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00:27Thanks for watching the video.
00:58Thanks for watching the video.
01:27Thanks for watching the video.
01:29Thanks for watching the video.
02:11Thanks for watching the video.
02:44Calm down! Calm down!
02:47I promise I will study your request.
02:50The royal heritage belongs to the country!
03:00Calm!
03:01Calm!
03:16Calm!
03:18Calm!
03:19Calm!
03:47Calm!
03:53Calm!
03:56Calm!
03:59Calm!
04:00Calm!
04:01Calm!
04:05Long live the Republic!
04:07Viva!
04:09Silence!
04:16Juanito!
04:20Juanito!
04:33Juanito!
04:35Breaking news! Breaking news!
04:39Check out the latest news! Latest news!
05:06What's wrong? What's wrong, Plácido? Why the rush?
05:12Juanito, I've seen him.
05:14What's wrong with Juanito? Tell me already.
05:18I saw him in jail. They were taking him away.
05:24Prisoner. Prisoner. My son.
05:29Don't worry, woman.
05:31You have something to do with González Bravo. Find out.
05:34My God.
05:35Don't worry. I'll fix this right away.
05:37No.
06:03Juan Santacruz.
06:06Juan Santacruz.
06:19Latest news!
06:22That's not what it is!
06:36Ius suffragi, or the right to vote in assemblies.
06:41Ius honorum, or right of access to magistracy positions.
06:47Ius conubi, or conubium, or the right to marry and the right to serve in the legions.
06:54Ius accionis, or the right to go to the courts of justice.
07:00The provocatio ad populum, or the right to appeal to the elections of centurions.
07:09Sui iuris, or people who are not subject to the pater familias.
07:21And I also saw Joseph I, the Duke of Angoulême, Lord Wellington, Maria Cristina, and Ferdinand VII.
07:28everyone from a balcony.
07:30And what about O'Donnell and Espartero?
07:31Yes, sir. Just like I see you all, hugging each other.
07:36And I saw them other times too, alone. And Father Merino.
07:41When was he going to be executed?
07:43You said it, on the gallows.
07:46Okay, I'll see.
07:50I hold the history of the century in these eyes, Don Baldomero. The history of the century.
08:04Juan, son.
08:07What's wrong, Mom?
08:08It's lunchtime. Aren't you coming?
08:12When I finish studying.
08:23When I finish studying.
08:46Wow, your deaf friend really pulled a fast one on us.
08:48Why, ma'am?
08:49Do you know what he sent me?
08:50No.
08:50A huge piece of rump and a piece of skirt full of scraps and tendons.
08:55Jesus, what a disgrace. No one buys anything from him anymore. That's it, the deaf guy. There! Never again.
08:59It's your fault, Plácido. Your protégés always end up like this.
09:04But we're not going to the market.
09:05After.
09:07Well, the market today is something else. It's like nothing's going on. Divine. Absolutely divine.
09:14No, no, no more partridge. Today we must see if Pantaleon has any good kids.
09:18I'd also like a nice, thick cow tongue.
09:21We'll see if there's any fine beef.
09:23Some are so thin, ma'am, that they almost look like hake.
09:26Then you go and tell them to send me sirloin steak. And a ribeye steak is a loin steak. And you look at them carefully.
09:31Don't go back to the short needles from the other day.
09:35I would like to pay my son Juan Santa Cruz's bill.
09:37Look, look in the book.
09:41I am so proud of my son.
09:43I fear that God will punish me.
09:46What a great guy.
09:47If he continues like this, he will become wise.
09:50Or more, there's a reason it took so long to come to us.
09:54We awaited him year after year, like the Jews awaited the Messiah.
09:59Here he is, Juanito Santa Cruz.
10:01I remember him very well. He took dozens of books.
10:04Oh, I almost forgot. I talked about the salmon.
10:06Because the locusts they have today are a plague. You'll see.
10:10Also, I wanted to tell him to give her all the books she asks for.
10:14Everyone. I'll come by to pay every week.
10:16Okay, ma'am.
10:20See you tomorrow.
10:21Bye bye.
10:21Good afternoon.
10:22Good afternoon.
10:22Bye bye.
10:28What do you want?
10:29I suppose I'll sell these books.
10:33Take a look at them and tell me how much you'll give me for the lot.
10:36But...
10:39Do you want to sell them?
10:41Yes, tell me how much you'll give me.
10:44OK.
10:46I'll tell you now.
10:49What do you want?
10:51What do you want?
11:18Saint Thomas, I was so conceited.
11:22But where does she go every night?
11:24Calm down, woman.
11:29Something must have happened to him.
11:31Foolishness.
11:31What's going to happen to him?
11:32You'll see how Estupiñá ends up finding him.
11:46That?
11:47Nothing, ma'am.
11:50I've traveled all over Madrid.
11:52I'm dead.
12:07I've been everywhere and nothing.
12:25Don't go, no.
12:27No, it's too late now.
12:30Bye bye.
12:38Paldomero, you know what you have to tell him.
12:43Open it up, Plácido, okay?
12:45Open it.
12:54Where are you coming from at this hour?
12:57From a farewell, Plácido.
12:58Who have you fired?
13:00They fired us, Villalonga and me.
13:02Are you leaving?
13:03Yes, we're leaving.
13:04Where to?
13:05To Paris.
13:06To Paris?
13:07Yeah.
13:09Jesus, you're going to kill that poor woman with grief.
13:13Well, I'm leaving, it's very late.
13:16It's a unique occasion, Mom.
13:18I am taking advantage of the fact that Villalonga is on an official trip to buy machinery.
13:21The train leaves at six.
13:23Wish me a good trip.
13:25But what are you talking about?
13:27I'm going to Paris tomorrow.
13:29Paris.
13:31Yes, Mom.
13:32Good night.
13:36Goodbye, Dad.
13:41Where are you going?
13:42Time for bed.
13:44Did you hear what he said?
13:45Yeah.
13:47I used to complain about being late.
13:49Paris.
13:50It's like complaining that four drops of rain are falling and then bam!
13:53The entire deluge on top of one.
13:57Talk to him.
13:58Everything he does is normal for his age.
14:00Leave him be.
14:10Okay.
14:13Okay.
14:14Okay.
14:16Okay.
14:19Okay.
14:34Juan, son
14:37You have two degrees
14:38And relationships
14:40What are you waiting for to start working and get your position?
14:42What are you waiting for?
14:44Look at Joaquín and Topez
14:45Listen, Mom
14:49I've come to the conclusion that he knows more.
14:51He who lives without wanting to know
14:53He who wants to know without living
14:56In other words, learning from books and faculties
15:01Mom, to live is to connect.
15:04To enjoy and to suffer
15:05To love, to hate, to desire
15:08And also travel
15:09And to know life for yourself
15:12Not because someone tells you about it.
15:22We'll see tomorrow.
15:24You're so angry that I don't dare ask you
15:29What did you want to tell me?
15:30Forget it, it's nonsense
15:33What was it?
15:35I've always been terrible at packing suitcases
15:41Will you do it for me?
15:45I'll see.
15:49No, no, no, no
16:16Tomorrow brings more candles.
16:19Now I'm going to order four more masses
16:22Four masses?
16:24One for each day my Juanito spends in Paris
16:27I must avert the dangers he faces
16:30With so many snakes around, as they say.
16:33I don't know if what we're doing will be enough.
16:36Four masses
16:38Four masses
16:39Four masses
16:42Four masses
17:06Four masses
17:17Four masses
17:18Four masses
17:18Four masses
17:21Four masses
17:22Four masses
17:22Four masses
17:22Four masses
17:24Four masses
17:25Four masses
17:34Four masses
17:38Four masses
17:40Ma'am, the coffee is served.
17:42And the man asked...
17:43Yes, I'm going, I'm going.
18:04Don't think about it anymore.
18:06The boy is of good character, from an honorable lineage.
18:09It has the formality in the mass of the blood.
18:11That's why I don't see anything wrong with him becoming more aware and experiencing the world.
18:16that he acquires ease of manners.
18:20It's not about manners.
18:23Otherwise, those big-mouthed women will eat me alive.
18:26Look, woman.
18:28For young people to gain strength against vice, it is necessary that they know it, that they experience it.
18:34Yes, daughter, let them try it.
18:36There is no worse situation for a man than spending half his life burning with the desire to try it.
18:41and not being able to achieve it anymore due to shyness or slavery.
18:49Come on, don't think about it anymore.
18:52Let him have fun and run.
19:17You keep going over the same thing.
19:19What are you thinking about?
19:31There is nothing.
19:34Nothing.
19:38These are different times, woman.
19:41Customs changed.
19:43And everything falls into place in a different order.
19:46My parents only allowed me the company of other boys my age.
19:51So, when they asked me to marry you,
19:55I had never seen a woman except through the lining.
19:58A chill ran down my spine.
20:00I still remember how afraid I was of you.
20:05Do you think that was better?
20:09But it turned out well.
20:12Or not?
20:14Of course.
20:15But there are so many cases where that way of forming a family turns out terribly.
20:20They married us off like two cats get married.
20:23Remember that.
20:41They married us off like two cats.
20:47It's true.
21:05We'll go this way to his sister-in-law Isabel's shop.
21:08What's worse?
21:09I saw her yesterday at the ninth.
21:11He carried his entire sample collection on his back.
21:13Seven children, herself, and the two maids.
21:15What a flock, God!
21:16He was running all over everyone like turkeys at Christmas.
21:20You ordered the two arrobas of oil.
21:22A few days ago, but it didn't last long.
21:24Of course, the poor woman sits at the table amidst whistles and flutes and eight mouths.
21:28And what mouths?
21:29I saw her place three candles for Saint Anthony.
21:32I think that instead of praying for him, she was scolding him.
21:36Placido, for God's sake.
21:37That church was torn down ten years ago.
21:39For me, it still exists.
21:40What did he want from his sister-in-law?
21:41You'll find out soon enough.
21:43She has to watch it on Sundays.
21:44The poor woman is there with her daughters; it looks like a demonstration.
21:56Good morning.
21:57Good morning.
22:05Hello.
22:06I don't think the one you're looking for is here.
22:09Oh, Aunt Barbarita, what a joy!
22:11What a surprise!
22:14And the others?
22:15They're upstairs with Mom.
22:27Don't run, I'll drown.
22:39You here, blessed are the eyes.
22:42Little girl, it's Aunt Barbara.
22:44Hi, aunt.
22:45Hi, aunt.
22:47Hello.
22:47What's up, babe?
22:54Hello.
23:01Hi, aunt.
23:03Leave us alone and close the door.
23:04Yes, ma'am.
23:24You and I need to talk.
23:25What about, aunt?
23:30Of many things.
23:34Firstly,
23:36I will accompany you to visit my dressmaker.
23:50Aunt Barents,
23:52the force of the door.
23:53And that was it,
23:53But help me.
23:54And that was it,
23:55And that was it.
23:58And that was it.
23:59Little one.
24:00No, no, no.
24:02No no.
24:03No, no, no, no.
24:04No, no, no, no, no.
24:06No, no, no.
24:06No, no, no, no, no.
24:14Mr. Villalonga, I have the car there.
24:19How did you get here in this state?
24:45How did you get here?
25:14How did you get here in this state?
25:16Let me see you.
25:17You thought you'd find me withered and anemic, didn't you?
25:20I've given you a nice surprise.
25:24Admit it, Mom.
25:25Come on, come on, it's four o'clock.
25:26Have we already eaten?
25:29Ah!
25:33You look great!
25:35Mom is unable to recognize him.
25:36I have brought you gifts.
25:42This is for you.
25:44What is it?
25:45The best perfume in Paris.
25:46And this is for you.
25:49Leave that for now.
25:50Come on, wash yourself.
25:51Hurry up.
25:53Come here, let her get dressed.
25:54That?
26:07That?
26:25Jacinta, let me see you.
26:29Have you changed?
26:31Stop that now and sit down to eat.
26:35Of course. But don't go. Let me see you.
26:40Move further back. A little more into the light.
26:51You are beautiful.
26:56Thank you for the gift, Juan.
26:58What gift?
27:27Mr. Estupiñá's apartment, please.
27:29Around there.
27:31Around there.
27:51Excuse me. Does Mr. Estupiñá live here?
27:55Don Plácido.
27:57In the very last ones at the top.
28:04What is he eating?
28:08Don't you see it? A load of rubbish.
28:10Raw?
28:12I don't know how he can eat that raw slime.
28:17Better than boiled.
28:20Wants?
28:21No, no. Thank you.
28:23Thank you.
28:25Thank you.
28:25Thank you.
28:26Thank you.
28:28Thank you.
28:31Thank you.
28:33Thank you.
28:37Thank you.
28:49Go!
28:52What a joy!
28:53Don't forget
28:54I counted 120 steps
28:56I'm out of breath.
28:57Next time, climb up from the bouquet of lilies.
29:01The shoe shop in the Plaza Mayor
29:0330 is saved
29:05How are you feeling?
29:08Your mother has sent me a doctor
29:12You see?
29:13The first time in my life I've been sick
29:18He says I'll be able to leave in a couple of weeks.
29:23Imagine how I'm going to spend a couple of weeks
29:25Without seeing the blessed street
29:29With what I like
29:54Subscribe to the channel!
30:13Subscribe to the channel!
30:44Subscribe to the channel!
30:46Here comes the lady
30:50Rafaela?
30:54Rafaela?
31:01Lady
31:04What time did he arrive last night?
31:06Well, I don't know, ma'am.
31:07How could you not know?
31:09I didn't hear you arrive, ma'am.
31:11You never feel it coming
31:13Thank God
31:14Tell me, ma'am
31:17Tell me, ma'am
31:17What time has my son been arriving home these past few weeks?
31:21What time did he arrive last night?
31:23For example
31:26I'm waiting
31:29Well, normally
31:31Follow
31:32He doesn't usually come at night, but in the morning.
31:34This morning he arrived early
31:37Around seven o'clock or a little later
31:43He's going to hear me
31:45When he wakes up he's going to hear me
31:58What legs?
32:00They look like stork legs
32:02What's with those tough-guy pants?
32:06Please step outside for a moment
32:07No
32:08No, don't go
32:08Go on
32:10And you, Mom?
32:11Aren't you going to make a fuss just because she wants to be fashionable?
32:13Please
32:14Stop kissing me and listen to me
32:15This is very serious.
32:18Where do you go at night?
32:20And with whom?
32:21Over there, with my usual friends, Mom
32:23Do you know them?
32:24Yeah
32:24Except for Villalonga
32:25He's been wearing short capes and hats lately.
32:28Your other friends have achieved what you haven't.
32:30You see?
32:32Zalamero is a congressman
32:33And Undersecretary of the Interior
32:35And Joaquinito Pez
32:37There you have it
32:38He will achieve a civilian government.
32:41Listen, Mom
32:42Primum vivere
32:43Deinde laborare
32:45Juan
32:46You and I are going to lose our friendships.
32:48And I'm warning you.
32:49Bring me home however you want
32:51Another one of those skinny guys in tight underwear
32:53Short cape and ankle boot
32:55I'll hit you
32:56Yeah
32:56I'm doing what I've never done before.
32:57I'll grab a broom and beat you all out of here.
33:05I think you should lengthen the vest by a couple of centimeters.
33:13That son is killing me.
33:15It comes to me very late.
33:18And suddenly you saw
33:20Like a cocky kid
33:21And then he goes off somewhere
33:24To candlelit dances
33:27To less-than-reputable neighborhoods
33:30Who knows?
33:32If to worse places
33:35Saint Ursula
34:02Last night he had dinner at Botín's nephew's pastry shop
34:05On Cuchilleros Street
34:08Mr. Villalonga was also there
34:10And another one I don't know
34:12Women?
34:15Two, ma'am, two
34:17I couldn't see their prints
34:19But they were the kind with brown shawls
34:22Blue apron
34:23Good boots and a headscarf
34:25A couple of very fierce bulls
34:29Anything else?
34:32She frequents a shop in the Jerónima neighborhood.
34:36They sell filigree and coral jewelry used by wet nurses.
34:41The child spends many hours of the afternoon there.
34:44And from the night
34:46I know this because Pepe Vallejo has the rope shop across the street.
35:00Placid
35:02Yes, ma'am
35:08I need to put a leg covering on my chicken.
35:12So that it doesn't get away from me again.
35:28You have something on your mind and you're not telling me.
35:32It's just wet gunpowder, daughter
35:35Wet gunpowder
35:36If that's what I suspect
35:38The day you confirm it to me
35:39I'll burst with pleasure
35:40I won't say any more.
35:43When we go to Plencia this summer
35:45I want Jacinta to come with us
35:47Oh, Jesus, Jesus
35:48Gonna?
35:49Of course
36:24If you were here now, I'd be in Arenalé
36:29In the sand
36:31I'd give you a thousand dates
36:34I'd give you a thousand dates
36:35To branch
36:41Don Plácido
36:43The aunt wants to see him
36:44She doesn't know anything about you and thought you might be sick
36:47I am not sick
36:49But I don't even go out so I don't run into her.
36:53What's happening?
36:54Nothing, it's okay.
36:55She wants to know, and I don't want to tell.
36:58That's why I'm hiding.
37:01What do you want to know?
37:05Leave him alone, daughter
37:06Go on
37:06Don't worry
37:09Tell him I'm feeling unwell.
37:10One of these days I'll go down to the street
37:12Tell him/her
37:15Goodbye, Don Plácido
37:16Goodbye, daughter
37:47Come on, the port
37:47The port of Martinez
37:48Lady
37:48You'll see that conger eel
37:52There is no cauliflower
37:53I've gone crazy looking
37:57I don't know anything about Juan.
38:00Absolutely nothing
38:01You keep hiding what you know so as not to upset me, Plácido
38:06I thought I saw him alone near the Puerta del Sol.
38:08He was riding in a car
38:10But that's nothing, ma'am.
38:13I was told a few days ago that they saw the two of them.
38:15To Villalonga and him
38:18He was laughing
38:19But that's even less.
38:22That's why I tell him I don't know anything about him.
38:24I haven't known for a long time.
38:28I know nothing about him
38:31I know nothing about him
38:35I know nothing about him
38:52I know nothing about him
38:56I know nothing about him
38:58I know nothing about him
39:19Help him down!
39:20Wait, sir. I'll help you.
39:25What happened to them?
39:26Nothing, nothing happened. You're going to do what I tell you.
39:30You're going to take Don Jacinto home.
39:31And above all, don't tell my mother anything.
39:34Not a word, don't worry.
39:36Go on.
40:58We have a letter for Don Juan Santa Cruz
41:00Give it to me
41:01We want to deliver it to you personally, ma'am.
41:04God, thank you
41:04They've come several times since the young master stopped going out
41:07He doesn't even want to see them.
41:09Leave me alone, ma'am, I'll deal with them.
41:11They have run down the stairs more than once
41:13What's happening?
41:14Leave here immediately
41:16We just wanted to deliver a letter
41:17Give it to me
41:18It's a personal matter
41:19Between us and young master Juan
41:21It's a personal matter
41:23There are no personal matters.
41:24Either you give it to me or you're out on the street
41:30Who are those men?
41:36What have they told you?
41:38Who are they?
41:39What does it matter, Mom?
41:41People I've met
41:44You'll be the end of me, son.
41:46Don't talk nonsense, they've already left.
41:49You have me at home at all times
41:52What more do you want?
41:59Sit there
42:01You and I need to talk.
42:04Tell me
42:06First
42:07Come to Plencia with us tomorrow.
42:09You'll have to give me two or three days
42:11I have several things to take care of.
42:12What matters do you have?
42:15Music, music
42:17And in case you had them
42:18It's best to leave them as they are.
42:22Come on
42:23Sit down
42:25And listen again
42:29Juan
42:32You need to get married
42:36I've found the woman you're looking for.
42:39You're like a child
42:40And things have to be done for you.
42:43It is my duty
42:45Taking care of your future
42:47That's why I wanted to talk to you
42:50Can you understand?
42:51That I can propose something to you
42:53That it's not convenient for you
42:54Well then, shut up!
42:56In these cases, mothers are not wrong.
42:59We are infallible
43:00Like the Pope
43:01Music
43:06Music
43:09Music
43:18Music
43:47Music
44:17Music
44:48Music
44:54Can you lower the collar a little more here?
45:17Step aside, girls
45:18Let me see her
45:19Girls
45:20Get out of the way
45:21Mom wants to see her too.
45:30I'm so happy
45:32So happy
45:33My daughter
45:35And she gets married
45:37With the Santa Cruz dolphin
45:40With that being descended from heaven
45:47Mother
45:48Mother
45:49What's the matter?
45:51Mother
45:51What's the matter?
45:52What's the matter?
45:53Bring a glass of water
45:54Runs
45:56Mother
45:58What's the matter?
46:09Goodbye in the middle
46:10Further
46:10A glass of water
46:10Further
46:10Further
46:11Three
46:11Further
46:12Further
46:38Here's to happiness.
46:40Mourning, Plácido.
46:40Mourning.
47:03Juan, Juan, leave me alone.
47:08I need to change.
47:10Alright.
47:14Turn around.
47:17Please turn around.
47:31John, leave.
47:33Come on, please, leave immediately.
47:35Already.
47:37Already.
47:41I'm going to warn you, daughters.
47:43Don't miss the train.
48:07Who's there?
48:08You need to hurry, the car is waiting.
48:10But Dad says the train doesn't wait.
48:12See?
48:13Come on, get out.
48:15Let's go.
48:43Don't miss the train.
48:50Thanks for watching the video.