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00:00:27The role of grandparents
00:00:30It can grow, feel, discover
00:00:33Thick and scattered, as always, right?
00:00:34No, no, no, it's okay, it's okay
00:00:36But look, this paragraph, put it at the end
00:00:38It gets straight to the point, and I think it works better.
00:00:42Hey?
00:00:43If possible
00:00:46It was a good idea to come and write here
00:00:48You'll know, I try, but with so many children
00:00:50Well, since I'm writing a story, they're really coming in handy.
00:00:53And does Tano manage alright on his own?
00:00:55Tano is wonderful and he's married to his work
00:00:57He only looks for me at night.
00:01:00Can he find you?
00:01:01Well, sometimes yes, sometimes no
00:01:04That's right, that's it
00:01:04Do you see it?
00:01:07That's it, it's ours now.
00:01:10Our what?
00:01:11Orestes called
00:01:12Come from the house and leave
00:01:15Who?
00:01:16It is the land of the Masia, on the other side of the forest
00:01:19He has a love in Cuba and has been saying for years that he's leaving everything behind and going to be with his love.
00:01:24She gives it to us, ma'am.
00:01:26We have a tractor
00:01:27We have a tractor
00:01:30Finally
00:01:33Are we going to have a tractor at home?
00:01:36Yeah
00:01:36A tractor? What's it for?
00:01:38Well, to work in the fields, to work the land
00:01:42I'll bring it this afternoon, but it needs fixing.
00:01:45Well
00:01:46Can your older children help me?
00:01:49Of course
00:01:53Abdel is happy
00:01:54It makes his job much easier.
00:01:56And will we be able to ride?
00:01:58When it's fixed, okay?
00:01:59What can I tell you?
00:02:01I rode a camel once when we went to win a horse
00:02:04It's not the same, the camel doesn't have wheels
00:02:07No, but it has a little leg on its back
00:02:09Very well, you heard, Abdel
00:02:11Do you have to help him repair the tractor?
00:02:14I
00:02:14I said it in the plural.
00:02:15I have said you have
00:02:16Yes, but who's included in that plural?
00:02:18Well, the older ones, the ones who are always talking about cars.
00:02:20Yes, but a tractor isn't a car.
00:02:22Well, but inside it's almost the same
00:02:26What does a tractor have to do with a Ferrari?
00:02:28Well, look at it, the same as Nicole Kidman and me
00:02:31Inside we're the same, the bodywork is different
00:02:36And what's with all the laughter?
00:02:38Because?
00:02:38Did you say that?
00:02:39Did it happen this way?
00:02:40Yeah
00:02:40Did I do it like that?
00:02:42Well, to look like Nicole Kidman
00:02:52What a mess!
00:02:53That must run on diesel, right?
00:02:55And what else do you give?
00:02:56Oh, I don't know, a technical detail
00:02:58Because they say cars have horses.
00:03:00It is a measure of power
00:03:03In other words, what I like about cars is cars.
00:03:07Inside, I don't care.
00:03:08Tell the story
00:03:20This thing is wrecked, huh?
00:03:22It's going to take you a while to get it working again.
00:03:26And this?
00:03:27A new member of the family
00:03:29Okay, but you have to bring it right here.
00:03:31Okay, it needs fixing, better in the shade
00:03:33Well, this is my tree.
00:03:36Do you know about mechanics?
00:03:38I know a little bit about everything
00:03:41Hey, excuse me
00:03:43Do you play?
00:03:45I'll try.
00:03:45Let's see
00:03:47No, I don't feel like it.
00:03:49Come on, woman
00:03:49That I have been a musician
00:03:50Goes
00:03:52Okay, come on
00:03:53Just a little bit, huh?
00:04:30Bravo!
00:04:32Bravo!
00:04:40Come on, woman
00:04:41It's not like there's any need to get so worked up.
00:04:43Hey
00:04:44You are witnesses that I haven't done anything to him, right?
00:04:47Let's see
00:04:48Tell me one thing
00:04:50This is the writer's farmhouse, right?
00:04:52Yeah
00:04:54AND...?
00:04:55Does a woman named Carmen live with you?
00:04:58He's from Aranda del Duero
00:05:27Here is the day of the writer
00:05:54Subscribe to the channel!
00:06:27Subscribe to the channel!
00:06:56Subscribe to the channel!
00:06:59We have two concerts, one next Saturday and another at the end of July.
00:07:03We were planning to celebrate them in the church, but they're not installing the heating.
00:07:06Ah, in the middle of summer!
00:07:08Of course, so they get used to the heat of hell.
00:07:11Yes, well, it's also cheaper.
00:07:13You handle the economic aspect very well.
00:07:15So, we've run out of places to rehearse.
00:07:17And without a venue to host the concerts.
00:07:19And do you want to settle in the hermitage?
00:07:22In the bishop's chapel, yes.
00:07:24Already.
00:07:25And do you sing too?
00:07:26Like Father Jonathan?
00:07:29No, I sing more like the angels.
00:07:31Ah, I thought they were the seraphim.
00:07:33Yes, yes.
00:07:38Why are you wearing glasses?
00:07:40Have you cried?
00:07:40No.
00:07:43Another argument with Roger?
00:07:44No.
00:07:50Teresa, you're not pregnant, are you?
00:07:52Oh, Mom, you're so annoying, aren't you?
00:07:54Daughter, if you would tell me something, even just a little bit...
00:07:57I haven't slept with anyone, okay?
00:07:58Not with Roger, not with anyone.
00:08:00And besides, the day you do it, it will be my doing.
00:08:07Well, at least you'll take precautions, right?
00:08:09I didn't get pregnant like you at 18, don't worry.
00:08:16I'll take some smoothies for a snack.
00:08:19Okay, I'll get the credit later.
00:08:21No, well, if we're using the tractor, it won't cost him anything.
00:08:25The tractor driver's uncle asked about you.
00:08:27Who?
00:08:28The guy with the tractor was really laid-back.
00:08:33That guy must have done something to you, right?
00:08:35He made him play the violin.
00:08:37He says he's a musician.
00:08:41But, but, why did you fly off?
00:08:44I didn't just whizz off.
00:08:46Well, look, this look has already run away.
00:08:48It gives you bad vibes.
00:08:51I'm going to put a load of laundry on you.
00:08:56How old is that guy, roughly?
00:08:58Well, I don't know, like forty-something.
00:09:07His name is Amador.
00:09:17It's broken.
00:09:18It's old.
00:09:20Almost all old things are broken.
00:09:22Oh, really?
00:09:23Yes, the statues, the bridges, last year's school books.
00:09:29And the people?
00:09:30People too.
00:09:32But they're old, they break.
00:09:34But they carry walking sticks.
00:09:37This is bullshit.
00:09:40I could have said it louder, but clearer, impossible.
00:09:44You are used to new things.
00:09:47When something breaks, it gets thrown away.
00:09:49Rich kids.
00:09:51Let's see if it works.
00:09:56She's dead.
00:10:01Have you heard?
00:10:03It's still showing signs of life.
00:10:05It's like a dinosaur.
00:10:06It's already extinction.
00:10:07You'll see how we're going to cure him.
00:10:09Here's a tractor doctor.
00:10:12We'll try to do it here.
00:10:14Let's see what's wrong with him.
00:10:16Are you a tractor doctor?
00:10:19I don't.
00:10:19But I have cured many dinosaurs.
00:10:24Oh, friend.
00:10:25Look at what it was.
00:10:26The cooling circuit.
00:10:28The rubber is cracked.
00:10:29Ah.
00:10:30The water doesn't reach the engine and it burns out.
00:10:33This is just replacing some parts, huh?
00:10:35If there's a workshop for huaces nearby,
00:10:38This is a piece of cake.
00:10:44This.
00:10:45That?
00:10:46Something is happening.
00:10:48Well, yes.
00:10:49If you don't give me a little more information.
00:10:51I just don't know what it is.
00:10:53It's definitely happening.
00:10:54Yeah?
00:10:54Behold.
00:10:55Oh, well, yes.
00:10:56It is Carmen who is overseeing the tractor rescue operation.
00:11:00I should do it myself, but I've run into the bishopric.
00:11:03I think he's supervising something else.
00:11:05Oh, really?
00:11:06That?
00:11:07Okay, there's a guy.
00:11:09The tractor one.
00:11:10Carmen and Teresa have...
00:11:11See?
00:11:15Yeah.
00:11:16And that's a very good sign.
00:11:18Of course, you notice things.
00:11:20You worry.
00:11:22You're becoming a man.
00:11:23That's a very good sign.
00:11:29Okay, so what's going on here?
00:11:30What's happening?
00:11:31Is anything needed?
00:11:33Ears that can listen, for example?
00:11:37I don't understand anything.
00:11:38No, I don't know anything about tractors either.
00:11:42It's him.
00:11:45He?
00:11:50Him, the one I imagine.
00:11:53But what is he doing here?
00:11:55Is he Teresa's father?
00:11:56Well, no father figure, huh?
00:11:58Well, the one who released the raw material.
00:12:01And it suddenly appears here 20 years later.
00:12:05Let me see.
00:12:12What a man, huh?
00:12:14A piece of shit, that's what he is.
00:12:18Well, and the fact that I'm here, it doesn't even cross your mind that I'm a
00:12:24chance.
00:12:24But, come on, man, he asked about me.
00:12:28Well, then you know.
00:12:30That?
00:12:32You go there and say, hello, have you asked about me?
00:12:38What if I run away?
00:12:40From your house?
00:12:48Well, you're right.
00:12:53Hey.
00:12:54That?
00:12:55If you need a bodyguard.
00:12:58No, I don't think so.
00:13:00But stay close, just in case, okay?
00:13:03No, no, no, no, no, no, no.
00:13:22Hello.
00:13:23Good afternoon.
00:13:24We saw the door open and...
00:13:26Because it's never open.
00:13:27They are the three eldest granddaughters, Aurora, Coral and Pili.
00:13:30Feli.
00:13:31That's right, listen, there are so many of you.
00:13:33He is Ovidi.
00:13:34What are you doing?
00:13:35We've asked your grandmother to let us rehearse here.
00:13:37Do you do theater?
00:13:38No, it's for the choir.
00:13:40By the way, if any of you like to sing.
00:13:43Nobody?
00:13:44I like it.
00:13:45Go ahead.
00:13:46But I have no voice.
00:13:48What do you mean you don't have a voice?
00:13:50Am I listening to you?
00:13:52I'm out of tune.
00:13:52But that's a matter of practice.
00:13:54Nobody is born in tune unless they are born a Nightingale.
00:13:57Or not, Dora?
00:13:57Uh-huh.
00:13:58Come on, why don't you give it a try?
00:14:00Phew.
00:14:01Why not give it a try?
00:14:02I only have twelve days left here.
00:14:04But hey, we have two concerts before July 30th.
00:14:07And many casualties.
00:14:08Anyone who is interested will be welcome.
00:14:10And when will you come to rehearse?
00:14:12Well, every day, starting this afternoon, from seven to nine.
00:14:15You, Dora, lead the group.
00:14:16And what are you doing?
00:14:17I sing.
00:14:18And I sing quite out of tune, by the way.
00:14:21Well.
00:14:22I'm leaving, the workers will be here in half an hour.
00:14:24Oh, I'm with you.
00:14:29You know, Feli.
00:14:31If you're up for it, we'll meet here in a little while.
00:14:37Did we think he was gorgeous?
00:14:39Gorgeous?
00:14:40Yeah.
00:14:41He's nice, but he's very old.
00:14:43What does that have to do with anything?
00:14:44Yes, he must be at least 25 years old.
00:14:46I'm just saying he's handsome, not that I want to marry him.
00:14:49You look strange, don't you?
00:14:58Hello good.
00:15:00I know I'm impressive, but it's not that big of a deal, you know?
00:15:03Are you spying on me?
00:15:04Hey?
00:15:05Yes, you spy on me.
00:15:06But what's going on?
00:15:07Does it bother you that it appears so unexpectedly?
00:15:09I thought it was just your imagination.
00:15:11We had agreed that you had a lot of work, as usual.
00:15:14And I came here to isolate myself and try to finish my story.
00:15:18Well, don't worry.
00:15:19I'll be alone until tomorrow.
00:15:20I cancelled a meeting and...
00:15:23Are the children well-off?
00:15:25Great.
00:15:27Hey, what...
00:15:29I wanted to ask you to...
00:15:31Okay, I need you to sign some papers here.
00:15:33It's just a formality that I want to get over with and...
00:15:36And what is it?
00:15:38Nothing.
00:15:38One of the companies that we are going to change the name of the owner of.
00:15:41Oh, and why is that?
00:15:43For the usual reasons.
00:15:44So that you are the owner instead of me.
00:15:45Fiscal nonsense.
00:15:47Look, no.
00:15:48I...
00:15:48Nonsense no.
00:15:51Well, but...
00:15:52I'm calling it nonsense, just to put it mildly.
00:15:54But it's all perfectly legal.
00:15:56You cancel an appointment, you travel here
00:15:58And the first thing you do is ask me to sign some papers.
00:16:01But you've done it thousands of times.
00:16:03What time of day do you get like this?
00:16:05Look, leave them there, I'll look at them later and talk to José María.
00:16:08José María?
00:16:08Which José María?
00:16:10My lawyer.
00:16:12As far as I know, your lawyer is my lawyer.
00:16:15Xavi, always.
00:16:16No, I told you I had spoken with José María Valdaura,
00:16:18my friend Leo's boyfriend.
00:16:19No, you didn't tell me anything.
00:16:20No, I did tell you.
00:16:21The problem is that you don't listen to me.
00:16:22I told you that for my professional matters,
00:16:24contacts with publishers, publications...
00:16:26I wanted to have my lawyer.
00:16:28Yes, but this isn't a professional matter.
00:16:30Well, if I'm going to be the starter, right?
00:16:33Well, it affects me professionally.
00:16:36Okay, give me the phone number, and I'll call your lawyer.
00:16:39And why do you have to talk to my lawyer?
00:16:42You seem a little tense.
00:16:43You're not the one who's tense, are you?
00:16:44You spend all day glued to the phone.
00:16:46And also, you sweat a lot.
00:16:48It's hot.
00:16:49No, I've never seen you sweat like that.
00:16:50And that makes me think twice before putting my signature on those papers.
00:16:55What's happening?
00:16:56You're having a problem with your lawyer.
00:16:58What are you saying?
00:16:59Are you sure he's tall?
00:17:01Prototype of the good Catalan boy.
00:17:03And it doesn't sweat.
00:17:04He's my friend Leo's boyfriend.
00:17:07Oh, and does your friend Leo's husband know she has a boyfriend?
00:17:10If they are separated.
00:17:12Of course, because of the lawyer he's a marriage wrecker and now he's coming for ours.
00:17:16Look, look, leave the papers here, I'll read them later.
00:17:19And don't speak to me again until dinnertime.
00:17:23And you, chat, jump in the pool, you need it.
00:17:27It turns out I'm sweating now.
00:17:39Look, that thing must be good for something, because if not, I don't want it here, okay?
00:17:44Woman, the old can be put to good use.
00:17:46It's just a matter of getting it started.
00:17:49There are things that, even if you want them to, don't get started because they're dead.
00:18:01Hello, Carmen.
00:18:02Hello, Amador.
00:18:05It's been a long time, hasn't it?
00:18:06Yes a lot.
00:18:11I've finally found you.
00:18:13Have you been looking for me?
00:18:18From time to time.
00:18:20Oh.
00:18:23And since when do you know anything about tractors?
00:18:26And you, since when have you been a ruler?
00:18:32Do you know of any place where I can wash my hands?
00:18:36Yeah.
00:18:37Come.
00:18:43Where did that weird guy come from?
00:18:45I don't know.
00:18:47He asked me about the farmhouse.
00:18:49And he did me the favor of bringing the tractor.
00:18:52Pabdel, so how is it that he and Carmen know each other so well?
00:18:55He is Teresa's father.
00:18:58It's clear, isn't it?
00:18:58Teresa sees him and runs away.
00:19:00Now Carmen sees him and takes him away.
00:19:03Yes, a boyfriend today.
00:19:05Can?
00:19:06No, maybe not.
00:19:07It's logical.
00:19:08Logic?
00:19:09Mind your own business, kid.
00:19:11That?
00:19:14That?
00:19:26That?
00:19:27What a surprise?
00:19:27You see, I had the afternoon free and I said, let's go there.
00:19:31Okay, get some rest.
00:19:32You never get a vacation.
00:19:34No, it's just that I find holidays incredibly boring.
00:19:36And remember that it's not just artists who like your work.
00:19:39Yes, but there are dark circles under the eyes and a tired face.
00:19:43Don't worry, I have the heart of a lion.
00:19:45Dad!
00:19:46Hello my love.
00:19:48How are you?
00:19:49Very good.
00:19:50Did you know I'm going to sing in a choir?
00:19:52You?
00:19:53Dora, the neighbor, and the man who was with her invited us.
00:19:56Man?
00:19:56What man?
00:19:57He's a certain Ovidi, he's the village priest.
00:20:01What does this say?
00:20:02The man who was with Dora is the town priest.
00:20:05But he's very young.
00:20:06If there are young priests, yes.
00:20:08And handsome.
00:20:10Good afternoon.
00:20:11She's going to wash her hands.
00:20:13Good afternoon.
00:20:14Oginiaki.
00:20:15The pond with the little ones.
00:20:17He doesn't get bored with the little ones.
00:20:19They are the only ones who let themselves be bossed around by him.
00:20:22Are you here to take a bath or what?
00:20:23Aurora can't, she's on her period.
00:20:25Come on, say it louder.
00:20:26And besides, yes, I can.
00:20:27I don't have it yet, is that normal?
00:20:29Of course it's normal.
00:20:31Every body has its own biological clock.
00:20:34Go on, let's get the swimsuits.
00:20:38Hey Eva, I want to ask you to give me a hand with Laia.
00:20:43Know?
00:20:44She's acting strange and thinks I'm going to scam her.
00:20:47Oh, and you're going to scam her?
00:20:49No, I love Laia very much, you know that.
00:20:52Yes, I know.
00:20:55But are you going to scam her?
00:20:56No, that's impossible.
00:21:01I'm going to see Iñaki.
00:21:05Iñaki.
00:21:23What's up, champ?
00:21:24Hi, Dad.
00:21:26How are things with you?
00:21:27Very good.
00:21:28Yeah?
00:21:28Yeah.
00:21:29Yeah?
00:21:29Did you find Ronaldinho here?
00:21:31Well no.
00:21:32No?
00:21:33Hey girls, shall we go to the pool?
00:21:36Yeah.
00:21:37I don't know how to swim.
00:21:39No, but swimming is easy.
00:21:40I'll teach you.
00:21:41I'm scared of it.
00:21:43Fear is useless.
00:21:44Come on, let's put on our swimsuits.
00:21:50You look very sweaty, Dad.
00:21:52It's hot, Iñaki.
00:21:53Yes, but the sweat you have is cold.
00:21:56And I'm sure you can see my dark circles and tired face too, right?
00:21:59You look as tired as ever.
00:22:02Ah, thank goodness.
00:22:04Well, the truth is that you look older.
00:22:07I'm worried about some things, Iñaki.
00:22:09What things?
00:22:10For example, I always see you playing with the little ones.
00:22:13Gustavo and Ernesto just don't want to play with me.
00:22:15And so?
00:22:16They say I'm clumsy, that I'm awkward.
00:22:19And you believe them?
00:22:20Yeah.
00:22:21Well no.
00:22:22It's just that I always hurt myself.
00:22:24Well, but you're hurting yourself by thinking about it.
00:22:26But if you didn't think about it, you would hurt yourself, but you wouldn't realize it.
00:22:29Hey?
00:22:31Come on, let's go to the pool.
00:22:33I prefer to stay.
00:22:34Oh really?
00:22:35So I don't have to be with the little ones.
00:22:37Well.
00:22:40Take care, okay?
00:22:42Bye bye.
00:22:43Bye.
00:22:59You look very pretty, don't you?
00:23:00Yeah.
00:23:01Look at me, especially now.
00:23:02Hey?
00:23:04I'm serious.
00:23:05It used to be on display here.
00:23:07He was 18 years old.
00:23:09I bet you don't even remember what it looked like.
00:23:10I remember perfectly.
00:23:12Do you remember what I was like?
00:23:14No.
00:23:15Already.
00:23:15And that's why you recognized me right away, right?
00:23:19What do you want, Amador?
00:23:23What would I want?
00:23:25I've been told I've had a daughter.
00:23:28She's my daughter.
00:23:29Don't overcomplicate things, okay?
00:23:30Well, but he's taken the ear out of me, huh?
00:23:32Have you seen how he plays the violin?
00:23:33But how on earth did you find me, huh?
00:23:39Do you know that I returned to Aranda a year later?
00:23:40So that?
00:23:41That's what these things are for.
00:23:44To see you.
00:23:47You made it very clear to me that you didn't want any commitments.
00:23:49Yes, but I had a problem.
00:23:52You got stuck in my head.
00:23:54Bad luck.
00:23:56Already.
00:23:56AND?
00:23:58I left my address and a phone number.
00:24:01And someone called me and told me that you had had a daughter.
00:24:05And you decided it had to be yours, didn't you?
00:24:08Those things aren't decided, Carmen.
00:24:13I felt it, I knew she was mine.
00:24:17And I shit myself.
00:24:19I left and have been in Holland for ten years.
00:24:22And the man has decided to return to speak with his daughter.
00:24:25There are no whims.
00:24:30I haven't had children, Carmen.
00:24:32And I would like to meet her.
00:24:37Amador.
00:24:38You're already leaving here.
00:24:43Just tell me one thing.
00:24:45That?
00:24:49You haven't told her about me either, have you?
00:25:10Who is your mother talking to?
00:25:11With my father.
00:25:15I had dreamed about this moment a lot and now that it's here I don't know what to do.
00:25:20Is this a joke?
00:25:22No, Mercedes, that's my father.
00:25:25Okay, but who told you that?
00:25:27I had imagined him, I don't know, shorter and with lighter hair.
00:25:32But who told you that?
00:25:34Have you ever seen my mother talking to any man like she's talking to that one?
00:25:47Are you going to the village?
00:25:48Yeah.
00:25:48Well, take me with you.
00:25:49Uh, no, Teresa, it's just that you're very nervous.
00:25:50No, I don't want to stay here, please.
00:25:52But, but, without even talking to your mother.
00:25:55Teresa, my life.
00:25:56Teresa!
00:26:00Is it enough for two cups?
00:26:01Yes ok.
00:26:02Enough for three?
00:26:04Well, give me three.
00:26:05What's the matter?
00:26:06Oh, I have a very big white spot on my head, Mom.
00:26:09What do you do when you can't write?
00:26:12Has Pano killed your inspiration?
00:26:14Something's wrong with him.
00:26:16Look, he doesn't want to tell me, but I'm sure we're ruined.
00:26:20Yeah?
00:26:21Look.
00:26:23The cold water is in there inside the refrigerator.
00:26:26Excuse me.
00:26:27Ah, yes.
00:26:28How's the tractor situation going?
00:26:30Okay, okay.
00:26:31It's a matter of changing a part.
00:26:34How are you?
00:26:35Queer.
00:26:36He wants to invite Teresa and me to dinner tonight.
00:26:38Who?
00:26:39My ex.
00:26:40What, what, what?
00:26:41Do you have an ex?
00:26:42Of course, if she has a daughter, she must have had some exes.
00:26:44And is that his ex?
00:26:45Clear.
00:26:46It's powerful.
00:26:49Or a glass?
00:26:50Yeah.
00:26:51Yeah.
00:27:04This is where the news circulates, which is sent via text.
00:27:06We're very attentive to everything.
00:27:09Mainly about what affects the people we love.
00:27:11Don't worry, ma'am.
00:27:13I am a good person and I come in peace.
00:27:16Well, I'll continue with the tractor, right?
00:27:17See you tonight.
00:27:18We'll see.
00:27:20No, we'll see, no.
00:27:20I owed it to myself.
00:27:21On.
00:27:22Yeah.
00:27:23Nineteen years old girl me baby.
00:27:25Good afternoon.
00:27:27See you later.
00:27:30What I do?
00:27:32What do you want to do?
00:27:34Don't know.
00:27:36The first thing to do is talk to Teresa.
00:27:40Have you seen it?
00:27:42Very good.
00:27:52Please look and tell me that guy has left yet.
00:28:02He is collecting the tractor parts.
00:28:04But do you know who he is?
00:28:08I can imagine.
00:28:09And don't you think that's pretty intense, man?
00:28:11I suppose so.
00:28:13Would you say he's handsome?
00:28:15Oh, I don't know, I don't like guys.
00:28:17Don't talk nonsense.
00:28:18It looks like you.
00:28:21Right?
00:28:21So yes, he is handsome.
00:28:24But for a guy, of course.
00:28:27Do you know what I like most about him?
00:28:29His hands.
00:28:32But what I don't understand is what you're doing here, hiding.
00:28:34I don't want to meet him.
00:28:36But why?
00:28:37Because it scares me.
00:28:39He?
00:28:39No, meeting him scares me.
00:28:42Although I would follow him and spy on him, that's for sure.
00:28:44Without speaking.
00:28:46And you're not going to talk to your mother either?
00:28:48Less so with my mother.
00:28:49But that's something you won't be able to avoid.
00:28:51Okay, stop finding fault with everything, okay?
00:28:52Anyone would think you care whether I know my father or not.
00:28:55Of course I care.
00:28:56Well, I don't understand why.
00:28:58Everything about you matters to me.
00:29:19Where are you going in such a hurry?
00:29:20I felt like running.
00:29:22We'll continue with the tractor tomorrow, when they bring us the parts.
00:29:25Very good.
00:29:26How do you get back to the village?
00:29:28In the car of San Fernando.
00:29:29A little while walking and a little while hiking.
00:29:31Mercedes, I could have given you a ride.
00:29:33Ah, I don't lack it.
00:29:34Thank you.
00:29:36Mohamed, Mustafa...
00:29:36My name is Abdel.
00:29:38Ah.
00:29:38Not everyone here is named Maria and Jose, right?
00:29:42Hello, I've come to fill the heating oil tank.
00:29:45You've come this far despite the difficult path ahead.
00:29:47Ugh, and I've been in worse places.
00:29:49What needs to be done, needs to be done.
00:29:51Well, I'm off now, okay?
00:29:52See you tomorrow, guys.
00:29:53Bye bye.
00:29:54Bye bye.
00:29:54Goodbye, Amador.
00:29:55Goodbye, Adel.
00:29:59Hey, you.
00:30:01Hey.
00:30:04That?
00:30:05Are you going to leave without saying anything to me?
00:30:16Sing, sing, sing, sing for a joy, regi magno salite.
00:30:39Sing, sing for a joy, regi magno salite.
00:30:52Tea?
00:30:56Doctor.
00:30:58Hey?
00:30:59Doctor, this is a choir.
00:31:01Yes, yes, of course, this is a choir.
00:31:03And there's no soloist in this piece?
00:31:05No, no, I don't think so, I'm not even a solo artist.
00:31:06So why do I listen to you more than anyone else?
00:31:09I don't know, I think the others are singing a little too quietly, huh?
00:31:11Well, maybe it's me singing too loud, I don't know.
00:31:14Yes, with too much style, because this is a 17th-century oratory.
00:31:17And you sing it like you're Frank Sinatra.
00:31:19Uh, no, he's confused, it's just that I sing it more in the style of Elvis Presley.
00:31:23I like Frank Sinatra as an actor.
00:31:25Don't try to be funny because we don't have time.
00:31:27Oh, sorry, I thought we had time, you know?
00:31:31Oh, yes, guys, five-minute break.
00:31:36Damn it, try to sing louder, you're leaving me all alone.
00:31:40But what are you doing? What are you doing?
00:31:42Me, nothing, because I'm that aunt who hates me.
00:31:44The thing is, he takes his job seriously.
00:31:46Oh, I take this whole leaving thing seriously too.
00:31:48No, you're here, I don't really know why.
00:31:50No, no, I'm here for you.
00:31:52To cause trouble?
00:31:53No, no, well, for messing things up too.
00:31:56Hey, what...
00:31:59Do you think we'll ever go out again, you and I?
00:32:01Don't know.
00:32:03No, but I'm not saying we should go out and sleep together like last time.
00:32:04Well, if you want, yes, I'd be delighted, okay?
00:32:06But just going out makes me enjoy it, although yes...
00:32:09Hey, if we sleep together the pleasure will be multiplied a thousandfold, huh?
00:32:12Look, I feel many things for men, but pleasure, right?
00:32:15Or maybe I didn't believe it, I don't know, no...
00:32:17But when we went to bed you said you enjoyed it.
00:32:20Yes, with you it's different, I don't know what's happening to me.
00:32:23I've always had very bad luck with men.
00:32:25Yes, but you have a boyfriend, and things are going well with him, right?
00:32:28I don't... Why do I have a boyfriend?
00:32:30What did you say it was like?
00:32:31No, I told you I had a partner and was in a relationship, but I didn't say he was my boyfriend, not even one.
00:32:35neither...
00:32:43Are you dating an aunt?
00:32:45With an aunt? An aunt, an aunt, an aunt?
00:32:48Me?
00:32:49Colleagues, we would like to introduce you to a new member of the choir.
00:32:52She is the youngest and her name is Pili.
00:32:54Feli.
00:32:54Oh, yes.
00:32:55Hi, Feli.
00:32:57Hello.
00:33:01Don't smoke anymore, don't smoke anymore, don't smoke anymore.
00:33:03I don't know, I have like an earthquake going on inside me, I can't stop.
00:33:06And the epicenter is here, under the bra.
00:33:09Fair.
00:33:11I don't know what to do.
00:33:12Well, have dinner with him, clear things up, it's best for everyone.
00:33:17Best for whom?
00:33:18For everyone?
00:33:19For Teresa, for you.
00:33:22What if what I want is to get rid of my daughter?
00:33:23But didn't he say that the sound of peace is coming?
00:33:26But if I don't know him, how can I believe him?
00:33:28Well, you've never told her she has a daughter and Teresa is older, nobody's going to take her away from you.
00:33:33I'm very scared, Eva.
00:33:35Tell him you're having dinner at your house.
00:33:37At my place?
00:33:38This is your home.
00:33:41Here?
00:33:41Yes, of course, let me organize everything.
00:33:45You will be at ease.
00:33:46I promise you there will be no intruders.
00:33:47I like children...
00:33:50Mom, I've spoken to him, to Amador, and I've invited him to dinner.
00:33:53Oh, wow.
00:33:54Well yes.
00:33:55He has the right to know me, and I have the right to know him.
00:33:57I don't care what you say.
00:34:00Do you see it?
00:34:01That's it.
00:34:02We organized a romantic candlelit dinner on the porch.
00:34:05No, no, no.
00:34:06No candles.
00:34:07I don't want light, so I can see his face clearly.
00:34:09Yes, all hundred-watt light bulbs, the Lighthouse of Alexandria.
00:34:12Look, that sounds good to me, that sounds good to me.
00:34:13Hey, and for dinner, nothing fancy, just whatever's left over from lunch.
00:34:16It's like putting him on bread and water, poor man.
00:34:18Bread and water, that sounds great to me.
00:34:20Bread and water, yes.
00:34:21Come with me.
00:34:25Relax, okay?
00:34:26I'm holding you, see?
00:34:31See how I'm holding you?
00:34:33Yes, but if you hold on, no.
00:34:36No, because if you sink, I'll pull you out at full speed.
00:34:40You have to move your feet, my swimming teacher taught me that.
00:34:43Yes, feet are very important, but it's also very important to see underwater.
00:34:47No, not underwater, no, man, please.
00:34:50No, don't worry, let's see, one, two, one, two, and three, after two it goes to three.
00:35:00It's good, it teaches me.
00:35:02Can't.
00:35:08Healthy, healthy!
00:35:10Can't.
00:35:10He's breathing really strangely now.
00:35:16Go to your grandmother's house!
00:35:21What's the matter?
00:35:22Nothing, nothing, it will happen to me soon.
00:35:25What's the matter?
00:35:26He's already done it three times.
00:35:27But how come this has happened to you three times already?
00:35:29Yes, lately, I don't know, twice.
00:35:32But it could be a chest tour.
00:35:33What do you want?
00:35:35Breathe slowly.
00:35:36No, I can't.
00:35:38But what do you mean you can't?
00:35:39You're suffocating me.
00:35:41You gave me quite a scare.
00:35:43Why hadn't you told me anything?
00:35:49Why do you say your uncle does strange things?
00:35:51I think it's perfectly normal.
00:36:05No, don't tell me any more.
00:36:07The rehearsal was wonderful.
00:36:08The choir has restored his self-confidence.
00:36:10And now he comes to thank me.
00:36:12Who knows why.
00:36:13Is Maria Antonia dating a woman?
00:36:15As?
00:36:16Maria Antonia.
00:36:17Yes, Maria Antonia, I've already heard it.
00:36:18Yes, I thought everything was fine between us,
00:36:20But I don't know, we recently had a sexual encounter
00:36:22And I'm not bragging,
00:36:23But I gave myself a 9.85 out of 10.
00:36:25But now it turns out that...
00:36:27Well, look, I don't usually interfere in other people's lives.
00:36:29No, but you know more than you say.
00:36:30He definitely knows more, I'm sure of it.
00:36:31Well, all I know is that I know nothing.
00:36:33The phrase isn't mine, but it could be.
00:36:35But do you know her, or do I know her?
00:36:38Whom?
00:36:38To that mean girl who's getting in the way of the vet and me.
00:36:42Well, ask the person involved.
00:36:43Because my relationship advice column is completely full.
00:36:45Yes, but I have to explain it to him.
00:36:47Look, a couple of months ago I was doing great,
00:36:48He was a prestigious doctor,
00:36:49that he was right about all the diagnoses and that I was going to get married
00:36:52And I came to the town because I like little animals,
00:36:54The little pigs, well, everything, healthy living, right?
00:36:56But then this girl goes and dumps me.
00:36:58And, well, what I mean is that for me this is important.
00:37:00I'm not looking for a summer fling,
00:37:01I'm looking for a woman to spend the rest of my life with.
00:37:04Yes, well you've got it right,
00:37:05Because he's a doctor, give whoever it is a checkup.
00:37:06And that way you'll know how long it will last.
00:37:08Yes, but I just want to know one thing.
00:37:10Do I have to insist?
00:37:11Or should I continue crying like I have this month at home?
00:37:15Oh, a month of crying, poor thing.
00:37:16Yes, well, and in great numbers,
00:37:17The thing is, when I get going, well, it's a terrible thing,
00:37:19But it's going well, it's therapeutic.
00:37:20Because that's how I get things out and things in, you know?
00:37:23Already.
00:37:25Very good.
00:37:25I recommend it, have you tried it?
00:37:27I, I, I don't cry much, it's just that I don't have time.
00:37:30Yeah, well, it's normal to cry when, like me,
00:37:32I have reasons, but I don't know what to do, what should I do?
00:37:34Okay, and what does María Antonia say?
00:37:35Ah, Maria Antonia, she's so beautiful, isn't she?
00:37:38Yeah.
00:37:38But it's a mess, it's a mess.
00:37:39Okay, well, look, I'll leave you alone
00:37:41and I'm going to catch my fingers in a door,
00:37:42Let's see if I cry for a while,
00:37:43And I clean myself up, I go in, I take something out.
00:37:48This is dead, dead, dead.
00:37:50I don't think it will mature her if I fix it.
00:37:52That's why they were given to the CT scanner.
00:37:54because she doesn't work
00:37:55And she likes difficult things.
00:37:57I don't even think that guy understands what's going on behind the scenes.
00:38:00They've come to see Teresa.
00:38:01What are you saying?
00:38:02Let's see, Amador is his father, right?
00:38:04Anyone who doesn't know him is one.
00:38:06I don't remember my first father anymore.
00:38:08And do you care?
00:38:10No, I don't know, I've never thought about it either.
00:38:15Can I watch?
00:38:16The fact that?
00:38:17The tractor.
00:38:18So that?
00:38:20For viewing.
00:38:21But you don't understand machines.
00:38:23Let him watch, there's nothing you can do.
00:38:25But look.
00:38:26What's wrong with him?
00:38:28Guess what, cousin.
00:38:33Eve.
00:38:34Hello.
00:38:35We've come to bother you again.
00:38:36You never bother me.
00:38:38No, he was speaking for me.
00:38:40Well, as long as he doesn't stay to live here,
00:38:42No, no problem.
00:38:43Perhaps it bothers her more than you would like.
00:38:46You know, the church works...
00:38:48No, no, no, no, no.
00:38:49I pay my taxes, I donate money to NGOs that I deem appropriate.
00:38:53and I fulfill my obligations as a citizen.
00:38:55You won't get a single euro out of me.
00:38:57He doesn't come to ask for anything.
00:38:58Well, actually, yes.
00:39:00And let it be known that I understand why he's angry.
00:39:01Well, it won't matter to me.
00:39:03Vera, I have to celebrate a wedding on Sunday.
00:39:05Oh, really?
00:39:06Lots of customers, huh?
00:39:07Yes, yes, yes.
00:39:09Increasingly.
00:39:09I wouldn't want to upset her, but that's how it is.
00:39:11Thank you for all your hard work, without scaring away customers...
00:39:14The wedding has to be in the chapel.
00:39:16Yes, yes, yes, yes.
00:39:17We cannot leave lovers without a temple.
00:39:19Well, in short, he wants to fill my property with strangers.
00:39:23No, only the hermitage.
00:39:24Yes, but they have to go through my territory, which is mine.
00:39:27Not from the bishopric.
00:39:29Well, I'm afraid that's going to be impossible to prevent.
00:39:32I can refuse.
00:39:33Yes, yes, yes.
00:39:34But I don't recommend it.
00:39:36Clear.
00:39:36We've run into the church, Sancho.
00:39:39I'm used to losing to you guys.
00:39:40Well, anyway.
00:39:41In short, warn the family that high heels can be dangerous in this terrain.
00:39:46Thank you.
00:39:49Because you don't usually celebrate parties, of course.
00:39:53I try to make every day of July a celebration in this house.
00:39:58We'll end up being friends, I can tell.
00:40:00Where?
00:40:02What we like each other about.
00:40:10So?
00:40:11Yeah.
00:40:12Did you know there's a wedding on Sunday?
00:40:14Yes, daughter, yes.
00:40:15I know.
00:40:16Why don't you talk to Obidi and tell her you want to be an altar girl?
00:40:24It's very long.
00:40:26Oh, but don't throw me away.
00:40:29Oh, don't complain so much.
00:40:30You can do it a little more gently.
00:40:32Yes, you should cut it off.
00:40:34Yes, but you used to like long hair.
00:40:36You didn't used to get these knots.
00:40:38You've put on fabric softener.
00:40:39Softener?
00:40:40To untangle.
00:40:42Are you going to lie down?
00:40:43Of course.
00:40:45We have two new bottles in the bathroom.
00:40:47It was the first thing I took with me when I went to live with you.
00:40:49Well, look, I never found out about that.
00:40:51Well, it's just that you don't notice anything I do anymore.
00:40:54Don't start, okay?
00:40:56I'm sorry.
00:40:57How are you feeling?
00:40:59Good.
00:41:00Far better.
00:41:02Promise me you won't have another anxiety attack.
00:41:05And are you going to sign the papers?
00:41:08I will sign.
00:41:09Without consulting your handsome lawyer.
00:41:12Is he handsome?
00:41:13I hadn't noticed.
00:41:15Well, you're the prettiest one.
00:41:18Oh, really?
00:41:18Yes, more and more every day.
00:41:20That makes me ticklish.
00:41:22I know.
00:41:23No, stop, stop, you know how we end up.
00:41:25I just want to finish.
00:41:28This is really funny, isn't it?
00:41:30Dad, Mom.
00:41:33I want to get baptized and take communion, because I'll need it when I get married in the church.
00:41:39What does Feli say?
00:41:40You've already heard it.
00:41:41Dad, comb your hair, you look awful.
00:41:50That?
00:41:53That?
00:41:54Okay, it's simple, comfortable, practical, I don't know.
00:41:58I don't know, I look like Tony Blair's wife on vacation.
00:42:00And this?
00:42:01Should I wear it to the presentation of my latest novel?
00:42:04I haven't worn it again, to be honest, but...
00:42:06This is too luxurious, isn't it?
00:42:08Oh!
00:42:09What am I doing?
00:42:10Hey?
00:42:11This is too much for someone who doesn't deserve it.
00:42:13Well, wanting to look good isn't a sin.
00:42:16At most it's a venial sin.
00:42:18What are you doing talking about sins?
00:42:19Yes, it must be the priest's influence.
00:42:23Look, do you see?
00:42:23And I haven't been to the hairdresser.
00:42:25Like what...?
00:42:25But what if you don't need it?
00:42:27Tied up or loose, it looks great on you.
00:42:29Besides, you know what?
00:42:30Since he'll be arriving looking like a wreck, what does it matter?
00:42:32How do you know that?
00:42:34Don't know.
00:42:36And this one?
00:42:37It belongs to Laia.
00:42:38This one belongs to Laia, it's not mine.
00:42:39Look.
00:42:47How are you handling it?
00:42:48With a panic attack.
00:42:49Don't talk to me about attacks, come on.
00:42:51Tano?
00:42:52Resting.
00:42:54He works too much.
00:42:56For a moment I thought I might become a widow.
00:42:59I can't live without him, Mom.
00:43:01I'm stupid.
00:43:02No no.
00:43:04You are an insecure woman, in love.
00:43:06And your husband gives you what you don't allow yourself: peace of mind.
00:43:09But we spend our lives arguing.
00:43:11Well, that doesn't bring peace of mind, but it certainly livens things up.
00:43:14Oh, I couldn't do what you did.
00:43:17To take the plunge and start from scratch.
00:43:20If you feel it one day, you will do it.
00:43:22No.
00:43:23You are brave, I am a coward.
00:43:26You, Tarzan.
00:43:27Me, Jay.
00:43:30Do you need to be alone?
00:43:31I need to know who I am.
00:43:35Oh.
00:43:38Spectacular.
00:43:39You're not in the bag with this.
00:43:42I don't want anyone in the boat.
00:43:46And what's wrong with him?
00:43:47Well, it's the same for you.
00:43:50What does it need...
00:43:53You need to know who he is.
00:43:57Go ahead, close your eyes.
00:43:59Come on, don't be a pest, I want to go take a bath.
00:44:00What does it come out as?
00:44:01Uncle.
00:44:02You've been here for an hour.
00:44:03As if we had two.
00:44:04Come on.
00:44:10Already.
00:44:12Isn't that cool?
00:44:13It looks better on her than on you.
00:44:14He never wants to lend it to me.
00:44:16Because you destroy everything.
00:44:17I?
00:44:17But you were the one who ripped my pants last summer.
00:44:20I don't know, I feel weird.
00:44:21I think you look gorgeous.
00:44:22What did you say?
00:44:23I think she looks gorgeous.
00:44:25What a surprise.
00:44:26Are you an idiot?
00:44:26My father will like it.
00:44:28Men don't notice.
00:44:29Yes, we noticed.
00:44:30The men say, you're a kid.
00:44:32Look, your father is going to notice everything, okay?
00:44:33He hasn't seen her for 19 years.
00:44:34If you've come all this way, it's for a reason.
00:44:36Don't worry, he'll definitely like you.
00:44:38But maybe he doesn't like me.
00:44:39He'll love you.
00:44:40Well, if not, then let him go and that's that.
00:44:42You're such an idiot, dude.
00:44:43Are you scared?
00:44:44I'm scared.
00:44:46The truth is that I've always gotten along well with my mother, but...
00:44:49I don't know.
00:44:50I've always wondered what my father would be like.
00:44:51Maybe he's a jerk, but maybe he's a good guy, I don't know.
00:44:55He's come, hasn't he?
00:44:56That makes him less of an asshole than others who might have passed.
00:44:58Are they going to live together?
00:45:00Your father and your mother, I mean.
00:45:01I don't know.
00:45:02Would you like that?
00:45:03Don't know.
00:45:04But just imagine them.
00:45:06Imagine having two people there bothering you all day long.
00:45:08Does your dad give you a good time?
00:45:09Man, it's cool if you've always had it.
00:45:11And things that I only tell him.
00:45:13Could it be the boyfriends' thing?
00:45:14I already have a boyfriend lined up.
00:45:15I'll miss mine.
00:45:17Because?
00:45:17Yes, we're going to keep seeing it.
00:45:19On weekends.
00:45:20It's shit.
00:45:20Well, better than never.
00:45:22And I might go live with him.
00:45:23That will be if he lets you.
00:45:24She'll leave me.
00:45:25Yes, maybe it's me, isn't it?
00:45:26Who am I going to live with?
00:45:27Yes, the desire.
00:45:28Okay, you can stop arguing now, right?
00:45:31Of course.
00:45:34Teresa.
00:45:35Where are you?
00:45:36Teresa.
00:45:40Teresa, you are so beautiful.
00:45:43Beautiful.
00:45:44I'm going to keep them here to take to school.
00:45:47Are you going to school yet?
00:45:48Yes, the one for adults.
00:45:49Of course, it's because you're already older.
00:45:53Are you crying?
00:45:54No.
00:45:55Yes, you are crying.
00:45:57Well, that's because I'm nervous, Miguel.
00:45:59And why are you nervous?
00:46:01No reason.
00:46:02It's because you're going to have a dad.
00:46:04And who told you that?
00:46:06The cousins.
00:46:07Yes, that's why.
00:46:09Because I have a dad and I don't get nervous.
00:46:13Already.
00:46:14And Lata says that when parents get nervous it's because they love you very much.
00:46:19Is that what you're saying?
00:46:20Does Tucho get nervous?
00:46:23I guess.
00:46:24Because you know why he loves you.
00:46:28Can the closed red ones be stored with the white ones?
00:46:31Come here, give me a kiss.
00:46:38Try it yourself, please.
00:46:39Yeah.
00:46:40It's just that nerves take away my enjoyment.
00:46:41Does this burn me?
00:46:42No.
00:46:44It's a little better, but don't make me try any more than...
00:46:48I...
00:46:48There are few mushrooms.
00:46:50It's true that we don't eat what's left over.
00:46:52But there won't be any left over.
00:46:54Man, dinner's for three and you're cooking for seven.
00:46:57Tonight...
00:46:59Are you going to have dinner?
00:47:00Pizza.
00:47:01Yeah.
00:47:02Here it is.
00:47:03I want some four cheeses.
00:47:05The calzone is filled with hams for me.
00:47:07Everything here.
00:47:08We'll have dinner a little earlier tonight, okay?
00:47:10Because?
00:47:11Because Carmen and Teresa are going to have dinner here with Amado.
00:47:15Very good.
00:47:15And we don't want to bother you, right?
00:47:17I thought it needed to be turned on.
00:47:19Turn on what, darling?
00:47:21The oven.
00:47:22Of course, we have to turn it on...
00:47:25But it's turned off.
00:47:26And the frying pan was smoking.
00:47:28Oh my goodness!
00:47:30Oh, but his head has caught fire!
00:47:31Oh, look at the time!
00:47:32Hey, calm down, Mercedes.
00:47:34Please, the person who comes for dinner isn't exactly coming for dinner.
00:47:38Ah, then there's no insurance.
00:47:39Very good.
00:47:40We've mastered the verb "sobrar" (to be left over), huh?
00:47:41Let's conjugate it.
00:47:44I'm superfluous, you're superfluous, I'm superfluous.
00:47:47We are superfluous.
00:47:48Very good.
00:47:49Come on, let's walk out of the kitchen.
00:47:52Out!
00:47:54What was on this plate?
00:47:55I won't arrive, I don't know.
00:47:57It's empty.
00:47:57You saw it coming, didn't you?
00:47:58He's been expecting it, hasn't he?
00:47:58He's been expecting it.
00:48:01What's happening?
00:48:04I'm not going out for dinner.
00:48:06Why not?
00:48:09Because I may owe her 19 years as a daughter, but I certainly don't owe her any dinners.
00:48:13Look, with all the work this is taking me, man, you guys have dinner or have me
00:48:18than to put the spoon in your mouth.
00:48:19Come on, Carmen, let's get down to business, what needs to be done, needs to be done.
00:48:23No, the numbers just don't add up.
00:48:25No, let him sell us half.
00:48:28Yes, or give us some leeway, so we can do whatever we want there.
00:48:34Okay, no, look, forget it, I'll call him and convince him, okay?
00:48:39Okay, okay.
00:48:42What, you bastard? I just spoke with Bellido, the branch manager.
00:48:45Oh, yes, I forgot to tell you.
00:48:48I have cancelled a line of credit.
00:48:50Yes, he already told me, but why?
00:48:51Ah, we live an extravagant lifestyle.
00:48:54I have cancelled some expenses.
00:48:56Oh, and what kind of expenses?
00:48:59Well, the gold visa, car leasing, the gym...
00:49:04Have you cancelled your gym membership?
00:49:06Yes, and we won't be able to go to Bari at Christmas.
00:49:11I'm going to...
00:49:13There, to go.
00:49:19We have ceased to be citizens and have become customers of multinational corporations.
00:49:24who spend billions trying to convince us that if we don't buy from them
00:49:28that second home or that car that will mortgage our lives much more
00:49:32because we already have a mortgage on it,
00:49:34We will not belong to the group of the rich and famous
00:49:37whose life interests us so much
00:49:39and whose downfalls we follow with such attention
00:49:42during the time he leaves us free
00:49:44the work we do around the clock to pay off mortgages.
00:49:48Are you working?
00:49:49Shh, shh, shh.
00:49:50I'll come down right away.
00:49:51Hey?
00:49:52Hey?
00:49:53Hey?
00:49:54Hey?
00:49:55Hey?
00:49:56Hey?
00:49:56Hey?
00:49:57Hey?
00:49:58Hey?
00:49:59I know what's wrong with Tano.
00:50:01Well, more like what happens to us.
00:50:03That?
00:50:06Confirmed.
00:50:06We're ruined.
00:50:08I'm sure they're not mine.
00:50:10She's even cancelled her gym membership.
00:50:12The gym?
00:50:13Ah, then yes.
00:50:14Mom, we're going to be poor.
00:50:16Why don't you go to the gym?
00:50:18What if I have to take the children out of school?
00:50:20What if we have to sell the house?
00:50:22Did he tell you that?
00:50:23No, but things aren't going well.
00:50:25I dedicate myself to writing stories instead of looking for a job.
00:50:29Is writing a job?
00:50:31Maybe you could talk to the people at the publishing house.
00:50:33I say, so that they read, at least read, what I write.
00:50:36Finish the story, focus on that.
00:50:40Could the ending be changed?
00:50:42It's not possible.
00:50:43Yes, Mom.
00:50:44If possible.
00:50:44No, but I had a file open and it's disappeared.
00:50:47And then they say.
00:50:50Well, I'll go somewhere where I won't bother anyone.
00:50:54Laya, do what you want, but do it.
00:50:58Stop feeling sorry for yourself.
00:51:00Finish your story.
00:51:02Or he's going to get the better of you.
00:51:19What are you doing here?
00:51:21We want to say thank you at dinner.
00:51:23Already.
00:51:24Help?
00:51:24In what?
00:51:25Whatever.
00:51:26Come on, let me be your kitchen helper again.
00:51:28I think you're all a little nosy.
00:51:31Hey, it's a very special day, we're not going to miss it.
00:51:33Furthermore, we want Carmen and Teresa to know that we are with them.
00:51:36Especially Teresa, right?
00:51:38Already.
00:51:39I've noticed they're pretty.
00:51:42Yes sir.
00:51:44Very pretty.
00:51:46They are meant to make Teresa happy.
00:51:48Very good.
00:51:51That?
00:51:52Don't you have anything better to do?
00:51:54Yes, but we prefer to be here.
00:51:56Already.
00:51:56Well, then.
00:51:58Look.
00:52:00To cut bread.
00:52:05Oh, I have a gray hair from having a girlfriend.
00:52:15Leave it, leave it, Mercedes.
00:52:17Okay, okay, I'll finish it.
00:52:18It's going to get late for you to go home.
00:52:20Not at all.
00:52:21I'm not leaving here until I see the three of them together.
00:52:24Oh, I'm thinking that...
00:52:26Maybe we've gotten involved where we're not wanted.
00:52:28But why do you say that?
00:52:29I like it when people act freely.
00:52:31And we practically forced Carmen to have dinner with him.
00:52:33But Carmen wants it more than anything.
00:52:35We're just helping.
00:52:36Yes, but, but, but...
00:52:38Helping, Eva.
00:52:39Don't overthink things.
00:52:42What if that's what she really wants?
00:52:44What he wants.
00:52:46That's what he wants.
00:52:47That's what I want too.
00:52:48But I don't have Mador hanging around me.
00:52:57I've decided to put on my clothes because, look...
00:53:01This is who I am.
00:53:02And that's it.
00:53:02That seems very good to me.
00:53:04The color really suits you.
00:53:07Have I put on too much makeup?
00:53:09No, no, no.
00:53:10You look very pretty.
00:53:11She's pretty.
00:53:14Hey, but oh well.
00:53:15Have you prepared all this for...?
00:53:16For you and your daughter.
00:53:18We're not interested in the handsome guy.
00:53:21How beautiful.
00:53:23Thank you.
00:53:26Look, new dishes.
00:53:27We're launching today.
00:53:29Everything was so beautiful, and I was sweating.
00:53:31Look, I'm going to get covered in rollerballs.
00:53:33You'll see.
00:53:34Have you thought about what you're going to say to him/her?
00:53:38Yeah.
00:53:38I'll let him speak first and then we'll see.
00:53:40But return nothing.
00:53:41Well, if that's what you want...
00:53:43Yes, I think so.
00:53:44And the girl?
00:53:44The girl was nervous, very nervous, daughter.
00:53:46Be careful, don't rub off your lipstick.
00:53:48Mercedes, Mercedes.
00:53:49As soon as he arrives, we'll...
00:53:51Hey?
00:53:52But first I have to set the table.
00:53:54Ah, no, not at all.
00:53:54No one has ever helped me, and you're not going to start.
00:53:56Come on.
00:53:57But girl, don't ruin this outfit by wearing an apron, okay?
00:54:00I will take a bath.
00:54:09Oh, how your eyes shine.
00:54:12Is that why I see everything blurry?
00:54:14Another glass of water.
00:54:20Mercedes.
00:54:21Yeah.
00:54:23Good night.
00:54:24I hope so.
00:54:29Hello.
00:54:31The door was open.
00:54:34That?
00:54:34Who invites you to the house today
00:54:38The waitress said
00:54:41There's a party in the square
00:54:45And dancing with an orchestra
00:54:50That by your side
00:54:52Everything sounds better
00:54:57Come on
00:54:58Hello
00:54:59The square closes with the sun
00:55:03I'm not asking for the last one
00:55:06That?
00:55:08Can we take a look?
00:55:09No, no, no, no, no, no.
00:55:10You can each go to your own bed.
00:55:12That's what you can do.
00:55:13Come on, of course.
00:55:15Poor things.
00:55:17I feel like this is happening to me
00:55:19Oh, really
00:55:19We look like chickens, don't we?
00:55:20The rooster arrives and you give yourself a c-c-c-c-c-c
00:55:23But that's a matter of sexuality.
00:55:24Yeah, yeah, yeah
00:55:25Yes, because women
00:55:27We are sexual beings all our lives
00:55:29I mean
00:55:30That you are born and die sexual
00:55:32Yeah
00:55:33Hey, do you think that
00:55:35Amador and Carmen tonight?
00:55:37Oh, I don't know, Mercedes
00:55:38How should I know?
00:55:38Get in the car and go home, okay?
00:55:40You're starting to scare me
00:55:42Oh
00:55:43Okay, fine.
00:55:44Daughter, I'm leaving
00:55:45You keep interrupting me.
00:55:46But I'll have to take a lot of valerian.
00:55:48For sleeping
00:55:48Well, drink it, drink it
00:55:49I'll have to take valerian too.
00:55:51Sure?
00:55:52Tas?
00:55:52Yeah
00:55:55Nothing, that...
00:55:56That?
00:56:00Nothing
00:56:01Let's see
00:56:06Oh
00:56:07Hello, Teresa
00:56:10Calm down
00:56:10Hey?
00:56:11Are you going to suffer?
00:56:13I'm worried that he'll have a bad time
00:56:15Well, we have to...
00:56:15Sometimes it's hard to have a bad time.
00:56:17Vioi
00:56:18Hey?
00:56:18Facing difficult things
00:56:20It's the routine of...
00:56:21For every adult
00:56:23Life is shit
00:56:24No
00:56:25Well
00:56:26Life isn't shit
00:56:27Life...
00:56:29Life is hard
00:56:31Is...
00:56:32It's difficult.
00:56:32It's strange.
00:56:34It's unfair
00:56:36But not a load of crap
00:56:37Life is...
00:56:40A mystery
00:56:45This is beautiful, isn't it?
00:56:47Yeah
00:56:49The Netherlands is also very beautiful.
00:56:51Well, everything has its charm, doesn't it?
00:56:56Well, how come you got a little applause?
00:56:58Well, everyone said I had a good ear
00:57:00Oh, he has it
00:57:04Well, I don't know about you.
00:57:05But I've gotten really nervous about watching the dinner.
00:57:08I've changed my shirt at least ten times
00:57:09I bought these shoes
00:57:11Look, horrible
00:57:13And well, deep down I was thinking that maybe you were better off without seeing me
00:57:17Well
00:57:18The truth is, I'm not very much like you.
00:57:19Because my mother has told me very little
00:57:21You played in a heavy metal band and little else
00:57:26My hair used to be like that
00:57:27That's how I had them
00:57:28And your mother had her nails painted black
00:57:30What are you saying?
00:57:32It was in the eighties
00:57:34When I arrived in town to play
00:57:36Your mother was in the front row
00:57:37Do you know what your mother did?
00:57:39No
00:57:41That?
00:57:41She threw my bra at me
00:57:42What are you saying, Mom?
00:57:45Well, just imagine those four poor things up there on the stage
00:57:48Ra, ra, ra
00:57:49The village lads would pelt them with stones during the festivities.
00:57:52Well, I don't know, it just seemed like a feminine touch, I don't know.
00:57:58I will write to you
00:58:02You so far away
00:58:04That I will not forget
00:58:08How much I loved
00:58:09Your black eyes
00:58:12I will write to you
00:58:17You so far away
00:58:21That I will not forget
00:58:23Where I stored
00:58:26So many memories
00:58:29Well, then
00:58:31I'm going to make some coffee.
00:58:32Can I help you?
00:58:33No
00:58:33Well, I'm going to bed, I'm exhausted, okay?
00:58:38You're right, I should leave too, shouldn't I?
00:58:40It's late
00:58:40No, no, no, no
00:58:42Stay with yourselves
00:58:43Without a rifle
00:58:48Well, I can see you now.
00:58:49With the vengeance to the trash can
00:58:52It sounds strange, but the truth is I've loved meeting you
00:58:57Oh, me too
00:59:01Well, let's have some fun, shall we?
00:59:17How do you feel about it?
00:59:19The truth is, I can't drink coffee.
00:59:22And so?
00:59:23The doctor has forbidden it.
00:59:26Are you sick?
00:59:28He says it's from the head
00:59:32That's nothing new, is it?
00:59:34No, I'm serious now
00:59:35I'm paying for what you're paying for.
00:59:36Everything you take from me before
00:59:38An intense life
00:59:40Jibí
00:59:40A squid life
00:59:45And where did you get those shoes?
00:59:47I told you
00:59:48The best of the village
00:59:49Already
01:00:01I just needed a few days.
01:00:04Already
01:00:04AND?
01:00:06Well, nothing.
01:00:07That I will go again
01:00:10The Dutchman from Rante
01:00:12I just wanted him to know.
01:00:14Very good
01:00:16I know.
01:00:18And now you want me to
01:00:20I kept the bra
01:00:21And I'll throw it at you again
01:00:22Or I won't need it
01:00:23I'd love to
01:00:45What happened to the tractor?
01:00:46They removed his intestines
01:00:47Did you know he had a transplant?
01:00:49What is a transplant?
01:00:51Because it's old
01:00:52It needs new parts.
01:00:54Like my friend Jorge's grandfather
01:00:57Well, he has some new teeth.
01:00:59That is
01:01:00And after the transplant
01:01:02Cosmetic surgery
01:01:03What does it mean?
01:01:05Are we going to make it look good?
01:01:07Ah, it smelled me a lot
01:01:08Oh, no, no
01:01:10This is already done
01:01:11You can clean it whenever you want.
01:01:18Who's up for the hose-down?
01:01:25I'm going to...
01:01:26Yes, my mother already told me you're leaving.
01:01:28Ah, well, yes.
01:01:30Do you want to come with me?
01:01:32Where to?
01:01:33Oh, well, I don't know.
01:01:34Everywhere and nowhere
01:01:35Is that the plan?
01:01:37That's a boyfriend/girlfriend plan
01:01:38Not from father and daughter
01:01:40I wish I had a girlfriend like you
01:01:42You already had my mother
01:01:45Teresa...
01:01:45Never mind, don't say anything
01:01:46I saw today
01:01:51Bring us a few, come on
01:01:55Okay, smiling
01:01:57Hugging, hugging
01:02:03Perfect
01:02:07Okay, I've written down my phone number for you.
01:02:09Me too, mine
01:02:14Okay, come on
01:02:15The tractor is waiting for you.
01:02:21Take care of yourself
01:02:26Teresa
01:02:37Do you think I did the right thing by telling him to call me whenever he wants?
01:02:40So you think
01:02:43I look at you and I see that you do.
01:02:48This and the...
01:02:51And dinner?
01:02:52Good?
01:02:53Very good, yes
01:02:58And the dessert, even better.
01:03:02But seriously, do I look like a desperate woman to you?
01:03:04I think you're great.
01:03:07And him?
01:03:07Great
01:03:08For three days
01:03:11Well
01:03:12At least it leaves good memories
01:03:14They will also last nine months
01:03:16Oh
01:03:17I'm going to talk
01:03:18Are you sure?
01:03:21Absolutely sure, babe
01:03:22Okay, okay, okay
01:03:23Okay, okay, okay
01:03:26Oh, oh, oh
01:03:27I slept all night
01:03:29Not you either?
01:03:32I've been writing
01:03:34Ah
01:03:35You have finished your story
01:03:38I've asked him out, Mom.
01:03:40While you read it, I'm going to sleep.
01:03:41And Tano?
01:03:42No, Tano is leaving.
01:03:43If you have a lot of pending tasks
01:03:46Oops, you've changed the title
01:03:47This one's much better, huh?
01:03:49Everything is much better.
01:03:50You'll see
01:03:51I finally think I'm good for something
01:03:56Goodbye, love
01:03:59Well
01:03:59You see?
01:04:00In uniform again
01:04:01Okay, you're leaving.
01:04:03Bye
01:04:03Bye
01:04:04Hey, Laia told me that...
01:04:06You have problems
01:04:07Well, for now, I'm the only one who has them.
01:04:10Already
01:04:10But you need money
01:04:12Do you have money?
01:04:13Well, if it's to plug a hole
01:04:16One million
01:04:17In euros
01:04:18Leave it
01:04:20I'm going to say goodbye to Iñaki
01:04:22It's down there
01:04:24Bye
01:04:24Okay
01:04:34Well
01:04:35Watch out, I'm going to rip it out, okay?
01:04:43I don't understand
01:04:45I have replaced all the parts.
01:04:47There's a bad connection now, isn't there?
01:04:51This is good
01:04:53This too
01:04:54I don't understand
01:04:55I think that...
01:04:57You're going to believe
01:04:58It seems to me that...
01:04:59Oh, don't play the smart aleck, Iñaki.
01:05:00You have no idea
01:05:01What happens if you let him talk?
01:05:04Nothing, it's okay, right?
01:05:05Well, speak, son
01:05:07I think the diesel fuel screw is loose.
01:05:11The screw?
01:05:13Yeah
01:05:13Let's see
01:05:15Let's try
01:05:25Okay, now
01:05:29Already
01:05:37Well
01:05:39For having known it
01:05:40You'll be the first to get on.
01:05:41Come
01:05:46Say goodbye
01:05:47Go on
01:05:49Hold on
01:06:02Sorry
01:06:04Is there anything I can help you with?
01:06:06Nothing
01:06:07Excuse me, you
01:06:07We were just throwing
01:06:09A glimpse
01:06:09We're getting married on Sunday!
01:06:11There
01:06:12Here
01:06:15Yes, here
01:06:19Thank you!
01:06:21Luce, cari, luci, belle
01:06:24Cari lumi amate estelle
01:06:30Date calma a queto cuore
01:06:35Date calma a queto cuore
01:06:41Luci care, luci belle
01:06:46Cai lummi a marte stelle
01:06:51Date calma a queto cuore
01:06:56Date calma a queto cuore
01:07:02Luci care, luci belle
01:07:07Cai lummi a marte stelle
01:07:12Date calma a queto cuore
01:07:18Date calma a queto cuore
01:07:24Sempre posso scrivere moro
01:07:29Io, mio, mio, bebe, sono
01:07:33Fusca il suono del Dios d'amore
01:07:39Fusca il suono del Dios d'amore
01:08:03Fusca il suono del Dios d'amore
01:08:18Fusca il suono del Dios d'amore
01:08:20Fusca il suono del Dios d'amore
01:08:21Grazie per tutto, mi cae bene
01:08:24Thank you
01:08:26What doesn't suit you is the skirt
01:08:30The wedding is beautiful, it is very long, but beautiful
01:08:33Sorry, I have it that I know, also I believe that I said it
01:08:35Credo that is the bottom of this blonde hair
01:08:38No, the tall girl eats a giraffe with black hair
01:08:43No, no, it's the florist, of course
01:08:45No, that girl from the bar must be, no
01:08:47No, Mercedes, meat
01:08:49Utrera, I'm not going to tell you.
01:08:51This
01:08:52But I didn't let myself say it
01:08:53Perché è usted, verità?
01:08:56My son, really what suo is not a diagnosis
01:09:07He's going to get caught in the rain on the way.
01:09:10He gave his wedding at the hermitage
01:09:13When I got married
01:09:14The church imposed its creed and its most obscurantist morality
01:09:17I still wonder today
01:09:18How can women in general get rid of so many myths and rituals?
01:09:22Of the Catholic Church and of the other churches
01:09:25That their self-esteem has plummeted
01:09:28It is true that some things have changed.
01:09:31It is true that the laws consider us equal as men and women.
01:09:35But we still have so much ground to cover.
01:09:40Uh, you've put on your rain boots, a real truth is about to come out.
01:09:43Too hot
01:09:44Well, not to mention the legend of the daughters of the rain, of course.
01:09:48Long hair, no eyes, decades like a stick
01:09:51They look like the living when it rains a lot
01:09:54He criticized me because I'm slow
01:09:55Because I'm going fast, because I'm going to the right
01:09:57Because I'm going to the left
01:09:58Do you dislike me, or do you dislike me?
01:10:01Well, neither bad nor bad
01:10:04Indifferent
01:10:06Your son told me to settle here
01:10:08And why did you send her to sleep with your mother?
01:10:10Paula, because there was a leak
01:10:12What's wrong? Didn't he tell you?
01:10:13Mom, it's very complicated being between the two of us
01:10:15Well, step aside.
01:10:17Look, Miguel, as long as there are men in this house
01:10:19That?
01:10:20Nobody's going to shout here
01:10:22That?
01:10:23What are you doing right now?
01:10:24What are you doing right now?
01:10:25What are you doing?
01:10:25Who is it?
01:10:26Damn, the daughters of the rain were here
01:10:30Where did you get this story from?
01:10:33Damn, that suddenly
01:10:34Alberto, where are you?
01:10:35Here, waiting for the water to carry me to the beach.
01:10:38So maybe
01:10:40This is our last summer together
01:10:43All I want is for things to go back to the way they were before.
01:10:46Things can't be like they were before.
01:10:47I've grown
01:10:49What's happening?
01:10:50You'll be sleeping upstairs tonight
01:10:50Because?
01:10:51It looks like a good storm is about to break.
01:10:52Are you afraid that the water will wash away the cabin?
01:10:54We'll play with a covered poker hand.
01:10:55Two changes and still going
01:10:58The international rules of beta casinos
01:11:02Come on, let the rain cleanse everything
01:11:04Because of the rain
01:11:07Maybe you'll get lucky again.
01:11:09In love
01:11:16Carmen, leave it.
01:11:17We're going to ask others for help.
01:11:18If something happens to you
01:11:19Why don't you make the effort to share it with us?
01:11:21Because you don't understand me
01:11:22Nobody understands me
01:11:23His mother knows who my lover's lesbian girlfriend is, you know?
01:11:28As?
01:11:29Dude, you're becoming a really unpleasant person.
01:11:31This is the last straw
01:11:32I tell them to go and see, and I'm unfriendly.
01:11:33I had no idea you were so special
01:11:37What have you told them?
01:11:38Words heal, solve problems, and dispel fears.
01:11:42Really?
01:12:04What are the chains?
01:12:04What do they have immunos?
01:12:05The price fifteen
01:12:05What is the presence
01:12:05What, you see her?
01:12:05Do I think so?
01:12:05If I am anti-