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Igra sudbine Epizoda 1949,Igra sudbine 1949,Igra sudbine 1950,Igra sudbine Epizoda 1950, Igra sudbine Epizoda 1949,Epizoda 1949 Igra sudbine ,Epizoda 1950 Igra sudbine
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00:12What is it?
00:14What is it?
00:15What is it?
00:16What is it?
00:17What is it?
00:18What is it?
00:18What is it?
00:18I understand. What is it?
00:19That's nice. What is it?
00:21That's right.
00:23I'm going to organize a meeting with Alex.
00:26So?
00:27That's right.
00:30So, Stella is taking a meeting with you, right?
00:33I understand. What is it?
00:35I'm going to give you a task.
00:36I'm going to make you a task.
00:38What is it?
00:41It's important to me to be able to connect with Alex.
00:44You don't think this is all about something?
00:48What?
00:48What are you doing?
00:49The spirit of the moment when you are familiar with Alex.
00:54No one will be able to connect with you.
00:55What are the spirits of Ožegović?
00:56The spirits of Ožegović are from some other stories.
01:00I don't know if you understand.
01:02We are now heading to the Premier League.
01:05And so I remember that we had an action to bring the power of the people of Ožegović.
01:12The people of Ožegović in our agency.
01:16This is a lot of greater energy.
01:20I don't know if you understand me.
01:22I don't understand how it is possible that Stella is more important than me.
01:26No.
01:27It is now very important.
01:29I have to connect with Alex.
01:31Because what I plan to do is much bigger than my house.
01:35Do you understand me?
01:36It will help us for the whole life.
01:43Yes?
01:47Aha.
01:50Yes, yes.
01:52Interesting.
01:53Yes?
01:55Aha.
01:55Yes.
01:59Yes.
02:02Yes.
02:03Yes.
02:04Yes.
02:06Yes.
02:07Yes.
02:10Yes.
02:12Yes.
02:13Yes.
02:13What happened?
02:15Well, I heard something very interesting that everything changes.
02:27Gorone, Gorone, you shoot, I'll go and get up and get up.
02:35I'll get up and get up and get up.
02:42What are you doing?
02:45Who are you going to get up?
02:46I'm asking you.
02:48What are the cameras and what shots?
02:50What are you doing?
02:51Tell me from this table.
02:53I'll put you back up.
02:56What are you doing, where are you going?
02:57I'll get up and get up.
02:58I'll get up and get up and get up.
03:02They'll get up.
03:03I hear you, Panceta.
03:05I hear you.
03:06I hear you.
03:07What are you doing, Bobo?
03:09Don't shut up.
03:11Your life is the end.
03:13You're talking about what you're talking about.
03:16I?
03:17You?
03:17That's it.
03:17Oh, I'm going to get up, let me see that I have to go.
03:21I don't let go.
03:23No matter how long I'm going to go.
03:23I'm just pulling you.
03:27I'm going to pull you up.
03:30If I look for another one, your eyes là.
03:33You are nothing to get up with the clickers.
03:34You are playing with them.
03:35Oh, you are all right, you mean that you are talking?
03:41I am here I talk to you about this.
03:43What is the issue?
03:45You are just rang!
03:46What is it?
03:47Please, tell me!
03:48Let me say this!
03:49Get down to your body, I want you to be okay.
03:51I can see you, I can't be sad!
03:53What are you sad?
03:55What are you sad?
03:56Why are you sad?
03:57What a camera?
03:58What a hell?
04:00What a joke!
04:01Stop!
04:01Was that evil?
04:04Who did you go?
04:04I'm sad, I'm a clown!
04:08I'm a clown!
04:09What a woman!
04:10Do you hear me?
04:12Why do you know that?
04:13I don't know what to say.
04:15Are you a human?
04:18Are you?
04:19If you don't, you would control yourself.
04:22You wouldn't bite yourself.
04:23Or you would control yourself when you bite yourself.
04:26Don't bite yourself.
04:28Don't bite yourself.
04:30Okay, I see you.
04:34What?
04:35I see you.
04:36You know what?
04:38I have a feeling that you would like,
04:40Padgetta,
04:41to see me in a Swedish action film
04:45who is the main character.
04:47I see you.
04:49But I'm so proud of Padgetta.
04:51I can't do that.
04:54Don't bite yourself.
04:56Go and eat some coffee.
04:57Go and eat some coffee.
04:59I want you, my love.
05:01I want you.
05:02Andele, my good.
05:04Here, go Padgetta.
05:06Just relax.
05:07That way.
05:09I just have to take my hands to me.
05:13So I don't bite myself.
05:14Here, my love.
05:17What?
05:18My love.
05:20How much amulia?
05:21How much amulia?
05:24Time!
05:26I have to listen to Nadia Leđe.
05:28I have to do it.
05:29I have to do it.
05:31Use the opportunity.
05:32I can't do it all.
05:34I am Einstein.
05:37Gorku!
06:04Gorku!
06:06I have to do it.
06:07With the house.
06:08He has a right spirit.
06:10Well, it would be better to have a right spirit in the house.
06:13He has a spirit in the company.
06:16I don't know.
06:19Did you hear about Uroša Nikolić?
06:24I don't know.
06:27I don't know.
06:30I don't know.
06:31But it is known because of his name in the last two years.
06:34Why not go to media.
06:37They might be another passion for information that is surrounded by you,
06:42not only that you are trois.
06:44Do you know how long I am trying to be satisfied?
06:47I have the time to spend this time on the Kurtalay,
06:50the barfinger, and the hotels?
06:54I do that, but I think you are satisfied.
06:56You are satisfied.
06:56This is amazing news.
06:58Okay, I don't understand how much.
07:00Right now.
07:00I don't understand.
07:02It's not important.
07:04It's important that Uroš Nikolić,
07:07before he was captured,
07:10bought a part of the company of Aleksa.
07:13From Aleksa Ožegovića?
07:15Yes, yes, from Aleksa Ožegovića.
07:19Okay, and?
07:21What, and?
07:23Then we go.
07:48Good day, Good day, Good day,
07:51Pajice, here you go, Dixi, here you go.
07:54What did you say to me?
07:56I'm here.
07:56Why do you smell?
07:58I'm sorry, Dixi.
07:59Yes, I am sorry,
08:01I'm sorry,
08:01that's what you like doing?
08:03No, but I don't remember.
08:07No, I'm not sure.
08:07Let me tell you something.
08:08I'm really nothing,
08:11it's a very gross woman.
08:13I'm an extremely nice and sweet woman
08:15and I'm looking for both of you.
08:16I'm looking for very different reasons.
08:20Other than anything,
08:21nobody has to go toakhine.
08:24my world client, instead of you, right?
08:27That's right, I'm better at it.
08:29You can see how you know.
08:30You can see, sweet Pajci.
08:32Let's go ahead and move on to the topic.
08:34Tell me, is it small, Ivonica?
08:36Did you see the sweet Pajci,
08:39sweet, little, sweet Pajci?
08:41Did you see it?
08:42Yes.
08:44Wait, wait, wait.
08:47Do you see, do you see women?
08:50Oh, what am I saying?
08:52What am I saying?
08:53I'm strong from Jesenina.
08:57Do you see it?
08:59Yes.
09:01Do you want to be honest?
09:03Not that you want to be nice to me.
09:06What do you want to be honest?
09:09I didn't.
09:10I didn't have to meet.
09:14What do you think?
09:16I don't understand what you mean.
09:18Do you understand something?
09:20No, no, no.
09:21I found her at the cafe in which you told me that she is.
09:24But she just came out,
09:27while I came to her.
09:32Well, when she came out,
09:34if you already came out,
09:37you didn't do anything?
09:38Do you know what she did?
09:38I don't understand.
09:39Because she came out on the other side,
09:43she was sitting here and came out on the other side,
09:45and I came back from the back.
09:48Wait, wait, wait.
09:49Look, she came out on the diagonal,
09:52and while I came out,
09:53she came out on the diagonal,
09:55and came out of the cafe.
10:00Up to the diagonal.
10:01Up to the diagonal.
10:04Up to the diagonal.
10:06Up to the diagonal or something?
10:21Yes.
10:21She was nervous, but she didn't see anything like me.
10:25And then, when I decided, she came out.
10:28And after days, I came to the cafe,
10:31maybe two times to find her,
10:34and I see how many people are looking at me,
10:36but she didn't appear.
10:37So, she didn't see herself.
10:40She didn't see herself.
10:42She didn't see herself.
10:43What do you expect?
10:45How do you see her?
10:48What do you mean she didn't see herself?
10:50What do you think?
10:51That's a retrograde Mercury to be connected with a ascended Scorpion?
10:57That's what you're talking about?
11:00What did you say?
11:01What did you say?
11:01It's not that the theory of mathematics, it's not that geometry.
11:05It's one of the most common things.
11:06I thought you know how do you do it?
11:09What do you do with that?
11:10What do you say?
11:10No, you're not listening to me.
11:12Spoden, frajer.
11:14What does it mean to be a good one
11:17If you're a spontaneous person,
11:20remember what I've said to you.
11:23Spontanity is important, man.
11:25Spontanity is important.
11:26It's important than a little bit.
11:28He didn't have to find himself.
11:29He was in a cafe, he didn't have to find him.
11:31He didn't have to find you.
11:33He didn't have to find you.
11:34He has to find a different strategy.
11:37I'll find something else.
11:38I'll find something else.
11:39Don't do it so.
11:40I'll find something else.
11:42I didn't find himself.
11:43He didn't find himself.
11:58Nisam sigurna da te pratim.
12:01Uroš, iz nekog razloga, neće da proda svoj udeo Aleksije.
12:07Možda hoće da proda nekom drugom.
12:10Kome?
12:12Pa meni.
12:15A šta će tebi udeo u Aleksinoj firmi?
12:18Pa vrlo prosto.
12:21Uroš proda meni, a ja prodam Aleksi.
12:27A čekaj, zar nismo mi Aleksu trebali da uvučemo u onaj posao na ledinama?
12:33I uradit ćemo tako.
12:36Ledine su plan A,
12:40a otkup udela od Uroša je plan B.
12:46Baš ti se okomio na tog Aleksu?
12:48Ja stvarno ne znam da li sam više ljubomorna na to
12:51ili na to što se ono liko ljubakaš se stelom.
12:55Nisam se ja okomio na Aleksu, nego na njegov džep.
13:01A moji izvori tvrde da će do kraja godine njegov džep biti pun.
13:06Milijardu dolara.
13:09Stvarno?
13:12Pa to je ozbiljna cifra.
13:13Jeste ozbiljna.
13:16I ja hoću deo toga.
13:19Veći deo.
13:24Boga mi izgleda da sam ja stvarno dosta toga propustila dok sam bila u Tarotani.
13:28Bel ti sad jasno kad nahvatamo Aleksu, nema više hurgade, all inkluziva i šta ti ja znam?
13:35Ima da kupimo jahtu pa da se vozimo po celom svetu i da nam najbolji kuhari spremaju hranu.
13:44Mhmm, nisam znala si ti toliki hedonist.
13:48Nisam.
13:50Ja samo volim da sam svoj gazda.
13:54A šta je s tobom?
13:57Dokle si stigla sa zavođenjem Alekse?
14:13Dobro, sad da odustaješ od toga.
14:15Evo, mogu ja da uradim nešto, na primer, direktnije, a opet da bude dovoljno spontano.
14:21Na primer, mogu da se pojavim na vratima goliša.
14:26Kako to misliš goliša?
14:27Pa, dobro, ne mislim skroz go, ali u nekom, na primer, seksi kostimu, na primer.
14:34U kakvom kostimu, pa je?
14:36Pa, ne znam, na primer, seksi deda mrazi ili seksi spajdermen, supermen,
14:41ili ako hoćeš ono klasiku, mogu samo umantiru.
14:47A odakle tebi sviđi kostim i bajit se, a? Odakle.
14:51A dobro, ja sam se u prošlosti bavio nekim dodatnim, nije bitno da glasno razmišljam, nema veze, zaboravljaj, zaboravljaj.
15:02Ne, ne, ne, ne.
15:05Golišavi u kostimima nećeš se pojavljivati nigde.
15:07Ne možemo to da radimo, Ivona živi koliko ja znam sa babom, tetkom, strinom, stricem, pradedom, prababom,
15:14a skurđelom ko zna s kim ona ne živi.
15:16Šta, treba da otvore vrata i da neko doživi šlog? To ne ide.
15:19Nemoj da misliš da je to tako, znaš šta?
15:21Nemoj ti, ne znaš šta žene sve vole.
15:23Možda ja, na primer, smuvam tetku ili strinu.
15:27Fokusiraj se na zadatak. Pa jo, nama tetka ne treba, nama treba Ivona.
15:32A dobro, ali kažem, ako se tako namesti prilika, što da ne, što bi to propustili, mislim.
15:38Ne, ne, ne, ne, ne, ne, ne, ne vredi, ne vredi, jednostavno.
15:45Odustajem od, od ovog zavođenja, od, ne, ne, ne možda.
15:49Čekaj, dike, ili nisi fair sad, stvarno?
15:51Zašto nisam fair? Ovaj posao je posao za kazanovu.
15:54Nije posao za neko kako hoćete iditi na maskebal.
15:57Dobro, vredik, ili sad me već i vređaš, stvarno nije u redu, majke.
16:00Na, ne vređam te, neko ti kažem.
16:03Nemo što tako. Šta, ne ide, ne ide, jednostavno.
16:06Mantili, diagonale, levo, desno, njimu sve smeta, šta ne ide, ne ide, jednostavno.
16:10To tako ne može, ne.
16:16Ma da znaš šta?
16:19Šta?
16:20Ma uopšte to nije loša ideja.
16:22Šta?
16:23Ti ćeš da se maskiraš u fotografa.
16:28Pa si, u fotografa ti ćeš da kažeš da si došao do njenog sivija preko neke drugarice.
16:34Čekaj, ne mogu da se maskiram u fotografa, žena me zna, upozna.
16:37Ja odnaj, molim te, pa jo, stavi nešto na glavu, stavi neki šešir, stavi nešto, nešto, stavi, napravi nešto od
16:41sebe da si drugačiji.
16:44Dakle, porovit će ti, ti ćeš da se maskiraš u fotografu.
16:49Ređi ćeš da si preko neke njene drugarice došao do njenog sivija.
16:53Ma čekaj bre, koje drugarice?
16:55Pa, upi nešto, izmisli nešto, koje drugarice?
16:57Ane, Marije, Zorice, Perside, upi nešto.
17:02Pošto znaš ova Ivona, ali ona je stalno slala te svoje sivijeve sa tom fotografijom svuda, u sve, u gostiteljske
17:08objekte, u razne tako kafiće, htjela da veš.
17:10Ali, dike li, ja sam završio sa u gostiteljstvo. Ja sam sad u industriji lepote.
17:15A baš si zato i kaž. Fotograf i lepota, to ti tođe na isto. Razumiješ?
17:20Dobro.
17:20Ne, ti ćeš ovako. Ti ćeš to njoj da kažeš, kao ona išao se na to njenu fotografiju, jako lepo
17:25izgleda, želiš da je fotografišeš.
17:28I ti ćeš nju da fotografiš.
17:30Znači, sad treba da glumim fotografa, ja?
17:32Normal. Ne, nemoj, nemoj da se zabrinjavaš, užni sve će joj da ti obezbedi sve.
17:37I znajmit ćemo neku dobru opremu, i znajmit ćemo studio, namestit ćemo ti svetlo.
17:41Ti šta treba da uradiš ništa? Samo treba da dođeš i da škljacaš.
17:44I da škljocam.
17:45Pa da.
17:46Znači, treba da glumim fotografa, ja?
17:48Pa da, što da ne, što fali, što da ne, a?
17:50Dobro. Vidi, i da ona pristane na svetu. I da ja ubedim da ona bude model. Šta posle toga?
17:57A posle toga ćeš da je navučeš na pare.
18:00A ne, ne, ne, izvini, Dijana, ja prebijenu kintu nema.
18:03Mene ovako da izvrneš, znači, neće da ispane ništa.
18:06Ja sam sve dao u onaj salon da se opremi, znači, dinar nema.
18:10Ništa ti nemoj da se zabrinjavaš kada imaš svoju veliku djanuarski.
18:14Ja ću da ti da. Ti ćeš nju da navučeš na moje pare. Razumeš?
18:17I onda ćeš fino da je kupuješ parfemčiće, cipelice, torbice, haljiničice, nešto.
18:25Ona će djede na masaž, ona će djede da se opušte.
18:27I onda ćeš samo jednu trenutku da kažuš da se vaša saradnja nastavlja ukoliko prihvati profil Bebivaki.
18:35Aha, sad je meni jasno. Znači, ja treba da je navučem na lep život, na sve benefite i onda da
18:43je ucenjujem, jel?
18:44Pa nemoj to, što si, pa nemoj tako, pa kako tako, pa nemoj, ne, ne, ne, ne.
18:49Baš si se ružno izrazio. Nemoj to tako, pa kako tako da je, ne, ne, ne.
18:53Ti samo treba njoj da paio, vidi, podariš život kakav ona zaslužuje.
18:59I onda posle toga da je objasniš kako stvari u životu funkcioniš, razumeš?
19:05Slušaj ti svoj djel. Vidi, ta kad se bude navukla na pare, zaboravit će ona i drugaricu, i postulate, i
19:14moral, sve će da se zaboravi.
19:15Čim ozeti slavak život, sve je zaboravila, veruj ti meni.
19:21Nisam siguran da ovo mogu da uradim.
19:38Te stvari ne mogu da se forsiraju.
19:41Šta ne može? Podvedi ga negde nasamo.
19:45A kako da ga navedem na to da budemo nasamo?
19:48Kako da ga navedeš? Pa ti to najbolje znaš.
19:51Podvedi ga negde ima da ti jede iz ruke.
19:55Malo preteruješ.
19:57Preteruje? Pa ja sam te sve naučio kako se zaučio.
20:02Je se negde omašilo?
20:04Pa nije.
20:05Pa nije se omašilo kod Stanojka koji prodaje svoj plac.
20:09Ma to je sve isto.
20:12Šta je isto? Isto je kad Stanojko prodaje plac od pokojne babe i Aleksa,
20:16koji će do kraja godine, kao što si rekao, da postane milijarder.
20:20I Stanojko i Aleksa su muškarci.
20:24Daj, molite.
20:26Hajde, ti si najbolje u tome.
20:28Krenevi će jednom u napod.
20:29Ma čovječe, ti ne razumeš Aleksa drugačiji.
20:32On je nekako inteligentan, je sofisticiran, je razumeš.
20:35Ja moram da smislim neki način da mu se uvučem pod kožu i da zaboravim na tu svoju devojku.
20:40Pa ti najbolje znaš šta muškarci žele.
20:45Vide se da ti nisi upoznao Aleksu i ja jedva čekam da ga upoznaš, da vidiš o čemu ti pričam.
20:52Evo, ja baš jedva čekam da upoznam Aleksu Ožegovića, svetog prepodobnog,
20:58koji je lepko lutka, punjeko brod i poli svoju devojku.
21:03Pa daj, molim te.
21:06I završite posao.
21:07Dobro, ti možda ne možeš da poveruješ u to, ali takvi muškarci stvarno postoje.
21:11Znam da postoje.
21:13Idi uradi kako smo se dogovorili.
21:20Ajde.
21:21Tako.
21:30Pa kako ne možeš, je sam ti fino razradila sve i ovako,
21:34ceo taj plan pružila kona tacni čoveče.
21:37Znam, ali ne želim nikoga da dovodimo takvu zabudu, stvarno.
21:41Takvu zabudu?
21:42Pa ti toj devojci otvaraš oči, unosiš joj svetlost u život, razumeš, to radiš.
21:49Ne, ne, ne, ne, ne, ne.
21:50Ako se sazna ovo za Kseniju, propado smo svi.
21:54I propade Ksenija, ništa od para, propado ih ja, ništa od para, propade ti, ništa od mojih veza, ništa nisi
22:00pogadili.
22:01Sve u redu, ali meni i dalje to zvuči nekorektno, iskreno.
22:08A bilo ti je korektno kad je trebalo da je zavodiš i da omrsiš brg?
22:13Dobro, diki li to je drugo, to je ono kao ljubav.
22:16Pa kakva ljubav moja, kakva ljubav, ljubav ne postojiš, da prišu ga, pa kakva ljubav.
22:18Kako, gluposti, smislit ću ti novi identitet.
22:24Ti ćeš biti Fabian Deperišić.
22:30Wow.
22:32Deperišić?
22:33Čakaj, stvarno Deperišić?
22:36Mislim, izvini, ali to zvuči kao lajsna, kao da sam, razumeš, kao da...
22:42Nemaš ti pojma sa životom, šta? Šta zvuči kao lajsna?
22:45Kao da sam...
22:46Šta?
22:48Fabian Deperišić, to je šik, to je glamurosno, to je zanosno.
22:54Fabian Deperišić, uu, sad mislim to kao fotograf Fabian Deperišić.
23:01Tačno vidim, znači, baš onako, cijelo se se tresem te pomislim na to.
23:06Ne, ne, ne, Fabian Deperišić, to je šik. Šta?
23:09Ti bih teo da budeš pera perić fotografa, pa ko bih teo da gleda fotografije pera perića?
23:13Ajde, volite.
23:14Dobro, u redu i prerušit ću se i glumit ću da se tako zovem to izmišljeno ime, ali kako bre
23:21da smislim ceo život?
23:24Gde sam bio, šta sam radio, šta sam studirao? A kako ću sve to da smislim?
23:28Ti da smislim.
23:30Pa jako, drugi.
23:31Nemoj, molim te, samo ti ništa da smislješ.
23:34Ti si dosta smisljao, molim te.
23:38Ti si za smišljenjem završio, ja ću da ti smislim.
23:42Pa ti sediš preko puta velike, najveće, najčuvenije Dijanerski.
23:47A ko je Dijanerski? A ko je Dijanerski?
23:50Pa Dijanerski je čudo, pa ja sam tolikima izmislila identitete,
23:53tolike sam u zvezde postala, sa tolikima sam sarađivala,
23:58tolike poznate ličnosti ne bi bile poznate da mene nisu znale.
24:01Pa ja ću da ti smislim šta je sa tobom, pa ja.
24:05Sve ću da ti smislim, sve.
24:06Šta voli da jede Fabian?
24:09Kako je rastao Fabian?
24:11Ko su Fabianovi roditelji?
24:13Smislit ću gde voliš da putuješ?
24:14Koji ti je omiljeni futbaler?
24:16U koga si bio zaljubljen u životu?
24:17Sve ću to da si fino primao, onako da to udenem nekak put u tvoju biograficu.
24:22Sve ću to da osmišljavam, jeste, to ću da smislit ću ti dijagnozu.
24:26Diagnoza, to je najvažnije.
24:28To je jako popularno, daras.
24:30Moraš da imaš neku diagnozu, to ćemo da smislimo, ništa ne vrini.
24:32I ono što mogu isto tako da ti smislim, to je razvod.
24:36I to mora?
24:38Pa pazi, vidjet ćemo da li ti dobro stoji,
24:41a ako ti dobro stoji, stavit ćemo i to u biografiju,
24:44a ako ti dobro ne stoji, onda smislit ćemo neku švaleraciju, nešto tako.
24:48Ne bude priješ ništa.
24:49Ostat ću ti ja to u PDF-u.
24:51Dobro.
24:52I kada onda postajem čuveni de Perišić?
24:57Pa ti slište mene već Fabian.
25:00Već?
25:00Pa da, Fabiane, Fabiane.
25:06Fabian de Perišić, wow.
25:11Nego...
25:11Ajde, ajde, odlepršaj, ajde.
25:13Ajde odlepršaj, molim tu.
25:15Sekira me tvoja pojava, a nisam raspološena za sekiraciju.
25:18Ajde, ajde, ajde, ajde.
25:21Ništa, onda se vidimo, čujemo.
25:23Ajde, ajde, doviđence Fabiane.
25:24Či će da mi pošalješ sve to.
25:26Doviđenja.
25:26Doviđence Fabiane, doviđence Fabiane,
25:29koji sam i ja, genijala.
25:31Zna, nema ovakve veličine kao što je ekskisir njega, molim tu.
25:37Ajde, molim tu.
25:38Hoće bude frizer, nema mašte.
25:40Totalni prošaj.
25:43Svako danas radi što hoće.
26:00Kako će da si, si ja, ovo svi.
26:06Gdje si mi, do mučanića živi?
26:09Šta je danas i pepeljuga, a?
26:11Na njemove.
26:12Pepeljuga?
26:13E.
26:14Nemaš ti pojma, moj, Gorani.
26:16Ovo je sve preventive radi.
26:18Preventive radi?
26:19Preventive, Gorane, preventive.
26:21E, šta što je bilo?
26:23Kukala ti Adka.
26:24Sve sam usan ispričao, pa četa me čuli.
26:27Zamalo me nije zadavila da spava.
26:30Šta si ispričao, ogrom te ne ubija.
26:31A šta sam moga ispričat, Gorane?
26:33A, ne znam.
26:34Samo ne gluposti s kojima si mi ti napunio glavu.
26:37Šta sam ja kriv?
26:38Ti, ti, Gorane, pa nijesam li da ja kriv?
26:41Kriv si mi ti, te tvoje ideje koje te pale lože.
26:45Da nije bilo toga, ja ne bih ni bunco.
26:48Tačka!
26:49Ti si rud.
26:50Pa smo li rekli obojica da nećemo da pričamo pančeti ništa,
26:53jer će nas u top staviti, jer će nas odrobijati tebe i mene.
26:56Pa, Gorane, tačno, tačno.
27:01Ali vidi, pod pritiskom, ja moram neđe da puknem.
27:05Moram neđe to da izađe.
27:06E, pa dobro si pukao baš pred njom, baš njoj uši da uđe to što je pukao.
27:10E, pa šta će ja sad?
27:11Ali vidi, uspio se ja to da malo preokrenem na svoju vodenicu,
27:16razumiješ ti mene?
27:18Ništa nije ukapirala, razumije, nije me provalila.
27:20A, dobro.
27:21Ali sve je jedno.
27:22Šta sve je jedno?
27:24Ništa od posla, Gorane.
27:26Ništa.
27:26Za mene i tebe kukri, botika, krampa i to to.
27:30Odustaješ znači, jeli?
27:31Pa?
27:32Odustaješ skroz.
27:33A, pa stani ja da ne bio šta je s tobom.
27:35Odustaješ od posla.
27:36A, pa ko?
27:37Ti, jeli.
27:38Vidite.
27:40Što se posla tiče, ja sam uspio da završim neka važna sponzorstva,
27:48ali s obzirom da ti ne želiš više da učestvuješ u našem poslu,
27:52onda ništa od sponzorstava, a i to je to.
27:54Nemoj tako, ja da ne...
27:56Pa ništa, ti si odustao, brate, odustao.
27:57Ma goša, goša, stani, vrliš ovam.
28:00Ja odustao.
28:00I do pjanoviš da odustao.
28:04Nikad, nikad.
28:05Šta je s tobom?
28:06Ajde, pričaj, kak je što je sponzor.
28:09Ďakujem.