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- 11 hours ago
Igra sudbine Epizoda 1945,Igra sudbine 1945,Igra sudbine 1946,Igra sudbine Epizoda 1946, Igra sudbine Epizoda 1945,Epizoda 1945 Igra sudbine ,Epizoda 1946 Igra sudbine
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TVTranscript
00:12Hello.
00:15Hello.
00:17How are you doing this bone steak?
00:18Excellent.
00:19As always.
00:20Nothing.
00:21I'll give you one.
00:22Whatever.
00:25Whatever.
00:26Whatever.
00:27What? You won't take me for you?
00:30No.
00:33Why?
00:35I don't want to be an impressionant.
00:40That's right.
00:42I'll be the same as the gentleman.
00:44Can I have some salad?
00:46I'll give you some caprese.
00:49I'll give you some steaks.
00:51Of course.
00:52Is that all?
00:54Yes.
00:55For now, yes.
00:59I can see that you went on my way.
01:02It's nice to have a taste.
01:05I'll watch it.
01:08Where are you, Stella?
01:11You don't have to.
01:12What are you doing?
01:13What are you doing in the house for the whole day?
01:15I've got a lulet.
01:16A little bit of Alex's son?
01:18Yes.
01:19Lule is Alex's son.
01:20I've helped me and Olga in the house.
01:23I've now found some spremas.
01:27So...
01:27What happened?
01:29What did you think?
01:30Something you noticed?
01:31Something you thought about.
01:32Something you thought about.
01:32Something you thought about.
01:34Something you thought about.
01:34Nothing.
01:36They found some spremas.
01:39So...
01:39You're standing there.
01:40Yes.
01:41I think...
01:42Oh, my God.
01:44I don't know how to tell you.
01:46But I have to tell you.
01:47I see that you've got something to be redone.
02:03Even though...
02:04I don't think so.
02:05But, please.
02:06Yes.
02:07I don't care.
02:07I'm not sure.
02:08No, I don't know.
02:09I've seen the professor alone.
02:10Yes.
02:11I'm not sure.
02:11Well...
02:12Well...
02:12That's after...
02:12I've had a lot of knowledge.
02:13That's too much, Professor.
02:13The chicken...
02:14When you serve.
02:15Your head must be taken...
02:18To the east and that the person will cross the street.
02:21Where are you going?
02:23You are normal.
02:25The fish is moving.
02:27The fish is moving.
02:27The fish is moving.
02:28The fish is moving.
02:29The fish is moving towards the head.
02:34One to the other.
02:36Okay.
02:38That's it.
02:39The salad.
02:41One will put the salad.
02:43The other will put the salad.
02:44The other will put the salad.
02:46How did we get this?
02:49How did we get this?
02:50How did we get this?
02:51This will be done.
02:55Let's see what's here.
03:00Really done.
03:02I told you.
03:03Thank you, my mother.
03:10Everything is beautiful.
03:12Why are you delicious?
03:17That's my beef.
03:20It is called Mijan Saran.
03:22Because the fish is a type of meat?
03:25Everything is impossible.
03:27How can you not be canned?
03:28Come on in, Mijan.
03:30I'm David.
03:31That is good, it is aыраarism.
03:35speciality, Pijani's Saran.
03:37You see, it's the taste of the taste.
03:40It's like Pijani's Saran.
03:42Okay, I want to try it.
03:43Let's try it.
03:44No, no, no!
03:45I pray, Ruža, sorry.
03:48The guest is the law in our house.
03:51He is the gentleman, he is the first one to try it.
03:54And he is the one to try it.
03:55He is the one to try it.
03:55He is the one to try it every minute.
03:57He is the one to try it.
04:01Good morning everyone.
04:05Where are you?
04:06That's what I'm going to do.
04:09That's what I'm going to do.
04:12That's right.
04:13Don't call me the house.
04:14You can call me the house.
04:15You can call me the house.
04:16You can call me the house.
04:21I would like you to come back to the door.
04:25I would like you to thank you on this wonderful guest.
04:27I see you have been trying.
04:29How do you do?
04:30Especially for you.
04:33You can call me the house.
04:34You can call me the house.
04:37You can call me the house.
04:39You can call me the house.
04:39There is one problem.
04:53You can call me the house.
04:55You can talk to me the house.
04:57You don't know where to start.
04:58You can call me the house part
05:00At the beginning of the house.
05:01But I think it is very strange.
05:03What? You're talking about the Žegovići?
05:07Yes, yes.
05:08They're not foreign.
05:10No, that's not.
05:13Okay, let's say it.
05:15They think that in the house that they hired, there are souls.
05:22I pray.
05:24Yes.
05:24What? The souls?
05:27How is that?
05:28I don't know. I don't think that it has to be with the previous owner.
05:32I don't have any idea. I don't get into details.
05:35No, no, no. I like details.
05:38I'm free to talk about details.
05:40Better not.
05:41What?
05:42We have time for details.
05:43Yes, I know.
05:45But as they say, Djavo is in details.
05:48So, better not.
05:49Exactly.
05:50In the case, someone needs to come to the house.
05:56Who?
05:57I don't know.
05:59I don't know.
05:59He's a old magician.
06:01He's a magician.
06:03He's a magician.
06:05Well, that will be really interesting.
06:07Yes, certainly.
06:08But I will not be at home.
06:11Because of what?
06:12I wouldn't recommend you to ask such events.
06:14I pray.
06:15Yes, I know.
06:16But there is a masterclass.
06:17So, nothing from that.
06:19Masterclass is interesting.
06:19But I thought that you will stop him.
06:25Because I plan to serve you personally.
06:29I will serve you in the kitchen.
06:32Okay.
06:34We haven't yet reached the first wedding.
06:36And I can see that you are going to wash your hand in the kitchen.
06:41I don't wash anything, dear dear.
06:45I am going to take all the important things.
06:48...
06:54To be a very difficult thing.
06:55Yes, thank you.
06:57I will be in the kitchen.
07:01Not a problem.
07:03My friend.
07:03Mr. Schill, go there.
07:11Come there, sit.
07:18We're here.
07:18I don't know about that Bontona's voice.
07:20No, we know that we all know.
07:22We're just going to take that sweet sauce from Frizzidara.
07:26We're going to die like a wine wine.
07:29Mr. Odiseu,
07:33don't take care of the group.
07:37We've paid for Svetog Petra Kajgana.
07:40Do you want to drink him?
07:42No, no, no.
07:43You see, I wanted to forgive you.
07:45I see that you've been trying to do this.
07:50I really didn't have the right place.
07:54Even if I'm right.
07:56Is that right?
07:58What are you talking about?
07:58I don't think that you're sorry and thank you.
08:02We've learned something today.
08:04We've educated and educated.
08:06We know that Bontona.
08:07So, you're sorry and thank you.
08:09I hope that this evening of this evening
08:11will grow fruit.
08:12But thank you, thank you.
08:15Thank you for the rest of your time.
08:19Thank you, thank you.
08:20Thank you, thank you.
08:22Thank you all.
08:24We're going to take a trpez to the place
08:27and go and eat.
08:29We're going.
08:29I'm going to lose my leg.
08:31I'm going to stop.
08:32Hold on.
08:32My mother, you're going to give him.
08:34what I'll do.
08:35Who's lost?
08:36Not here, it's not here.
08:37He's not in front of us.
08:40What's the name of the name of the man?
08:42No, I'll get it.
08:47He's gone.
08:49You're already in front of us.
08:51You're all in front of us.
08:53That's right.
08:54You're already in front of us.
09:04Mmm, what was the steak?
09:08Excellent.
09:11Are we going to go to a rollercoaster or go to a rollercoaster?
09:16You can, why not?
09:18A rollercoaster or a rollercoaster.
09:21Do I have to wait?
09:24Of course not.
09:37I'm going to go to a bar.
09:39I'm going to go to a bar.
09:41I'm going to go to a bar.
09:42I'm going to go to a bar.
09:43You can go to a bar.
09:44Yes.
09:46Okay, but only a bar.
09:49Only a bar.
09:50Tomorrow will come the star to get the soul.
09:54And everything will be fine.
09:56Before you come back to a bar.
09:58Okay?
09:59Okay.
10:01Okay.
10:01Tell me.
10:03Do you want someone else to sleep alone?
10:07Only Teja.
10:09Teja?
10:10Yes.
10:11Is that a little sympathy or a rollercoaster?
10:14No.
10:14A rollercoaster.
10:15A rollercoaster?
10:16How are you looking?
10:17Super, but she will come tomorrow to see how the monster will be thrown out of the soul.
10:23Where are you going?
10:25Here, with us.
10:26What?
10:28What?
10:28What?
10:28What?
10:36What?
10:42What?
10:43What?
10:43What?
10:47What?
10:53What?
10:55What?
11:07What?
11:12What are you doing?
11:14I'Vane?
11:15What?
11:27What?
11:29What?
11:30What?
11:31What?
11:32What?
11:40What did you do, Ivana?
11:44You won't be able to tell me so easily.
12:12I have an idea.
12:14To hear?
12:18Maybe we could go with my car to one place.
12:23They have good glasses.
12:27In any case, there might not be a gift.
12:32How did you know?
12:36Maybe it's not in your state?
12:40Mr. Stella, the Žegovićs needed to take you to remove the spirits.
12:50You have a wonderful gift.
13:00Oh, I really wait for this.
13:05You're not happy, little girl.
13:08I think it's better when you wait.
13:10Okay.
13:12And?
13:14We're going to go to these...
13:17Kolače.
13:18On the kolače?
13:19No, I'm not happy.
13:22In other words, I have something more to offer.
13:30I'll go.
13:49No, I'm not happy.
13:51No, I'm not happy.
13:52No, I'm not happy.
13:53No, I'm not happy.
13:56No, thank you.
14:00I'm not happy.
14:02No, I'm not happy.
14:02No, I'm not happy.
14:04Let's go to the end of the world.
14:06Let's go to the bathroom.
14:08Everything.
14:09Oh, my God.
14:11I can't wait.
14:12I'm going to get up.
14:13Okay, baby, I'm going to go for you.
14:14I'm going to go for the rest.
14:15I'm going to go for the rest, I'm going for the rest.
14:17No, I'm going for the rest.
14:19I'm going for the rest.
14:22I'm going for the rest.
14:30That's it.
14:33That's it.
14:34Hello.
14:35How do you like this fish?
14:38Great.
14:40Thank you very much.
14:42We really worked hard.
14:46Well, I think.
14:49What are you doing now?
14:53What are you doing now?
14:54The combination of the food is very interesting.
14:59It will be interesting.
15:01It will be interesting.
15:03What is it?
15:07It is a old food called Sevadija.
15:11Sevadija?
15:13And in France?
15:14It is fascinating how it is similar.
15:18Where is it?
15:19In Cairo.
15:21In Cairo.
15:22In the Biennale of the library.
15:25What are you doing now?
15:28What are you doing now?
15:28Do you want us to say something like this,
15:30after this fine evening,
15:32that you say something like a man?
15:35Just allow me, absolutely.
15:36I would like to ask.
15:39What do you say?
15:41Do you want to clean books in the library?
15:45What?
15:45Tell us.
15:46We are our people.
15:47No one will be afraid of you.
15:49Tell us.
15:51Tell us.
15:51Tell us.
15:52Mother, diceers who come back on the store.
15:54I don't know.
15:55Tell us about it.
15:57How does it show you, a librarian?
15:59What does it show you?
16:00There is no surprise.
16:02There is no surprise.
16:03There is no
16:08How can you say that bibliography is not a matter of interest?
16:13I don't know. I don't know.
16:26Sit down.
16:28Listen, listen.
16:32I have to give you something very significant about what happened to me.
16:39I took the toilet to sleep and wanted to get the sandwich that he didn't have.
16:46When suddenly a woman's voice turned out,
16:52Ivane, you won't be able to sit down. Believe me.
16:58Let me see.
16:59Maybe you've got a dream, but you've made a mistake.
17:02What a dream! I heard what I'm saying.
17:04I'm sitting here talking to the toilet.
17:06I wanted to eat these sandwiches and the mandak.
17:10I hear it in my ears.
17:14Okay, I think it was a long day.
17:16Maybe it's better to talk about this tomorrow.
17:19What a day!
17:21What a day!
17:22What a day!
17:23It's always a little day.
17:25You don't believe me.
17:27I'm talking to my parents.
17:37I don't know.
17:38I don't know.
17:39Maybe this is the end of his alcoholism.
17:42I don't know.
17:43He's been trying to drink.
17:44But who knows?
17:45Maybe he's coming to the toilet.
17:47I don't know.
17:48I don't know what I'm saying.
17:50I don't know.
17:51But if it's really something to happen with the nerves,
17:56we don't take care of the pain that is more than what we think.
18:01Later I'm going to sleep,
18:03and tomorrow we'll think about it.
18:06Okay, let's go.
18:09I don't understand.
18:13We've got a leg of joy from breaking into the needs I'm coming up.
18:18I'm starting lean.
18:23I ain't coming up.
18:23I'm suffocating it for me and I'm going to cover it.
18:26But in the case,
18:29we've got our social media,
18:29not everybody's gonna get help.
18:32So, I'm starting to get hurt,
18:34and you don't try to accident this video.
18:36You say that bibliothecarity is not as interesting, but do you know that bibliothecarity is studied in the faculties?
18:44Yes, yes.
18:46The study practice of bibliothecarity is a theory, a methodology, and a collection of data, and a continuous storage of
18:58the same things.
18:59Yes, exactly.
19:00Oh, how did he talk about this? How did you talk about it?
19:05It's nice to hear you, tell me.
19:08Arrivization.
19:09Arrivization.
19:10Distribution of material.
19:11Jesus.
19:13Then, a combination of old books that have to be close to...
19:23I don't understand.
19:24No, no.
19:25No, no.
19:25No, no.
19:26No, no.
19:26No, no.
19:27I don't understand anything.
19:28I don't understand what the words mean.
19:30When you go to speak, I'm all going to say that.
19:33I'm sorry.
19:34I'm sorry.
19:34Without bibliothecarity would be nothing.
19:36How did he know?
19:37I don't understand it.
19:39All I understand.
19:40I don't understand it.
19:42I don't understand it.
19:43You understand it.
19:44You understand it.
19:44All I understand.
19:45You understand it.
19:46If you think Milutin Milankovic and Tesla, where are they first to go?
19:52Of course, in the bibliotheca, but only after the prestigious faculty.
19:56Eh, instead of being able to go to the bibliotheca, I go to the office.
20:00That's my mistake.
20:01That's my mistake.
20:02I'm all right.
20:03I'm a Tesla.
20:04I'm a black man.
20:05I'm a black man.
20:06Bibliothecarity.
20:07That's a young lady.
20:09Do you think that it's a keystone of all the knowledge and education?
20:13A keystone of all the knowledge.
20:15A keystone of all the knowledge.
20:15How did you do that?
20:17What did you do?
20:18He's going to be a keystone of all the knowledge.
20:21I got to go to the bibliotheca.
20:23I'm going to read it.
20:24I'm going to read it.
20:25Wait, wait, wait.
20:26Wait, wait.
20:27Wait, wait.
20:30What did you eat in Tunisia?
20:33I'm sorry.
20:34Mr. Poncetovic, you think about Egypt?
20:37That's right.
20:37What did I say?
20:38All right.
20:39I'm eating different things.
20:43I'm eating different things.
20:44But the biggest impression on me was just a beef with Camila.
20:49Oh.
20:49Huh?
20:51Oh.
20:52Oh, sun, this is a dumb boy.
20:54Oh, what did I eat?
20:56What did I eat?
21:11Stella.
21:14Stella.
21:15She's called Stella.
21:23Who?
21:26Well, that's my friend that came out.
21:31Son, you didn't want to tell me her name, but you're talking to me.
21:35Well, I haven't been drinking.
21:40Okay, Stella.
21:43It's a nice night, Stella.
21:46Hey, don't sleep at me.
21:48Listen.
21:49Three years...
21:51Three years I've been in the water.
21:55And on the sea.
21:56And in Budva.
21:57And in Herzegovic.
21:59I've got something to show with a hand.
22:01Hey, I've been planning a hand.
22:04I've been doing it for a while.
22:05I've been doing it for a while.
22:06I want to make it for people, to be music, to be world-like.
22:11And she?
22:13What?
22:14Hey.
22:15I'm standing in the morning and she's going to buy things.
22:19Without a letter, without a letter.
22:21Just a letter for normal.
22:24And that's the letter.
22:29What is the letter?
22:35What is the letter of the word from then?
22:45It's what it is.
22:47Why is it zeroes?
22:50Termшь?
22:50Where is it?
22:50Dear old Ðh.
22:52To the others who had already imagined.
22:54Of course it,
22:55Yes.
22:55Okay.
22:58Everybody has become different than you.
23:00If they knew Kosovo, they would never be with us.
23:06And she had done what she didn't do.
23:10What is that?
23:13I won't say that.
23:18Well, then...
23:20Have a nice night.
23:26I'm telling you to understand.
23:28I'm not.
23:30I'm here to go to the city.
23:33And not because of the money and the business.
23:38Because of her.
23:40And when she was angry, she would only ask one question.
23:43Why?
23:43Why?
23:47Or...
23:49I don't know why.
23:52That's why I'm drinking.
23:58Come on.
24:04Come on.
24:07Come on.
24:08Come on.
24:19I'm not going.
24:20It's not good.
24:21What?
24:22What's wrong?
24:23What's wrong?
24:24We saw Estela.
24:26They were in a restaurant in the center.
24:29Where is she?
24:30She's not alone.
24:32She loves her.
24:33She loves her.
24:34She loves her.
24:36She loves her.
24:37She loves her.
24:38She loves her.
24:39She loves her.
24:41She's coming from the restaurant.
24:41Anna, организm him.
24:43불씁ive her.
24:44Don't call me on to a picture.
24:45Sing it.
25:04i see the mucket with a figure of the civil router.
25:14Mr. Porčetovic, Dambu is Slon. Kamila, do you know what is Kamila?
25:20I know her, I know her. What is Slon, what is Kamila?
25:27I want to ask you, man, what did you eat, Kamila?
25:33What is wrong with you?
25:35What is wrong with you, Kamila?
25:38What did you do, Kamila?
25:41Do you know that Josip Broz, Tito, did you eat Kamila?
25:49Kamila!
25:50What?
25:53What is Tito?
25:56You hear Kamila?
25:57What do you hear?
25:59Listen to me.
26:01Have you tried it?
26:03What do you call it?
26:05Grba from Kamila.
26:07What do you mean?
26:08I'm asking him, man.
26:10He'll find the grba.
26:11He'll find the grba.
26:12He'll find the grba.
26:14He'll find the grba.
26:15Have you tried it?
26:18Yes.
26:20Well, Mr. Pančetovic,
26:22the best thanks to you,
26:24because it was wonderful.
26:26And we don't have to keep it all over again.
26:30Why?
26:31It can't be like that.
26:32You have to drink more,
26:34and drink more,
26:35and drink more.
26:37Yes.
26:39Yes.
26:40Yes.
26:41Yes.
26:43Yes.
26:44Yes.
26:45I'm not sure we need a good kind of situation.
26:47But we didn't have anything to do.
26:50We did not have something to do.
26:51Yes.
26:51No, no, no.
26:52I don't have any kind of job.
26:53Because I remember
26:54that our conversation
26:55thought
26:57is
26:58my neighborhood.
27:01What is that?
27:02That's a real boy like Kamila Dede?
27:03No, no.
27:04No, no.
27:05No, no.
27:05No, no.
27:06We went to the Biennale
27:08and that was one of our last trips.
27:11And then,
27:12she left us
27:13and left this world.
27:16You're welcome, Kamila.
27:19It was hard. It was broken.
27:24And it was gone.
27:27You're my best friend.
27:29Well, thank you all, Mr. Pročetovic.
27:34Now I'm going to leave.
27:36Thank you again.
27:38See you later and have a nice night.
27:39See you later.
27:41I don't have to follow you later.
27:43You know exactly where the door is.
27:45You're not the first time here.
27:47Good night.
27:48Good night.
27:50What are you doing?
27:51Good night.
27:54How am I doing?
27:56And for you from Kamila?
28:00I think it's good.
28:01It's just a hair from Kamila.
28:05Maybe I'm going to go outside.
28:06I was going to go outside.
28:09We have to call you,
28:10Get out of here.
28:11I think he's going to go outside.
28:15I call him in the hole.
28:16I nothing but he's going to go outside.
28:18In the way from Kamila.
28:19On the way from Kamila.
28:22Let's go outside from the Kamila.
28:31I come to the dashboard outside.
28:32I'll take a blow out from Kamila.
28:35No, I'm going to go outside.
28:36I'll take a bite.
28:37Let's talk about it.
28:38Let's eat a lot.
28:39How much is it?
28:40Kamila?
28:42Kamila, you have to buy a lot of meat.