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02:41Sign up!
05:37One. Or I'm going to go crazy. Has this TV commercial turned the house upside down?
05:43Upstairs? It's natural, it always happens. I'm undeniably nervous. Hey, put me on
05:49Also, a little rhyme, because otherwise the boss is going to look like a sissy. What's wrong? No
05:55Do you have class today? Yes, but I've only had the first few. I don't want to miss anything.
05:59From the commercial. Well, if you're there, I won't say it's unequivocal... about that. What
06:04What do you have to say? This paragraph is so long and so difficult!
06:10This workshop is... It's unequivocally your workshop! Yes, of course, it's easy to say that here.
06:17I want to see you out there!
06:24Good afternoon, Mom. You really overslept. What a nap. I slept two.
06:31hours. Phew! I'm going to the federation. Really, Mom? Okay. Hey! I'm going to the
06:40Federation? I've neglected my motorcycles a bit and I need to get back on track.
06:46Well, I'm up now. Hey, are you awake? The noise from the commercial woke you up, of course. No!
06:53I only slept two hours. That's good! Are you meeting Virginia? Yes, I'm having dinner with her.
07:01Why don't you tell us about Virginia? When are you going to bring her so we can cross her? Yes, of course.
07:07One of these days, right? Well, see you later. I'm going down the alley. If I'm late, I'll call, okay?
07:17What's wrong with this guy? Why doesn't he want us to meet his girlfriend?
07:22It seems she's not his girlfriend. Is she his friend?
07:28No, I think she's more than his girlfriend. More than his girlfriend? What could she be then?
07:34No, don't worry. We'll find out. Go on, come see your husband and tell him to go away, Davies. Go on, go away.
07:46Okay, I'm ready. Great. Paco, you've got your lead actor.
07:51Perfect. Do you know the text well? Oh, by heart! Very good. If you need it, we can add it.
07:57some blackboards with the text written on them.
07:59Ah, thank you very much, but I don't need any of that. My assistant might find it useful.
08:05Well, come this way. Oh, yes.
08:08You start with your back to me. Yes.
08:10So we can frame the monkey's caption. And when I say action, you start talking while walking towards your
08:16assistant, who is the one who says the last sentence.
08:18Ah, that's perfectly clear. Absolutely clear.
08:22Would you like to do a little rehearsal?
08:24Whatever you want, but I don't need it. Come on, I'm clear on that. That's not...
08:28Okay, let's try it and see how it goes.
08:30Whenever.
08:34Begin.
08:36Well, I'm waiting for you to say "action," okay?
08:39Oh, yes, sorry. Action.
08:43Hello, friends. As the CEO of this company, I am pleased to offer you our services to meet all your needs.
08:51that has their car, motorcycle, van or heavy goods vehicle.
08:56And then Rufo says, this workshop is unequivocally his workshop.
09:01How are you?
09:02Very well, Mr. Garcia.
09:06Perfect, Juan.
09:07No, no, no.
09:08I didn't think you'd be so calm.
09:10And why should I be worried?
09:12I find this natural.
09:14Come on, if I had been born in America, I'd be in Olibod now competing with James Estebar.
09:20I'm into the Wild West.
09:22With my cigarette, my hats perched on my eyebrows...
09:25Well, damn it!
09:28Ah, I'm thinking about something. This ad needs a feminine touch. So, what do you think of this? Come on.
09:35Here, Don Juan.
09:35Yes, yes, ma'am, yes.
09:37Upon arriving here, Don Juan, she should look like a bikini model and hug Don Juan like that.
09:44Oh, well, that wouldn't be bad. He might even give me a kiss. Like, thanking me for fixing things.
09:50The car, huh?
09:51I don't think it suits him.
09:53That's not a bad idea. But where do we find a model now?
09:56Well, one of those ads for a cologne shows her half-naked, right?
09:59But it won't arrive in time.
10:01You can do it, Rita. After all, she's been a model for many years.
10:06Very well, I'll do it then. Come on, a rehearsal.
10:09Yes, that's right, that's right. Come on, let's go.
10:13Ready!
10:15Action!
10:17Hello, friends. As the CEO of this company, I am pleased to offer you my services.
10:23Oh!
10:28God, to cover all your needs, whether it's a motorcycle, car, van, or heavy goods vehicle.
10:38I mean, tonnage.
10:41How did it turn out, huh?
10:43Very well. We'll do it that way.
10:45I know I shouldn't get involved, but this seems pornographic to me.
10:49I don't know why a young lady has to show up and turn her nose up at the workshop owner.
10:54It's the erotic component of every good commercial.
10:58Of course, woman. We don't understand this thing.
11:02It is these gentlemen, the technicians, who have to say what to kiss and what to...
11:07No.
11:07What's there to kiss? Well, we kiss. Come on, let's go!
11:13Hala! Bipidote!
11:16I'm here now. Unequivocally, unequivocally, unequivocally.
11:19Very good, very good.
11:20Okay, let's do a full rehearsal. You stand here.
11:23When your boss gets to your side, you say your part.
11:25Stay tuned, okay?
11:25OK?
11:26I'll tell him if I can, because I can't seem to say "unequivocally," you know?
11:29Well, let's rehearse for that, this muse.
11:31To your place, Mr. Garcia.
11:33Yes sir.
11:34Excuse me, is my makeup okay?
11:36Look, huh?
11:37This is fine for the rehearsal.
11:39Yes, yes, sir, yes.
11:41Guys, lights.
11:43Unequivocally, unequivocally.
11:44Rufo, the promotional materials have melted. Fix them!
11:49What a light! I can barely see the camera!
11:52Let's go.
11:53When you don't want to, yes.
11:58But what's going on? They're gone!
12:00Don't turn around until I say action.
12:02The public needs time to read the sign on his back.
12:05Ah, yes, of course, yes, of course.
12:06Sorry.
12:07You know what?
12:08The lights have made me a little nervous.
12:12What a silly little thing, right?
12:14Relax. Come on, turn your back.
12:15Yes, yes, that's it. Done. Let's go.
12:19How well does it do?
12:21Very good. Too much.
12:23Wait and see.
12:24Action!
12:26Hello friends.
12:28As the CEO of this company,
12:31I have the pleasure of introducing you to...
12:34I have the chastise...
12:36Ah! But that wasn't planned!
12:38Why not?
12:39That's what we've seen. The script demands it.
12:43Our little sip for all the necessary and needed things.
12:47That they have in their car half or fargonite or tonilojo with large foliage.
12:55Was this unequivocally a kiss?
12:58No, no, no, that's not what you have to say.
13:01But didn't you notice that I said...
13:03What wrong?
13:05I?
13:06I wasn't expecting Manuel's dinner.
13:08Okay, let's record. Let's see what happens.
13:11Ma'am, I'd like a cup of coffee. Coffee is very good for infidelity.
13:15I mean, it doesn't stop the nerves.
13:17Shut up, you anxious person!
13:18I think the man invented this whole thing about the commercial to pick up women.
13:20Shut up, woman!
13:21Let's see...
13:22I'm leaving. I can't stand another one of these make-out sessions.
13:28Goodbye, James Estebar.
13:30If there's any Valium left, give me three pills for...
13:33I'm feeling great!
13:38What opportunity are you, anguish?
13:40Your mother's a slut, girl.
13:41Shut up already!
13:42What a man, what a man!
13:47Okay, please, now let's do a take.
13:49Silence!
13:50Manoli, touch up the makeup we recorded.
13:53Yes sir.
13:56Mr. Garcia...
13:56No, no, I'm perfectly calm.
13:58Come on, I was so calm until the lights came on.
14:02And now, when he told me we were recording, I got a chill down my spine...
14:07There are a few points I wanted to discuss with you.
14:10Regarding the cost of the spot.
14:12Could we have dinner together?
14:14But the whole team. Well, that's going to cost me a fortune, huh?
14:17No, just you and me.
14:19At my place.
14:21I'm so nervous I don't know whether to be happy or start crying.
14:26Makeup done.
14:34Ready, Mr. Garcia?
14:35Yes, yes, ready, ready.
14:37Prepared.
14:38Silence.
14:40We recorded.
14:43Action.
14:45Wait a minute. It must be nerves.
14:48But I could go pee.
14:51Short.
14:51No, Mr. Garcia, no.
14:53We're ready to record.
14:55Hold on a moment.
14:57And remember, smile.
14:59Yes, yes, yes.
15:00Fredone, Fredone.
15:01No, no, going to the bathroom wouldn't be a bad idea, would it?
15:03I'm bursting.
15:03It's 20 seconds.
15:04Come on, let's do it and you can go wherever you want.
15:06Okay, but hurry up, alright?
15:09Let's go.
15:10Uh, we recorded.
15:11Silence.
15:16Action.
15:17This is a workshop that doesn't have boats.
15:20Why had he slaughtered them?
15:21Why had he slaughtered them?
15:22And the hamburger was spilling out.
15:23But since I seemed like a good girl,
15:24no...
15:26And as it seemed,
15:27because Barzolo has a flute with only one hole.
15:29And since I had already arched it,
15:31There were oglings and heavy-tonnage bombers.
15:34This workshop is comically about that,
15:37its foyer.
15:39Short.
15:41How did it turn out?
15:43I think we've unequivocally screwed up.
15:47You can go to the bathroom now.
15:50No, I don't need it, no, no.
15:51I'm going to put on some pants.
15:53Me too, yes.
15:55It was your fault, wasn't it?
15:56Because?
15:57Because when I heard it just trickle,
15:59Well, mine has come loose.
16:00Well, I think we could be artists.
16:01Yes, from circuses, urinals, and the like.
16:03And you with your middle parting is enough to make you want to throw a rock.
16:05Well, you haven't seen yourself wearing a hat.
16:06I like going for free.
16:07In other words, for free.
16:08In other words, for free.
16:26For!
16:29I.
16:48Thank you!
17:01Well, with Faustino, but Susana is going too
17:05No! I'm waiting for a client I've invited to dinner.
17:09Juan García, the star of the commercial we made today
17:14You know, he insisted on having dinner with me and I had to oblige him.
17:21Don't scream!
17:22Aren't you having dinner with Susana? Well, I'm having dinner with Juan.
17:27Yes, she'll be older, but she kisses.
17:32You have a lot to learn from him, my dear.
17:35Don't even think about coming.
17:37Don't ruin my dinner, Paco
17:39Paco? Paco? Paco?
17:57Good night
17:58Are you punctual?
18:02Come in, please come in
18:04Yes, I've brought some cured tuna, which goes well with the appetizer.
18:07Oh, sorry, I hate dried tuna.
18:10Isn't that right? Eating mojama is like taking bites out of a mummy.
18:13I had thought about bringing testicles, but it seemed a bit rude.
18:18Sit down!
18:18What would you like to drink?
18:19Well, I don't know, something expensive, like a spider crab, for example.
18:23Do I drink sherry?
18:24Yes, well, Jerez, yes, good
18:26I'm a little nervous
18:28This is the first time a woman has invited me to dinner.
18:31I wanted you to know my innermost thoughts
18:34And I'm getting to know them.
18:38I'm referring to my internal administrative matters.
18:41As the producer of your commercial, we need to talk about the cost.
18:44Oh, yes, of course, yes
18:47Go on
18:51Cin, chin!
18:52Cing, chin, chin!
18:58It's gone in another direction.
19:00I've seen it like that, the thigh area.
19:02And it made me choke, yes.
19:04To be honest, I was surprised today, Mr. Garcia.
19:07He was very good in the spot
19:10I got a little nervous at the end
19:13But I have the makings of an artist, yes.
19:16My assistant has been terrible.
19:18He peed himself because he was so nervous
19:21I thought they had both done it.
19:24Me, come on, no
19:25A bit
19:26You know, that uncontrolled little drop
19:28But no, let's go
19:29It was Rufo who splashed me.
19:33Please, could you cover the thigh a little?
19:35It's just that when I see a thigh
19:36I feel like picking it up.
19:38You'll give it to me, huh?
19:55Let me know when you're finished.
19:57Paco, what are you doing here?
19:59So, Paco, what are you doing here?
20:01I live in the house next door
20:04And I have a key to this house
20:06Don't you remember?
20:07Well, use it to close the door.
20:10But on the outside, okay?
20:11Don't slam the door when you leave.
20:13Goodbye, goodbye
20:14And let's get on with our business.
20:16Goodbye, young man, goodbye
20:18Continue with the kiss, it took me by surprise.
20:20And I haven't even gotten the most out of it.
20:22Is he crazy?
20:24Paco is my lover
20:25And he's very jealous
20:26It can kill you
20:28Go on, brunette
20:29Okay, is that you?
20:30Well, he doesn't have to be angry because of me, Don Paco.
20:32Actually, I was willing.
20:34To cheat on him
20:35But very few
20:37Only two
20:37Don't strain yourself, Mr. Garcia
20:39I understand everything
20:41What actually happens is that
20:43I'm having dinner with some friends.
20:45And before I leave
20:47I've come to return this key.
20:49This young woman with whom he had been in a relationship until now
20:51Huh?
20:53Here it is
20:55Hey?
20:56What are you doing, Mr. Garcia?
20:58Why is he grabbing my thigh?
21:01Ma'am, don't mess things up.
21:02If what she wants is to piss off her boyfriend
21:04Stick a finger in his eye
21:05But don't complicate my life.
21:08But what makes your blood so cold?
21:11Did you find me here making out with a man?
21:14And you don't protest
21:16Insult me
21:16Hit me!
21:17One moment
21:18That's definitely not the case.
21:20In front of me
21:21You don't hit a woman
21:23That's why I'm leaving.
21:25When I close the door
21:26You can kick him now.
21:28And keep it with her
21:29You're not moving from here
21:30Yes, man
21:31I'm leaving
21:32You beat him up
21:34And all three are happy
21:35No, sir
21:36I am incapable of being a hindrance.
21:37To a couple who love each other
21:40Bye
21:41Don't go, Mr. Garcia
21:42Stay
21:43I've invited him to dinner
21:44And I keep my word.
21:45Do you like canned fabada?
21:47Well, no, it's not something that...
21:49And then you and I will do crazy things
21:51Yes, but that's after a fabada (Asturian bean stew).
21:53I won't be up for many crazy things
21:55You don't know Rita, do you?
21:56No
21:57He loves doing crazy things
21:58Yeah
21:59I'm leaving so as not to disturb you.
22:00Don't be cynical
22:02You're going to have dinner with Susana
22:04Who is Susana?
22:06I'm going to have dinner with Faustino
22:07Oh, with Faustino?
22:09She's a little crazy
22:12I'm starting to believe it.
22:13Because the one who is interested in Susana
22:15He is a sexual deviant.
22:17What do you have that Susana doesn't?
22:19Shame
22:20Are you ashamed?
22:21And you're bringing this customer out to dinner?
22:23Just to mess with me?
22:24Okay, just a moment
22:25Come on
22:25Don't tell me I came here alone
22:27To give you axes
22:28Yes, sir.
22:29Just for that
22:30Wow, man
22:31And I thought he had invited me
22:33Because my kisses in the spot
22:35They had already gone crazy
22:36The thing
22:37Okay, let's not ruin the night
22:39I will not go to the dinner with Faustino
22:40Ah, darling.
22:42I knew you wouldn't be interested
22:44It was a business dinner
22:46But just so you can rest easy
22:47I'll have dinner with you.
22:49I love you, Golfo
22:51Okay, I'm leaving.
22:53At least I'm leaving
22:54With joy
22:55If it had served to reconcile
22:57No, sir
22:57You're staying with us, okay?
22:59The jars of fabada are enough for three.
23:00Ah, look
23:01We also have a little bit of dried tuna.
23:03Well, I'm going to heat up the pot.
23:05Dear
23:06You come to the kitchen for ice
23:11Did you see that, Mr. Garcia?
23:13Women are amazing!
23:14But they're so delicious
23:16They and no...
23:17Yes indeed
23:21And to think that just in case
23:22I had put on intimate deodorant
23:30Consuelo, open up, you silly girl!
23:31I'll explain everything to you.
23:34I swear it was a business dinner
23:36Go on, woman
23:36I'll bring you a little bit of dried tuna.
23:40Open up once
23:40I have the right
23:41This is my house
23:42My bedroom and my bed
23:43And you, dried tuna?
23:44Don't get horny
23:46I can break down the door, you know?
23:47You'll have to bring the kisser along.
23:49To help you
23:50Open up or I'll call the police
23:52Yes, indeed!
23:52Let them come and throw you in jail for adultery!
23:55Well, I'm going to call them
23:56You'll see!
23:59How do I have it?
24:00What is it?
24:01What is it?
24:01What is it?
24:02What is it?
24:02What is it?
24:03It's 091
24:04If you'd like, I can call you.
24:06No, thank you very much.
24:08What are you doing?
24:09His wife told me to prepare this for him to sleep in.
24:11He says you're never going to bed with her again.
24:14But that woman is crazy, right?
24:16I haven't seen it that way.
24:17You've gone way too far now, boss.
24:19You recently spent the night with Rufo at the cabaret
24:21And now he's started flirting with his girlfriend?
24:24Well, you see
24:26Well, no, I'm going to spend all night giving explanations.
24:30What's happening?
24:30Why are you shouting?
24:32Well, your mother
24:33He won't let me into my room
24:34He told me before I went to bed
24:36But I never thought I had the courage to do it
24:38So he did that?
24:40Well, you'll sleep very well here.
24:41And I imagine you've done guard duty in worse guard posts.
24:45Lie down on my bed, daddy
24:46I will sleep here
24:47No, daughter, no
24:48Your mother wants me to get worse with my lower back pain
24:51Sleeping on the sofa
24:52And I'm going to do it, you see.
24:55You can also use your child's room
24:57He probably won't come home to sleep tonight either.
25:00Ah, but he hasn't slept here for several days.
25:03Yes, but don't worry, he's with Virginia.
25:05He told me everything
25:06The men in this house are all real scoundrels.
25:10If it weren't for the fact that they owe me three years' worth of money.
25:12Tomorrow, long live my people!
25:14Well, give my regards to your nephews.
25:16If you see them, you know?
25:18All men are immoral.
25:20My nephews are the first
25:21May he rest, if he can
25:26Go on, daughter, lie down
25:28You really don't want to sleep in my room, Dad?
25:31No no
25:32I want to lie down here and get sick
25:34And let the blame fall on your mother.
25:37Well, if you need anything, call me.
25:39I will
25:44Clara
25:45Yeah?
25:46How are things going for you?
25:48Good
25:48I will pass everything at the academy
25:50Ah
25:52You know what I mean
25:53Already
25:54Well then
25:55Enrique?
25:58Well, he was dying
26:00And Rufo?
26:02He is very much in love with me
26:03Since we opened the workshop, yes
26:07And you...
26:08Are you interested?
26:11He's such a good person.
26:13And he treats me with so much affection.
26:16I think I'm starting to like it
26:19Wow, man
26:20Finally, I don't hear any good news today.
26:23Okay, see you tomorrow, Dad.
26:48Thank goodness I brought this with me to use as a parakeet
26:50Oh, what a night awaits me.
26:53Oh, what a night awaits me.
27:20See you soon!
27:22See you!
27:27See you!
27:32See you!