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00:24The Mystery Ship
00:30The Mystery Ship
01:00Reporters and journalists from different generations are here tonight to reveal secrets that have never been told.
01:08But there will be much more. We will travel to the canals of Venice, that wonderful city enveloped in carnival, in revelry,
01:16of masks.
01:16Well, like any good mask, there are two very different sides. One has to do with the shadowy, with the
01:25blood, with mystery, with sects.
01:28This part of Venice is never talked about. We've been there, and like I said, I want you to travel with us.
01:34And I'd like to introduce you to another friend, the Proteus anguinus. Perhaps this name doesn't mean anything to you, but
01:42I'll confess a little secret.
01:43I came across an old report about 20 years ago, and it contained the first photographs of this living creature.
01:50It seemed like a legend.
01:52So much so that some spoke of the dragon larva. Others called it the human fish. Look at its appearance, for
01:58favor.
01:59Always swaying in the silence, in the deep submerged caves of Slovenia. It only lives there.
02:07Blind creature, with arms that look like, don't they?, those of a human fetus.
02:13With two rows of teeth. They say it can live up to 100 years.
02:20For some, his longevity bordered on immortality.
02:23And we're going to talk about immortality. First segment of the program. Important news from the past week.
02:29They say there is an animal that fulfills that old desire, that dream that all cultures have had.
02:34Not to die, to be immortal. Is it possible?
02:37This is the creature. An immortal jellyfish that never dies, that is reborn, and that seems to be invading.
02:45the world.
02:56Breaking news. Just a week ago, an immortal jellyfish spread throughout all the Earth's oceans.
03:03We said it before. And I believe this news story deserves to be investigated.
03:07There are a lot of questions here. What's this about immortality?
03:10We are really talking about never dying, about being a living being for infinity.
03:15That ABC article was published by a prestigious science journalist, José Manuel Nieves,
03:20who is also a good friend of the mystery ship.
03:23And we are very grateful that you are here to answer some questions.
03:26José Manuel, thank you for being here.
03:27Hi, Iker. How are you?
03:28Well, there we have a kind of adaptation, evidently, of what one of these figures could be.
03:34And what does this look like?
03:35Come on, she looks just like all of them. I've seen her in photos, but come on, she's exactly like the photos of...
03:39the turritopsis nutricola, that's what it's called.
03:43A strange name?
03:43A strange name.
03:44What do we know about it? And why does it extend throughout all of Earth's oceans?
03:48First of all, it's even arriving... Is it even in Spain...?
03:50Yes, yes, yes. What's more, some of the specimens studied by scientists were captured on the coasts.
03:56Spanish and Italian.
03:58This, specifically, has been studied by the University of Pennsylvania, which has realized that from the Gulf of
04:04From Mexico to Japan,
04:07They continuously find this species of jellyfish.
04:11In other words, these jellyfish take advantage of human transportation, so to speak, to travel very long distances.
04:16To cover very long distances. But of course, this one, specifically, also has that particularity you mentioned earlier, which is that it doesn't
04:24dies.
04:25It's a jellyfish that is immortal, as you rightly said.
04:28Of course, and here it is... It's no wonder it was the most impactful news story in the newspaper; it's been reproduced ever since.
04:34in many places,
04:35And it is that these studies by DNA experts, María Pía Miglieta, began to analyze this jellyfish a few years ago,
04:42And they realize, José Manuel, that something is happening. This organism, this animal, this living being,
04:47which in some way, however distant, belongs to the same family tree of the life we are immersed in,
04:54Suddenly he's going to die, and what happens?
04:56Well, it has a unique and extraordinary characteristic, which is that, unlike all other jellyfish,
05:03and of all other living beings, because it is the only member of the animal kingdom that is capable of doing
05:07what it does,
05:09When it reaches sexual maturity and reproduces, the other jellyfish die, they tend to die.
05:15This one, however, does not; this one reprograms its cells and becomes a young specimen again, a polyp.
05:22which in turn will then give rise to jellyfish again, thus repeating the cycle,
05:26In other words, it's as if, in insects, a butterfly were to turn back into a larva.
05:31and then turn back into a caterpillar, and then back into a butterfly,
05:35and then in a cycle that, according to scientists, may never end,
05:40because the laboratory has done so on 100% of the specimens they have studied,
05:46And many have studied, continually repeating this process one, two, three, four, five, X times,
05:53In other words, without stopping.
05:55In other words, by programming, by extending the possibility,
05:59This animal will live for a thousand years, fifteen hundred years.
06:03Of course, he regenerates his cells; cell regeneration is not a new thing in the animal kingdom.
06:09Well, we all know, for example, the most common one is that if you cut off a lizard's tail,
06:13It ends up growing; where there was nothing, a queue reappears.
06:17And many animals do this, jellyfish too; if you remove one of their tentacles,
06:21They simply make it again; there is even a certain regenerative capacity in all animals.
06:30including us; a simple wound needs tissue regeneration to heal.
06:35The thing is, if we have a limb amputated,
06:38Our regenerative capacity is not great enough to restore the limb we had lost.
06:44It happens in jellyfish and other animals, yes, but it's not related.
06:48It is a process that, although important and also very interesting,
06:52It's not similar to what we're talking about.
06:55Our cells age, organisms age and go through cycles,
07:01They go through cycles from very juvenile cycles to adult cycles,
07:06and the end of every cycle is reproductive capacity,
07:10and many animals, including jellyfish, especially hydrozoans,
07:14which is the family to which Turritopsis belongs,
07:17When they reach, as I told you before, when they reach their adult stage,
07:22They release the eggs they have inside, along with sperm.
07:26They impregnate them and then they end up dying.
07:28Well, this jellyfish is capable of regenerating all its aged cells,
07:33adult and differentiated,
07:35to return them to a stage prior to differentiation.
07:39So that everyone understands, José Manuel, it's as if those cells,
07:42We are all made up of that piece, that building block of life, the cell,
07:46It restarts like a computer and comes back again.
07:48Come back again, come back again.
07:50And it returns once, twice, it returns, it's unknown to what extent it is capable of returning,
07:55how many times is it capable of returning,
07:57But theoretically it is unlimited.
07:59So, the scientists who have studied it,
08:01This animal has been known since the 1980s or so.
08:06And I've seen some very serious studies from the 90s,
08:10explaining the biology of this curious animal.
08:14And they have reached the conclusion, as stated verbatim in the study,
08:17He says, we have to come to the conclusion that death
08:20It is not part of the life cycle of this organism.
08:24Death, the great fear of humankind, of all creatures, I imagine,
08:28Well, especially those who are aware, obviously, that we are finite.
08:32That wise man said that there is only one thing that is certain,
08:33between you, me and everyone, who are born and who will die.
08:36And suddenly there is a creature that does not die,
08:39This is the first time that science, I imagine,
08:41José Manuel faces this challenge.
08:43I don't know what the reaction has been after the reports.
08:46that this becomes public, an immortal animal.
08:48An immortal animal, yes.
08:50I'm telling you, it's well-known in scientific circles.
08:53Not in public circles, but it happens with many things in science.
08:57It is very common for things that scientists have been studying for many years to happen.
09:01discussing, studying, researching and seeking solutions,
09:04So it hasn't caught on with the general public, has it?
09:06These are simply the...
09:07They remain in that kind of compact world, don't they?
09:10That's kind of our job, isn't it?
09:12Find out what those things are and help people become aware of them.
09:16And to be able to share them.
09:16There is one important thing, I had heard up until now,
09:17And I had read you, specifically, and other researchers,
09:21There's a type of worm that we've seen in many reports
09:24of scuba diving, flat, planarian, I think if it split in two,
09:28two more or less independent beings emerged.
09:30It would be the closest thing to immortality, but never, obviously...
09:34No, because in the end...
09:34Each one of them dies.
09:36Of course, each one of them ends up dying.
09:37This is a differentiation process that starts from the cells
09:43or of the genetic material that remains in each of the halves
09:46It is capable of reconstructing an entire organism.
09:50But they will have their completely normal life cycle,
09:53Just like all other animals, they will eventually die.
09:55This one is different.
09:56This one is different for that reason, because it's the only one that doesn't need to die.
09:59That is, it is born, grows, reproduces, and dies.
10:03Well, he dies, that's a problem in this species.
10:05So, José Manuel, some of these specimens that we can even see on our coasts,
10:10The big question many will be asking is, how long have they been there?
10:13Well, they've been around since time immemorial, surely.
10:16The thing is, of course, that's where human intervention comes in, right?
10:20Because, as I said, they originated in tropical waters,
10:25But of course, with ships going back and forth,
10:28The holds of ships are reservoirs of animals that have nothing to do with
10:32and that they are invading waters that were not their own.
10:35Because when they do the cleaning, they pour and vacuum water.
10:40So, with the water they suck up and transport to clean their bilges at sea,
10:45Ships take away countless species and living organisms,
10:49from microscopic to larger species,
10:52and they transport them to places where they are not native.
10:58So what happens?
10:59When they are released into the sea, two things can happen.
11:01Either they don't adapt and die, or they transform and adapt.
11:05or that they adapt perfectly because they live just as well as they did in their original waters.
11:10These invasive species, of which there are many thousands,
11:14both on land, because this happens on land too, and at sea,
11:18They can destroy or at least modify the ecosystems they enter,
11:23because they enter like invaders.
11:25And is this happening to them?
11:26It's happening to them too, of course.
11:28As José Manuel Nieves wrote in his ABC column,
11:32We are facing a full-blown invasion,
11:34Silent, slow, invisible, but no less real for that.
11:38And it is happening now, right under our noses and in every ocean on the planet.
11:44Another great question.
11:45We have finally found the alchemists after centuries of longing, haven't we?
11:50Eternal life.
11:51An animal where that happens in its cells,
11:55Can there be, José Manuel, and this is the big question, isn't it?
11:57A lesson for man,
11:58Now that DNA is being encoded, decoded, sequenced, broken down, and worked with,
12:03Will we be able to extract anything from those cells—it may sound like science fiction—?
12:08Is this behavior a key to adapting human beings?
12:11It is expected, but not yet.
12:14And I'm telling you, I've been seeing it, there are perfectly detailed studies
12:20to whom it is no longer possible to contribute much more,
12:23which are from the years 90, 91, 92,
12:26And we're still at this, we're still at the same level of knowledge as back then, right?
12:32It is not known exactly how the mechanism that allows this animal to be immortal works.
12:39It is known that it has to do with the cell regeneration we have talked about.
12:43and that has to do with an ability to differentiate and regenerate its cells.
12:50Cells, as you know, when an organism begins to live,
12:54It starts with very few cells,
12:57a small cluster of cells that keep multiplying,
13:00They keep multiplying; first there are two, then there are four, then there are eight,
13:03sixteen, thirty-two, and so on up to a full body,
13:06And as they multiply, they become more differentiated.
13:10In other words, we have cells in our nails that have absolutely nothing to do with it.
13:14with those we have in the liver,
13:15But we were all born and arose from a very limited group of cells
13:20that they could, are totipotent, science calls them,
13:23and could theoretically become anything.
13:26But once converted, that is, once differentiated,
13:29It is very difficult, it is impossible, for them to return to their previous states
13:33so that I can become anything again.
13:36That's exactly what this jellyfish has managed to do naturally.
13:41How many mysteries, how many enigmas in such a small size,
13:45like that of a cell?
13:46I invite you, José Manuel, to have a brief conversation with me,
13:49It's a fascinating topic, about those real challenges.
13:52DNA, what is being done with DNA right now,
13:55the Human Genome Project, DNA classification,
13:59All our code, I once read that it was as if one,
14:02To read his own information, he would have a volume that took him a long time to read.
14:06like a book thirty-something years.
14:08In other words, our innermost map, what will happen to that?
14:12For now, we know that on our coasts, not very far away,
14:15On our coasts, there is a small animal, perhaps insignificant,
14:18If we look at him on the shore of the beach, already dead,
14:20that if he were in his natural environment, he would never die.
14:24I don't think anything more can be added.
14:26What I do invite you to do, José Manuel, is to continue enjoying science.
14:29that we talk about scientific things that are directly a mystery and a challenge,
14:33and that many people need to know.
14:35Of course.
14:36José Manuel, thank you, my friend.
14:37Thank you very much.
14:39Now let's look at the images, truly impressive ones.
14:41almost like that image that's there, frozen in time.
14:46An immortal animal.
14:47Who could say?
14:49It's already a reality, not science fiction.
14:51We continue on Fourth Millennium.
15:21An immortal animal.
15:47At this precise time of night, our mystery ship transforms into a peculiar gondola.
15:51Now we're going to navigate through the water labyrinth of Venice, possibly the most beautiful city in the world, the city
15:59Some say it's more romantic.
16:02And I would add an enclave full of secrets, of mysteries that still challenge us.
16:08The masks, the velvets, the hats with jewels and glitter.
16:13Right now in that city, the party dominates everything, wanting to forget that other story, the black Venice.
16:21The one about assassins, sects, apparitions, or cursed palaces.
16:27Do you want to discover the Venice that doesn't appear in any guidebook?
16:31We begin the journey.
16:32If you look at the landscape behind me, the mansions, the water in the canals, you'll see right away
16:38that we are in Venice.
16:39That city that hides a thousand and one secrets, both under its waters and among its narrow streets.
16:45Cuarto Milenio has come here, to this city, precisely to uncover some of those mysteries, some of those secrets.
16:51And also to see how those masks that we see around the streets, which at first seem cheerful,
16:58At night they change and become eerie.
17:10Venice is the city of canals and the most ostentatious palatial luxury.
17:15Its marble buildings seem to rise from the water that floods the entire city.
17:20Meanwhile, hundreds of men, rowing in an ordered chaos, venture into the darkest alleyways, seemingly reliving the
17:30A thousand and one legends that happened in other times.
17:37But when night falls, the narrow streets, once full of life, become dangerous for the
17:45visitor.
17:46Venetians know that there are certain hidden corners that should not be entered.
17:52Cursed paths that were once filled with blood.
17:56We find ourselves on the riverbank of the assassins.
18:00This narrow street is called that, but it really has a lot of history; this street, with all the history of
18:07Venice, from this mythical city.
18:09This city generated two edicts for two reasons.
18:14In 1410, due to the number of murders that occurred on this narrow and short street,
18:21The Edict of the Beards was decreed.
18:25The Edict of the Beards was that the doges forbade all citizens of Venice from wearing a very long beard.
18:33thick,
18:34because that could lead to the murderers not being recognized.
18:39The second edict, by Doge Foscari, in 1422, was called the Edict of Light.
18:47The Edict of Light consisted of keeping a small oil lamp always lit at the entrance of this
18:56street,
18:56from the street of the murderers, to prevent further murders.
19:03Not far from there is the street of Death, where thieves, informers and people of the night were executed.
19:11to live poorly,
19:11by order of the Council of Ten, a kind of secret police force that eliminated anyone who gave bad news
19:18image of the city.
19:22Only daylight gives us enough confidence to direct our steps towards the building with the most deaths
19:30has to his credit.
19:31The fame of Encantado has made one of the most beautiful buildings in the city of Los Canales remain
19:38abandoned for fear of the curse.
19:43Following our mysterious route through Venice, we have approached Cadario.
19:47This is a place that Venetians call the palace that kills, the palace that murders.
19:53And why? Because right behind this door there have already been more than 10 deaths.
19:58Some died by suicide, and others under strange circumstances.
20:01All its owners have perished; now it is abandoned.
20:05Let's go inside and discover its mysteries.
20:36Giovanni Dario was the creator of this building that opens its windows onto the Grand Canal.
20:41A man of great power and wealth in 15th-century Venice who lost everything he had and
20:48He died after laying the last stone of his dream home.
20:53His son-in-law, Vincenzo Bárbaro, would fare no better, stripped of his high government post and dishonoring the name of
21:01his family,
21:02He decided to take his own life while his beloved wife Marieta died, they say of grief, locked in the house he murdered.
21:17Later, a descendant, Giacomo Barbaro, governor of the city of Candia, decided to live in the house to spend his
21:25holidays.
21:27A few days later he was murdered, and it was never known who his executioner was.
21:34Unaware of the curse, Arbit Abdul, a wealthy Armenian diamond merchant, acquired the mansion and, as if it were a
21:42if it were a hurricane,
21:43Bad luck arrived, almost without them noticing, during their escape.
21:48After going bankrupt, he was found dead, dressed in rags, near what had been his luxurious garden.
21:58The English writer, Roudon Brown, saw in that privileged enclave his inspiring refuge.
22:05Accompanied by a friend, he moved into the luxurious rooms that make up the house,
22:10But soon depression, fear, and madness took hold of both men, leading them to suicide.
22:28Back in 1970, Count Filippo Giordano de la Lance decided to turn Kadario into the place where he gives free rein
22:37release
22:37to her passion for a young Serbian sailor named Raul.
22:42He ended up smashing his head with a bronze statuette.
22:46After committing the crime, he fled to London, where he was in turn murdered.
22:52Christopher Lambert, the manager of the rock group The Who, immediately fell in love with the house
22:57and he did not believe in Venetian trickery.
23:00But the truth is that after signing the deeds, he decided to visit his mother.
23:05to share with her such a wonderful acquisition.
23:09Everyone was thinking about the good times they would have surrounded by ostentatious luxury,
23:14But the house that kills, thirsty for blood, was about to claim another victim.
23:20Lambert fell down the stairs of his London home, dying instantly.
23:26Fabrizio Ferrari and his sister Nicoletta also joined the cursed list
23:30of owners who died under strange circumstances.
23:34Raúl Gardini, an Italian businessman and chemist, decided to end his life with a gunshot.
23:39behind the already cursed walls of Kadario.
23:43The famous tenor Mario del Monaco had better luck, when he was going to Venice
23:47To sign the purchase of the palace, he suffered a serious car accident that made him reconsider.
23:53and renounce forever the house of chimneys.
24:02Very close to this bloody enclave, and after passing under several bridges,
24:07A strange, majestic church rises up, the Church of the Madonna de la Salute,
24:12which holds many mysteries beneath its dome.
24:15I find myself here, with this magnificent scenery behind me,
24:21Santa María de la Salute.
24:23This church was built between 1631 and 1681
24:27and designed by the architect Valdasar Elonguena.
24:32The magic of this setting is that Valdasar Elonguena
24:36He used the Venetian foot to build it.
24:39A recent German study, by German engineers and German architects,
24:43It showed that Elonguena had used the eight.
24:47The number eight appeared on a great number of occasions in the church.
24:52The floor plan is octagonal.
24:54The church is based on eight columns.
24:58The dome system is supported on eight leaves.
25:03That number eight, Valdasar Elonguena,
25:06He used it to express gratitude as a symbolic gesture.
25:11to the Virgin of Santa María de la Salud
25:14for driving the plague away from the city of Venice.
25:18The number eight meant something to Longuena
25:22the salvation of the city,
25:24the resurrection of the city
25:26and the Virgin's crown.
25:35The plague decimated the Venetian population,
25:37But it seems that untimely death,
25:40the children's,
25:41This prevented them from resting in peace.
25:44The chronicles tell that the builders of the Salute
25:47They experienced all kinds of strange phenomena.
25:50Suddenly they found themselves surrounded by little ones
25:53who were playing with their work tools,
25:55But when they were about to reprimand them
25:57They vanished before his astonished eyes.
26:02Black dogs that seemed to guard the entrance at night,
26:06mocking laughter whispered in the ear of anyone who dared to enter the temple,
26:09sound of chains dragging across the marble
26:12and, above all,
26:13something that made more than one construction foreman flee,
26:16the squeaking of a claw scratching the ground.
26:21Neither the women nor the children wanted to visit the church
26:25because they claimed that someone was pulling their hair
26:28and the workers refused to continue performing their tasks.
26:33The matter reached the ears of the Council of Ten,
26:37which he immediately ruled
26:38that they were the spirits of the plague victims,
26:42those who had been buried in a nearby place.
26:46The area was cordoned off and guarded by the brave commander,
26:50Girolamo Sartori.
26:53The third night,
26:54when the wailing became almost unbearable,
26:57They realized that something was oozing from the ground.
27:00It was blood.
27:02Sartori ordered them to take up a pick and shovel.
27:04and then corpses began to appear
27:07that they still retained on their faces
27:09a final grimace of pain.
27:11After burying them in a sacred place,
27:14Everything returned to calm.
27:20Trying to find a more crowded place,
27:23We take a vaporetto to cross the Grand Canal.
27:25and reach the city's nerve center,
27:28St. Mark's Square.
27:31We walked around the two columns that face the sea,
27:34because tradition says that it brings bad luck to walk between them.
27:38And there, in front of the clock tower,
27:40We see how the majestic Ducal Palace rises.
27:44This enclave, in other times,
27:47He was greatly feared by the Venetians,
27:49because it was known that in her womb
27:50It housed the worst prison in all of Europe.
27:55Aware of the hardships the prisoners had to endure,
27:58we descend between the damp walls
28:01which gradually become narrower.
28:06Small wooden doors appear in our path.
28:09Some of them remain closed
28:12with rusty iron bolts.
28:14Others have a number above them,
28:16but they all display on their walls
28:19a piece of life that time has not been able to erase.
28:25This is a cell,
28:26We are in one of the cells.
28:28We're in, let's say, the plant,
28:30we could say it in quotation marks,
28:31on the main floor of the prison.
28:35As you can see here, for example,
28:36in this cell where we are not,
28:38It was for four people.
28:40It was lined with wood
28:42because it was originally lined with wood.
28:45But of course, some cells were made of stone,
28:48In other words, they were given straw to make hay,
28:51so that they could lie down on top of them,
28:53It was the only place they had to take shelter.
28:57You can really feel the suffering here.
29:01Because, as in all prisons,
29:03I believe that in all prison stories,
29:05They have left behind some of that pain and suffering.
29:07engraved on the walls,
29:09the prisoners who passed through here.
29:11So, of course, it's very curious.
29:12Because here, for example, you discover prisoners' inscriptions
29:15that happened in 1319,
29:18They served their sentences in these cells,
29:20in this terrible place,
29:23up to, for example,
29:25people who served sentences in 1929,
29:28because this prison
29:30It was in operation until 1931,
29:33in 1932.
29:44We still have one surprise left to reveal.
29:47Behind a false wooden panel,
29:49The guide shows us the door that leads to hell.
29:53A damp place
29:55where the smell of rotten wood
29:56and from the filth of other times
29:59It seeps through every pore of our body
30:02and, in the end,
30:04the suffocating cells of the prisoners.
30:07To end our trip
30:09through the magical and mysterious Venice,
30:11we have obtained a special permit
30:13to delve into the Pozzi.
30:15These are the original prisons,
30:18the originals,
30:19the oldest ones.
30:20When there was a large concentration of prisoners,
30:22construction began
30:24those that are right on the lower floors.
30:27I am lying on a cot from that era,
30:29with the original wood
30:31just like the walls.
30:33And right above me
30:34They will find that there is a black cross.
30:37and an inscription,
30:38a date,
30:401320.
30:41Imagine yourselves in those centuries,
30:43four or five centuries ago,
30:45how they lived in terrible conditions,
30:47with the cold, the humidity.
30:50It is said that the prisoner
30:51who endured the most
30:52He lived within these four walls
30:54in the 15th century
30:55and was able to withstand 43 years.
31:00Venice is a two-faced mask.
31:03One shows the cheerful side
31:05of its carnivals and its people,
31:07but in a matter of seconds
31:08that smiling face
31:10It becomes a terrible, diabolical grimace.
31:14And speaking of the devil,
31:16I'll just give you one warning.
31:18If you travel to the city of canals,
31:20Do not cross the Devil's Bridge.
31:23Because?
31:24Maybe,
31:26on another occasion,
31:27reveal the enigma to him.
31:36It's Venice,
31:37the city
31:37that Marco Polo recounted,
31:39the city that Canaleto painted,
31:41a city
31:42in the collective unconscious,
31:44but always
31:45from a romantic point of view.
31:47We count
31:48the other story,
31:50the other side of the scale,
31:52the one about the mystery.
31:53Clear,
31:54if you have followed this journey,
31:55that's clear
31:56that one cannot go to every river
31:58and that the Venetians
31:59They know very well
32:00how to avoid certain places.
32:02Well,
32:02the legend,
32:03superstition
32:03or something else.
32:06Erick Frattini
32:06It has also been
32:07Cicero exceptional
32:09because of his latest novel
32:10research
32:12It's The Water Labyrinth
32:13and it is dedicated to Venice.
32:15Erick,
32:16Good evening, colleague.
32:17How are you?
32:17Good night.
32:18Very carnival-loving, too.
32:19because we are in the middle of carnival.
32:20In the middle of carnival.
32:21We enjoyed it
32:22very much with you.
32:23There are so many stories
32:24what to tell.
32:25Man,
32:25there would be no need to buy
32:26more than visiting
32:27what to buy
32:27the haunted house,
32:28the cursed palace
32:29and what you should never do
32:31And for me, it's a story
32:31that has me
32:32is,
32:34For example,
32:35in one of those small alleyways
32:36to stop at a humble butcher shop
32:38and buy certain sausages,
32:40No?
32:40Yes that's how it is.
32:42There is one of the many legends
32:43that are counted
32:44which is Giovanni Biasio's.
32:47Giovanni Biasio
32:48It was a Lunganegger.
32:50Lunganegger, that one.
32:51so that people understand,
32:52He's the one who makes the sausages.
32:54The sausage maker, right?
32:55So,
32:56Biasio became very famous
32:58because it was, let's say,
32:59the one who made the sausages,
33:00the sausages,
33:01let's say,
33:02the sausages
33:03for the mastiffs,
33:04No?
33:04They were, moreover,
33:05They were gourmet pieces
33:07highly appreciated.
33:08The mastiffs,
33:09What were they, Eric?
33:10The mastiffs were,
33:12let's say,
33:12the princes,
33:13those who ruled Venice,
33:15No?
33:15So,
33:17Well,
33:17one day
33:18There is a merchant,
33:19A merchant arrives in Venice
33:20and eat,
33:22try one of the sausages
33:23by Biasio.
33:24This sausage discovers,
33:26when he is eating the sausage,
33:27uncovers a finger with a nail,
33:29which is just like the legend says,
33:31and reports it to the Council of Ten,
33:33to the secret police of the Great Danes.
33:35The Council of Ten
33:36He begins to investigate Biasio
33:37and finally they discover
33:40that Biasio
33:41He made his sausages
33:43with human flesh.
33:45Well,
33:46the mastiff
33:47orders him to execute it
33:49for murder
33:50and another of the orders,
33:52another of the penalties
33:53which imposes on Biasio
33:54It is destruction
33:54from his house
33:55and that his ashes
33:58be scattered
33:58to the wind of Venice,
33:59No?
34:00So that it's forgotten
34:00the entire legend of Biasio.
34:02Well,
34:03well, not only
34:03that has not been forgotten,
34:05in Venice
34:07There is currently a bank of Biasio
34:08with his name
34:10of the avenue
34:11which is precisely
34:13near,
34:14very close
34:14of one of the great bridges
34:16From Venice, right?
34:17And they say that when
34:18They performed that operation
34:19before burning the house down
34:20and wipe it off the map
34:21tells the Venetian story
34:23that there were already about 200 skulls.
34:24Yes, yes,
34:25that there were more than 200 skulls
34:26the report says
34:27of the Council of Ten
34:28that the police
34:29when are they going to destroy the house
34:31They're going to demolish the house
34:32on the banks of Biasio
34:33discover in the basement
34:35more than 250 skulls
34:37that supposedly
34:38They were the corpses
34:39that he had done
34:40hashish
34:40that had fed
34:41to the great princes
34:42and noble families
34:43of Venice.
34:44Carmen said goodbye
34:45your report
34:47with a recommendation
34:48Do not cross
34:49the bridge
34:50of the diabolo
34:51because?
34:53Well, it's said
34:54a story too
34:55On Bridge
34:56of the devil
34:57and besides, you don't have to cross it
34:58if we meet
34:59with a black cat
35:00because he is the devil himself
35:02that is waiting for us
35:03at least
35:03He's waiting for us
35:04seven children
35:05The legend says
35:06that a very young girl
35:08from a very good family
35:09falls in love
35:10of a soldier
35:11the family of course
35:12He doesn't want her to marry him
35:13and orders him to be killed
35:15They kill him
35:16but the girl
35:17I was so in love
35:18who goes to a witch
35:19so that he may resurrect him
35:20this witch
35:21He didn't have that much power
35:22as if to resurrect
35:23to the dead
35:23and gets in touch
35:25with the devil
35:26the devil tells him
35:27that he does have that power
35:28and that he will raise him up.
35:30but in return
35:30He has to give it to her
35:31seven small children
35:32the witch dies
35:34without fulfilling his promise
35:35to give him those seven children
35:37the young man is resurrected
35:39and gets married
35:40with the lady
35:41of high nobility
35:42but the devil
35:43He's still on the bridge
35:45waiting for them to take him
35:46those seven baby souls
36:25that they take him
36:29In other words, Venice is full of these kinds of stories that obviously become reality.
36:33Many people will be thinking, what we've seen of the cursed palace is real,
36:37And there are the characters, the stories, the photographs, and the data.
36:40And nobody wants to buy that place, that house, K-Dario, they don't want to buy it.
36:46And we saw that it was completely abandoned, and we noticed some very curious details,
36:50It was like all the doorknobs and knockers were with the devil, the devil staring at you.
36:56Yes, yes. Besides, it really does have a creepy image.
37:00Because regardless of whether you know the legend of the cursed palace or not,
37:03which is also known as K-Dario,
37:07Of course, when you get there and see it abandoned, because even though it now belongs to a...
37:11We knew it belonged to an American group; it was bought by an American group.
37:14At the time it was done to create a luxury hotel project
37:17The project has never been carried out, and it remains closed.
37:21Perhaps it was due to the economic crisis.
37:23But the Venetians, with their reputation for being imaginative and full of legends,
37:30Fans of the legend have begun to say that, of course,
37:32That's because the Americans know that K-Dario is cursed and that's why they're not building the hotel.
37:36I believe that one of the scenes, in some other investigations in Venice,
37:39which perfectly show the two sides of the mask,
37:42That's when we discovered, remember, Carmen?
37:45the true meaning of Bridge of Sighs,
37:48Bridge of Sighs, where right now many couples in love
37:51They were getting together and making declarations of love to each other,
37:54They thought they were those "Sighs of Love" and people had to take pictures.
37:57And history tells us that precisely those Venetian princes
38:00They had that hat as their emblem, right, Eric?
38:04That hat was somewhat of a symbol of power for that city.
38:08It was like the crown, it was the crown of the Great Danes.
38:10The crown of the doges, therefore, had a body,
38:12Let's call it that: ecclesiastical, harsh.
38:14a kind of inquisition called Signori di Notte,
38:17lords of the night,
38:19who had no qualms about putting the executed men,
38:22to the prisoners, to the detainees, in a kind of gondola,
38:25pass under the Bridge of Sighs,
38:27which was the one that was near the Ducal Palace
38:29and of the prisons you have seen,
38:31and many times they cut off their heads and threw them into the canals.
38:35The sighs were not sighs of love,
38:37but they were among those who were going to be beheaded.
38:39It is a perfect expression of what this city is.
38:42A city riddled with apparitions, death, and plague.
38:46battles against the plague.
38:48And of well-known ghosts like Giordano Bruno, for example.
38:52They say that Becci still appears in Camocénigo.
38:56That's its name, it's a small palace.
38:57Giordano Bruno, the father of mnemonics.
38:59Well, it's a 16th-century mansion.
39:01He was invited there, because we know he was a philosopher,
39:05who was a poet,
39:06who also dabbled in magic,
39:09and then he is invited by Giovanni Mocénigo.
39:12That was the name of the owner of that mansion.
39:15He wanted to learn those magical arts from Giordano Bruno
39:18And that's why he takes it with him and lives there for eight months.
39:21next to this very rich merchant.
39:24To such an extent that the merchant did not learn
39:27the power that Giordano Bruno had
39:29and then decides to accuse him
39:31before the Venetian authorities.
39:34The authorities transfer him to Rome
39:35And it is in Rome when the Holy Office...
39:38He decided to burn it on February 17, 1600.
39:43Well, around this time of year, specifically in the month of February,
39:46They say that Giordano Bruno keeps appearing
39:49and who also always appears doing something with water.
39:53We have seen, at this time and in the images
39:56We have been able to verify this,
39:57as Venice or part of Venice was flooded.
40:00High water.
40:01It is said that Giordano Bruno had a lot to do with that high water.
40:04because sometimes he even turns on the taps in this mansion
40:08in which his spirit still remains.
40:10Well, Giordano Bruno,
40:12whose image is very well portrayed in the Field of Iphiore in Rome,
40:15with a kind of cap...
40:17More sinister than those carnival costumes,
40:19Giordano Bruno, who was one of the first sages
40:21who said there was life beyond Earth,
40:24He was condemned to be burned alive.
40:25and her mouth sewn shut,
40:27lips and tongue sewn shut
40:29in one of the most atrocious maneuvers that has ever occurred.
40:32There are even alleyways where Venetians
40:34They simply don't get through.
40:35And we checked, they don't pass.
40:37And there are some that have been obscure
40:40in ancient times and in almost recent times.
40:43For example, on that bank of the Esasesini
40:45Eric was counting, notebook in hand,
40:49Of course, there were duels,
40:51Many people have taken advantage of the Venetian fog,
40:53from the darkness, from the layers,
40:55to murder.
40:56From the beards.
40:57But then the 20th century arrives.
40:58And something's happening on that street.
41:01which has to do with the Nazis.
41:02Yes, yes.
41:04Yes, it's curious.
41:05But it was because of a...
41:06They say it was a coincidence.
41:08What a coincidence.
41:09Fate is a coincidence.
41:12When Italy announces,
41:13towards the end of 1944,
41:15who is going to join the war
41:17helping the allies,
41:19Germany orders the occupation
41:21of all the major cities in Italy
41:23and occupy Venice.
41:24Okay, then,
41:25the Gestapo and the SS,
41:27curiously,
41:28They set up the Gestapo headquarters
41:31on the street of the murderers.
41:32They choose that exact spot in Venice.
41:34Yes, the thing is, I don't know
41:35given the strategic situation,
41:37because they said that,
41:38Of course, they have a channel,
41:39What historians really tell you
41:41It's that at the end of the assassins' web
41:44There's a slightly wider channel
41:47And that allowed the boats
41:49of the Clins Marine
41:51to take prisoners
41:52to be questioned
41:53at Gestapo headquarters.
41:55So, of course,
41:56during the war,
41:57who told me about it, curiously enough.
41:58a man who, while we were recording
41:59A very old man opened the door.
42:01And he told me that legend,
42:03Or maybe it's just a legend.
42:04It's a true story,
42:05already in Venice,
42:06And he told me that, of course,
42:07That allowed...
42:09Of course, the Venetians
42:10They didn't go down that street
42:11mainly because at one point
42:12It was cut,
42:13because he was not allowed
42:14for security reasons
42:15the SS and the Gestapo.
42:16So, of course,
42:17They entered directly through the canal.
42:18the prisoners,
42:19They were brutally interrogated
42:21by the Gestapo and the SS
42:22in that same building
42:23And he says that, of course,
42:25that what is said
42:26It's that many people
42:27disappeared from that house
42:30and that they don't quite know where they are
42:31or they ended up dead in the canal
42:33or in other words,
42:34which also,
42:35But of course,
42:35the curiosity of destiny
42:37that we are talking
42:38of the 15th century,
42:39it is put on,
42:39That's the name of that street
42:41the street of assassins
42:42and curiously in the year 44
42:44the killers
42:45They were also on that street.
42:47all of Venice
42:48is, let's say,
42:50somehow
42:50presided over by the figure
42:51of the devil,
42:52We can see it in detail,
42:53in heads,
42:54in prodigious figures
42:55of Renaissance art,
42:57But there's something more,
42:58our trip was ending
42:59in one place,
43:00really,
43:01they say,
43:01one of the worst
43:02prisons of the world.
43:04Clear,
43:04there's a feeling
43:05which must be incredible,
43:06The three of us lived there.
43:07In the Pozzi,
43:10authentic,
43:10that opened for us
43:11and that I believe
43:11that have not been filmed,
43:12it was necessary to lift
43:13a kind of wooden lid
43:14in ancient times
43:14to enter some caves,
43:17cells,
43:1714th-century inscriptions,
43:19messages without light
43:20and when it was seen
43:21some small window,
43:22one saw
43:23It was water,
43:24high water,
43:24I mean,
43:24On top of that, there wasn't even any air.
43:26but water,
43:27You were underwater.
43:28Legend has it
43:29or reality
43:31that the painter
43:32Jerónimo Sbanac
43:33in Bosch
43:34He was there for a while,
43:35his only trip was
43:36to those cells
43:37because?
43:38so that?
43:38Some people think
43:39that Bosch
43:40with any type of technique
43:43I saw beyond,
43:44They demonstrate this in their paintings,
43:45in the Prado we have
43:45the greatest expression
43:47of that very strange art
43:48which anticipates surrealism
43:50and one of our favorite paintings
43:51which you are already seeing
43:53is
43:53visions of the afterlife,
43:56that circle of light
43:57which is being made into a tunnel,
43:58the first circle
43:59three-dimensional
44:00of the history of art,
44:01the souls go
44:02through that circle
44:03and finally it appears
44:04a sinister character
44:05raising his hand,
44:06the same thing they have seen
44:07so many people
44:07in close experiences
44:09to death upon returning,
44:10Well then,
44:11that board appeared dilapidated
44:12in these cells
44:14and nobody knows why,
44:15Nobody knows why,
44:16It's impressive to see the Pozzi
44:18full of stories,
44:19registration
44:20well into the 20th century.
44:21Yes, and impressive too.
44:23above all penetrate
44:24on one side of the story
44:26very dark,
44:27so dark
44:28that not even
44:28They let you visit him
44:29to the average tourist,
44:31from Madrid
44:32we had to ask
44:33a series of permits
44:34tremendous
44:34in order to be able to film
44:35for the first time
44:36these Pozzi,
44:37The cells are also visible
44:39what they were like,
44:39They were impressive,
44:40It was cold,
44:41the smell lingered
44:42because the cots
44:44they were still
44:45from the original wood,
44:46the walls,
44:47some of them
44:47They were lined
44:48and everything was kind of damp,
44:50rusty,
44:51the irons that there were
44:53in all those cells,
44:54the truth that it felt
44:55the anguish
44:56and it was very easy
44:58that after a few months
44:59the one who was taken prisoner
45:00died
45:01because the conditions
45:02of life and hygiene
45:03were null
45:04In those cases,
45:05But as I mentioned
45:06in the report,
45:07the one that lasted the longest,
45:08Look,
45:08willpower
45:09that it had to have
45:1043 years old,
45:11nothing more and nothing less.
45:11Drenched in life,
45:12the resistance,
45:13also in the,
45:15because you remember
45:16that the first cells
45:17that they taught us
45:18They were like dwellings
45:19at least
45:20for eight people,
45:21nine people,
45:22but then the cell,
45:23the original
45:24where it appears,
45:25where you showed
45:25the registration
45:26of 1320,
45:28was absolutely reduced,
45:30Furthermore,
45:31We have to tell him
45:32that when we entered
45:33One of them had to leave.
45:34and enter the other
45:35to be able to see it
45:36and then another one comes out
45:36and enter the other
45:37because we didn't fit
45:38the three in the cell
45:40And the truth is,
45:41clear,
45:41thinking,
45:42remember that we used to sit
45:43in bed
45:44and to say,
45:44Wow,
45:44How could this have happened?
45:45almost someone
45:46half a century locked up?
45:47In the dark,
45:48underwater,
45:48there 45 years.
45:50Or for example,
45:50the registration
45:51that I saw in one of the cells
45:52which we also visited,
45:53the registration
45:54of that man
45:55that in 1929
45:56a soldier
45:58was there
45:58and wrote
45:59a species
46:00of poetry
46:01on the wall,
46:02in one of the cells,
46:04which says,
46:05It is dated 1929
46:07And he said,
46:08I, who was an honorable soldier
46:10of the war of 1914,
46:12of the First World War
46:13And here I am.
46:14in this destination
46:15of suffering
46:16simply because
46:17of having sold
46:18my boots.
46:19Look out for the pain
46:20that they imposed on this man
46:21to be introduced
46:23in this prison,
46:23How awful,
46:24What a tragedy.
46:25It's magical Venice,
46:26We've done it many times
46:27with Spain,
46:27No?
46:28Diving into ancient Spain
46:30where legend is mixed
46:31and reality,
46:31where there are documents
46:32and stones
46:33and to reclaim it a little.
46:34Of course it still is
46:35Still, right?
46:36Erick, carnival in Venice.
46:37Yes, yes, still.
46:37But beneath those layers
46:39and from that impersonated identity
46:41A lot of things happen.
46:42Many of those things
46:44collected in this work,
46:45The water labyrinth,
46:47investigative novel
46:48from our colleague
46:49Erick Fratini.
46:49All the luck in the world,
46:50buddy,
46:51And thank you for this trip.
46:52Thanks a lot.
46:53Thank you all.
46:54Carmen,
46:54What do you think if now
46:55After this trip,
46:56amazing,
46:56You know what I notice,
46:57still moisture in the bones.
46:58I haven't gotten rid of it.
46:59as you will see,
47:00the humidity
47:01down there under the pits.
47:02The humidity and the loneliness
47:03of Venice
47:04around this time of year.
47:05That's very curious
47:06because also
47:07we saw a Venice
47:08a little different.
47:09We've been there several times.
47:10And of course,
47:11The cameras are always there.
47:12photographic,
47:13tourists from all over the world.
47:14It's different.
47:15get there
47:16and see everything empty,
47:18practically empty,
47:20an image
47:20that it has made us feel,
47:21TRUE?
47:22Black Venice
47:23or Black Venice
47:24that we wanted to show you
47:25as something different.
47:26Now let's look at some more images.
47:28I don't think they'll be enough.
47:29beauty
47:30from the recordings
47:30from our colleague Barreto,
47:32that special light of Venice,
47:34But they're worth it.
47:35Carmen,
47:35Right?
47:35Yeah,
47:36some of them also
47:36very dark.
47:37Photos from Cuarto Milenio.
47:48Many people
47:49And that's how it is.
47:50from the beginning
47:51of the fourth millennium
47:52It's been quite a few years now
47:54they say that
47:55we reveal
47:55all the secrets,
47:57that we solve
47:57all the photos.
47:58I repeat,
47:59It is our obligation
47:59to know what's happening.
48:01But
48:02no less true
48:03It's just a little smile
48:04we get
48:05when some arrives
48:05that our IT analysts
48:07They have not been able to resolve it.
48:08Is this strange?
48:09Is it an anomaly?
48:10A kind of paridolescence?
48:11Or not?
48:11Is there anything else?
48:12For now, it's going with that label.
48:14Photo of the difficult ones.
48:15She got it
48:15Lucas Souto López.
48:17Ponte Areas,
48:18Ponte Vedra.
48:20Well, Lucas
48:20She also sent it to us
48:21a little scared
48:23because he was telling us
48:24that he was alone
48:25in their home.
48:27It was Christmas
48:27and only his father
48:29performing
48:29the photograph.
48:30De Ponte Areas
48:31Also, greetings
48:32for the whole family
48:33that I have there.
48:34And look
48:35a mysterious photo.
48:37What it tells us
48:37in the analyses
48:38by Guillermo León
48:39has left us
48:40a little uneasy.
48:41We will point out
48:42right here.
48:44Look,
48:44We've illuminated it more
48:45Iker
48:46and I'm going to expand it
48:48quite
48:48so that it can be seen.
48:50Let's put it on
48:51there in the first place.
48:52It looks like a face, doesn't it?
48:54Look.
48:54Even
48:55the two nostrils
48:56frontals.
48:57That is.
48:57Look,
48:58There it is
48:58right in the middle.
48:59You see, it seems
49:00that has
49:00a mouth
49:01as a little
49:02and half-open
49:03the two nostrils
49:05as if they were
49:06of a skull
49:06and the eyes
49:07They are almost invisible.
49:08Yes, yes,
49:08like two little lines.
49:09What could it be?
49:10Well,
49:10our friend
49:10he informed us
49:11that it couldn't be
49:12no one behind the glass
49:13because underneath
49:15There are more than two meters
49:16and a half tall
49:17therefore
49:18no one could look out.
49:20That couldn't be either,
49:22The analyses tell us,
49:23nothing from within,
49:24no reflection
49:25that has been projected
49:26on the glass.
49:27So,
49:28What would it be?
49:29Well, we don't have
49:29the solution,
49:30Iker.
49:30We even thought
49:31which could be
49:32a small setup
49:33photographic,
49:34but the information
49:35Exif
49:35that carry
49:36all digital cameras
49:37It's perfect.
49:38and nobody has rigged anything.
49:40Not even the brand
49:41from someone
49:41that by accident
49:42has done something
49:43and then it was reflected.
49:44Well,
49:45We don't have a solution.
49:46for this photograph,
49:47for this face
49:48which is somewhat unsettling
49:50and even more so when
49:52They are there alone
49:54at home.
49:54And it reminds us
49:54some teleplasties
49:55in classic quotation marks
49:57of the history of Spain
49:57in its form.
49:59Whatever it is,
49:59but of course
50:00It must be said
50:00that the photo
50:01by Lucas Uto López
50:02for now
50:02Yes, it has knocked down
50:05all systems
50:05that we put as a filter
50:06for our mission,
50:07I repeat,
50:08discover
50:08What are these photos?
50:10We cannot
50:11give a concrete answer
50:13to this image
50:14and so?
50:14makes us ask
50:15of course
50:16your help.
50:17If they are technicians,
50:17For example,
50:18on the glass
50:18can give us a hand.
50:20We certainly continue
50:22motivating
50:22that people
50:23send your drawings,
50:24her little ones
50:24or great works of art.
50:26And this one is coming,
50:27For example,
50:27We'll have more later
50:28at the end of the program,
50:28very bucolic,
50:30very,
50:30I don't know,
50:31It's like an apparition
50:31or what is this.
50:33We have several elements
50:34of the mystery.
50:35Angel sent it.
50:36This sounds familiar to me.
50:37a true lady,
50:38saddened,
50:39It reminds me a lot
50:39to a photograph
50:40of supposed ghosts
50:42What about a white lady?
50:43in a cemetery,
50:44sitting on top
50:45from the tomb.
50:46We also see
50:47an angelic image,
50:49we also see
50:49like a woman
50:50is looking
50:51with great sadness.
50:53Our friend Angel
50:53he told us
50:54that he and his wife
50:54had spent a moment
50:56quite hard,
50:57pretty bad,
50:57and that then
50:58imagination
50:59This led him to create
51:00This painting.
51:01Well then,
51:02Here we show it
51:03Because it did shock us,
51:05It has many elements
51:06of those here
51:07We have spoken on occasion.
51:08Perhaps the vocation
51:09in the face of loss
51:11embodied
51:11in art.
51:13Sending us
51:13really
51:14his creations.
51:15They will be displayed here
51:15at the Tactile Museum
51:16from the Fourth Millennium.
51:17Now we're going
51:18with a video
51:19and with a surprise,
51:20I'm going to remember a surprise,
51:21But let's see,
51:22What is this, Carmen?
51:23Alberto Pons sent it to us,
51:25He told us that they were circulating
51:26along the road
51:27from Olías
51:28in your vehicle,
51:29a group of friends,
51:30a Saturday
51:31at night.
51:32They were testing
51:33a new camera
51:33because they were going to pass
51:34a weekend
51:35to Malaga.
51:36They were talking
51:38quietly,
51:39besides,
51:39the boy who was carrying
51:40the camera
51:40I was testing it
51:41Let's see what the zoom was like.
51:43What was the nice shot like?
51:44as we are seeing here
51:45and suddenly,
51:46when they are recording,
51:47Look, Iker,
51:48because it comes
51:49just now.
51:51There it is,
51:52That's the anomaly,
51:53Now we're covered up.
51:54This boy's face
51:55in the foreground.
51:56But there is a figure
51:56They who perform.
51:58Well, they at first
51:59they don't even know
52:00that has been recorded.
52:01It's like it's floating,
52:02If we look at it closely,
52:02or it's a tree.
52:03There it is.
52:04Or is it the trunk?
52:05from a tree,
52:06which could be.
52:06Well,
52:07Well, we don't have it.
52:08so clear.
52:08Oh, no?
52:09No.
52:09It turns out that they
52:10They don't realize
52:11from this recording
52:12until they arrive
52:13to the hotel where they are staying.
52:15They plug in the camera
52:16to television
52:17And that's when
52:18Look at that strange figure.
52:20They're so annoyed
52:21who decide to return
52:22right to the place
52:24where they have taken
52:26these images
52:26to the exact spot,
52:28calculating more or less
52:29along the road
52:29from Olías.
52:30They try walking,
52:32They try to record
52:33the vehicle again
52:34and no image
52:35It comes out the same.
52:36Are they in the car?
52:37Do they see anything?
52:38Does anything startle you?
52:38No, nothing.
52:39It's like a light fixture
52:40that's floating there.
52:41We can see it even better there, right?
52:43There it is.
52:44Better in the foreground.
52:45Guillermo tells us
52:46that...
52:46Here it starts to fade away.
52:46who looks like a person
52:49which also
52:50It is reflected in the light shoot.
52:52It's true.
52:53It looks as if it were
52:54a real person.
52:55Someone wearing white clothing.
52:59Well, surprising.
53:00That was a real person
53:02who was walking
53:03along the shoulder of the road
53:04which can also be.
53:05Well, we don't know.
53:06But these kids
53:07We can't give them either
53:08an explanation
53:09to this video they recorded.
53:10Well, if anyone knows the area,
53:11Please confirm
53:12what element could it be.
53:14Surprising, yes.
53:15because it has something
53:16which reminds us.
53:17You will know
53:18that we did a...
53:19If you are a fan of the show,
53:20We did a special
53:21about Chernobyl,
53:22the night the world ended.
53:23A job
53:24which inaugurated
53:25a series of confidential information.
53:27Well, something happened to us.
53:29which we didn't want either
53:30excessive commenting,
53:32but now,
53:32with your permission
53:33and in this early morning atmosphere
53:34And even more so after seeing this footage,
53:36This reminds us of this.
53:38One of the colleagues
53:40that provided us
53:41some images
53:45It was a window,
53:46with the window open,
53:47filming one of the ghost towns,
53:50one of the ghost zones
53:51near the reactor
53:52Chernobyl number 4,
53:53a practically dead zone.
53:55And suddenly,
53:56suddenly,
53:57Something crosses in front of the camera.
54:00And I can say that
54:00to many friends,
54:02Amable Pérez, for example,
54:04and so many others
54:04who worked
54:05with great effort
54:07in that Chernobyl documentary,
54:08experts,
54:10image managers,
54:11assemblers,
54:12graphic design experts,
54:13Well,
54:13well we had
54:14genuine discussions
54:15What was that about?
54:16A man
54:17with a projection of the sun
54:18which made it
54:19almost in an apparition,
54:21Could that be it?
54:22Maybe not?
54:23We don't know what it could be.
54:24And that's why we're putting it here.
54:26Suddenly,
54:27to a good friend
54:27it slipped in
54:28this kind of ghost
54:30in those towns
54:31out of nowhere
54:31from Chernobyl.
54:32Watch it,
54:33because it's almost an image
54:34twin
54:34to that of these colleagues
54:36that they were going in the middle of the night
54:37in a car.
54:37I think it is
54:38a good analogy,
54:39Of course,
54:40for this story.
54:41Well, it's a good clip.
54:42No?
54:42A united history
54:43somehow
54:44or twin
54:44which perhaps has an explanation
54:45but that has
54:46the same elements,
54:47car,
54:47motion,
54:48shoulder of the road
54:49and luminous figure.
54:50There it is.
54:51There has been a lot of news.
54:52interesting
54:52what do they have to do with each other?
54:53Of course,
54:54with the mystery.
54:54Let's go with them,
54:55Carmen.
54:56News from the fourth millennium.