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00:23Here!
00:30So you're renewing my contract for this garbage, right? And that's it.
00:33Here it is, black and white with eggs.
00:36Tenás, the restaurant isn't doing well. This month I haven't even made enough to pay the suppliers.
00:41That's because you closed the brothel twice, Fermín. And do you know how much you spent each time?
00:47That was a release of pent-up attention.
00:49200,000 for the first one and 400 for the second. I had two beers, baby.
00:54I just don't know how you can spend so much money there.
00:57Everything is very expensive, Raquel.
00:59By the way, Fermín, I'm moving house.
01:03Because?
01:04Because you haven't come to sleep here for three months and I can't take it anymore.
01:07Excuse me, Pepa, but I just can't take it anymore.
01:10And if we're alone, he doesn't want to talk about it.
01:12But are you listening to her, Fermín?
01:14I'm going through a difficult time.
01:17Oh, you're always going through tough times.
01:20We don't have a relationship and he even tells me to sleep in another bed.
01:24Why is it so small?
01:26Look, Fermín, either you come over every night to sleep and take me to the movies and change, or we're over.
01:33It's over.
01:34No, don't get like that.
01:36Do you think I shouldn't get like this, Pepa?
01:38Of course, you're right, Raquel, Fermín.
01:41If whoever is doing it, I suffered a lot.
01:43You can dress your life like guacamole.
01:44I have my own personality and way of life, and I don't want to fall in love again because the emotional breakup is very difficult.
01:53raw.
01:53You're a scoundrel, Fermín, aren't you? And you take advantage of her.
01:57By the way, here's a study that a friend did for me.
02:01The one with the ropes who laughs at his jokes and takes his money.
02:04It's one of the most reputable companies in the sector and they've done a study for me on the profile of a waiter.
02:10This business.
02:11Well, let's see.
02:14Age, 19 to 25 years.
02:17Nothing.
02:18Beautiful and attractive.
02:20Nothing.
02:21That they know two languages.
02:23Nothing.
02:26University students.
02:27Nothing.
02:28That they have a cheerful and easygoing personality.
02:33Nothing.
02:34But, Fermín, I don't hang all that stuff on you.
02:35That's it, I'd go.
02:37This is very serious, baby.
02:39This company has worked for the government and for Atlético de Madrid, among other important clients.
02:45So you will go into the kitchen.
02:48No way.
02:49Don't even dream about it.
02:52I am a businessman.
02:54And as a businessman, I shouldn't have feelings.
02:56But, Fermín, you're not going to do that dirty trick to us.
03:00It is the economic report.
03:02And the world is economics.
03:04Wow.
03:06Hello.
03:07Hello.
03:09Here come the new reindeer.
03:12You're a pig, aren't you, Fermín?
03:14And if you put us in the kitchen, forget about the beers.
03:17And the little smiles.
03:18And that we pick you up off the floor when you fall down drunk.
03:21And I'll also give you my blacklist.
03:25Is this from Akira?
03:26Hello.
03:27And this is Zoe.
03:29Hello.
03:58Thank you!
04:04Thank you!
04:06Thank you!
04:08Thank you!
04:13Thank you!
04:19Thank you!
04:21Oh!
04:23How are you?
04:25Evil.
04:27Look, I've already set the table.
04:29Very good.
04:31I was talking to the people at the factory.
04:34Very good.
04:36I have been asked to continue painting dolls.
04:39That's right, up my sleeve.
04:40Of course I've told them that's illegal
04:42and that in doing so I harm others.
04:45What do you think I should do?
04:47How much do they pay you?
04:49One hundred thousand.
04:50Well, take it.
04:52Julia called and said she's here.
04:54and that José is doing very well.
04:56Thank goodness.
04:58Hi, Dad. Hi, Mom. I'm going to study you.
05:00Hi, Dad. Hi, Mom.
05:01Hey, Clara. Do you remember my cousin?
05:03The whore.
05:05Well, he's proposed that I run a business.
05:08That's right, just drinks and socializing.
05:10Hey, it brings in a lot of benefits.
05:12Are you serious?
05:14Why not? Hey, it's good money.
05:16Look, Dad, you're not right in the head.
05:18Well, and then there's also, hey,
05:20about the factory that sells flamenco dresses.
05:23We could sell them.
05:25But to whom, Pepe?
05:26Pepe, well, to all our friends.
05:28Look, Pepe, you do whatever you want.
05:30I am certainly fed up with my job.
05:31But I'm not going to give it up.
05:33Now, I'm going to start studying.
05:35And I'm also going to start learning English, Pepe.
05:38Why am I seeing this step for real?
05:40I don't work as a waitress, but in life...
05:45Hello everyone!
05:47Julie!
05:50Well, I bought parmesan cheese, fruit, and spinach.
05:54To make a cream.
05:55Julie! Hey, José! And the baby!
05:58Yes, hey, Julie.
05:59The child at daycare.
06:01José, very well. I just spoke with him.
06:03He's much better than usual.
06:04No heat.
06:06And in three months, well, he'll be here with my little wife.
06:09Ole!
06:09Julie, Julie!
06:10Let's see what you think of these businesses.
06:12Pepe, seriously, be quiet for a bit.
06:14Go on, go paint those dolls.
06:17Illegals!
06:18Hey Pepe, do you have any plans for the next three days?
06:22No, not for the rest of the year either, okay?
06:24Look, I've met an agent.
06:26Look, I bought him this suit.
06:28And the ultimate slimming and cleansing diet.
06:32They make a diagnosis using your iris.
06:35And then you buy all their products?
06:39Well, we'll do it together.
06:40Oh, baby, not me.
06:42I'm not in the mood.
06:43But why?
06:44If this raises your energy and cleanses you from the inside.
06:47You're low because you're dirty.
06:50Yeah, well I'll give it to myself, Juli.
06:51I'll take you right now to have that iris examined.
06:55Pepe!
06:55No, it's not.
06:57I'll take it.
06:58I'm taking her to have her iris examined.
07:00Oh, Juli, I'm not in the mood.
07:03The truth is, if it weren't for me...
07:04Oh, Pepe!
07:05There's nothing.
07:06The image of synthesis in the Spanish panorama.
07:16Clear.
07:20Yeah.
07:21So, how's everything, brother?
07:25Okay, okay.
07:27You know Juli is a bit unstable, and when it's her week to see her children, well...
07:31She gets very neurotic and starts hiding everything to make it seem like they don't live together and all that.
07:36Already.
07:37But he loves you.
07:40Yes, come on, don't worry, brother.
07:42Everything will be alright.
07:44Pepa is worse, and that's it, you see me.
07:47Come on.
07:49A hug.
07:55Hi, daddy.
07:57Is dinner ready yet?
07:58Oh, I shouldn't have gone back to high school.
08:01No, it's just that I have plans.
08:02Has Tito returned?
08:04No.
08:05I'm meeting a guy at a bar and we're going to have a few drinks, chat about some nonsense.
08:10Let's have a laugh.
08:11And Mom?
08:13She's gone to avoid a diet with crazy Aunt Julia.
08:17Pepe.
08:21Hello?
08:23Pepe, look.
08:26And look at everything Pepe has sent us.
08:28Look, huh?
08:30Look.
08:31Look.
08:32And the iris doctor told me that I'm very healthy overall.
08:36But she's a little stressed.
08:39Ah.
08:40The same, the same, the same as me.
08:42Shhh.
08:43And to everyone.
08:45Hello.
08:47What's all that, aunt?
08:48Well, those are all the things we have to take.
08:51Oh, how fun, isn't it?
08:52I can?
08:54No, why not?
08:55You need to get diagnosed first.
08:57Will you all be quiet?
08:58That I am studying.
09:00Well.
09:00So what, and well, what effects does it have?
09:02Wow, this gives you a boost of energy.
09:04And it cleanses you from the inside out.
09:06Yeah?
09:06In other words, it gets you going.
09:08There.
09:08Well, let's see how much it costs.
09:11Twenty-five thousand.
09:12And you're going to spend twenty-five thousand presents, Pepa?
09:15Well, Julia lends them to me, right?
09:18And then I'll give them back to you.
09:22This must be Alberto.
09:33Hello.
09:36How are you, Alberto?
09:37Look, I'm going to introduce you to my family, okay?
09:39Look, this is my mother.
09:41Nice to meet you.
09:42With pleasure.
09:44My aunt Julia.
09:45Hello, what?
09:46How are you?
09:46And this one here is my sister.
09:48Hey, beautiful, what's up?
09:49Hello.
09:51I am a biological child.
09:53Very good.
09:54Yeah.
09:55And that one over there is my father.
09:56Hi there.
09:57How are you?
09:58Good.
09:59What, a croquette?
10:00I'll make you some stew broth, okay?
10:02No.
10:03No, Dad, no.
10:04Alberto writes the reviews you read in the newspapers about the movies on TV.
10:09And I haven't seen hardly any, huh?
10:12Yeah.
10:13It's because he's always politically correct.
10:19Yeah.
10:20Well.
10:21Okay, so we're off, right?
10:23Well.
10:25Well then.
10:26Well then.
10:26Alberto.
10:27Pleased to meet you, ma'am.
10:28See you later, okay?
10:29Bye bye.
10:29Goodbye, Mari.
10:33Look, a smart one.
10:36But you've seen the stupid things he writes, right?
10:39Look, here.
10:41Based on a film by John Cassavetes.
10:45Painful.
10:46Watching movies like this justifies mass murder.
10:51Oh.
10:52For mental masturbators only.
10:55And it also judges bad movies well and bad movies well.
10:59Because?
10:59Well, to get attention, Dad.
11:01It's as if all idiots have the same system.
11:03Well, those who are a little more idiotic than them, they make them believe they know something.
11:07You're right about that, aunt.
11:08You're right.
11:09Well, I'm not going to know.
11:10That I am a victim of those kinds of people.
11:16Okay, Pepa, we have to start the diet.
11:18Yeah!
11:20Go!
11:22We have to lie down.
11:24Oh excellent!
11:25Well, let's go upstairs, to the big bed in my room.
11:28Okay?
11:29Hey!
11:32Okay!
11:33Okay!
11:33Okay!
11:34Okay!
11:35Okay!
11:37Okay!
11:38Okay!
11:39Okay!
11:40Okay!
11:42Okay!
11:44Pepe.
11:45That?
11:46How's your dinner going, Jorge?
11:49Good!
11:50Pepe, have you turned off the games?
11:53Yeah!
11:54And is Clarita having a good dinner?
11:57I'm not here anymore, Mom!
11:59Clarita, have dinner, because depression is eating away at your bones.
12:03Yes, that's fine.
12:05Pepe.
12:05That?
12:07We're going to stay here overnight, because of the diet.
12:11That?
12:12Because of the diet, we have to lie down for 24 hours.
12:16And he says we should stay here.
12:18You don't care.
12:19Look, Dad, just leave her alone.
12:20Let's see if they go crazy.
12:22Well.
12:24But only today.
12:26Okay, Pepe!
12:27Pepe.
12:28Daughters.
12:29Daughters, you have to help me with the dolls.
12:32So, how much are you paying us?
12:34Cheaper than before, because now I get paid less too.
12:38Yes, but that's your problem.
12:41Let's see...
12:41Okay.
12:44Pepe.
12:45Pepe.
12:46That?
12:47Pepe, go to the little pond in the living room and bring me up a shawl that's looking for me.
12:51I want to throw it all over myself.
12:53Pepe, we're having dinner.
12:55But we can't move today.
12:57Don't talk nonsense.
12:59Pepe, it's not nonsense.
13:01And if we can't move, we can't move at all.
13:04That's all there is to it.
13:16Pepe.
13:17Look, this final part with John Goodman is a clear metaphor for hell.
13:22Clear.
13:25Hey, babe, less joking around and pay attention, you might be able to learn something.
13:29Barton Fink is a magnificent example of cinema within cinema.
13:33Yes of course.
13:34Hey, why don't we watch one they're showing about resins? It's really funny.
13:38Resines, now.
13:39We might as well go watch an exemplary thriller.
13:41The latest seduction, with Fiorentina. Barbara.
13:44I think it's already started.
13:48Hey, we're exhausted, huh? We're coming.
13:50With everything we have to take for today's diet.
13:55Hey, I think the oil is already working for me.
13:58Me too, babe. But you go first.
14:02Oh, well, what's up? How are you? Is everything alright?
14:04Huh? And Alberto, how are you?
14:07Very good.
14:08He's teaching us a lot about film.
14:11We're having a great time, Mom.
14:13We saw a great movie, huh?
14:15And now let's see this one that's starting.
14:17Hey, honey, weren't you supposed to go out?
14:20Dad, we're meeting in an hour.
14:23Oh, well I've already seen this movie and I didn't understand anything you were saying.
14:27And do you know why the critics gave it good reviews?
14:29Already.
14:31Because they were sexually attracted to Fiorentina.
14:34And the truth is, it's nothing special either.
14:37Hey, I don't know what's wrong with all of you in the Spanish film industry.
14:39You have a strange resentment towards critics.
14:42Maybe if you made better films we wouldn't have to criticize you so much, huh?
14:47And what are you doing, you idiot?
14:50Julita.
14:51Won't you do me a favor?
14:52But it's true.
14:53They're all just frustrated.
14:54And some of those, yes.
14:55They only like what they read in foreign magazines.
14:58Ma'am, that's not entirely true, is it?
15:00Well, you especially are one of the biggest idiots.
15:03Imagine saying that John Huston is an inconsistent director.
15:06Well, if I had to kiss where he walks.
15:08Well.
15:09Okay, Julita, thank you for the favor.
15:11Okay, let's go, Alberto.
15:16And relax, ma'am, okay?
15:18Well, you can shove that smile where the sun don't shine.
15:22And you, girl, you should go on a diet because you must be in really bad shape to put up with him.
15:27But, auntie, you're an idiot, man.
15:35Well, I don't find it funny, you know?
15:36You're all idiots.
15:42I'm going to the toilet because I'm about to wet myself.
15:53This idiot has fallen asleep.
15:55I'm waiting for a call from the factory.
16:00They are realizing that they need me.
16:05Sure, here you go.
16:10Pepe, don't even think about turning on the TV!
16:13Because?
16:14Why not.
16:15Because we need to have a blank mind.
16:17But you've always had a blank mind.
16:21Hey, Pepe.
16:22I'm not spending another night sleeping here, okay?
16:24But anyway, you don't do anything, Pepe.
16:28Nothing.
16:29I work much more now than when I was in the factory.
16:32Well, I feel much better now, Pepe.
16:34I feel better with more energy.
16:37Hey, Pepe.
16:39What am I saying? That yours was shaped like a mound.
16:43That means you're doing very well.
16:44But mine was shaped like a shrimp.
16:47Oh, and that's a bad thing?
16:48Well, I think it's because my spleen isn't properly cleansed.
16:51I'll see if I can call and see what they say.
16:54Julia, Julia, Julia.
16:56I'm waiting for a very important call from the factory.
17:02Hello.
17:03Hello, daughter.
17:04Maria, Aunt Julia wants to apologize.
17:08Auntie, you're one of a kind.
17:10Well, forgive me, Maria.
17:13What if he were the man of my life?
17:15That?
17:17I don't think you're the man of your life.
17:19And if he were the father of my child, well, what would happen?
17:23Oh, Marina, don't be so dramatic.
17:26It's just that when he drinks...
17:27Well, I had some juice.
17:29Because, Mom and Dad, I'm going to start taking care of myself.
17:32Very good, daughter.
17:34Okay, but you have to promise me that when Alberto comes you'll pay attention to him.
17:39Because, although he seems pedantic, he is actually very shy.
17:42And it's very sweet.
17:45And very good.
17:48Well.
17:50I'm going to bed.
17:55Hey, maybe he's right.
17:58Look, Pepa, the world of cinema is a world full of vultures.
18:02I went to bed... well, I mean...
18:04With cameras, with operators, with directors, with producers, with critics.
18:09And the worst, the very worst, the worst of all the critics.
18:12Well, honey, but the fact that things went badly for you, I mean, it's not like...
18:15You're not going to convince me, and besides, I'm starting to get nervous.
18:18But why?
18:19Well, because I haven't worked for a week.
18:22Come on, and you're acting like this, well Pepa's been here for three months.
18:25Ah, well, but come on, I... I'm never short of work.
18:28And I don't know what to do if I don't work.
18:31Neither do I.
18:34Well... that's it... that's it... give me... give me the factory release.
18:41He's going to be readmitted and he's very excited.
18:45Well, that's what they've said.
18:46Meanwhile, he goes around doing odd jobs for them.
18:49Yeah.
18:51Yes, yes, it's me.
18:56As?
18:59Do I have to pay for the dolls?
19:02Okay, how, how?
19:05So, you sell them to me, I paint them, and then you buy them from me.
19:11But why?
19:15Yeah.
19:19Yeah.
19:20So, if I want to continue, I have to buy the dolls myself.
19:24Man, but...
19:27Yeah.
19:28No, no, if you... if you think it's the best thing to do, then...
19:31No, for me the most important thing is the company.
19:34Yeah.
19:36Bye bye.
19:41What a strange deal, isn't it?
19:54So, Maria, how's it going with your sex machine?
19:58Well, it's not ugly.
20:00It's not ugly, Maria.
20:02It's disgusting.
20:07My friends and I made a bet.
20:10Yeah.
20:10And of course, we got terribly drunk.
20:13And the bet was to see who would hook up with Alberto.
20:16And of course, your sister won.
20:18Maria, you're ready for the lions.
20:21But the worst part of all is that Alberto brainwashed me and...
20:24And I don't know, but I think I did it with nothing.
20:30You did it with nothing.
20:33Are you crazy, Maria, or what?
20:35No, but yes, what?
20:36What's going to happen?
20:36Nothing is going to happen.
20:38Well, I don't know, but what if it happens?
20:39Nothing is going to happen.
20:41And besides, Alberto is a decent guy and he's had the tests done.
20:44Nothing is going to happen.
20:47The thing is, it doesn't come to me.
20:49Normal.
20:50That's because you're stupid.
20:53I've also lost count of how many times I've done that frog test.
20:57AND?
20:58Well, it's still too early to know.
21:02So what are you going to do?
21:05Well, I'm going to have it.
21:06I'm really excited to have it.
21:08And besides, I'm sure that will help me focus on the child.
21:11Already.
21:12And who's going to put up with that idiot here?
21:16Okay, thank you very much.
21:18Clear.
21:26Maria.
21:28That?
21:31Epi.
21:34Don't worry, Epi.
21:36Everything will be alright.
21:39Yes, Blas.
21:40I'll look so funny with a belly.
21:44I can't imagine it, Epi.
21:47But we'll laugh at you a lot.
21:48Yeah.
21:49Yes, Blas.
21:50I'll be very funny.
21:55I'm not going to be funny at all, so...
21:58Okay, what do I do?
22:00You'll be fat and disgusting.
22:07No, don't worry.
22:09Maria.
22:12Come on.
22:23Cleaning is the worst part.
22:25Just leave it.
22:26Hire someone sick to clean.
22:28We cleaned the dishes and that was it.
22:32Hey, so how's the contribution going?
22:34Like silk.
22:35Since he ends up so exhausted from the silly waitresses, he doesn't go out.
22:39And also, since they ignore him and laugh at him, he likes us to talk.
22:45Raquel, Pepita.
22:46Go.
22:51What's happening?
22:53Girls, there's a lot of work to be done here.
22:55And this one can't handle everything.
22:59Girls, I need to talk to you.
23:02And what about the silly ones who didn't come?
23:05I've fired them.
23:07Oh, and how was that?
23:10Due to incompatibility of character with you.
23:13Let's go for a beer.
23:14And we're back to being waitresses.
23:18Very good, Fermín.
23:19But now you're going to have to do us a favor for what you've put us through.
23:24For now, you're going to pay me for the treatment I've had.
23:27And you're going to take this one to the movies.
23:29Let's see the latest Julia Roberts movie.
23:32I don't like those movies.
23:34What if we go see the latest Steven Seagal movie?
23:37Fermín.
23:38Okay, we're going tonight.
23:41Look at the story I've come up with for a movie.
23:46It's the story of some baby squid that invade the land.
23:50Yeah.
23:51So, the little fish enter people's bodies when they sing.
23:59I thought the main characters should all be singers.
24:03Jaime Molet, Luis Carday, Juan Bau.
24:07And what about José Vélez?
24:08José Vélez.
24:09The one about Greek wine.
24:11No.
24:13Not him. I don't see him in any role.
24:16Oh, no. Well, if you don't see it...
24:19So when they sing and hit a note, the little squid go down their throats.
24:28Okay, so how could we do that?
24:31With models or with transparency?
24:35Well, I don't know.
24:36Raquel, how do you see that effect occurring?
24:40So we asked you, Spielberg.
24:43Well, watch another one, I'm getting excited.
24:54And now it's time for rose water.
24:58Okay.
25:02Hello.
25:03We're here.
25:04Hello good evening.
25:06Well, I'll say goodbye to Alberto.
25:08How are you, Alberto? And the reviews?
25:10Well, like the movies, ma'am.
25:15Hey, are we done being like cats and dogs?
25:18She's unbearable. Your aunt is still a spinster.
25:20Hey, Alberto.
25:21Look, girl, it's true.
25:27Alberto, who...
25:29Nothing, I was just thinking that...
25:32If you would like to have a child with me.
25:34Because I think it's something very beautiful.
25:36Nothing must have happened, right?
25:38No, no, no, no.
25:39I said it because I've thought about it many times and I'd like to.
25:45Yes, but so soon...
25:47Come on, we just met, as they say.
25:49Yes, yes.
25:50Come on, we're not in a hurry.
25:52But...
25:54Would you like to have a child with me?
25:56Well, not now, at this point in my life.
26:01No.
26:03Sure...
26:03But yes, look, having a child is fantastic and you would also be a good father.
26:09Yes, probably.
26:10But, Maria, life is very complicated.
26:12The world is very complex and things cannot be done lightly.
26:17Already.
26:18And what about going to bed?
26:20That's different.
26:21Yeah.
26:22Well, if you go to bed without putting anything on, you can have children.
26:25Look, it's very late and, honestly, I don't know why we have to discuss this right now, you know?
26:30No, not for... for nothing.
26:32Go on.
26:33Come here, give me a kiss.
26:38Hey, why don't you give me a hand? I have to take an order to the factory.
26:42Oh, Pepe, who comes at night.
26:44Yes, but I have to deliver the order on Sunday.
26:47And then, in addition, there are the ones I have to take to the stores myself.
26:51Oh...
26:52The distribution has been reduced, and now those of us who work in the industry also sell them.
26:56But then they give us a commission at the end of the year.
26:59Pepe, they're pulling your leg.
27:02Me?
27:03No no.
27:04Not at all.
27:05And they've also told me that readmission is a sure thing.
27:10Hello.
27:13Very good.
27:15Well, I'm going to bed.
27:19Good night, Mom.
27:21See you later, aunt.
27:22Bye bye.
27:23Bye bye.
27:27Ah!
27:28Now it's time for the oil, which is the most tedious part.
27:38Ah!
27:39Ah!
27:41Ah!
27:43Ah!
27:44Ah!
27:45Ah!
27:52Ah!
27:58This...
27:59Ah!
28:00Already!
28:00Take!
28:01Runs!
28:02Come on!
28:11Yeah...
28:13No!
28:16Yes.
28:18No!
28:22Already
28:24No
28:27Already
28:28No
28:32Already
28:34No
28:52Already
28:54No
28:57Already
29:00Negative
29:02You're not going to have a film critic for a son
29:06Oh, how wonderful, how wonderful
29:07Look, look, look, look
29:09Look at the state of his heart