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Maitreyaa Marathi Movie Team Interview : 'मैत्रेया' होण्याच्या प्रवासात समीरची साथ ठरली मोलाची! क्रांती रेडकरने सांगितला घरापासून ते स्वप्नांपर्यंतचा खास प्रवास! | Marathi Entertainment News | Lokmat Filmy

#Maitreyaa #marathimovie #lokmatfilmy #20Nov2026 #marathientertainmentnews #entertainmentnews

समर टाईम्स प्रॉडक्शन्स निर्मित ‘मैत्रेया’ २० नोव्हेंबर पासून तुमच्या जवळच्या चित्रपटगृहात!

Directed by : Kranti Redkar

Production House : Samar Times Production

Produced by : Manoj Khalatkar

Co-produced by : Aman Khalatkar

Story, Screenplay and Dialogues by : Kranti Redkar

Cast : Samar Khalatkar | Sky | Aayushi Bhave | Ruchi Jail | Rutwij Kulkarni | Vipul Khandale | | Rashmi Shetye | Jaywant Wadkar | Supriya Pathare | Kamlakar Satpute | Mrunal Deshpande |Reva Kharade | Umesh Thakur | Siddhi Vinayak Kamath | Sandhya Sawant | Shital Kalhapure | Jyoti Apte | Amit Jambhekar | Prem | Bhakti Kadam

Executive Producer : Pramod Mohite
DOP : Devendra Golatkar
Associate DOP: Pradeep Pashte
Editing : Ashish Mhatre
Casting Director : Nishant Kandalkar
Stills & BTS : Prathmesh Rangole
Costume : Sayli Soman
Art Director : Satish Chipkar
Music Director : Pankajj Padghan
Lyricist : Guru Thakur | Omkar Mangesh Datt | Bap Benjamin | Fernandes | Kranti Redkar

Sound Design & Re-Recordist : Nageshwarrao Choudary
On location sound designer : Umarfarukhmulani
Choreography : Sujit Kumar | Chetan Chetan
Makeup : Dipak Dawre
Chief Assistant Director : Yash Gharat
Post Production : Durgesh Gupta
Post Production Studio : Cinetatva Studios
DI Colourist : Pushpendra Suryavanshi
Marketing Consultant : Amit Bhanushali ( 52 Friday Cinemas )
PR : Amruta Chhaya Mane ( Avadumbar Entertainments)
Visual Promotion : Manish More ( Just Right Studio Znx)
Publicity Campaign : Sachin Gurav (24 Eighty One)

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Transcript
00:00What was the shot?
00:01It was a dream.
00:03It was a dream.
00:04It was a dream.
00:04It was a dream.
00:07It was so melodramatic.
00:11It was a dream.
00:13It was a dream.
00:15It was a dream.
00:17It was a dream.
00:19Hello, I am Gita Anjali.
00:25Welcome to Lokmat film.
00:26We are a dream.
00:28Maitri and Prem
00:29are not a dream.
00:31Maitri loves us.
00:33We are a dream.
00:35We are a dream.
00:36We are a dream.
00:37We are a dream.
00:41We are a dream.
00:43You are a dream.
00:48We are a dream.
00:50How did you learn this film?
00:51We are a dream.
00:58We are a dream.
00:59I think
01:00Maitri and Prem
01:02are not the meaning of love.
01:05This moment is not about love.
01:08It is possible to be a dream.
01:11It is possible to be a dream.
01:13And it is not about male or female.
01:16I thought that I was just so possessive.
01:21That's not true.
01:22If I was a kid and I had dinner,
01:27then I would say, who is a kid?
01:28I would say that I was a kid.
01:30That's true.
01:32So, I don't know whether it is friendship or love.
01:38I don't know if I'm jealous because it is friendship.
01:41It's okay.
01:43And the realisation to whether it is love or not,
01:46I don't know if it's interesting.
01:49And that's why we have a beautiful, youthful cinema.
01:53And I took that film.
01:55And you really liked it?
01:57I mean, when I look at all over the world,
02:03there are shows, even web series,
02:07they never have ever,
02:08and there are many web series.
02:11They are youth-based.
02:12So, the film was so melodramatic.
02:14I thought that we were trying to do something.
02:18because you can see the audience's parents' kids.
02:23So, how do you compare the cinema?
02:26But that's maybe the way that people know what's the film.
02:28So, this is not true.
02:29So, there is no relatability to the film.
02:32I don't think it's a very middle-class set-up.
02:37How did you start to change the whole world?
02:42My name is Arjoee.
02:45It's a unique name of Arjoee.
02:50She's very upset.
02:53She's very possessive about her friends.
02:56She's got a big house in the building.
03:01at the college,
03:03during the group,
03:05even though there is no problem.
03:09She's very favourite friends.
03:14She's just a special friendship with her friends.
03:17She's a friend of Jai from her own.
03:18As a friend,
03:24she's very possessive about Jai.
03:26We do not do the pictures.
03:29They have some very introduction of the characters.
03:34They are curious to see how they are different from them.
03:39They are so strong and very emotionally vulnerable to them.
03:46They are very vulnerable to them, but they do not do that.
03:49How do we do the work?
03:51We have to express ourselves,
03:53We have to express ourselves,
03:54We have to express ourselves,
03:57We have to ask ourselves
03:58We have to ask ourselves
03:59But I think
04:03Our characters are
04:04I think in a friend group
04:08Dominating
04:10Tomboyish
04:11It's not a filter
04:13We have to monitor
04:14We have to say that we have a group
04:16We have to say that we are
04:17We have to say that we are
04:19Possessive
04:22Rjoy
04:23How do you tell me?
04:26Surprisingly
04:28My tell me
04:30It's not like
04:32Because
04:33I think
04:34We have castings
04:35But Rjoy
04:38There are many auditions
04:40I think
04:42We have to call
04:43Kranti
04:44We have to call
04:48We have to call
04:50Kranti
04:50The call
04:53Kranti
04:57Kranti
04:57And we have to call
04:57He is a film
04:57So he is a girl
04:59So we have to call
05:02And we had a meeting with the narration icon that we had.
05:08We were in a room, but we had a story about the girl.
05:13So we had a scene.
05:15So we had a scene.
05:16So we had a scene.
05:18We had a scene.
05:18We had a scene.
05:24So we had a scene.
05:28So we had a scene.
05:29So I had a scene.
05:30So, we had a scene at the scene.
05:32So we had a scene just as well.
05:35But we had a scene.
05:37And the scene was a scene.
05:38And we had a scene like that.
05:43We had a scene with our filming.
05:44So we really wanted to have an eventful.
05:50So you were a picture people.
05:52Just don't know how to do it.
05:57So we needed a scene.
06:27Thank you very much.
06:29Thank you very much.
06:59Thank you very much.
07:50Thank you very much.
07:59Thank you very much.
08:06Confused, emotional, dramatic, melodramatic, sensitive.
08:12Thank you very much.
08:42Thank you very much.
09:01Thank you very much.
09:27Thank you very much.
09:58Thank you very much.
10:08Thank you very much.
10:44Thank you very much.
11:09Thank you very much.
11:38Thank you very much.
12:09Thank you very much.
12:38Thank you very much.
13:14Thank you very much.
13:43Thank you very much.
14:11Thank you very much.
14:16Thank you very much.
14:25Thank you very much.
14:26Thank you very much.
14:31Thank you very much.
14:37Thank you very much.
14:38Thank you very much.
14:40Thank you very much.
15:13Thank you very much.
15:27I'm not a seasoned producer, but OTT has a lot of attention to it.
15:36Nirmithi Kshetraj has a lot of attention to it.
15:41You have all the bonding.
15:43When you come here, you don't have friends.
15:46In the cinema, you have a lot of friends.
15:48But after shooting, you will have a lot of bond?
15:54You have to do the workshop for a month, so you can't do this.
15:59Your family is just a moment.
16:02No, I will.
16:06I'm not a part of this workshop.
16:10We don't have to do this.
16:12It's not good that anyone, who, who, who, who, who, who, who, who, who.
16:16So, we have to do a fresh slate.
16:48I think that really helped. Even after the workshop, we were all absolute best friends in this country.
16:56And the best thing was that we didn't talk about our own business,
17:01we didn't talk about our own business, we didn't talk about our own business.
17:03Even we didn't talk about our own business, we didn't talk about our own business.
17:06So we were all as best friends as a film character.
17:11When we were shooting at the time,
17:13we didn't talk about our own business.
17:19It was very natural and very organic.
17:23And also, I think, sorry to cut you,
17:25but Halokan's workshop is a little bit different.
17:31We thought that Nirvana's role,
17:35we could play Nirvana's role.
17:36We could play Nirvana's role.
17:38Because when we were talking,
17:42we could play it in the same way,
17:45but we could play it and say,
17:47it's a whole script.
17:49It's a whole script.
17:51Literally, literally.
17:52So we didn't take a lot of script.
17:54They knew the script at the back of their palm.
17:57They were so studious when it came to the script.
17:59Is it easy to us?
18:02Definitely easy to us.
18:03But what happened was that it was like an outsider in the building.
18:09And the bonding was so long,
18:12that the bonding was so hard,
18:15and the bonding was so hard.
18:18Because it was so hard.
18:20And it was like, hello, you're from outside.
18:23But it was better.
18:25It was a little bit of distance.
18:27You know?
18:28What is it?
18:29What is it?
18:30What is it?
18:33Forget a hero.
18:34Heroine chemistry.
18:35There is a different chemistry here,
18:37which is this bromance happening.
18:38I mean, yeah.
18:39It's a chemistry.
18:40I mean, there are two creatures.
18:42There are two creatures.
18:44And they are inseparable.
18:47And I mean, there is a strong bond.
18:51So, which is, God bless them.
18:54Dr. Kranty, the trailer,
18:56you did a lot of work on Samir Sarani.
18:59So, Lakshmi Bhai,
19:01you have to say that.
19:02But in this process,
19:04you have to help them?
19:05Dr. Kranty, you have to help them.
19:07It doesn't help them.
19:08It doesn't help them.
19:08Because they have so much support.
19:12Because we have a lot of night shifts.
19:14We have to help them.
19:15In the schedule,
19:19we will have to help them with the night shifts.
19:21And the night shifts in that sense,
19:23I don't have anything else to do.
19:24I don't have anything else to do.
19:25So, you have them for their dad.
19:27So, that's why they have their job.
19:31They had to stay back and support them.
19:34Hopeworks, submissions, tuition teachers continuously coordinate,
19:40what's happening in Tiffin.
19:41So he probably started respecting me even more.
19:45Because he said, I'm doing what I'm doing every day.
19:50And he had a lot of respect.
19:54He probably said that he's always a kid.
19:59So yes, definitely, he had a lot of help.
20:03And my question is,
20:06that he has not been able to do this.
20:10So what are your challenges?
20:14My question is,
20:15that my support is a person.
20:18And I have no idea.
20:20So I think that there is a person who is still there.
20:24And in the party,
20:25there is a person who is a producer.
20:29And I have no idea.
20:30So Purush Pradhan, yes.
20:33Our film industry is coming.
20:35But then there are people like Mahesh sir,
20:38who is showing support.
20:44Sanjay Zadhava,
20:45all these people,
20:47all these people,
20:47all these people have come.
20:48But out of just pure love,
20:52they share their trailer on social media.
20:55They share their trailer.
20:56So not necessarily.
20:58I think that your maitris are strong,
21:00and bond strong in the industry.
21:02But Purush has supported them.
21:04And they support them.
21:06And they support them.
21:08They support them.
21:08They do.
21:09They support them.
21:10He also shared the trailer.
21:14So I feel,
21:15these people are very supportive.
21:16I think you said,
21:17on social media,
21:18but would you say,
21:20digital yoga
21:20would be a challenge to the maitri challenge?
21:23No,
21:23in fact, it's very easy.
21:24I think it's very easy.
21:26The maitri challenge is very easy.
21:26Because,
21:28we always try to get forward so,
21:31we're not in touch.
21:33What we say is that
21:34people are not the real people.
21:36And at the moment,
21:37we're a maitri in Canada.
21:39So,
21:41we're a maitri in Canada.
21:43And we're going to start with the point.
21:44We're going to sell theirladers.
21:45We're going to say to the maitri in the real people.
21:47We're both the group.
21:48One is the one in Bangalore
21:49and one in Canada.
21:52So,
21:53the other group is not the idea
21:53how it is.
21:55So,
21:56So, the fact that our childhood is here in the reels.
21:59But our childhood, our social media is not enough.
22:03I mean, it's easier. I feel it's a blessing.
22:06Of course, yes.
22:06We all have children, but it's possible to be able to live.
22:10People can't live in a long way, but I've taken a lot of pride.
22:14But I'm in touch with them through this also.
22:17When I was in India, when I was in India, when I was in India,
22:21when I was in India, when I was in India, I would continue to do it.
22:26So, it's a boon also. It depends on how much you use it in the end.
22:30You know, if you were a mom type of work, then there is no point.
22:34In a set, there is a scene that you emotionally break down.
22:39Because in friendship, there is a lot of emotions and happiness.
22:44So, there is a lot of emotions in this scene that you shoot in a tough game.
22:49And you have to break down emotionally at one point.
22:53For me, this scene is a lot of emotional.
22:58And I don't have a lot of emotions, but I don't have a lot of emotions.
23:04And I have a lot of emotions.
23:05And when I was very short, I was a master, OS, OS.
23:08And I was close at last.
23:10And when I was close at the end of the end of the end,
23:12I had a lot of emotions.
23:13And when I was close at the end of the end...
23:16It was just a lot of emotional.
23:18And I got exhausted.
23:18Yes, I got exhausted.
23:19Okay.
23:21And a very sweet thing that Ayushie did at that time,
23:25that it was a scene of me at the back of the moment.
23:27And at the end, it was a bit awkward.
23:29I felt like a camera is awkward and I wasn't.
23:32And so, Bazoola and she manage to give me cues,
23:36to give me emotions.
23:38As I was playing with three emotions.
23:40It's a big deal to play off.
23:41I think it's a big deal.
23:43She's like, she's like, she's really like what happened to me.
23:50She was like, that's what I think I could do.
23:52I think I could do a good deal.
23:53It's a lot of things.
23:54It's a lot of things.
23:56I think there are stories about the friendship with the friendship.
24:00It's a lot of things.
24:01We can do something.
24:04If someone is taking baggage carry care,
24:06they can't take any friendship.
24:07I think that we have a good friendship that we have to see from our own.
24:10We have to see what we have to achieve.
24:16We have to see how we have to achieve our own.
24:17We know that we have to be able to enter our own.
24:22We have to apply to our own workshop.
24:26I think that we have to experience that good friendship that we have experienced.
24:33It was a very important scene for Sajiri and on paper it was a very emotional scene.
24:46I was able to do the script and do it.
24:49But I was able to do an emotional scene, a emotional patch, a climax, etc.
24:59And I was able to shoot the scene and it was a schedule.
25:03And I was able to do it and I was able to do it.
25:06And I was able to do it first.
25:10I was able to do it in the quarantine.
25:13And once I was able to do it, I was able to do it and I realized,
25:15Ruchi, you're able to do it again.
25:18How many can you do it again?
25:20You are strong.
25:21You have an emotional character.
25:22You get strong, you are able to do it again.
25:26And after the first thing I wanted to do,
25:29I said no, I didn't want to do it again.
25:32You can't do it again.
25:34But I thought that,
25:36you could impact the scene so much.
25:40I think that was the biggest lesson.
25:42Every single scene, every single scene, is not the same.
25:46That scene, when you say,
25:47it's the same scene,
25:49it's the same scene,
25:51and it's the same scene.
25:53So, there's a lot of things,
25:55as she is a beautiful actress,
25:58she's a beautiful actress.
26:00Less is more.
26:01Less is more.
26:03I mean, Kranty,
26:05one word,
26:07multi-talented.
26:09Multi-talented.
26:13What do you mean?
26:17How do you say that?
26:18Maitreya is all good.
26:20You are smart.
26:23Multi-talented.
26:25Amazing woman, amazing mother,
26:28amazing director, amazing person.
26:31Basically, it's a great character.
26:32Yes, it's a great character.
26:34And this is a great character.
26:36It's a great character.
26:39It's a great character.
26:42It's quite a great character.
26:53The second one,
26:54that's a great character.
26:56I think it's a great character.
27:05All-rounder.
27:12I like to give these inputs, these minor things, to see the whole process when I edit while I'm sitting
27:34there.
27:35And when I edit it, he's like, you are the only one I want to see what your vision is.
27:41I feel like editing, and the scene looks like, yes, it's fun.
27:45It's something else I feel.
27:46It's a great satisfaction.
27:48And I think, well I don't know, I trolled them, so it's like a red and red, but I thought
27:57literally,
28:21So, when you eat, breathe, drink, cinema, you remember that, oh my god, you remember that, oh my god,
28:28you remember that, oh my god, oh my god, oh my god, oh my god, oh my god.
28:29What are due toма years?
28:33How long would you change Marathi cinema all the time?
28:36I think how it evolved ever.
28:38And Marathi cinema if you nghĩ that it's not for the good or bad.
28:42It is change, definitely.
28:44But Marathi cinema was always good.
28:48That thing happened.
28:49I would like to engage in the black and white cinema in Banwa Band and I would like to engage
28:58in Umbaratha.
29:00I mean, we have classics, Pinzra, and the works, and the works.
29:06And then we have an Atrang and a Sairat and...
29:09Why are we not in the cinema?
29:10So definitely, in the making, probably.
29:14But content-wise, we were top-notch always, is what I feel.
29:18Samir Saran, the president of the company,
29:21how important you are in your company?
29:26And when you look at one point,
29:28how are you doing this process?
29:32What processes are you doing?
29:33I mean, Samir, because I married my maitreya,
29:40I am a mother-in-law.
29:42I work with a team.
29:44I am a little ego.
29:45You're the one in my life.
29:46I am a little girl.
29:48I am a little girl.
29:50I am a daughter and I am a lady.
29:52I am the one in my house.
29:54I am an ego.
29:57If you become a team, as equals, on an equal pedestal, then you can change your thoughts and change your
30:06thoughts.
30:07We can go back and say, you are mine and mine is yours.
30:09We are yours.
30:12That comes with everything then.
30:14The whole money is also ours.
30:16It's not my money is my money and your money is also my money.
30:19It has to be, it's our money.
30:21So, this is what I have to say.
30:24If you are not my money, you will have to pay for the money.
30:28Then, when I was in this struggling period, I was in the same place.
30:33And I think that I have to pay for the money.
30:37I don't have to pay for the money.
30:39I don't have to pay for the money.
30:39I think that we have to pay for the money.
30:48I thought I would like to read a draft. I would like to read two MP4s.
30:52One with this and one without this.
30:54I would like to tell you who you like.
30:58I would like to tell you.
30:59Maybe this is good.
31:05But...
31:06I don't like this story.
31:08I would like to tell you.
31:13So, coming back to the point.
31:15You don't do anything but you just give a support.
31:19It doesn't matter whether you understand things or not.
31:22But you have to be there for each other. That is more important.
31:24You thought you were talking about that moment.
31:28I was very young.
31:30I was talking about the camera.
31:32Why did you say that? Why did you say that?
31:35But you thought you were talking about your own mind.
31:40I thought you were talking about your own mind.
31:42I thought you were talking about your own mind.
31:45What was your own mind?
31:45I think that the first time I was handling a unit of 100 people.
31:51I was handling a unit of 100 people.
31:52There were always actors.
31:53And there was one shot, one scene.
31:56I was in the last few months.
31:59And I was shooting.
32:00I was shooting.
32:01I was playing a shot.
32:05I was shooting.
32:06And I was feeling like the power of the pocket.
32:07I was using a piece of pie.
32:08I was using a piece of pie.
32:10But I told her the way when she was doing this.
32:12I was doing this.
32:14I didn't care.
32:14And I didn't tell her the way.
32:15She was doing this.
32:17And she didn't say the same thing.
32:18I thought that she was working on her own mind.
32:20But she was working on this.
32:21So, indirectly, she needed to know.
32:23And in that situation, what was happening throughout the making?
32:27Continuously, there was a phone.
32:29When I had a phone with a loudspeaker,
32:32then I had to go home.
32:34Then they would take out DCP,
32:36then they would take a look at that.
32:37And they would say,
32:39I'm doing this.
32:41So, when I was doing this,
32:42I would say,
32:43I'm like,
32:44I love you,
32:45I love you,
32:46I love you,
32:47I love you.
32:48And then,
32:49I would say,
32:50I'm going to go outside.
32:52But how do you do it?
32:53I'm going to go outside.
32:54Of course,
32:54I'm going to go outside.
32:56I'm going to go outside.
32:59That's all.
33:00You're going to go outside.
33:01You are going to continue to do this process.
33:02I'm going to continue.
33:04I'm going to go outside.
33:05If you have to dedicate a lot of awards to cinema,
33:07you can dedicate them.
33:09And I think I'm going to do this.
33:10Of course.
33:12Because you're going to sacrifice a lot.
33:14The timing.
33:15Mom, Mom,
33:16you're going to do it.
33:17And what happens?
33:18I'm going to give you five minutes.
33:20Five minutes.
33:21But they just have to do this money.
33:23And they just sweep.
33:23Now they're going to do it.
33:25And now they're going to go outside.
33:26They're going to sit.
33:26Mom, Mom,
33:27I'm not going to do it.
33:29And I'm so sorry.
33:31I'm going to shoot them.
33:32I'm going to get extra to finish them.
33:33But they're going to adjust them.
33:36I'm going to keep a star pressure.
33:38I'm going to keep this video on.
33:42I'm going to keep this video.
33:42And people are doing it.
33:43On social media.
33:44When you are wearing the t-shirt, the maid is wearing the t-shirt.
33:49And I can say that when you are wearing the t-shirt, you are wearing the t-shirt.
33:53And the maid is wearing the t-shirt.
33:55We are wearing the t-shirt.
33:56The office shop owner and the coffee shop.
34:02You are having a film on the matri, Punjabi.
34:07It's a rap.
34:10Oh my god.
34:11There's a lot of rap in your country.
34:14Yes, yes.
34:14When you came to rap, you came to the country.
34:17We went to the country and did the rapper show.
34:20I said, there were four years in English.
34:22I was given to them.
34:24I said, okay, I was given to them.
34:25I was given to them a little bit.
34:27I said, what are they doing?
34:28I said, what are they doing?
34:30I said, I'm going to sing.
34:33I said, I'm going to recite them.
34:36But it was a really fun process.
34:39And it was a lot of recording.
34:41It was a lot of music.
34:42It was a lot of music.
34:43It was a lot of music.
34:45It was a lot of music.
34:48It was a lot of music.
34:51Life is love and friendship.
34:53Friendship is all we do.
34:55Living this life forever.
34:57Forever like it's new.
34:58My best friends are my diamonds.
35:01Not many, but there are a few.
35:02There's only one Maitreya
35:04who makes the sunshine lighter than you.
35:11How did you play the cinema?
35:13How did you play the cinema?
35:15How did you play the cinema?
35:15I think that cinema is related.
35:18Because there are a lot of characters.
35:23There are a lot of drama.
35:25There are a lot of romance.
35:27There are a lot of romance.
35:28There are a lot of songs.
35:29There are lots of films.
35:31I think we have enjoyed it.
35:32Youth Gen Z.
35:33Youth Gen Z is a very family friendly.
35:41It's a very emotional rollercoaster.
35:45It's a lot of fun.
35:48It's a lot of fun.
35:48When it comes to the camera.
35:53It's a very fun and feel good film.
35:58It's an absolute rollercoaster, a lot of fun, a lot of fun, a lot of fun, a lot of fun,
36:04a lot of fun, a lot of fun characters, a lot of fun, a lot of fun, so it's a
36:09big rollercoaster
36:10of a film, so I think you all should definitely come and watch.
36:15It's a very colorful film, and I don't think it's a very colorful and grand film.
36:24In Hindi cinema, it's a lot of fun, but in Marathi, Naveen was a...
36:32Masala-dhar.
36:33No, not masala-dhar.
36:37It's a commercial, it's a big ensemble.
36:42There are a lot of senior actors that come with us.
36:46And I think Naveen is a beautiful face, and I think it's a lot of fun.
36:54Please, don't forget that this film is a lot of fun.
36:56I think it's a lot of fun.
36:58If you don't have a film in the theatre, I think it's a lot of fun.
37:03I think it's a great film.
37:06You've been doing it.
37:08I think it's a lot of fun.
37:10You've got a lot of fun in this film.
37:14I think it's a great film in the world.
37:15It's a great film in the world.
37:18It's a great film in the world.
37:20What about you?
37:21What does this mean? We don't think that we don't have to deal with anything.
37:27We don't have to deal with a lot of money, we have to deal with it, we have to deal
37:30with it,
37:31and we have to deal with it, so we can't deal with it.
37:36But the value for money is that we have to deal with it.
37:40And we have to deal with the cinematic experience, there's amazing music in Pankaj Padgan,
37:46for a moment.
37:46You know that the heart of the heart is the same.
37:51It's all about your life, your heart.
37:54Your mind is also about being in your heart.
37:55So, you know that you're a complete family entertainer.
38:01You can be a master and a happy person.
38:04Sir, you too?
38:07It's a great story.
38:11I know there's a lot of people who have come to the audience.
38:13I know there's a lot of people who have come to the audience.
38:28Thank you very much.

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