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00:00FABION
00:00What's your name?
00:07What's your name?
00:09What's your name?
00:12What's your name?
00:12Can you tell me all of you?
00:14What's your name?
00:16What's your name...
00:17I'm asking you...
00:19Of course I'm in a name...
00:20...I don't get me wrong...
00:22...I don't want to tell you...
00:23...I don't want to tell you.
00:25In fact, what's your name...
00:26...is talking about what are you doing...
00:28...in my pictures...
00:29What do I want to do with my photography?
00:32Thank you, young man.
00:40Fabiane, can I ask you to go back to the topic?
00:43Of course.
00:45What do I want to do with my photography?
00:47I don't know if you have any idea
00:50where I want to place my photography.
00:53I want to sell my photography.
00:58But I didn't wear any known brand.
01:00That's right.
01:01But it's a adventure, my dear Ivona.
01:03It's a adventure.
01:05They see it.
01:06They have to pay again shooting.
01:08They just give their clothes
01:10or simply sell some brands.
01:13That's not a mistake.
01:15That they sell some brands on my face.
01:17Listen to me.
01:20If you want to continue with the work,
01:24I have a suggestion.
01:25I want to do it.
01:26I want to do it.
01:29I want to continue.
01:31Okay.
01:33You and me are going to sign up.
01:35Where will be the meeting?
01:38Where will you go and post shots?
01:42Where will you be in the way you will be doing?
01:44Yes.
01:45We'll sign up.
01:46We'll sign up.
01:48Just a little bit.
01:51Do you want to sign up for physical work?
01:54Is it possible to sign up with your company?
01:58Yes.
01:59We'll sign up.
02:01We'll sign up.
02:01We'll sign up.
02:03We'll sign up...
02:10...
02:11Yeah.
02:12Yeah.
02:14I don't know.
02:15You heard the phone?
02:19I heard the phone call?
02:20I didn't.
02:21I didn't hear the sound.
02:23And the message.
02:28What?
02:34My...
02:34...very good friends.
02:37...and you like you.
02:39Yes?
02:41She died.
02:44She was tied to her.
02:46She was tied to her.
02:47She had everything in her life.
02:49She was left without her.
02:52Yes.
02:54Yes.
02:54Yes.
02:55Yes.
02:56Yes.
02:56Yes.
02:57Yes.
02:57Yes.
02:58Yes.
03:07Yes.
03:08Yes.
03:09Yes.
03:09Yes.
03:10Yes.
03:11Yes.
03:12Yes.
03:13Yes.
03:14Yes.
03:15Yes.
03:16Yes.
03:17Yes.
03:19Yes.
03:21Yes.
03:22Yes.
03:23Yes.
03:24Yes.
03:28Yes.
03:29Yes.
03:30I'm going to have to go.
03:32I'm going to have to stop.
03:34I'm going to have to stop.
03:38That's it.
03:571, 2, 3, 2, 3, 1, 2, 3, 3, 2, 3, 4, 2, 3, 5.
04:03Mother, I need to go to the bro.
04:04God bless you.
04:05Here are the ribs.
04:06And here are the ribs.
04:08And here are the ribs.
04:09And you take that one and don't burn them.
04:11I can see you.
04:12Mother, why are we cleaning this?
04:14We are cleaning this in the morning.
04:15It's like a fish.
04:16For me, it's all over there.
04:18You're all over there.
04:19You're all over there.
04:20This is not a social work.
04:23This is a crime.
04:24Is it true?
04:25Why are you a crime, Mother?
04:28Because you are the gangsters and the gangsters.
04:31And they are the ones that are taking off the table.
04:33Mother, I didn't have anything to take off.
04:35Nothing to do.
04:38Nothing.
04:38You can stop me from the table.
04:42You want me from the table.
04:43You want me from the table?
04:44You want me from the table?
04:44Here you are.
04:45And go get the rhythm.
04:471, 2, 3, 2, 2, 3, 4, 3, 3, 2, 3.
04:52I'm sorry!
04:53Everything!
04:53Here I go.
04:552322
04:58234
04:59You see what I was doing?
05:00I'm not going to kill you.
05:02That Chinese kid you didn't kill me.
05:04You see what I was doing?
05:05You see?
05:06You know what I'm doing?
05:07What are you doing?
05:09Something's been wrong with me.
05:10Nothing, nothing.
05:12Nothing.
05:13It's been over, let's go.
05:14Let's go for a while.
05:14Let's go for a while for a while.
05:17How do I go?
05:18How do I go?
05:19I need to clean the whole life in my house.
05:21I'm dying!
05:22I can't breathe!
05:22I can't breathe!
05:23I can't breathe!
05:24I can't breathe!
05:24I can't breathe!
05:25I can't breathe!
05:28Come on, listen!
05:33I know the way we get out of this situation.
05:361, 2, 3, 2, 3.
05:393, 2, 3.
05:404, 2, 3.
05:412, 3.
05:423, 2, 3.
05:433, 2, 3.
05:434, 2, 3.
05:445, 2, 3.
05:456, 2, 3.
05:477, 8, 9, 10, 10, 10, 11, 11, 12, 12, 13, 13, 13, 14, 14.
06:13Paju, Paju, Paju.
06:17Pa što si tako, tako nešto tromboljen, tako nešto nikakav loše volješ, šta ti ne raspolože?
06:26Ne valja ti to, dobit ćeš bore. Pazi, ti jesi muško, ali ipak ti si sad neko ko radi u
06:31industriji lepote i ne ide da imaš bore, jednostavno ne ide.
06:34Šta ti je, pa? Razvedri se malo, vidi kakav si. Pa ti kao da si nešto utučen.
06:43Viki li, nisam raspoložen i nemoj sad, molim ti, pusti.
06:47A vidim da nisi raspoložen, ja vidim da si ti stalno na rubu neke depresije i neke tuge, ti nešto
06:53nije sa tomu kako treba.
06:54Pa mi, Paju, ne valja ti to, život je lijep, sve je prelepo, pogledaj joj po sebe, pogledaj.
07:00Kako lijep restoran, kako lijep dan, kako lijepa čaša, kako lijepa šolja, kako lijepo cveće.
07:05Ja lijepa, sve je lijepo, Paju.
07:08Ajde razvedri se malo, malo daj neke vedrine u životu. Nešto si baš nikakav.
07:13Da, baš nikakav utučen, to je najbolji opis koji si mogla da daš, eto.
07:19Pa vidim ja to, vidim, vidim, znaš.
07:22Ja sam ekspert za takve stvari, ja sam ti intuitivni psiholog ako nisi znao.
07:27Da, to je da posebe grana psihologije.
07:29Jednostavno imam jednu posebnu moć, jednu jaku auru, jednu snagu koja nekako prosto bdi oko mene,
07:36da procenim u kakvom je stanju pacijent koji sedi preko puta mene.
07:41Ali ti moraš da mi kažeš koji su tvoji problemi, pa da onda nekako procenim da vidim
07:46da li je validan problem ili nije validan problem.
07:49Pa problem je taj što me Ivona stisla sinoć kad smo se našli.
07:56Ivona te stisla, pa što se ne hvališ?
08:01Nisam misli u tom smislu stisla, stisla me oko posla.
08:07Ne razumem, na konjačin.
08:09Pa tako što me je pitala šta ćemo da radimo sa fotografijama koje smo napravili.
08:16Dobro.
08:18I šta si joj ti rekao?
08:21Šta sam se snašao da ću da ih prodam modnom i modnim časopisima?
08:28Ništa gluplje od toga nisi mogao da joj kažeš.
08:33Izvini, a zašto glupo?
08:35To je nešto najgluplje što sam mogla da čujem.
08:38Kako tako nešto? Da si bilo šta drugo rekao pa da razmiš.
08:42Dobro, zar je moguće da si ti čovek koji toliko nema,
08:45ali nema onaj minimum socijalne inteligencije da se u trenutku snađe,
08:48da nešto improvizuje, da mulja kada je važno u životu da se mulja?
08:52Pa imam ja i inteligenciju i socijalnu i sve imam, ali u trenutku nisam...
08:56I dobro, šta bi ti rekla da si bila na mojem mjestu?
09:00Pa ja bi na primjer rekla da ću te fotografije da prodajem na stoku.
09:04Kako stoku? Kako stoku da prodeš?
09:06Kake veze ima poljoprivreda sa bodnjim fotografijama?
09:09Nemoj da me bacaš u ludak.
09:10Ne mislim na tu stoku.
09:11Ajde mi, zaboravi morate, zaboravi.
09:14Postoje neke te generičke fotografije koje se tako onda
09:17prodaju svuda po svetu, ti fotografi to dele,
09:20onda to bude na tim nekim reklamama, na tim nekim bilborima.
09:22Nije bitno, stvarno nema veze.
09:24A dobro, i gde na kraju završe te fotografije?
09:27Pa to niko ne zna.
09:28Razumeš?
09:30Fajto.
09:31Kako sam ja to mogo da znam?
09:33Dobro, u red, ne znam.
09:35Ja to ne mogu, ti sve znaš, ja ne znam.
09:39Ali, dobra stvar je...
09:41U redu, pa je u redu sve.
09:43Što je nekako i progutala to sa modnim časopisima.
09:50Za drugu.
09:53Ali me onda stisla za jednu drugu stvar.
10:00Za koju drugu stvar te stisla, pa?
10:06Znaš.
10:10Znaš.
10:14Znaš.
10:17Znaš.
10:19Znaš.
10:25Znaš.
10:55Znaš.
11:00Znaš.
11:15Znaš.
11:17Znaš sinoć je onako delovala baš potreseno i ja sam pokušala nešto pričam s njom, ali ona je bilo onako
11:23poprilično odsutna.
11:25Pa dobro, veram da devak ima svoje razloge, pa...
11:28Jel ti pričala nešto?
11:31Ne, nešto.
11:33Dobro, dokle ćete vi mene da lažete u ovoj kuće? Čemu se ovdje radi?
11:36Znaš.
11:55Znaš.
12:13Znaš.
12:14Znaš.
12:15Znaš.
12:16Znaš.
12:42Znaš.
12:46Znaš.
12:50Znaš.
12:52Znaš.
12:57Znaš.
13:11Znaš.
13:35Znaš.
13:35Pa to si bio briljandan, tu si bio divan.
13:38Kukuk.
13:39Neću brane, neću, zaboravit to, ne dolazi u obzir.
13:43What will you do?
13:44Stop! Stop!
13:49Listen...
13:50What do you want to do?
13:52It's very sad.
13:54And I believe that you, as a aware man,
13:57will be able to ask yourself a little bit,
13:58to be able to figure out the right decision
14:01for the first time in your life.
14:04I pray.
14:06I pray.
14:08What do you say, Zojica?
14:11Nothing.
14:11What?
14:13I just want to hear the sound, the scissors, the scissors
14:17and the water to hear when you are working.
14:20Is that clear?
14:20I am.
14:21It will be a little bit.
14:23One, two, three, two, two...
14:26Turn off.
14:27Two, two, three.
14:29Three, two, three.
14:31Four, two, three.
14:35Five, two, three, three, two.
14:37Five, two, three, two.
14:39One, two, three, two, three.
14:46One, two, three.
14:48One, two, three.
14:53One, two, three.
14:54One, two, three.
14:56One, two, three.
14:56One, two, three.
14:57One, two, three.
14:57One, two, three.
14:58One, two, three.
14:59One, two, three.
15:01One, two, three.
15:04One, two, three.
15:07control over the distribution of their photos.
15:10Don't let me pray.
15:12Look at the lady,
15:14look at the primadonna,
15:15what she thought.
15:17Listen, she wants to have control.
15:19It's not even Naomi Campbell.
15:22Naomi Campbell.
15:23Where are you?
15:25What a witch,
15:26a gazelle.
15:27When I was young,
15:28how did I put myself on Naomi Campbell?
15:31When she started walking,
15:32she was like a good girl.
15:34I'm fine with her.
15:35We're close to her.
15:36We're close to her.
15:38We're close to her.
15:39We're close to her.
15:41Now, I'm blue.
15:44Blue?
15:45Naomi is blue?
15:46I'm not talking to you.
15:47Let me now go.
15:48We're not talking about Naomi.
15:50We're talking about Ivonne.
15:52When she asked you for the interview,
15:55what did you say?
15:56Nothing.
15:58Nothing.
15:58I'm a mistake.
16:00I'm a mystery.
16:02I'm a mystery.
16:05I'm a mystery.
16:16I'm a mystery.
16:23Listen, my dear friend, I've been doing 20 years ago.
16:29I'm on physical jobs. I'm from action.
16:32I love creativity.
16:34That's why I wanted and I wanted to be a freezer.
16:37But that's why I'm being a photographer, I don't know.
16:39I didn't know how to learn how to do a little more time,
16:42how to prepare myself, how to prepare myself.
16:45I'm sure I'd be better, Fabian.
16:50Okay, okay, Fabian, I'm ready.
16:55I'll see what I can organize and how we can do it.
17:00I'm thinking about the conversation.
17:02I'm thinking about the conversation.
17:04I'm telling you that you're currently talking about an option.
17:08So, I'm talking about an option.
17:09Okay, I'm talking about an option.
17:12I'm asking you if you can see me from the video.
17:15I'm telling you, I can't absorb your mind.
17:21And then I'll finish the coffee.
17:27Sorry.
17:28For the Shanko!
17:31There, there, there.
17:33What's more?
17:33That's better!
17:36The man is an energetic vampire.
17:52See, I don't want to lie to you,
17:54I don't want to lie to you,
17:56but I don't want to lie to you,
17:57I don't want to lie to you,
17:58I don't want to lie to you.
18:00Okay, I admit that I am a burden,
18:02because of everything that your father told me,
18:04but I didn't want to lie to you,
18:09and become hysterical.
18:10I know you're not.
18:11Even if I hear something in the house,
18:13I won't do some scenes.
18:15The situation is very specific,
18:18and it's just a few reasons for that.
18:22Okay, tell me what you're doing
18:24or I'll take a look at it
18:26and look at it.
18:29Okay, you see, there is a former woman
18:33who is walking around the house,
18:35looking for her
18:35and basically thought
18:37that we were staying together.
18:39Why did you think that?
18:40Well, probably because
18:41he lives with us in the house.
18:43Where do you find him?
18:45Okay, when he knew
18:47who he was,
18:48that person was later.
18:49Why do you call it?
18:51And me.
18:53Okay, what do you do
18:54and what do you do?
18:55I'm not asking.
18:58What are you asking?
19:00I'm asking.
19:01Of course.
19:02Be sure.
19:04Be sure.
19:06Be sure.
19:08Be sure.
19:22Be sure.
19:25I don't know how much it is, but I don't know how much it is.
19:31Sorry, but I have to remember that I am currently in a bad way.
19:35And that it would be very stupid to use a mobile phone.
19:39But listen, if you insist, I can send you the next time to Monošu,
19:44and he will be playing with you when I will arrive.
19:50Okay, no matter what. I see that you have sent Kčketić.
19:56Okay, you stand. You will see the figure.
19:59Thank you. I have been a long time.
20:02You can see.
20:04I also think that it is not easy to find us in this public place.
20:11Yes. Panduric is really looking for me in the cafe.
20:14Yes, yes.
20:16Yes, yes.
20:19Nego.
20:20Do you have a bag? Where are you?
20:23Yes, I have a bag as much as you want.
20:25There are some stores.
20:27I have even some fish, you know?
20:29I have a lot of fish, you know?
20:31Yes, but listen.
20:34Many people who are all slaughtered after the war war,
20:36are just fish with those who were approached.
20:40Yes, I think about fishing.
20:41So fish did not even talk about the war war, right?
20:43Yes.
20:45Yes.
20:46What are you doing now?
20:49I don't know.
20:51I have to go first.
20:54I'm serious.
20:55I'm not sure how much I can do it.
20:59I know one of the master's who can do it.
21:02I can call him if you need it.
21:05I don't know what to do.
21:07I'm serious.
21:08I'm not sure how much I can do it in my life.
21:12I'm not sure how much I can do it myself.
21:17Do you want me?
21:22I'm sorry.
21:23I have to ask you something.
21:25I know it's a nightmare,
21:26but I would like a plasma shake.
21:31I don't have a problem.
21:33Just wait a minute.
21:34No problem.
21:35It's time for the rest.
21:38Is that right?
21:41I don't know how much I can do it.
21:43I'll enjoy my pleasure of this city.
21:47It's a kind of beautiful city.
21:47I'll see you at the door.
21:51They don't have a plasma shake.
21:54The most popular plasma shake.
21:57Ok.
21:59If you've finished with the parade,
22:04Tell me what you want from me.
22:07The only thing that matters is this coffee that I bought.
22:13How do you smell, man?
22:16My name is good.
22:18I'm good to teach you.
22:21You're good, you're good.
22:28What did you say to me?
22:31What did you say to me tomorrow?
22:33What am I going to talk with you?
22:38I don't know.
22:40You know what you're talking about.
22:42You're telling me what you're talking about.
22:46Did you get what you're looking for?
22:49Yes.
22:50They come after that.
22:51Let me leave.
22:52Okay, I'll leave.
22:54I'm only guilty of this.
22:57With you.
23:01Tell me, do you know when you're coming?
23:04They're coming soon.
23:07When you say soon, you'll have time.
23:10When they come?
23:14When they come.
23:17I'll ask you.
23:19Are you all the other people, say, the people?
23:22Oh, what?
23:23Yes, are they?
23:26Good God, guys.
23:29You come to my village,
23:32you're drinking, drinking, drinking beer,
23:35you're making your first jobs.
23:37You're very nice.
23:39Yes.
23:42You see, even when we were in the middle of the business,
23:46who is the best job to do so that you can even be proud of yourself?
23:51Not a joke, a bank, a casino, huh?
23:57A casino, you say.
23:59Why are you laughing?
24:01A joke, a bank, a casino, a casino.
24:06You see.
24:06You see.
24:09People like you want to talk.
24:12And they like me, they want to sit, drink, drink and enjoy.
24:17It will be that you don't have anything to thank you.
24:20I'm sure.
24:24And if you have, you'd have to thank you.
24:26And you wouldn't mention some stupid people.
24:29And I go and eat you and pray, who knows how many people are.
24:34You see.
24:36There's a difference between us.
24:38What difference?
24:42Well, that's what you want to do.
24:45And as I said to you, people, as I know,
24:48I go and watch my job and drink the top coffee.
24:56They're coming, my friends.
25:13I'm sorry.
25:16I'm sorry.
25:17I'm sorry.
25:18I'm sorry.
25:20I'm sorry.
25:20But what do you think?
25:23That's not only.
25:24I'm sorry.
25:25That's not true.
25:27That's not true.
25:28We'll all hear you.
25:28That's not true.
25:29I'm sorry, nobody.
25:31If you don't think I should do that too.
25:33That's not true.
25:34That's not true.
25:35That's not true.
25:36That's not true.
25:41That's not true.
25:43I don't want to work in paranoia. I don't want to live in fear.
25:48And I don't want to get out of the stomach.
25:51So let's go. We'll go through all this. We'll solve this.
25:54Okay, okay. As you say.
25:57Good morning.
26:03I'm here to tell you something.
26:05What do you mean?
26:06I decided to go to the hospital.
26:11What do you mean?
26:11Why? I think we were trying to get out of the house.
26:15I don't know if you're missing anything.
26:17You're a beautiful family. You're a beautiful house.
26:21But...
26:21I decided to go to my mom.
26:25Did you go to Boris?
26:28Yes, even now.
26:30It's nice.
26:31I'm sorry.
26:32I'm sorry.
26:32I'm sorry.
26:33I'm sorry.
26:35You're a horrible person.
26:35I know that it will be possible.
26:37I'm sorry.
26:38I'm sorry.
26:39I'm sorry.
26:39You're nothing wrong.
26:40I believe I can understand you.
26:42I had a violence.
26:45Thank you very much for support.
26:47And thank you for all you have done for me.
26:48And I'm sorry.
26:49I'm sorry.
26:50I'm sorry.
26:51I'm sorry.
26:52I'm happy.
26:54Thank you very much.
27:17Hi, brother. How are you?
27:21What are you doing here?
27:25What are you doing here?
27:27What are you doing here?
27:29I'm going to sleep here.
27:32I'm going to sleep here.
27:38This one?
27:40That's a dog.
27:43What?
27:44What is a dog?
27:58What's your dog?
28:00One day I'm suffering in these tough days.
28:05What? What are you, Red Cross?
28:08Hey, boys.
28:10You're for a coffee, huh?
28:12Or someone who has a house in the house.
28:15Well, let's give it to him.
28:18Let's go.
28:19Okay.
28:26Who?
28:27How easy.
28:31How easy.
28:33How easy.
28:34No one has done it.
28:37If it's done, it's like it.
28:43How easy.
28:45How easy.
28:47How easy.
28:49How easy.
28:50Excuse me, shake.
28:51Oh.
28:52How easy.