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04:32He's not home. Where is he?
04:35I don't know anything, boss.
04:37Please forgive me. Go on.
04:38But my wife wants to know if all
04:40The fabrics are the same price.
04:42Look, look, in the back
04:44The price per meter is marked.
04:46Wait, what about the width of the fabric?
04:49Goodbye, goodbye. Close a door.
04:50Goodbye. Goodbye. Goodbye. Goodbye. Lead.
04:52Goodbye. Come on, you know where it is.
04:55Or you tell me
04:56Or I'll rip out your liver. I'm not sure.
04:59But... don't be silent! Keep going!
05:00What? He's hooking up with a hot chick
05:02who works in a shop.
05:04As a waitress?
05:06No.
05:08Is she a dancer? A dancer?
05:11Well,
05:13dance something.
05:17She does a striptease.
05:19In other words, he ends up naked.
05:21Let's go, with nothing. No, no.
05:22The nail polish is left on.
05:25Like washerwomen. Who?
05:27No, when I was young
05:28I had a similar problem too.
05:31But I was five years older.
05:32It's just that young people these days
05:33we are more precocious.
05:34So, where do you work, Auntie Slut?
05:37Well, I know how to get there, but I don't know the sign.
05:39I'm not even going!
05:40My wife says
05:41Yes, it can be upholstered in two colors.
05:43Yes, yes, sir.
05:44And six too, yes.
05:45Bye bye.
05:46But the thing is...
05:46Goodbye, son, goodbye.
05:47Come on, this little one is so annoying.
05:49Okay, you'll go, but with me.
05:51Go on, change your clothes.
05:52Yeah.
05:53We're going to see the other one too.
05:57What other?
05:58Carlos's other girl.
05:59Two?
06:00Two?
06:00I mean, she's twenty years old and has two.
06:02There have been times when I had up to four.
06:05That's how worn out it is.
06:07Well, who does this son of mine take after?
06:10I don't know, boss, but that's inherited.
06:11So you'll know.
06:12So she has another one.
06:14Yes, and even before I was champion.
06:16She's a good girl.
06:17Her name is Virginia.
06:19Okay, so who will she be with?
06:20With Virginia or with the new Banderas?
06:23Virginia is a decent girl.
06:24He'll be with the other one.
06:25Well, let's go now.
06:29Do we believe?
06:29Again.
06:30Come on, my wife, this is the color she likes best.
06:34Well, you can think about it for four or five hours, because we have things to do.
06:38But the thing is...
06:39Goodbye, goodbye.
06:41Do you see it?
06:42They don't want to paint it red for us.
06:45Me?
06:45But if you chose it, what do you do about everything?
06:48Lord, give me patience.
07:04Black eyes that fascinate.
07:09Dominating black eyes.
07:14Black eyes, sweet eyes.
07:23Black eyes that captivate.
07:28Black eyes that kill me.
07:32Black eyes, sweet eyes.
07:37Sad life of my heart.
07:43I go through my tormented life.
07:47Under the blazing fire of your gaze.
07:52I'm just going through life.
07:55Like a poor, lost shadow.
08:01In the depths of my soul, nothing shines but the burning fire.
08:08What do you want, handsome guys?
08:10A table near the dance floor, please.
08:11Continue.
08:13And does violence operate here?
08:14Yes, now he's going to do his number, I think.
08:15And will Carlos be here?
08:16I don't know, but she might be able to tell us something.
08:18Look, look, look.
08:19The one who sings Calzón 43.
08:20He looks like a guy.
08:21He's a guy.
08:22I told you so.
08:27What do you owe?
08:28Something that doesn't contain alcohol.
08:29The same.
08:41Black eyes that captivate, black eyes that kill me.
08:50Black eyes, sweet eyes, sad life of my heart.
09:12Floor!
09:13Very good!
09:15Great, crazy girl!
09:18And now, ladies and gentlemen, with you the statuesque BBT Venancia Miralles.
09:24Alcohol-free.
09:25I put bleach on it.
09:44Well, look, she seems very prim and proper, doesn't she?
09:46Hold on, boss, you've only just begun.
09:58Boss, if you want you can cover your eyes or look at the head.
10:02No, man, this makes me feel young again, boss.
10:04No, I say it because she could eventually become his daughter-in-law.
10:09Does Carlos think he's going to marry this?
10:10Yes, he told me he wouldn't mind.
10:13Ah, well then it's more serious than I thought.
10:42Does the bottom part also come off?
10:43No, not the shoes.
10:44You know what I mean, man.
10:46He takes it off, boss, he takes it off.
10:53He took it off.
11:12Excuse me, please, where is Miss Miralles?
11:14That's his dressing room.
11:16Ah, thank you.
11:17Boss, I'll wait for you here, okay?
11:18No, no, Rico, you're coming with me.
11:19But if she's just taken off all her clothes, they'll be raw.
11:22Even if they're dead animals, I'm going to see it.
11:26Excuse me, Miss Tetancia...
11:30I say, no, venance.
11:31There, in the back room.
11:33Thank you.
11:35Boss.
11:40Hello handsome.
11:42You don't remember me anymore.
11:44If I had ever seen something so strange, I would remember it.
11:48Is it possible you've forgotten me, beautiful?
11:51Jope, boss, you argue.
11:53Can I connect with this mystery of nature?
11:56I'm sorry, you're confusing me.
11:57How can I confuse you if I can't stop thinking about you?
12:01Beauty.
12:02Listen, if I'm in the way I'll leave, beautiful.
12:04You're not going anywhere near me, come on.
12:06Goodbye, lady, or sir, or fish.
12:09I am Yolanda.
12:11I was in your workshop.
12:12Two friends and I took refuge there after we had just robbed a bank.
12:17Don't you remember, big man?
12:20Come on, brunette, yes, of course, how could I forget?
12:23You treated me like an uncle.
12:26Pretty.
12:27But I thought he was coming out of jail.
12:28We are on probation, awaiting trial.
12:31What are you doing here?
12:32Have you come to see me?
12:34Well, no, not really.
12:36We came to see the venancia.
12:37To the venancia?
12:38You?
12:39Be careful with that one, it's dangerous.
12:41However, I need to talk to her.
12:43Okay, okay, but be careful.
12:46Okay, okay, thanks, huh?
12:47Bye bye.
12:47Good evening, ma'am.
12:49Who is it?
12:50Yes, man, Yolanda is a very good guy, although she wears a garter belt in the street, of course.
12:56Forward.
12:57What do we do?
12:59Good night.
13:00I'm sorry, but I don't drink with customers.
13:02There are other girls for that.
13:05Thank you very much, but we don't want you drinking with us, do we?
13:08Hey, I know you.
13:10Where have we met before?
13:12Carlos introduced us a month ago.
13:15Ah, yes, you're the one who tunes up Carlos's motorcycles.
13:18Yes, I remember now.
13:19And since you're here, have you come to see the show?
13:22Well, you see, we're looking for Carlos.
13:25Because?
13:26This man is his father.
13:29Not your father, Carlos's father.
13:31Ah, he's at home, waiting for me.
13:36But it's okay, right?
13:38Well, it's no Indiana Jones, but it does the job.
13:42Come in, sit down.
13:44He hasn't been home for three days.
13:46And that's bad.
13:49Man, he's 20 years old.
13:51You can now vote.
13:52And if he can already vote, he can spend three days with a woman, right?
13:57As long as I know it's okay, I don't mind.
14:00It is his mother who is scared.
14:02Oh, mothers.
14:04How different they all are from one another.
14:07Mine, on the other hand, when I turned 15, put me in bed with an uncle.
14:11Take the panties.
14:21Hello hello!
14:23If you want, we can wait outside.
14:25No, don't worry.
14:26I'm used to it.
14:28More than 80 guys see me like this every day.
14:31Rufo, if you look, I'll tell my daughter.
14:33I'm not looking, boss, I'm not looking.
14:34Yes, that's it.
14:34Well, now that you know where Carlos is, what more could you want?
14:38Well, I had thought about giving a sort of speech.
14:41Something like...
14:44How much do you want to let Carlos go?
14:46But, man, for 20 pesetas I'll give it to you whole.
14:49But I think he's going to be the one who doesn't want to leave me.
14:51Boss, this is like the scene with Armando's father and Margarita Gautier.
14:56A Greta Carbo film, was it?
14:57Ah, well I haven't seen that one, have I?
14:59And how did it end? Did they kill the bad guy?
15:02Margarita is dying because she has tuberculosis.
15:04But my chest is in great shape.
15:07Yes, we've already realized, if we both...
15:10Rufo, don't look, I'm watching you.
15:11No, no, I'm not looking, boss, no.
15:13Clear.
15:14Okay, then, miss, what do we do?
15:16You don't know, I don't know anything.
15:18As long as Carlos wants to stay involved with me, we'll stay together.
15:22If your mom doesn't like that, tell him.
15:26Yes, he really is of legal age.
15:28But at least tell him to call us from time to time.
15:32Okay, I'll tell him.
15:37I've been listening behind the door.
15:39That's disgusting.
15:40Because I'm a pig.
15:42Listen to me, beautiful.
15:43I told you this slut is dangerous.
15:45And it is.
15:50Look.
15:51Ah, it's ATS.
15:52No way?
15:55So what does this mean?
15:57I'm diabetic and I have to take insulin.
16:00Insulin.
16:01And you put it in your hand.
16:02Okay, that's enough.
16:03I do what I want and you don't care.
16:05So I'm going to lengthen from here.
16:06No, no, sorry.
16:07But yes, we do care.
16:08Because my son can kill you.
16:10That will be your problem.
16:11No, no, and mine.
16:13Okay, fine, take your son.
16:14I don't mind.
16:15I like him because he's a good guy.
16:18It is the only noble and clean thing in my life.
16:21Mona, you're not a mean aunt.
16:25Would you be willing to do what I told you?
16:27so that the suckling lamb would move away from you?
16:31Yes, because things could end very badly with me.
16:33Could we tell him that you're involved with Corso?
16:35That's right, that's right.
16:38Who is Corso?
16:39A Sicilian who handles many millions.
16:41A thug, extremely dangerous.
16:43Oh, and he's involved with you too?
16:45Well, you're a real piece of work, girl.
16:47Of course, the flags were also involved with the colonel.
16:50Something stronger is needed.
16:52Tonight, that Carlos is going to catch you and me in bed, naked.
16:58Ah, what a terrible sin!
17:00But if you are...
17:02Come on, what is it?
17:04I mean, it's...
17:08I know who I am now.
17:10That's why it will produce more rejection in him.
17:13Go on, beautiful.
17:14Leave peacefully.
17:16Here's your Yolanda.
17:18To fix your life again.
17:23Hey Corso, can I have a light?
17:24Yes, nothing.
17:26Thank you.
17:29Venancia, the wall of the Corso comes this way.
17:31He doesn't want to see it, he's very jealous.
17:33Hide, now.
17:34No, no, I don't have to hide from anyone, come on.
17:36I didn't come here to do anything wrong.
17:38Chief, have Corso first ask questions and then ask them.
17:40Goodbye, where do I hide?
17:41To the closet.
17:42Come on, hurry up.
17:43Me first, boss, because you're older and you'll hit him less.
17:46Your father is funny.
17:47Don't worry, we'll leave here right away.
17:50Miss Venancia, thank you for what you are going to do for my son.
17:52Don't start shooting, boss, you'll break our necks.
17:58Given how serious I am, I took myself into this mess.
18:00But why are you hiding if you're that girl's coworker?
18:04Because that way I'm close to you for a little while, my beautiful one.
18:07Boss, boss.
18:08That?
18:08If you want to put my lackey here with the transvestite, don't hesitate for me.
18:12Hush, Lufo, or if I tell my daughter that you knew Verancia a long time ago...
18:17Let's make a deal.
18:18Nobody will tell anybody what happens tonight in this closet.
18:22Whatever happens.
18:26But what's going to happen?
18:27Well, that's it.
18:28And you put your hands where I can see them clearly.
18:31And it's not going to happen that they're selling the meat to the cross-country club.
18:33And your right hand, which you have placed on your butt.
18:36And it has all the wind stuck to it.
18:37No, I'm moving the boats because they're taking the keys to the workshop.
18:41Come on, man.
18:42Oh, what a beak you have.
18:43That's what I like most about you.
18:44You express yourself so well.
18:46No, no, no, don't lie back so far, ma'am.
18:49But seriously, why does she have it in for me?
18:51Because you remind me of my father.
18:52I've always had an Electra complex.
18:54What does Marlene Dietrich say?
18:57Who owns shares in Electra.
18:59Well, I think we should get out of here, huh?
19:02Excuse me for waking you up.
19:04Take your hand off my thigh; it's sweaty.
19:07Have they left yet?
19:08It's been a while, but I haven't wanted to say anything to see if you would finally decide to love me.
19:13Okay, let's get out of here.
19:15I'm drowning here.
19:18The door can't be opened, boss.
19:19They've locked it.
19:21Hey, mess it up, Rufo, huh?
19:23Even though I've been here all night, this could make me lose my honor.
19:27Open up!
19:28The cleaning ladies will come in two hours.
19:31Until then, relax, beautiful.
19:34And let's be happy.
19:40Rufo, raise the stove for me, because that dirty aunt has lowered it.
19:44While you're at it, take off my panties, Rufo.
19:46But you use that.
19:47I'm not taking off her panties, boss.
19:48The panties from the venancia, man, I have them in my pocket.
19:51Help, open up!
19:52Open up!
19:53Open up!
19:54Open up!
19:54Open up!
19:55Open up!
20:01Rufo!
20:03Rufo!
20:05Where are you?
20:06What's up, boss?
20:09But what are you doing in there?
20:11Nothing.
20:12I went inside to measure the meters needed for the upholstery and I fell asleep.
20:18What a night, boss!
20:20Don't talk to me!
20:22We stayed locked up in that closet until five o'clock when the guard opened the door.
20:26I can still smell like the perfume the transvestite was wearing.
20:28And she's totally smitten with you, by the way, isn't she?
20:30Yes, that's right, yes.
20:31What's gotten into him?
20:33Well, I've wondered about that too.
20:35It must be the look.
20:37I've been told many times that I look like a pre-vocate.
20:39Yeah?
20:40Let's see, let's see.
20:43Ah, ah, ah.
20:44Hey?
20:45What do you think?
20:47Oh, no?
20:48No.
20:49Well, you don't know how to read glances.
20:51Clear.
20:51Oh, by the way, be careful because I told my wife I spent the night with you because she
20:57It upset your grandmother, huh?
20:58Well, I told my grandmother to spend the night with you because you got sick.
21:06Juan, Juan, hasn't the child come?
21:09No, no, no, but don't worry so much, woman.
21:11You'll see later when he tells us where he's been, how we're going to laugh.
21:15Of course, Mrs. Consuelo.
21:16Carlos's wing is normal.
21:18Clear.
21:18He probably went to a nightclub, met one of the girls who work there, and...
21:23Hush, Rufo, son, hush.
21:24Don't go down that road, he'll explain it to us.
21:28By the way, Rufo, how is your grandmother?
21:30Ah, very good.
21:31At 80 years old, she's in great shape.
21:34Yes, but last night it was a wilted rose.
21:37Remember, Rufo.
21:38Ah, yes, yes, yes.
21:39Last night was bad, poor thing, yes.
21:42At that age, matters of the heart are something to be careful about.
21:46No, she has a very strong heart.
21:49Yes, but he let him down last night, Rufo.
21:52Don't forget, he failed her.
21:54Ah, it was from the heart.
21:58It went plop and stopped.
22:01Just for a moment, sure, but it stopped.
22:04Thank goodness I was there and gave him mouth-to-mouth resuscitation.
22:10Well, you could say I saved her.
22:13Yes, yes, he saved her, he saved her.
22:15And I was standing there like an idiot, watching.
22:18No, no, you helped me, Rufo, yes.
22:21Yes, when I ran out of air, you would blow into this ear to refill it.
22:26So.
22:27Yeah.
22:28And then two hours waiting for the ambulance.
22:31Yes, yes.
22:33There was also an ambulance.
22:35Yes of course.
22:36Yes, yes, the ambulance, yes, yes, yes.
22:38The boss wanted to carry her to the hospital, but I refused, I said no.
22:42And of course, it was a lot to carry her in my arms while giving her mouth-to-mouth resuscitation.
22:45And it couldn't be that much, of course.
22:46No, no, no, don't go too far, Rufo, don't go too far, son.
22:50Thank goodness he doesn't listen to us.
22:51I'm going to have a cup of coffee.
22:53If Carlos comes, let me know.
22:55Of course, woman, of course.
22:59But you almost messed up, rich guy.
23:01It's because you've divided up the role of Superman.
23:03Well, since I had to tell a story, I at least wanted to make myself look good.
23:08Just wait until I tell my grandmother how happy she'll be when I tell her it's happened
23:11You were giving him the cold shoulder all night.
23:13Very funny.
23:24Hello.
23:26Good morning, Carlos.
23:29Thank goodness you showed up, huh? It's a blessing to see.
23:32Dad, please.
23:34No arguments.
23:35No, no arguments at all.
23:37But if a man can't tell his son that he hasn't been home for four nights, that
23:42He's been behaving like a pig; things aren't going well.
23:46You're right.
23:47I'm sorry.
23:49I should have at least made a phone call.
23:51No, for your mother's sake.
23:53I don't care.
23:55I haven't even worried about it.
23:56I haven't even made an effort to find you, I've just been using a spotlight.
24:00No no.
24:00He hasn't moved from here.
24:02He hasn't even missed you.
24:04No, man, not that.
24:06How could I not miss my son?
24:07Clear.
24:08But there are things I understand, you know?
24:10Well, if you can find out where you've been.
24:14Making him an idiot.
24:15Very good, very good.
24:16Of course, everyone does what they are.
24:17Yes indeed.
24:19You can probably guess that...
24:22that I've spent these days with a woman.
24:25Well, the bad thing would be if you had gone through it with a firefighter.
24:27Don't believe it.
24:28I mean, I know someone who spent a whole night locked in a closet with a guy.
24:32And nothing happened to him.
24:34Dad.
24:36Are all women the same?
24:38Yes, the Chinese one.
24:39Look.
24:41This one seemed different.
24:43Would it have any flaws?
24:45Can.
24:47But it's all nonsense.
24:50Clear.
24:52Silly little things.
24:53And this morning...
24:55I caught her in bed with another man.
24:58That Yolanda is a saint.
25:00And the bad thing is that the other one.
25:02He was a transvestite.
25:04It's not possible.
25:06Well, I believe it because you say so.
25:08And because otherwise, what would happen...
25:09It disgusted me.
25:11Come on, I'm never going to see her again in my life.
25:15You'll know.
25:16You can assure it.
25:18To the.
25:19Lie down for a little while, but...
25:21First, give your mother a kiss.
25:22That silly girl was alarmed.
25:24Yeah.
25:25To the.
25:26Clear.
25:29See you later.
25:34Well, everything turned out well, boss.
25:36The transvestite kept his word.
25:38Yes, yes.
25:39Thank goodness she's coming.
25:42Dad!
25:44Dad!
25:45Carlos is back!
25:47Yes, yes, yes.
25:48I've already seen it.
25:50Mom is showering him with kisses.
25:53Hello, Rufo.
25:57Hi, Clara.
25:59You have dark circles under your eyes, huh?
26:01You'll see who you've been with tonight.
26:04Well, with a certain Yolanda.
26:06But it's not his type.
26:07Right, Rufo?
26:08No no.
26:10Are you going to the academy?
26:12Yeah.
26:14Boss, if you don't mind, I'm going to walk your daughter to the bus stop, okay?
26:18I just need to get some fresh air.
26:21Go away, go away peacefully.
26:22If someone comes, I will attend to them.
26:25Go ahead, for all I care you can accompany her all the way to the academy.
26:28Great!
26:30Yes, that sounds good to you.
26:31I don't think it's a bad idea.
26:33That way you can explain to me why you look so bad.
26:37Yes, my grandmother had a heart attack tonight, you know?
26:40And then I had to do something to his mouth.
26:42And because I decided to do it myself, because the boss didn't dare.
26:47Juan!
26:48Juan!
26:49The child has arrived!
26:51There, give him a hug from me.
26:55By the way, I went to hang this jacket of yours in the closet and I found this.
27:02Oh yes, how curious, isn't it?
27:04What was he doing there?
27:05What is it?
27:06Well, it's just that, while giving mouth-to-mouth resuscitation to Rufo's grandmother, I blew a little too hard.
27:12and...
27:14Her panties fell down.
27:17Sure?
27:18Well, they're some very strange panties.
27:20Ah, no, I remember now, yes.
27:22They're not panties, no.
27:24Rufo's grandmother uses them so her hair doesn't get messed up while she sleeps.
27:28Look, like this.
27:29What, what, what, what...
27:33Am I myself?
27:37What, what, what, what...
27:37They are not something I leave behind.
27:39They are not of a sube.
27:39Ah, they're not of a sube.
27:39They are not joy.
27:58Oh, what, what, what...
28:02What, what, what...
28:31Thank you!
28:38Thank you!