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Igra sudbine Epizoda 1926,Igra sudbine 1927,Igra sudbine 1926,Igra sudbine Epizoda 1926, Igra sudbine Epizoda 1927,Epizoda 1927 Igra sudbine ,Epizoda 1926 Igra sudbine
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00:23It's clear to me, Gorane.
00:25You're not looking at me.
00:26I'm not looking at you.
00:27I'm not looking at you.
00:29I'm not looking at you.
00:30You're a pretty good idea.
00:33What are you talking about?
00:36Good.
00:36A problem is that we drink this evening with this kind of drink.
00:37I have just looked at you.
00:39How?
00:40How.
00:42Very!
00:43Very!
00:44What am I saying?
00:45Very!
00:49I'm not good at this kind of drink.
00:51Att奇 DNA is very nice because I think about you's beautiful.
00:52I don't know how much it will be at you, but you're magical.
00:55No, no.
01:03Do you want to go to school in school?
01:08I'll go to school.
01:09I don't know. I'll just check how to get married in the calendar.
01:13What else?
01:15What else do I do?
01:17I don't know what to do.
01:20I'll give you a good friendship.
01:23I don't know how to get married.
01:26I can't stop them.
01:28I don't have time to stop.
01:31I'm the one.
01:32I'll never sleep at you.
01:33I'll kill you.
01:35I'll just say it.
01:36You'll never do that.
01:38You're just a queen.
01:41You're a Jedi woman.
01:46I have one.
01:48I'll ask for you.
01:48What should I do for you? Just let me know.
01:52If you meet the boss, call him in the evening.
01:57And you can tell him that we don't have any people.
02:20Aleksa, do you see that it is necessary to get a home help?
02:24What do you think?
02:25As you need something to do, you need something to do, you need a home help.
02:29No, you don't have any help.
02:29Okay, you don't have any help.
02:33Aleksa, just tell me, you have a home every time.
02:36You see how a man is a millionaire, but he doesn't want to do it.
02:40I have a lot of work.
02:42See how he is.
02:53You know what I mean?
02:56You think you have a little faith in science and genetics, a little spirit.
02:59You have to decide.
03:01I'm going to go for a jam.
03:02Okay.
03:08Do you know what I mean?
03:14I like to know what it means.
03:16Well, it's in a certain way.
03:21I go for you.
03:29So you know what I mean?
03:33I am sorry.
03:34You are a legend.
03:35You are a kid.
03:35You are a kid.
03:35I am a kid.
03:37I am a kid.
03:38You are a kid.
03:39A kid.
03:42I am.
03:43You could pick another club, the same club.
03:48What's wrong with this club?
03:51I mean, I've lost my own club, but this is the most soft.
03:55It has a nice look.
03:57Let's go.
04:03Professor, don't be afraid that someone will see us like this.
04:09I thought something about that, but...
04:13I've got a lot of years now that I'd be afraid of someone from there.
04:17Do you know what I mean?
04:22And I...
04:26I've left the club as I want to kill you.
04:31Let's go.
04:34I mean...
04:35You've got a reason to put me in a joke.
04:40You thought that was nice.
04:43I'm thinking.
04:44I'm thinking.
04:45I'm thinking.
04:46I'm thinking.
04:46I'm thinking.
04:47How do I keep my head on my shoulders after all?
04:50Then you have to think that this situation has people where you want to go.
04:55So, they will find you in the corner.
04:56That's right.
04:58But I can't even finish in the corner.
05:05I'm thinking.
05:09I'm thinking.
05:12I'm thinking.
05:13I'll be able to do it in a moment.
05:17I'm thinking.
05:23I'm thinking.
05:24I'm thinking.
05:25I'm thinking.
05:26There's a very small number of people in the police.
05:29And they have to be with us very limited trust.
05:34Profesore, you always have to get into my position.
05:41I decided for the way I want to go to this pagan world.
06:07I think that this isn't a good idea.
06:10Why? Why are we all tied together?
06:13We are, but I know how my mother is.
06:17I know that it's not an opinion of her character.
06:20I mean, she's not for the peace, for Lule Mira.
06:23There's a problem that happens if she does it.
06:25Maybe.
06:28It's not possible, but it's 100% when she says.
06:32If I try to rage, for example, I'll explain that people can live in peace.
06:37That it's not necessary to do everything through a fight.
06:39I understand.
06:40It's beautiful to you.
06:42It's great that you want to rage through a lot of times.
06:46But I think that you are in front of the wrong church.
06:49I just don't think that it's the right person.
06:52Especially one of those things.
06:54Maybe, but it doesn't mean that.
06:56Do you know how much your school is important?
06:59I know.
06:59I know.
07:00I mean, you can't to all you have in the evening of the evening.
07:04I know you're all that good and happy.
07:08I know you're our job.
07:10I'm doing it and I'm doing it.
07:11And you're all my support.
07:13Biggest, I don't want to think about that.
07:14I don't want to think that any one's bad thing about us.
07:16Or do you think that?
07:17I feel it's because of all that.
07:19Ugly not to die.
07:20I'm not to die.
07:21I'm ready for school.
07:23I don't want to die.
07:25I don't want to die.
07:27Let's go.
07:28Come on, be good.
07:41Hello Nada, can you talk?
08:05I was with Tanja to shoot some nekretnine and I wanted to tell you that I'm a famous photographer for
08:12flash nekretnine for Crnu Goru.
08:15What are flash nekretnine?
08:17It's the agency where Tanja is working, the girl who is coming.
08:20Do you remember?
08:21Yes.
08:22I don't want to break you, Sneška, but I think they were engaged only to talk to us and to
08:28go home.
08:30No, no.
08:31I really appreciate how Tanja is working, but I think they will use you to get to us.
08:37Okay, I wouldn't be involved with you.
08:40Tell me, how many nekretnine they have in Crno Goru?
08:44Okay, they don't have any one now, but they plan to expand our market.
08:49You're the main photographer in the agency where you don't have anything to do.
08:53Okay, but they plan to expand.
08:56And they plan?
08:56Yes, they promised me what they told me.
08:58They promised me.
08:59They promised.
09:00Okay, just don't understand that everything is too bad.
09:06Did Tanja ask us something?
09:31What do you think of it?
09:34What do you think of it?
09:40Okay. It's not a bad idea. I mean, like the Falcone judge.
09:48What do you mean?
09:50I thought you would think something more discreet.
09:57I thought about it, but this is the only right way that will never make a doubt.
10:09And I see that you don't need to play on discreet, you need to be against.
10:17That it will be good, explosions, that everyone can hear, that everyone can see how the car is going.
10:23That it won't be a shame.
10:26It will be spectacular.
10:30There is another good difference.
10:32What?
10:32That it is?
10:33It is connected to them that they don't need for themselves, that they don't need to be in trouble.
10:38That I am.
10:39Yes.
10:43Yes.
10:43In the streets that will really fight, that they will really explore, it will really be the body, but not
10:54mine.
10:58What?
10:59I mean, I have to find someone who needs to find him, and then I will put him in trouble,
11:02right?
11:05No.
11:11No.
11:14No.
11:15No.
11:15In any way, now I have him and I will get to find someone who has suffered somewhere.
11:23No.
11:24I know who has been in trouble for her long time.
11:26We will put his body in my body, which will really grow up.
11:32My body will really grow up, but it won't be mine.
11:35Do you understand?
11:37There's nothing to do with it.
11:39Well, it's going to be in high schools,
11:42not in public schools.
11:47Okay, professor, what is my role in everything?
11:50What do I need to do?
11:52You're going to thank yourself.
11:55What do you think you're going to do?
11:56You go to the city and thank yourself,
11:58and you're going to do it.
11:59How do you think you're going to do it?
12:02What time do you think?
12:04You're going to do it.
12:06And you and my friends,
12:08if there is still someone else.
12:13I need to say that I'm going to do it.
12:16Yes, yes.
12:18I don't want to know all the details,
12:20but I'll tell you about the rules that it's your hand.
12:22I understand.
12:23Okay.
12:24I understand.
12:26If you understand, let's go.
12:29Okay, let's see, professor.
12:31Let's go.
12:35Let's go.
12:49Let's go.
12:51Let's go.
12:51Let's go.
13:05Let's go.
13:06Let's go.
13:11Let's go.
13:12Let's go.
13:13Let's go.
13:15Let's go.
13:17Let's go.
13:42Let's go.
13:44Let's go.
14:13Let's go.
14:14Let's go.
14:33Let's go.
14:37Let's go.
14:38Let's go.
14:41Let's go.
14:43Let's go.
14:53Let's go.
15:20I don't know what you're saying.
15:23I asked her to do the same thing, and I said that you are a businessman, and that you are
15:27a creator of Elenka.
15:28Okay, did you ask yourself something like where we are or how long we stay here?
15:33No, it wasn't so much fun.
15:36Did you ask her how to call her?
15:38No, not that.
15:39If you ask her to call her, you say that we call her Mačević or Petrovic or whatever,
15:45but I don't want to ask someone to ask us, we are ready.
15:49Okay, of course.
15:50No, I don't want to take care of her.
15:52You know, we are short and the best is not to ask her.
15:55Okay.
15:55I don't know how to introduce yourself.
15:57Is that okay?
15:58Yes, of course.
16:01There is no jam anywhere.
16:03You have to go and buy it.
16:06Me?
16:07I have to go and buy it all.
16:09No, you don't have to go and buy it all.
16:11I'll finish it just because I don't participate in this.
16:13Okay, he will buy it.
16:17You see what you did?
16:18What?
16:20What?
16:24Yeah.
16:43How in Chinese miss if we have the N Shooterath?
16:44Yes.
16:44What you need to say?
16:45Okay so...
16:48Yes, you need to stay.
16:50One, the women's Magnolia.
16:58Good morning, good morning.
17:00Good morning, good morning, good morning.
17:03Good morning, good morning.
17:05You know you don't like Dijana Erskine when it's late.
17:08I've found this restaurant, please.
17:11Okay, that's because of the fact that I bought here,
17:13it's all for Kremdela Kremi.
17:15It would be nice that I managed to open you some door
17:19while I'm not alone.
17:21No, no, I thought about it.
17:23The navigation was wrong,
17:26and there are two streets further.
17:28That's what I'm talking about.
17:31I'll do something with the owner.
17:34Okay.
17:35What did you want to talk with me?
17:39Look at this.
17:42I'm currently in a...
17:44...in a delicate situation.
17:48It's not just me, but your friend, Ksenija.
17:52What?
17:53Did something happen?
17:56Yes, it happened.
17:58Let's see.
17:59I know.
18:01I'm not sure.
18:02But Ksenija was going to have some strange messages.
18:06You know, someone is not really looking at the end.
18:10It was something very unpleasant.
18:12Because of this experience in his office in Lengi Velicki.
18:15I like this.
18:16It's scary.
18:18Now, whether it's scary or not, I don't know what to say.
18:22We've managed to do it until now.
18:24We managed to do it with a secret to say.
18:28However, I managed to do it with my strong contact,
18:32but it happened that it was over and that it could go out and see.
18:38Yes, but Ksenija didn't talk about it.
18:42How do you say it? She's under stress.
18:46From stress?
18:47From stress?
18:48From what? From utcine or from Otmice?
18:52It's normal in this world, you understand?
18:55I'm like Jet Set.
18:57There's a lot of utcine on utcine on utcine on utcine on utcine.
19:02It's clear to me that someone who has an ordinary sense,
19:05it can't be understood.
19:06God, thank you, but my sense is an ordinary sense.
19:09Okay, I don't comment on that.
19:11Basically, I'm in a serious problem.
19:15What's the problem now?
19:17Is it utcine on utcine on utcine on utcine on utcine on utcine on utcine on utcine on utcine on
19:22utcine on utcine?
19:41What's the problem?
19:41What's the problem?
19:42What's the problem?
19:45What's the problem?
19:46What's the problem?
19:47What's the problem?
19:49Okay, I understand, but I don't know how I can help you.
19:56What's the problem?
19:57I don't know, just on utcine on utcine on utcine.
20:03Let's do that, let's just sign up a certain point,
20:05what's the problem now?
20:07A lot of things are not usually mounted on utcine on utcine on utcine on utcine.
20:09Could you call the utcine on utcine on utcine on utcine on utcine on utcine?
20:10I need you.
20:40Every time, my time.
20:43Where are you, my time?
20:44Yeah, listen.
20:47I'm a little fool.
20:49I'll be right back to myself.
20:54Eh, you know what?
20:56There's no one who can hold it like I am.
21:02Bravo, Paki.
21:04Bravo, every time.
21:05Two of us are our Bilmeza.
21:07Pošaljam zajedno u prodavnicu da ne bi kojim slučajem nešto pogrešili.
21:13A oni se ne srećništi vrate sa pokvarenim jajima.
21:20Evo.
21:21E dobro.
21:23Uf, čija je ovo kafa?
21:25Moja.
21:26Čije?
21:28Dobro.
21:29Oako je vamo.
21:31Imate te pametne telefone ili kako ih već zovete.
21:35Daj ih uključiš.
21:37Here is the hospital.
21:42Yes, yes, nothing.
21:45Nothing?
21:47Why did you do that?
21:49What did you do?
21:52Nothing, I pray for you.
21:56You're not even under the pressure
21:58of a bad test for you.
22:01No.
22:02Come on, come on, I hear everything.
22:06Come on, come on, come on.
22:07Come on, come on, come on, come on.
22:09Come on, come on, come on, come on, come on.
22:17What are you doing now?
22:18What are you doing now?
22:20No, I pray for you, nothing.
22:23Let me go.
22:25Do you want me to tell you something?
22:27Look at what you look like.
22:28I hope you see it.
22:36My heart.
22:39My heart.
22:41Where is this scary photo from now?
22:46It's a new photo.
22:50Soon.
22:51A little before me.
22:52I'm not sure.
22:59What's this scary photo?
23:00What do you want to say?
23:02Are you asking me to tell you something?
23:04I don't know.
23:07I don't know.
23:08I just worry about why not.
23:17Why are you doing it?
23:20I know what's going on and what's going on.
23:46Why are you so dramatic, so drastic,
23:51what's going on?
23:54What's going on?
23:56What's going on?
23:58What's going on?
23:59I just wanted to ask you,
24:02if your friend Ksenija doesn't want to do this,
24:06you've taken the profile of Baby Vange,
24:08what's going on?
24:09Dijana,
24:11I'm not working.
24:12I'm not working,
24:14I'm not working for something.
24:17But that I would take my best friend's job
24:22until she's in the problem,
24:23I wouldn't do that.
24:25Okay, go ahead.
24:26Keep your principles and life rules.
24:30Just go ahead.
24:32But if this looks like the light of the day,
24:35I'll tell you that I'll always have to ask Ksenija
24:37to be the other one.
24:39What's going on?
24:39What's going on?
24:40Why are you still talking about it?
24:41Because I'm a man.
24:43I can't allow myself to jump you
24:46and ask someone else.
24:47I'll tell you that I can freely jump you.
24:51You have my permission.
24:51Ivoonice, ludkice, lepotice.
24:53Well, look.
24:55You're beautiful.
24:57You see?
24:58You're smart.
24:58You're eloquent.
25:00You have a clicker.
25:01I mean, you're just a memory in life.
25:06I don't understand.
25:07Wait.
25:09Even when I would take that job,
25:12Ksenija and me are two different types.
25:15We look different.
25:16I mean, I mean,
25:17it's totally absurd.
25:18It's not absurd.
25:19It's not absurd in general.
25:21I'm sorry.
25:22No, no, no, no.
25:22You see?
25:23It's very logical.
25:24Milena was a black baby Vanga.
25:27After that,
25:27we're in Ksenija
25:28who is a brown baby Vanga.
25:30And now,
25:31the logical result is
25:32that the next baby Vanga
25:33will be a blue baby Vanga.
25:34I'm not a blue one.
25:36I'm sorry.
25:37I'll tell you.
25:37I'll take you from Paester Boney
25:38and a cold freezer
25:39and we'll do it completely blue.
25:40If you need it,
25:41if you need it,
25:42if you need it,
25:43and extensions on your head.
25:45What do you need?
25:46Wait, wait.
25:47Stop.
25:49I would never have been able
25:51to do something like that.
25:52We're completely different.
25:55We're not...
25:56What do you mean?
25:57What do you mean?
25:58What do you mean?
25:59What do you mean?
25:59It's important
26:00whether it's blue,
26:01blue, red, red, red.
26:02It's important.
26:03Who is that?
26:06See,
26:07Diana,
26:08Ksenija
26:09is my best friend.
26:11It's your favorite friend.
26:13We are different
26:13on the topic of a lot.
26:15We don't speak
26:16about that.
26:16Only because I don't understand
26:17astrology.
26:19What do you mean?
26:21It's not that we don't understand.
26:24It's not that we don't understand.
26:36for this astrology and that, yes, I pray.
26:38We have the intelligence intelligence.
26:39If you ask something, she says it.
26:41She says it.
26:43I know.
26:44I don't care about it.
26:48Look, Rutko,
26:50listen to me,
26:51what do I say?
26:54Xenia will definitely leave the blood.
26:58You know why?
26:59Because people don't want to deal with those
27:02who have a job with a criminal structure.
27:05People don't want to deal with that.
27:06They don't want to deal with someone who can't
27:08and they'll finish off with their legs.
27:11That's not an intelligent.
27:15Let me,
27:18let me talk to you with Xenia.
27:21We'll see you next time.