- 22 hours ago
Igra sudbine 1946 epizoda (26. 10. 2026)
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00:1332, 33, 34, 35, 36, 36,
00:3338, 39, 40.
00:3740 am treba uradit.
00:39Koliko je meri sati prišli?
00:41Sedam.
00:42E pazi, na šta sedaš?
00:44E.
00:45Šta ti spopalo, bre? Šta mi tu dahćeš iza glave, bre?
00:50Ništa.
00:51Uf, šta me glava boli.
00:55Ono je tvoje loze.
00:56A loza je čista, glava te boli od grada, od smoga.
01:02E, od grada me bole džepovi i glava tvoje loze.
01:08E, imam višak negativne energije, moram da izbačim.
01:12E, slušaj, bre, ti si sav satkan od te negativne energije.
01:18Ako je budeš izbacio, ostat će ti samo ta garderoba.
01:22Znaš ti da sam ja u vojsku mogu uradit sto sklakova bez pauze?
01:26Kada? Pre dvadeset godina i jedno dvajest kila manje.
01:3015.
01:32Sad idu čučnjevi.
01:35Čekaj, čekaj.
01:37A daj, sedi, bre.
01:39Slušaj, Ľuče si mi šta si mi pričao za ovu stelu, Ľuče.
01:43Sam zaspoj, da?
01:46Ništa.
01:47Šta si tu dešao? Šta je bilo?
01:49Završi priču.
01:51Ništa ti si zaspoj i ja sam lego.
01:56Ti si lego.
01:58Ja nešto kroz san se sećam s ti, nešto pričao sa nekim sinećem.
02:03Pogrešan broj.
02:04Neđo.
02:06Pogrešan broj u pola noći, a ujutru radiš lekoje, jel?
02:10Jel?
02:10Nemo me zajebavaš, nego šta se dešava?
02:13Meni treba mir.
02:15Ako nastaviš ovako, unosiš mi nemir, polje mi reciš šta se dešava.
02:23Šta je bilo?
02:25Šta je bilo?
02:25Vidio sam...
02:26Koga šta je bilo? Ajde, reci vam.
02:28Vidio sam na fotku onu moju sa nekim drugim.
02:47Vidio sam...
02:48Ajde le, le me ne zanno.
02:55Ajne gola...
02:57Ajde, igroš je mu.
02:59Ajde, vidio.
03:01Oh, that's what I'm doing.
03:05Oh, that's what I'm doing.
03:07Oh, look at that, you're looking for me.
03:09What's this, my God?
03:11What's this, my God?
03:14Oh, you're dead, I'm saving you.
03:17Oh, my God.
03:19Oh, my God.
03:21When I got the engine for the engine,
03:24I got the bus on the bridge,
03:27I got the bus.
03:28Oh, my God.
03:29Can I have one thing to ask for a friend?
03:32Who?
03:34Tell me, the red guy.
03:36I'm going to die.
03:38Oh, no, no, you're normal.
03:40I'm not going to die, my God.
03:42You're just going to die.
03:44I can't be.
03:46I can't be.
03:46I can't be.
03:47I'm not being a man.
03:49I'm not being a man.
03:53I'm not going to die.
03:56I'm not being a man.
03:57I'm not being a man.
03:59I was going to die back.
04:02I'm not being a man.
04:05I'm not being a man,
04:06he's going to die.
04:07He's not being a man.
04:12You see, we drank a lot, but he drank a lot, but nothing to do with him.
04:16Don't be a fool, don't be a fool.
04:19We don't drink, Gorane.
04:21We don't know him.
04:23I don't know him.
04:27He brought us to my football field.
04:30You understand?
04:33It's easy for him.
04:35We'll bring him to our field.
04:38What?
04:39Loza.
04:42We'll bring him to our field.
04:43Let's see how he will bring him to our field.
04:46No, no, no, no, no.
04:51Let's go, Gorane.
04:52Let's see who's going to be.
04:55Where is the school?
04:56While we're talking, we'll lose a year.
04:59Who's going to be?
05:00No, Gorane.
05:01Let's go to the school.
05:03I have a fair proposal.
05:07Let's play a game like a child.
05:11Then he'll lose his child.
05:12What?
05:13He's a man.
05:14He's ready.
05:16He's ready.
05:17He's ready.
05:19He's ready.
05:21He's ready.
05:27He's ready.
05:30What?
05:35Let's go.
05:35Let's play a game.
05:37We're hungry with a dog.
05:39Let's go.
05:39Let's probably come.
05:40Why?
05:41Let's go.
05:41Ok, we'll try.
05:42Let's go.
05:45Let's do it.
05:46I'm going to get to the brze.
05:49Let's go, old man, you're easy.
05:57Wait, I can't wait.
06:00What's up, I'm going to?
06:01What's up?
06:02What's up?
06:03What's up?
06:04You're going to be like a Frenchman.
06:07Don't ask me, please.
06:08Don't ask me, don't ask me.
06:09Don't ask me, I'll put my head in.
06:11What?
06:13I'm going to break my fingers.
06:27I have a nice guy.
06:28Well, what if you see?
06:31What?
06:32Well, okay.
06:33Your teenager is no longer with this.
06:34And what now?
06:35You kill me?
06:37And God, I don't.
06:38You're going to see it.
06:40Let's see, I'll shake a nice drink and sit and sit down and sit and sit.
06:43And you'll be able to see any other guy.
06:45What?
06:45I won't.
06:47Don't care.
06:47It's a lot of fish.
06:49People who are alone.
06:51They left their faces, like my father left.
06:54And you're going to get out of here,
06:58training, conditions.
07:00You'll forget your stomach, master.
07:03There's a lot of fish for you.
07:05I promise you.
07:08I'll give you him.
07:10Okay.
07:12Let me see who is that.
07:14I don't know.
07:16That's why I'm going to ask David,
07:18so I don't regret it.
07:19Okay.
07:20You have a picture or something.
07:21Now I'll forget the picture to see who is.
07:30Do you know him?
07:33I don't know.
07:34But look better.
07:35I don't see him first.
07:38But...
07:39A good time, a good time.
07:41I don't know him.
07:43You're not the one from the street.
07:45What does that mean?
07:47That's what it means.
07:48I don't want him to go to the places where we go.
07:52And if you get hit,
07:53I believe that five of them will be lost before you go.
07:56You're not the one from the street.
07:58I don't want him to go.
08:00I'm going to go and get out of the street.
08:02I'll go and get out of the street.
08:04I'll go and get out of the street.
08:05And you do it and you don't have anyone to call me.
08:21I don't want him to go.
08:26I feel like that's not that's not that good.
08:29That's what he should be on my mind.
08:32I don't want him anymore.
08:33I don't want him to die.
08:34I don't want him to go and get out of the street.
08:35I don't want him to go.
08:36I don't want him to go.
08:36Five times in Rigo.
08:39Everything is burnt.
08:40Don't forget it.
08:42It was really burnt.
08:44I had five kilos.
08:46All of you from me.
08:48Stop it! You see I'm eating.
08:51What do you do?
08:53What do you do?
08:55What do you do?
08:56What do you do?
08:58I want to talk about something else.
09:03What do you do?
09:03I want to review the situation
09:09about the Odyssey.
09:12It's too heavy.
09:16Panceta, please, don't put me in the head.
09:19I'm drunk.
09:21What?
09:21I'm drunk.
09:25I'm living with people.
09:27What do you do, Panceta?
09:28I'm drunk.
09:29I'm drunk.
09:30I'm drunk.
09:31I'm talking about the fact that a man is left in the house.
09:35He died in the house.
09:37He's dead in the house.
09:39Do you understand that?
09:41You understand that?
09:44I'm sorry.
09:45I'm sorry about her.
09:46What did you say?
09:47I said, I'm sorry about you, because I have you.
09:49I don't understand that.
09:51I'm sorry about me, but I'm sorry.
09:55I'll get you back to the house.
09:57I don't think I heard about you, but I didn't understand that.
10:08I don't understand that.
10:11I didn't know that.
10:13I didn't understand that.
10:14I don't understand that.
10:15I don't see that.
10:17I don't understand that.
10:19the heart was hurt because he was left alone.
10:23You understand?
10:25I understand.
10:26You don't understand anything.
10:27No, I don't understand.
10:29It's hard to say.
10:32It's hard to say when the man is left alone.
10:35When he doesn't have a bottle of water to give him.
10:41When he's weak.
10:43When he's hard.
10:44You can understand that.
10:47It's hard to say.
10:48Yes, please.
10:50When you talk about it,
10:52I want my heart to cry.
10:55I will help you.
10:56I will help you.
10:59You will get out of your emotions.
11:01Take a look.
11:05Take a look.
11:08And you?
11:10I have one idea.
11:11Let's play a game.
11:12One voice.
11:13Give it to him.
11:14To sleep.
11:15To sleep.
11:16Two hours.
11:19To sleep.
11:20Lakshmi, kak.
11:21To sleep.
11:22To sleep.
11:23I understand.
11:25You are beautiful.
11:27We won't sleep.
11:29But the water will call me a little.
11:33I'll come back.
11:36I'm mad.
11:56When do you think you'll finish?
11:58It's a little complicated, it'll be ready for 2-3 days.
12:02You're not normal. For 2-3 days I have to finish the sale and pay the provision.
12:10Sorry, but that's how it happened.
12:13Your job was to get out of bed until today.
12:20But that's impossible. The client had to go out.
12:23Why didn't you decide to go out?
12:28It was early.
12:30And you have to sleep?
12:32I have to get out of bed.
12:34Listen, the manager doesn't get out of bed.
12:38If you get out of bed, go to the state office.
12:42He said he'll sign up on the road.
12:44And for 2-3 days, send you to the date.
12:48Okay. And where the client went?
12:54In Hurgad.
12:56And you expect you to sign up in Hurgad?
12:58He'll sign up and sign up for the date.
13:00And it's 10 times he's starting to think.
13:03He'll write down it.
13:04Yes.
13:05That's so it was.
13:05You have to come out to the airport.
13:08You have a job.
13:09Where to go.
13:12You are working out.
13:12And you can to get out of bed.
13:13And a Hurgad.
13:14Because we also deal with vouchers.
13:18He'll have a voucher.
13:20Well, there's no voucher for you. Go to Babena's village and then fly there.
13:27But, Chef, don't do that.
13:30Why don't do that? Be happy that I didn't allow you.
13:34Everything will be fine.
13:37The devil will be fine.
13:38But I planned everything with my family.
13:43I planned to have a conversation today, but nothing.
13:46Good luck.
13:53You're so sad.
14:01Let's leave me.
14:03What was the story?
14:05You're a new friend.
14:07You're welcome to the house with no hands.
14:10What do you do?
14:12It's great.
14:13Of course.
14:15Don't tell me.
14:16You don't call me the whole day to tell me.
14:20I'm listening.
14:21I'll tell you.
14:23I'll tell you.
14:23But first, you tell me what you did, son.
14:48That was the day.
14:49It looks nice to have done it.
14:52Please?
14:53You weren't in that garterobe.
14:55You certainly went tomorrow with the bread and milk.
14:58I didn't.
14:59Did you have done it?
15:01I believe.
15:02I don't think it was a little unexpected.
15:05Okay, maybe someone to enjoy this house.
15:08What are you doing?
15:09What's new?
15:11There's a new spirit.
15:13Did Lula get rid of it?
15:15No, Lula didn't see him this time.
15:16What?
15:17Ivana.
15:19I don't know.
15:21I think that's the last part of his alcoholism.
15:28I don't really want to hear it.
15:30We were in trouble.
15:33And when you were so long in the bottle,
15:35you could have some last part.
15:40But okay, what is there?
15:43I would be happy with you,
15:44I would be happy with you.
15:45I'm going to go to the master class.
15:46Let's go.
15:51Let's go.
15:55Let's go.
15:57What happened?
15:57We were in trouble.
16:09What did I do?
16:11I was a little bit of a mess and went to the kitchen.
16:13You didn't call me on the phone?
16:15I was asleep early.
16:16I know that your mess can last night.
16:19I was just with you.
16:20I thought,
16:22I thought you were going somewhere
16:23and found someone to find out.
16:26What did you do with me?
16:28What did you call me?
16:30You didn't want to meet you with Stelica?
16:33Oh, we'll have another time.
16:35I just wanted to see where you are.
16:39I just fell in love with Matoro Gužegović.
16:42What did you do?
16:44I was scared of him.
16:45I was scared of him.
16:46I was scared of him.
16:49I was scared of him.
16:50Stelica told me that he was hit with him.
16:54Really?
16:55You're a dumbass.
16:57What?
16:58Nothing is scary.
16:59Matoro is just a little bit on the phone.
17:01I was able to try him to see how he is at work.
17:05I pray.
17:07What are you talking about?
17:09Okay.
17:10You were able to do it.
17:11You were just in the kitchen.
17:13Well, you were just in the kitchen.
17:16You know how to say it.
17:18Without a baby there's no one.
17:20Well, I like young people.
17:22Don't forget about Alex.
17:24Leave me alone.
17:25Tell me what you were doing with Stelica.
17:29Well...
17:30It was good.
17:32So, you managed to get him in the kitchen?
17:35Yes.
17:36Right after the evening.
17:38I didn't really have to convince him.
17:42Well...
17:45Sex...
17:46Good.
17:47I mean...
17:47It's not crazy.
17:48But it's good.
17:50It's good.
17:51It's good.
17:51You don't have to detail me.
17:53Well...
17:54What do you have to do?
17:56Sex as a sex.
17:57Nothing special.
17:59In relation to me and you.
18:02It's good.
18:03It's good.
18:03It's good.
18:04It's good.
18:05It's good.
18:05But there's something else.
18:07Hmm?
18:08What?
18:08Stelica mi je ispričala nešto brlo interesantno.
18:16Hmm...
18:17Hmm...
18:21Hmm...
18:22Hmm...
18:25Hmm...
18:26Hmm...
18:28Hmm...
18:28Hmm...
18:28Hmm...
18:28Hmm...
18:29Hmm...
18:31Hmm...
18:37Hmm...
18:38Hmm...
18:39The rest of the time is taking a bath...
18:41I you can't...
18:42Hmm...
18:43Come on.
18:44Hmm...
18:44It's good.
18:45It's good.
18:49I can't say...
18:51I know that my rest is alive.
18:54If someone gets off to him?
18:55And there is no...
18:57You are sure you didn't get him anywhere?
18:59No, when we came here, I always put him on the same spot.
19:04Is it still something?
19:06No.
19:07Sure?
19:08Sure, I know where I left him.
19:10I have to find him.
19:13Let's try to find him in the house and see if something happened.
19:31Before we came to the house, I told him that in Žegovići they would call a white mag to get
19:39them out of the house.
19:41Really?
19:42Oh my God, how much of a dog doesn't mean anything when you are just in your head.
19:47A dog means everything.
19:49I would like to see this picture.
19:51So, the woman's bed is in bed, and we could seek a shadow.
19:55Uuuu.
19:56Uuuu, huuuu, huuuu.
19:57You will see what you are.
20:00How?
20:01It's nice.
20:03You will have to stand in more shots.
20:05I don't understand.
20:07Well, like huuuu, huuuu, huuuu, huuuu, huuuu, huuuu...
20:11You will do the same thing.
20:12I don't understand I don't understand.
20:14Tanja, there is a moment when we need to call the fatal attack on Žegović.
20:22And you say, you will be in the middle of the session as a spirit.
20:31I don't know in Boriso.
20:33What do you don't know?
20:36I don't know, it's too dangerous.
20:39I always went there later in the night when there was only one of them.
20:42What?
20:44What?
20:45Now they will be the same thing, and there is a new girl who has to be my friend.
20:52Don't worry, Stelica is going to go to some masterclass.
20:56What does it have at all? I think it's too dangerous.
21:01If you'll be successful, you won't be able to accept it.
21:04And I believe in your success.
21:07I'm not sure.
21:11Tanja, this isn't a mistake. This is a miracle.
21:16You play the spirit.
21:18You hit that house there, while the black black is there.
21:22And you hit that bag of Žegović from that smear.
21:26You expect success. Is that clear?
21:36Yes.
21:38Uh-huh.
21:41Uh-huh.
21:55Uh-huh.
21:57Listen, Matari, I'm a little illegal, so you need to finish all of these payments.
22:05What do you pay?
22:06What's the bell?
22:08It's too bad for us.
22:11It's so bad that you hate it.
22:14Uh-huh.
22:14Our first part is a Panonska Grofica.
22:18500.
22:19500 on Grofica. The last time was the last one.
22:23I'm paying for it. No one is playing. It's a gold medal.
22:29The other one will be Castor.
22:33His 200. And the fourth one...
22:37Attila. 100.
22:40Only plasma. Do you hear it?
22:41Grofica 500. Castor 200. Attila 100.
22:45That's it. And you can see another one of my Grofica...
22:50...in the fifth one. I don't know if it's going to go.
22:53Komarac, let me tell you, beloved.
22:55You are very uncertain at the last time.
22:58You don't come. You don't show up.
23:00It's a long time. I need a deposit.
23:03What kind of deposit?
23:05Deposit. Don't lie.
23:08I don't lie.
23:10I'll just remember one thing.
23:13Who had two years ago...
23:15...when the rachovines were killed...
23:19...he came to the end...
23:20...that nobody would ever kill you?
23:23You.
23:24And?
23:26I.
23:27And you know why it doesn't happen anymore?
23:31Because you are...
23:32Because I said to them...
23:34...and I said to them...
23:37...and I said to them...
23:39...and what would happen...
23:40...if I said to them...
23:41...that you are not under my protection?
23:43What do you think?
23:44What would happen?
23:45That would be again...
23:46...to break the sentence...
23:47...and what would be better?
23:50Do you have a deposit from me...
23:52...or do you have a basket from me?
23:54Okay.
23:55Okay.
23:55It's written...
23:56...Grofica 500...
23:58...Kasthor 200...
23:59...Atthila 100...
24:00...Grofica 100...
24:01...he, that's how I want.
24:03Come on.
24:04Come on.
24:04She's the same one, just...
24:06...has even worse, since she has trapped...
24:08...and she was trapped at the pole!
24:09Where are you, the soldiers?
24:12People fall in a square...
24:13...and you rest on money.
24:15Okay. It's their job...
24:17..to err...
24:18...to run...
24:19...to eat...
24:20...and ate...
24:21...and a little more to be used on them.
24:22They work with them, but you lose them.
24:26Okay, do you want something to drink?
24:28No.
24:29What did your mother do?
24:31A dumb mother.
24:32My mother is not dumb.
24:34No, no, no.
24:35She calls me only 500 times.
24:37Okay, I'm not here to talk about that.
24:40Why did you come here?
24:51Okay, I'll repeat.
24:52You're missing a moment.
24:54Yes.
24:55You're missing a moment.
24:56I'm missing a moment.
24:57What did you say?
24:59Yes, what did you say?
25:00What should we do to know that the spirit is destroyed?
25:05Why do you think this is a lot of pain?
25:08I'm not too worried about you two,
25:11you immediately need an absolute natural solution.
25:14What other explanation do we have?
25:16Everything is on my own and not.
25:20It's impossible.
25:21It's impossible to have a rational explanation.
25:25I'm not too worried about what is next.
25:27What do you think?
25:29First, now.
25:30Pa Mindjuše.
25:31Pa Penkalo.
25:32I'm not too worried about you.
25:34I think you said next time.
25:37You can get in the room, but I don't have that anymore.
25:40What do you say?
25:41The other thing is the punishment,
25:44it's not the same we're the punishment.
25:48What is the spirit?
25:49And the spirit is that.
25:51You're very special.
25:52You have to be scared.
25:53What do you do?
25:54When you're going to stop,
25:54I'll go and send you to see.
25:57You just complicate things.
25:58It's the truth, it's the truth.
25:59I'm just going to get rid of it.
26:01Do you think he has a rational explanation?
26:04Of course, he has a rational explanation.
26:06We need to find him.
26:17I have the idea of what we will do.
26:30What did you want to talk about?
26:33You don't have to worry about it.
26:34You have to ask me.
26:36You will be very happy when you hear what you call me.
26:41What's your connection with Lukashin?
26:42I'm your middleman with him.
26:48You're the middleman.
26:50I'm sorry to send you information.
26:53Why are you?
26:55Because I'll finish the academy soon.
26:57Even if you don't want Pendrak in Ubreg for six months,
27:00when we meet again,
27:01I'm going to ask you to change the behavior.
27:04Okay.
27:05How do I trust you?
27:08That's your connection with Lukashin.
27:10Why would you say that?
27:12Why would someone come here?
27:13Just to say that the name is Lukashin.
27:17The park, the news, the club.
27:20You don't have to be on the phone,
27:21because you don't know if you're listening.
27:23That's why you want to communicate with me.
27:27So, you said you're for the news.
27:29And for Pse.
27:31He said you'll find him in a cafe with an etiket.
27:37Sorry, I'm sorry for you.
27:39I'm sorry for you.
27:40I'm sorry for you.
27:41Yes, I'm sorry for you.
27:42Yes, I'm sorry for you.
27:43Okay, until we're on the new list.
27:45What do you want to do?
27:46Do you want to drink some water?
27:47I don't want anything.
27:48I don't want anything.
27:49I don't want anything.
27:50I don't want anything to drink.
27:51I've come to see if there's something new
27:53and you can write my number for the case
27:55that you need Lukashin.
27:57There's something new.
28:02There's something new.
28:14I don't want anything.
28:18I don't want anything to drink.
28:20I don't want anything to drink.
28:23I don't want any other stuff to drink.