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Igra sudbine Epizoda 1938,Igra sudbine 1939,Igra sudbine 1938,Igra sudbine Epizoda 1938, Igra sudbine Epizoda 1939,Epizoda 1939 Igra sudbine ,Epizoda 1938 Igra sudbine
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00:16Sine, I spoke with Nadu.
00:21What? Nadu is that I am a little bit, I hear.
00:23Oh, my goodness. I ended up the conversation before you came to see yourself.
00:30What do you say, Nada? How much is left?
00:34She doesn't know that she's in this moment. She has a lot of work.
00:41And I'm just saying something I didn't understand.
00:46I'm just saying that when we hear her, I don't understand anything.
00:49It's so bad that I don't know what I'm doing.
00:53And I'm going to tell you about what it is.
00:57She's in Paris in the 25th century.
01:01In Paris.
01:02In Paris?
01:04That's what I've said.
01:06Tell me, Paris doesn't have 20 prstenoa.
01:10Why do I know the geography? What do you think about this story?
01:14I don't know. I know only that she's in the world and for the pilot.
01:20I don't know.
01:22Now I'm going to talk about Lenko.
01:25What do you mean to call Lenko?
01:27What do you mean to call Lenko?
01:48I'm going to tell you something.
01:50Nada, you're so good at that.
01:52That she's never broken up in the sky.
01:55That's why I'm going to call Lenko.
01:58That's why I'm going to call Lenko.
01:59That's why I'm going to call Lenko.
02:00My mother, you love your mother. I'm so proud of you.
02:05You've never felt so proud of me.
02:09Thank you, mother.
02:11I'm so proud of you.
02:13Thank you, mother.
02:24I see all of you.
02:26I see all of you.
02:27I see all of you.
02:29I don't know what you mean to me.
02:30But I pray that you don't want to be so proud of me.
02:34That's for me.
02:36Because if someone needs to call Lenko,
02:39I'm going to call Lenko.
02:41Okay, mother.
02:42We agreed.
02:43We agreed.
02:44We agreed.
02:44But you're going to call me.
02:46It's not fair what I'm doing.
02:47What?
02:48It was really terrible.
02:49It was terrible.
02:50But you're all right.
02:51Listen.
02:51I'm going to drive to school.
02:54Let's go.
02:55Let's go.
02:55Let's go, mother.
02:57You're good.
03:03Why did you hurt Marica?
03:20What kind of action?
03:24Well, I'm going to throw them out of the door.
03:27And I left them a little bit.
03:30What did you leave them?
03:32A little bit.
03:34A little bit.
03:35A little bit.
03:36What a little bit.
03:37Wait.
03:38Let's go.
03:39Let's go.
03:41Let's go.
03:42No.
03:43Chauru.
03:43Chauru od metka?
03:45Ne.
03:46Znam.
03:47A...
03:49Ljudsku, butnu, kosku.
03:52Ma, daj se.
03:53Bere se.
03:53Ne.
03:54Dobro, hajde.
03:55Predajem se.
03:57Ostavila sam im crvenu Å¡tiklu.
03:59Uz porukicu, našla si me.
04:03Ako ih to ne uznemiri, ja ne znam.
04:09Baš si prava djavolica.
04:12Hmm...
04:13So, I love my son.
04:15How do you not?
04:17Super, you did it.
04:20But...
04:21I knew I would say something.
04:24Tell me.
04:25Why did you have to do it right now?
04:29Why?
04:31I don't know.
04:32Why did you have to do it right after my date with Stella?
04:38What do you have to do with your date with Stella?
04:41You work on my own and I work on my own.
04:44It's very close to me.
04:45Maybe it may happen to match those two things.
04:48What do you want to match the red shirt with Stella?
04:54Okay.
04:55Maybe you're right.
04:59Maybe you should wait a few days.
05:02I don't know why you have to do it right now.
05:05I don't know why you have to do it right now.
05:07Because I got inspired.
05:10Did you get inspired?
05:12Yes.
05:14Maybe you're not a little love?
05:17Yes.
05:18Maybe you're not a little cruel
05:21that I was on a date with your partner.
05:25Well, I can't say that it was just one thing,
05:27but I know that it's all because of the job.
05:31Of course, it's because of the job.
05:32I believe that nothing else is interested in me.
05:53Oh, hi, Xancha.
05:55Where are you saying the entire night?
05:58I'm in the air.
05:59Oh, my God.
06:01You look like the dog's that's not a bad thing.
06:03I'm in the air.
06:05I'm in the air.
06:06Oh, my God.
06:06I'm lying to you.
06:06I'm in the air.
06:07I'm in the financial problems.
06:09I don't understand how you think you and I are working with me, but I don't know.
06:13I already told you that I don't want to deal with those things.
06:16So, it will always be at the beginning, while everyone doesn't understand that I am in the end.
06:23Xenia, I don't deal with detective jobs. I'm a woman. I don't know how many times I need to tell
06:29you.
06:30That's not a science. You won't be a real private detective. You won't be a private detective.
06:39I mean, that's just because I have my legs and I can't myself. It's like a help.
06:43Do you hear what you're talking about? I don't know if you hear what you're talking about.
06:49You won't be a private detective, but you won't be a private detective. I don't think you'll be a detective.
06:55Honestly, Xenia, I really think that it would be annoying and you're like a little child, but you want to
07:00play a little bit with your own and your own life.
07:03You, Ivona, don't understand the moment of this situation.
07:08I don't want to deal with Creamy Jimmy stories, things, jobs.
07:13Ivona, okay, I won't hurt you anymore.
07:16I don't understand how you can't understand it.
07:20To be a private detective or to be a private detective, it's the same thing.
07:26I don't know, Xenia, I don't understand it.
07:29I don't understand it.
07:29I'll tell you that I'm going to explain it.
07:31You see, it's very simple.
07:33You, when you work like a konobarica, you go to the table, change the paper, and what do you do?
07:39You're listening!
07:39You're listening!
07:40Yes, I pray for you, I don't have time to do it anymore.
07:44Let's go!
07:44You know exactly who's gone, who's gone, who's gone, who's still a guest, who's not still a guest.
07:50You're listening to them all.
07:52They tell you the parts of your private life.
07:55You understand, Ivona?
07:56You know why?
07:56I don't know.
07:59Because you're just a konobarica for them.
08:02Who is there?
08:03I don't know.
08:04And they say they're crazy.
08:06They don't need to see you anymore.
08:08You don't need to get to the place.
08:10You, people, are not aware of that.
08:12You have your private life outside the place.
08:16You're just a konobarica for them.
08:18You're just a konobarica.
08:19Okay.
08:21I've told you that I don't want to do that.
08:23I don't believe you.
08:24I'm not sure if you're one day.
08:27You can't believe it.
08:33You can't believe that you'll find a job if your phone is completely excluded.
08:50Hey, Domino.
08:52You've been selfish.
08:53You've never been selfish for yourself.
08:55What?
08:56Give me one.
08:57You mean coffee?
09:00I can't drink coffee.
09:01I'm not drinking coffee.
09:01I'm not drinking coffee.
09:03I'll just release that.
09:04Okay.
09:05Let's go.
09:07Here we go.
09:10Maris.
09:11I got into the work.
09:13I thought I'd get to know that I'll make it.
09:18Okay, you're right.
09:19I'm ready.
09:20I'm so excited to not wait.
09:22Sexy.
09:23Thank you, brother.
09:23We don't have to die every day.
09:25You're right.
09:27But, you're right.
09:28That's because you won't get yourself.
09:29And you're right.
09:30I did not sell it, I did not sell it.
09:32Yes, thank you.
09:35Look, look...
09:38Did you announce the clip?
09:41No, I'm not.
09:42What kind of thing, Gora?
09:45What kind of thing, my mother?
09:47What if we're recording now?
09:48Look, I'll wait.
09:50That's the way, I have to do branding.
09:53Do you understand?
09:54Oh, you've got me before the fact with all your basic words.
09:59What does it mean to you?
10:02Branding. Branding.
10:03It's a visual identity.
10:05It's an animation. It's a lot of words.
10:07It's a million things.
10:08You don't understand it, but you know it.
10:11Ok, ok. I'm clear.
10:13How can I tell you?
10:15No.
10:16What?
10:17Even though you've been connected with aesthetic.
10:19No.
10:21I've been connected with aesthetic.
10:23It's a good one.
10:25You're going to tell me.
10:26I'm an aesthetic.
10:28Par excellence.
10:29Listen, listen.
10:30I'll see you when I finish it.
10:32Listen, one thing.
10:35You and I, we haven't agreed on this job
10:37about the most important part.
10:40What is it?
10:42If it's done, as we plan on it,
10:44there's a lot of money.
10:45We have to agree on how we can share it.
10:50That's right.
10:52That's right.
10:54You were like a hoot.
10:57You're like a hoot.
11:06You're like a hoot.
11:08I don't know.
11:13I'll call this baby.
11:16Ok, it's just fine.
11:17No, I'll call her with my mom.
11:21I'll do it.
11:22What a baby, Ivona.
11:24What a keva.
11:26Just think about it in a second.
11:30The person calls you back.
11:33The baby is clear.
11:35The baby is at that moment.
11:36The baby is looking at her wrong Turkish series.
11:38What does it do?
11:39The baby is in trouble.
11:42It's very simple and logical.
11:44I don't know why you're talking about it.
11:46Okay, it's true.
11:48Of course, it's true.
11:51That's why she's telling me that she's a little upset.
11:53No, I still need your upset.
11:55I need to be upset.
11:56Excuse me.
11:58Can I drink a cup?
12:01I see you today's day,
12:04but I won't hurt you.
12:06We're the best friend.
12:08I'm ready for you.
12:16One.
12:17Two.
12:19Three.
12:21Four.
12:23Five.
12:26Five.
12:28What is it?
12:30It's to pay for your phone.
12:34To buy something better.
12:37To get a piece of paper.
12:39To get out of one, not the way you look.
12:41And a little advance.
12:46I've already told you that I won't do those things.
12:50Ivona.
12:51That's because I have a speech.
12:54You understand?
12:56Okay.
12:57What's the speech?
12:59See?
13:00It's a regret.
13:01It's nothing scary.
13:03You should call the cup of tea,
13:08and talk to him about it,
13:11and see if he can help me or not.
13:14I don't know.
13:17Ksenija...
13:19Ivona.
13:20The money goes on.
13:22Don't get out of the way.
13:24I've already told you that I'm not a part of such stories.
13:27You're not a part of these stories.
13:29You only help me, Ivona.
13:32Because I can't,
13:33because I have this stupid head on my knees.
13:36Otherwise, I would have gone.
13:37You understand?
13:38That's not what I would do now.
13:38I would have done it.
13:40Yes.
13:40You help me now.
13:42Yes.
13:45You're not a part of this.
13:47I'm not a part of this,
13:48I believe in Ivona,
13:49after this,
13:50I'm getting to go for it.
13:51We're at 16-14.
13:52There's no part of it.
13:54There's no part of this.
13:54Let's do it.
13:57Let's do it.
13:58Hand on your hands.
13:59Ksenija, please.
14:02Let's do it.
14:07Let's do it.
14:13My best friend.
14:23How are you, baby?
14:26I'm watching the Turkish series.
14:28As always.
14:59Guys, we should have to drink the beer first, then we'll talk about it again.
15:03Okay, okay, let's go.
15:05Maxi!
15:07Let's go. Let's listen.
15:08What are you thinking?
15:10No, brother. We're talking about fifty-fifty.
15:12I pray.
15:14What is it?
15:15Fifty-fifty!
15:16What is it? You know English now, right?
15:18Let's leave English now.
15:19You can't do that.
15:21How do you do it?
15:22What? Fifty-fifty! You look at me!
15:24I'm in front of the camera.
15:26I'm in front of people.
15:28Nothing.
15:29Okay, you're in front of the camera.
15:31But there's no legend in front of the camera.
15:33Do you know my work?
15:35I'm shooting you, man.
15:36I'm in front of the camera.
15:38I'm in front of the camera.
15:39Do you understand?
15:41At the end, I'll give you a final touch.
15:44Do you understand?
15:45Well, you don't touch me if there's no camera.
15:48You know what?
15:50Take the camera and take the camera.
15:52Take yourself.
15:53Enjoy!
15:53Do you want to know my work?
15:55What?
15:55What am I saying?
15:56You should be worth it.
15:59That's our enterprise.
16:01Yes, I can't do it again.
16:02About this.
16:02Kill me with Latinas!
16:04You don't need me to lose.
16:06I can't do it.
16:07You should not be able to lose.
16:07What are you doing?!
16:07It's a business project.
16:09Integration.
16:10What?
16:11Yes.
16:12You know what?
16:14Let's do this. Listen to me.
16:17The best thing you can get from me is 30%.
16:26Be happy. And that's just because of my son.
16:30Listen.
16:31Listen.
16:32I'll tell you one thing.
16:34How much work for you is for 30%?
16:37There's no trick.
16:39No.
16:4130% you won't.
16:42No, I won't.
16:44I'll give you 30% and you'll give me 30%.
16:46Go ahead.
16:50Okay.
16:52Okay.
16:52Nothing.
16:53Nobody.
16:54Nothing.
16:55Nothing.
16:55Nothing.
16:56I'll just throw you away from me.
16:58I won't be here.
17:01Stay.
17:02Stay.
17:02Stay.
17:02Stay.
17:02Stay.
17:02I forgot to go.
17:04No.
17:05No.
17:06No.
17:07No.
17:08No.
17:09No.
17:20No.
17:22No.
17:23No.
17:24No.
17:24No.
17:25No.
17:25No.
17:27No.
17:28No.
17:28No.
17:29No.
17:32No.
17:34No.
17:36No.
17:37No.
17:38No.
17:40No.
17:41No.
17:41No.
17:59Good morning.
18:02How is it tomorrow? It is already afternoon.
18:05I could sleep still.
18:10I could sleep still.
18:14I will stay when the boss calls.
18:17Today, the boss is not here.
18:22What does it smell like?
18:24It smells like coffee.
18:26The one I bought yesterday.
18:31What is it with me?
18:33With me?
18:35Nothing. It smells like coffee.
18:38I just threw it out.
18:43You smell something really good.
18:49This is a fancy one.
18:53You smell like coffee?
18:54Good.
18:55Good, good.
18:56I don't know if you're fancy.
18:59You take it like this.
19:01You open it.
19:02It's like the aroma of coffee.
19:05I understand.
19:07It's like the aroma of coffee.
19:09You should open it up and open it so it doesn't get out of the air.
19:12You should open it.
19:14You need to open it.
19:16You need to open it up and open it up and get out of the air.
19:19Ah.
19:29What happened to Matijom?
19:34What?
19:35What are you doing?
19:37.
19:46What's that?
19:48What's that?
19:52What's that?
19:53And then we say, good, come on, and so on, and so on, and so on.
19:58It's better that I've never found you.
20:01Come on, please, I don't want you to know me.
20:04Come on, come on, come on.
20:05Come on, come on, come on.
20:06We have a lot.
20:08What is it that I'm going to sit here and drink the coffee?
20:12What?
20:13Come on, we're going to be able to drink some coffee.
20:15I don't want to drink some coffee.
20:17That's right.
20:18What should we do, come on?
20:21We're going to drink some coffee, right?
20:23Why are we going to drink some coffee?
20:25We have to eat some coffee, right?
20:27Come on, come on, don't be afraid.
20:29Come on.
20:30Did you hear the story called aspirator?
20:33I would recommend it.
20:35She would use it not only for you, but for the whole coffee.
20:38Come on, come on, it's not our department.
20:41Do you understand?
20:41I don't understand.
20:42See, what's about the kitchen and the things,
20:45it's going to be our own panchette,
20:46my mother, my husband,
20:48this eminent gentleman.
20:49That's right.
20:50You certainly think about a woman who is very rich.
20:56I don't know anything about what it is.
20:59I just know that no one can be able to suffer
21:03your zulum and your gastronomic experiments.
21:07Okay.
21:14Good morning.
21:17Good morning.
21:18Good morning.
21:19Good morning.
21:38Good morning.
21:39Good morning, my son didn't miss the problem.
21:43You're right.
21:43You're right.
21:46Again, the mother, professor, Dr. Smet that tvoj
21:58Then you will judge whether she is a crime or not.
22:15I am your man, I want to be informed.
22:18I want to know what happens to me in the world.
22:21What happens to me in the world?
22:24The world around you, the world of these four walls, the couch, the house, the refrigerator, that is your world.
22:33What has happened to you with Matija?
22:40What has happened to you with Matija is our thing.
22:45It is the same as we talked about Matija, it is our thing again.
22:49And there is nothing to do with this, it is nothing to do with you.
22:55That is a big business, yes?
23:02Listen.
23:08Could you go to our passenger seat?
23:12Yes?
23:13And to see that I was not the case there.
23:18Wait, wait.
23:20How can I go to the passenger seat and see if you are there when you are going?
23:25I don't understand.
23:27I am a little blind.
23:29Sorry.
23:30I am a little blind.
23:33What is it?
23:40What is it?
23:41Do you hear?
23:43What?
23:45What is it now?
23:47I do not hear anything.
23:48What?
23:51That's right.
23:52That's called silence.
23:56And now I'm going to remind you,
23:58to be a little quiet,
23:59to be a little quiet,
24:00to be a little quiet.
24:03Oh, nice.
24:06Where is the culture?
24:10I'm not here because of the culture.
24:13Do you have some plans for us today?
24:18You won't be there.
24:29Is there gluten?
24:34What?
24:36You know,
24:38gluten.
24:40Glutena
24:41and scroba.
24:43Well, see,
24:45if we don't have that gluten
24:47or scroba,
24:50I'm going to send my dog
24:51to go and buy it.
24:53No, you don't understand me.
24:55I don't want gluten.
24:56I have a very sensitive blood.
24:59I have even some
25:02difficult disease.
25:03So I don't want to eat anything.
25:05I don't want to eat anything.
25:07Well, good friend.
25:09When you are already so
25:11upset,
25:12or as it is called,
25:15what do you want to say?
25:17First, thank you
25:18to the one who has invited you
25:20to warm up.
25:21That's right.
25:22And not to call us the police
25:24and bring them to the house
25:25every time.
25:26Just simply.
25:28It seems to me
25:29that I understand him.
25:31This bitch.
25:32I don't know.
25:33I've worked very well
25:33on the road.
25:34Do you understand?
25:35These rich people,
25:36all the more money,
25:38all the more money,
25:38they have all the more
25:39aversion towards
25:40my gluten.
25:43We understand.
25:44I'm not a rich man
25:46nor a rich man.
25:48That doesn't mean
25:49that I don't have the right
25:50to have the right
25:51to have the right
25:53Just to tell you,
25:54that my body
25:56is my temple.
25:58Let's see.
25:59Let's see.
26:00Let's see.
26:00Kofi,
26:01I have a request.
26:05Come to us tomorrow
26:06in the evening,
26:08bring your temple
26:09with you,
26:10and I will try
26:11to enjoy
26:12your sophisticated
26:14taste.
26:15Is it possible?
26:17What do you think?
26:20It's okay.
26:21It's okay.
26:23I'm just wondering
26:25that the
26:26morning
26:27opera
26:27that I planned
26:28to go
26:28is not happy.
26:31The opera
26:32has been sick
26:33and is not happy.
26:34So,
26:34that I will be able
26:36to do it tomorrow.
26:37It's okay.
26:39we'll see you tomorrow
26:40in the evening.
26:41Have a good day.
26:43Have a good day.
26:44Have a good day,
26:44good day,
26:45good day.
26:46Have a good day.
26:49Good day.
26:49Good day.
26:54Good day.
26:56Good day.
26:56Good day.
26:56Good day.
26:58that you
26:59asked me
27:00to call me
27:02in the evening?
27:03Mother,
27:03you see,
27:04she told me
27:05to call her
27:05because of her
27:06and not because of anything.
27:07That's right.
27:09You're right.
27:09You're right.
27:10What do you do?
27:11What?
27:11I can't talk
27:12until I'm holding
27:13a kiss.
27:14Finally,
27:15the pancetta
27:17will be
27:17to change me.
27:18Here you go.
27:20What?
27:21What do you do?
27:21To change me,
27:22the pancetta,
27:24not only me.
27:25I'm sorry.
27:31You're right.
27:32You're right.
27:33I'm sorry.
27:34Why?
27:35What?
27:36You're right.
27:36You're the younger guy.
27:38I have to eat the food.
27:39Give me the food.
27:42I can't drink.
27:42I'm eating it.
27:43I'm eating it.
27:43I'm eating it.
27:44I'm eating it.
27:44I'm eating it.
27:44I can't drink it.
27:45I'm eating it.
27:46Oh,
27:47I'm eating it.
27:52What?
27:53I don't get it.