:56this header
00:18:57full of stories
00:18:58and anecdotes
00:18:59that today
00:19:00They will no longer be secret
00:19:01Glory and hell
00:19:03of the case
00:19:04Watch it
00:19:06and now
00:19:07immediately
00:19:08authentic journalism
00:19:09from before
00:19:28with a report
00:19:46with a report
00:19:48of self-irmuse
00:20:04The reporters on the case never gave up on a story.
00:20:09They knocked on every door and noticed every detail.
00:20:13Always guided by a brief motto
00:20:16The journalist's job begins when they are told no.
00:20:35Eugenio Suárez founded the case on April 11, 1952
00:20:39Encouraged by the repercussions of the so-called "monchito crime"
00:20:43The widespread monitoring showed that the events were of interest.
00:20:48You just had to know how to handle them
00:20:50To explain things in a simple, understandable way
00:20:56And with an interest in learning the reader's interest.
00:21:03To tell the story, to get to the bottom of things
00:21:07And then, with regard exclusively to the case
00:21:11For us it was very clear
00:21:13There were the good guys and the bad guys.
00:21:15The bad guys were the murderers and the good guys were the Civil Guard and the police
00:21:20In this building on Covarrubias Street in Madrid
00:21:23The great writers of the newspaper El Caso were working there.
00:21:25Here they wrote their chronicle on old Underwood typewriters
00:21:30And when they finished, they immediately started looking for a new story.
00:21:34This was precisely the portal they were passing through
00:21:36Often they were rushing when they left on a trip
00:21:38The news report came in: there had been a crime in the lower part of Oviedo.
00:21:42So then I had to go to Oviedo and see what had happened
00:21:45But of course, this had never been done before.
00:21:47That is, news reports of events, news of crimes
00:21:51They were always done by the police.
00:21:52Being very young at that time
00:21:54And finding yourself in a newsroom
00:21:58Absolutely like something out of a novel.
00:21:59A newsroom on an old occasion
00:22:02With the wooden floor creaking every time you took a step
00:22:06With a staff of very veteran journalists
00:22:10Very wise in everything they did
00:22:12Certain brands, in exchange for advertising
00:22:15They gave away some gifts.
00:22:16Some car, maybe a Fiat 600 from those years and so on
00:22:19And that dinner was for charity.
00:22:21And there was a raffle and the prizes were given out to people.
00:22:25On one occasion, a small crocodile had been donated.
00:22:29And the lucky one, well, I'll be able to poop with a crocodile in my house
00:22:33So then they had to take it to the newsroom
00:22:35And it was the pet, a small crocodile
00:22:37Baptized with the name Leopoldo
00:22:39So he was strolling between the tables
00:22:41One of the biggest bestsellers from this peculiar editorial team
00:22:44It was in 1954
00:22:47The so-called severed hand case
00:22:51The amazing story of a woman
00:22:52She decided to keep her deceased daughter's hand
00:22:55Then the police arrived
00:22:57They found the hand
00:22:58In a milk carton
00:23:00In a milk can
00:23:01Plastic
00:23:02That they had just been at that time
00:23:03That the bottom part was opaque
00:23:05And the transparent one on top
00:23:06The image was stunning.
00:23:07Because it was the girl's hand
00:23:08A delicate hand
00:23:09With red painted nails
00:23:10In the milkmaid
00:23:12And this is the cover of the case.
00:23:14And when they saw it in the censorship
00:23:15Sure, they told him
00:23:16Eugenio, well, you're crazy.
00:23:17Where are you going with this?
00:23:18Damn, but the police haven't found it either.
00:23:19It's a photo that he gave me
00:23:20But how is this going to make the front page?
00:23:22The hand inside such and such
00:23:24And then in one of these acts
00:23:26Typical of a genius
00:23:27He said, "Then give me an iron."
00:23:29And so on.
00:23:29Then I gave him an iron.
00:23:30And his punitive wrote
00:23:32The case of the severed hand
00:23:34We have a constant struggle.
00:23:37With censorship
00:23:38But we managed to get soaked in
00:23:42From Stockholm syndrome
00:23:44Because sometimes
00:23:46We were going to eat with the censors
00:23:48And we begged them
00:23:51We threatened them
00:23:52We insulted them
00:23:53And more often than not we were on our knees
00:23:57Let's see if they'd let us take it out.
00:23:59That information
00:24:00That ruined us
00:24:03He made us popsicles
00:24:04And they took it away from us.
00:24:05Under the Franco regime
00:24:07The case was only allowed
00:24:09Edit
00:24:10Edit
00:24:11One crime per week
00:24:12They wouldn't let him edit anymore.
00:24:14Because we don't want to give a bad image
00:24:16In quotation marks
00:24:16Of what was dark Spain
00:24:18Then
00:24:19And well
00:24:21I remember there were people
00:24:23That the case
00:24:23It was, therefore, good
00:24:25A tremendous addition
00:24:26The highest point
00:24:28It was Jarabo's.
00:24:30Jarabo, of course
00:24:31The uncle who got pickled
00:24:33Four people were put in charge
00:24:35And a single individual
00:24:37To kill four people
00:24:39Two men
00:24:40And two women
00:24:41One of them
00:24:42A maid
00:24:43When it was already beginning
00:24:44The service
00:24:45Be bad
00:24:45Well, that went down very badly.
00:24:46He fell fatally.
00:24:48That he killed
00:24:48A poor maid
00:24:49And there in that
00:24:51We also had
00:24:52Until
00:24:53I couldn't assemble
00:24:55The printing presses
00:24:56They were old
00:24:58Besides
00:24:58That's where
00:24:59With the Jarabo
00:25:00That's where we reach
00:25:01The
00:25:02480,000 copies
00:25:04That now
00:25:05It looks like he's throwing them away.
00:25:06Any
00:25:07And then
00:25:08No
00:25:08It had never been achieved before.
00:25:10That
00:25:10The chronicles of the case
00:25:13They had a literary quality
00:25:15Extraordinary
00:25:16It wasn't enough.
00:25:17Provide all the data
00:25:19It was necessary to develop
00:25:20A story
00:25:21Careful
00:25:22And also
00:25:22It would be attractive
00:25:24And one of the best
00:25:26Specialists
00:25:26Was
00:25:27Margarita Landy
00:25:28I remember
00:25:30That it
00:25:31He was carrying his pipe
00:25:33A woman
00:25:34Extraordinary
00:25:34Notice that
00:25:35It had been
00:25:35Society columnist
00:25:37Wedding
00:25:37Baptisms
00:25:38And communions
00:25:40Previously
00:25:40To the newspaper
00:25:41But a woman
00:25:42With an intuition
00:25:44Wonderful
00:25:44With a gift
00:25:46Of people
00:25:46Extraordinary
00:25:48A true master
00:25:49Then simply
00:25:50Just seeing her write
00:25:51You heard her speak
00:25:52You were learning
00:25:53What was this about?
00:25:54And those are the details.
00:25:55Let me tell you
00:25:56To notice
00:25:56Until
00:25:57Even in the color
00:25:58From the leaves
00:25:59From the trees
00:25:59To say
00:26:00That event
00:26:01It had happened in autumn
00:26:02In the pages of the case
00:26:04They were collected
00:26:05Some of the events
00:26:07More breathtaking
00:26:08From our dark history
00:26:09Like crimes
00:26:11From the Alexander family
00:26:12That caused a scandal
00:26:14To the city of Tenerife
00:26:15December 18
00:26:16From 1970
00:26:17And also
00:26:19Some of the most mysterious
00:26:22Like crime
00:26:22From the farmhouse
00:26:23From the Galindos
00:26:24At Stops
00:26:25Seville
00:26:26Where 5 were killed
00:26:28July 22
00:26:29From 1975
00:26:31For reporters
00:26:33Each trip
00:26:34It was a real adventure
00:26:36And the anecdotes
00:26:37They are countless
00:26:38The police
00:26:39He warned us
00:26:40That the images
00:26:42They were quite tough
00:26:43Imagine
00:26:44Well, a gentleman
00:26:45Burnt
00:26:46Still burning
00:26:46AND
00:26:48That's very hard
00:26:49Being alone with him
00:26:51Then I mustered up my courage
00:26:52I grabbed the camera
00:26:53Happens
00:26:54And indeed
00:26:55There was still
00:26:56Humanity
00:26:57It provoked a certain
00:26:58Soil
00:26:59Yes
00:26:59That I
00:27:00A white shirt
00:27:01That wore
00:27:01I remember it
00:27:02Well, it stuck with me.
00:27:03And of course
00:27:04Imagine
00:27:07Unpleasantness
00:27:08What are those moments?
00:27:09Not only
00:27:10From what you can see
00:27:11But because of the side effects
00:27:13That they leave you
00:27:13For example
00:27:14The stain on the clothes
00:27:15The smell
00:27:16Because of the smell
00:27:17From burnt human flesh
00:27:20It takes several days
00:27:21In disappearing
00:27:22We found out
00:27:23That this killer
00:27:24He was a big fan
00:27:25Let's record
00:27:26On cassette
00:27:27All that
00:27:28He
00:27:29All his thoughts
00:27:31Us
00:27:34We went into the house
00:27:35From the killer
00:27:36It was all full
00:27:37Of blood
00:27:37Everywhere
00:27:38Where it had occurred
00:27:39The murder
00:27:40Because he killed them
00:27:41With a knife
00:27:42The dented
00:27:42It was all splattered
00:27:44Of blood
00:27:44And indeed
00:27:45There we found
00:27:46About 50 tapes
00:27:48From cassette
00:27:50We took
00:27:51The 50 cassette tapes
00:27:52And between me and a colleague
00:27:53Well, we were
00:27:54A whole weekend
00:27:55Listening to them
00:27:55And in one of the films
00:27:57From cassette
00:27:57The guy was saying
00:27:58We were lucky.
00:28:00The guy was saying
00:28:01You son of a bitch
00:28:02I'm going to kill you
00:28:03To you and your son
00:28:04Because you're all bastards
00:28:05You're making me
00:28:06The Impossible Life
00:28:07I'm going to kill you.
00:28:08The day of
00:28:10My wedding night
00:28:13They call me
00:28:13August 1
00:28:15From 1980
00:28:16August 1
00:28:17Yeah
00:28:19I'm leaving.
00:28:21Very quickly
00:28:21To the urbanization
00:28:22From Somos Aguas
00:28:23That they had murdered
00:28:25To the Marquises
00:28:26Sweetsweet
00:28:27Then I say
00:28:27Oh well
00:28:28If I'm in my night
00:28:29Wedding
00:28:29Please
00:28:30More than the night
00:28:31I mean
00:28:31Of the day
00:28:31The next day
00:28:33From my marriage
00:28:34Well then
00:28:35Over there
00:28:36I went all the way there
00:28:37With the famous anecdote
00:28:39That the summaries are listed
00:28:40That when they ask him
00:28:41To one of the
00:28:43Janitors
00:28:43Or guards
00:28:44From the area
00:28:44And who arrived here
00:28:46First
00:28:46Says
00:28:46The first ones to arrive
00:28:47It was the journalists
00:28:49From the reporters
00:28:50From the case
00:28:50In the late 1980s
00:28:52From the 20th century
00:28:52A business crisis
00:28:54It forced the transfer
00:28:56The newspaper
00:28:56From Madrid
00:28:57To Almería
00:28:57What it meant
00:28:59A major transformation
00:29:06There were modifications
00:29:07At the top
00:29:08And the leap
00:29:09Of the events
00:29:10On television
00:29:10It forced the use of
00:29:12Headlines
00:29:12More aggressive
00:29:18Keep in mind
00:29:19That the case
00:29:20He came with a track record
00:29:22From many years ago
00:29:23With a track record
00:29:24Very long
00:29:25Of good
00:29:26Excellent journalists
00:29:27Of events
00:29:27And suddenly
00:29:28We found it
00:29:29In Almería
00:29:30With a weekly
00:29:31National
00:29:32From specialized information
00:29:34Highly specialized
00:29:35With a track record
00:29:37That we had to keep going
00:29:37With a level of quality
00:29:39That we had to keep going
00:29:39With attention
00:29:40To the reader
00:29:41That we had to keep going
00:29:43Performing
00:29:43But with limitations
00:29:45Being in a province
00:29:46That at that moment
00:29:47It was poorly connected
00:29:49With the rest of Spain
00:29:50My friends
00:29:50Many people
00:29:51Well, when you talk to them
00:29:53They boast
00:29:53That they travel a lot
00:29:55That they know
00:29:56Many monuments
00:29:57Many churches
00:29:58Many restaurants
00:30:00We boasted
00:30:01To know
00:30:02All cemeteries
00:30:03From Spain
00:30:03Which
00:30:05What it means
00:30:06Excellent
00:30:07That we
00:30:07Indeed
00:30:08Since we had
00:30:09Knowledge
00:30:10About the event
00:30:11Until
00:30:11We had prepared it
00:30:13Well, we had
00:30:14A series
00:30:14In stages
00:30:15In which
00:30:16You were involved
00:30:17Because you lived together
00:30:18With family members
00:30:20You lived together
00:30:20With friends
00:30:21Of the deceased
00:30:23If there was
00:30:24No?
00:30:24Or they implicated you
00:30:26A lot on the subject
00:30:27Because you had
00:30:27What to get into
00:30:28Inside it
00:30:28To get there
00:30:29Where to
00:30:30No other
00:30:30Journalist
00:30:31He was arriving
00:30:31I remember
00:30:32One night
00:30:33That in the early hours
00:30:34At 2 in the morning
00:30:36They call me
00:30:36From the newsroom
00:30:37The one who was
00:30:38Closing
00:30:38And what did it say?
00:30:39Hey, someone's calling.
00:30:39Here from Porturraco
00:30:40There is a gentleman
00:30:41He's shooting
00:30:42And killing people
00:30:42And I say
00:30:43What did you say to him?
00:30:45And he called it a case
00:30:46To break the news
00:30:46Well, he's leaving.
00:30:47To the Civil Guard
00:30:47And it says
00:30:48Yes, yes, yes
00:30:48Now I'm going to the Civil Guard
00:30:49But first
00:30:50So you know
00:30:51And indeed
00:30:52At 2 in the morning
00:30:53We sent a team
00:30:54To Porturraco
00:30:56To bring those crimes to light
00:30:57That were
00:30:58Of the brothers
00:30:59And left-handed
00:30:59What is character?
00:31:00That has changed us
00:31:00People, let's go
00:31:01Although for some years
00:31:03The case remained profitable.
00:31:05The competitive force
00:31:07And a sharp drop
00:31:08Quality
00:31:09They ended up convicting him
00:31:11To the disappearance
00:31:12In the year
00:31:141997
00:31:15Well, that's the end of the case.
00:31:17It was an epic tale
00:31:18Or a story foretold
00:31:20Because
00:31:21Faced with mismanagement
00:31:23Investment stopped
00:31:25On the most important things
00:31:26What's in the middle
00:31:28Communication
00:31:28What are journalists like?
00:31:29The success of the case
00:31:30They always were, really
00:31:31The stories
00:31:32And the journalists
00:31:33It was sad.
00:31:33It was sad.
00:31:34Because
00:31:36It was closing
00:31:37Well, I think
00:31:37That one of the pages
00:31:38From Spanish journalism
00:31:39Brighter
00:31:40In this place
00:31:42On Andalucía Street
00:31:43Number 8 of Almería
00:31:44The last draft was there
00:31:45From the newspaper The Case
00:31:46With his disappearance
00:31:48It ended in a way
00:31:49About doing journalism
00:31:50Which consisted
00:31:50Going to the scene of the events
00:31:52And live for days
00:31:53A certain event
00:31:54The case closing
00:31:55It left a void
00:31:56In the Spanish press
00:31:57That no one has been able to
00:31:58To fill
00:32:22History of a journalism
00:32:23Endangered species
00:32:24There is no doubt about it.
00:32:25How exciting to see
00:32:26Some
00:32:28Big
00:32:28About the incident in Spain
00:32:30What anecdotes!
00:32:31What stories!
00:32:31I think we're going to learn
00:32:32A lot tonight
00:32:33And also
00:32:33We are overwhelmed by that
00:32:34The feeling that
00:32:35Somehow
00:32:36It needs to be said.
00:32:37Without any shame
00:32:38Fourth Millennium
00:32:39In their way of working
00:32:40From feeling the stories
00:32:41She is also a daughter
00:32:42Of these reporters
00:32:45Paco Bérez Caballero
00:32:46Good night
00:32:46Good night
00:32:47I know you enjoyed it
00:32:48With this story
00:32:49We're going to continue enjoying it
00:32:50With this atmosphere
00:32:52What do we have here?
00:32:52Legendary covers
00:32:54But there's one thing
00:32:55Let's begin
00:32:55With one unknown
00:32:56There's been a lot of talk about Paco
00:32:57From the photographic archive
00:32:59Something that might surprise you
00:33:00To our audience
00:33:00Especially to younger people
00:33:02That he was unaware of the case
00:33:03It's the photos
00:33:04Some of them
00:33:05Shocking
00:33:06Brutal
00:33:07One could say
00:33:07That appeared on the cover
00:33:09Today it would be inconceivable
00:33:10It's curious.
00:33:11While on television
00:33:12She no longer blushes
00:33:14No holds barred
00:33:15However
00:33:16The press
00:33:16The published case
00:33:18From those photos
00:33:18There were thousands
00:33:19And nobody knows exactly.
00:33:20Where are they?
00:33:21Nobody knows where they are.
00:33:21And also, look
00:33:22How far
00:33:23They were important
00:33:24These photographs
00:33:25For example
00:33:25In the newspaper
00:33:26The case
00:33:26That the criminal brigade
00:33:28From Madrid
00:33:29I used to go to the newspaper
00:33:30The case
00:33:31When they were looking
00:33:31To a criminal
00:33:32Because many times
00:33:33The newspaper
00:33:33I had published
00:33:34This photo
00:33:35On the cover
00:33:36And then
00:33:37It was harder for them
00:33:37Go to the police files
00:33:39That to the editorial staff
00:33:40From Cova Rubias
00:33:41Ask the director
00:33:42Because of this man
00:33:43And get on the trail
00:33:44Of that criminal
00:33:45Up to that point
00:33:46It was important
00:33:47This photographic archive
00:33:48And it faded away
00:33:48Unfortunately
00:33:49The case
00:33:49It changed hands
00:33:50He went to Almería
00:33:51He's already lost there
00:33:52Part of the file
00:33:53After
00:33:54When it was over
00:33:55There were several disasters
00:33:57There was a fire
00:33:58That destroyed part
00:33:59Also from this
00:34:01Number of photos
00:34:02And in the end
00:34:03Well, into some hands
00:34:04And others
00:34:04It has been lost
00:34:05They haven't seen each other again.
00:34:05Photographs published
00:34:06Like those
00:34:07In no media outlet
00:34:08That it has provided a source
00:34:09The case
00:34:10For example
00:34:10And that's a shame.
00:34:11Because indeed
00:34:12Let's review
00:34:13The story
00:34:13From this great newspaper
00:34:14Well, we realize
00:34:15That they had
00:34:16Some photographs
00:34:17Impressive
00:34:18In fact
00:34:18One of the slogans
00:34:19From the newspaper
00:34:20Was
00:34:20Never come back
00:34:21To do a report
00:34:22No photograph
00:34:23They are with us
00:34:25Companions
00:34:26That they were
00:34:26They were part of
00:34:27From history
00:34:28From the case
00:34:29Above all
00:34:30Centered
00:34:30At one time
00:34:32What are the 80s?
00:34:33Where still
00:34:33There is a brutal impact
00:34:35In the 90s
00:34:35He arrived, let's say
00:34:36A bit of decadence
00:34:37From this medium
00:34:37Started mid-level
00:34:38As we have seen
00:34:39In 1953
00:34:41Have
00:34:43You will see
00:34:44To a colleague
00:34:45That is helping us
00:34:47With the covers
00:34:48The negatives
00:34:49The irons
00:34:51It's Gutiérrez
00:34:52It will pass by here
00:34:53At certain times
00:34:53And he'll bring me some documents.
00:34:55Which are key
00:34:55In history
00:34:56From this newspaper
00:34:56We are accompanied by
00:34:57The former director
00:34:58From the case
00:34:58Juan Rada
00:34:59Welcome Juan
00:35:00Good night
00:35:00Hi Iker
00:35:01Good night
00:35:01Thank you for being here
00:35:03How did he get the case?
00:35:04Those photographs?
00:35:05That's what impresses us
00:35:06Nowadays
00:35:07Some were
00:35:07From the same corpse
00:35:09According to what had happened
00:35:10The crime
00:35:11This has not been seen again
00:35:12What was that process like?
00:35:13What mystery was there?
00:35:14The case had one advantage.
00:35:16And it was that when it happened
00:35:17An event in Spain
00:35:18They used to have the same name.
00:35:19To the publication
00:35:20To the Civil Guard
00:35:22This helped
00:35:22That quickly
00:35:24Outside the point of Spain
00:35:25That it was
00:35:26He left quickly
00:35:27Shot over there
00:35:27The photographer
00:35:28And of course
00:35:29A reporter who was accompanying her
00:35:30And sometimes they arrived
00:35:32Before the Civil Guard
00:35:33On the other hand
00:35:33The family
00:35:34He also cooperated
00:35:35There was then
00:35:36Great spirit!
00:35:37Collaboration
00:35:38In the Spanish population
00:35:39With the case
00:35:39Although on one hand
00:35:40At the reader level
00:35:41Sometimes they would criticize her a little
00:35:42But on the other hand
00:35:44There was a collaboration
00:35:46Well, absolutely
00:35:47Complete
00:35:47Total
00:35:47So then
00:35:48These people facilitated
00:35:49Enter through the back door
00:35:51In case the Civil Guard
00:35:51It was ahead
00:35:52They were taking photos
00:35:53Well, from the first communion
00:35:55From the wedding
00:35:55From other events
00:35:56From the family
00:35:57I mean
00:35:57Much of that was
00:35:58First
00:35:59Contact with readers
00:36:00For social work
00:36:02That he was doing his job
00:36:03They warned us
00:36:04And then there's speed.
00:36:04What was the journalistic reaction?
00:36:06And upon arriving on site
00:36:08Well, the collaboration
00:36:10Already personal
00:36:10Of the members
00:36:12From the family
00:36:13Even from the victims
00:36:14That they wanted
00:36:14Well, cooperate
00:36:16With this newspaper
00:36:16To see if the killer
00:36:17It was discovered
00:36:18In the end
00:36:18It was half alive
00:36:19Indeed
00:36:20The contrast is worth noting.
00:36:22Where people
00:36:24I knew that there
00:36:25Information could be searched
00:36:26He could help himself
00:36:27Even
00:36:28Reproducing faces
00:36:30For example
00:36:30Of the suspects
00:36:31I imagine the police
00:36:33He also collaborated
00:36:34Usually
00:36:35Or there was
00:36:36At certain times
00:36:37More or less joint work
00:36:39Now let's see it
00:36:40Because we have
00:36:41Two reporters
00:36:42That many did
00:36:43From these reports
00:36:44Travel
00:36:45Camera
00:36:46And a notebook
00:36:48That romantic journalism
00:36:49As we were saying
00:36:50Almost already
00:36:51It doesn't exist.
00:36:52He is Pedro Avilés
00:36:53Reporter on the case
00:36:54Also in the 80s
00:36:55Welcome Pedro
00:36:56Good night
00:36:56Good night
00:36:57Thank you for being here
00:36:58With us
00:36:58In this newsroom
00:37:00What is a trip
00:37:01In the time tunnel
00:37:01And a heartfelt tribute
00:37:02It's quite authentic.
00:37:03Besides
00:37:04To so many colleagues
00:37:05Hey Pedro
00:37:06I know that reporters
00:37:07When you were in action
00:37:08You had adventures
00:37:09Of all kinds
00:37:10And I think that
00:37:11Even on occasion
00:37:12Danger to your
00:37:13Physical integrity
00:37:14I don't know if ever
00:37:14It happened to you
00:37:15Really
00:37:16To be about to
00:37:16From moving to another neighborhood
00:37:18It was on one occasion
00:37:19Concrete
00:37:20And for a matter
00:37:21Nervous
00:37:21Authentically
00:37:22That was the case
00:37:23In Zaragoza
00:37:24A soldier
00:37:26In a building
00:37:27Where military personnel lived
00:37:28That he had killed
00:37:30To his neighbor
00:37:30Because it bothered him
00:37:31Simply
00:37:32He shot him twice
00:37:33So I went
00:37:34To do the report
00:37:36I knocked on the door
00:37:37Of the deceased
00:37:39And nobody answered the door.
00:37:41And when I was
00:37:41I'm about to leave now
00:37:42From the landing
00:37:43Down
00:37:43From the bottom
00:37:44A man came out
00:37:45Very nervous
00:37:46A boy
00:37:47More or less young
00:37:48But very nervous
00:37:49And he was carrying a gun.
00:37:50In the hand
00:37:50That shook
00:37:51For all sites
00:37:52And he told me
00:37:53That I was
00:37:54Doing there
00:37:54And I told him
00:37:55Well, look
00:37:55I'm a journalist covering the case.
00:37:56And I'm doing a report
00:37:57Well, you're leaving here.
00:37:58Right now
00:37:58Told me
00:37:58Because if not
00:37:59I'm going to put you in
00:38:00Strictly speaking
00:38:01I
00:38:02My legs were trembling
00:38:04Everywhere
00:38:05I told him that
00:38:07That I was
00:38:08Doing my job
00:38:09I called again
00:38:10Through the door
00:38:12I never thought
00:38:13That it could arrive
00:38:14To shoot myself
00:38:15But the situation arose
00:38:16To be so tense
00:38:17That I arrived
00:38:19To have for my life
00:38:19At a certain point
00:38:20And thanks to the fact that it came out
00:38:22Another neighbor
00:38:22From the house
00:38:23Upon hearing the scandal
00:38:24That calmed him down
00:38:25He told her
00:38:25Juan
00:38:26No no
00:38:26Calm down
00:38:26Calm down
00:38:27And he put it inside
00:38:28From there I went to have some chamomile tea
00:38:29I then called the newsroom
00:38:30To tell the tale
00:38:31And I went to have some chamomile tea.
00:38:32That was the only time
00:38:33Where I have been aware
00:38:35What could have happened
00:38:37The chronicle of events
00:38:38After
00:38:38I even saw myself
00:38:39Wounded or deceased
00:38:41Right there
00:38:41Because of a madman
00:38:43Because that man
00:38:43I was very nervous
00:38:44In fact
00:38:46Before it happened
00:38:47All this
00:38:50Event
00:38:50What am I telling you?
00:38:52When I went up
00:38:54On the fifth floor
00:38:55I saw a person
00:38:56That I was washing up
00:38:57With a mop
00:38:57Very hysterically
00:38:59The blood where it had fallen
00:39:01Dead
00:39:02The upstairs neighbor
00:39:03That he had killed him
00:39:04On the landing
00:39:05This same person
00:39:06That I was washing up
00:39:07So hysterically
00:39:07He was the one who later
00:39:08He came at me with a gun.
00:39:09Events that happened to them
00:39:11These people
00:39:11That they were there
00:39:12Clear
00:39:12Almost arriving
00:39:13At the same instant
00:39:15In which the tragic news
00:39:15It was happening
00:39:16Many things could happen
00:39:18On the threshold
00:39:18Even before they arrived
00:39:19The security forces
00:39:20I don't know if it has
00:39:21Similar experiences
00:39:22Our good friend
00:39:23They already know him
00:39:24Angel Colodro
00:39:25Who was also
00:39:25In the case files
00:39:26Angel
00:39:26Good night
00:39:27Hi how are things
00:39:27Has this ever happened to you?
00:39:29In the case
00:39:30The most common
00:39:31It was that he called
00:39:33That after writing
00:39:34A story
00:39:34Well, to someone
00:39:36Related to the killer
00:39:38He wouldn't like it
00:39:39And that he should call the newsroom
00:39:41And he threatened you
00:39:42Of all kinds
00:39:43Come on
00:39:43With all kinds of threats
00:39:44What was happening?
00:39:45Since this was already known
00:39:46Well, generally
00:39:48Hydrangea
00:39:49The telephone operator
00:39:50And I say Hortensia
00:39:51Because Hortensia
00:39:52It was the great institution
00:39:53Alongside Eugenio Suárez
00:39:54From the case
00:39:54She was the secretary
00:39:55Editorial Staff
00:39:57Hydrangea
00:39:58It was holding him back
00:39:59And what you were saying
00:40:01What was the police about?
00:40:02And the Civil Guard
00:40:03The case
00:40:04In addition to the file
00:40:05He had the best file
00:40:08Alias
00:40:09From Spain
00:40:10That is to say
00:40:10What is it that the Civil Guard
00:40:11He had his files
00:40:12The police had their files.
00:40:14But each command
00:40:16From the Civil Guard
00:40:16He had his own
00:40:17So what is it then?
00:40:17There was no computing
00:40:18It's not like now
00:40:19They were machines.
00:40:19To write
00:40:20And like the ones we're seeing
00:40:21Exactly
00:40:22And then
00:40:25The only place
00:40:26Where it had centralized
00:40:27An alias file
00:40:28What you were saying
00:40:29So-and-so
00:40:30The Melons
00:40:30Well, you used to take
00:40:31You were going to the case file
00:40:32And there you had it
00:40:33Three or four melons
00:40:34Don't believe it yourself
00:40:35And all that work
00:40:36Hortensia did it
00:40:38And it was
00:40:39Come on
00:40:39A jewel
00:40:40The jewel
00:40:42Well, it's good to pay tribute.
00:40:43The alias file
00:40:44And it was all very artisanal.
00:40:45That I think is the big difference
00:40:46And it was
00:40:47To be real detectives
00:40:49The reporters on the case
00:40:50They were detectives
00:40:51I'm going to ask him
00:40:52To Gutiérrez
00:40:54Our colleague
00:40:54Let him come this way
00:40:55With the first cover
00:40:56Please
00:40:56Thank you for your help.
00:40:58Front page
00:40:59From the history of the case
00:41:00We're going to see it
00:41:01And now
00:41:02Immediately
00:41:03We open the debate
00:41:04You can intervene
00:41:04Whenever
00:41:05Thanks a lot
00:41:06Here it is
00:41:08Here it is
00:41:08Crime
00:41:09From the template
00:41:10The case
00:41:11They're watching it
00:41:11Through this window
00:41:13He left
00:41:14Death
00:41:15From the first issue
00:41:17Already some headlines
00:41:18Impactful
00:41:18A literary recreation
00:41:20And I think he drank
00:41:22A bit
00:41:22From that reporting
00:41:24From a crime novel
00:41:26That he came from the United Kingdom
00:41:27But it's a brilliant idea
00:41:29Paco
00:41:30Juan
00:41:30Peter
00:41:31Angel
00:41:31How did you come up with that?
00:41:33This man
00:41:34Well
00:41:34There's an anecdote
00:41:35What are we going to tell you?
00:41:36And this man
00:41:37Who just came here
00:41:38Gutiérrez
00:41:38We're not going to say the address
00:41:40But he lives in the same place
00:41:41Where the first crime occurs
00:41:44From the history of the case
00:41:45And I wasn't prepared.
00:41:46In the end
00:41:47Coincidence
00:41:48Or causality
00:41:48There is a story
00:41:50He looks like Paco
00:41:51That precipitates events
00:41:52And to a genius
00:41:54From communication
00:41:55It makes him think
00:41:56In a weekly magazine
00:41:56Of events
00:41:57It's impressive.
00:41:58Like everything that happens
00:41:59In the history of the case
00:41:59Eugenio Suárez
00:42:01I worked at the Madrid newspaper
00:42:02And suddenly
00:42:03The crime occurs
00:42:04They called
00:42:05From the little monkey
00:42:05From a man
00:42:06Who killed a woman
00:42:07To buy
00:42:09Among other things
00:42:09An accordion
00:42:10And because she wanted to get married
00:42:11With his girlfriend
00:42:11It's one of those crimes
00:42:12Paco
00:42:12Mobile
00:42:13Absurd
00:42:14From an unusual mobile phone
00:42:15And that indeed
00:42:16This man
00:42:17Well, I didn't see it either.
00:42:18Gravity
00:42:19Of that crime
00:42:20It is really said
00:42:21It was a great injustice
00:42:22That they executed
00:42:23To a person
00:42:24That he was not aware
00:42:24Of his actions
00:42:25But in any case
00:42:26Eugenio Suárez
00:42:26He made a series
00:42:27From impressive chronicles
00:42:28Which multiplied
00:42:30The print run of the Madrid newspaper
00:42:31And then
00:42:32He immediately
00:42:33He saw that there was a goldmine there.
00:42:34That nobody had
00:42:34Person in charge of these events
00:42:36As they deserved
00:42:37And he founded the case
00:42:39And indeed
00:42:39With those first drawings
00:42:41With those handcrafted covers
00:42:42Telling it
00:42:43As if they were stories
00:42:44What are they?
00:42:45That's what has been lost
00:42:46Many times
00:42:46Now television
00:42:47Maybe it's going to be anecdotal.
00:42:49Bloody
00:42:49Perhaps also as it was
00:42:51The newspaper The case
00:42:51In his later years
00:42:52Because I had no other choice.
00:42:53Because the competition
00:42:54It was very tough
00:42:55And they were about to
00:42:56To close
00:42:56Because they were selling less and less.
00:42:57Then I had no other choice.
00:42:58Why put those headlines?
00:42:59Already so bloody
00:43:00And so striking
00:43:01But in this first stage
00:43:02And she's also the prettiest.
00:43:04They were also looking for
00:43:04That literary side
00:43:05Those soap opera stories
00:43:07If one picks up
00:43:09In a newspaper archive
00:43:10Those volumes
00:43:11Well, he'll enjoy it immensely
00:43:12With the criminal stories
00:43:13That's for real
00:43:13They have made history
00:43:14From our country
00:43:14He became a
00:43:16An emporium
00:43:16Economic
00:43:18Why did one enter
00:43:19Let's get to work on the case?
00:43:20I'll ask you the question
00:43:21No?
00:43:22Because it might sound
00:43:22People say
00:43:24Well, why
00:43:24Why does one become
00:43:25Crime reporter
00:43:26Because you have to have
00:43:27Let's put it this way
00:43:28A special meat
00:43:29It's not just any journalism
00:43:31Well, I'm going to tell you.
00:43:33Because
00:43:34I started working
00:43:35In the case
00:43:37I had done
00:43:37A newspaper
00:43:38He had founded
00:43:38A newspaper
00:43:39In Sabiñánico
00:43:40In a village in Huesca
00:43:42And so, in the end
00:43:43From the age of three
00:43:43I closed the newspaper.
00:43:45Because
00:43:45Not because it was bad
00:43:47Economically
00:43:47The other way around
00:43:48It was going very well.
00:43:48But because I wanted to
00:43:49Being a journalist
00:43:51Not only
00:43:52Town
00:43:53So to speak
00:43:53And then I came
00:43:55To Madrid
00:43:55And then one day
00:43:56I said okay
00:43:57Which newspaper would I write for?
00:43:57Can I work?
00:43:58And I went to a kiosk
00:43:59And I fixed up the kiosk
00:44:01And I saw the case
00:44:02And I said okay
00:44:03Well, that
00:44:03And with respect
00:44:04To the photograph
00:44:05To the drawing
00:44:06What have you done?
00:44:06We had
00:44:09The instruction
00:44:10That when
00:44:11There was a great story
00:44:13When there was a great story
00:44:15By force
00:44:16You had to wear
00:44:16The photo
00:44:18Of the dead
00:44:18Live
00:44:20The photo of the dead man
00:44:21Live
00:44:22Rule
00:44:23Rule
00:44:23It was very important
00:44:24Because it's not the same
00:44:25The photo
00:44:25Those photos
00:44:28Very bloody
00:44:29That there was
00:44:29From the moment
00:44:30From the facts
00:44:30That on many occasions
00:44:31Our photographers took them
00:44:33And on many occasions
00:44:34She made them for us
00:44:35The Civil Guard
00:44:36The Civil Guard
00:44:36He took two types of photos
00:44:37Generally
00:44:38Nails
00:44:38For visual inspection
00:44:40For the judge
00:44:41And others for the case
00:44:42The photo
00:44:43From the victim
00:44:44Live
00:44:45It was very important
00:44:45Because it's the image
00:44:47That the man
00:44:48I wanted to give
00:44:49That is to say
00:44:49It gave an image
00:44:51About his personality
00:44:52But what's more
00:44:53The fact
00:44:54If you get the photograph
00:44:55From the living dead
00:44:56As we were saying
00:44:57To begin with
00:44:58It meant to the reader
00:44:59That it had been investigated there
00:45:01Because you had arrived
00:45:02To obtain that document
00:45:03But when you had nothing
00:45:04Then the director
00:45:06He told us
00:45:07Well then
00:45:07We need to get out
00:45:08A very good plan
00:45:10Very well focused
00:45:12From the scene of the events
00:45:13And then came
00:45:14Arturo Arnau
00:45:15Who was the cartoonist?
00:45:17She set the scene there.
00:45:17In a drawing
00:45:18From the moment of the crime
00:45:20And that's because
00:45:21Come on
00:45:21It's just that people were saying
00:45:22Well, but how were you able to
00:45:23Not to remove the dead body
00:45:23If not the moment
00:45:24He's stabbing her.
00:45:26But it was
00:45:27In the end
00:45:29Nor which side
00:45:29And that's the case
00:45:30And that's the case
00:45:30He was investigating
00:45:31How many cases
00:45:31They were resolved
00:45:32Through action
00:45:33From the case
00:45:34Thank you for your help.
00:45:35To post the photo
00:45:36From a suspect
00:45:37But also
00:45:38How many cases
00:45:39They went completely unpunished.
00:45:40And those cases
00:45:41They've kind of stayed there
00:45:42Even with a lot
00:45:43About the mystery
00:45:44I know that Juan
00:45:45He is preparing a job
00:45:46About the story
00:45:47From this newspaper
00:45:48That's for sure.
00:45:49It will be wonderful.
00:45:50And John
00:45:50There are several cases
00:45:51Some of the disappearances
00:45:52What we've played here
00:45:53Like the child from Somosierra
00:45:55The boy painter
00:45:55Gloria Martinez
00:45:57Another amazing story
00:45:58That you have kept
00:45:59Like those thorns stuck in you
00:46:00Within the investigation
00:46:01Yes, because they are
00:46:02Those cases
00:46:03They called you
00:46:03Powerful attention
00:46:05But in the end
00:46:06They have not been resolved
00:46:07And then
00:46:08Unfortunately
00:46:08They've gone a little
00:46:09Losing over time
00:46:10The readers
00:46:11They remember some
00:46:12Well, very loud
00:46:13As you just quoted them
00:46:14But this girl
00:46:15For example
00:46:16He is undergoing psychiatric treatment
00:46:1817 years old
00:46:19And the psychiatrist says
00:46:20That it needs to be entered
00:46:21At the clinic
00:46:22What does she have?
00:46:22Outside of Alicante
00:46:23It was a rest center
00:46:26The girl didn't want to go.
00:46:27If you don't want to come
00:46:27And the girl
00:46:28I'm no longer responsible
00:46:29I am not responsible for it
00:46:31The girl is taken in there
00:46:32And then
00:46:33Well, the doctor
00:46:34Many times I wasn't there
00:46:34Because the nurses were already there
00:46:35And when there was a problem
00:46:36At the touch of a phone
00:46:37They called her
00:46:38And here last night
00:46:39They called him
00:46:39She's a little rowdy
00:46:41The girl and such
00:46:42Then apply these three drugs.
00:46:43It seems they went too far.
00:46:45And they're already saying no.
00:46:46The girl fell asleep
00:46:47That gets up
00:46:48At 1:30 in the morning
00:46:50He says he's going to the bathroom
00:46:51Who pushes one of the nurses
00:46:53And he flees and disappears.
00:46:55A girl
00:46:56Completely doped up
00:46:57Jumping over a wall
00:46:58Depending on the area
00:47:00The lowest point was two meters.
00:47:01And in others it was four meters
00:47:02Which way did that girl run away?
00:47:03With bedding
00:47:04With bedding
00:47:05He wasn't even wearing his glasses.
00:47:06When I had eight diopters
00:47:08At 1:30 in the morning
00:47:09I couldn't see anything.
00:47:11The cook
00:47:11And the woman
00:47:13They wanted to go out and look for them
00:47:14They were rubans
00:47:14No, no, you go to bed.
00:47:15Because they were illegal
00:47:17The police are coming.
00:47:18And they'll take care of it.
00:47:19Well, nobody went out to look for the girl.
00:47:20They called the police
00:47:21At eight in the morning
00:47:22From the other day
00:47:23And it never came back.
00:47:25I know nothing about that case.
00:47:26Until today
00:47:26If you'll allow me
00:47:28That's a report
00:47:29What did I do?
00:47:30And my partner
00:47:30José Montoro
00:47:31That you also know
00:47:33It's also a report
00:47:35And there's an interesting fact
00:47:37In this topic
00:47:37We have always been
00:47:39Quite sober
00:47:41And skeptics
00:47:41When you are a
00:47:42Incident reporting
00:47:43You have to be
00:47:44No?
00:47:45And in that case
00:47:46We received
00:47:46Through a friend
00:47:48From the family
00:47:49To the editorial staff
00:47:49No?
00:47:50The case of Gloria Martínez
00:47:51And I remember that we went
00:47:52Me and my partner
00:47:54Montoro
00:47:54At the Face of the Pi
00:47:56Which is where I was
00:47:57This clinic
00:47:58Psychiatric
00:48:00That it had been
00:48:01Originally Founded
00:48:03Like a clinic
00:48:04For wealthy people
00:48:06That is to say
00:48:06Where people
00:48:07She was going to de-stress.
00:48:07But that failed
00:48:09Well, they started
00:48:09Right away, let's put it in
00:48:10To girls
00:48:11And to troubled kids
00:48:13They made you spend money
00:48:14To the parents
00:48:14No?
00:48:15And we arrived at the site
00:48:16Completely disillusioned
00:48:18Saying
00:48:18This is nonsense
00:48:19We're going to talk to the parents
00:48:19There is no story here.
00:48:21We thought
00:48:21But it was seeing
00:48:23The place
00:48:25In Al Faz del Pi
00:48:26Where was
00:48:27This center is located
00:48:29Psychiatric
00:48:29And we said
00:48:30Impossible
00:48:31Indeed
00:48:32As someone
00:48:33With those three medications
00:48:35That we
00:48:36We had documentation
00:48:36That they had given him
00:48:37To the little girl
00:48:38Which was Synogal
00:48:38Lizard
00:48:39And Aloperidol
00:48:40If I remember correctly
00:48:41Like no one else
00:48:43That's enough to make a horse sleep.
00:48:44Nobody can get up
00:48:45At one in the morning
00:48:45And half-naked
00:48:47Jump over a wall
00:48:48Two meters
00:48:49That's when we found out
00:48:50That the center
00:48:51He was lying
00:48:51We did a report
00:48:53In which
00:48:54And it wasn't common.
00:48:54We accused
00:48:56To the center
00:48:56Of having made disappear
00:48:57To the little girl
00:48:59Never again
00:49:00We had a complaint
00:49:00That
00:49:01A total disappearance
00:49:04Speaking of places
00:49:07What places
00:49:07More have been impressed
00:49:08In the mind
00:49:09Right now
00:49:10The crime scene
00:49:11The scene of meeting you
00:49:12Something unexpected
00:49:13Maybe I don't know
00:49:13Or a place
00:49:14That for any reason
00:49:16Because of what happened there
00:49:16Because of the environment
00:49:17Were you impressed?
00:49:18Which crime scene?
00:49:20What place?
00:49:20What report?
00:49:21You cannot forget
00:49:21The story
00:49:24She is a lady
00:49:25That calls one day
00:49:27To a radio station
00:49:30Where a fortune teller
00:49:31A parapsychologist
00:49:32Well, it answers inquiries.
00:49:33And then
00:49:34Well then
00:49:35He tells her
00:49:36That
00:49:36Where is it?
00:49:38Her daughter
00:49:39Total
00:49:40That
00:49:41The parapsychologist
00:49:42Or the fortune teller
00:49:43Whatever we want to call it
00:49:44He tells her
00:49:44Her daughter
00:49:45She is dead
00:49:46On air
00:49:48On air
00:49:49AND
00:49:50So
00:49:51Hey
00:49:52He tells her
00:49:53Okay, but
00:49:53AND
00:49:54There are some circumstances
00:49:56That her daughter is dead
00:49:57And she was murdered
00:49:58That's all I can tell you.
00:49:59Well
00:49:59How are you?
00:50:00And how can I investigate?
00:50:01So, afterwards
00:50:02Talk to
00:50:03With the parapsychologist
00:50:03And the parapsychologist
00:50:04It puts her in contact
00:50:05With a detective
00:50:05Very well known in Barcelona
00:50:07Jordi Colomer
00:50:08Jordi Colomer
00:50:09Begin
00:50:09A very humble family
00:50:10That he couldn't pay money
00:50:11Jordi Colomer
00:50:12Without charging a penny
00:50:13Start investigating the case
00:50:14Hey
00:50:15Go on
00:50:16Following the steps
00:50:17From the original complaint
00:50:18He had disappeared
00:50:18It was eight years ago
00:50:19This
00:50:20This girl
00:50:21I was twenty
00:50:22Or things like that
00:50:22Hey
00:50:24An investigation begins
00:50:25It
00:50:25From when it was presented
00:50:26The complaint
00:50:27Due to disappearance
00:50:28It had been taken
00:50:29Statement
00:50:29To the groom
00:50:30Total
00:50:30The groom
00:50:31I lived in the house
00:50:32From the groom
00:50:33With
00:50:33With a
00:50:34With the family
00:50:35And the statement
00:50:36It was that
00:50:36He was gone
00:50:37And he had stolen
00:50:37200,000 pesetas
00:50:38Well
00:50:39So, that
00:50:42That's all
00:50:42And that's all.
00:50:43That's what
00:50:43What it says
00:50:44But
00:50:44When the detective returns
00:50:46To talk to the boyfriend
00:50:48Notice some contradictions
00:50:49Total
00:50:50He takes it away
00:50:51To the ground
00:50:53Talk to a friend
00:50:54And the friend
00:50:55And the friend
00:50:55And the friend tells her
00:50:56I was pregnant.
00:50:58Total
00:50:59Talk to your boyfriend again
00:51:00And the boyfriend says
00:51:01Yeah
00:51:01We went
00:51:01What happened
00:51:02We went to get an abortion
00:51:04And he bled to death
00:51:05Along the way
00:51:06And he bled to death
00:51:07Along the way
00:51:07Previously
00:51:09The friend
00:51:09The one I had spoken to
00:51:11I was telling him
00:51:12That every night
00:51:16That might be a bit of an exaggeration
00:51:17I was dreaming
00:51:18That her friend
00:51:20I was in a booth
00:51:21Of lumberjacks
00:51:22Sorry
00:51:23From fishermen
00:51:24Dead
00:51:25Well
00:51:26Total
00:51:27The detective is back
00:51:28To talk to the boyfriend
00:51:29And indeed
00:51:30The boyfriend tells her
00:51:31That there was
00:51:31Let's go, he says.
00:51:32That an abortion had occurred
00:51:33They had gone to have an abortion
00:51:34And then, after the abortion
00:51:36Well, she started
00:51:37To bleed out
00:51:38They stopped at a place
00:51:39AND
00:51:40And then he died
00:51:42And he got scared
00:51:42And it burned
00:51:43And that indeed
00:51:43It was a fisherman's hut
00:51:45It was a fisherman's hut
00:51:46Go
00:51:47The detective
00:51:48He already lives with the police
00:51:49Everything is already being communicated and all that.
00:51:50They come
00:51:51They recover the remains
00:51:52From the girl
00:51:53In
00:51:54In the cabin
00:51:55That they were charred
00:51:56But there were still bone fragments left.
00:51:58AND
00:52:00AND
00:52:01And well
00:52:02In principle, the case is clear.
00:52:04But
00:52:04The psychic says no
00:52:06That woman
00:52:08She's been murdered
00:52:08And indeed
00:52:09It is done
00:52:10A test
00:52:11From the
00:52:13Forensics
00:52:14From the remains
00:52:15And it appears that he had
00:52:16One shot
00:52:17The investigation continues.
00:52:19The groom ends up winning
00:52:20Saying yes
00:52:21That he had shot him with a rifle
00:52:23The rifle was eventually located.
00:52:25He went in
00:52:26To jail
00:52:27To the groom
00:52:27Logically
00:52:28And the case
00:52:28It was declared closed.
00:52:29Justice
00:52:30From beyond the grave
00:52:31I'm talking about a case
00:52:33Who was one of those
00:52:35What surprised me even more was the fact that I was surprised by the fact that the most surprising thing was ...
00:52:37Because
00:52:38Because it seemed that
00:52:41That girl could not rest in peace
00:52:42AND
00:52:44Justice from beyond the grave
00:52:45Angel Colodro
00:52:45I'm going to ask Gutiérrez
00:52:46To our friend
00:52:47Let him come here
00:52:48With a cover
00:52:49What was
00:52:50Absolutely legendary
00:52:51Because Paco
00:52:51I think it was
00:52:52The great peak
00:52:53From the history of the case
00:52:56Half a million copies
00:52:58From that time
00:52:59With an anecdote as well
00:53:00Clear
00:53:00To give us an idea
00:53:01To what extent
00:53:03It's because it's
00:53:03Well
00:53:03Today it is impossible
00:53:04Practically
00:53:05Practically
00:53:05And of course
00:53:06In the year 58
00:53:08We need to imagine
00:53:09Because the question is
00:53:10What impact did your report have?
00:53:12In society?
00:53:13What did you think?
00:53:14Here it is
00:53:14Thanks a lot
00:53:15Watch it
00:53:16To the famous Mr. Morris
00:53:18Of the thousand names
00:53:20The case
00:53:21The trial against Jarabo
00:53:23Half a million copies
00:53:24Because the portraits couldn't provide any more
00:53:25The impact on society
00:53:26Awesome
00:53:27Paco
00:53:27Clear
00:53:27Natural
00:53:28Because a crime like this had never been seen before.
00:53:29Like the one Jarabo committed
00:53:30And also
00:53:31With one particularity
00:53:33And that's because
00:53:34People bought the case
00:53:35And he hid it.
00:53:36In the newspaper
00:53:37The Already
00:53:37Because it was much bigger
00:53:38And it was easier to take it with him
00:53:39Because they were ashamed
00:53:40That they saw him reading the case
00:53:42But on the other hand
00:53:43People
00:53:43As Juan Rada has very well said
00:53:45I loved the newspaper very much
00:53:46To the point
00:53:47Before calling the police
00:53:49They called the chroniclers of the case
00:53:50Because?
00:53:51Because they knew that the chroniclers of the case
00:53:52They were going to tell the truth
00:53:53About what happened
00:53:54That there would be no censorship
00:53:56If the report came out
00:53:57And it was well illustrated
00:53:58The whole truth was going to be told
00:54:00And that's what I wanted after all.
00:54:01The town
00:54:01That he had lived for a very long time
00:54:03Censorship
00:54:03John even in cemeteries
00:54:05Which are places that
00:54:06The colleagues have shown
00:54:08Interviewed by Paco
00:54:09That you knew inside out
00:54:10In cemeteries
00:54:11Things were happening too
00:54:12They were a bit like something from beyond the grave.
00:54:14Never a truer word spoken
00:54:16Appearances
00:54:16Findings
00:54:17I know you know of a case
00:54:19Two people embracing
00:54:20Stories that
00:54:21That each one of them
00:54:23It would be enough for a novel.
00:54:24Indeed
00:54:25This was in the year 1965
00:54:26I was working then
00:54:28I was starting out at Diario de Navarra
00:54:29Since I'm from Pamplona
00:54:30But I called the case quickly
00:54:32To tell the tale
00:54:33A lady passed away.
00:54:34From a family
00:54:35Urroz Family
00:54:36And they opened
00:54:37Come on
00:54:38To have a mausoleum
00:54:39Then he was an employee
00:54:40From the family
00:54:40The undertaker
00:54:41They ran the door
00:54:42With great effort
00:54:43And in the hallway
00:54:44That there was
00:54:45Among the niche series
00:54:46They are found
00:54:47Like two corpses
00:54:47Embraced
00:54:48Nudes
00:54:49What is this?
00:54:51The gravedigger knew
00:54:52Nobody had gone in there
00:54:53Nobody had died
00:54:54From the people
00:54:55In a very long time
00:54:55Then they were notified
00:54:57To the Secretary
00:54:57And so on.
00:54:58Me
00:54:58I was at Diario de Navarra
00:55:00The correspondent notified us.
00:55:01And since there were 50 kilometers
00:55:02I quickly got there
00:55:03And indeed
00:55:04There were two naked corpses
00:55:05But I observed
00:55:06That there was also
00:55:07A shoe
00:55:08Lady's
00:55:08Grid
00:55:09With stiletto heels
00:55:11The broken heel
00:55:12It was clear
00:55:13That those
00:55:13Pair of people
00:55:14To those two victims
00:55:15Before putting them in there
00:55:17They had stripped them naked
00:55:19Leave them there
00:55:19In trust
00:55:21That perhaps
00:55:22In 20 or 30
00:55:22In 40 years
00:55:23Maybe nobody died.
00:55:24But this one here
00:55:25That a lady
00:55:25He dies before old age
00:55:26And that happens
00:55:28It was the Civil Guard
00:55:29Over there and such
00:55:29Well
00:55:30We will provide information
00:55:30To superiority
00:55:31The coroner said
00:55:32No, it must be a mistake.
00:55:33The undertaker says
00:55:35There is no mistake here.
00:55:35Because he hasn't died
00:55:36Nobody from the area
00:55:37In a very long time
00:55:38This has not been opened
00:55:40And the bones were taken out
00:55:42To analyze them
00:55:43But anyway
00:55:43It has already begun to be poured
00:55:45Let's draw a veil over it
00:55:46Above
00:55:47Because it coincided
00:55:48That on the dates
00:55:49Of antiquity
00:55:50What did those bones contain?
00:55:51He had died
00:55:52In Paris
00:55:53The leader
00:55:54From the Moroccan opposition
00:55:55Ben Barca
00:55:55This gentleman
00:55:56Who was president
00:55:57From parliament
00:55:58With Mohamed V
00:55:59And then leader
00:56:00From the opposition
00:56:01With Hassan II
00:56:03Sentenced to death
00:56:04He fled to Paris
00:56:05Where he was already arrested
00:56:06By Moroccan agents
00:56:07And French mercenaries
00:56:09It is known that they took him
00:56:10On the outskirts of Paris
00:56:11They tortured him
00:56:12And they killed him.
00:56:12Soon after, too.
00:56:13His secretary disappeared
00:56:14Both because of age
00:56:16As per the analysis
00:56:17Dentures
00:56:17As with other circumstances
00:56:19Both corpses
00:56:20They corresponded
00:56:21To those of Ben Barca
00:56:22And his secretary
00:56:23But
00:56:24Around those same dates
00:56:25It had also happened
00:56:26That the leader
00:56:26From the Portuguese opposition
00:56:28Humberto Delgado
00:56:28He went to Badajoz
00:56:30For a meeting
00:56:31That I was going to have
00:56:32With members
00:56:33From the Portuguese government
00:56:34And she asks for it.
00:56:35He murdered him
00:56:36With his Brazilian secretary
00:56:38So
00:56:38This case
00:56:38It looked very similar
00:56:39To the other
00:56:40We started spreading the word
00:56:41That could be
00:56:42The corpse of Ben Barca
00:56:43From the secretary
00:56:44And one night
00:56:45They were inside Navarre
00:56:45I was downstairs
00:56:47Just passing by
00:56:47A football chronicle
00:56:48And the Civil Guard appears.
00:56:50They ask for the director
00:56:51They tell him he's not there.
00:56:53They ask for the author.
00:56:54From the chronicle
00:56:54That was me
00:56:55And I say
00:56:55Okay, talk to the principal.
00:56:56I don't know who
00:56:57Clear
00:56:58And they tell me
00:56:58There is a direct order
00:56:59From the head of state
00:57:00To prevent its publication
00:57:01No line
00:57:02Not a word of that
00:57:03Say
00:57:04But you bring
00:57:04Something in writing
00:57:05And so on.
00:57:05No no
00:57:05It is a verbal command.
00:57:06But tell the director
00:57:07That cannot be published
00:57:08None of this
00:57:08Be prepared to face the consequences
00:57:10Those were times
00:57:11Clear
00:57:11In which censorship
00:57:12And from there
00:57:13Nothing
00:57:29We were talking about a woman
00:57:30That sounds strange to us.
00:57:31In this newsroom
00:57:32A woman
00:57:32Which became
00:57:34In legend
00:57:35We'll have the image
00:57:36I'm still alive
00:57:38With his
00:57:38With his pipe
00:57:39By Margarita Landy
00:57:40Which I also believe
00:57:41That I missed
00:57:43He reached the cases
00:57:44More impressive
00:57:45Above all
00:57:451960s
00:57:461970s
00:57:47How was that possible?
00:57:48That a woman
00:57:49Do
00:57:50I don't know
00:57:50It would not be understood
00:57:51I imagine at first
00:57:52One of the outstanding
00:57:53Reporters on the case
00:57:54It was Margarita Landy
00:57:55Do you remember anything about her?
00:57:57He was also a chronicler
00:57:58Society
00:57:58That is to say
00:57:59She
00:57:59The night
00:58:00His first crime
00:58:01I think she was dressed
00:58:02Of
00:58:04Stylishly
00:58:04In a suit
00:58:06Eugenio
00:58:06Because Eugenio thought
00:58:07That for a woman
00:58:08In this difficult world
00:58:09It was going to be much easier
00:58:10Because for a woman
00:58:11It's much easier.
00:58:12To charm the CEO
00:58:13From the police
00:58:14To the manager of a hotel
00:58:15In the end
00:58:16In a man's world
00:58:17The woman had much more power.
00:58:19But deep down
00:58:19It functioned almost like an agency
00:58:21Of detectives
00:58:21They were springs
00:58:22To view the information
00:58:23Without a doubt
00:58:23Eugenio said
00:58:24Margarita, you're good at this.
00:58:25Stop with the society gossip
00:58:27And go do some news.
00:58:28What's your thing?
00:58:28And look
00:58:29If it was their thing
00:58:30That for a very long time
00:58:31He was the role model
00:58:32Many people
00:58:33We have grown
00:58:34Reading the chronicles
00:58:34By Margarita Landy
00:58:35All the colleagues
00:58:36They are here
00:58:36They have met her
00:58:37They have read his chronicles
00:58:38And without a doubt
00:58:39She has passed away today
00:58:40Well, we keep reminding him
00:58:42Something I can say
00:58:43By Margarita Landy
00:58:44That's why I respect her.
00:58:45And I will always respect her.
00:58:46It was that at 70 years old
00:58:47Margarita Landy
00:58:48He kept going to the places
00:58:49To the houses
00:58:50At 70 years old
00:58:51At 70 years old
00:58:52And he rang the doorbell
00:58:53And he stayed there in front.
00:58:55Talking to families
00:58:56And he managed to get in
00:58:57From table conversations
00:58:59The way we did everything
00:59:00The rest of the journalists
00:59:01But at 70 years old
00:59:02That was much scarier.
00:59:03Because if I didn't see it
00:59:04Nobody was capable
00:59:05To kick Margarita out
00:59:05Nobody was capable
00:59:06They gave us
00:59:07The door in their faces
00:59:09Many times
00:59:10Both police officers
00:59:11Like, Margarita was calling him.
00:59:13The truth was so intelligent
00:59:13And so pleasant
00:59:14Oh well
00:59:15In the end
00:59:15That's the path they've followed
00:59:16All the colonists in the case
00:59:17For example
00:59:18Antonio Marfín
00:59:19He was telling me
00:59:19A harrowing story
00:59:20A crime that happened
00:59:21In Móstoles
00:59:22And to such an extent
00:59:23They wanted to know
00:59:24How the corpse had ended up
00:59:25If it was true
00:59:25What he had told her
00:59:25To the police
00:59:26They entered the morgue
00:59:28They waited until
00:59:29The door was open
00:59:31And that no one was watching.
00:59:32And they slipped in under cover of darkness
00:59:34Imagine yourself in those cameras
00:59:35Philophical
00:59:35I don't know if any of you
00:59:36You've done something similar
00:59:38But they have been opening up.
00:59:39One by one
00:59:40The philgorific chambers
00:59:41Nighttime Alone
00:59:42Alone
00:59:42With a light
00:59:43From a small flashlight
00:59:44To see
00:59:45The person
00:59:45In that specific case
00:59:47She was a woman
00:59:47That she had been beheaded
00:59:48Find her
00:59:49And see indeed
00:59:50That she had been beheaded
00:59:51Take the corresponding photograph
00:59:53And then to the newspaper
00:59:54Based on a true story
00:59:55It's not that we've seen
00:59:56What has happened
00:59:57She has indeed been beheaded.
00:59:57This way
00:59:58That's what Pedro was saying
00:59:59He had been stabbed 89 times
01:00:00Practically the journalist of the case
01:00:02I had counted them
01:00:03We could talk about a thousand stories
01:00:04With you
01:00:05Of course
01:00:06Paco
01:00:07What can I say?
01:00:0745 years old
01:00:08From reporting
01:00:10That ends perhaps
01:00:11In one way
01:00:11That does not correspond
01:00:12With the glory achieved
01:00:13And the print runs achieved
01:00:15Yes, that's what we were saying
01:00:15Which logically
01:00:16Also the influence
01:00:17From television
01:00:17That has that overwhelming force
01:00:19It ended with a way
01:00:21About doing journalism
01:00:21Very literary
01:00:23And she turned it
01:00:24Well, in a shop window
01:00:25That in the end
01:00:26It didn't work
01:00:27And also
01:00:28He had other related problems
01:00:30But I think
01:00:31That today we have
01:00:31To draw a conclusion
01:00:32Seeing this whole story
01:00:33From the case
01:00:34That can be seen
01:00:34Very little
01:00:35In a short time
01:00:37That we have been able to dedicate
01:00:37On television
01:00:38And that's because
01:00:39There is another way
01:00:40Living journalism
01:00:41That the journalists in the case
01:00:42Without prejudice
01:00:43That they may exist
01:00:44They went to the places
01:00:46They lived alongside everyone
01:00:47They obtained all the information
01:00:49And then they dedicated themselves
01:00:50To write a story
01:00:52Detailed account of the facts
01:00:53And also
01:00:53It was interesting.
01:00:55Literarily speaking
01:00:56And this has been lost
01:00:57And I believe
01:00:58It's a big hole
01:00:59Perhaps
01:00:59A period like the case
01:01:00Like those early issues
01:01:01It's hard to imagine
01:01:03In our times
01:01:04But it's true
01:01:05That a similar product
01:01:06It could be done
01:01:07And perhaps many people
01:01:08I was expecting it.
01:01:09It has been a real pleasure
01:01:11We said goodbye
01:01:12With this first cover
01:01:13From a story
01:01:14From Spanish journalism
01:01:15Sometimes I think
01:01:16That unfairly treated
01:01:17And
01:01:18Here's the television
01:01:20That perhaps contributed
01:01:21At the end of the case
01:01:22He gives it to
01:01:23Somehow
01:01:24Also a little bit of shine
01:01:25Which is deserved
01:01:25Juan Rada
01:01:26Pedro Avilés
01:01:28Angel Colodro
01:01:29A true pleasure
01:01:30Listen with you
01:01:31This lesson in journalism
01:01:32Thank you friends
01:01:33Thanks to you
01:01:33Until next time
01:01:34Thanks Paco
01:01:35As usual
01:01:35Thank you so much
01:01:36You would have worked
01:01:37In the case
01:01:37I wouldn't have tried.
01:01:38Thanks Paco
01:01:40As usual
01:01:40And now we go
01:01:41With other images
01:01:42Perhaps they don't arrive
01:01:43To the impact
01:01:43From the covers
01:01:44Latest on the case
01:01:45But they are very interesting.
01:01:46Images from Cuarto Milenio
01:01:58They will be with me
01:01:59In what
01:02:00It has progressed
01:02:00Obviously
01:02:01Technology
01:02:02The cameras
01:02:02Which are better
01:02:03Smaller
01:02:04More precise
01:02:04This one, for example
01:02:05It was a Kodak
01:02:06Model M883
01:02:07But that
01:02:08There is something that never changes.
01:02:09There is no better canvas
01:02:11That human nature
01:02:12And if it's stone
01:02:13Better than better
01:02:14The sample
01:02:15The image of
01:02:16Francisco Javier Molas
01:02:17In Mallorca
01:02:19Let's look at the image
01:02:20That he sent us
01:02:21Our viewer
01:02:22Because he called her
01:02:23Much attention
01:02:24In principle
01:02:25What we might see
01:02:26It's just
01:02:27A wall
01:02:28We're seeing it right now.
01:02:29TRUE?
01:02:30But what an effect
01:02:30Above all
01:02:31From afar
01:02:31Yeah
01:02:32With the darkness
01:02:33Bottom
01:02:34And that's what
01:02:35It was fixed
01:02:35Well, let's point that out.
01:02:37And let's see what they see.
01:02:38You
01:02:39They have to do
01:02:40A few performers
01:02:41To see
01:02:41That's exactly what there is
01:02:43In this area
01:02:44From the image
01:02:45Let's see
01:02:47Damp stains
01:02:49Cement
01:02:50Someone has drawn something
01:02:52Well
01:02:52Let's put it on him
01:02:53Easier
01:02:54There
01:02:56Are they seeing a face?
01:02:58Does it remind you of anyone?
01:02:59We would be talking
01:03:00Iker
01:03:00From a pareidolia
01:03:01What has happened
01:03:03In this photograph
01:03:03But as it happens
01:03:05For example
01:03:05When we look
01:03:06The clouds
01:03:07And we see a way
01:03:07Here you can be
01:03:09Seeing one thing
01:03:09And me too
01:03:10Completely different
01:03:11What do you see?
01:03:12Our analyst
01:03:13Guillermo León?
01:03:14Here it is
01:03:15More pointed out
01:03:16We're all watching
01:03:17Even eyebrows, eyes
01:03:19Nose shape
01:03:20There's the recreation
01:03:21And here's the recreation
01:03:22It would be a little more or less
01:03:24Like a face
01:03:25From a young man
01:03:26Or even
01:03:27From a child
01:03:28With the previous one again
01:03:28The previous one, please.
01:03:29So that we can see
01:03:30What is nature?
01:03:33The humidity
01:03:34And by chance
01:03:34And there it is.
01:03:35Our recreation too
01:03:38If this has happened to you
01:03:39That they have had
01:03:40The graphic surprise
01:03:41Of this type
01:03:41What do I think?
01:03:42One of the most beautiful
01:03:42One of the most curious
01:03:44From recent times
01:03:45Two ways to contact
01:03:46Two ways to contact
01:03:47In case they want to send us
01:03:49Interesting facts
01:03:49Like the one we have
01:03:50On screen
01:03:51Or those experiences
01:03:52As you have read
01:03:53Our veteran
01:03:55Researcher
01:03:56Or those drawings too.
01:03:57Let's move on to see now
01:03:58One of them
01:04:00Fourth Millennium
01:04:00@4.com
01:04:01If you write to us
01:04:02A message
01:04:03Through the internet
01:04:04The post office box
01:04:0618189
01:04:07With the postal code
01:04:0928080 Madrid
01:04:10If you decide to send us
01:04:11A letter
01:04:11Well
01:04:12And what about the paintings?
01:04:13And creations
01:04:14It reaches a level
01:04:15Important
01:04:16When we know
01:04:17There are viewers
01:04:18What have they done?
01:04:18Even entire decks of cards
01:04:19From the tarot
01:04:19We'll talk one day
01:04:20From the tarot
01:04:20But the real meaning
01:04:22Not that tarot card reading business.
01:04:23But where does it come from?
01:04:24What wisdom
01:04:25And what an old code!
01:04:26There is there
01:04:26Well then
01:04:27Cristina Fernández
01:04:28He called it gothic tarot
01:04:30She did it
01:04:30And it has done
01:04:31A whole deck
01:04:32From letters
01:04:32What did he say?
01:04:33If you need more samples
01:04:35I'll even send you
01:04:35The deck of cards
01:04:37Look
01:04:37The Hanged Man
01:04:38The Empress
01:04:39We also have
01:04:40Sample
01:04:41Some
01:04:42They are a little
01:04:42More sinister
01:04:44Apart from the moon
01:04:45What do we see there?
01:04:45The wolf
01:04:46TRUE
01:04:46Howling at that full moon
01:04:48And the one who doesn't
01:04:49We wish never
01:04:50Let it turn out
01:04:51Death
01:04:51Although sometimes
01:04:52In the tarot
01:04:53The interpretation
01:04:54This is not it
01:04:55We'll talk about tarot someday
01:04:57And I'm going to talk about something else.
01:04:59Now Carmen
01:04:59To say goodbye
01:05:00Another thing that
01:05:01That intrigues me
01:05:02That surprises me
01:05:03That in the end
01:05:04It has me amazed
01:05:06What's going on?
01:05:07What's going on?
01:05:08In recent times
01:05:09I have a good one here
01:05:10Tocho
01:05:11From documents
01:05:13Of folios
01:05:14Names
01:05:15Illegible
01:05:16Esporquema
01:05:17EITHER
01:05:18UFO
01:05:19Raportsquema
01:05:20Do they know what they are?
01:05:21Well
01:05:22The Ministry
01:05:23Defense
01:05:24From Denmark
01:05:24Small country
01:05:25Important in history
01:05:27But small
01:05:27He has declassified
01:05:29Your files
01:05:29UFO
01:05:29He has made them official
01:05:31Public
01:05:32No more, no less
01:05:3315,000
01:05:34Information
01:05:35Only from the year
01:05:3778 to 2002
01:05:38Almost 24 years
01:05:40That is
01:05:41A significant average
01:05:42From several hundred cases
01:05:43Careful
01:05:44Investigated
01:05:45Documented
01:05:47With graphics
01:05:48With details
01:05:49With military personnel
01:05:51With civil aviation
01:05:52By air
01:05:53From the air forces
01:05:55With positions
01:05:56Even
01:05:57With appearance
01:05:58Of assumptions
01:05:58Beings
01:05:59Associates
01:06:00This phenomenon
01:06:01Which is still a UFO
01:06:02Two questions
01:06:03It's very curious.
01:06:05Me back then
01:06:05I published
01:06:06A circular
01:06:06IG-45
01:06:07Mandatory compliance
01:06:08In our army
01:06:09From the air
01:06:10I step without preniglor
01:06:11In the news
01:06:12Because UFOs
01:06:12They are no longer of interest
01:06:13But it was
01:06:13The catalog
01:06:14For which our army
01:06:15Today
01:06:16Research the topic
01:06:17About UFOs
01:06:17It's identical
01:06:19Practically
01:06:19To the one from Denmark
01:06:20They ask him
01:06:21To the witnesses
01:06:21Very similar things
01:06:23The big question
01:06:24Is
01:06:24As usual
01:06:25If UFOs
01:06:25They're nonsense.
01:06:26A fantasy
01:06:27What the devil
01:06:28They paint
01:06:29For 20 years
01:06:3015,000
01:06:31Official reports
01:06:32In a country
01:06:33So serious
01:06:33Like Denmark
01:06:34A second question
01:06:36In a country
01:06:37So small
01:06:38In population
01:06:38Like Denmark
01:06:3915,000 cases
01:06:41What is happening?
01:06:42During this time
01:06:42A crisis?
01:06:43UFOs
01:06:44They fly over again
01:06:45The skies
01:06:46To divert attention?
01:06:47Or why has it arrived
01:06:48The moment
01:06:48Demonstrate
01:06:49Everything there is
01:06:50In the official archives?
01:06:51Imagine, for example
01:06:52If in the old Soviet Union
01:06:54Everything would emerge
01:06:55What there is to know about UFOs
01:06:56We would take
01:06:58Huge surprises
01:06:59And perhaps many things
01:07:00What do we think?
01:07:01They would change radically
01:07:03Think about it
01:07:04It happened this week
01:07:05In 7 days
01:07:06More things will happen
01:07:07And here we will be.
01:07:08To tell the tale
01:07:09Of course
01:07:09On the mystery ship
01:07:10Good night