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00:27Thanks for watching the video
00:57Thanks for watching the video
01:27Thanks for watching the video
01:42Thanks for watching the video
02:01Thanks for watching the video
02:40No
02:47I'll go then.
02:49No, don't move from there
02:57We didn't have to be so surprised.
03:01As children we often slept together
03:08He used to drive me crazy all the time.
03:11You used to make me angry
03:13You were hiding my dolls
03:16And what about the times you threw my soldiers into the fire?
03:19Don't you remember?
03:21I had to defend myself
03:24Come
03:25Turn off the light
03:26Because?
03:29Turn off
03:57Come closer and you'll fall out of bed
04:05Your hands are cold
04:11Do you love me?
04:14Of course
04:23Juan
04:25What happens now?
04:29We need to talk, you and I.
04:31First of all
04:32About what?
04:36What were you doing during that time?
04:39When?
04:40When?
04:42You know very well what time I'm talking about
04:43You know very well what time I'm talking about
04:44You didn't set foot in your house for months.
04:46What question?
04:47What might interest you?
04:49I'm interested
04:52Please
04:53You won't let me talk about that now
04:56When?
04:58I promise to do it
04:59But this is not the time
05:12I'm interested
05:18I asked
05:27I asked
05:29Shut up, be quiet! You've already ruined me.
05:32Why should I be silent, have you been silenced?
05:33How did you get rid of me?
05:35Shut up, shut up, shut up!
05:38Shut up, I'll take the knife away, lower you, and get lost here!
05:41That's what you'll do!
05:43What do you mean?! Me, me! They could have been the best bullfighter!
05:47I've had enough of the pressure from you!
05:50Oh! You don't want to do it to me.
05:51You don't want to do it to me! You don't want to kick me out!
05:54Got lost, but walk!
05:56What you need to do is work, and now!
05:59Work!
05:59I have to feed you and your niece.
06:03Don't involve me with my niece!
06:05What? I'm not getting involved!
06:06You're going to get me!
06:08You're not going to mess with me!
06:10You're not going to mess with me!
06:11Arten! He can handle you!
06:13You're not going to mess with me!
06:17Why are you crying?
06:25Who's crying?
06:28You're not going to mess with me!
06:30You're not going to mess with me!
06:30Damn it!
06:31Poncella!
06:32Let him have a limp!
06:33You're going to get it from me, Amba!
06:35That's it, that's what a man does!
06:36You're going to run into me!
06:37What a shitty joke!
06:41You're not going to mess with me!
06:43He can handle you!
06:44I can't take it anymore!
06:44I can't take it anymore!
06:45What's the harm in calling, what am I going to give you with me?
06:47You're missing out!
06:49You're already lost!
06:52I don't know what's happening to me, and I can't touch you!
06:54Yeah!
06:54I pulled you out of the gutter, do you understand?
06:56Me!
06:57Yes, to you!
06:58I pulled you out of the stream!
06:59What I've fed!
06:59What I've fed!
07:01What I've fed!
07:01But!
07:02But!
07:03I'll give it to you!
07:04I'll give it to you!
07:04I'll give it to you!
07:05I'll give it to you!
07:07I'll give it to you!
07:09I'll give it to you!
07:10I'll give it to you!
07:19There's no more wine. I'm going to get more.
07:26Fortunata.
07:28Tell me, aunt.
07:30Bring more wine.
07:32Where do I get it?
07:34From my room, girl. You know that.
07:43The poor thing only has me.
07:47And to that one who claims to be a picador.
07:51Ha!
07:52But it can be maintained.
07:56I was as good a woman as your Fortunata.
08:02And who's looking at me now?
08:09Second left.
08:12Who's seen you?
08:14And who sees you?
08:24Beware of men, Lucero.
08:27Take care of yourself.
08:29If you know how to do it,
08:32You will bring good fortune to this house.
08:45Careful.
08:52You promised you would tell me.
08:55Yes I know.
08:56I've thought about doing it, but I'm afraid you'll get angry.
08:59If I want you to tell me, it's so I can laugh.
09:01Did you think I was going to get angry?
09:04Your crazy antics amuse me.
09:05Jacinta, what do you expect to hear from me?
09:08I don't know.
09:11What you did during that time.
09:14Your mother was very upset.
09:15Because you had become very cool, Pito.
09:19I met a woman.
09:23As?
09:25I found her on a staircase.
09:27I was eating a raw egg.
09:29A raw egg?
09:30Yeah.
09:31Disgusting.
09:34What can you expect from a man who falls in love with a woman who eats raw eggs?
09:39I went back the next day and the day after that.
09:41We started talking.
09:43Who was he?
09:45An orphan.
09:47She lived with her aunt who was a skirt seller and egg vendor.
09:51Later I ran into her on the street.
09:53To my aunt?
09:54No, to her.
09:57From afar I noticed that she was smiling when she saw me.
10:01We spoke four words, I snuck into her house and became friends with her aunt.
10:07The girl was very innocent, the kind who says what they feel, both good and bad.
10:13Villalonga met another woman from the same neighborhood.
10:15He was pushing me.
10:23I'm not going to continue.
10:25What I want is to erase everything I consider shameful because remembering it makes me feel like I don't even deserve you.
10:34If I don't get angry, Juan.
10:36I enjoy imagining the end of the story.
10:39You made love to her through subtlety, and she accepted it through vastness.
10:42You took him out of his home and brought him another nest.
10:46Leave it.
10:46Because?
10:47You gave her the customary word of marriage.
10:50Be quiet.
10:53I'll be quiet.
10:56Also, I'm in on anything you can tell me.
11:00You got bored quickly.
11:02It's natural.
11:09She left her aunt's house and we ended up with one of her uncles, the biggest animal I've ever seen.
11:13seen in my life.
11:15Come on!
11:17Come on!
11:18Come on!
11:18Come on!
11:20They both wanted to kill you, right?
11:23No no.
11:24No.
11:26These people in the village have no morals.
11:28He does not know dignity.
11:31They are driven only by self-interest and passion.
11:36It seems unbelievable that I found that amusing.
11:40He was blind.
11:46She was like a small wild animal; she couldn't read or write, but she had a good heart.
11:57He had a good heart.
12:10He had a good heart.
12:13Prove to me that you love me.
12:15As?
12:17Come with me.
12:20Come with me.
12:21Come with me.
12:39Come with me.
13:10Thanks for watching the video!
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15:57Thank you!
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22:34Thanks for watching the video!
22:35Forgive me.
22:37Forgive me.
22:41Blessed be my mother.
22:43Blessed be the day I married you.
22:46He was blind, camel-ridden.
22:50But I see my faults clearly tonight.
22:55Juan, why don't you go to bed?
22:57Sue me when I have so many things to tell you.
23:04I haven't been honest with you.
23:09But you'll understand when you hear me.
23:15I'm embarrassed to tell you certain things.
23:18But now I want to do it.
23:23Calm down. Come on, calm down.
23:25I want your forgiveness because I haven't been good.
23:28I haven't been good.
23:30Juan, you're tormenting me.
23:31No, I'm regretting it.
23:41Why are you leaving?
23:54Please listen to me.
24:01She loved me, I'm sure of it, she loved me.
24:04She was convinced that I was not like the others.
24:07That was chivalry, nobility, decency, generosity, the very essence of men.
24:13Nobility, what sarcasm.
24:17Decency because he wears a garment called a frock coat.
24:22The truth is, above all, the poor are always at the bottom, that's the truth.
24:27The rich do whatever they want.
24:30That burden weighed more heavily on me every day.
24:33If I told him to jump into the fire, he would have jumped right in.
24:36He loved me.
24:39Villalonca and I had fun making those men fight.
24:44I was dying to kick her and get her off me.
24:47But she loved me, she loved me.
24:50She was sure she had the best man.
25:02After that, I tried to see her here and there, everywhere.
25:09I looked for her.
25:13They said she had left, and I kept looking for her.
25:18I don't know what became of her.
25:43I don't know what became of her.
25:52I don't know what became of her.
25:57Let's go!
26:00Come on, come on, run, let's go.
26:12Fortunata is five months pregnant.
26:14Did you know that?
26:16Yeah.
26:17And that's why you want to leave.
26:19Is that why?
26:19Come on, come on, give it to me now.
26:21Strong!
26:22Give it more!
26:25Come on!
26:26Come on!
26:27Help me, he was a good man!
26:28Help me!
26:29Runs!
26:29Fortunata had eyes like two stars.
26:34Broken hands.
26:36His hands were broken from so much work.
26:41And a heart full of innocence.
26:46I deceived her.
26:48I deceived her.
26:48I deceived her and lost her.
26:50I told him a thousand lies.
26:56The people are utterly foolish and believe everything.
27:00If they say nice things to him.
27:08I deserve your despising.
27:10I deserve your despising.
27:11I left her lying there.
27:14After having fun with her.
27:18I abandoned her in the streets.
27:21I made her fate the fate of bitches.
27:42Don't tell me any more.
27:46You need to go to bed.
27:48And try to get some sleep.
27:51Say that you will forgive me.
27:54Calm down.
27:54Forget everything.
27:56Calm down.
27:58Forget everything.
28:01Calm down.
28:20How's it going?
28:22I need more hot water.
28:30How are you, my sister?
28:31Good.
28:32It's not much of a problem anymore.
28:47Have you eaten anything?
28:48Nothing.
28:48He hasn't tried anything.
28:50He will have the dream.
28:50Leave it to me.
29:04Everything is fine.
29:06Have you had dinner yet?
29:06No.
29:07Come, let me give you dinner.
29:25That's it.
29:28Are you coming in?
29:29No.
29:29Here you go.
29:38In a hurry.
29:39In a hurry.
29:40In a hurry.
29:40Add more water.
29:41What have you been?
29:42The first child is followed by another.
29:51He was a child.
29:52He was a child.
29:53And another one is coming.
30:01He was a child.
30:03And another one is coming.
30:12Congratulations.
30:13Congratulations.
30:13Already.
30:13They are two children.
30:15Two children.
30:16Two beautiful children.
30:19Congratulations.
30:22Yeah.
30:22How is Candelaria?
30:23Ah, very good.
30:24Very good.
30:25With such rich children.
30:55What's the matter?
30:57Are you feeling unwell?
31:00What's wrong then?
31:05My God.
31:07There are so many of us.
31:09You don't know what it costs to raise them all.
31:13You don't have to worry about that.
31:15You have me.
31:16Can you hear me?
31:17You have me.
31:24Having had these creatures.
31:28There is nothing comparable.
31:29There is nothing comparable.
31:31That day dawned.
31:34And the twenty-three little ones of God that I had gathered.
31:37They were in the cold, damp house on Zarzal Street.
31:41Settled in like rabbits.
31:44They were looking at me.
31:47I had run out of money and had nothing to feed them.
31:53That day was Good Friday.
31:58And I had the seven swords stuck here.
32:04So...
32:05That's when the idea came to me.
32:08Why not?
32:10Ask.
32:12Yeah.
32:13Ask.
32:15It took courage, but it came to me suddenly.
32:18I grabbed the shawl and ran out into the street.
32:21Since then I have lost all shame.
32:23I've asked duchesses, tarascas, women of ill repute.
32:27I have risen from the lowest worker to the king himself.
32:30Yes, yes.
32:31Yes, ma'am, yes.
32:32I requested an audience and saw Don Amadeo.
32:34I told him about the nursing home.
32:36"A nursing home?" he asked me.
32:38No, sir.
32:39As children.
32:40He said nothing more.
32:42And a few days later he had them send me piles of clothes and pieces of fabric.
32:47Good evening, sir.
32:48Good night.
32:58Sorry.
33:01This is never-ending.
33:04I need two hundred pairs of trousers before winter arrives.
33:12I've come to say goodbye.
33:14I'm going back to London.
33:16Are the men there?
33:17Yes, I can hear you.
33:19I don't know if I would prefer to be with women today.
33:24No problem.
33:25Her aunt Guillermina is with us.
33:28He tells interesting things, as always.
33:30In that case, I prefer to seek the company of men.
33:33I run the risk of running out of money.
33:35Okay, now with a lot of chopping.
33:38The you and you.
33:42Mus.
33:43Mus, mus.
33:45No, no, there's no mus.
33:47I'll step here.
33:49Me too.
33:52I want it, okay.
33:55Good night.
33:56Good night.
33:57Good night.
34:22Good night.
34:28Bless, O Lord, the food we are about to receive so that we may glorify you eternally.
34:33Amen.
34:34In the name of the Father, and of the Son, and of the Holy Spirit.
34:37Very good.
34:38Come on, come on.
34:40Come on, sit down and come with me.
34:52With me, the festive action close to the Gospel.
34:55Account.
34:55Account.
34:58Account.
35:00Account.
35:02Account.
35:03Account.
35:11Thank you!
35:37Thank you!
36:04Bye bye!
36:16Thank you!
36:25Run, come on!
36:37Thank you!
36:40Listen to what you hear there.
36:43What is it?
36:44They are cats that have been thrown into the sewer.
36:47Because?
36:50Ma'am, they must belong to the bookstore cat.
36:53She gave birth last night, and since they can't support them, they're getting rid of them.
36:58Take them out!
36:59Come on, hurry up, get them out!
37:01It's not possible, they're too deep.
37:05Removing this gate.
37:13There is no sound anymore.
37:16They have drowned.
37:19No, they're there!
37:22No, ma'am.
37:25They are gone.
37:31Leave it.
37:36No!
37:37No, no, no, no!
37:43No no!
37:48No, no, no, no!
37:54No no!
38:14The car is waiting for us.
38:15Yes, it's ending now.
38:41It's for the young master.
38:42At this hour?
38:43They just brought her in. That's what Dio said, thank you.
38:56The gentleman is ready, ma'am.
38:58Thanks, Blas. I already knew that.
39:04Here, they just brought it in.
39:07I'll get the gloves and we'll go.
39:32Whenever you want.
39:33Go by yourself. I won't be able to go with you.
39:37Something wrong?
39:38No. Valledor's mother is asking me for a recommendation.
39:41Nothing's wrong. I just have something to do and I'll be late.
39:45You use the car downstairs.
39:47OK?
40:08Yes, yes.
40:10It doesn't happen.
40:12No.
40:12Hey, better yet, it's not luck!
40:18Hey, better yet, it's not luck!
40:23Okay, you're giving me a hard time!
40:28It's not luck!
40:41It's the same.
41:06It's the same.
41:34It's the same.
42:03It's the same.
42:05It's the same.
42:07It's the same.
42:09It's the same.
42:11It's the same.
42:13It's the same.
42:15It's the same.
42:17It's the same.
42:18It's the same.
42:18It's the same.
42:19It's the same.
42:29It's the same.
42:32It's the same.
42:34It's the same.
42:39It's the same.
42:41It's the same.
42:41It's the same.
42:42It's the same.
42:47It's the same.
42:47It's the same.
42:49It's the same.
42:51It's the same.
42:58It's the same.
43:39It's the same.
43:41It's the same.
43:51Where is it the same?
43:52Because?
43:54Why not?
43:59That?
44:23Because?
44:26Because?
44:56What's wrong?
44:59What's happening?
45:00What's happening?
45:01corridor.
45:04Because?
45:07Because?
45:10What's happening?
45:10What's happening?
45:11What's happening?
45:16What's happening?
45:19What's happening?
45:24What's happening?
45:24What's happening?
45:25What's wrong?
45:33icha?
45:37Come, madam,
45:38that
45:39Do you prefer?
45:40Famous women?
45:41Women in history?
45:43Great inventions?
45:44Gods of paganism?
45:45Put down the books and forget about work.
45:51He'll be tired of walking around so much.
45:55Sit down.
46:03We've prepared some food and a small drink for him.
46:06Oh, no, thank you very much.
46:08I never drink.
46:08The other day, however, at Joaquín's house you were a little cheerful.
46:12I have never been drunk.
46:15Excuse me, sir from Santa Cruz, but it's the truth.
46:23Bring it to the table.
46:24I have never been drunk.
46:45Look, sometimes, just like that, without knowing why, I get a certain, certain excitement.
46:52And I get like this, nervous, and kind of on edge.
46:56I get electric.
46:58Come, look, I'm already here.
47:01Observe the eyelid and the muscle of the complainant.
47:05Look, this is no way to live.
47:08You can't live like this.
47:09I get as stiff as a clock spring.
47:11Calm down and drink some water.
47:14Eat something.
47:14Coma.
47:16What if I get worse?
47:18You'll see that's not the case.
47:19Coma.
47:43Notice one thing, dear Don José.
47:46That?
47:47You don't chew what you eat.
47:50Are you interested in me chewing?
47:52No, not us.
47:54It's because I don't have any teeth.
47:56Look, like turkeys.
47:58That feels better to me.
47:59Go on, go on, we've distracted you.
48:03Jacinta.
48:05Wherever you look, the gentleman has one of the most beautiful women in Madrid.
48:08Really?
48:09Yes, she doesn't deserve it.
48:11You can see he's ugly, Adelette.
48:12My wife, Nicanora.
48:15The Venus de Medici.
48:17The one with satin meat.
48:18I'm looking forward to meeting her.
48:20It must be beautiful.
48:21Nothing more than outward beauty.
48:23Whitewashed tomb.
48:26Heart full of vipers.
48:28What do you have to say about that saint?
48:29What is a saint?
48:30A saint?
48:32And what is your basis for asserting this without evidence?
48:35Is that what the public voice says?
48:37The public voice is being deceived!
48:39Calm down.
48:40We don't care what your wife is like.
48:44They don't care.
48:46I know that these things only matter to me.
48:48To the outraged husband.
48:51To the man who knows how to put his honor above all things.
48:55And so that you, madam, may appreciate the righteous indignation of a man of honor, know that my wife is
49:00adulteress.
49:03Adulteress!
49:05Sit down, Don José, and don't get so excited.
49:08Those drinks are bitter, but little by little you get used to the idea.
49:13Are you getting used to the idea?
49:15And what about honor, Mr. Santa Cruz? What about honor?
49:18Honor is a conventional feeling.
49:21If you discover that your wife, the Medici Venus, the one with satin flesh, the one with the swan neck...
49:29If you discover that the deity you love so passionately...
49:33...goes to mysterious rendezvous with a duke.
49:36With a great Spanish team.
49:39With the same duke as before.
49:41Oh! That's serious.
49:42But very serious.
49:44Are you sure about what you're saying?
49:45I've seen it! I've seen it!
49:48And you, my dear Don José, why don't you fix it by asking for satisfaction?
49:51Duels, little duels, come on. That's for fools.
49:54I swear to you, I am just.
49:56I hope to catch you red-handed, Mr. Juan.
49:59And then the two corpses will appear, pierced by a single sword.
50:03This is revenge! This is the law!
50:05By a single sword.
50:07And I'll be able to go out there showing off my hands stained with the blood of the two adulterers.
50:12And to shout it out...
50:14Learn from me, husbands, how to defend your honor!
50:17Behold these righteous hands.
50:19See them and kiss them.
50:21And they will all come.
50:22It will be a hand-kissing ceremony.
50:24Why are there so many?
50:26So many.
50:27And they will kneel.
50:29And they will come to me.
50:30And they will kneel.
50:34Blas.
50:36When it's convenient, give him a couple of bucks and get him out of the house.
50:38But now let him rest a little.
50:40Good, sir.
50:43I don't find this funny at all.
50:49He's crazy.
50:51His dementia consists of believing that his wife is cheating on him, but he is harmless.
50:54I believe they will kneel.
50:56And they will come to me.
50:58Yeah.
51:10Jacinta.
51:20We're waiting for you, daughter.
51:22Go.
51:24You don't have to do it if you don't want to.
51:26No, that's not it.
51:29I know what's wrong with you.
51:31It's no big deal.
51:33Of course.
51:34But don't rush, daughter.
51:37You are very young.
51:39Don't worry about the children.
51:40You'll have them soon.
51:42And they will bore you.
51:43Your mother got so bored.
51:45And you'll end up asking God not to give you any more.
51:47You know what.
51:49I would like that too.
51:51But I know they're coming.
51:53And I don't mind waiting.
51:55We're better off this way now.
51:58They will arrive.
51:59And with them, diseases.
52:01The disappointments.
52:03You don't have to worry.
52:06I'm not worried.
52:07Go on, go on.
52:08I know you.
52:09An ad hoc building.
52:11Yes, sir, ad hoc.
52:12I have the land and the plans, and they are doing the excavation for me.
52:15The architect and the draftsmen work for me for free.
52:18And now it's not just money I have to ask for, but bricks, mortar, and other materials.
52:23So, let's see...
52:24You have the memory of a stonemason.
52:26Yes sir.
52:27Would you like to give me something?
52:28I give you 60 cubic meters of ashlar stone that I have in the quarry.
52:33How much?
52:33Nothing.
52:34The stone is yours.
52:36God will repay him.
52:38And the marquis?
52:39What do I get?
52:40Well, I...
52:41Do you want two double T iron beams that I have left over from the race house?
52:46How could I not love them?
52:47I take it all.
52:48I'll take any four bricks they give me from any brickyard.
52:51Do you see how birds make their nests?
52:53That's how I'll build my orphan palace.
52:56Taking one straw here and another.
52:58Have you managed to soften their hearts?
53:00Yes, they are generous.
53:02But they can be even more so.
53:03The marquis, who has his large plasterworks in Vallecas, gives me beams.
53:08Implying that I have the plaster cast as an added bonus.
53:11Count on two hundred of the white ones that are at nine reales.
53:14What did I say?
53:16And what will this Mr. Ruiz do for me?
53:18Ah, my dear daughter.
53:19I don't have a single nail or splinter.
53:21But if you want my pamphlets and my comedies to make a raffle, count on them.
53:26Do you see it?
53:27The manna falls, it falls.
53:29And what does my friend Baldomero say?
53:30The bells.
53:32And if you push me a little, the lightning rod and the weathervanes.
53:35I want to finish the building now that my friend is going to Paris and wants to start it.
53:39No one can take the first stone away from me.
53:42Okay, let's play our game.
53:49We'll give you something more, right, Baldomero?
53:51What else?
53:52The chapel with its organ, the altar, and images.
53:56Whatever you want.
53:58And that's despite the fact that the Micaelas have cost us a pretty penny.
54:00We have repaired almost half of the building.
54:03But now it's Guillermina's turn.
54:04He knows he can count on us.
54:12What inequalities, my God.
54:14Some do, and others don't.
54:17There is a lack of balance.
54:18And the world seems to be falling apart.
54:21Everything would be fixed if those who have a lot
54:24give what they have in excess to those who have nothing.
54:26But what is superfluous?
54:28Who knows.
54:29Good evening, sir.
54:31Good night.
54:32Good night.
54:38Do you have rubble?
54:41If I have rubble, is it for you?
54:45Don't do as the Galicians do,
54:46that when asked a question, they answer with another question.
54:50Since you're so down-to-earth,
54:51Does it have rubble, yes or no?
54:54Yes, I have it.
54:55And magnificent flint.
54:56At 60 reales per car, whatever you want.
54:59The rubble at 8.
55:02Because I already know what it's about.
55:03The sanctimonious woman is deceiving them with fantasies about the asylum she plans to build.
55:07Shut up and keep your flint chariots to yourself.
55:10Let them weigh them in your balance on Judgment Day.
55:12You will go down with them because you are greedy.
55:14It won't be like that if on the other side of the scale they put all the money he has taken from me.
55:18I'm sure I'll be saved.
55:19You are a miserable wretch and a usurer.
55:21You tear down old houses to build Sunday homes and rip the guts out of the poor.
55:25But don't pay any attention to this ecclesiastical rat.
55:28It's ruining me.
55:29I'm going to have to move to a small town because he won't let me live here.
55:34News.
55:35I have news.
55:36What's happening?
55:37Listen to me, everyone.
55:38So what happens?
55:39King Amadeo is leaving.
55:40He leaves us.
55:41It is an irrevocable decision.
55:43Completely safe.
55:45Don Amadeo?
55:45What are you saying, Jacinto?
55:47No, no, no.
55:51Getting 20 pesetas out of your husband is already quite a lot.
55:55Let's see, let's see, let's see, let's see.
55:57Let's see, let's see, let's see, let's see.
55:59Daughters, the king is leaving.
56:01What are you saying, woman?
56:02Don Amadeo, tired of dealing with these people, throws the crown out the window and leaves.
56:08All for God.
56:16Nothing was known about it on the stock exchange.
56:18I put it in my bag and ran to the casino to give the news.
56:21When I returned, they were doing the consolidated 20.
56:24We have to see it at 10, gentlemen.
56:26The bank at 175.
56:27Excuse me, it's already at 172.
56:30And if he buys mine for 170, I'll sell them to him right now.
56:33I don't want any more paper from our beloved homeland.
56:36I'm going back to London tomorrow.
56:37Yes, because what's going to happen will be a horde-like uproar.
56:39We shouldn't be so easily impressed.
56:42This good man has grown tired.
56:43It was no small matter.
56:44He said it, that's that.
56:46We will have some disruption.
56:47There will be a bit of republicanism.
56:49But you know that nations never die.
56:52The blow comes from outside.
56:54I already knew this.
56:55France has been...
56:56Let's not get involved.
56:57And if I am to speak naively, I will tell you that the republic does not frighten me,
57:01but republicanism.
57:02Your Excellency, the Spanish people are a dignified people, who in times of danger know how to stand tall...
57:08And what does one thing have to do with the other?
57:09Don't involve yourself in the issues.
57:22What's going on? Are there barricades?
57:23No, there's nothing.
57:24Calm down.
57:25Don't know.
57:26You won't be going out again tonight.
57:29I'll be really angry if you go out.
57:31Well, I won't go out.
57:32That?
57:32What are you looking for?
57:34Will you be angry if I take this 20 peseta note from you?
57:36Do you need it?
57:37No, take whatever you want.
57:39It's for Guillermina.
57:41Mom gave her two, but she still doesn't have enough to pay the rent for the old nursing home.
57:44Alright.
57:45There's no need to rack your brains thinking about it.
57:47What needs to be done is to leave.
57:48Disappear?
57:49Find a civilized country and wait there until you learn how to live.
57:53It will be a pointless wait.
57:55I assure you that nothing will happen.
57:57People here have no idea what the Spanish people are like.
57:59I nod in response to him.
58:03If Don Juan Prín were still alive.
58:05I am watching Don Carlos enter Madrid.
58:08And if not, time will tell.
58:09It will be Don Alfonso who comes.
58:11Alfonsism is shrouded in the nebulous unknown.
58:14It will be the republic.
58:15And there's no need to be alarmed because nothing will happen.
58:18Whatever happens, whatever the case may be, you'll call your pineapple.
58:21Have him buy supplies.
58:22Yes, yes, many, many supplies.
58:24To resist.
58:25Many.
58:26To resist.
58:29Cartagena Nursery!
58:30Then all of Spain!
58:32Long live the republic!
58:33Viva!
58:34Viva!
58:35Federalism!
58:37Federalism!
58:39Federalism!
58:41Federalism!
58:42Federalism!
59:11Federalism!
59:13Federalism!