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00:28The Church of Jesus Christ of Latter-day Saints
00:30Pepe, Pepe, it's full of dead mosquitoes. I'll throw it away.
00:34Ah, go ahead, I haven't read it yet.
00:36Okay. Ugh, it's getting late. I'm off, Pepe.
00:41Where are you going?
00:43Go patrolling with the neighbors.
00:45But, Pepe, just let the police patrol.
00:48Pepe, we have to show solidarity.
00:51We've had eleven robberies this month in the neighborhood.
00:54If we don't help the police, then they won't patrol anyone.
01:00But as long as they steal from us, they'll steal our gender.
01:03Pepe, the other day my cousin's house was robbed while his wife was making coffee.
01:08And didn't she go with the robber?
01:12Why does she go out and cheat on everyone?
01:15Pepe.
01:16Pepe, no, it's true. He even has a child with the neighbor.
01:20You're exaggerating so much.
01:21No, he's a dead ringer, a dead ringer for him.
01:25Well, goodbye.
01:26Pepe, I'll take some cans of beer, some bags of chips, and some olives.
01:30Hello.
01:31Bye bye.
01:32Mother.
01:33Okay, fear this.
01:36That?
01:37Let's see, here.
01:38That?
01:39The differences between the socialist and capitalist agricultural landscape.
01:42Oh, baby, but this again?
01:44It always falls.
01:47I don't know how you can study with that.
01:50Otherwise, I can't concentrate, Mom.
01:52Centravinas, Coca-Cola and music.
01:54Come on.
01:55Hello, hello, hello.
01:57Hello.
01:57Hello.
01:58Oh, Mom, please help me.
02:00Look, I've already copied the cheat sheets on my left arm, but I can't do it on my right one.
02:05Copy these dates for me.
02:07Oh, I'm going to put radioactive androids in.
02:10Girl, it's midnight, okay?
02:12Yes, Mom, but it's just for a little while.
02:15Okay, Mom.
02:16Mari, the agricultural landscape.
02:20Oh.
02:21The agricultural landscape.
02:24It was initially different in socialist and capitalist economies.
02:33The...
02:37Great...
02:38Ah, the vast expanses of land.
02:45Agri.
02:47Agri.
02:48But what about you?
02:49Do you learn it by heart?
02:50But how do you expect me to learn it?
02:52I don't know what I mean.
02:53But then, why are you studying?
02:55Well, baby, beautiful, all yours, huh?
02:57Because, Mom, then it's useless to her.
02:59And what do you think is going to be of any use to you?
03:02No, but I'll copy it.
03:04I haven't studied since I was eleven years old.
03:06I did a project about Edgar Allan Poe and the day of his death in the police procedural.
03:10I haven't studied since I was eleven years old.
03:13And what good will it do you?
03:19No, I haven't studied since I was eleven years old.
03:28And you.
04:00Come on, test me, dwarf.
04:03I don't want to.
04:05Because Dad says we shouldn't copy.
04:08Besides being foolish, you're an idiot, aren't you?
04:11Hello.
04:12Hey, I only slept three hours and I feel like new.
04:15You have to see the energy you get from doing something for others.
04:20How's it going with the patrol, Pepe?
04:23Well, we didn't give CER any warning, just preventative work.
04:26Hey, Bernardo Fontao brought a potato and onion omelet that was finger-licking good.
04:32It wouldn't be better than mine.
04:34Well, maybe so, Mom.
04:36Hey, what time does the mummy want us to wake her up?
04:39Hey?
04:40Already.
04:48I'm so sleepy.
04:52Sure, if you keep up your habit of not sleeping and then spend all day sleeping, Mari.
04:57What can I make you for breakfast?
04:59More coffee and centamines.
05:02Daughter, I don't like you taking pills.
05:04Wow, I don't like it when you wear your pants below your butt.
05:09Well.
05:10Hey, Pepa.
05:12That?
05:13Do you know what kind of Mercedes Paco, the Mortadelo character, has?
05:16The one that's always turned off in front of the house.
05:18Well, it only has a body, no engine.
05:22It will be a ghost.
05:23Oh, and Gaspar's wife is definitely a transvestite.
05:39Hello, Pepe.
05:40Good morning.
05:41Hello, mate.
05:42I wanted to ask you something, Pepe.
05:44You might say, well, do you want something for breakfast?
05:46Well.
05:49Hello everyone.
05:51Hello, Manolo.
05:53Hello, son.
05:54Give your seat to Manolo.
05:56I have a problem with my son.
05:58I've been told he steals.
05:59Your son?
06:03That's normal, right?
06:04Father a policeman, son a thief.
06:06Yes, that's normal.
06:08But isn't he aware of social injustices?
06:11Well no.
06:12Hey, your son's a star, huh?
06:15I have him well trained.
06:17Yes, Jorge is a killing machine.
06:19Well, I've been told he steals.
06:21Imagine, me having to stop him.
06:22And then, how do I explain it at home, huh?
06:25Oh, Pepe.
06:26I'm going to make a phone call.
06:28Pepe, I just don't feel like going to work today.
06:31Well, go ahead.
06:32I haven't slept more than three hours.
06:33Raquel, baby.
06:35Look, don't panic, okay?
06:36No, nothing, Pepe.
06:38With the drill.
06:39He nailed it.
06:41That's quite a nasty wound, isn't it?
06:43But clean.
06:47Sure, then I'll go to the first aid station.
06:50Clear.
06:50Okay, then, I'll call you later, okay?
06:53Alright, goodbye.
06:56The thing is, I don't leave the factory until nine.
06:58Well, I'll go with you, I'll talk to them.
07:00Okay, now.
07:01Come on, but they're very rigid.
07:04Don't worry.
07:05They have a complaint against them for dumping waste.
07:07And they let you leave safely, and I ask them to.
07:09Nothing, let's go.
07:10See you later.
07:11We're leaving.
07:13Everything is definitely corrupt, isn't it?
07:18Come on, wake up your sister.
07:25Oh, I'm so sleepy, Mom.
07:39Both on the smaller and larger scales,
07:42The perfect fifth is the interval between the dominant...
07:46That hair color is yours, isn't it?
07:49Yeah.
07:50And both on the smaller and larger scales,
07:53the fourth match...
07:54And that's your foot color?
07:58Cerulean.
08:00Clear.
08:04Cerulean.
08:10Hey, less talking, Conchi and Clari.
08:13And more work?
08:14Look, Mom, talk.
08:15Develop intelligence.
08:18Well, I don't care.
08:24Hello, Pepa.
08:25Look, this is Ulysses.
08:27My friend's son, the policeman.
08:30Go ahead, make him a hot chocolate.
08:32Cola Cao.
08:33I prefer a beer.
08:34A beer?
08:36Okay, okay, let's see, son.
08:39You can't steal.
08:41It's a crime.
08:43Here, sit down.
08:46Let's see what you steal.
08:55Hey, I'll trade you one of my Mercedes ones for some I have from Caguas here.
09:00Jorge.
09:01Dad, the ones for the Mercedes are really hard to find.
09:04Jorge.
09:05No, Pepe, leave it, they're children.
09:08They're not hurting anyone by stealing that.
09:10Besides, those who own those cars have the money to buy others, right?
09:14And if not, tough luck.
09:15But, Pepe, how can you say that to me?
09:17Well, just because, Pepe, because you exaggerate everything.
09:20You take the dirty money and then you act like this with the kids.
09:23So, I spend all night patrolling and now you come along saying that.
09:28Well, you know what I'm saying?
09:29Now you're talking to his father.
09:34Men.
09:36Okay, then.
09:37Come on, go and change this, Ulysses.
09:40And then your whole house.
09:42Can you hear me?
09:42And don't steal anymore.
09:44That your father gets arrested and you end up at the traffic lights there.
09:47Asking.
09:47Do you want that?
09:48Well no.
09:49I bet you don't!
09:49Hey?
09:50That's it.
09:50Hala.
09:54Hi, Mom.
09:57Make me some coffee, come on, I have my social studies exam.
10:01When?
10:02Tomorrow.
10:02So I'm not going to sleep tonight.
10:04No? Again?
10:06Yes, Mom, because look, that's what gives the best results.
10:10Okay, daughter.
10:11Okay.
10:12And your coffee?
10:13Yeah.
10:14So, how did today's go?
10:15Very good.
10:16Rather, look.
10:18Here's the deletion.
10:20Let's see.
10:24Ah.
10:25The agricultural landscape is subdivided because adaptation to that of the countries and rubber in Guinea is important.
10:34After the Americans and Russians ran out of rice...
10:37I think it's fine, Mom.
10:39Because even though I was a little confused because I haven't slept very well, I've put everything in.
10:43Disorganized, but everything.
10:44So...
10:45Well, daughter, yes, if you say so.
10:49Okay, then go back to sleep a little longer, baby.
10:52No.
10:54I'm going to take the slip of paper first and stay here studying for a little while.
10:57Well, it's up to you.
11:10This is already done.
11:12Hello, Pepa.
11:14Look.
11:16Well, what's up, Ignacio?
11:17Are you staying for dinner?
11:18Yes, because I'm starving.
11:21Hey, Pepa, you know that if it wasn't something important I wouldn't tell you anything.
11:26Already.
11:27Well, haven't you noticed how Clara and the flute player are looking at each other?
11:33I don't?
11:34Well, you see.
11:36Son, Ignacio, I don't understand you.
11:38Well, I don't know, she's been talking to me about her hair for the last few days, about the peace that comes
11:42breathe beside him,
11:43"Her skin is so delicate, and she almost looks like an angel when she performs," she tells me.
11:48And things like that.
11:50Okay, so what?
11:52Well, let's see if he's going to like the tomato sauce now.
11:55Hey, Ignacio!
11:56No, I'm just giving a heads-up.
12:00Ignacio, I've told you a thousand times that when I have exams I don't want to have sexual activity.
12:04In other words, I don't want to see you.
12:07Well.
12:11Well, goodbye.
12:13Goodbye, Ignacio.
12:17I'm going to call Conchi.
12:18Because between exams, flute lessons are a great way to relax.
12:22Mom, it's so convenient to be able to call someone and have them come whenever you need them.
12:28Conchi is always willing.
12:31It's so, I don't know, so spiritual.
12:43Conchi, no, can you come?
12:46No way.
12:48There is no one there, it is an inferior race.
12:50Well, Mom's here.
13:08It seems to me that I'm not going to work today, Pepe.
13:14My back hurts a little.
13:16It's more about storytelling than responsibility.
13:18Well, look at you, doing pirated work for the factory...
13:21It's the only job I have.
13:23Because he's a wimp?
13:25By the company.
13:26That company is like my own to me.
13:29Because he's stupid.
13:30Foolish, responsible, which you are not.
13:32Hello.
13:33Hello.
13:33Mommy, make me a little coffee, come on.
13:36But daughter, you look so unwell.
13:37Well, because I spent all night studying and I ran out of centamines and I had to
13:42than drinking two liter Coca-Colas.
13:44But girl, do you know it well?
13:46Well, it's a close call, but oh well.
13:50And what is the exam about?
13:52From mathematics.
13:53I mean, not physics, but...
13:56Girl, take a picture of a little coffee.
13:58Give it to me.
13:58Ah, philosophy.
14:00But I've been studying all night, how tedious.
14:03Hey, by the way, philosophy is very interesting.
14:06Come on, Maria, what do you know about philosophy?
14:09If it's not the book, no one's photos appear.
14:16Well, I'm off, I'm running late.
14:18See you later.
14:19Dad, I'm leaving too.
14:21By the way, prepare me some menudo.
14:23I told the patrol guys that they did a really good job and they asked me for it.
14:27But, Pepe, what are you doing on patrol?
14:30Well, what can we do? Keep an eye on things.
14:31But we also have to eat; it's been many hours.
14:33Well, Pepe, I've seen some chalets on the other side of the neighborhood.
14:37What luxurious chalets!
14:38And they are uninhabited.
14:40Look, it's a shame.
14:42With how much other people need it.
14:44But hey, that's life.
14:45There is no justice, even though we try to...
14:48Well, Allah, Pepe, Allah, God.
14:51Allah, come on, let's go, come on.
14:53Porra, Pepe.
14:57It can be used in many activities.
15:03Clarita, I want us to talk.
15:05Yes, yes, I know.
15:06Look, I'll pass 50%, except for origami, which is what we agreed on, okay?
15:12And how are the flute lessons?
15:15Very good.
15:18The classes are really expensive, honey, and...
15:21But I pay for them myself.
15:26AND...
15:26So what?
15:27My sacred.
15:29Look, Clary.
15:31Conchi is a good girl, no niece of mine.
15:33But she's a little bit crazy.
15:36Yes, but now she's very focused.
15:38She's so sweet.
15:39Besides, he explains things to me very well.
15:43Already.
15:47But...
15:48Wouldn't you prefer a different instrument?
15:50Well no.
15:57Sure?
15:58Are there many instruments?
16:00Yes, but...
16:02No.
16:06But, baby, but, like, you...
16:08You and her.
16:12Clari!
16:14That?
16:15Clarita, that is, you...
16:16You and her.
16:20No way?
16:23No, Mom.
16:24Look at me.
16:27Ignacio told you this, didn't he?
16:29The fact that?
16:31Between her and me...
16:32No.
16:35Okay, so what if that happens?
16:38Nothing.
16:40Are you sure about anything?
16:42No.
16:43But, Clarita, has something happened?
16:46Look, Mom, it's just that Conchi is very spiritual.
16:49Look, when it's playing, that's sunset, isn't it?
16:52Her hair looks like gold.
16:55Clarita.
16:56No, Mom, no.
16:58She's married to a hippie and is also pregnant.
17:02Oh, how wonderful!
17:03Yes, but anyway, it must be very interesting, huh?
17:07Have you tried it?
17:10I?
17:11It's just that with guys, it's all about the guys.
17:13Alright, come on, let's push.
17:15And I think, I don't know, it should be something more relaxed, right?
17:18Well, Clarita, you write a poem, my dear, and you're so pleased with yourself.
17:22Already.
17:22But Ignacio the pig is going to get her.
17:26Clarita, I promised her I wouldn't tell anyone.
17:28Do you know why he told you that?
17:30Because?
17:31Because I told him I don't want to go to his uncle's car anymore.
17:34I'm just fed up with him rubbing me there.
17:36Look, I slam on the handbrake there, everything, and slide down the seats.
17:41Are you going to the car, for now?
17:44So their plan is to go to the car every day after school.
17:49Except for the days we have flute.
17:50And I saw, of course, that's why it's rotten.
17:53But in the car...
17:56No no.
17:58Just a general overview.
18:01Without nations, I'm very weak.
18:04Well, that's it, I'm going to take this exam.
18:07Oh, Mom, tell Maria to stop taking entramina, okay?
18:10Because if they become any more idiotic than they already are...
18:32Raquel, look, I was just giving Jorge breakfast,
18:36and that he has a fever again, and is vomiting, and has diarrhea.
18:42Sure, but yes, sure, but yes, look, I'm already dying to go to work.
18:49Okay, okay, okay.
18:52Okay, I'll call you, yes, okay, okay.
19:17Hello.
19:21Is anyone home?
19:26There is nobody here
19:32Is nobody home?
19:47Mari!
19:48Mother!
19:49Hello
19:50But what are you doing there?
19:52Let me explain it to you
19:54Mari, get out of there immediately!
19:56Oh, Mom, don't take it so seriously
19:57You know, it's turned out really badly for me.
19:59Mari, don't tell me stories, Mari, okay!
20:01And go down to the kitchen!
20:02Okay, but let me explain it to you.
20:04Mari, come down to the kitchen, okay!
20:05Or I'll call your father!
20:06But in case
20:07What, shut up!
20:09Come down! Come down!
20:10I'm naked!
20:11I can just imagine!
20:33Ah!
20:43Mother!
20:44Mom, what? Huh? Let's see, what is this?
20:48Well, look, Mom, I left school this morning and I was very depressed because I failed the exam.
20:55Look.
20:56And then I ran into Paul.
20:59I encouraged her.
21:01I already saw that you were cheering her on a lot, huh?
21:05Well, let's see what we can do, Maria.
21:07Oh, when your father finds out!
21:09No, no. Don't tell Dad anything, okay, Mom?
21:12But Maria, this can't be real, baby.
21:15I understand that you have to have your own life, Mari.
21:18But I forbade you from lying down here at home when we watched that episode of...
21:23Yes, from Pickett Fence, yes, I remember.
21:26Wait, I've lost track of time.
21:27Yeah, and with this one too, but hadn't you two already broken up for good?
21:32But friendship always remains.
21:33Come on, Paul! Shut up, son!
21:35I've become an entrepreneur, huh?
21:37Mom, what has Paul inherited?
21:40I had a motorcycle accident that almost killed me.
21:42Well, the motorcycle and I were together, well, pure energy, right?
21:45And even though she's a machine and I'm a person, we were there, integrated by the road,
21:49Suddenly, I don't know what happened, but I took a very sharp turn...
21:52Young, isn't she?
21:55Well, after the blow I decided to change my life, to be more relaxed and dedicate myself to design.
22:02Yes, look, she designed the beautiful necklaces, really beautiful, with pacifist messages.
22:09More little boots, look.
22:10Look, you see.
22:17Look, look, look, look, have you seen this? Look at this.
22:20No, dignified transport for pigs.
22:24And here, don't eat lobsters...
22:26I call it the protest necklace, you know? Well, I created them to raise awareness.
22:33This nonsense was enough for me.
22:35And how much have you inherited?
22:37Eight million.
22:39Ah.
22:41Let's see, look at the necklaces.
22:44Chicken, no. Milk, yes.
22:49Well, let's see what you plan to do.
22:53Well, I don't know, Mom, because before, when we made plans, everything went wrong.
22:56So, we'll see.
22:59I love her, you know?
23:00I do love you.
23:02Well, thank goodness your father didn't come, honey.
23:04And he didn't come because today it was his turn to...
23:07So, today it was his turn to patrol in the afternoons.
23:11Hello, Pepa.
23:12My love.
23:14Hey, the tripe is delicious, but it makes you so thirsty...
23:20Well, I've had a few glasses of wine.
23:24So, what are you going to do? Are you going to grab the other beer?
23:27No, yes. It's only for thirst.
23:31Oops!
23:32Paul!
23:33How are you?
23:34Very good!
23:37Friend.
23:40Yes, my daughter Maria is here, my little girl.
23:45Daughter, I've noticed that lately I haven't been talking much about you.
23:50I'm going to help you with your exams.
23:53Come on, lend me a book.
23:54No, Dad, but yes.
23:55No, come on, let's see, language, literature.
23:59That's right, we always slack off.
24:01Okay, come on.
24:06Federico García Lorca.
24:08Green, I love you green.
24:09Come on, let's see.
24:13Well, Federico García Lorca was born in Puente Vaqueros, in the province of Huelva.
24:23So what? Whose son was he?
24:27Yes, well, he was the son of this...
24:35Dad.
24:37Come on, let's go to the living room.
24:39Lorca.
24:40Let's go to the living room, come on.
24:47Well, look, he was the son of a very good, very good, very good family.
24:52And they were all good, how good they all were.
24:56And then Federico, well, he was also a very good person.
25:00And so I was very happy.
25:02And they were all very good.
25:05And that's it.
25:23Pepe, you're going to be late.
25:25No, don't shout.
25:27If you didn't patrol so much.
25:30Good morning.
25:33It smells so good like chocolate.
25:35Let's see.
25:37Take it away...
25:38No, not with a spoon, it sticks.
25:39The chocolate sticks, it sticks.
25:42Ignacio, son.
25:43Ignacio, how rude.
25:45You are the mother.
25:45Sit there.
25:47Hey, Pepa.
25:48What about what I told you?
25:51Well, I've been talking to her.
25:53Things are difficult.
25:54See?
25:55I already told you.
25:56The thing is, she's not sure, Ignacio.
25:58She says she likes her skin.
26:01And the light of the sunset is her golden hair, isn't it?
26:05Yeah.
26:06Well, he should quit his flute lessons.
26:08Yes, that's right.
26:09That's what I thought too, Ignacio.
26:11But she's very stubborn.
26:13And of course, if we tell him, that's when he'll get stubborn and finally take the step.
26:17Because he hasn't taken any steps yet.
26:19No.
26:21But you wouldn't mind, would you?
26:23No, not me.
26:24But he hasn't taken any steps.
26:26No.
26:27But we shouldn't pressure her, Ignacio, okay?
26:30So you treat her with a lot of affection, but nothing at all.
26:33Lest that...
26:35No no.
26:35If I do what's necessary.
26:37That's it.
26:38At least for now.
26:40I'll start sounding her out later.
26:42So, nothing?
26:43Not even kisses?
26:45Nothing?
26:46He also told me that you're very rude.
26:48Geez, I only bit her shoulder once.
26:50And nothing more.
26:51Hey, and how long do you think?
26:53Well, until the flute lessons are over, Ignacio.
26:56Come on, nothing at all.
26:57How much does he have left?
26:58Two months.
27:00Hello, Useless.
27:02Hi, Clara.
27:03How are you?
27:06I'm very well.
27:08Hey, you have flute class today, right?
27:10Yeah.
27:11I've been thinking that, well, the flute is an instrument that really expresses your soul.
27:17And that he's going to teach me to play the flute.
27:19Because I'm also tired of the guitar.
27:23Well, I'll ask my teacher.
27:27Idiot.
27:37Bye bye.
27:39Bye bye.
27:40Bye bye.
27:41Bye bye.
27:43Bye bye.
27:44And Merry Christmas.
27:45Bye bye.
27:47Bye bye.
27:53Bye bye.
27:54Thank you!