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00:14The little wine.
00:17Okay, now we need to let it rest.
00:21Ah, it smells good, Mom.
00:23Let's see, mmm, mmm, it smells very good, it smells like oranges.
00:25By the way, I need to buy a few things to make the Caesar salad, okay?
00:30Okay.
00:31Dijon mustard and grated Parmesan cheese, but not the kind from a jar.
00:35Okay.
00:36Jorge, study, you're getting mesmerized by a fly.
00:39But I'm bored.
00:41You'll be even more bored when you're older and unemployed.
00:44You can also steal.
00:45My child isn't cut out for that, is he? Is he?
00:49I bet you don't!
00:50Hello everyone.
00:51Juli! Oh, you've gotten so fat! Let me see you!
00:54Oh yes, I'm very fat and a little ridiculous!
00:57And what do you have in there?
01:01Hey, how are your parents?
01:03Look, I'd rather not talk about that, okay?
01:04No.
01:04Just yesterday.
01:05Yeah.
01:06Well, I'm going to my room because I don't have psychoanalysis today.
01:09Is it a boy or a girl?
01:10He's a boy.
01:11Well, let's hope it turns out better than this clod.
01:14Okay, tell me how your parents are.
01:16Look, my mother is worse than ever.
01:19Yeah.
01:19Now he's taken to not eating at home, so as not to make a mess.
01:22And she gets up every day at six in the morning to clean.
01:25And she and her girlfriend Juanita go everywhere, wearing plastic gloves.
01:29Oh, so she's still with Juanita, isn't she!
01:31Yeah.
01:31And I thought that, well, those who became lesbians, at least when they became
01:37The elderly didn't become old.
01:39Well, they're both the same, like two gossipy old women.
01:42My daughter!
01:43Well, how is your father?
01:45My father is doing great, but he still has crises.
01:48Hey Julia, I'm telling you something, darling, why don't you stay here at home?
01:51Until childbirth.
01:52No, I have my own little house.
01:55But, honey, what if ghosts appear to you?
01:57That I read in a book.
01:58Julia, listen to me, ghosts are very attracted to pregnant women.
02:03Oh, it already happened to me the other night, I was sitting on the bed and, uh, it starts to move.
02:09And guess who he was?
02:13Can I have some chocolate?
02:15It was the ghost.
02:17And I told him, listen, either you leave me alone, or I'll call a priest.
02:22He never said anything to me again.
02:24You can hear shouting in the living room from time to time, but come on.
02:27So what do you do?
02:28Well, I'll turn the TV up louder.
02:30Oh, Julia, please come here to my house, I'd feel much more at ease.
02:33No.
02:34Oh yes.
02:35No?
02:36Oh yes.
02:37No.
02:37Well, yes, look, I had just brought the suitcases, I have them by the door.
02:41Mari, go on, get into Aunt Julia's suitcases.
02:44Hey, so they told you it's a boy or a girl, he looks good.
02:46He's looked great and he's got this.
02:48Hey, what are you doing out there, what are you doing out there in these suitcases?
02:52Guess who's going to be staying here for a few days?
02:56Julia?
02:57Yes, me.
03:24No, no, no, no.
03:30No, no, no, no, no.
03:30No, no, no, no, no, no.
03:38No, no, no, no, no.
03:42No, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no,
03:43no, no, no, no, no, no, no.
03:45Open.
03:46Open it, I don't know if...
03:47Hey...
03:48Oh, yes.
03:48I'll fix this myself, reupholster it, and get a new little armchair for my workshop.
03:52Pepe, do you think you can fix this lamp for me?
03:54Look, yes, it's brand new.
03:56I don't know how people throw away new things.
03:57Oh, because they have newer ones, Mom.
04:00Don't you think you should stop picking up trash?
04:03Okay, so why is that?
04:05Because people in the neighborhood know me and I don't know what excuse to give for your behavior.
04:09Well, daughter, you tell them the truth, that we are poor.
04:12If they already know that, don't worry.
04:14Well, we found your bed in a trash can.
04:18I didn't expect less from you.
04:20Okay, I'm going to see what I can steal from the record store.
04:23Like you said, Clarita, don't even think about it or you'll mess it up, okay?
04:25Well, nothing will happen.
04:27Now, if you steal, they don't report you.
04:28They give you a temporary job.
04:30Oh, really?
04:31Hey, how long is Julia going to stay at home?
04:34Uh, Julia, well, I don't know, it depends.
04:36How much?
04:37If you're thinking she'll stay until she gives birth, don't even dream about it.
04:40But Pepe had been at his mother's house and had to run away.
04:44In short, because I have a lesbian mother.
04:46I also have a gay brother and we still watch the games together.
04:49Hey, he should go home, it's right next door.
04:51Pepe, your house is full of ghosts.
04:54Don't talk nonsense.
04:55I'm not talking nonsense, I heard the noises.
04:58That's right, Dad.
04:59It could be heard very clearly.
05:00And we'd turn on the TV, right, Mom?
05:02And there we saw the ghosts fighting.
05:03And on the radio, on the radio, very clearly, come on.
05:06Well, on the radio, I don't know, Mari, I'm not so sure about the radio thing, to be honest.
05:09Because no, Mom, it could be heard perfectly on the radio.
05:12Okay, I'm going to see how the supplement is.
05:15Son, now he's taken to cooking and the esoteric.
05:19Look, that's better, because that way she won't be so into men.
05:22That's right, you have to see, you have to see how little common sense there is in this house.
05:27Oh my God.
05:33Tito, Tito.
05:35Pepe, fatty, how are you?
05:37Well, then...
05:38First of all, here's your money.
05:42And that heel?
05:44How do we know it's good?
05:46Pepa, would I give you a fake check?
05:49Well yes.
05:52Since she's your wife, huh, she's still the same.
05:54Well, by the way, I've brought you a car.
05:57I'll give it to you, it's second-hand, but I think it will suit you well.
06:00Oh no, no, no, I can't accept it.
06:02What do you mean you can't accept it?
06:04Please, Pepe, I love you.
06:07You are my family.
06:09Here, go on, I'm fed up with wandering around the world.
06:11Well, I want to create a home, have children, be happy, and be with the people I love.
06:20Tito.
06:22Oh, by the way, is Julia there?
06:27Oh, you're in for a surprise.
06:30Is she married? I don't care.
06:32No.
06:33Has she become a nun? It doesn't matter, they'll leave now.
06:36Hello, Tito.
06:38Oh, how chubby. Oh, how chubby, Julita.
06:42Let's see.
06:42Oh, let me see.
06:44Oh, oh, oh, he kicked me.
06:46Oh, sorry, woman.
06:47Oh, my life.
06:48Oh, look, look, look what a little camera I've brought you.
06:54Sit down.
06:55Look.
06:58Nothing scares him.
07:09Look at what a good friend Tito and Julia have made, huh?
07:11Who would have thought?
07:13Your friend must be up to something.
07:15He gave me my money back.
07:16Of course, because he'll want to get more out of you.
07:18Good morning.
07:20Daughter, Mari, they've stuck to the sheets.
07:23I don't know what's wrong with me, Mom.
07:25But lately I keep dreaming about the same person.
07:29Oh, yes, with whom?
07:31With Paul.
07:33Paul?
07:34Yes, I know I talk like that with him.
07:37Well, it was a sign.
07:39A sign that I need to get back with him.
07:43Daughter, Mari, after what he put you through.
07:45Yes, Mom.
07:46But what about this?
07:50Okay, I'm going to take breakfast to my room, because I'm dying to write all this down.
07:55That, and don't forget anything.
07:59Hello.
08:01Hello.
08:01Hello, Julita.
08:02I'm going for a walk with Tito.
08:04He's going to take me to see an art exhibition.
08:07Unfinished works by Antonio López.
08:08Oh, and why do you want to see them?
08:10Are they unfinished?
08:11Yes, because that means he hasn't been able to finish them.
08:15I had a boyfriend who never finished anything.
08:18But that doesn't mean they're worse than those that end.
08:21Or is artistic value found in finishing something?
08:24No, it's in the effort.
08:27The dreams that are there, even if they are not finished.
08:30There.
08:31Oh well, bye.
08:33Bye.
08:35My aunt is on her last legs.
08:39Hello, Peppa.
08:40Hello, Pepe.
08:41How are you?
08:42Well, we're doing very well, thank you.
08:45What are you doing here?
08:47I had a dream in which Maria forgave me.
08:50She did, but we didn't.
08:51So get out of here right now.
08:52Pepe, Pepe.
08:53I am not the same anymore.
08:55Oh, no, well...
08:56Well, you certainly seem like that to me.
08:57Pepe, I am getting rid of my calm.
08:59Now I am a being...
09:01elementary.
09:02He could do more.
09:03And my soul and Mary's are united.
09:06Look, Paul, what you have is a toast
09:08the entire print head.
09:09Do you want coffee?
09:10Okay.
09:11Pepe.
09:13That wasn't me before.
09:16Besides my bad temper,
09:17I'm having a schistophrenic episode
09:19and he was possessed.
09:22Peppa Pig is one example.
09:24I used to always win the GD.
09:25Well, ever since he was possessed, he was losing.
09:27Because?
09:28I don't know, you'll know.
09:30Because of the person who was inside me
09:32I was telling my opponent the plays.
09:34Clear.
09:35Clear.
09:36I have truly changed.
09:36Look, I'm from Greenpeace, from Action Aid.
09:42I bury the whole chain of my selfishness.
09:50Hi, Mary.
09:51Hi, Paul.
09:52What are you doing here?
09:55I couldn't go another second without seeing you.
09:58I had a dream.
10:00I've had a dream too.
10:03Okay, let's go to the door
10:04that you and I need to talk.
10:10So what's going to happen now?
10:12She won't even think of going back to that crazy guy
10:14which is even worse than before.
10:16Do you remember how the poor thing cried?
10:18When did he leave her?
10:19How could I forget?
10:20One night, another night crying.
10:22There was no way it would stop.
10:23And what about that notebook he filled with his name?
10:25And you don't know that she was sending him telegrams?
10:27every day?
10:29Why does it have...?
10:31Because love is very strange.
10:34I hope the girl tells him thank you.
10:36and that he doesn't plan to return.
10:37No, Maria has matured a lot since then.
10:40Oh, God hear you, Pepe.
10:46That?
10:49Good.
10:50Look, Mom, she gave me this amulet
10:52And he said some very nice things to me.
10:55that loves me
10:56and that all this time
10:58that he hasn't seen me
10:58He's thought about me a lot.
11:00But, Maria, my daughter,
11:02Look, it's not that I want to interfere in your life,
11:04But that boy...
11:05I know, Dad.
11:08But I think I still love him.
11:11What am I going to do?
11:13Maybe he's going to screw me over.
11:14That's for sure.
11:17But I love him.
11:18And I can't do anything.
11:29Well, Paul,
11:30I'm going to get my bag
11:31And we're off to the Big Mountain concert.
11:33Hey?
11:33Ah, those are the ones who invite Bob Marley, right?
11:36Forget me.
11:41Well, I've managed to do it
11:42My first photo shoot as a model.
11:44Oh, really?
11:46I know I have what it takes, you know?
11:48But it's not a stupid report.
11:51Is...
11:51They are photos of him naked in a car.
11:54Without showing my device, of course.
11:56And a test, I'm going to read it, okay?
11:57Hey, no, no, it's not necessary.
11:59It's very short.
12:01Aspect,
12:01They give income.
12:02Refined and decadent.
12:03Oh, handsome, regional.
12:05O, dor, hot sand.
12:09Dream.
12:10Let everyone communicate
12:11with everyone.
12:11On the beach,
12:12on the subway.
12:15Dad.
12:16Daddy.
12:16Did they read about the mania?
12:18No, no, no.
12:19Not yet.
12:19Well, it's really cool, isn't it?
12:20Look, I'm going to read it to you.
12:22Uh, mania.
12:23I would like Jean-Paul Gaultier
12:25I dressed as a woman.
12:27Oh.
12:29Okay, shall we go, Paul?
12:31Have you lowered me?
12:31the Popoyan shaman?
12:33And the Sahara stone.
12:35Take.
12:36And your devilish ring.
12:38Come here, Paul is here.
12:40Are you leaving already?
12:41Yes, we're leaving now, Mom.
12:42Let's go, Paul.
12:43Thank you for the ring.
12:44I have been there to give what I deserved.
12:46Hey,
12:46I promise you
12:47never again
12:48I'm going to hurt him.
12:48And that I will be
12:49his knight errant.
12:51Come on.
12:56This boy
12:57is still
12:58worse than before.
12:59You think?
13:00Yeah.
13:01Pepe,
13:02What if we go for a walk?
13:03to have a beer
13:04And then to Lipe?
13:06We can't spend money
13:07until the end of the month.
13:08We have nothing.
13:09Son,
13:09to go out for a while.
13:11Okay, one lap.
13:12Hey, where are you going?
13:13Nothing,
13:14go for a walk.
13:15But you will be here
13:15when I return.
13:17Well, I don't know.
13:18Don't you know, kid?
13:20What I need to know
13:21if you're going to be here
13:22when I return.
13:24My daughter, Julia, my love,
13:25Don't be a pest.
13:26Oh, I forgot
13:27blush.
13:30This Julia
13:31It's getting heavier and heavier
13:32that his quirks.
13:33And what's this new thing?
13:34Well, he doesn't like it
13:35that we go out.
13:36Not even when she returns
13:37let's not be.
13:39You'd better wait.
13:41You say goodbye to me
13:42from the door.
13:43That?
13:44You're saying goodbye to me
13:44through the peephole
13:45and then from the window
13:46And I send you a kiss.
13:52This one too
13:53for the lions.
13:54God.
13:55She's pregnant, Pepe.
13:57We are sensitive.
13:58Sensitive, sensitive.
13:59He's completely crazy.
14:00God.
14:02Well, it gives me
14:03a lot of tenderness.
14:04Don't you think it confuses us?
14:05with your parents?
14:07I think so.
14:11Okay, so what do you do now?
14:13Well, that's it.
14:13to leave things.
14:15We're going to stay.
14:16Pepe, just in case
14:17that when she returns
14:18let's not be.
14:20But, but, but,
14:21Pepe.
14:22That?
14:25Nothing, nothing.
14:26I'm going to see if I can paint
14:26some of the dolls
14:27that I have left.
14:29Thank you.
14:42What do you do?
14:43With that clip on your nose?
14:45You are watching
14:45Let's see how long.
14:46You hold your breath.
14:48So that?
14:49In case he doesn't drown me.
14:51Girl, come on, let's go.
14:53To your room,
14:54You take a bath
14:55and to study.
14:55But I already take a bath.
14:57on Monday.
14:58Oh ok.
14:59What do you mean, "good," Pepe?
15:00Don't be a slut
15:01that bathe every day.
15:02In my class
15:03They all smell bad
15:04except me.
15:04Well, I don't care, Jorge.
15:05You go take a bath
15:06and shut up.
15:07Come on.
15:08Obey!
15:11Hello.
15:12How was the nursing home?
15:14Good.
15:15But Mom,
15:16let's see,
15:17what are you doing?
15:18Eggs.
15:19Come on, leave me alone
15:19What am I going to do to you?
15:20a chicken
15:21Dijon mustard
15:21that you're going to suck
15:22the fingers.
15:23But Mari,
15:23Your father has asked
15:24chips
15:24to the poor with eggs.
15:26Daddy,
15:27What do you want?
15:28Dijon mustard chicken,
15:29Hey?
15:29Man,
15:30you more...
15:30See?
15:31Yes, Mom.
15:32Go on,
15:33Get me ready
15:33the pans
15:34I'm going down right now.
15:39Hello,
15:40family.
15:41You are here
15:42at home,
15:42excellent.
15:43Haven't you gone out?
15:45No.
15:47Oh,
15:48But what a shame.
15:49Weren't you going out?
15:52Yeah,
15:53But we have changed.
15:54of opinion.
15:57I have bought you
15:57some sweets,
15:58come,
15:58I'll show them to you.
16:00Pepe,
16:00Look at my egg.
16:01What did you buy?
16:02In all one hundred?
16:02But,
16:03which is from a buffoon.
16:06How are you,
16:07fat?
16:08How are you?
16:09You have to see it
16:10That's life.
16:10Hey?
16:10You here at home
16:11with your wife
16:12and me with her best friend.
16:13Oh,
16:13But be careful.
16:14that Julia is pregnant.
16:15Well,
16:16But I like it.
16:17Besides,
16:18I don't care
16:18whether she is pregnant or not.
16:19Or is it that one
16:19You can't fall in love
16:20of a pregnant woman.
16:22Yeah,
16:22clear,
16:22but with the amount
16:23of women
16:23that's out there...
16:24Yeah,
16:25Pepe,
16:26But I like this one.
16:28You see,
16:29you already know
16:29that I don't like
16:30to talk about my things.
16:32But I'll be honest with you,
16:34I'm a little touched in the face
16:35of the kidney,
16:36you understand me?
16:37I need peace,
16:38Yeah,
16:39peace
16:39and a woman like Julia.
16:42Do you know what the root is?
16:43of all my problems?
16:45No,
16:45What is the root
16:46of all your problems?
16:47That since I was little
16:48I am addicted to sex.
16:51When I was 12 years old
16:52I met a woman
16:53And of course,
16:54Just look at that,
16:55from day one
16:56to talk to Moscow.
16:58And what is that?
16:59to talk to Moscow?
17:01Well,
17:01the matter.
17:05You see,
17:06I have like a kind of
17:07X-rays in the eyes,
17:08Then I look at a woman
17:09and the naked
17:10And the first thing I want
17:11It's about talking to Moscow.
17:13Well,
17:14I have discovered time
17:15which is a disease,
17:16but...
17:16Pepe,
17:17I am already 40 years old,
17:19I'm very tired.
17:21I need to focus
17:22and a woman who loves me
17:23and take care of me.
17:25Hi, Dad.
17:26Hello.
17:28Hello, Tito,
17:28how are you?
17:29How are you, daughter?
17:30Give me a little kiss.
17:31Go on,
17:32Did you listen to me?
17:33Yeah.
17:35What did you say to him?
17:36Nothing.
17:37I told him
17:38that he doesn't die in the doorway,
17:40which I think
17:40a lack of respect,
17:42I shit on the fucking milk,
17:43Pepe.
17:43If she were my daughter
17:44I wouldn't allow it.
17:45This one is more old-fashioned
17:46than you.
17:47Look, Tito,
17:48between you and Ignacio
17:49I'm fed up with you.
17:50Come on, let's go, woman,
17:51Tell him your problems
17:52to the uncle.
17:53What to watch the mania
17:54that men have
17:55With rubbing, huh?
17:57Ignacio goes too far
17:57all day
17:58holding my hand.
17:59Ah, but that's normal.
18:01Yes, I know that's normal,
18:02But it bores me.
18:04Ignacio is obsessed
18:05with sex.
18:07Look,
18:07He wants me to drink
18:08so that he loses his mind.
18:09It takes me to see
18:10some films
18:11in which they always
18:11He has to leave
18:12a bed scene
18:13and then he smiles at me
18:14with a pathetic expression.
18:16Pepe,
18:16What are you saying?
18:17Ignacio loves you.
18:19No way,
18:19all he wants
18:20It's time to get into bed.
18:22Hey, girl,
18:23I don't like
18:23You talk like that, huh?
18:25What do you think?
18:26The girl?
18:26And she's only 16 years old.
18:28Pepe,
18:30You have to be careful
18:31With this girl, huh?
18:32Because you said so?
18:36Because otherwise,
18:37It's going to turn out
18:38A bit of a bullet, huh?
18:41Oh,
18:42How nice
18:42You're at home, son.
18:44Well.
18:56Good morning, Pepa.
18:58Have you had a more beautiful day?
19:00Did you sleep well?
19:01Very good.
19:03Hey, what I was saying, Juli,
19:05that we could go shopping.
19:06Oh,
19:07I had arranged to meet Tito
19:08to go to the countryside.
19:10Ah.
19:11But if you want
19:12I tell him no.
19:14Just leave it.
19:15I'll call him
19:15and I tell him no,
19:16I don't mind.
19:18I'm going to fix you
19:19This a little
19:19because you have it
19:20so messy.
19:22Leave it,
19:23It's noticeable.
19:23that you're more comfortable
19:24with the.
19:25Don't be sensitive.
19:26I'm not sensitive, Juli.
19:28But you're here
19:28at my place
19:29like a queen
19:29everyone is looking out for you.
19:31And me,
19:31Of course,
19:32They don't pay any attention to me.
19:33That's a lie.
19:34That's true.
19:35And furthermore,
19:36I don't know what you're doing
19:36with that Tito
19:37there courting you
19:38He and you were pregnant.
19:39Well,
19:40and?
19:40And?
19:41Because it's a situation
19:42very strange.
19:42Well,
19:43Because he loves me.
19:43He's comfortable with me
19:44and he doesn't care
19:45that she is pregnant.
19:46And furthermore,
19:47He is the only man
19:47that there is.
19:48Well,
19:48that's true,
19:49Julita.
19:50But, Juli,
19:50Juli,
19:51But you haven't thought,
19:52Julia,
19:52really.
19:52Julia,
19:53You haven't thought
19:54that Tito is crazy.
19:55He's not crazy.
19:57He is a dreamer
19:58And he is a man
19:59very good.
20:00The kindest man
20:01that I have met.
20:02Very good.
20:03Very good.
20:04Don't get like that.
20:06Is there no chocolate?
20:08Yes, there are.
20:09No.
20:10There are anchovies
20:11and chocolate,
20:12but on the other hand,
20:12not the black one.
20:13Well, he must have eaten, Jorge.
20:15And now how am I supposed to eat?
20:17Anchovies?
20:18Well, of the ones that
20:19I'll eat a chocolate
20:19with milk.
20:20But I don't like this one.
20:22And furthermore,
20:22It has to be the other one.
20:24That when mixing
20:24the ones on the side are cancelled
20:25of the anchovies.
20:26This one has milk.
20:27and short.
20:27Well,
20:28Well, if he cuts that one,
20:29Well, don't eat chocolate.
20:29Julia.
20:30Well, I want to eat chocolate.
20:31Then don't eat it.
20:32Hey,
20:32Yes, I do want to eat chocolate.
20:35What happens
20:36I'm scared,
20:37That's what happens to me.
20:38that I won't know
20:39to be a good mother.
20:41Yes, Julia.
20:42You'll see.
20:43Come, have breakfast.
20:44Come.
20:45Come, have breakfast.
20:46Come.
20:46Besides, I'm really ugly.
20:47Right?
20:51Right?
20:52Well, I'm going to scrub your nest.
20:53You're not ugly,
20:54on the contrary.
20:55I would say you are
20:55more beautiful than ever.
20:57But Julia,
20:58have you thought,
20:59have you thought
21:00that you're doing well
21:01with Tito's thing.
21:02Hey,
21:02What if it appeared
21:03The child's father?
21:04Well,
21:04that topic
21:05You know I don't want to talk.
21:07Well,
21:07But he knows
21:08who is going to be a father.
21:10I haven't told him.
21:12Oh,
21:12It would seem like I'm pressuring him.
21:14Oh well,
21:14Well,
21:15Well, listen,
21:16If you are going to have a child,
21:16the uncle capechuga the uncle
21:17with what is due to him.
21:18Oh,
21:18oh well,
21:19Don't be like that.
21:20Don't be like that,
21:20come on,
21:21Because you're stupid.
21:22Because if it were me,
21:22I'm calling right now.
21:23to the woman,
21:24first,
21:24and I told him
21:25the bastard
21:25that he has in his house,
21:26inserted.
21:26Well,
21:27do me a favor
21:28that topic
21:28We've already talked about it.
21:29thousands of times.
21:30Just leave it be.
21:31And now I'll fix it.
21:32things my way.
21:34Your way,
21:34What a way to do it.
21:36Flirting with a gulf,
21:37come on,
21:37as if he were the father
21:38And you're the mom.
21:39No,
21:39But let me,
21:40let me,
21:41Oh,
21:42Let me have that dream,
21:44please,
21:44for one,
21:45for a while.
21:47So,
21:47a little peace.
21:50Well,
21:51I'll fix that later.
21:53Leave it,
21:54Yeah,
21:54I'll fix it myself.
21:56What do you mean?
21:58That I won't pick it up?
22:06Tell me.
22:11Style.
22:18Yeah,
22:19Yeah,
22:19it's me,
22:19I was waiting for you.
22:20Ah,
22:21good.
22:22Ah,
22:23Okay,
22:23Okay,
22:23Okay.
22:25What's happening?
22:27Nothing,
22:27that I call him,
22:28who has no money.
22:35Yeah,
22:36Yeah,
22:36it's me,
22:37what's happening?
22:37I was waiting for you.
22:40Oh,
22:40Did you experience tachycardia?
22:44Oh,
22:44please.
22:46Well,
22:46well,
22:47No,
22:47clear,
22:47Well,
22:48Well, leave it.
22:49Okay,
22:49Okay,
22:50Okay,
22:50Okay,
22:50Okay,
22:51take care of yourself.
22:54What happened?
22:56Well,
22:56Tito,
22:57that he was in bed with a Puerto Rican woman
22:58And as I hadn't done in a long time,
23:00He's had that problem with premature ejaculation.
23:02and he's already given him 10 minutes to comply
23:04and he had tachycardia.
23:06I mean,
23:07who's flirting with you
23:08And it does this to you.
23:09Well,
23:09We're just friends.
23:10And I haven't told her to sleep with me.
23:12No,
23:12No,
23:12It would be lacking.
23:14Well,
23:15He's like a little kid.
23:16And when things don't go well for him,
23:17because he gets nervous.
23:18He has experienced tachycardia.
23:21Poor,
23:22Look,
23:22I feel so sorry for you.
23:23You look silly.
23:24Julia,
23:24really,
23:25Hey?
23:25You're stupid,
23:26silly,
23:26silly,
23:27silly,
23:27but completely stupid,
23:28come on.
23:30Well yes,
23:30The truth is that I'm a bit silly.
23:32I thought he loved me
23:33And now it turns out that's not the case.
23:35that we're just friends.
23:36Again,
23:38Again, I'm just a friend.
23:47Juli?
23:50See?
23:57Do you want to stay still and eat?
23:58Sit down!
23:59Mari,
24:00close the refrigerator.
24:03Mari,
24:03What did I tell you?
24:04What closes the refrigerator?
24:05Because the land is maripuri.
24:07Close it yourself,
24:08Mari,
24:08Laura.
24:09Go on,
24:09son,
24:09Go close it yourself.
24:10Oh,
24:11be quiet.
24:12Eat spinach,
24:13chick,
24:13Give Auntie more spinach.
24:15Come on,
24:15Eat, aunt.
24:16You have a face like lettuce.
24:17No,
24:17I'm not hungry,
24:18He has eaten a lot.
24:19You haven't eaten anything,
24:20Julia.
24:21Yeah,
24:22You haven't eaten anything,
24:23aunt.
24:24Well,
24:25That's fine, then.
24:25But it's my family.
24:27Don't you want any more?
24:29No.
24:30Well then I'll throw it away.
24:31No,
24:32Don't throw it away,
24:32Don't throw it away,
24:33Don't throw it away.
24:34That's it,
24:34I've already thrown it away.
24:35But why are you throwing it away?
24:36And I wanted it?
24:36But you just told me no.
24:38I didn't say that.
24:41Well,
24:41It doesn't matter,
24:41There's more.
24:42No,
24:42But I wanted this,
24:43I wanted to eat this.
24:45But,
24:45Juli,
24:45What does it matter?
24:46Don't be a child.
24:48Leave that alone.
24:48I am who I want to be.
24:49Where are you going?
24:52Let's go for a walk.
24:57Hello everyone.
25:00Hello.
25:01Well,
25:01I've come to say goodbye.
25:02Pepe,
25:04I've been hired as an interior designer
25:06in the Persian Gulf.
25:07About what?
25:08Interior designer,
25:09those who decorate the palaces
25:10and the houses of the sheikhs.
25:12You already know my good taste.
25:14Already,
25:15But you,
25:15Do you know anything about that?
25:17Well,
25:17I don't know how to fly either.
25:18and I've been flying small planes.
25:19How are you doing,
25:20my chubby girl?
25:21Very good.
25:23Pepa,
25:24I've brought these flowers for you.
25:29And for the children,
25:31a little bit of money.
25:32I'll give it to you
25:33so that you can administer it to him.
25:37To you,
25:37Julia,
25:38I have brought you
25:39very expensive underwear.
25:41Yeah,
25:41But I don't want underwear.
25:43Because?
25:43Yes, she is very pretty.
25:44Because I don't want it.
25:46Don't you like it?
25:47No,
25:47The thing is, I'm very fat.
25:48But,
25:49churri,
25:49Don't get like that,
25:50that make you look really ugly,
25:51my life.
25:52Go away,
25:52please,
25:52Tito,
25:53and leave me alone.
25:53Well,
25:53let's see,
25:53What are you craving right now?
25:55Pepa,
25:55Tell him to leave.
25:58Tito,
25:58Please do me a favor.
26:00So,
26:00Can't I stay for dinner?
26:03No.
26:04Well, these spinach
26:05They look great.
26:07Leave the spinach,
26:08Tito,
26:09And leave me alone too.
26:11Pepe,
26:12You're going to kick me out too.
26:13from your house.
26:15Don't get upset
26:16in the dramatic now,
26:16Tito,
26:17after what you've done to him
26:18pass to Julia.
26:20Pepa.
26:21It's true?
26:23Is no one going to tell him?
26:24How are things going?
26:26That you show us off
26:26That's fine with us.
26:28But not Julia,
26:28You have done Julia
26:29a lot of damage.
26:30Please,
26:31Pepa.
26:31So go away.
26:32go away,
26:32I don't want to come back
26:33Let's see more in this house.
26:46Julia,
26:47don't get upset
26:48Go cry now.
26:50Who am I?
26:59You don't care
27:00that I stay for dinner.
27:02I don't have
27:03where to go.
27:05Tito,
27:06dear.
27:07Come on.
27:08Come on.
27:31I don't want to leave you again.
27:32I don't want to leave you again.
27:34I don't want to leave you again.
27:36I don't want to leave you again.
27:37I don't want to leave you again.
27:37I don't want to leave you again.
27:37I don't want to leave you again.
27:37I don't want to leave you again.
27:37Thank you.