- hace 21 horas
Categoría
📺
TVTranscripción
00:13The fabric softener contest
00:30But what does that mean? That we all have to go together?
00:33A family trip?
00:35Of course
00:35No, don't worry about me, okay? I'm not going.
00:38I can't leave the house until I receive a very important call.
00:44Aunt Julia is going to get me a job in the movies
00:47What about? A box office hit?
00:49No, as an actress.
00:51Ah, by the way, that movie-star azambar, yes
00:54Clarita, sit down properly
00:58Can you hear it?
01:00But how could Julia even think of proposing something like that without consulting me?
01:04Dad, my aunt told me that they were looking for a girl in Barcelona for a small role in a movie.
01:09Well, get that idea out of your head.
01:10Don't think they're going to call you, Mari
01:13Don't you believe there aren't thousands of girls in Barcelona?
01:16Aren't they going to call you?
01:17And on top of that, pay for your expenses.
01:19Clear
01:21They'll grab one of them from there
01:22Of course, daughter, of course
01:24Of course
01:24What's wrong with you is that it makes you angry that I can rise above mediocrity.
01:29I mean
01:30We're just mediocre, aren't we?
01:32No, man, no
01:33Mediocre is not the exact word
01:36The word?
01:37The exact word
01:38Shut up, Clarita
01:40Well, nothing much.
01:41I can't go either, okay?
01:43Because we can't miss the demonstration in favor of 0.7
01:47Please
01:47Very good
01:48I have already heard your reasons and I understand them.
01:53We're leaving tomorrow.
01:54No, no, Mom, no, no
01:56That's not fair.
01:57That's dictatorial.
01:58And you have always instilled democratic principles in us.
02:02Well, democratically speaking, let's have a vote.
02:04Let's see, votes against
02:06No
02:06No, you don't vote
02:07One
02:09Two
02:09AND
02:10Three
02:11Jorge, I'll give you a thousand pesetas and lower your hand
02:13And two, that's it.
02:17That's a bribe.
02:18Don't complain
02:19I have used one of the pillars of democracy
02:22Oh, really?
02:23Well, us too
02:25Because we're going on strike
02:26Isn't that right?
02:27Goes
02:28Ignacio, come on
02:29Let's go curl up on the porch
02:38I'm amazed by you
02:38Can you imagine?
02:40Your parents are away on a trip and it's just the two of us here.
02:42Well
02:43Oh well
02:45What's wrong with you?
02:46Are you crazy?
02:47I thought we were friends
02:48You are a traitor
02:50I just don't want to see you again
02:52Go away
02:52Clara
02:55Mother
02:56I've changed my mind
02:59I'm going with you.
03:01Ole, my girl
03:03I knew it
03:04You are a traitor
03:05And you're a fool
03:07Look, girl, and you're an idiot.
03:08Well, I'm going to stay here even if I'm alone.
03:10Look
03:11Don't even dream about it.
03:12Did you hear me?
03:13Don't even dream about it
03:15Look, Dad
03:16I'm leaving because I can't stand you.
03:17I'm going to call you on the phone
03:20Well
03:20I'm coming now.
03:21You're going to pay for the phone.
03:23From your savings
03:24I no longer have
03:24She still hangs up on the girl.
03:26That's enough, man.
03:26Say something, Pepa
03:27It says it very clearly here.
03:29Winner, Pepa Martínez
03:31Home
03:32Let's get on with it...
03:32Bye bye!
03:34Bye bye!
04:16Hi, daddy
04:17Well, to Barcelona
04:19You're not going to that shoot.
04:20But, Pepa, they might not even call her.
04:27Yeah
04:28Yes, yes, it's me.
04:30Yes, whenever you tell me.
04:33Already
04:33Hey, look, I've been thinking
04:34I have clothes from the 70s
04:36And maybe it could work for the movie
04:38Hey?
04:40Okay
04:40No, no, no
04:41Don't worry, okay?
04:42Let's go to sleep.
04:43I'll share a bed with anyone.
04:45Okay
04:46Okay, fine
04:47A little kiss
04:50If the girl goes to that film shoot
04:52I'm not going on a trip
04:53Mom, say something to her.
04:55Oh, Pepe!
04:56If the girl goes to that film shoot
04:58I'm not going on a trip
04:59Pepe, everything is organized
05:01Well, I don't care.
05:03If the girl goes to that film shoot
05:04I'm not going on a trip
05:06Don't say it again
05:08If the girl goes to that film shoot
05:09I'm not going on a trip
05:10Well, that's great.
05:10Well, we're not going on a trip.
05:11I'll call right now.
05:13I cancel the tickets
05:14And that's it, it's all over.
05:15Pepa, Pepa, Pepa, Pepa
05:16No, don't get angry
05:17Don't make me angry
05:18You said we're not leaving.
05:18Well, we're not leaving.
05:19And I'm perfectly happy with that.
05:20No, I didn't say that.
05:21The thing is, it scares me.
05:22Let's leave
05:23That's it, that's it
05:24Okay, then we're off.
05:25Now we're not leaving anymore.
05:27Pepa!
05:27We're not leaving, Pepe.
05:29Time!
05:30Come on, let's go to the airport
05:31We might have an accident
05:33And it took us longer
05:36Mari, darling
05:37Be careful with the gas.
05:38Don't leave it open
05:39And the lights
05:40Don't leave them on
05:41And the phone
05:42You don't spend all day on your phone.
05:43And don't call erotic phone lines.
05:45Go on, shut up, you repressed woman
05:47Here, Mari
05:47Here is the hotel's phone number
05:49Where we'll be
05:49Just in case anything happens
05:50Les Troyes
05:51Etual
05:53We will call you every night
05:54Okay
05:55And the house
05:56After the party
05:57The cleans
05:58Hey, hey
05:59Don't even think about organizing any parties.
06:01Your dad, put a micro-camera on it.
06:03In the bra
06:04Well, no
06:04Don't put it there
06:05It won't last at all
06:07Mari, be careful with stone fruit.
06:09You already know you choke.
06:11Yes, Mom
06:12Okay, so what?
06:12We're leaving
06:13We're going to miss the plane
06:14Pepe
06:14And if anything happens to the girl
06:16And it can't warn us
06:17But what's going to happen to him?
06:18Well, let someone be on top of him
06:19And don't give him time.
06:21Little daughter
06:22I don't know what's been going on with you lately
06:23You're obsessed with brains
06:24Pepe, Pepe
06:25You too
06:26You tell them some things
06:27Well, it's true
06:27Let's see if this girl makes up her mind already.
06:29Whether he likes uncles or aunts
06:31He won't leave you alone anymore
06:32Look, Maria
06:33Lately I've been going
06:34A delicate stage in my life
06:36But, daughter
06:37Is something wrong, Clara?
06:38That I'm getting older
06:40Mari, darling
06:41Wow!
06:43Come on
06:43Hey, behave yourself, okay?
06:45And you don't spend much time on the phone.
06:46Because then we have to pay for it, daughter.
06:47Okay
06:52Hey, Dad
06:53And the planes?
06:54Which plane are we taking?
06:55Because those from the seventh
06:56I don't know how many seven
06:57Well, those are the ones that have the most accidents.
06:59The security system always fails.
07:01They are the ones with the highest number of deaths
07:03Be quiet!
07:06Olin, dad
07:07I'm just letting you know
07:08And do you know there's a woman
07:09What has a 25-centimeter tongue?
07:11Oh, really?
07:12I thought that Maria
07:13She was the one who had the most
07:14But not
07:15No
07:43What is an alert?
07:53Pepe.
07:56Hey?
07:59This is not the room in the brochure.
08:02No, well I don't know why you're laughing.
08:04It certainly doesn't look like it, it doesn't look like it at all.
08:11Pepe.
08:13This looks like a tera museum.
08:15Well, look, laugh, here's a sock and some panties.
08:19Pepe, call reception and tell them not to stay in the room listed in the brochure, because it's full.
08:24colorful and has a jacuzzi.
08:26And besides, look, this is full of shit.
08:28It's the closet door, nobody can open it.
08:33What are you doing here, Jorge? Oh, no, go to your room.
08:36I can't. I told Clara that there's only one bed and they're too young for incest.
08:42What? What is it? What?
08:44It's clear, isn't it?
08:46My room smells like cat pee.
08:48Honey, you're exaggerating, aren't you?
08:50Oh, what is this?
08:52They gave us the rooms next to the elevators.
08:55Pepe, call reception and tell them to give us another room.
08:57No, no, no. I'm not going, I'm too embarrassed.
09:00Yes, well, with this noise, we just can't get along at night.
09:04Look, I've already stopped.
09:06You're exaggerating, aren't you?
09:09What is this?
09:11They are a group of Englishmen who carry a scythe.
09:14I saw a 60-year-old lady in a nightgown crawling down the hallway.
09:19Okay, be quiet, I'm going to see if I can talk to Maria.
09:22Oh, finally!
09:26Hey Pepe, call reception. Look, your phone is broken.
09:31Well, and now this door can't be closed.
09:35Pepe, hurry up because they're not going to close the restaurant.
09:38No, no, no. Let's go to the buffet. We're not going to the restaurant.
09:40Well, I'm looking forward to going to the restaurant.
09:43No, because a letter comes in French and I like to know what I'm eating.
09:46Come on, don't talk nonsense.
09:48Everything here is sure to be very good.
09:50Look, since the restaurant is the same as the hotel, we're going to screw up.
09:53Are you trying to ruin our trip or what?
09:55No, not me. The only thing I'm warning you about is that I'm not sleeping with this kid's monkey.
09:58What I don't know is why they left those paint buckets there.
10:01We'll tell the receptionist now.
10:19Mmm, I don't know, please.
10:20That's good, but it's a bit scarce.
10:23Thank goodness they didn't serve bread.
10:24Come on, Jorge, son, chew.
10:26Okay, open your mouth.
10:28I came, teach your father.
10:31Look, Pepe, take the whole first course.
10:33Put a ball in your mouth.
10:35Oh, Pepe, say something to him.
10:37Eat it, Jorge.
10:38It tastes like blood.
10:39It's because it's from a recently deceased person.
10:41So that's why...
10:42That's why we make the offers.
10:44Look, you bring in the customers.
10:47And then there's the matter of pneumonia, the air conditioning, or indigestion.
10:53Then he dies.
10:54And then, of course, the family doesn't take responsibility.
10:57And to the kitchen.
10:58Clearly, Jony.
11:01No, I don't like this.
11:03It tastes like shit.
11:05Well, they're not going to take away my appetite.
11:07Clarita, don't you want to ruin the trip or what?
11:09No, you'll ruin the trip for yourselves.
11:12Come on, finish up quickly, because they're showing aranophobia on TV today.
11:15What's that movie about?
11:17Well, they're spiders that are normal at first, but over time they become aggressive.
11:24Hey, Mom, do you believe in life after death?
11:27Open.
11:28I do.
11:30And you, Dad, what do you think?
11:31I don't know.
11:32This is good, but I like the first course better.
11:35And who enjoys orgasm more, the man or the woman?
11:41Well, it depends, Clarita.
11:42I mean, it's like...
11:45Well, they both enjoy it.
11:48And what about aliens?
11:50Do they exist or not?
11:52I believe they do exist.
11:54And what shape do they have? Do they look like us?
11:57I believe they can take our human form, you understand?
12:00But it's actually all an optical illusion.
12:06Jorge, go on, go spend a little time with your father.
12:11What do you think of your dad?
12:13I believe they exist.
12:15And that they are among us and that one day we will be surprised.
12:19Already.
12:19And if reincarnation exists, what do you believe you will be reincarnated as?
12:24I do believe in reincarnation.
12:26Me on a bird.
12:28Me on a whale.
12:29Me in a gorilla.
12:32Well, I'd like to be reincarnated as Cindy Crawford, Richard Gale's wife.
12:38She is, she means, Clary.
12:40And why in that one?
12:41Or because with a body like that you can be stupid.
12:43And why do you want to be stupid, daughter?
12:45Or to be happy, Mom.
12:50My dearest daughter.
13:17Subscribe to the channel!
13:20I mean, who in their right mind, Clary, would eat a whole bag of cheese puffs and then go on the Ferris wheel?
13:26that.
13:26Well, when I was little I did it and I didn't vomit.
13:29Daughter, what's gotten into you, just like when you were little.
13:32It's just that I'm getting older and I find it disgusting to end up being like everyone else.
13:36I'm hungry, Mom.
13:38Well, eat some cookies, Jorge.
13:40It's so cold, isn't it?
13:41I'm bored in the room.
13:43Why don't we go to the restaurant?
13:45We can't, Jorge, we only have five thousand pesetas left.
13:47And what about the gifts?
13:48What gifts? If we're all here, who are we going to bring gifts to?
13:52I wanted to do a farewell for Ignacio.
13:55Or you tell him you love him. That's it.
13:58And will there be pirates, Mom?
14:00It can't be done, honey.
14:01Why not? Maybe they'll throw him off the shark ramp.
14:05Let's go to the giant roller coaster.
14:07We can't, darling.
14:09Why not?
14:10Because no, because the attractions are very expensive and we don't have any money left.
14:14We can't go on the rides and we can't have dinner. What are we doing here?
14:18Because I didn't know that there was a supplement to pay for the attractions, a supplement for the hotel room.
14:23You have to pay extra for everything in this shitty country.
14:26Okay, then. Let's go around Paris and see some things.
14:29Daughter, where are we going to go now with this cold weather?
14:31And all the strange people out there.
14:34Well, I sleep here. It's freezing cold in my room.
14:38Not at all. You go to your room, of course, you're too old for nonsense.
14:42Room service.
14:43Well, damn, it's freezing in this room.
14:46It's a replica of the igloo.
14:49This is cold.
14:50Well, it's like the nearest place was way out in the distance.
14:54And then I had to queue for half an hour to order, another half hour to pay, and on top of that I left.
14:59I went to the restroom for a moment and they took my seat.
15:02Hey Pepe, the thing is, I wanted to go shopping tomorrow.
15:05What? You're looking good. Look, because I have three thousand pesetas and that's for sandwiches on the way back.
15:11Ah, very well. I'm going back to Spain without a single souvenir from Paris. What a trip!
15:15Well, here we are eating junk food, just like at home but freezing cold.
15:20What made him want to take this trip?
15:21To your mother!
15:23You were all really excited about this trip to Paris.
15:31Hello?
15:31Oui.
15:33Mari, María.
15:34What's wrong, daughter?
15:36Be brief.
15:38He says they haven't given him the job.
15:40Mari!
15:40Yes, I already knew that. Come on, leave me alone, leave me alone.
15:44Mari, daughter, yes, hello, hello.
15:46Although they've suggested you do something dirty, of course, you've refused and because...
15:49Pepe, don't pay any attention, Maria, that's your father's doing.
15:52But what?
15:53Do you want to go to the mine?
15:54What's happening?
15:54Is it real?
15:55You slept with the wrong person, didn't you?
15:56Nor what? Come on, what.
15:58Mari!
15:59Mari, don't listen to her, darling!
16:00Yeah.
16:02He says they gave the role to the girlfriend of the wardrobe manager.
16:05Yes, because they're a damn thing.
16:06My love, don't worry, it's always the same people who work there, and if not, it's the ones with connections.
16:10Mmm, that's it.
16:12Mari, a little kiss, my love.
16:14Wow!
16:15Little kiss.
16:16I feel very sorry, Pepe.
16:18The girl's voice is playing there.
16:20Mom, come on, come on, come on, come on, come on, until nobody goes to sleep.
16:23I sleep here.
16:24Me too.
16:25Shit!
16:31Parsive resistance, Hernán.
16:37Wow!
16:45Poor Maria, she was so excited about that role.
16:48Okay, we'll be there tomorrow night.
16:50The poor thing must be having a terrible time, Pepe.
16:52We shouldn't have left her alone.
16:54What did I tell you?
16:56You know what I'm saying?
16:57I'm going to get on a plane and leave.
16:58But how are you going there?
16:59Well then, I'm leaving.
17:00Sure, and call me a taxi.
17:02But, Pepe, we'll be there tomorrow.
17:04And we've already paid for all of this.
17:06I don't care.
17:08Pepe, and besides, since it's not a charter flight, it's going to cost us a fortune.
17:11I don't care.
17:13I've bought the tickets for the Louvre Museum,
17:15for the Paseo del Barco and for the Barrio de los Pintores.
17:17Look, Pepe, I'm leaving.
17:18You may not care about your daughter, but I do.
17:20So I'm leaving.
17:21I don't care?
17:22What do you mean...?
17:23Do you know how many flights there are to get here?
17:25No.
17:26Do you know how much the ticket costs?
17:28No.
17:28And do you know who's going to pay for Maria's ticket with their savings?
17:32Who?
17:34I.
17:35Oh, Pepe, did you send the girl a banknote?
17:39Yeah.
17:40I sent it to him last night.
17:41Well, Maria will arrive within...
17:45I'm here now!
17:47Hello, daughter.
17:50We're talking about you.
17:52My daughter.
17:55Hello, Marilyn.
17:56What's up, Mariboyín?
17:57Very good, fart.
17:59You see, I'm already happy.
18:01Here they all are together.
18:03Oh, well.
18:04So what are the plans?
18:05Well, then, let's go for a walk on that ship and to the Louvre Museum.
18:10No, Dad, that's a drag.
18:11Mom, I want to go to Copol and Maxims for dinner.
18:16We have no money.
18:17Don't worry.
18:18I asked Aunt Julia for it because she was depressed.
18:21Well, Mom, I saw some underwear coming in the taxi.
18:24Yeah.
18:25Adorable.
18:26Yeah.
18:26Well, thing.
18:26But, but, did you come by taxi?
18:28Yes, it's downstairs and I'm not going to pay for it because I don't want to spend my money.
18:31Okay, Mom.
18:31And there are some creams, well, new ones, you know?
18:36For free radicals.
18:38Total.
18:57Where will you come from, Tegu?
18:58I don't know anything, okay?
18:59If you've burned anything on me, Mari, I'll kill you.
19:08Good morning.
19:09Hello good.
19:09Hello good.
19:10Let's see, this way.
19:13Please step aside.
19:14My God.
19:15And my clothes?
19:17But what happened?
19:19The house is burned down.
19:21It almost caused a tragedy.
19:24But where?
19:25What happened here?
19:26Where are my animals?
19:27All of this is because of their animals.
19:29And my animals?
19:30My God!
19:31I wonder if something happened to them?
19:32The community has many complaints about these animals.
19:36What happened to you?
19:37Well, you can see it now, ma'am.
19:39Well, one day my husband burned down my house because he found me on the carpet with a friend who adds
19:44you.
19:47And who are you?
19:49I am the owner of the house.
19:50Okay, okay.
19:51Sit here.
19:52Yes sir.
19:53Put some wet wipes on and don't get nervous.
19:55OK?
19:56Yes sir.
19:56Are you Pepa Romero?
19:57Yes sir.
19:58Sign here.
19:59What is this?
20:00I am from your insurance company, Mundo Perfecto, and I would like to make you an offer.
20:04You see, sir, the truth is that I don't...
20:05If you sign this insurance policy here, we will leave the house exactly as it was until the year 2050.
20:11For example, this piece, Mexican handicraft.
20:13We promise to bring an identical one from Mexico.
20:17Pepa, Pepa, all the animals have been saved.
20:19Thank goodness, look, but Mom's dishes have burned.
20:21Let's see, Czechoslovakian tableware.
20:24We promise to bring you an exact one from Czechoslovakia.
20:28Pepa, what is this man saying? That if we sign here he will leave the house as it was?
20:33How was he/she?
20:34How was he/she?
20:35All you have to do is sign here and commit to making a commercial.
20:39A TV commercial?
20:40Oh, me?
20:41And what does it consist of?
20:43Tell me here.
20:44What is this?
20:45This is the Romero midwife.
20:47But what happened?
20:48Well, someone left the hairdryer, the juicer, the epilator, everything plugged in.
20:54Maria! Maria!
20:56I have the dumbest sister in Spain.
20:59Maria!
21:00Where is Maria?
21:02Excuse me, what happened here?
21:05Nothing.
21:06May I ask you just a few questions?
21:08No, I have more important things to do.
21:10Okay, I'll talk about it later.
21:14The house has burned down.
21:16We've been left with nothing.
21:17And have there been fatalities, of course?
21:20Yes, my father.
21:22Wasn't that his father?
21:23No, that's my stepfather.
21:26Uh-huh.
21:26And his father?
21:28My father has died under strange circumstances.
21:31Yeah?
21:32Yes, but I don't want to talk about that subject.
21:35I think you know something you don't want to reveal.
21:38No.
21:39Look, we cut it out.
21:41We promise you the utmost discretion in everything you say.
21:44Well, the truth is that there is a corpse buried in the garden.
21:51Do you have proof?
21:52Yes of course.
21:53What kind of tests?
21:55Well, one of her hands is sticking out because it was so cold, my mother didn't have time.
21:59to bury it completely.
22:00But, Clarita, what are you doing?
22:02No, no, no.
22:03I am talking to these gentlemen.
22:05Come on, Clarita, let's go, come on, help your mother.
22:06Yes, yes.
22:07I think you're hiding something in the garden.
22:10Us?
22:11One dead.
22:12It annoys you.
22:14Go ahead, cut.
22:15Court.
22:16Court.
22:17Court.
22:21Court.
22:29Court.
22:32Hello, I am Pepa Romero Martínez and my house caught fire.
22:37Thanks to Mundo Perfecto, my house is exactly the same as it was.
22:44Thanks to Seguros Mundo Perfecto, I can smile again.
22:53Hey, you're very funny.
22:57Okay, let's watch the new investigative program and see what crimes come up.
23:02The truth is that there is a corpse buried in the garden.
23:06Hey, my father has died.
23:09Is that me?
23:11Damn, that's intense.
23:13Every house hides a secret.
23:15Don't you believe it?
23:16Please watch this report.
23:18Do you have proof?
23:20Yes of course.
23:21What kind of tests?
23:23Well, one of his hands is sticking out because it was so cold, my mother didn't have time to bury him.
23:28there.
23:31We have no proof.
23:33They wouldn't let us get there.
23:35But who's to say that behind this seemingly normal family hides the most terrible of aberrations?
23:42Murder?
23:44Perhaps.
23:44Ugh.
23:45Fuck!
23:47I don't love you.
23:48Thank you!