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00:00:43Upon arriving at this place, one cannot help but feel watched.
00:00:49But that's a misconception, because there's nobody here.
00:00:57They all fled a long time ago.
00:01:00Leaving the region and leaving these windows, these curtains, this ghostly world, like a forgotten scar in the middle of the desert.
00:01:11It's illogical, but we know we're not alone.
00:01:27What we saw and experienced in Humberstone will never be erased from our memory.
00:01:32We obtained some amazing recordings.
00:01:35And I want you to listen to them tonight and feel them with us.
00:01:39But our initial course is very different.
00:01:45Good evening and welcome to the mystery ship.
00:01:48For example, it just happened a few days ago in Murcia, a confessed murderer turned himself in.
00:01:54Because?
00:01:54Because his victim, his victims, appeared to him, tormenting him.
00:01:59Consciousness or mystery?
00:02:02We're going to find out with truly exceptional recordings.
00:02:06It will be at the end of our journey, in the early hours of this morning.
00:02:10You may wonder what such a sinister object, which has taken so many lives, is doing here beside me.
00:02:16And above all, what's the point of that laboratory that looks somewhere between futuristic and 19th century?
00:02:22where it seems like things are going to happen.
00:02:24And they will happen.
00:02:26It is a bit of a biography and a remembrance of a forgotten genius.
00:02:29Nikola Tesla, the wizard of electricity.
00:02:32The father of some of the great inventions of the 20th century.
00:02:36A story of mystery and science.
00:02:38But we have to start by getting to know the character.
00:02:41Nikola Tesla.
00:02:47Sometimes great men go unnoticed and are forgotten.
00:02:52Even reviled during their lifetime.
00:02:55To recognize all their merits as soon as they die.
00:03:09It has been said, and not without reason, that Nikola Tesla is the man who invented the 20th century.
00:03:15Suffice it to say that, from him, electricity as we know it today was born.
00:03:21And it could be applied to extraordinarily broader fields than it had been up to that point,
00:03:27when it was nothing more than a promising curiosity.
00:03:33However, the biography of this genius is full of dark spots.
00:03:38As a child, his older brother suffered an accident that resulted in his death.
00:03:44And Nikola, for some reason, always considered himself the cause of the misfortune.
00:03:49which made him, throughout his entire life, a tortured man with a sense of guilt.
00:03:58He also believed himself to be a man with a special destiny, destined to go down in history.
00:04:04The first step to fulfilling that destiny was to settle in the United States,
00:04:08where he went on to work for Thomas Alva Edison.
00:04:12The two geniuses became enemies almost immediately after meeting.
00:04:16The young Tesla saw how his employer sometimes sabotaged his inventions.
00:04:21and on other occasions he appropriated them directly.
00:04:24For example, Tesla designed a system similar to that of modern radars,
00:04:29But his design was swept aside by Edison, who considered the idea ridiculous.
00:04:36Despite the obstacles, Tesla built a two-base alternating current generator,
00:04:41the induction motor and other revolutionary machines.
00:04:46After the breakup with Edison,
00:04:48Tesla was forced into a period in which he survived by digging ditches,
00:04:52until he starts working for George Westinghouse,
00:04:56American industrialist for whom he would develop alternating current systems,
00:05:01the same current that is present in the sockets of our homes.
00:05:07Edison's direct current systems, his great enemy,
00:05:11They could not distribute power at a distance greater than one kilometer from the generator
00:05:15due to voltage drops caused by the resistance of the lines.
00:05:22Tesla's invention is what makes it possible for our entire technological civilization to continue operating today.
00:05:30He also devised and built the basic circuits necessary for the transmission and reception of communications wirelessly,
00:05:38something that we know today as radio and television.
00:05:47It was during this time that Tesla began working on one of its most ambitious projects,
00:05:54wireless electricity transmission.
00:05:58His reasoning was very simple.
00:06:00If it is possible to transmit electrical impulses through radio waves
00:06:05and reproduce sound generated elsewhere,
00:06:08Why wouldn't it be possible to do the same with electrical energy?
00:06:15To achieve this, he designed a system that included an antenna over 30 meters high,
00:06:21Wardenclyffe Tower.
00:06:27His work rhythm, his peculiar lifestyle habits, and his progressive neuroses
00:06:32They caused his health to eventually suffer.
00:06:36And one night, on January 7, 1943, while he was alone in the New York Hotel,
00:06:44died of a coronary thrombosis.
00:06:48After his death, the great mystery that has surrounded everything related to Nikola Tesla ever since begins.
00:06:56Immediately upon learning of his death,
00:06:59The room was raided by a small army of FBI agents.
00:07:03who confiscated each and every one of his documents with Tesla's body still present in the room.
00:07:12Behind this record may well have been one of Tesla's most controversial research projects,
00:07:18the death ray.
00:07:21A device that could knock an entire enemy army out of action,
00:07:26destroy any air force that attacked a city,
00:07:29or to stop any fleet that ventured a certain distance from the coast.
00:07:42Since then, Tesla's name has been associated with a multitude of mysterious topics.
00:07:49From the Tunguska explosion to the Philadelphia experiment.
00:07:53From the HAARP project to UFOs.
00:07:56We don't know what's true in all of it.
00:07:59But the time has come to get to know a man better.
00:08:02who, without many of us knowing it, managed to change the world like few others in history.
00:08:23This is Nikola Tesla, this is his story, this is his enigma.
00:08:27Now it's time to take action.
00:08:29As you can see, we have artifacts here similar to those you've seen in this piece.
00:08:34in this introductory report.
00:08:36Now I ask you to focus your gaze very carefully,
00:08:39because we're going to see things that are still unknown to those ignorant in the world of electricity,
00:08:43As is the case for me, they are still almost magical things.
00:08:47We have a great group of friends to join us for this demonstration,
00:08:50in this experiment.
00:08:50Why not?
00:08:51David Zurdo, good evening friend.
00:08:53Hey Iker, how are you?
00:08:54And we also have the opportunity to have a full technical expert from the Department of Electricity and Electronics
00:08:59from the Complutense University of Madrid, our friend Fernando Herrera.
00:09:02Fernando, welcome.
00:09:03Thank you for being here.
00:09:04Santi, good evening.
00:09:06Good night.
00:09:06Good night.
00:09:07The person who has made us delve a little into the biography of a different kind of genius,
00:09:12of a different genius.
00:09:13In fact, and now we're going to understand this much better,
00:09:16He was accused of trying to create something that could be the greatest weapon of destruction of antiquity.
00:09:22But wireless electricity, nothing more, nothing less.
00:09:25Electricity that goes from one place to another, which we will see here in detail.
00:09:29We should start by explaining one important thing.
00:09:31David, first experiment.
00:09:33Okay, what exactly is this thing we have here?
00:09:36And what will that cause?
00:09:37This thing we have here, which we saw in the report,
00:09:39The thing is, it's on a much larger scale,
00:09:40It's a Tesla coil.
00:09:42This is the device that Nikola Tesla designed.
00:09:44to demonstrate that electrical energy could be transmitted without the need for wires.
00:09:48and that it could supply population centers
00:09:50that they would simply have to have their devices near it,
00:09:54or within the field of influence, of action, of this sphere
00:09:57and that it would transmit energy to them simply in that way, without having anything else.
00:10:01It can be seen in the report how he, for example,
00:10:02He takes an incandescent light bulb and sticks it in the ground.
00:10:05This is a bit of an exaggeration, but perhaps I could generate enough energy to do that.
00:10:08The light bulb is not connected to any wires.
00:10:10Well, this is kind of how he wanted to demonstrate
00:10:14that it was possible to do that, as we shall see much later.
00:10:16Now let's go a little further.
00:10:17Fernando, is what we're going to do dangerous?
00:10:19Or do we need to take any precautions?
00:10:21Yes, precautions must be taken regarding any metal objects in the vicinity.
00:10:25such as watches, rings, mobile phones,
00:10:30It's interesting that it's not very close to...
00:10:33Well, that's a perfect explanation.
00:10:35So let's have our classmate Maica come in,
00:10:39Santi, you too, let's take off our rings, our watches,
00:10:42Because of course...
00:10:44That's 200,000 volts.
00:10:45200,000 volts.
00:10:47200,000 volts.
00:10:47With a low intensity, but 200,000 volts nonetheless.
00:10:51Thank you so much.
00:10:54Hello Maica, good evening.
00:10:55Good evening, and what is it?
00:10:56Here we are, perfect, thank you very much.
00:10:59We do that because, well, things could happen that we don't want to happen.
00:11:03What we want is for you to see it.
00:11:04First of all, Santi, Tesla, the great forgotten genius.
00:11:09And so much so, unjustly forgotten, largely through his own fault,
00:11:13because Tesla was a scientist to the core,
00:11:17but he was never interested in either his own notoriety or his own economic gain.
00:11:21What he wanted was for his achievements to benefit all of humanity free of charge.
00:11:26And precisely for that reason, then, others who are more astute or cleverer,
00:11:30like his great enemy Edison, like Marconi,
00:11:33who had a years-long legal battle over the radio patent,
00:11:38Well, they will take the credit that, to a large extent, belonged to Nikola Tesla.
00:11:42A tribute to Tesla, therefore, to that man who also invented the 20th century.
00:11:45Tesla's lightning bolts, we're going to look at them somehow.
00:11:47So let's proceed, guys.
00:11:48Let's turn on the coil.
00:11:50We're doing it little by little.
00:12:20We're doing it little by little.
00:12:29The sound is peculiar, the force of those lightning bolts is impressive, we were talking about 200,000 volts.
00:12:34We're going to ride the wave of the experiments, of which there will be several,
00:12:39and a little bit of this man's story.
00:12:41I had heard in that rumor, hadn't I?, that he even resigned, or was going to resign, from the Nobel Prize.
00:12:44Well, he renounced the Nobel Prize for one reason.
00:12:49Nikola Tesla was also very proud.
00:12:52Just as he wasn't a materially ambitious character,
00:12:58Yes, he was a very proud person.
00:13:02So, when he was nominated for the Nobel Prize,
00:13:04The problem is that the same prize had been given three years earlier to Guillermo Marconi.
00:13:10At the time when the dispute between the two was still unresolved,
00:13:17Tesla proclaimed to the wind that radio had been his invention
00:13:20and that Marconi had simply been putting together the pieces of a puzzle made up of several of his patents
00:13:24to make his invention, and said that until Marconi was stripped of it,
00:13:28that he himself did not want the prize.
00:13:30And he resigned.
00:13:31More things.
00:13:32One that's going to be very visual, right?
00:13:34We're going to be able to pick up a fluorescent light and something's going to happen.
00:13:36We will be able to turn on a fluorescent light without physically connecting it to any cable.
00:13:40to no shell.
00:13:41We're going to make that fluorescent light, as everyone will be able to see,
00:13:44so that it can be turned on, just like it can be turned on in our homes.
00:13:46But using that property, that ability to transmit electrical energy
00:13:51directly through the air.
00:13:52The moment we bring the tube close, we will see it light up.
00:13:54Okay, let's proceed.
00:13:56Yes, I'd like to say one thing before we do it,
00:13:57The thing is, the internet is full of diagrams for making these types of coils at home.
00:14:01And I would like to point out a couple of important issues.
00:14:04for anyone who wants to make their own coil.
00:14:07It's not really dangerous, I mean, he might get a cramp or something.
00:14:09but it does produce ozone.
00:14:11There is an electrical reaction that...
00:14:13We can smell that ozone here, can't we?
00:14:14Of course, it gives us exactly that effect.
00:14:16What it's doing is changing our oxygen 2,
00:14:18which is a double molecule that we have around us,
00:14:20in a triple molecule.
00:14:21Ozone, which everyone knows because of the ozone layer,
00:14:23It's very good in the upper layers of the atmosphere,
00:14:26But it's toxic near us.
00:14:27Okay, let's all see that magical reaction of the fluorescent light.
00:14:34in the face of this electricity.
00:14:36Let's go.
00:15:26Well.
00:15:27Well.
00:15:28I repeat that I am one of those who still plugs something in and doesn't really know why it works.
00:15:34And I think there are a whole series of laws that are wonderful,
00:15:37But we have seen how it turned on perfectly without being connected to anything.
00:15:41So, David, why didn't this patent, this Tesla system, work?
00:15:45Why did it fall by the wayside or why isn't it used?
00:15:47Well, for a reason that...
00:15:48If we knew today what we know about science,
00:15:50This system probably couldn't be used because of electromagnetic fields.
00:15:53due to the magnetic field it generates, which is harmful to health.
00:15:56But in its time, it apparently did not succeed because there was no way to count it.
00:16:00the energy expenditure of each person connected to the system.
00:16:03In other words, there were no accountants.
00:16:04There were no counters.
00:16:05There were no wires, there were no counters.
00:16:06And if there were no accountants, the money couldn't be collected.
00:16:08In other words, it's most likely a financial or economic matter.
00:16:10which prevented this system, at the time,
00:16:13was set up to supply electricity to homes.
00:16:15How curious.
00:16:16Santi, by the way, are those Tesla constructions, those towers, still going on?
00:16:20No, Wardenclyffe Tower was dismantled.
00:16:23We have photographic evidence and even film recordings from that time,
00:16:28but it was dismantled back in the day.
00:16:29In fact, the project could not be completed as he wanted.
00:16:33Due to a lack of funding, precisely.
00:16:35And what's truly remarkable about Tesla is that, as David so aptly put it,
00:16:40In this case, his purpose was also altruistic.
00:16:42Because he was trying to raise funds from investors for this project,
00:16:47But his real dream was a world where energy was free for everyone.
00:16:51Where you brought an electrical appliance and it worked for free.
00:16:55In which cars, vehicles, airplanes,
00:16:58They would have electric motors that would draw that electricity simply from the air.
00:17:02Impressive, Santi, really.
00:17:03Fernando, let's try another experiment, this time with a plasma light bulb.
00:17:09Let's see how it lights up from the inside, I think.
00:17:13Before we do that, what we're going to install is a conventional light bulb,
00:17:15a light bulb like the one we all know, bigger or smaller.
00:17:18We have some rather unusual models here.
00:17:20I don't know how the visual image will turn out, but let's try it.
00:17:24But in reality, this light bulb, or what we are going to try to demonstrate,
00:17:28or display, is the typical plasma ball, the typical plasma light bulb or plasma lighting system,
00:17:34which is so popular, which became so popular a few years ago,
00:17:36and that Tesla actually patented it in 1894.
00:17:391894?
00:17:40That's right, as we know it, it was patented by Tesla in 1894.
00:17:45Let's go, Fernando.
00:17:46Fernando.
00:18:05Fernando.
00:18:24Let's download all of this.
00:18:28Why are you doing that now, David?
00:18:30So that I can unload the entire system and be able to pick it up and remove it.
00:18:33Let's move on to the next one, which I think is very spectacular.
00:18:36and that demonstrates the strength, the power of this energy.
00:18:39Imagine, it's a little bit, that's why we do all this,
00:18:42What could have become of the world, Santiago Camacho has explained it very well.
00:18:45What if this had been successfully completed?
00:18:47Because that electricity has tremendous power.
00:18:50With a spoon, we see a spoon, a substance, something is going to happen.
00:18:54Tell us, David.
00:18:54Yes, we have a spoon that we've simply filled,
00:18:57We're going to fill it to the brim with ordinary alcohol.
00:19:0196-optane ethyl alcohol, 26 degrees, sorry.
00:19:04And what we're going to do is, by bringing the spoon, which is metallic, close to the sphere,
00:19:08There comes a moment when lightning strikes, and in the style of even the fundamentals of an internal combustion engine,
00:19:12Normally, a spark plug jumps when the spark ignites, causing the alcohol to ignite.
00:19:15So that we can see that the rays that come out of there, even though they can't kill us,
00:19:19nor anything like that, which have a large amount of energy capable of exciting a reaction such as a combustion reaction.
00:19:25Let's do the experiment. David, let's go.
00:19:28So we put alcohol on the spoon.
00:19:33Ordinary, common alcohol.
00:19:35Regular rubbing alcohol, from the pharmacy.
00:19:38Are you going to bring the spoon closer or...?
00:19:40Yes, yes, yes, so that the lightning...
00:19:41The closer to the ball, the sphere, the stronger the effect will logically be.
00:19:46Is that enough?
00:19:47I think so. We've got the spoon practically half full.
00:19:51Let's bring it a little closer.
00:19:57I think this distance might be okay.
00:19:58Let's see.
00:19:59And now we'll try to see if we can extend it.
00:20:01Let's go.
00:20:02Let's go.
00:20:18Let's go.
00:20:42It is capable of igniting alcohol, because they are simply going to bring it close inside a spoon.
00:20:45There is no contact from here, not at all.
00:20:48It is only the electric ray that transmits enough energy to make it light up.
00:20:51We're going to turn it off so it doesn't...
00:20:54That's clear, isn't it?
00:20:55I think we were talking earlier about fire and how it exerts a fascination on human beings.
00:21:00And seeing the lightning and the fire at the same time also leaves us here a little, at least to
00:21:03I know Santi and I feel the same way,
00:21:05clouded, right?
00:21:06Sure, Santi, we can turn it off if you want, David, because we have to be careful.
00:21:12The way to turn it off is rudimentary; there's no technique here.
00:21:15Yes, yes, blowing this is...
00:21:16Santi, I was thinking, seeing what we're seeing, of course, it's no wonder Tesla was involved in such strange stories.
00:21:23like the famous death ray.
00:21:24You foreshadowed it in the piece.
00:21:26Because of course, all this concentrated force, without wires, without cables, without conveyors, focused towards some place, of course, was the weapon
00:21:35most fearsome of all time.
00:21:38He officially proposed to Woodward Wilson, then President of the United States, something he called the
00:21:43death ray.
00:21:44The problem is that very little has been revealed about the nature of this lightning bolt.
00:21:48It is unknown whether it was something similar to modern laser beams.
00:21:52It is believed that it was possibly something that generated a kind of electromagnetic pulse around the site where it was activated.
00:22:01no motor or any mechanism that had anything electrical working.
00:22:05Well, a weapon of the future, as Colonel Fernando San Agustín told us not too long ago, that is being
00:22:09using now.
00:22:10To inhibit any possibility of the enemy acting.
00:22:13There has been much speculation about the nature of that lightning bolt.
00:22:16The truth, as we saw in the report, is that indeed at the precise moment of his death, several agents
00:22:22from the FBI, as soon as they burst into the hotel room where he lived,
00:22:26They took practically everything, I mean, everything that wasn't glued to the floor, and all that, and I...
00:22:33Nicolina Zidek, an official at the Croatian embassy in Madrid, confirmed this.
00:22:40All of that is still secret today, that is, it remains classified by the United States government.
00:22:46We don't know exactly what military secrets, that aren't already obsolete, might hold that hidden technology.
00:22:54Tesla,
00:22:54But the truth is that the Americans still haven't declassified those documents to this day.
00:22:58What a wonderful story, Santi! Where could Tesla's secret or lost files be? What do they contain?
00:23:03Let's move on to the fifth step; we're fascinated by this story, which has to do with the movement of a wire.
00:23:09Specifically,
00:23:10It's going to start spinning, let's say powered by that Tesla electricity.
00:23:16We're going to achieve another effect of electrical transmission, let's say we're talking about wireless transmission, so to speak.
00:23:23And using another model, just as we have seen that fire is lit in some alcohol, we can light a
00:23:29neon tube,
00:23:30What we are going to do now is demonstrate that it can cause the movement of an object, a physical movement, a
00:23:34kinetic motion.
00:23:35In other words, this energy was capable not only of lighting things, but of moving them.
00:23:39From moving things.
00:23:39Let's look at it graphically.
00:23:41Let's look at it graphically.
00:24:26This is as simple as a plug into which a spike, an axle, is placed, so that it can simply
00:24:31to rotate,
00:24:32It's a rotation axis, for the wire that we're going to connect on top.
00:24:39I don't know if it's vertical.
00:24:40Yes, I think it's vertical, I think it is vertical.
00:24:46That's just going to be placed on top, without any connection, just placed on top.
00:24:52And we'll see that it turns and doesn't fall over.
00:25:21Let's look at it graphically.
00:25:24This was capable of moving things. What have we seen? What does it imply? What does it mean?
00:25:29That's what's called the pointy effect.
00:25:32Electrons tend to flow out through the tips, so, to put it simply,
00:25:38They transmit or create kinetic energy that causes it to return...
00:25:42Of course, and this with full power, generating movements of other things, of infinitely greater weights,
00:25:49Sure, we had an almost magical and overly free energy, think of some people back then.
00:25:55We can even go further physically, with a small sphere, with a ball, David.
00:25:58Yes, yes, yes. It's another experiment, let's say, quite similar, which is what we're trying to do.
00:26:03demonstrate
00:26:03This could, let's say, in quotes, move machines, or make machines work in ways that sometimes
00:26:08different from what we know now.
00:26:09And Tesla wanted it to be free.
00:26:11Free, placed in villages without knowledge, that would be quite harmful to health.
00:26:15That's also true, these large machines,
00:26:17but it was capable, well, of transmitting its energy to utensils that we might have in our everyday lives,
00:26:22including vehicles, automobiles, as we were saying.
00:26:24What we are going to see now is how, due to the difference in charge between two spheres,
00:26:28one that is not connected to any other element and which we have in this case as the main one,
00:26:34With another smaller sphere, we will see that we are able to make it oscillate from one side to the other, in a continuous manner.
00:26:38Let's see it, let's see it, David.
00:26:41Fernando, let's bring that sphere you have there, we're going to assemble the contraption.
00:26:45We remove the spoon from the middle; it already smells noticeably of ozone.
00:26:53And we're going to see this system that was also capable of moving other things; we're understanding it perfectly.
00:26:59Now, if Tesla raises his head, he has seen how his laboratory has been reproduced here, on television.
00:27:04There we have the small sphere covered in aluminum foil,
00:27:09And we're going to see what happens with this ability of Tesla energy to move some things.
00:27:21This is the sphere that has a different charge so that, well, between the two spheres it moves.
00:27:25little ball,
00:27:27which will be delivered to this element, so that it can be downloaded.
00:27:51Of course, we're verifying, I imagine, Fernando, that the greater the power, the greater the intensity, the faster the movement.
00:27:56But of course, but as I was saying now, beneath that strange, resonant bed, beneath these rays,
00:28:05This could start the movement of any machine, the starting device of any machine.
00:28:09Machines specially designed to harness this energy in this way, but machines nonetheless.
00:28:13In other words, what we're talking about is not just harnessing electrical energy, for example,
00:28:17not only to light a lamp, but even for our appliances,
00:28:20the devices we have today, even if perhaps with a different design.
00:28:22Well, we've brought here all the instruments from the hidden laboratory of the great Nikola Tesla,
00:28:27We've brought it back into the spotlight, but something remains, and that is the presence of that object.
00:28:32which is certainly sinister; some people have linked the names Tesla and his electric company, Santi.
00:28:38And very interestingly, because this is yet another chapter in the battle between Tesla and Edison.
00:28:44Edison was a sponsor of direct current.
00:28:46The problem, as Tesla demonstrated, is that industrial use, the use for large-scale direct current applications, is not
00:28:54It was viable.
00:28:56Basically, it wasn't possible to transmit at high power; there were enormous power losses in the lines.
00:29:01and its alternating current, which he had discovered, was much more efficient.
00:29:07Edison then seized upon an argument that alternating current was dangerous; it could kill people.
00:29:12And for that purpose, she became a defender, a shield, for that sinister invention we have there,
00:29:18which is the electric chair, an instrument of execution in many states of the Union,
00:29:24And well, it has been the subject of films, literature, etc., etc.
00:29:29The truth is, basically, Edison's defense of the electric chair
00:29:33It was unequivocally a matter of negative propaganda for his great adversary Tesla.
00:29:38Tesla, on the other hand, did the opposite, which was to demonstrate that his current could be harmless.
00:29:46entering amidst all these rays we've seen here, into an immense Tesla coil,
00:29:50Reading the newspaper calmly in a chair, there are impressive photographs of him,
00:29:54surrounded by rays, even passing through his own body,
00:29:57to demonstrate that it was nothing more and nothing less than just another element,
00:30:01and that it depended on how humans used it, whether for good or for evil.
00:30:05A perfect conclusion to the biography we have brought here, recovered from the tunnel of Time.
00:30:10Nicola Tesla, no more and no less.
00:30:11Fernando Herrera, thank you so much for making all of this available to us.
00:30:16Thank you for presenting science in such an educational way.
00:30:20Friend, thank you.
00:30:21Thank you.
00:30:22Santi, thank you so much, as always.
00:30:24Thanks, Ike.
00:30:24We have brought here, we have recovered in a kind of puzzle, one of your idols,
00:30:28and David Zurdo, head of experiments at Cuarto Milenio.
00:30:30The next?
00:30:30We'll think about it, but it will have to be at least as spectacular as this one.
00:30:34I'm sure of it.
00:30:35Thank you so much, David.
00:30:36Let's look at some other images, also shocking, images from Cuarto Milenio.
00:30:51Not too long ago we were standing face to face with the Dakota building,
00:30:55one of the places marked by mystery, by misfortune.
00:30:58Remember that there, among many other things, he was murdered in cold blood.
00:31:02ruthlessly John Lennon.
00:31:04And there are always curious people taking photographs trying to capture something.
00:31:07They meet there.
00:31:09Well, Elena Álvarez also released her photograph of this mysterious house.
00:31:14Let's see what happened.
00:31:15Our viewer told us that they had traveled to New York
00:31:17because her sister, who lived there, had had a baby.
00:31:20And then they came up with the idea of creating a route through the most significant places
00:31:24of this beautiful city of skyscrapers.
00:31:26And, of course, the Dakota building, being a good friend of mystery, had to be visited.
00:31:31At first they were taking photographs, like many tourists do.
00:31:34that approach this enclave, in quotes, cursed.
00:31:39Only when they returned to Spain and put the photos on the computer
00:31:42He realized that something was strange.
00:31:45And we're going to highlight it and enlarge it so that it can be seen perfectly.
00:31:48Here it is. Let's put it front and center, Iker.
00:31:53Look, what do you think?
00:31:55It looks like a lady is waving like that from the window, right?
00:32:00Moreover, it was perfectly framed in that window.
00:32:04Let's look at some other shots; we've even pointed them out so you can see them.
00:32:09And we're going to put it in the negative.
00:32:11That way you'll see how the image looks perfect.
00:32:14And indeed it appears to be a woman who is waving from one of the windows of the Dakota building.
00:32:21There we see it, the image that's black, right?
00:32:24The negative image is very clear there. And what does Mr. Guillermo León say?
00:32:27Guillermo León's analysis tells us that in this case it is pareidolia.
00:32:31but due to an effect generated from inside the window.
00:32:34Apparently, a lighting effect has been created that makes it look like a woman.
00:32:38that I was actually greeting them on that visit to Magical New York.
00:32:42A logical visit for lovers of the strange.
00:32:46The Dakota building. By the way, extremely expensive.
00:32:48They say Tom Cruise has insisted on having a house there, an apartment within the elevation.
00:32:53Maribel Cartas, Jordan.
00:32:56And this is truly... I don't know how to describe it, Carmen.
00:33:00I believe we have never had a photograph where the strange thing is a procession of figures.
00:33:05Of course, they were physical, right?
00:33:06The camera used was a Canon PowerShot S70.
00:33:11Well, this picture says it all, Iker.
00:33:14According to what our viewer tells us, there was absolutely nothing there when the photograph was taken.
00:33:20But a number of characters appear.
00:33:23Let's look at the area.
00:33:24There they are.
00:33:27Well, they're quite a large group, too.
00:33:30See, Iker?
00:33:31They appear to be framed in what is the window from which she takes the photograph.
00:33:36Well, and more, it says that Lorenz of Arabia lived here, in a desert very close to the border of Iraq.
00:33:42The strange thing about this photograph is that she told us there was absolutely nobody there when she took the photograph.
00:33:48And it's strange because we would notice, since there are so many people there, right?
00:33:53The analyses are conclusive.
00:33:55Let's put...
00:33:56But look, they're carrying things like sticks or spears or something like that.
00:34:00Well, they could also be...
00:34:02Let's see, let's see, go down there, let's see how it looks.
00:34:05Look.
00:34:05Look.
00:34:07There we have the images.
00:34:09Everything looks dark, and these would be the images.
00:34:11And these are the sticks he's referring to, right?
00:34:14They look like a group of Templar warriors, I don't know, it's a strange thing.
00:34:17Let's see if there was some kind of prop or, I don't know, theatrical demonstration.
00:34:21Or they were making a movie there.
00:34:23We don't know.
00:34:24What we do know, and what Guillermo León's analysis tells us, is that they were people.
00:34:30Individuals who had to be there.
00:34:32And Guillermo wonders, perhaps some group of tourists?
00:34:35Well, that's what we don't know.
00:34:37But come on, if we take our viewer at her word, there was absolutely nobody there.
00:34:40That was quite a scare, wasn't it?
00:34:42Taking a photo through this small window, perhaps without realizing it.
00:34:45And then, as is happening now with digital technologies, we only realize something on the computer.
00:34:49that perhaps was there, in front of us, but we were not aware of it.
00:34:52What we will become aware of is the loneliness, the abandonment, of some villages
00:34:58of chilling truths.
00:35:00We have rarely felt anything like this.
00:35:02And we are already walking towards them.
00:35:05We encountered not only secrets, untold stories, but also objects,
00:35:09Look at them, they say it all.
00:35:25Saltpeter contains equal parts sodium nitrate and potassium nitrate.
00:35:30We could say that it fertilized a large part of the world, including Europe, with its properties
00:35:35for fertilizing the field.
00:35:38However, his story is full of memories, mysteries, and, why not say it, also
00:35:42of blood.
00:35:43The producing communities have been forgotten.
00:35:48Their rust remains, their defeated skeletons in a kind of desert of nowhere.
00:35:54We were there for several days and we encountered the mystery.
00:35:57We cannot forget the images that our cameras were able to capture.
00:36:03It was like walking through the geography of pain.
00:36:06And there's something else.
00:36:07Our sound recorders got things.
00:36:10Things that seem like laments.
00:36:12It seems like the presence of something that never leaves.
00:36:16Things I want you to analyze with me.
00:36:18After this report.
00:36:39Upon arriving at this place, one cannot help but feel watched.
00:36:45But that's a misconception, because there's nobody here.
00:36:54They all fled long ago, abandoning the region.
00:36:57And leaving these windows, these curtains, this ghostly world.
00:37:03Like a forgotten scar in the middle of the desert.
00:37:08It's illogical, but we know we're not alone.
00:37:47Until a few decades ago, this region of Tarapacá was like a black and white album.
00:37:51of the hardest and most miserable life anyone can imagine.
00:37:59Right here, children used to kill time with tin toys.
00:38:03While the chimneys blew out their curtain of smoke.
00:38:06And through the dense fog, a world full of noise and misfortune,
00:38:10He lived locked within himself.
00:38:25At the end of the 19th century, European industrialists discovered the properties of the saltpeter in this desert.
00:38:43Saltpeter gives rise to, among many other things, basic components for gunpowder.
00:38:49And in that time of war that would be the 20th century, dozens of villages would rise up in these sandy areas.
00:38:59Each one with its own houses and streets, with hospitals, schools and shops.
00:39:04Each one with their joys and their killings, with their mysteries and their secrets.
00:39:39Saltpeter origin
00:39:51The rust has already stopped all the gears.
00:39:54Until 1960, the famous Chilean nitrate came from them.
00:39:59Fertilizer that Spain imported in large quantities for decades.
00:40:03Behind this miraculous product for the field, there were extreme working conditions.
00:40:07The so-called pamperos or nitrate workers barely earned enough to eat.
00:40:13Enduring temperatures of over 40 degrees and never leaving these villages closed off from the outside.
00:40:19Like medieval fortifications or prisons in the middle of nowhere.
00:40:33Businessmen, trying to maximize production, created their own currency.
00:40:39Tokens and tickets exchangeable in each village.
00:40:42Thus, 60,000 workers could only buy in this dead world.
00:40:47And so the conflicts began.
00:40:50In 1907, the most appalling massacre took place.
00:40:53It culminated with the protests in Santa María de Iquique.
00:41:01From these nitrate mines, a procession of people emerged demanding rights and better living conditions.
00:41:32They come from all the nitrate mining offices here in Tarapacá.
00:41:35Not only these.
00:41:37It has never been possible to speak of a specific number of people.
00:41:43Figures have always been used, but we don't talk about 400, we talk about 200, 1,000, 3
00:41:50.000.
00:41:51The truth is, there isn't a specific number...
00:41:55Men, women, and children.
00:41:56Men, women, and children.
00:42:02Georgina is one of the people who knows Humberstone best.
00:42:06In 1960, everyone fled, as if the place had been cursed.
00:42:16The decline of saltpeter due to the introduction of chemical fertilizers destroyed the industry and fractured this world where he had grown up.
00:42:24At school, the desks are still being stood up, giving the impression that the class has only just stopped.
00:42:30for a few minutes.
00:42:31But recess time is now eternal.
00:42:41We walked slowly and observed the iron pool where the children were bathing while listening to the constant noise of the
00:42:48machinery that never stopped working.
00:42:51A little further on, the railway siding and the locomotives stopped at their last station.
00:42:58At a certain point during our walk, I couldn't resist asking him about what many had openly stated.
00:43:05The presence of memory as something alive.
00:43:08Images from the past that return, that do not leave.
00:43:12They have remained clinging here.
00:43:15I thought I saw a man in beige clothes walk by on two occasions.
00:43:20from behind the church towards the first house that is immediately diagonally across.
00:43:28On one occasion I ran to see him and this person sat down inside the office in a
00:43:36wooden chair that never existed today.
00:43:39Then I looked out the window, and he was there. I looked again, and he was gone.
00:43:47Guides in the Tarapacá desert, as well as historians and journalists, are well familiar with these views.
00:43:53In their work of revealing the secrets of the desert, they have come across the strangest and most difficult to explain.
00:44:00Some tour guides have been a little scared in the refrigerators of the pulpería (octopus shop).
00:44:06because they thought they saw a person, a man, wearing a white apron.
00:44:13In other words, it goes from one side to the other.
00:44:16Personally, I've never seen it.
00:44:17But not only guides who come from here, national guides, but from abroad as well.
00:44:22On one occasion, three young men in civilian clothes entered, because they were from the Air Force.
00:44:33And I asked them, well, before going in, I was at the door, I wondered, where do you come from?
00:44:39He told me, we are from the Air Force, we are in Iquitos.
00:44:42Well, I saw them go in when I saw them running out one by one.
00:44:47And I said to them, what's wrong with you?
00:44:49No, he told me, they were punished.
00:44:52But, man, I said to them, what happened to you?
00:44:56It turns out, he told me, that in the brightness, he said, of the hallway, inside the general store,
00:45:02He showed an image, he said, of a person walking from one side of the wall to the other.
00:45:10The cold storage rooms of the pulpería had made a huge impression on us upon our arrival.
00:45:16That's why we decided to return and explore them slowly, to show their inner workings to the viewers of Cuarto Milenio.
00:45:27Okay, let's go inside the Humberstone pulpería,
00:45:31Where there are several cold storage rooms, meat, fish, and other items were stored.
00:45:35and here they were exchanged for tokens.
00:45:37People exchanged these essential items for tokens; money was not in circulation.
00:45:42However, many people, including the guides, speak of strange apparitions.
00:45:46In terms of presence, it's as if this were still in a time bubble.
00:45:49Let's check.
00:45:50Join us, because there are images you won't be able to forget.
00:45:54We entered these first chambers,
00:45:58And look, for example, at the signs where the temperatures were clearly stipulated,
00:46:11the temperatures that had to be correct for some foods.
00:46:18It's curious, because this hasn't been restored, but has been like this since 1930.
00:46:34And the truth is, it must be said, it must be said, friends of Cuarto Milenio,
00:46:38that the place is one of the most sinister we've seen in recent times,
00:46:41because it is exactly as it was abandoned.
00:46:45And take a good look at these meat hooks.
00:46:51From here hung a kind of metal hook, and the pieces of meat were hung from it.
00:46:57which until 70 years ago were, well, absolutely commonplace in this part of the Humberstone general store.
00:47:08Cameras that open as we pass.
00:47:11Each one of them makes the cold more severe.
00:47:16And it's very curious, because the guides here, in this desolate place, told us
00:47:22They only attempted to record EVP once.
00:47:26And the people who did it practically ran away terrified, perhaps by the wind, who knows.
00:47:31but certainly a symphony of terror.
00:47:34The closures are still there; they were closed with metal plates.
00:47:37in this self-contained world of Humberstone.
00:47:40And in these same corridors, in this very place,
00:47:43There are people who claim to have seen a person wearing a white apron, walking through them.
00:47:49There are several of them, not just one person.
00:47:50Like one of the butchers who used to work here so long ago.
00:47:56The memories are still there, in the rumbling, in the hooks.
00:48:00We are now at a much lower temperature.
00:48:04Little by little, the cold is catching up with us.
00:48:06This was one of those important places in everyday life.
00:48:10And it must be said that both the restorers and the guides
00:48:13They say it's one of the places that gives them the most chills.
00:48:18Perhaps what most shocks the outsider,
00:48:21what I remember most is embodied,
00:48:23as if they were specters of the past,
00:48:25These are the objects.
00:48:27The dolls without eyes,
00:48:29abandoned on that last day of the nitrate mine.
00:48:32Nearby, we are greeted by ingenious toys made from cans.
00:48:37Then we came across rooms,
00:48:39with the beds,
00:48:40with women's dresses hanging up.
00:48:43Perhaps, who knows,
00:48:44waiting for someone
00:48:45who never returned.
00:48:56In the same shadow as the gigantic Humberstone chimney
00:48:59and from the tanks and cakes of Ripio,
00:49:02where saltpeter was extracted,
00:49:04They tell us the story of the vagabond
00:49:06that just three years ago
00:49:07He arrived here in the middle of the night,
00:49:09walking to kill the last inhabitants of the place.
00:49:13However,
00:49:14exploring this territory inch by inch,
00:49:17We discovered that there is a couple who still live here.
00:49:19His is undoubtedly
00:49:20a life full of memories.
00:49:23Memories
00:49:23that we want to know.
00:49:27Nancy Valderrama was born here.
00:49:29She is a daughter of the Humberstone pampas
00:49:31that one day
00:49:32decided to return.
00:49:34In her house full of memories
00:49:36He confesses to us how sometimes,
00:49:38upon passing through the doors of these empty places,
00:49:40the images,
00:49:42the visions,
00:49:43the story,
00:49:44is projected again,
00:49:46clear and heartbreaking.
00:49:48And I'm going to go through a door
00:49:51And it comes to mind
00:49:54the death of my mother.
00:49:57I was seven years old
00:49:58And look, I remembered it calmly.
00:50:01And there was a small door
00:50:03And I, as a child, because I was young,
00:50:05I went downstairs
00:50:06And I see that my dad was sitting there.
00:50:08on a bench
00:50:09inside the hospital.
00:50:13And I look at him, daddy,
00:50:14I tell him,
00:50:15And my dad tells me,
00:50:15daughter,
00:50:16And he turned around and my dad was crying.
00:50:19And I saw the nurse coming down.
00:50:21with trays full of blood
00:50:26What's his/her name?
00:50:31Bed sheets.
00:50:33The bleeding I had.
00:50:35And one of them shouts at him,
00:50:36he tells her,
00:50:36What is this girl doing here?
00:50:37Take her out,
00:50:38He doesn't have to be here.
00:50:39They're not going fishing
00:50:40They're not going to get me out.
00:50:42My dad tells him,
00:50:43No,
00:50:43he tells her,
00:50:43She is my daughter.
00:50:45And I tell him,
00:50:46dad,
00:50:46Why is she crying?
00:50:47My mother had died.
00:50:49Right on that spot.
00:50:50At that place.
00:50:51That he gave you.
00:50:52And then it came to me
00:50:53all the memories.
00:50:56And so much time has passed.
00:50:59Phew,
00:50:59I am 67 years old,
00:51:0160 years old.
00:51:03And it was as if that image
00:51:05would be reproduced again.
00:51:06All,
00:51:07all,
00:51:07I'm telling you this for God's sake,
00:51:08that I at that moment
00:51:09I lived it.
00:51:14Reinaldo Riveros,
00:51:15director of La Voz de la Pampa,
00:51:17It's someone else.
00:51:18who does commendable work
00:51:20recording history
00:51:21of this dead place.
00:51:22Looking into each other's eyes,
00:51:24This chronicler confessed to us
00:51:25that in the old hospital
00:51:27Something had happened to him too.
00:51:28that she will never forget.
00:51:30I go into the hospital.
00:51:33As I have always done,
00:51:34Look at the walls,
00:51:35write down the names
00:51:36that are there
00:51:36of the people who lived,
00:51:38those who were born.
00:51:39All of that is recorded.
00:51:43And suddenly,
00:51:45Well,
00:51:46very quiet,
00:51:47walking around,
00:51:50I was looking at the dog
00:51:51that he was sniffing.
00:51:54Ah!
00:51:55It's been a while...
00:51:57a lot of corrugated iron sheets
00:51:58of this zinc.
00:52:00It's kind of coming
00:52:01that type of domino.
00:52:02AND...
00:52:02Rrrr!
00:52:04The dog
00:52:05pricked up his ear like this
00:52:07and it came out quickly
00:52:09in a hurry.
00:52:11And I was behind the dog.
00:52:14The blood got a little mushy.
00:52:15Because I said so,
00:52:16Well,
00:52:16Who will be here until now?
00:52:17at seven in the morning
00:52:19Working here?
00:52:20I ask the guard,
00:52:21Who is working today?
00:52:23I don't know,
00:52:23Today is Sunday.
00:52:24told me,
00:52:24Nobody comes to work.
00:52:25But I told him,
00:52:26if they find
00:52:27a lot of corrugated iron sheets,
00:52:29There was nothing.
00:52:31There was nothing.
00:52:34Night falls
00:52:35and everything remains in shadows.
00:52:37Today everything is starting to disappear.
00:52:41Without a doubt,
00:52:42we wander in search
00:52:43of that sanatorium
00:52:44that in its time
00:52:44it registered very high rates
00:52:46of infant mortality.
00:52:50With freezing cold
00:52:51in the bones
00:52:52We walk through its darkness.
00:52:56In silence,
00:52:58trying to record
00:52:59images and sounds
00:53:00of an enclave
00:53:02which summarizes the concentrated pain.
00:53:04Flanked by names
00:53:05and registration of people
00:53:06who were born here
00:53:08and many others
00:53:09that they remember
00:53:10to those here
00:53:11They ceased to exist.
00:53:16The morning sun
00:53:18it wakes us up
00:53:18in the middle of La Pampa.
00:53:19Our expedition
00:53:21must continue.
00:53:22The story
00:53:22and the ruins
00:53:23they tell us
00:53:24that there was almost
00:53:24200 industrial towns
00:53:26that grew like mushrooms
00:53:27in the desert
00:53:28from Tarapacá.
00:53:30In all of them there was
00:53:31strikes,
00:53:32repression,
00:53:33inhumane work
00:53:34and tragedy.
00:53:35In some
00:53:36other things happened
00:53:38even more unusual.
00:53:40And that's how things are.
00:53:41that interest us.
00:53:42Upon arriving at Santa Laura
00:53:44we are greeted
00:53:45the machinery
00:53:45most impressive
00:53:46of his time.
00:53:48Prodigy of technology
00:53:49SANG
00:53:49saltpeter extraction.
00:53:51Stopped and rusty.
00:53:53Dominating the empty plain.
00:53:55A great iron beast
00:53:57which allows us
00:53:58to venture into its jaws.
00:54:02In Santa Laura
00:54:03One house remains intact.
00:54:06We went in and remained silent.
00:54:08We open doors
00:54:09and we checked
00:54:10that the air is dense
00:54:11and the mouth remains dry.
00:54:13We have nothing to add.
00:54:15to what it records
00:54:16the camera lens.
00:54:20Engineer Patricio Conde
00:54:22He has been restoring for years.
00:54:23This place.
00:54:24He knows him
00:54:25like the palm of his hand.
00:54:27His scientific background
00:54:28does not prevent
00:54:29talk to each other face to face
00:54:30of a reality
00:54:30that everyone knows.
00:54:32The Voices of the Night
00:54:34present,
00:54:35near and dreaded.
00:54:37Voices and shouts
00:54:37of a past
00:54:38that never leaves.
00:54:40And even
00:54:41in Santa Laura
00:54:42They also feel
00:54:43noises at night
00:54:44in a strange way
00:54:45that lead to mystery.
00:54:48And I'm going to tell him
00:54:48that also one
00:54:49sometimes it doesn't explain
00:54:50the reason why
00:54:51noise
00:54:52who doesn't know how to interpret it.
00:54:54Because a can
00:54:55It sounds like a tin can.
00:54:56but often
00:54:57That can sounds like a voice.
00:54:58And that's what one
00:55:00He wears it
00:55:00to think about things
00:55:02from beyond.
00:55:06The entire territory
00:55:07It is full of cemeteries.
00:55:09Nobody visits them anymore.
00:55:11The few inhabitants
00:55:12of the region
00:55:12They cross themselves
00:55:13and they dodge them.
00:55:14In them,
00:55:15stranded in the middle
00:55:16from the dry land,
00:55:17violent nature
00:55:19of the desert
00:55:19It also produces phenomena.
00:55:22In the different places
00:55:24of exploitation
00:55:24that there was,
00:55:26Some people have died.
00:55:27Why?
00:55:29Because sometimes
00:55:30The explosives remained
00:55:31when it was necessary to be
00:55:33to dynamite a place
00:55:34in order to extract
00:55:35this caliche
00:55:35because it was used
00:55:36explosive
00:55:37to extract it.
00:55:38Many,
00:55:39due to human error,
00:55:40Many people died.
00:55:43And in people
00:55:44where they died
00:55:45they were placed
00:55:46a kind of boundary,
00:55:47I mean,
00:55:47a small roof-like structure
00:55:48where it indicated
00:55:49where the person died.
00:55:51So,
00:55:52when you visit
00:55:53these places,
00:55:54further,
00:55:55the mystery
00:55:56It appears even more.
00:55:58Even more so,
00:55:59I can assure you
00:56:01than the cemeteries
00:56:02were made
00:56:03in places
00:56:04near the place
00:56:06work.
00:56:07I mean,
00:56:07Here they are
00:56:07a couple of kilometers away
00:56:10of each one
00:56:11out of 170
00:56:12salt makers,
00:56:13There are more than
00:56:14150 cemeteries
00:56:16of people
00:56:17who died
00:56:19naturally
00:56:20and that they are there
00:56:21still buried
00:56:23from those years.
00:56:24But what has happened?
00:56:26It has happened
00:56:27that these salts
00:56:30emerge
00:56:31up
00:56:31and even
00:56:32they lift
00:56:33to the coffins
00:56:34towards the surface.
00:56:36So,
00:56:37the mystery
00:56:38by the time you
00:56:38goes to a place
00:56:39of these places
00:56:40night
00:56:40with the noise
00:56:42and with all
00:56:43these things,
00:56:45anyone,
00:56:45including one,
00:56:46comes back
00:56:47completely
00:56:48impressed
00:56:49of what he sees.
00:57:12They have occurred
00:57:13too many crimes
00:57:14in this area.
00:57:15Some starring
00:57:16by alienated
00:57:17and vagrants
00:57:18that were planted
00:57:19in the offices
00:57:20nitrate mines
00:57:20in the middle of the night.
00:57:22Many objects
00:57:23are unearthed
00:57:24and sold
00:57:25in a strange
00:57:25black market
00:57:26and macabre.
00:57:28Suits,
00:57:28jewelry,
00:57:29shoes,
00:57:30death by fighting
00:57:31and also
00:57:32the strange accidents
00:57:33have marked
00:57:34the hidden history
00:57:35of these dinosaurs
00:57:37iron.
00:57:59The traveler's retina
00:58:00he can't get used to it
00:58:01to this.
00:58:02It looks like a movie,
00:58:04an unfinished fiction,
00:58:05But it's all real.
00:58:07Never abandonment
00:58:08had an expression
00:58:09so powerful
00:58:09like the one we found
00:58:10in the cities
00:58:11of Saltpeter.
00:58:12Cities
00:58:13that perhaps one distant day
00:58:14they reached
00:58:15a certain happiness.
00:58:24In Humberstone
00:58:25there were even
00:58:26a grand theater.
00:58:27A species
00:58:28decorated mask
00:58:29to make someone laugh
00:58:30in the midst of desolation.
00:58:32In the 1930s
00:58:33figures arrived
00:58:34from all of America.
00:58:35It seems
00:58:36that still resonate
00:58:37the applause,
00:58:38the voices,
00:58:39the cheers,
00:58:41those great stars.
00:58:58we try to carry out
00:59:00several recordings
00:59:00with the utmost respect.
00:59:02Look,
00:59:03time.
00:59:04Minutes earlier,
00:59:05one of the engineers
00:59:06that restores Humberstone
00:59:07It confirms
00:59:08that he has heard
00:59:09working alone
00:59:10the clear voice
00:59:12and clear
00:59:12of a girl
00:59:13that was approaching him.
00:59:14It has happened to him
00:59:15several times
00:59:16but he refuses
00:59:17to tell it
00:59:17in front of the camera.
00:59:19Us,
00:59:20intrigued
00:59:21Based on these testimonies,
00:59:23We proceed with the recording.
00:59:28The authentic sounds,
00:59:30those who will never again
00:59:31they will be able to move away
00:59:32of our soul,
00:59:33are the ones here
00:59:34We have felt very deeply.
00:59:36On this journey
00:59:37through the desert
00:59:38we have witnessed
00:59:38of a terrible life
00:59:39and immediately
00:59:41has been born in us
00:59:42empathy
00:59:43by the thousands of people
00:59:44who were born here
00:59:45and they lived.
00:59:46Many of them
00:59:48They never came out
00:59:49of this perimeter
00:59:49of iron and oxide.
00:59:52In their memory
00:59:53it comes to mind
00:59:54a distant poem
00:59:55that someone dedicated
00:59:56to this land
00:59:57of blood and saltpeter.
00:59:58Something we read
01:00:00a long time ago
01:00:01And now, yes.
01:00:03we understand
01:00:04in his slingshot
01:00:05and eternal sadness.
01:00:10Saltpeter pampa
01:00:12disseminated
01:00:13of solitudes
01:00:15scattered
01:00:16broken statue
01:00:19fractured shadow
01:00:21There they are
01:00:22the invisible ones
01:00:23primary noises
01:00:24There they are
01:00:25the ghostly ones
01:00:26population
01:00:27alone
01:00:27freeing
01:00:28their painful
01:00:29battles
01:00:29forgotten
01:00:31at the most
01:00:31inclement
01:00:32in the most fragile
01:00:33in what is still
01:00:35resist.
01:00:39You are the pain
01:00:40the dream
01:00:42the shadow
01:00:43crackling
01:00:44the lamp
01:00:45the hut
01:00:47defeated
01:00:47are
01:00:49worker
01:00:50Pampino
01:00:50the star
01:00:52crucified
01:00:55the
01:00:56defeated
01:00:56and
01:01:20the
01:01:20the
01:01:20the
01:01:20the
01:01:20the
01:01:20Thanks for watching the video.