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04:11What's wrong? What's the matter with you?
04:20What's the matter?
04:42You seem to be feeling down today, come here
04:45What do you want?
04:50Honey, I'm still cold
04:53Bundle up
04:58Jacinta, stop paying attention to that scoundrel of a husband of yours.
05:02I'm glad we met.
05:04Do you want anything else?
05:05That you love me and take care of me
05:11Bring me the water
05:32Do you think I have a fever?
05:36Roast chicken
05:39You're nothing but impertinent, like a child.
05:42Don't go
05:44When the mail arrives, I want you to read it to me.
05:46I'm eager to see how Salmerón fares.
05:49Then you will read me about the era
05:52Oh, off to bed, child.
05:54To bed
05:56It is already night
05:57You're going to get cold there
05:58I'm going to prepare it for you.
05:59Jacinta
06:01Put a handkerchief over my throat
06:03If you don't mind
06:04One of silk
06:30Ah, don't squeeze me so hard.
06:34Mom, please put it on for me.
06:36Not very strong
06:41So
06:44So
06:48So
06:49So
07:27I have to tell you something. Will you come?
07:30Is it important?
07:31Yes, very important. Are you coming?
07:35Yes of course.
07:36No, don't come. I'll go by.
08:33Hey, kids, come here!
08:37Are you from the Lord of Ido?
08:39No, it's me.
08:41Is your father upstairs?
08:42Yeah.
08:43Come on, join us.
08:52Hey, you! You're getting my clothes wet!
08:55What a dedication! Get lost!
09:07Mariana sign!
09:09Did you see that we brought the soup on our backsides?
09:14Alright, ladies!
09:15Each to their own job.
09:17And leave in peace those who do not bother you.
09:19No, no, no, no!
09:47What? Are you scared, pretty girl?
09:49What did you think? That it was the Royal Palace?
09:53To come here you need two things.
09:56Charity and stomach.
10:05In the name of the Father, have you seen?
10:07Come on, move it.
10:08Take it off.
10:09Come on.
10:24But, oh my god!
10:26Sign and song, why do you leave your damned words to the children?
10:32Come in, ladies!
10:34Come in, ladies.
10:35They find me a pitiful sight.
10:41But what are you doing with that painting, woman?
10:45It's because I'm a Lutheran.
10:47We are Lutherans.
10:50We painted mourning paper.
10:53Albacén pays us one real per resbo.
10:56And we provide the dye.
10:58Working all day we can earn six to seven reales.
11:02Times are tough now, aren't they?
11:04Either nobody dies or they don't throw any ballots at them.
11:07And don't subscriptions provide you with enough to eat?
11:10That's a calamity.
11:11José has very bad luck; he sells very few books.
11:14And if he does, those people who don't pay him.
11:16The first thing they need to do is send the children to school.
11:19I don't send them because I'm ashamed of them going out on the street in such rags.
11:22This friend and I will give you some clothes.
11:25God will repay him.
11:26And the oldest? Does he earn anything?
11:28Yes, ma'am.
11:29He earns five reales at a printing press.
11:31But you want to be a bullfighter, don't you?
11:34Rosita is learning the trade of hairdresser.
11:36Look, I'm going to see what happens.
11:38Bring the paint!
11:40Bring the paint!
11:40Bring the paint!
11:40Bring the paint!
11:41Bring the paint!
11:43Look at how this looks, you pig!
11:46Why don't they wash it?
11:49Wow, Juanín is quite handsome, isn't he?
11:51And what about this lady who wanted to give you a kiss?
11:54And where is that lady on the left?
11:56I need to talk to him. Where does he live?
11:58Well, I'll let him know.
12:00The door to his home is locked, hermetically sealed.
12:03We'll come back another day, right?
12:05Yes, but for God's sake, wash it.
12:07He must be going through a horrible ordeal.
12:24Digitantín, do you want me to wash you?
12:26He must be going through a horrible ordeal.
12:28He must be going through a horrible ordeal.
12:31He must be going through a horrible ordeal.
12:55I knew you were coming, namesake.
12:58Maybe we can celebrate something, right?
13:00Yes, but know that I only have one penny, one penny.
13:04So don't run too fast, okay?
13:07I'm placing the order.
13:11Ah, that's it.
13:15Hey namesake, I'm so glad to see you, because I have some very important news to share with you.
13:22Yesterday, Mrs. Jacinta was at the house and asked about the child.
13:26And he gave it to her.
13:27Well, he didn't get it because the poor thing was all painted black.
13:31Then he asked about you, but since you weren't there, he said he would come back.
13:36José, long live the republic!
13:39Damn the republic!
13:45What a load of rubbish.
13:47Don't put me in.
13:49Me!
13:49That I was the individual who watered her the most in this damned land.
13:53That's what they say.
13:55Raise crows.
14:02In '55, what did I do?
14:04To fight on the barricades like any decent person.
14:08In '56,
14:11He was a lieutenant in the militia.
14:12Even Odónel was afraid of me.
14:15In '66,
14:17when the artillerymen's,
14:19I was shooting on the corner of Leganitos.
14:22In '68,
14:23I was on duty,
14:25in banks,
14:26so that they wouldn't steal.
14:28Then,
14:29They touch the reward,
14:31I ask for a sad fate,
14:32And what do they give me?
14:34Nah!
14:34Not even enough to eat.
14:37I'm getting married.
14:39Demetria dies.
14:41And I ask again for a destination.
14:43But those scoundrels say they don't have jobs.
14:46One day they will ask us for help,
14:48but I
14:49I'm not going to budge.
14:51If the republic collapses,
14:53Let it sink.
14:54If the damn town sinks,
14:55Let it sink too.
15:03They say they're going to bring Alfonso to him.
15:05Pachasco.
15:06They can bring him here as far as I'm concerned.
15:08I don't care if it's white or black.
15:11I go through enough.
15:14In Barcelona,
15:16If it weren't for my niece Fortunata,
15:18I'm not telling.
15:19She's a good girl.
15:21With the money he gave me,
15:23I grabbed the train
15:24and I returned to Madrid.
15:26So you picked up that child.
15:28Then I played from my soul.
15:30Seeing that they wanted to put me on the star level
15:33and get tangled up with the guras,
15:35I took the olive tree
15:35and I left for Cartagena.
15:39They wanted to make me do it there.
15:40Minister of the Interior.
15:42And I said no,
15:44nes.
15:45We went out with the freatas
15:46through those seas of my soul.
15:49So,
15:50Whether you like it or not,
15:51They promoted me to lieutenant commander
15:53and I was under the same orders
15:56from General Contreras,
15:57who called me informally.
16:00That's it, man.
16:02It looked exactly like
16:04The great Turk with his red hat.
16:07Those were the days!
16:09Alicante.
16:11Eagles.
16:12It's a shot.
16:14A powerful shot is coming.
16:16After the frigid weather.
16:18Why should I tell you?
16:21I'm getting out of there.
16:22I'm going back to Madrid very quietly.
16:25So fresh.
16:26So what?
16:28Let me introduce myself
16:29to those meddlesome theologians
16:31and I tell them
16:33Here I am.
16:34Here's the personality
16:36of the truthful individual
16:37who spent a most holy life
16:40fighting like a cat on its back
16:42for the damn freedoms.
16:44Kill me, damn it!
16:45Kill me!
16:46Since you don't want to hire me.
16:49Did you listen to me?
16:50Well, neither do they.
16:53And I say
16:53which is deserving
16:55the Madrid corner
16:57and set it on fire
16:58to the courts,
16:59to the Royal Palace
17:00and the damn ministries,
17:02to the Pawnshop,
17:04to the Civil Guard Barracks
17:05and to the Water Reservoir.
17:07And then
17:09to make a bunch
17:10of orca
17:11with Castelar,
17:12Pi,
17:13Figueras,
17:14Martos,
17:15Vicerra
17:15and the others
17:16through modeling,
17:17Pussy!
17:17For modeling!
17:18For modeling!
17:19You are a wretch
17:21because they don't do him justice.
17:22Yes sir.
17:23But I am more so.
17:24because there is no misfortune
17:26greater than dishonor.
17:27Everything can be handled
17:29except for marital infidelity.
17:30Man.
17:31Because he will cast upon me
17:32society is messed up
17:34not being at fault.
17:36I'm not a model.
17:37husband
17:38and of father.
17:40It's true.
17:41When have I ever been me?
17:42an adulterer?
17:43When?
17:44Let's see them say it.
17:49Be still, noble friend.
17:51I appreciate your help.
17:52But I must go alone.
17:53I'll catch them red-handed.
17:55Man, I...
17:55Silence, I say.
17:57The law authorizes me
17:58to make an example of him.
18:00Awful.
18:01Sinister.
18:02Silence, I say.
18:17Nobody.
18:33Adulteress!
18:34Christ!
18:35We're back again
18:36with the damn dengue fever.
18:37Oh, my poor little one!
18:38and he comes lost.
18:39Adulteress!
18:40You've eaten, haven't you?
18:42Good, we did it.
18:43How do you feel about me killing the person who invited you?
18:46Come on, bring it.
18:47Dad, don't scare us.
18:49Get those nonsense out of your head.
18:50Come on, you here, give, you understand.
18:52I've seen it, you're not going to deny it, are you?
18:54Who have you seen?
18:56Who have you seen?
18:57To the duke?
18:57To the duke?
18:58Yes, I have it here.
19:00I just didn't remember.
19:01Hang on a minute.
19:03Here, here.
19:05You can pickle us now, go ahead.
19:07We're there.
19:08Get the booty out of us!
19:11Adulteress!
19:12Go ahead, go ahead.
19:13Both dead!
19:15I am avenged.
19:18My honor.
19:35The worst is over.
19:38Poor angel.
19:39He always gets this content whenever he eats.
19:42That's a strange thing.
19:43Yes, miss, whenever you eat meat.
19:45They say that meat is one of the enemies of the soul.
19:48Whenever he takes drugs, he gets that dengue fever.
19:51What does it say?
19:52What does it say?
19:53She had a fling with a duke.
19:54Look.
19:55Look at me with this appearance...
19:58Excuse me, I would like to speak with that gentleman they call José Izquierdo.
20:04At your service.
20:07Whose hair is that?
20:08From my wife's daughter.
20:11Where is?
20:12In the cemetery.
20:19Go on, Piojín.
20:20Give the lady a kiss.
20:22Come.
20:23He is frightened by refined people.
20:28Mr. Izquierdo, here is a portrait of your niece.
20:41Why is he so lightly dressed?
20:43I am poor, ma'am.
20:45They don't want to give me a job...
20:47for decent.
20:48But it's possible, sir, that I don't even have enough for...
20:50Absolutely.
20:52I'm going to bring you some very nice boots.
20:54Hey?
20:58Mr. Izquierdo, I know who the child's mother is.
21:03It's clear that you can't raise or educate him.
21:05I'll take it.
21:08I truly have a right to him.
21:11Help the lady because of the caste she is.
21:13Put me in.
21:15And I will raise him.
21:17No.
21:17Those deals don't concern me.
21:20We'll be friends on the condition that...
21:22that I take this poor angel to my house.
21:25I will protect you.
21:27What do you want?
21:28A certain amount?
21:32If the lady manages to...
21:33one thing...
21:35Okay, what?
21:36The lady focuses on Castelar or Mr. Pi.
21:39Leave Pi and Pa to me.
21:41I cannot give you any destination.
21:43Well, if the administration of the brown one doesn't give it to me,
21:45The child stays here.
21:47Host!
21:49You're not asking for anything.
21:51I'll talk to my husband.
21:53He will claim the child and acknowledge him.
21:59Who do you want, Piojín?
22:02I will not stop her from continuing to love him.
22:04Not even if I see him.
22:06Ever.
22:07As for the brown one, well...
22:09I'm not saying no to him either.
22:12Could be.
22:13I don't know.
22:16I think a certain amount would be best.
22:20I think the homeland is oppressed.
22:21I spent my holy life
22:23striving for the freedom of the Spanish people.
22:27Even more?
22:33Come.
22:38No, you idiot.
22:39If I have more.
22:41Whore.
22:44What things does it teach you?
22:46Oh, Piojín.
22:48Don't use expressions.
22:53Do you love yourself?
22:54Say yes.
22:55Yeah.
22:56But tell yourself that you're not going with her.
22:59Because your dad needs to be given an administration.
23:10Ladies, we wanted to talk to you for a moment.
23:12Let them know that my children are barefoot.
23:14If only they could fix it...
23:16I have five and I'm pregnant.
23:18I can't go to the tobacco factory where I work.
23:20And my family is having a very hard time.
23:22My husband fell off the apron, miss.
23:24He's been in bed for three months.
23:25He has a chest pain and other aches and pains.
23:27Sometimes it bleeds from the mouth.
23:28We have no one to help us.
23:29Please, miss.
23:30I will do what I can.
23:31Miss, please.
23:35Miss, have you seen my apron?
23:42Yes, I see it now.
23:44You look very pretty.
23:45I used it for the first time today.
23:46I won't get it dirty because I don't go down to the patio.
23:48Whose are you?
23:49What is your name?
23:50Worship.
23:54She is the daughter of a very bad woman they call Mauricia the Tough.
23:57He has lived here twice.
23:59They then put her in the Micaelas, but she escaped.
24:01And now nobody knows where he is.
24:02She lives with her aunt Severiana.
24:04Yes, I've heard of her, my friend.
24:06Miss Guillermina loves her very much.
24:10Ma'am, I didn't wear makeup the other day.
24:12Not you.
24:13I already knew that.
24:14You are very clean.
24:15Those pigs wanted to paint me, but I wouldn't let them.
24:24You are very naive and you don't know how to deal with those people.
24:27Leave it to me and relax, that child will be yours.
24:30What did you plan to offer him?
24:32Ten thousand reales?
24:33Well, give them to me.
24:35And if I sell them for less, the difference goes to my work.
24:37Whatever you say.
24:39Now go and rest.
24:41Don't think about it anymore.
24:42Leave it to me.
25:16We've won the lottery.
25:18What are you saying?
25:19We've won the lottery.
25:21It was a very nice number.
25:23As soon as the lottery vendor showed it to me, I had a feeling.
25:25Three four, one zero and one eight.
25:27I had to leave.
25:29How much?
25:29How much did we get?
25:35The lottery!
25:36We've won the lottery!
25:38As?
25:38I have heard the Lord!
25:40Hey, come on, hurry up.
25:42Come on.
25:43What a joy!
25:53The boys played two tenths.
25:56And they put on fifty thousand reales.
25:58Villalonga, twenty-five thousand.
26:00Samaniego, half.
26:02Ah, now comes the rubbish.
26:07Thank you.
26:08Rafaela and Blas cost one thousand two hundred reales each.
26:13The charcoal burner, the same.
26:16And Juana, the cook, earns two thousand four hundred reales.
26:21What's happening?
26:27The gentleman has won the lottery, miss.
26:30Well, we've all been affected a little.
26:35Have you heard?
26:37The lottery is a complete setback.
26:40The providence of the lazy is one of the things that should be abolished.
26:43It kills saving.
26:46Don't leave now.
26:48Come.
26:55Let them celebrate.
27:00Go and take care of your sick person.
27:09Good afternoon, sir.
27:11Hello gorgeous.
27:18But what's going on?
27:19We've won the lottery, Don Plácido.
27:21Whom?
27:22At home, everyone.
27:39Poor Plácido didn't play this time.
27:44You should include the list anyway.
27:46But he had the hard money in his hand, offering it and withdrawing it until he decided to spend it on aniseed.
27:51Well, have some aniseed.
27:53Poor thing.
27:54Put it on the list.
27:56What difference does it make to you, man?
27:57May they be happy.
28:03Today is a day of celebration in this house.
28:06We must congratulate them all.
28:11You bet ten reales.
28:14Therefore, you are entitled to one thousand two hundred.
28:18No, not me.
28:21He must have been born on his feet, winning the lottery without even playing.
28:26But if I...
28:27How's your head feeling, Plácido?
28:29You still don't remember that you gave me half a coin to play it.
28:32I?
28:34When you say that, my head is completely out of it.
28:38This calls for a celebration.
28:59I have found out everything and I am announcing that everyone has to give me 25% for my project.
29:04Otherwise, God and Saint Joseph will spoil their prize.
29:08Woman, 25% is a lot for little people.
29:11Ask Saint Joseph about it and you'll see how he agrees with me.
29:14Well, we'll see.
29:16Shh!
29:20That?
29:23You can live in peace now.
29:25The pituso is yours.
29:27I've closed the deal.
29:28Six thousand five hundred reales.
29:30What's left of the ten thousand is mine, huh?
29:32I've certainly earned it.
29:33Yeah.
29:3925 for them, but 50 for you, heretic.
29:42And that's that.
29:44Otherwise, you'll spend it at the pharmacy.
29:46What do you choose?
29:48No, no, no, no, no.
30:25The real lottery win is the one I've won with you.
30:28You're the jackpot.
30:33How are you feeling?
30:34Good.
30:36For the first time in 20 days.
30:38I'm fine.
30:41My head doesn't hurt.
30:43I'm sweating and I'm not cold.
30:46You don't have a fever.
30:48Despite everything, I can't fall asleep.
30:52I stayed up all night.
30:54Are you sleepy?
30:55Neither.
30:59Tell me something.
31:00Where have you been these past few days?
31:02When?
31:03In the morning and some in the afternoon.
31:07No.
31:08You want to know everything.
31:11Do I have the right?
31:14Are you buying?
31:16I don't believe it.
31:17It's true.
31:19I'm making a trousseau.
31:22Don't make fun of me.
31:26Should I tell you or not?
31:28Come on?
31:30Well, here goes.
31:32I'm going to have a baby boy.
31:35Hey, those things are no joke.
31:37I'm not kidding.
31:39Does Mom know?
31:41No.
31:42Nobody.
31:43Are you sure about what you're saying?
31:45As sure as if I were seeing it.
31:47And I could hear him running through the hallways.
31:50As much of a rascal as his father.
31:52And you already know it's going to be a boy.
31:55Yeah.
31:56If that were true, I'd tear down the whole house right now.
32:00Within...
32:02How many months?
32:04Soon.
32:07Six.
32:09No.
32:11Five?
32:13Three.
32:14Sooner.
32:16Stop arguing.
32:18Well.
32:20There's time we talked about these things.
32:23And you'll gradually become convinced.
32:24I didn't believe a word you said.
32:32Go to sleep now.
32:33Liar.
32:35Sleep.
32:38Figurines, figurines for the home.
32:54This afternoon I had the chance to tell Valdomero about your escapade.
32:58But I didn't dare.
32:59You can probably guess if I think the matter is serious.
33:02I'd give anything to have that doll be my grandson.
33:05But it hasn't occurred to you that his mother, that old hag, might claim it and drag us into a lawsuit that
33:10drive us crazy.
33:10How can he claim it if I abandon it?
33:13You are innocent.
33:15Well, if he asks for it, I won't give it to him.
33:16I'll say it's mine.
33:17I gave birth to it.
33:18Let's see who can prove otherwise.
33:20Don't think crazy thoughts.
33:21You will be the one who has to prove that you gave birth to him.
33:23When you see it, you'll understand why I couldn't leave it where it is.
33:26I need proof.
33:27Very clear evidence.
33:31Oh well.
33:53Auntie, do people eat orange peels?
33:55You're already kicking like donkeys.
33:57He takes the ash from the garbage and throws it in our faces.
33:59Daughter, I've never seen a savage like you.
34:01We will tame it.
34:02They eat the candles.
34:04Auntie, he pees on the floor.
34:06It'll catch on eventually.
34:07Don't you see that he was raised differently than you?
34:11Now we're going to see someone who wants to meet you.
34:14First I'll give you a piece of marzipan.
34:15Want?
34:17I want a potato.
34:19This is delicious.
34:21Potato.
34:21Go ahead, eat it.
34:23I want potatoes, damn it.
34:27Okay, I'll give you some potato later if you want.
34:40My dearest son.
34:42Come, come.
34:44Come here, rich man.
34:46Come.
34:47Don't be afraid, come.
34:49My dearest son.
34:51You're so handsome.
34:53Treasure.
34:54Give Grandma a kiss, son.
34:56Does it look similar?
34:58It does look similar.
35:00Nailed it, daughter.
35:03Nailed.
35:04There's no doubt about it.
35:06I feel like I'm looking at Juan when he was four years old.
35:11Because of what that woman does.
35:13It is well known in this mirror.
35:15She's beautiful.
35:17Okay, daughter.
35:19Take him home.
35:21There's no need to rush.
35:22First you need to talk to your husband.
35:25I'll sound out the grandfather.
35:28It's spot on.
35:30Nailed.
35:31And what were you doubting?
35:32What do you want, daughter?
35:34There was reason to doubt.
35:36The situation was very delicate.
35:38I knew that as soon as you saw him...
35:40I'm going out into the street.
35:42I'm going to buy you a sailor suit.
35:44Wearing a cap that says Numancia.
35:46But don't run away, son.
35:47Don't run away.
35:48Come here.
36:07The treasury director accepts the consolidated loan, which is at 13, and extends the promissory note for the entire amount.
36:13nominal value, at an interest rate of 12%.
36:15You start putting two and two together.
36:17It's outrageous.
36:18Poor country.
36:28Daughter, Baldomero doesn't seem very favorable to us.
36:31He says it needs to be tested.
36:33See?
36:33Try it.
36:35Oh, and the resemblance is probably just our imagination.
36:38We'll see what Juan says.
36:40Are they going to take long to leave?
36:41Don't know.
36:42I'll try to get rid of them right away.
37:02No, I don't know.
37:20They've been gone for a long time.
37:21Yes, but Dad wanted to talk to me
37:25He kept me there for half an hour
37:27Do you know what?
37:28Yes, I know what you were talking about.
37:30You have to tell me
37:31To tell you, to tell you
37:34To tell you that your feelings are angelic
37:37But your reason, up in the clouds, lets itself be delusional.
37:58My soul, they have given you a sovereign, Timo
38:00Oh my God, don't tell me that
38:02You've been tricked in the most ridiculous way
38:05Only you, who are innocence itself
38:06You can fall into such poorly woven nets
38:08If you had spoken to me
38:13I don't think the left-handed brute could be capable of
38:18Unless I'm very much mistaken, this is a matter of...
38:20No, the poor man is incapable.
38:22The poor man realized the business opportunity they could have.
38:24Juanín is your son, don't deny it.
38:27I swear I didn't, how else can I tell you?
38:30No, that child is Nicolasa's son.
38:34The left-hand stepdaughter
38:36She died from complications during childbirth.
38:39Your son must be the same age as mine
38:43If I were alive
38:45If he were alive?
38:46As you can see, I'm speaking frankly to you.
38:48This means that he doesn't live
38:50You've never talked to me about that
38:53The last thing you told me was that...
38:56I don't know, I don't like to remember those things
39:10But the thought comes to me unexpectedly.
39:12You said
39:13I didn't give it anymore.
39:15I tried to help her but I couldn't find her
39:20And it was true.
39:23The pure truth
39:26But later
39:27When we had been married
39:30One year
39:32Something happened that I thought I shouldn't tell you about.
39:36Do it
39:39Just remembering it gives me goosebumps.
39:41But I'm going to do it
39:43We were going to the opera and they brought a letter for me
39:45You gave it to me yourself
39:47I was writing to you
39:49She had them write to me because she doesn't know
39:52I thought there was definitely a boy involved
39:54And I went to the appointment
39:58I thought there was definitely a little bit
39:59And I went to the appointment
40:09And I went to the appointment
40:10And I went to the appointment
40:15And send
40:15And I went to the appointment
40:15And I went to that appointment
40:24That's good
40:24A麽
40:25That I'm going
40:25You're going to...
40:36I called you because I had no one else to turn to.
40:39You did the right thing.
40:42Is there anything I can do for you?
40:44Should I call a doctor?
40:47Not anymore.
40:54He's leaving.
40:55He's leaving.
41:25Nothing else is killed.
41:28I saw him pass through the San Luis network, down Montero street, until he disappeared.
41:36What happened next?
41:39While the man was going to the cemetery, I went back to her.
41:44How can you live with that guy and put up with him?
41:48I have no other protection but him.
41:52I am grateful to him.
41:56Why won't you look at me?
41:58He doesn't want me to look at anyone.
42:01And least of all you.
42:08Tell me, does it hit you?
42:15I am grateful to him.
42:18His condition had deteriorated.
42:19She was thin, dirty, and wore clothes that smelled bad.
42:26And poverty, the dog's life, and the company of that savage had taken away some of its appeal.
42:32I waited for the man to return.
42:36And I let him rip me off big time.
42:39Loosen the purse strings on the condition that they leave, and then peace and glory.
42:42I haven't heard anything since.
42:46Poor Juanín.
42:49Your mother also found the resemblance.
42:52It's a problem of imagination.
42:55Besides, you got him all worked up.
42:57Well, I don't plan to abandon it.
42:59Whoever sends it.
43:00It's mine.
43:01Of course, it cost you money.
43:09Are you afraid to sleep?
43:11Let me.
43:53Hello, namesake.
43:54Good morning.
43:55How are things here?
43:57And the monster?
43:58Has he gotten up yet?
43:59Yeah.
43:59Dad has gone out.
44:01She will miss seeing him.
44:04Were you very scared?
44:06Juan says he hid under a bench.
44:08Did it go that well?
44:09No.
44:10She is getting dressed.
44:11Come this way.
44:23Ah, I was expecting you.
44:27Sit down and tell me.
44:34I'll be right back.
44:36I'm eager to know what happened.
44:40Before I tell you about the courts, I have some big news for you.
44:43A real bombshell.
44:45Come on, tell us.
44:47Well, I've seen the last person you'd ever imagine.
44:50It's here.
44:51Who?
44:52Fortunata.
44:52Fortunata.
44:53And you have no idea how much it's changed.
44:55She looks gorgeous.
44:56Elegant.
44:58Transformed.
45:06The session began in the afternoon and was suspended at eight o'clock.
45:11I would approach all the groups to smell that stew.
45:14The lever ministry was brewing.
45:16Meanwhile, outside the courts, conspiracies were being hatched.
45:19Zalamero and I took turns going out to give news to Serrano, Topete, and others who were in a
45:25floor of the street of the creda.
45:26We told him, my general, they don't understand each other.
45:30That seems like a calm sea.
45:32Boiling.
45:33Tumbara Castelar.
45:34We were wondering, will there be a vote?
45:36Will you bring us the result?
45:38The result was contrary to Castelar's prediction.
45:40What if it had been favorable?
45:42Bah, nothing would have been done, Teldo, by the way.
45:45Then Castelar spoke and said...
45:47Miss.
45:47Sorry.
45:55Where did you see her?
45:56At Café Praga.
45:57I was with an elegant man.
45:59I didn't meet her until some time had passed.
46:01I've noticed that he's been to Paris.
46:03Because without being there, such transformations cannot be made.
46:06Well, it's quite possible that he hasn't learned to read.
46:09But it has a unique body.
46:11And a statue bust.
46:14Silks, velvet, hats...
46:16Hat.
46:17Hat.
46:17Yes, yes, yes.
46:18No headscarf allowed.
46:20Hat.
46:20And you don't know how it feels on her.
46:22I was stunned, staring at his face.
46:24I approached with apologies.
46:26I realized that she had recognized me and that I was self-conscious.
46:29Salmerón's speech was admirable.
46:31And then the one from Castelar.
46:33I seem to see that face of a son of the desert.
46:36And that movement of the eyes.
46:38And the gallantry of his gestures.
46:40I thought...
46:41They really screwed him over.
46:42And you'll see what we've got planned for you.
46:46Leave that alone.
46:47Won't your wife let go?
46:48Don't worry.
46:50Well, you should have seen it.
46:51I was stunned.
46:53You would have eaten it.
46:55Everyone in the cafe was staring at her.
46:58Velvet coat.
47:00Turquoise earrings.
47:03Tell me everything, Jacinto.
47:04I finish right away and start again.
47:06General Pavia had placed unloaded cannons at street corners.
47:11Two shots fired into the air.
47:12And just like birds scatter from a tree when you clap your hands.
47:16Thus the republican assembly disbanded.
47:19It's that simple.
47:20Come and tell me everything from the beginning.
47:22While Juan gets dressed, if he doesn't mind.
47:24Yes, with pleasure.
47:25I'll be right there.
47:33Velvet coat.
47:35Turquoise earrings.
47:37You've already told me that.
47:38Okay, I'll continue.
47:39When they left, I went after them and followed them.
47:43Alcalá Street.
47:44Dangers.
47:45Caballero de Gracia to the corner with Colmillo Street.
47:47They called the night watchman.
47:49He opened the door for them and they disappeared.
47:51But is he coming or not?
47:52Yeah.
47:54I'll be right there.
48:21Indecent, boorish.
48:22I'm going to kill you.
48:24Okay, okay, don't make a fuss.
48:26It's not much.
48:27Take this tiger cub from my house.
48:30Take it away or it will be the end of me.
48:31How have you been feeling?
48:32Well, you can start washing it now.
48:34And while you're at it, clean the curtains.
48:35Well, woman, don't rush.
48:36I will do that.
48:37And take care of him.
48:38I have enough to deal with just my own family.
48:47They were only there for two days.
48:49The man left first by train.
48:52I don't think that woman left Madrid, that's for sure.
49:01Thank you.
49:11Thank you.
49:12Thank you.
49:25Thank you.
49:46Sorry, I mistook her for someone else.
49:57Barbara told me that you're very confused about what to do with that boy.
50:02I understand.
50:04I can see for myself that you're having a really hard time.
50:08I don't want you to worry.
50:11Everything will be alright.
50:14Nobody is going to throw him out on the street.
50:18John says that angelic procedures disrupt society.
50:21That's why what happened to you happened.
50:24Because she's so good.
50:27If we insist on being perfect, we'll all end up getting slapped.
50:33I just want to let you know that the child is under my protection.
50:38He will not come to this house or to any of the family's houses because it would be improper.
50:42But I will protect him.
50:45Yes, I'm fond of that doll too.
50:50I got my hopes up, but I had to demand proof.
50:53I couldn't let myself be dragged along.
50:57Thinking about it, I'm telling you this in confidence.
51:02I went out into the street one day.
51:06I was laughing to myself.
51:08Not knowing what to do, I went into the Union Bazaar and...
51:13I bought this for him.
51:22I was thinking of giving it to him.
51:25When it had been confirmed that he was my grandson.
51:29And he will enter this house.
51:50Juan, get in.
51:53Go up.
52:14Are you still looking for her?
52:15Everywhere.
52:16I'm sure when I see her I'll just act like nothing happened.
52:18But I want to see her through the whole ordeal.
52:20Listen then.
52:21That man was a con artist, but he's no longer in Madrid.
52:24And her?
52:25She had been made in the street, Joaquinito Pez.
52:28She has gone back to wearing a headscarf and a black shawl.
52:30Where did he see her?
52:31She was carrying a bundle of clothes in her hand.
52:33And he went into a pawnshop.
52:35Yes sir.
52:36You have talent, that's how it was.
52:37But didn't he follow her afterward?
52:39That's up to you.
52:40He would have done it, but he had a very important meeting.
52:46Okay, I'm leaving.
52:48No, no, no, no, don't think that I'm going to leave you alone now.
52:51You're staying here with us.
52:52Yes, yes, Juan.
52:53Sit down with us.
52:55Come on.
53:08Already.
53:18Come on, get in.
53:19No, I'm staying.
53:21No, not as you wish.
53:52No, I'm staying.
54:09No, I'm staying.
54:39No, I'm staying.
54:41No, I'm staying.
54:44No, I'm staying.
55:03No, I'm staying.
55:37No, I'm staying.
55:44No, I'm staying.
55:48No, I'm staying.
56:22No, I'm staying.
56:23No, I'm staying.
56:24No, I'm staying.
56:25No, I'm staying.
56:25No, I'm staying.