- hace 1 día
Categoría
📺
TVTranscripción
00:09Girls of today
00:12Like heads and tails, like shadow and light, always in company
00:19If you want to achieve the happy dream and reach the glory of being an actress
00:23You must proceed with a firm but cautious step.
00:28My motto is that in this profession you have to be on your guard at all times
00:32Don't forget that here, if you don't run, you fly.
00:38Girls of today
00:41Like heads and tails, like shadow and light, always in company
00:47Girls of today
00:50Like heads and tails, like shadow and light, always in company
00:54Trots and little ones, body language, daisies and you being a total actress
00:59And preparing all day without measure
01:03Anything goes, the important thing is to succeed.
01:06The gossip press, advertising, chronicling them in the clothes of life
01:14Girls of today
01:16Girls of today
01:17Like heads and tails, like shadow and light, always in company
01:22Girls of today
01:31Girls of today
01:39Girls of today
01:42Girls of today
01:53Girls of today
01:55Quickly, he's going to Regredos from Barcelona
01:58It will enter via track 16
02:02Girls of today
02:33Girls of today
02:33Girls of today
02:34Girls of today
02:39Girls of today
02:40Girls of today
02:44Girls of today
02:45Girls of today
02:45Girls of today
02:46Girls of today
02:48Girls of today
02:49Girls of today
02:50Girls of today
02:50Girls of today
02:51Girls of today
02:51Girls of today
02:51Girls of today
02:52Girls of today
02:53Girls of today
02:55Girls of today
02:57Girls of today
02:58Girls of today
02:59Fast?
03:01Ugh, impossible, it weighs a lot.
03:04It's because of the hernia; I have to have surgery.
03:07Yes, yes.
03:07But she knows how these things are.
03:09The hernia.
03:10And some can't find the time.
03:12Oh, Tommy, hurry up, please. I had a really important appointment five minutes ago. Come on.
03:18Not to brag, but the trains in Barcelona are much faster.
03:25Come on!
03:51Taxi! Hey, hey! I had it first! Taxi!
03:57Ah!
04:03I'll put it here, okay?
04:04Watch out, beautiful! I'm picking out the upholstery!
04:06Oh, upholstery.
04:10Can't.
04:13It's heavy, isn't it?
04:14Pretty ink, but it gets in the way.
04:15Careful.
04:18Now yes.
04:18As a surprise, please. You have to take me to the National Drama Centre.
04:21Can I give you a ride, beautiful? So you can tell me where it is?
04:23It's on Tamayo Street, near the María Guerrero Theater. It's number four.
04:29Yes, miss, the will.
04:33The will. Here. And buy yourself a truss, man.
04:37Thank you so much.
04:48You pay attention to them and they treat you like garbage. I don't care what anyone says. It would be much better if the
04:54the world was ruled by the women in it.
04:56In that, my dear, she's absolutely right. Do you know her name?
04:59The useless part of a penis.
05:03Look, please leave me alone. I have a very important test and I don't...
05:06You really are an actress!
05:07The simple reason is that I also wanted to be an actress when I was young. I was crazy about Lisa Bentaylor. Then...
05:13She got plump and fell apart. However, there are others that improve with age.
05:16Amparito Ribello, for example. She's a better actress than ever. That's for Colón, isn't it, sweetheart?
05:21I don't know if it's still near Colón, but hurry up, please, I'm running late.
05:24Calm down, calm down, beautiful. I'll take you by a shortcut, you'll see.
05:51I don't understand.
06:00What's it to you? I'll sneak the test in without anyone noticing.
06:03Auntie, you arrived on time.
06:05I swear to God, Nancho, I have to go in.
06:06Maybe another day, but not today, I'm taking a risk, Charo. Pepe is furious.
06:10do not be afraid.
06:11Well, you can see how I'm feeling too.
06:15Cantigo!
06:19God's punishment! God's punishment!
06:23What I'm referring to is, beautiful.
06:25I've lost my grip on the brakes.
06:27But how can you fix the brakes now? You're not a professional, ma'am.
06:30He didn't fall out of the workshop this morning, he didn't fall out of the workshop this morning.
06:33Ma'am, I haven't finished paying for the car, you know?
06:35It's not that I dropped off the workshop this morning, it's not that I dropped off.
06:38But what am I saying? That he didn't...
06:39But who told him anything about the workshop?
06:40The papers, the papers.
06:41Come on, give me the papers, you idiot.
06:43The papers.
06:43No, no, he's already made me dizzy, huh?
06:45It's not possible, the papers.
06:47Papers, the car hasn't fallen.
06:49The papers, the me who is asking for the papers.
06:50Didn't you realize it?
06:51Clear.
06:51The papers.
06:52He wants me to...
06:59Hey, it's going to slip through.
07:00Eh, eh, eh.
07:03Where are you going? Where are you going?
07:04I'm going to see Pef Francesco.
07:05I don't want to see anyone.
07:06Am I too late?
07:07Yeah!
07:08But it wasn't my fault.
07:09Hey, hey!
07:10Taxi!
07:11Taxi!
07:11The train arrived late, but look, I have a letter of recommendation.
07:16Look, do you see?
07:19Does everyone bring a letter of recommendation?
07:21No, but mine is from the director of the Institute, thank you.
07:24From the Barcelona Theatre Institute, you see?
07:26It can't be, Auntie, it can't be, there are more than a hundred aunts in here, do you understand?
07:29But maybe we're out here, huh?
07:31Furthermore, mine is addressed personally to Pef Francesco, who is the director.
07:36If it's true, who's putting it there?
07:38Well, I thought it was a lie.
07:41It's impossible, man.
07:42No, no, no.
07:43Yes, yes, yes!
07:44Yes, I'm sorry!
07:46What a jerk!
07:47That guy's dead, you bastard!
07:49Oh, damn!
08:00Be careful, it's going to get wet.
08:04You have hours of travel time for this.
08:07Hey, why don't we call him?
08:11Whom?
08:11To the director!
08:13French!
08:14Clear!
08:15You tell him about the letter and speak to him in Catalan, because those language things create a strong bond.
08:20And then you tell her that you and a friend, do you know that she approves of it?
08:24You don't believe it.
08:26Clear!
08:28Take.
08:29Come on, let's go.
08:31Ah, I'm Charo Baena, right?
08:32A friend.
08:35Come on, I'll take this way, Mom.
08:55But what about your amarela?
09:00Where is the phone?
09:01Oh, there! Go on, but he's busy.
09:05Okay, shall we have a beer?
09:07Hello! Man!
09:10How are you?
09:11And you?
09:11Longer time without seeing you!
09:14Well then!
09:16Oh!
09:18Excuse me, excuse me!
09:19Don't worry, don't worry.
09:21Little girl!
09:22Give me two small dark beers.
09:24Well, I'd prefer a tea with lemon, please.
09:26Well, then, a dark beer for me and a tea with lemon.
09:28Okay, then I'll give you a Noel Cowart! Coming right up!
09:31Right away, Charo.
09:32Yeah.
09:34You pay attention to them and they treat you like trash.
09:36Of course, it's mine now.
09:39If I'm passing the paper.
09:40The role?
09:41What role?
09:43Oh!
09:44I'd have to go through it too, wouldn't I?
09:46I don't know.
09:47But what work is it?
09:49Well, it was Molly Bloom's night, if we had just arrived.
09:51It's because you go to so many auditions.
09:53From film, theater, television, advertising.
09:56I'll mess you up, won't I?
09:58Look.
10:01Don't you know what happened to me last week?
10:04I auditioned for a role as a barren woman, didn't I?
10:08And when it comes to the test, it works for me.
10:10My baby has the cleanest bottom in the world!
10:15I wanted to die, come on.
10:16The one that was formed there and the one that was formed there.
10:19Look, here it is.
10:20That's it, right?
10:20Molly Bloom's Night.
10:21Yes, yes, yes.
10:24But this is a monologue, isn't it?
10:25Clear.
10:26I can't learn a monologue in a minute, can I?
10:29I don't know.
10:30I was going to see what the one on the phone does better, right?
10:33Yes please.
10:33I'll keep this for you.
10:34Yes, yes, okay.
10:35Thanks, huh?
10:39Because whenever I do something, I'm always a mature woman.
10:41And if you do it, you are the embodiment of balance, Mariano.
10:44And that can't be because that affects me, Mariano.
10:47It affects me a lot, doesn't it?
10:48This is what I pay there.
10:49Oh, you have no idea how much this affects me.
10:53Because?
10:53Because I have to tell you that if you have your personality, I have mine, Mariano.
10:56You pay attention to them and they treat you like garbage.
10:59I don't care what anyone says.
11:01It would be much better if the world were governed by the women in it.
11:05Thank you.
11:18Thank you, Pilarín.
11:25I was so thirsty!
11:29Do you always carry the spoon with you?
11:32Yeah.
11:33I always travel with my cutlery set.
11:35Oh!
11:36Look, with the initials.
11:38Isn't it beautiful?
11:40What about the phone? Is it available?
11:42No way! She's such a pain and won't stop talking.
11:44And so?
11:46This is my pillow.
11:47An elephant!
11:48Yeah.
11:49Oh, how lovely!
11:51Careful, please! Careful, careful!
11:53I couldn't sleep without it. It's a gift from my grandfather.
11:57I've had it since she was my girlfriend.
12:00Let's see...
12:01Oh, it looks like a jacket, doesn't it?
12:03Well, but it's a short bolero jacket.
12:05No, look!
12:05Sorry, sorry.
12:06Orthian fox?
12:07No, you saw a target.
12:08Oh!
12:09Oh, it's broken a little, Pedro!
12:11Is it broken?
12:12Oh, how lovely!
12:15Fité, fité!
12:16The first rich friend I've had without even knowing.
12:18Well, I'm not rich.
12:19My parents are rich, but I don't speak to them anymore.
12:22Well, I honestly wouldn't stop greeting parents like that.
12:25But my family doesn't want me to be an actress.
12:27Ah, well, then, yes.
12:28Look, all they care about is seeing me married to a good, hardworking guy and things like that.
12:32But I don't like them.
12:34Don't you like boys?
12:36No, I do like boys.
12:38Or a lot for me!
12:40But I don't like nice boys.
12:42Well, I much prefer a bastard to a slobbering fool.
12:45That's why writing a book is so important to me.
12:47Yes, yes, yes.
12:49I know it's difficult to get a role in a play with only one character,
12:52But I've been working on it for two months, you know?
12:54Clear.
12:56You pay attention to them and they treat you like garbage.
12:59I don't care what anyone says.
13:00Well, it seems not that one either.
13:04Is it still there?
13:05I'll see now.
13:07Can you hold my suitcase for me?
13:08Yes, yes, of course, of course.
13:09Give him a piece of your mind.
13:11Honey, don't be angry, really, don't be angry.
13:13But look, this is a universal and eternal principle in the history of man, you understand?
13:18You know? It's completely eternal, you know?
13:21Everyone knows it.
13:21So, it's very clear that if you have your personality, I have mine, Marian.
13:33You can't even get a mother to go out with faggots.
13:36Come back from the test!
13:37From the test?
13:38Tell me one from the slaughterhouse because it's so horrible.
13:42Two tequilas with ice, come on.
13:44Two Carlos Fuentes marching!
13:48The guy's being a jerk.
13:49Hey?
13:50A disdain for the profession.
13:52Bad style.
13:54Come on, I think I liked the Catalans a lot, but from now on I'll have to take a different approach.
14:00my references.
14:01But a girl is going to come out.
14:03They say a phrase, the guy takes it...
14:05Oh, sorry!
14:08Oh, sorry!
14:18Well, look...
14:20What about the phone?
14:21He is struggling for his personality.
14:24What's up for today!
14:27Well, you know what?
14:28Their personality or ours?
14:30Come on, let's go, that's enough.
14:33And come on, it's already crystal clear
14:34You certainly don't make an effort.
14:36Not even the slightest bit to make me feel
14:37That I feel respected, Mariano
14:39And of course, if you have your own personality.
14:42I have mine, Mariano
14:44Just a moment, I'm going to do something.
14:47Mariano
14:48Look, stop behaving like a pig
14:50With that poor girl, you're going to be...
14:52So, I have a new boyfriend.
14:54Oh, hey, you're crazy!
14:55There's no need to witness everything I was doing
14:57No way, come on, you'll see how in half an hour
14:59Here he is, crawling at your foot
15:01Like a bouquet of flowers and large
15:03Really? Are you sure?
15:06Don't worry now.
15:07Otherwise, I'll find you another boyfriend.
15:09Let's see, coin
15:17To me
15:19To me
15:22Oh, my love
15:23Is it the dramatic center?
15:26With Pep Francesc, please
15:30On behalf of the Ministry of Culture
15:33It only takes a lie to get them on the phone
15:36People who lie or don't answer the phone
15:39Okay, let's go
15:40So what do I tell him?
15:41Whatever, but in Catalan, okay?
15:46Pep!
15:49Pep!
15:50Pep!
15:51Pep!
15:51Pep!
15:52Pep!
15:58Pep!
15:59Pep!
16:00Pep!
16:02Pep!
16:04But, but, what did he say to you?
16:06He hung up
16:08Well, it doesn't matter.
16:09Okay, we'll call again.
16:11Come on, man, yes
16:11Come on, now
16:12Keep bringing up the friend thing.
16:14Come on, we just met too
16:15You're not exaggerating, are you?
16:19OK that's fine
16:20Don't you want to call?
16:23Or don't call
16:29Oh, girl
16:31I'm eager to go to a casting call without having to fight with fifty jerks.
16:36Of course, he speaks
16:37Arredando
16:42Peliflanchés!
16:44How awful!
16:46How awful!
16:48Even though you're a star, the lead actress still doesn't know you.
16:54Sailor fabric
16:56Oh, rot in hell, you prick!
16:58Come on, go on
16:58What are you like?
16:59Hey, girl
17:00Bye, beautiful ladies!
17:01It's a mess, five of us at least, right?
17:02Bye bye!
17:04Bye!
17:10Well, maybe you're right, huh?
17:14I think it's better to catch him by surprise as he leaves the theater.
17:18Of course, direct contact is less cold.
17:22Clear
17:23Do you speak to him in Catalan and show him the letter?
17:28No?
17:30No, but what's wrong with you?
17:33I don't know
17:34Mother depresses me so much
17:36It's a hostile city
17:38The first time I came was on a school trip
17:41My wallet was stolen
17:42Yeah
17:44I'm going to the bathroom
17:46No, man
17:46Come on, don't talk nonsense.
17:48Sorry, huh?
17:48A little bit of everything happens here, really.
17:51Look, I came from Seville, well, about three years ago, around there
17:55And I already feel like I belong here.
17:59Come on, Pep's sandwich, hurry up!
18:01A special Vallinclan marching
18:03I know you're furious with me, but believe it or not, I saved your life.
18:06When Pep finds out that you didn't let my friend in
18:09Pep is completely out of it today, he's like a zombie
18:13She argued with Lolo, she broke up with him
18:17With your boyfriend?
18:18No
18:19This firewood I'll make, man, lion of my
18:21Come on, nothing, with tomato, as always
18:24There, the Guadella style inclines, marching.
18:28Look, I don't care if I eat you.
18:30I've been studying the role for a month and I don't intend to be left out.
18:34It does good, it does good
18:35I would do the same if I were you.
18:38Leave
18:41Hey, Catalan girl, I'm sorry about what happened before, okay?
18:43Don't worry
18:44Give me your phone number
18:45No, I don't have
18:46Look, have you read Pep's interview?
18:48Let's see
18:48Look, lion, let it only be the headlines
18:50French Pep is preparing a montage of Molly Bloom's night
18:53According to her latest statements, her Molly Bloom must be endowed with a strange ambiguity
18:58What is this guy saying?
18:59It's already strange and ambiguous enough, isn't it?
19:01You certainly can't get anywhere with geniuses.
19:03And this guy is an idiot, and besides, I don't go out.
19:07This guy doesn't know what he's doing, I'm telling you.
19:09See you later, strong
19:15Lolo, tell Pep that if he wants a mocata he'll have to come and get it
19:18and face the music
19:18No, Lolo, please
19:19Leave me alone!
19:27It's Lolo!
19:28My letter
19:29Don't worry, he's the French fish's boyfriend.
19:32It sounds familiar, but I can't place it.
19:33He's done a few little appearances on TV
19:35Exact
19:38Would you like something to drink?
19:40A forest with ice
19:43A forest with ice
19:45A Chejo on the rocks is coming right up!
19:47Last year he played Romeo under the direction of Pegasi
19:51Yes, but I would have been better at playing Juliet
20:01Pep!
20:02Pep!
20:03Pep!
20:03Pep!
20:05Pep!
20:10Pep!
20:12Have you finally deigned to show any sign of life?
20:22I'll take it to him, okay?
20:24You're putting on a play for a single character, and it has to be a woman.
20:27So there's no paper for me
20:30Look
20:31Above all other considerations
20:34I am a professional
20:35It seems you don't understand.
20:51You only want me for what you want me for, Pep.
20:53And nobody can stand that.
20:54If you have your personality, I have mine.
20:57Tell me to my face that I'm a bad actor and I'll stop bothering you.
21:02You're a great actor
21:03For certain things, like everyone else
21:06My life makes no sense at all.
21:08What am I doing in this world? Tell me
21:09Huh? Lots of things
21:11For example, cheating on me
21:13Where have you been tonight?
21:16With someone more understanding
21:18More affectionate
21:19Younger
21:20And everything else that you
21:23That's all, folks!
21:28You don't know that very well.
21:32Everything's gone to hell!
21:33Especially my sleeve, miss
21:35Oh, sorry.
21:37Please, I'm sorry.
21:38Don't worry
21:42Who is this?
21:46Mariano!
21:56She's sorry, really, you know?
21:58But who would have thought that he would get into a fight over the letter?
22:00Not me, certainly not.
22:04Look, take comfort in the fact that you're not the only one.
22:05Poor Lolo can be heard crying from here
22:09Even if the world tries to make me throw in the towel and become depressed
22:13It's useless
22:15Because I thrive on challenges, you know?
22:19You don't know me yet.
22:20But mine is very strong.
22:22You'll find out, what I have is very strong
22:26And so?
22:28Hey, Lolo!
22:30Run, run!
22:35Oh no, he's been murdered!
22:39Help me take off her scarf
22:40No, no, no, I'm no good at this.
22:46He's still breathing
22:47Oh, thank goodness.
22:47Well, I'm going for Pep.
22:49Because?
22:51Well, because he needs to know what we've done, right?
22:53I don't understand it
22:55Man, they're not going to go to a lifeguard test for their boyfriend
22:58I don't think it's very ethical for you to use a semifero.
23:00And who told you that the actress is unemployed?
23:02Have heretical loops
23:06Bye!
23:12Lolo
23:14Lolo
23:20Lolo
23:26Lolo
23:27Lolo, cute
23:39It makes no sense, none.
23:43I take a train
23:45I'm late
23:46I fail the test
23:48The voice
23:49I make a fool of myself on the phone
23:51They're eating my letter
23:54And I end up in a shoulder wash.
23:55Alongside the lover of the best director in this country
24:00Please forgive me.
24:01But this doesn't happen in Barcelona.
24:07Do you see it, Lolo?
24:09You pay attention to them and they treat you like trash.
24:13I don't care what anyone says
24:16It would be much better if the world were...
24:19It would be, it would be so much better than the world...
24:23That it was governed
24:24It would be governed by the women in it
24:28Yes, yes, yes, that's it, that's it
24:31Women wouldn't be seen going around killing each other and causing carnage.
24:37When have women ever been seen?
24:39When have you ever seen women wandering around drunk like men or gambling away their last penny?
24:44Are they having them and losing them to the horses?
24:47Hey?
24:48Yeah
24:49That?
24:50Yeah
24:50That?
24:52Yeah
24:53Yeah
24:55Because a woman, whatever she does, knows where to stand.
24:59But they wouldn't even be in the world if it weren't for us.
25:03They don't know what it's like to be a woman
25:05Or a mother
25:07How could they?
25:09What would become of them all if they didn't have a mother?
25:13A mother who would take care of them
25:15What I never had
25:38Okay girls, two whites your boa
25:40For that depression
25:42Thank you Pilarín
25:43Thank you
25:45Well, this is because of Lolo
25:47The new Molly Blum of the National Drama Centre
25:50A boy taking the role of a lifetime away from a girl
25:53It's still humiliating.
25:55Anyway, there are more papers
25:57Yes, there are more papers
26:00Hey, what are you going to do now? Where are you going to spend the night?
26:02I don't know
26:04But I don't care how hostile Madrid is
26:06I'm not moving from here.
26:08I will return home when I can prove to them that I am an actress and that they were wrong.
26:12Well, come with me
26:14I'm saying this so you don't spend the first night alone.
26:17The first night away from home is always...
26:22A bit of a pain, isn't it?
26:24Well, unless you're spending it with a boyfriend, of course.
26:29Hey?
26:30Hey, my suitcase
26:31My suitcase?
26:37Oh!
26:38Oops!
26:38Excuse me, I'm so sorry!
26:40Don't worry, don't worry
26:41African leopard?
26:43Yes, yes
26:44Excuse me, excuse me
26:59Hey, it burns your leg too, doesn't it?
27:02Well, they might get the suitcase back.
27:04Tomorrow we're going to Lost Eyes, I'm sure he'll be there, right?
27:07Yes, but what worries me is tonight.
27:09But why tonight?
27:10Because?
27:11Why am I wondering which pillow I should sleep on?
27:17Oh, oh, oh!
27:23Girls of today
27:26Like heads and tails
27:27Like shadow and light
27:28Always in company
27:32Girls of today
27:35Like heads and tails
27:36Like shadow and light
27:37Always in company
27:43Girls of today
27:44And prepare all day
27:46Without measure
27:48Anything is good
27:50Bring them together, make it happen
27:51Press, gossip, advertising
27:53And to bullfight them dressed in the clothes of life
27:59Girls of today
28:02Like heads and tails
28:03Like shadow and light
28:04Always in company
28:07Girls of today
28:09Girls of today
28:10Girls of today
28:10Girls of today
28:10Girls of today
28:10Girls of today
28:10Girls of today
28:10Girls of today
28:11Girls of today
28:11Girls of today
28:11Girls of today
28:11Girls of today
28:12Girls of today