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00:30What is that? I told you the city council promised me they were going to give me...
00:34Look, you're the only person I know who believes what the city council says.
00:38Well, the councilwoman is very nice.
00:41Of course, because there will be elections soon.
00:43Oh, Pepa, you always have to see the bad side of everything.
00:47I?
00:48Okay, see you later. Oh, by the way, I hadn't told you that.
00:51You know that yesterday, yesterday at the factory, they put a microphone on someone who farts a lot.
00:57And that cunt entered the factory through the vejaphonia.
01:01Yeah.
01:05Isn't it hilarious?
01:07How funny.
01:09I'm going to call the mother; I don't know what's wrong with her, she says the washing machine isn't working.
01:14The washing machine...
01:22Do you believe in God?
01:24Communicate.
01:27I do?
01:30I don't think so.
01:32No?
01:33Because?
01:37Why, daughter?
01:40Recently, the parents of a friend in my class were killed.
01:44She loved them, and they loved her too.
01:48Why did they have to die?
01:51I don't know, daughter.
01:53Then life has no meaning.
01:57Sometimes not.
02:01Is something wrong with you?
02:03No.
02:06Sometimes at night I start thinking about death and I get this kind of feeling...
02:11distress.
02:12Yes, like a kind of suffocation.
02:14It happened to me too when I was little.
02:17But we're all going to die, right?
02:21Yes, daughter.
02:23Sure.
02:26But what's gotten into you?
02:28Don't know.
02:31I think I'll leave it with Ignacio.
02:33Because?
02:36I love him, but it's not the same as it was at the beginning.
02:41I don't know, I'm not looking forward to seeing him every day.
02:44But he loves you very much.
02:47Okay, that's it.
02:48But the love is over.
02:51I care for him a lot, but there's no love.
02:54Come on, Clarita, have breakfast.
02:56You're going to be late for school.
03:00Mother.
03:03I feel alone.
03:05Very lonely.
03:09Clary.
03:11That?
03:11I'm just saying, maybe there's someone at your school who likes animals.
03:18Well, yes.
03:19We can sell it to a Chinese restaurant.
03:22Because you know that the soy sauce trick always works.
03:25Or for scientific experiments.
03:30Or I don't know.
03:32Maybe lightning will strike and the problem will be over.
03:38I'm going to school.
03:41Don't worry, Clara.
03:43Look at that.
03:43Here I am, without a job.
03:46Deeply in debt.
03:47And happier than ever.
03:50Goodbye, Mom.
03:52Goodbye, daughter.
04:23Goodbye, daughter.
04:40Loli, so you don't want any?
04:43Yes, but you think you hate animals, but you don't really hate them.
04:47The truth is, since you don't know them, you think you don't like them.
04:51Oh, did a dog bite you?
04:56Well, precisely, having a dog to find a partner is the best thing.
05:00Of course, when you take him for a walk, they become very friendly.
05:05Yes, yes, Loli, yes, come on, come on, goodbye.
05:11Hi, Mom.
05:12Mari, sweetheart, you don't know anyone who wants animals.
05:15Me too?
05:17A lion, to eat Charlie's eggs.
05:20I mean, you're an idiot.
05:22But Mari, what happened to you?
05:23So I'm leaving an idiot, I'm getting involved with a pain in the ass.
05:27Hey, you're getting involved, you're not getting married, Maria, and don't drink that stuff, it'll give you a headache later.
05:31What case? Well, what's going on?
05:32You just can't make a mistake.
05:34Yes, look, I'm making you one of those miniskirts that are in style now, a Scottish type, with pleats.
05:39Mari, this way...
05:40I don't care about fashion, okay? It's a load of rubbish.
05:44So, what happened to you?
05:47Well, he's an idiot, man, and on top of that he pretends to be an intellectual.
05:50Can you believe he didn't like Coppola's film?
05:53Nothing, he just didn't like it.
05:55Mom, Coppola is a master, he's a genius.
05:59Hey?
06:01And besides, I can't live with a guy who doesn't like Coppola.
06:04Sure, but maybe he didn't like the movie because it wasn't very good.
06:07Mom, look, there are things that are beyond good and evil, you know?
06:11His way of moving the camera, the atmospheres he creates...
06:14And besides, I'm going to separate from Charlie.
06:16Come on, Mari, don't talk nonsense!
06:19I'm not talking nonsense, Mom.
06:21And besides, you know what I think?
06:23What I like are women.
06:26Joy!
06:27What's wrong? Can't I like them?
06:30And also, do you know who I like?
06:32Who do you like?
06:34The one who worked at your bar.
06:36And in the pibi?
06:37Well yes.
06:39It has something wholesome about it, like something from the countryside.
06:43And do I like women?
06:44Because things go terribly with guys.
06:46Hey Maria, you're not taking drugs, are you?
06:49You're not taking these or something, are you?
06:51No, I don't like them.
06:54And besides, some of my friends who take them are becoming idiots.
06:57Of course, don't take them, daughter.
07:00What's happening?
07:01Have you never taken them?
07:05No, not me.
07:07Never.
07:09No, not me.
07:10Well, I don't believe it.
07:11And what they should do about drugs is legalize them.
07:14And that would avoid a lot of bad vibes.
07:16Sure, Maria, but it depends, because in a radio discussion...
07:19Besides, if people want to kill each other, let them kill each other.
07:21That's their problem.
07:22Maria, don't be silly.
07:23But it's true, Mom.
07:24And besides, there are a lot of lies.
07:26Because politicians say no to drugs.
07:28And then they get high as kites.
07:31What do you know?
07:32Well, look at you.
07:33What do you know, Maria?
07:34If that means being involved in contracts with politicians from that world.
07:37Besides, look, if you're going to act like this, I'm going home, okay?
07:39And I'm going to separate from Charlie now.
07:46Hi, daddy.
07:49What are you doing here?
07:51Well, I've come to see you.
07:57Dad.
07:59That?
08:00How's everything going at the factory?
08:04Good.
08:06I'm going to feed the animals.
08:11Shit!
08:15Are you going to continue behaving like this for much longer?
08:18As?
08:18As?
08:19You know exactly what I mean, so don't play dumb.
08:22So, she can act silly and I can't.
08:23But you're his father, Pepe.
08:25I?
08:26He doesn't love me anymore.
08:27Don't talk nonsense.
08:28If he drools the moment he sees you.
08:30Nobody loves me.
08:33Oh.
08:41And Dad?
08:43He said he's coming back now.
08:48But I have to go, Mom.
08:51I told Charlie I was going to go with him to the supermarket.
08:55Yes, but wait a bit because he told her he'll be right back.
09:04Well, I'm leaving.
09:08I'll come back another day.
09:15Hi Mari, yes.
09:17Then you can come back another day.
09:20But don't cry.
09:23Goodbye, Mari.
09:24Goodbye, Mari.
09:24Later.
09:27Goodbye, Maria.
09:38Oh, don't hold it like that.
09:40I saw her in a magazine and her arms get really big.
09:43Ah, okay.
09:45And don't put cotton clothes on him, he'll get rashes.
09:48It goes the other way around.
09:49This clothing is great, Maria wore it.
09:51And then Clara.
09:51And then Jorge.
09:53Well, this baby has different skin.
09:54And besides, look.
09:56This vibrator isn't very dirty, huh?
09:58Hey Julia, don't give me any more advice because I've raised three children.
10:01And the other day you put him to sleep face down, and I read in a magazine that he should sleep on his stomach.
10:06above.
10:07Does it turn upside down?
10:09No, I read in a magazine that it's face up.
10:11Look, Julia, you're being hysterical, aren't you?
10:12Well, yes.
10:13And you, unbearable.
10:14You're hysterical.
10:15Just look at that, you've even started smoking again.
10:17Well, I've started smoking again because since I quit I'd gotten as big as a whale.
10:20Clear.
10:20But I already explained to you what it was, it was because of the metabolism.
10:23What metabolism?
10:24And the thing is, my dear, the food here is terrible.
10:26With the food, come with fat, with fat.
10:28Hey, excuse me, but the food in this house is fantastic, you know?
10:31Well, you have many virtues, but food certainly isn't one of them.
10:35Well, you make it yourself, the food.
10:37No, I can't go into the kitchen because the smells make me feel uneasy.
10:42Hello hello.
10:43How are things?
10:44How's the sunshine in the house?
10:45Hello, Pepe.
10:46Hello, you guys leave everything lying around.
10:48Oh yes, yes, yes, Pepito, he's going to eat.
10:51Pepe, we need to talk.
10:53Well, if there's any problem, it'll be when I fly home from work.
10:55Okay, take Pepito.
10:57Clear.
11:02Pepe, we need to talk.
11:03And Julia is unbearable.
11:05No, no, it will be as always.
11:06And you have to make peace with Maria, I'm begging you, Pepe.
11:09No, absolutely not.
11:10And why not?
11:11Because I'm not willing to be the last monkey in this house.
11:13Okay, fine, but then you go and call her.
11:15No.
11:16And Clarita is very depressed.
11:18Well, it'll pass.
11:20And what if it doesn't go away?
11:22Look, Pepa, I don't get paid for my hours at work.
11:24They're going to extend my rotating shift.
11:25I spend my holidays doing odd jobs.
11:27And I say nothing.
11:31Or you know what?
11:33What's wrong with Clara?
11:35Pepe is very depressed and is a very fragile child.
11:37And I don't know what to say to her anymore.
11:39Well, I can't do anything either.
11:40I don't understand her.
11:42But, Pepe, is that why we wanted to have children?
11:45You're the one who wanted to have children.
11:46No, you were the one who said you wanted us to have children.
11:50May I say something?
11:52Yes, let's see, what?
11:53I truly believe that what you should do...
11:56Of course you can tell me...
11:57Look, Julia, don't tell me what to do.
12:00But you just said you don't know...
12:02Because it was a figure of speech.
12:04Okay, so what do you have to do, Lisa?
12:06Well, I have to do what I have to do.
12:09But if you don't know...
12:10Oh no, and you?
12:11Let Julia speak.
12:13You take charge and take their side.
12:14But you'll let me speak, won't you?
12:16Hey?
12:17Really, what you need to do is not be afraid to give them love.
12:20I'm afraid to give love.
12:22That's why I'm unhappy.
12:24You're just stupid.
12:25I don't know why you wanted to be together all day...
12:27...and you spend all day fighting.
12:31But why is he angry?
12:32We are not angry.
12:34No, we had a great time.
12:37Are you angry with me?
12:39Not me, Julia, and you?
12:40Well, me neither.
12:42The thing is, he doesn't have any friends.
12:44Pecata minutes.
12:44Because it's a bit boring.
12:50Milena, well, precisely for depression, an animal is the best thing there is.
12:55Oh, you don't have room for a dog.
12:57Hey, what about an iguana?
12:59Oh, hi, Mom.
13:01Okay, okay.
13:03Hello, Clarita.
13:05How are you, daughter?
13:06Well.
13:08Okay, so what?
13:10I bought this book of poems and these records from the 60s.
13:14They're meant to cover the bottom as soon as possible.
13:17Have you spoken to Ignacio yet?
13:20Yeah.
13:21I told him we're breaking up.
13:24What did he tell you?
13:25She started to cry.
13:27What have you done?
13:29I started crying too.
13:31Ever since I became sensitive, my life has been a mess.
13:34Clear.
13:36Hey, Mom, I'm going to fail everything in this relationship.
13:40Hey, don't even joke about that, okay?
13:42Hello everyone.
13:43Here comes the eldest daughter.
13:48But seriously, what are these sour faces about?
13:51Is it true that you're going to become a lesbian?
13:53Well, if things don't go well with Charlie, I'll have to try something else, won't I?
13:57No.
13:58Yes, I had thought of that too.
14:00Well, honey, you're already seeing nonsense, aren't you?
14:01Already.
14:04Hi, daddy.
14:06Hello, Pepa.
14:08How are you, Clarice?
14:09Have you already experienced depression?
14:12Didn't you have depression?
14:15No.
14:16Well.
14:17Okay, Dad, that's enough with you sulking with me, right?
14:21I'm not in a bad mood.
14:22Yes, you are.
14:23And I've spent the whole night crying.
14:26Well, that's your problem.
14:27No, it's your problem.
14:28You are my father and you can never leave me.
14:31I've already left you.
14:33Dad, I'm your little daughter.
14:36And you have to love me.
14:38Let me.
14:40Let me.
14:40Let me.
14:41Dad.
14:46Homemade melodrama.
14:51Maria.
14:53That?
14:54Have you made peace with Charly yet?
14:56Yeah.
14:57And he gave me the three godfathers on video.
15:00But I don't like the video.
15:01Oh, no, you don't like it, do you?
15:02Do you like it?
15:03Because?
15:03No, because it's not a good medium for watching movies.
15:08Why doesn't Dad want to see me?
15:11Maria, because you always do your holy will, darling, and you want us all to put up with it.
15:15But I love Charly, Mom.
15:17Well, he's kind of silly, Maria.
15:20Okay, look, that's enough.
15:21If you don't like it, I don't care.
15:22Next time you want to come see me, come to my house.
15:25Maria.
15:26That?
15:28If your clothes don't come out clean in your washing machine, well, if you bring them here, I'll clean them for you.
15:32I wash.
15:32Okay, Mom, okay.
15:39Why would she have fallen in love with Charly?
15:42Because Maria has no personality, she likes to flirt with everyone.
15:45And when someone listens to him...
15:48That?
15:49It is believed that she is in love.
15:51Look, Mom, Maria has no opinion.
15:55He has no opinion.
15:56How awful.
15:57This one won't last ten minutes.
15:59She's with him because he has money.
16:01And Maria likes luxury.
16:02Because he is poor.
16:04But you think they're going to separate.
16:08So, what about you, darling?
16:11I'm better.
16:12But I have a problem.
16:14Which?
16:17I start crying over anything and it makes me feel even more ridiculous.
16:24Clear.
16:34Clarita, is dinner expensive?
16:37I'm not hungry.
16:39Clarita, you have to eat something for dinner, darling, you haven't eaten anything.
16:42Ten.
16:42I have a hole in my stomach.
16:47Well, let's see if your sister gets organized with her things and decides what to take, what to pack.
16:50Leave it, because all her clothes are dancing.
16:54And you don't like these psychedelic clothes?
16:56Well, no, it's not my thing.
16:59I'll see if I can go tomorrow and help her with her house.
17:02Why don't you leave her alone?
17:06Because Maria is a disaster.
17:08But anyway, she didn't want to get married.
17:10Well, she can sort it out herself.
17:12Well, why do you say that?
17:15Because Maria spends her whole life doing silly things.
17:18And you don't say anything to him.
17:19However, I have depression.
17:21It looks like the world is about to end.
17:24Yes, but she's dumber than you, Clarita, but stronger.
17:29These are not silly things.
17:30Because I know you.
17:33Look, Mom, I'm perfectly fine.
17:35The only problem I have is that I get bored of swallowing and digesting food.
17:39But nothing more.
17:41Yes, yes, yes, yes.
17:43Very good.
17:45Mother.
17:47That?
17:49Don't you miss Maria as an object?
17:54Oh, I know, I miss her a lot.
17:57But you don't complain?
18:02No.
18:04I miss her too.
18:07Look, the bed is empty.
18:09I have no one to insult.
18:13You'll get over it.
18:17Do you know what's happening to you?
18:19The fact that?
18:21Because you're getting older, Clara.
18:23Mother.
18:24Yes, I've been old for a long time now.
18:27You just don't understand anything.
18:29That's what you think.
18:31Look, Mom, you make a mess of everything.
18:33Okay.
18:35Whatever you say.
18:36Mother.
18:36That?
18:38Will you sit here with me and read me a story?
18:41Look, it's the one you used to read to me when I was little.
18:47Perico the rabbit?
18:49Yeah.
18:51Move.
18:54Says.
18:57Once upon a time there were four little rabbits named Fluffy, Pitusa, Cotton Tail and Parrot.
19:05This is Perico.
19:06They lived with their mother under the roots of a very large fir tree.
19:15Dad, can I sit in Maria's place?
19:18No.
19:19Why not?
19:23Okay, fine.
19:33Take the gum out of your mouth.
19:35Dad?
19:37That?
19:38Why isn't Maria coming to dinner?
19:41Why did she get married?
19:42That's all.
19:43Damn, then he should come with Charly.
19:45Well, yes.
19:46Go on, eat.
19:49Dad.
19:50That?
19:51I want Maria to come for dinner.
19:54Jorge, María has gotten married.
19:56Do you no longer live here?
19:57We have to get used to eating dinner without it.
20:01Dad.
20:02That?
20:02You'll never leave home, will you?
20:06And why should I have to leave?
20:08Imagine me having dinner every day with Clara the witch, with Mom and with crazy Aunt Julia.
20:18Eat.
20:27How much is it worth?
20:29How was the movie?
20:30Yes, bad.
20:32The brothers are more pedantic.
20:35Hey, do you want me to make your bed?
20:37No no.
20:38I'll do it later.
20:39I have to give him another bottle in two hours.
20:41Hey, if you want, I'll give it to you.
20:43I'm going to stay and finish making some dolls.
20:45No.
20:45No, no, no.
20:46I'll do it myself.
20:46I'm also writing some things.
20:49Are you writing again?
20:51Yes, do you remember that script I was always starting about my mother and me?
20:55Ah, yes.
20:56Yes, it was a lot of fun.
20:59Yes, it was fun, wasn't it?
21:01I don't know, now after having my son I see life with more peace of mind because before
21:05She would start writing and then she would start crying.
21:09Want...
21:09Would you like to read a little bit of me?
21:11Do you really want me to read it to you?
21:13Yeah.
21:14No, you'll get bored.
21:16Grab a beer and read me something, okay?
21:18Okay, fine.
21:22Okay, come on, read a little.
21:25Well, look, this is from when I was nine years old.
21:30Lucía, it's me, Lucía, she left her mother a note in her bedroom.
21:35Lucía was forbidden from entering at night because her mother locked the door.
21:40All I knew was that Elena and Lola went in there.
21:44Your mother and the other one?
21:46Well, yes, of course.
21:48I'm still here.
21:49The light stayed on until dawn.
21:52Lucía finally fell asleep dreaming that on Christmas Day her mother would accompany her to school and put her on
21:59the kilt.
22:00But the next morning her mother woke her up in her bathrobe and she only had time, before
22:08to start crying, upon hearing a few words from his mother.
22:11If you threaten me again that I have to take you to school, you'll never see the light of day again.
22:19sun.
22:22Well, this isn't very funny, but then comes the part at school where she arrives in her full uniform,
22:28a mess and all that.
22:31Hush, handsome, hush.
22:32Okay, I'm going to sleep.
22:34See you tomorrow, Julia.
22:53No, no, no, no, no.
23:12Maria?
23:14Hi, daughter, how are you?
23:16Hey, I've already fixed your motorcycle.
23:20Yes, well, the exhaust pipe was a bit rusty and I also fixed the break you had on it.
23:24the seat.
23:26By the way, Maria, is Charlie around?
23:28I saw a movie and wanted to talk to him about it.
23:32Yes, thank you, daughter.
23:35Charlie?
23:37Charlie, good.
23:38Hey, look, listen, have you seen Kenneth Branagh's latest film?
23:42Yeah.
23:44You see, listen, I think that's...
23:47Yes, yes.
23:48It's a pretty faithful adaptation of Mary Silley's literary classic, isn't it?
23:54Clear.
23:55No, but what I think is that here Branagh has even recovered all his mythical weight.
23:59Thus ignoring all those cynical arguments so dear to the majority of...
24:04Yes, yes, so...
24:05Hey?
24:07Already.
24:09Yes, but I get the feeling that here it's always oscillating between ostentatious neo-Gothic delirium and
24:15a pure aesthetic hodgepodge.
24:19Clear.
24:21Yes, yes, I totally agree with you.